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Illusion, the art of tricking the brain,
distorting the senses, challenging
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perception. You can't trust what you
see, even with your own eyes. Meet the
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Masters of Illusion.
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Hello everyone, I'm Dean Payne. Welcome
to Masters of Illusion.
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What is real and what is not? That is a
question you may be asking yourself a
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lot over the next half hour. But that's
the beauty of magic performed by
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masters. Will you be entertained? Yes,
that answer is easy. Of course you will.
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Hey, Dean, look at what I've got here.
Look what's happening, Mr. Ed Alonzo,
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everyone.
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This is the classic blade -through head
illusion.
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Uh, yes.
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Go ahead and get in.
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Uh, no, I don't, I don't understand. Let
me show you. It's easy.
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All you have to do is you get down here
and your head goes through.
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These are the head stuck.
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Right. The head stuck.
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Oh, yeah.
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All right. What is this thing? That's so
nice. Oh, no, don't touch that. Uh,
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oops.
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I'm okay, Dean. Oh.
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I'm okay. I'll just get out of here and
wait. Okay. Oh, he's fine.
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He's fine.
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Thank you.
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He's here? He's definitely okay.
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Most magicians are very guarded with the
secrets behind their illusions.
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This performer literally keeps them
locked up.
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Here's Andy Gladwell.
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I have three people from the audience
here to help me with this trick.
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And it's a trick where I have managed to
sleight of hand -proof a deck of cards.
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I have put a padlock through the deck.
This way, there is nothing I can do with
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sleight of hand for this trick, so I'm
kind of locked in.
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We're going to have all three of you
pick cards from this deck. So let's
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with you. I will ripple through the
cards like this, and you just have to
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stop wherever you like. Just say stop
whenever.
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Stop. Here, remember the card?
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Okay, and you're going to pick one too.
Just say stop whenever you like. Here,
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this is your card. You remember your
card? And then finally one for you. I'll
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through. Just say stop whenever you
like. Here, okay, you remember your
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we have three cards selected from a deck
I cannot manipulate.
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So because I can't do sleight of hand,
instead I'm going to do sleight of mind.
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I want you all to think of your cards,
and I'm going to try and read your mind
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and work out what card you are thinking
of. So let's see.
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The card was a three card, but I think
yours was a black card.
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Yours was a red card. Yours was a black
card as well. Yours was a... Yours was a
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spade. Actually, yours was a spade as
well. Yours was a diamond.
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Two of spades, five of spades, seven of
diamonds. Did I get your cards right?
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Yeah. Yeah, fantastic.
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It's a start. Thank you for your time.
It's a start.
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You picked the two of spades, five of
spades, seven of diamonds.
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Well, this had three digits on it.
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Two.
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257. I want you to see, if I do any
other digit here, it doesn't unlock the
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padlock. If we do 888, it doesn't
unlock. Any combination, the padlock
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unlock. But if we do your exact
combination of random choices, 257 is
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combination that unlocks the padlock.
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But look, even though the deck is
unlocked, I don't want to do any flight
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hand. I will be as fair as I can. I'd
like all three of you to take out your
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cards. Two of spades, five of spades,
seven of diamonds. Take out your card.
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Whoever gets their card quickest wins.
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Go for it.
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Seven of hearts. No.
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Turns out those cards have gone.
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Those cards are no longer in the deck,
even though I wasn't able to do any
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flight of hand. But do you remember I
said that I wrote the combination down
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I put it in my wallet in case I forget
it? Here's the good news. I have my
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wallet.
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In my pocket. And inside is not just the
combination, but three playing cards.
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And they are your two of spades, your
five of spades, and your seven of
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diamonds.
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It's time now for an illusionist who has
me in awe each time he comes to the
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stage. It's none other than Sean J.
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Thank you.
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Thank you so much, guys. I'm happy to be
here. We're going to have some fun with
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my lovely volunteer from the audience.
What's your name?
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Susan. Susan.
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Do you happen to have a... You do. Do
you happen to have a ring that I can
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borrow? Okay. Can you go ahead and take
that ring off?
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Thank you so much. With your ring, I
brought this with me. This
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is just a simple stick. It's a wooden
dowel. Nothing super
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special. Just painted a color.
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Now, I want you...
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To examine the stick, I examine your
ring. Looks good to me.
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Thank you very much. I'm going to give
you the magic stick, and you're going to
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hold on to one side with your right hand
and one side with your left hand. You
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got it?
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Yes, just like that. Now,
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how long have you had this ring for? Two
years?
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Yeah, two years.
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Okay, and this is a special ring to you?
Yeah, it is.
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So I better not screw this up. Okay,
there's a lot riding on this.
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I think you have the type of personality
to pass through.
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challenges, and obstacles in life. And
that's proof right there while you're
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holding on to that ring.
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Let go with your right hand only.
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Good. I'll take the ring. Stay right
there.
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There we go.
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A little static, a little magic.
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I want you to wave the magic stick over
my hand. Go ahead and wave it over my
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hand.
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Relax. This way. Simple and easy. There
you go. Enjoy.
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Enjoy. Now stop.
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I take this. You're doing great.
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Now, can you hold out both of your hands
for me? I'm going to give you a gift.
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Okay? I'm going to give you the gift of
astonishment.
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Watch. Ready?
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Set.
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Oh, I like it.
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You want your ring back?
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Yes.
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Can you hold out your hand just like
this?
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And just go like this for me.
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On me, actually. It's my favorite part
of the performance.
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Right here.
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You feel something?
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Yeah. That's my heart beating a million
times a minute because I'm freaking out
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because I'm not sure where your ring is.
But if you just press, feel something a
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little different? Yeah.
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Feels like an extra button or something
that's not supposed to be there.
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Okay, remove your hands.
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Watch this. My hands are absolutely
empty. I want you to see this up close.
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I carry around something very lucky.
It's my lucky piece of jewelry, kind of
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like your ring is, and on my lucky
necklace.
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I have a ring, but it's not just any
ring.
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Please be honest with me. Is this the
exact ring you gave me just a moment
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Pay close attention.
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We would hate for you to miss this next
illusion from The Conjurers when we
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return.
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It's time to wonder in the whimsical
workings of The Conjurers.
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I've been so excited to perform here on
Masters of Illusion, and I've got a
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quick trick just for you.
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I cannot wait. Brand new, not been done
before. What do I have to do?
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Matthew, you don't do anything. You
stand over there, and I'll take it from
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here. Bear with us. Sorry. Hang on. Are
you saying that for this trick, I do
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nothing? Nothing. It's all you. That's
right.
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That's a bit awkward. I wait over there?
Correct.
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Just on my own? Perfect.
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So we have here two tubes.
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And underneath this tube is a very
lovely, fancy bottle of red wine.
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So I'll pop the tube over the bottle of
red just like so. And over here we have
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the same tube, but something different
is underneath here. You see, this is a
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lovely little glass. The glass goes
under the tube just like so. And the
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the trick is that the glass and the
bottle of red are going to switch places
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three, two...
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Right. Oh, unlucky.
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Remember,
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Homeboy and Lamb, the conjurers, toured
the world together.
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Oh, hello. Matthew. Yep. Would you mind
if I tried that again?
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On your own? Please. Without me.
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I stand over there.
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This tube underneath this tube is... Oh,
a bottle of red
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wine. So we pop the tube over the bottle
of red just like so. And let me double
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check this time that we still... Yes, we
still... really do have that glass. So
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the glass goes underneath the tube, just
like so. And you know what's going to
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happen now?
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It's going to switch. Now, what happened
was, the first time was quite good. I
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quite enjoyed how you brought the bottle
back. If, if you could do it again.
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Cheering, clapping, whooping, screaming,
people going wild for you.
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I'll wait over here.
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Two tubes. Underneath this tube is... Go
on, Tash.
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A bottle of red wine!
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So we pop the tube over the bottle of
red, just like so. And over here, let me
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double, triple check this time that
we... Yes, of course, we still really do
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have that glass.
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Now, I'll let you into a little secret.
This isn't exactly going to plan, so,
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uh, Matthew Pomeroy. Hi. Would you mind
helping me out? Yeah, of course. Hold
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up. What's the matter? What's behind
your back? Lovely screens, brilliant
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patterns. What's in your hand?
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It's a bottle of wine. Now, I'll tell
you what. You wouldn't let me join in.
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I've got a little bit left out.
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You let me down a little bit. There are
two of us. There are two tables, two
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tubes. And I thought we could do it
together.
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But you are doing brilliantly. You look
lovely. Your hair's beautiful. So,
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here's what I'll do.
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I'll go over there.
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I'll walk up to the tube.
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You're doing a great job. Thank you.
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Tube goes over the bottle of red wine,
just like this. Over here, we have the
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glass. The tube goes over this glass,
just like so.
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Over here, of course, we still have that
bottle of red wine.
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The tube goes over the bottle of red
just like so. You know that here we have
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the glass. Here we have the bottle of
red. The glass, the bottle, the glass,
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bottle. And in three, two, one, they
will switch places.
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Master of illusions, are you ready?
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Yes. Here we go.
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In three, two, one.
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Magic.
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Next up.
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The quick moves of Smoothini when we
return.
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Hilarious? Yes. Talented? Of course.
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Refined? Not quite. Let's give it up for
Smoothini.
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Me growing up learning magic, I didn't
have enough money for props, so the
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easiest thing I could get my hands on
besides cards was a piece of rope.
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And you would think ropes are simple,
but they could be complicated. For
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example, if I had one rope, it would
have two ends, one middle.
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If I had two ropes, I'd have four ends,
three ropes, six ends, whatever.
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But if I had a rope and a half, it
catches up with a little bit of
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predictability.
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It's a little bit strange when you
notice that you have one middle
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with four ends.
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When you see the rope with two ends on
that side and two ends on that side, it
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makes a lot more sense when the ends are
separated, making it two
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ropes.
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It gets better, girl. I've seen this
before.
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See, if I have two ropes about the same
size and I tie them into loops, I should
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logically have two loops about the exact
same size.
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Now, this is a family show, so I'm going
to reduce a lot of my Las Vegas jokes
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in this moment.
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So watch me as I hold my breath and I
get censored.
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One loop is bigger than the other.
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Just me?
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All right.
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All right. How about this?
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When you combine both the loops, they
look exactly the same size, which
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is a lot.
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00:13:09,260 --> 00:13:12,720
See, the thing is this. Some people are
going to tell you that all I do is I go
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back in time, back with the rope, how to
not.
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00:13:18,960 --> 00:13:21,200
You can apply me as much as you want.
It's all good.
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I can absorb all the love.
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00:13:24,940 --> 00:13:26,640
We're going to do the drunk version,
okay?
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00:13:26,900 --> 00:13:31,040
So you guys over here on this side, You
watch the ends. You guys over here on
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that side, you watch the middle.
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00:13:33,640 --> 00:13:35,360
You can watch whatever you want, girl.
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00:13:36,960 --> 00:13:39,080
You want to paint the ends over here
from this side?
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00:13:41,140 --> 00:13:43,820
Of course it doesn't want to work. There
we go. Bam!
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Not one rope.
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I really got two.
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00:13:53,020 --> 00:13:54,060
Not two ropes.
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Really have one.
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00:13:59,410 --> 00:14:00,450
Not one rope.
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I really only have a rope with no ends.
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How about we do this?
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How about you all blow?
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That doesn't do nothing with the trick.
I just want to smell your breath.
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See the ends? You put the ends in my
pocket.
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in the middle is in my hand.
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Real quick, if somebody, any vote, and I
just say you over there, just say a
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number really loud between one and five.
Four.
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It's a recession. You get three.
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Take that.
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Get ready for a grand illusion like
you've never seen before from Eric Buss
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we return.
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Let's give a warm welcome to a magician
who not only has mastered magic, but
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also carpentry?
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You'll see.
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Here's Eric Buck.
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Thank you very much. Back in March 2020,
when the world shut down,
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we all had a lot of spare time. I
decided to build my son a treehouse.
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And I loved the process. It was a lot
more fun than I thought. Now Magic's
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open. I'm very excited, but I still keep
thinking about treehouses. It's a new
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passion. So I thought today somebody
would win a free treehouse.
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Yes!
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You, what is your name?
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Catherine. Catherine, you win a free
treehouse!
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00:15:51,930 --> 00:15:55,390
I didn't say it was a fair contest. I
just said somebody would win. I chose
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Catherine. Catherine, do you have kids
by chance?
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No, good. You don't want kids in your
treehouse anyway.
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Where do you live?
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Seattle. Seattle. Ooh, I live here in L
.A. I might have to crash on your couch
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two, three weeks, a month maximum, but
we will have some fun. Now, Catherine, I
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built 30 treehouses. I picked out six of
my favorites. This is the design we'll
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use for your treehouse. Catherine, pick
a number between one and six.
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Five. Five. All right, I'm not going to
show you the treehouse Catherine
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selected just yet. I'm just going to
mark it like that. First, we will see
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treehouses. That Catherine did not
collect.
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Oh, one of my favorites.
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00:16:31,690 --> 00:16:35,570
This was a good one. There's a rock wall
over here. This slide here, it was like
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this. The kids just went, bam.
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00:16:38,610 --> 00:16:40,710
Catherine, you did not pick that one. No
slide for you.
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00:16:41,650 --> 00:16:42,670
Treehouse number two.
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00:16:43,090 --> 00:16:44,690
Oh, another one of my favorites.
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This was a huge rock wall. It's like
nine feet high. Put a little hole there
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the kids can crawl through. You did not
select this one.
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00:16:50,790 --> 00:16:51,850
No rock wall for you.
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00:16:52,790 --> 00:16:53,790
Number three.
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00:16:55,660 --> 00:16:59,600
Oh, this was a really cool one. This was
a giant tree. It's another rock wall
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00:16:59,600 --> 00:17:02,620
there. There's hidden monkey bars. This
one came with a free tree.
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00:17:03,780 --> 00:17:06,560
You did not pick that one. No free tree
for you.
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00:17:07,800 --> 00:17:09,400
Number four tree house.
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00:17:09,640 --> 00:17:13,599
Oh, this one was for toddlers. You don't
have toddlers. You don't want toddlers.
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00:17:13,700 --> 00:17:17,680
This one was tiny. Yeah, you didn't pick
that one. No toddler house for you.
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00:17:18,680 --> 00:17:22,240
Number six tree house. Oh, another good
one. This one was huge.
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00:17:22,829 --> 00:17:25,910
I put some red curtains in there,
clasped up the joint a little bit. A
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00:17:25,910 --> 00:17:29,330
rope climbing thing over here. Some more
hidden monkey bars. This tree was huge.
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You did not pick this one.
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00:17:31,130 --> 00:17:32,130
Sorry, Catherine.
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00:17:32,510 --> 00:17:35,090
Let's see the treehouse that you did
select.
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00:17:38,590 --> 00:17:42,990
Okay. This was one of the earlier ones.
Now, not one of the better ones.
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00:17:43,730 --> 00:17:46,670
You picked the playhouse built out of
popsicle sticks.
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00:17:48,530 --> 00:17:49,530
Yay!
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00:17:52,270 --> 00:17:56,050
The bad news is it's built out of
popsicle sticks. The good news is it's
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00:17:56,050 --> 00:17:57,050
built.
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00:18:00,910 --> 00:18:04,490
There you go. You're very young. You
play outside of popsicle sticks.
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Thank you so much.
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00:18:13,970 --> 00:18:16,250
Well, that's all the magic we have time
for.
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00:18:16,680 --> 00:18:21,040
this time, but there's plenty more next
time. We hope you'll join us again.
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00:18:21,140 --> 00:18:23,580
Until then, I'm Dean Cain. See ya.
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