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Illusion, the art of tricking the brain,
distorting the senses, challenging
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perception. You can't trust what you
see, even with your own eyes.
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Meet the Masters of Illusion.
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Hello everyone, I'm Dean P, and welcome
to Masters of Illusion.
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What's real, and what is not? That's a
question you may be asking yourself a
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over the next half hour.
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But that's the beauty of magic performed
by masters. Will you be entertained?
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Ladies and gentlemen, Wayne Hoffman.
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Sorry,
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I will talk backstage. I'm working on
something really quick. It's a whole
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about recycling.
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I got two crushed cans. Green or red?
Which one do you want?
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Green. Green?
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Your call. Watch the dents in the can
because if you imagine we can take the
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dents out, the dents will start to come
out of the can. Now we still have a
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hole, but if you imagine we can grab it
and throw it away, if I just snap, you
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see the hole refills itself. It's
actually refilled. Tap on it.
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Refill.
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Refill. Now we can refill it. See,
listen, there's nothing in there yet,
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imagine we can refill it.
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Starting to refill. Keep going. Now make
it cold.
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Here, feel it. You'll feel it getting
colder. It's very cold. It's getting
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colder and colder.
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I'm a big fan of recycling.
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And this one's for you, bud. But you're
going to be doing a lot of introing and
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a lot of talking for the show. So here
you go.
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This next act
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can't just be a lucky guess.
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It's beyond prediction.
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What's the explanation?
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Must be magic.
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So let's hear it for Eric Jones.
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Good evening, folks. Thank you so much
for having me back. I want to show you
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all something interesting. Here in my
pocket, I've got a single envelope.
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In that envelope happens to be a playing
card with a prediction, a commitment to
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your astonishment. Ma 'am, what is your
name?
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If it's okay, I'd like to try something
with you.
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You, me.
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And my pack of playing cards.
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Specifically, I've got two black kings
here on top of the pack, which I will
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leave here for just a few moments,
Valeria. I need you to choose a card.
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pass through the cards just like this.
Whenever you get the notion, I want you
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to say the word stop. Wherever you say
stop, that'll be your card. Does that
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sound fair?
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Would you like the uppermost card where
you said stop or the lowermost card?
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Completely up to you. The uppermost
card.
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Ooh, that is not a bad card at all.
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Now, if it's okay with you, I'd like to
mark this card because the truth of the
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matter is I could have another card just
like this in the pack. So I'm going to
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ask you a couple of personal questions.
What's your middle name?
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A -L.
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How tall are you?
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Five -four. That's admirable. I like
that.
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Five feet, four inches. So we got that
there as well. Last but not least, did
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you happen to have a pet growing up as a
child?
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You did. Was it a dog, a cat, a gerbil,
a snake?
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A dog. What kind of dog?
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What was your Rottweiler's name?
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How do we spell that? B -E -B -A.
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Now, there's no way that I could know
any of this information. Your middle
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your height, or the name of your
childhood pet. That's true, yes?
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That all checks out.
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Are you a science fan at all?
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You are. Have you ever heard that matter
cannot be created or destroyed?
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Yes? You may have also heard that it
cannot occupy two places at once.
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Now, folks, what you're about to see is
going to look like trick photography.
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So if you need to blink, do it now.
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Watch.
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You know, at the very beginning, I was
hoping that I could make a connection
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with one of you, and I got to learn a
little bit about you, as a matter of
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But I also said that I was going to make
a prediction, a commitment to your
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astonishment, that I mentioned that I
wouldn't touch until the very end.
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Now, wouldn't it be interesting,
wouldn't it be strange, in fact, if this
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playing card that's been in your view
this entire time would happen to be your
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three of clubs with your middle name,
your height, and the name of your
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childhood pet?
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Thank you, guys.
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Thank you.
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What you're about to witness defies the
basic laws of matter.
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And who better to attempt such a feat
than Ana de Guzman?
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Thank you all so much. I'm here with a
lovely volunteer from the audience.
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what's your name? Celine. Celine, what
is your favorite thing to drink?
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Water. Water.
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It's super exciting.
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Well, you normally drink water with a
straw, right?
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Could you hold out your finger like
this?
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Right? Just do this finger. Yeah.
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Can you try to balance it so we can hold
it?
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Perfect.
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All right.
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Okay. Let go.
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You know how it works when I just got
this static from your hair?
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What? Yeah.
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Watch if we just get more.
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Watch what happens.
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Make it stick on one finger.
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You want to see this?
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That's insane.
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Yeah.
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If I could get it right,
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it should be able to.
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Can I see it first?
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Yeah.
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Hold it out like this?
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Yeah. I'm going to put the straw in.
Like I said, you can't.
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Hold tight. Don't move.
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Oh, God. Oh, God. What do you have in
here?
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It's still going, okay?
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Oh, okay. Oh, God. It's... How did
you... Where did you... How...
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Next,
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an impossible prediction by Rob Lake.
When we come back.
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I know these illusions are beyond
belief, but don't worry.
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You're wide awake.
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This magician, however, would like to
take us on a journey through his dreams.
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Here's Rob Lake.
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Last night, I had the strangest dream.
It was so strange, it actually woke me
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in the middle of the night. So I wrote
every detail of my dream down on a piece
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of paper, and I filled that paper inside
of this box. That way I could show it
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to you tonight. But before I can show
you my dream, I have to find...
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A dream date.
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Who wants to help out and go on a dream
date with me?
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Excellent. Right here in the front.
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And excellent, excellent. Oh, are you
guys together?
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I'm going to steal your date for a
moment. I'll let you stay back down
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Have a seat right here to my right. Have
a seat right there.
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And what is your name?
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Cody. Excellent, Cody. I have a key to
this box.
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I want you to hold on to this key. Keep
it very safe and secure.
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Thank you, sir.
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All right, tonight...
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I had a dream that the audience set me
up on a blind date with you after the
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show. Really? We're going to let them
decide all of the details of our dates.
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Like here, let's see.
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Here in the front, the guy in the vest.
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Where do we go on our date? Anywhere in
the entire world, where was our date?
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Japan. Oh, Japan.
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I absolutely love Japan. Excellent.
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All right, here. And in the middle of
the front here, what did we have for
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dinner?
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A poppy seed salad. My favorite. Really?
Yes. Excellent. The gentleman in the
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glasses on the second row back there.
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What did we do on our dream date after
we had our poppy seeds salad?
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You went to a sauna.
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Ah, so soothing. Perfect.
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Now, lady here in the front, do you have
any coins in your pocket? I don't have
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coins, but I do have cash.
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What do you got?
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$20. $20. Oh, big spinner tonight.
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Excellent. All right, Cody, back to you
for a moment. Who did you come here
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tonight with? I came here with my
boyfriend. Oh, your boyfriend.
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Yes. The guy who tried to come up on
stage and ruin my date.
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And what is your boyfriend's name?
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BJ. Has BJ taken you to Japan yet? No.
Oh, so Mr. Magic is ahead right now.
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Cody, come right over here. Stand right
here. I'll be right back. This box has
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been hanging up in the air out of my
reach the entire time you could all see
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No one could have possibly touched it.
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Cody, you still have your key?
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Bring your key over here.
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I'd like you to please remove the lock
from the box.
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Yep, carry the lock to the center of the
stage. I will meet you there.
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This box was out of my reach, in the
air, above your head this entire time.
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thought no one could have possibly
touched it.
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Inside, I have a jar. This jar is sealed
airtight, yes? Yes.
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Inside is a piece of paper. Please
remove the paper.
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Excellent.
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And I want you, Cody, to hold this
corner right here, please.
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Check this out.
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Last night, I had a dream that I was on
a blind date with Cody.
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We went to Japan.
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We had the most amazing gourmet Japanese
version of a poppy seed salad you could
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ever imagine.
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After that, well, we hit off great in
the sauna.
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The total cost of our date was only $20.
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But the best part of all was BJ had to
pay.
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Cody!
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And BJ!
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Watch the astounding skill of Robert
Ramirez when we come back.
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This hallucinist would like to pay some
respect to the magician who came before
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him with an act that stands up to the
test of time.
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Let's hear it for Robert Ramirez.
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I'm going to show you one of my favorite
manuscripts. This is what we call magic
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apparatus, a word that's not used very
often. It used to be really popular in
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the 60s and the 70s. It kind of started
dying in the 80s and 90s, and now nobody
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really does this kind of magic. But it
was shown to me, and I just thought it
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was so incredible that I had to show
you. So what an opportunity we have that
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you get to see this. A little history.
It's called Cube on a Release. It was
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invented by a man named Jack Hughes in
1956.
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It's three pieces, but we're only going
to talk about two of the pieces at the
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moment. So it's got this wood frame,
which we'll get to afterwards.
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Mainly, it's this two -rope.
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With the red block in the center.
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Perfect.
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Two ropes. We'll do this one at a time
so you can see.
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Stay. Stay.
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Solid piece of rope all the way through.
There's no magnets or it doesn't come
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undone or anything like that. That's
rope number one. Rope number two looks
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exactly the same.
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Smells exactly the same as well.
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Don't ask me what it smells like. It
just smells exactly the same. We have
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red block here.
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It's solid on all sides.
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Yes, it hurts my knuckles. Yes, it hurts
my knuckles. There's two holes on the
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inside, and that's so you can see right
through.
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But really, it's for the two ropes. So
we're going to place the two ropes
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through the cube.
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The goal is, the magic trick here is,
I'm going to get the rope to melt right
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through that solid cube without touching
the cube. So we're going to place it
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right there. I'm going to take one side
of the ropes on each side and cross
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them. That way it gives me a little
heftier grab there. Okay, perfect. On
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count of three, I'm going to pull the
two ropes without letting go. The ropes
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will magically and swiftly pass through
the red cube. On the count of three.
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Here we go. One, two, three. You'll see
that the two ropes go straight through.
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It's pretty impressive.
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I know. I know.
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1956 is pretty crazy. But whenever I do
this trick, people always immediately
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say, oh, I bet you that's just flight of
rope.
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I have no idea what that means, but it
must be some type of magic that
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So, again, solid cube all the way
through.
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Great. So we're going to put the rope
back through, back through the cube like
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this. The frame is so that it lets me
not do what we call slight of rope. It's
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solid wood frame here. The cube goes
right there.
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Ropes locked into place.
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Just like we had at the very start, we
have this beautiful piece of apparatus.
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Now, the goal is to do the exact same
trick, to do the exact same trick.
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where the cube's going to go through the
rope. But this time, I will not touch
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00:12:47,420 --> 00:12:50,880
the rope in any way, shape, or form. I'm
solely only going to touch the cube,
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00:12:50,920 --> 00:12:53,500
and the cube will still melt right
through the rope. Here we go.
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Close up on this.
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Not this. This.
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This is hurting my thighs.
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All right, here we go. I should have...
All right.
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This is exactly how it would have looked
in 1956, full squat and everything.
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All right, here we go.
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Ladies and gentlemen, this is Cube
Unreleased from 1956.
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Thank you so much. Thank you, thank you,
thank you.
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Let's give a round of applause and a
warm welcome to our very own May Room.
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Thank you.
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I don't quite understand how this next
one is done, but maybe you do. Dan
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is up next.
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This performer has been described as
eccentric, mysterious, and now
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Here's Dan Sperry.
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Now, usually magic, right, deals with
the supernatural.
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Sometimes it even delves into the super
unnatural.
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I know, I know, I know. That's what
we're going to do right now. You and me.
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are you, by the way? Gabby. Gabby. Take
me like that. Stick your hands out like
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Frankenstein. Right.
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Step up a little bit. And, yeah, pinch
your fingers together and make like two
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fists like you're riding an invisible
bike.
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In a moment, you're going to make a
choice.
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I'm going to demonstrate, but the choice
is going to be yours, so you don't have
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to copy me. So when I say go, you're
just going to lower one of those fists
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like I did. Ready?
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00:15:58,840 --> 00:15:59,840
Go.
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Perfect. So that's the one that we're
going to get rid of. If you kept that
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keep that fist and hold it against your
heart.
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Perfect. Gabby, I have a little friend
with me in my pocket. Again, getting to
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the supernatural, super unnatural aspect
of magic. This is little Gabby. You can
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see her in this.
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Gabby, did you have, like, a nickname in
school or anything like that?
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00:16:19,420 --> 00:16:20,399
Gab.
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00:16:20,400 --> 00:16:24,320
Gabs. All right, so this is going to be
Little Gabs, right? In order to invoke
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00:16:24,320 --> 00:16:28,040
that power, I'm just going to pass it
around you. Don't move. You won't feel
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00:16:28,040 --> 00:16:29,520
anything, and I'm not going to touch
you.
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00:16:30,620 --> 00:16:31,620
Just like that.
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00:16:32,080 --> 00:16:33,960
Gabby, do you feel any different?
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00:16:34,360 --> 00:16:37,560
Yes. Yes, okay, good. So there's Little
Gabs.
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00:16:37,820 --> 00:16:41,960
Now we need to add an element. That
element is fire. If I take a little bit
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00:16:41,960 --> 00:16:45,140
that fire from this lighter, you'll see
that little bit of the element causes
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00:16:45,140 --> 00:16:47,340
little Gabby. That means we've made a
connection.
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00:16:47,940 --> 00:16:51,840
Starts to stand up. If I take, so that's
your left hand. So if I actually singe
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00:16:51,840 --> 00:16:54,400
and burn a little bit of the left hand
right there, watch.
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00:16:55,120 --> 00:16:57,260
Just like that. If I snap, that's fine.
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00:16:57,960 --> 00:17:02,360
But if I singe a little bit of little
Gabby's hand.
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00:17:05,740 --> 00:17:07,280
Did you feel anything now?
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00:17:07,599 --> 00:17:12,280
So, yes. What I want you to do, go
ahead, extend that fist, spread your
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00:17:12,640 --> 00:17:15,260
peek, and show them.
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00:17:17,800 --> 00:17:18,900
Magic show!
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00:17:20,220 --> 00:17:23,280
You're done. Thanks, Gabby. The rest of
you go to church.
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00:17:27,480 --> 00:17:32,780
We never know what to expect with this
magician. He constantly challenges what
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00:17:32,780 --> 00:17:34,300
we thought was possible.
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00:17:34,800 --> 00:17:37,280
Here's the one and only Ed Alonzo.
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00:17:41,680 --> 00:17:48,320
Okay, watch closely. And at home, get up
nice and cozy to your flat
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00:17:48,320 --> 00:17:52,100
screens, because I'm about to show you
my magic box.
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00:17:52,480 --> 00:17:53,880
It's right back here.
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00:17:54,340 --> 00:17:56,320
But let's take a look inside.
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00:17:56,900 --> 00:17:58,120
Ah, what do we have?
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00:17:59,220 --> 00:18:00,220
Fetters!
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00:18:05,010 --> 00:18:06,010
Check this out.
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00:18:07,330 --> 00:18:08,330
Empty.
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00:18:08,830 --> 00:18:09,830
Go.
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00:18:18,450 --> 00:18:19,450
Let's do it again.
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00:18:37,320 --> 00:18:38,320
That's impossible.
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00:18:39,280 --> 00:18:40,280
Take a look.
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00:18:40,840 --> 00:18:41,840
Oh, yeah.
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00:19:07,370 --> 00:19:11,050
Well, that's it for this edition of
Masters of Illusion. We hope you'll join
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00:19:11,050 --> 00:19:13,350
next time for more amazing magic.
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00:19:13,550 --> 00:19:15,890
Until then, I'm Dean Cain. Thank you for
watching.
25833
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