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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,700 --> 00:00:07,400 Illusion, the art of tricking the brain, distorting the senses, challenging 2 00:00:07,400 --> 00:00:13,720 perception. You can't trust what you see, even with your own eyes. Meet the 3 00:00:13,720 --> 00:00:15,080 Masters of Illusion. 4 00:00:20,500 --> 00:00:24,680 Hello everyone, I'm Dean Cain and welcome to Masters of Illusion. 5 00:00:24,960 --> 00:00:30,520 Now what do the best magicians do? The best magicians make the impossible... 6 00:00:31,160 --> 00:00:34,760 Seem possible and we've got some of the best magicians in the world. So that 7 00:00:34,760 --> 00:00:38,860 means you're about to wait There's many things that just seem impossible. 8 00:00:39,100 --> 00:00:40,100 Is that possible? 9 00:00:40,160 --> 00:00:45,800 I was 10 00:00:45,800 --> 00:00:49,100 on the internet, right? 11 00:00:49,380 --> 00:00:52,160 And I was looking up some stuff. I brought a sandwich in case this takes a 12 00:00:52,160 --> 00:00:55,180 while. But I was on the internet, right? And I was reading. This is amazing. 13 00:00:55,280 --> 00:00:56,280 It's going to blow your mind. 14 00:00:56,350 --> 00:00:59,010 I guess like the parents and the tooth fairy are like in on it, right? Because 15 00:00:59,010 --> 00:01:00,450 the tooth fairy is supposedly not real. 16 00:01:00,870 --> 00:01:04,050 Supposedly. And you lose your tooth when you're a kid. Put the tooth under the 17 00:01:04,050 --> 00:01:06,870 pillow, then you get the money. But they're in on it because then what 18 00:01:06,870 --> 00:01:09,510 when they take the teeth and grind it up, turns it back into sugar, right? And 19 00:01:09,510 --> 00:01:12,250 so they take the sugar, that's when your teeth fall out. Then by the end of it, 20 00:01:12,330 --> 00:01:14,990 then they put the money back in. It's all a cycle. It's all connected. 21 00:01:15,230 --> 00:01:17,370 It blows your mind. It does. It blows your mind. I don't need that part of it. 22 00:01:17,410 --> 00:01:21,330 This is the part of the cookie that we really need. It's the center, right? 23 00:01:21,350 --> 00:01:22,350 You've never seen this? Yes. 24 00:01:22,510 --> 00:01:23,950 Where I had a cup. 25 00:01:24,840 --> 00:01:27,100 Here, hold that cup. 26 00:01:27,580 --> 00:01:30,140 Because this is the center. That's the other mixture. 27 00:01:30,560 --> 00:01:34,220 What's under the pillow is like the tooth and the sugar. And that's why you 28 00:01:34,220 --> 00:01:36,420 can't eat this stuff. Because if you look inside, you'll notice that that's 29 00:01:36,420 --> 00:01:37,780 actually not really sugar at all. 30 00:01:37,980 --> 00:01:41,080 That's an egg. And whatever. Magic show. 31 00:01:46,500 --> 00:01:51,920 I think it goes without saying, but do not try this at home. 32 00:01:52,430 --> 00:01:57,030 It's time to present our dynamic duo with their thrilling performance from 33 00:01:57,030 --> 00:01:59,530 Brazil. Here's Deadly Game. 34 00:04:55,340 --> 00:05:00,580 The impossible is easy for the masterful manipulations of Ben Barnes. 35 00:05:00,840 --> 00:05:01,840 Up next. 36 00:05:09,840 --> 00:05:15,300 This next magician has been tasked with turning these average Jills and Joes 37 00:05:15,300 --> 00:05:17,540 into mystical virtuosos. 38 00:05:17,900 --> 00:05:19,860 Here's Ben Barnes. 39 00:05:22,360 --> 00:05:24,140 Thank you so much. 40 00:05:24,540 --> 00:05:27,060 We have two audience volunteers. We have... Elise. 41 00:05:30,320 --> 00:05:32,000 And... Albert. Albert. 42 00:05:34,100 --> 00:05:36,460 Elise, have you ever done magic? 43 00:05:36,700 --> 00:05:37,780 No, never done it. 44 00:05:38,040 --> 00:05:38,979 Would you like to try? 45 00:05:38,980 --> 00:05:39,980 I'd love to. Perfect, perfect. 46 00:05:40,140 --> 00:05:42,660 Now, I'm going to start you off. You have a deck of cards here. 47 00:05:43,080 --> 00:05:45,560 And, Albert, I want you to take any card out you like. 48 00:05:46,820 --> 00:05:49,500 Show it to everyone, me and Elise. Elise, no peeking. 49 00:05:50,240 --> 00:05:52,040 Make sure she doesn't peek. Everyone got it? 50 00:05:53,440 --> 00:05:54,720 All right, Alfred, I'll take it. 51 00:05:55,660 --> 00:05:56,660 All right, at least show time. 52 00:05:57,400 --> 00:05:58,740 Tell the truth. 53 00:05:59,280 --> 00:06:00,620 Did you see Alfred's card? 54 00:06:00,940 --> 00:06:02,460 No. All right, you're going to find it. 55 00:06:03,220 --> 00:06:04,220 Here's the secret. 56 00:06:05,320 --> 00:06:06,320 Don't overthink it. 57 00:06:07,780 --> 00:06:08,780 Take his card. 58 00:06:11,100 --> 00:06:11,759 All right. 59 00:06:11,760 --> 00:06:14,200 Don't show them. Don't show them. Wait, go ahead. You look at it. 60 00:06:14,720 --> 00:06:15,720 Let me see. 61 00:06:17,000 --> 00:06:19,000 Alfred, would you be amazed if she found it? 62 00:06:19,680 --> 00:06:20,960 I would definitely be amazed. 63 00:06:21,680 --> 00:06:22,680 Good, good. 64 00:06:22,920 --> 00:06:26,260 Alfred, you took the queen of heart. 65 00:06:26,680 --> 00:06:28,600 And that was the card. She stopped that. Was that your card? 66 00:06:28,920 --> 00:06:29,920 No. 67 00:06:30,480 --> 00:06:31,480 Was it the queen? 68 00:06:31,660 --> 00:06:32,980 No. What was it? Tell me. 69 00:06:34,780 --> 00:06:36,080 Do what I do. 70 00:06:40,560 --> 00:06:41,560 Alfred, 71 00:06:45,780 --> 00:06:46,780 you tried it. 72 00:06:47,100 --> 00:06:49,580 Alfred is magic, too. 73 00:06:57,760 --> 00:07:01,120 Illusionists have the ability to make even the most ordinary objects 74 00:07:01,120 --> 00:07:07,860 otherworldly. This performer will rope you in with his act. Let's hear it for 75 00:07:07,860 --> 00:07:08,860 Smoothini. 76 00:07:20,880 --> 00:07:26,340 My body in small portions. 77 00:07:27,140 --> 00:07:32,680 A little bit to here, a little bit to there, and to my big gut that I've been 78 00:07:32,680 --> 00:07:34,320 working on during the pandemic. 79 00:07:36,380 --> 00:07:37,420 Just right. 80 00:07:43,120 --> 00:07:46,580 To there, but the worst part is the... 81 00:08:02,090 --> 00:08:03,090 Thank you. 82 00:08:05,550 --> 00:08:09,730 Normally, I'd welcome the next performer, but it seems like he won't 83 00:08:09,730 --> 00:08:11,070 stage for this illusion. 84 00:08:11,430 --> 00:08:13,550 Here's the magic of Rob Lake. 85 00:08:15,230 --> 00:08:19,550 For this illusion to make it even more impossible, I'm not even on stage. I'm 86 00:08:19,550 --> 00:08:21,190 the courtroom backstage right now. 87 00:08:21,660 --> 00:08:25,100 And we have several volunteers we've chosen at random from the audience on 88 00:08:25,100 --> 00:08:28,500 stage. For all of you on stage, let me know you can hear me with a big round of 89 00:08:28,500 --> 00:08:29,500 applause. 90 00:08:30,000 --> 00:08:34,440 Excellent. Now we're going to give all of the volunteers on stage a tour of the 91 00:08:34,440 --> 00:08:37,940 stage. You can see in the middle of the stage we have a platform. Now this 92 00:08:37,940 --> 00:08:41,740 platform is only a couple of inches thick, so please examine it all you want 93 00:08:41,740 --> 00:08:42,740 you walk by. 94 00:08:42,960 --> 00:08:46,220 We're going to divide all of these volunteers up all around the stage so 95 00:08:46,220 --> 00:08:49,320 can view the solution as it happens from every possible angle. 96 00:08:49,930 --> 00:08:54,290 You can see there's air in every direction. This platform is the middle 97 00:08:54,290 --> 00:08:56,590 surrounded by absolutely nothing. 98 00:08:56,930 --> 00:08:59,970 I need two people who are not afraid of heights, so we're going to ask you to go 99 00:08:59,970 --> 00:09:01,550 and stand on top of the platform. 100 00:09:01,970 --> 00:09:04,910 It will be your job to watch the illusion as it happens from above. 101 00:09:09,430 --> 00:09:11,850 We're going to put somebody behind to watch this from the back. Make sure 102 00:09:11,850 --> 00:09:13,730 nothing happens at all from the back. 103 00:09:17,510 --> 00:09:20,450 And I need someone who doesn't mind to get a little dirty. Get on your hands 104 00:09:20,450 --> 00:09:23,390 knees and sit down below the platform. When you go down, put your hands above 105 00:09:23,390 --> 00:09:24,610 your head and please don't move. 106 00:09:24,830 --> 00:09:28,010 Now, everyone on top of the platform, especially, stay where you are. Don't 107 00:09:28,010 --> 00:09:29,390 move. I don't want anybody to fall off. 108 00:09:29,590 --> 00:09:33,390 Right now, my assistant should be bringing out a curtain. We're going to 109 00:09:33,390 --> 00:09:35,690 the curtains to the people on top of the platform. Hold it up, but don't raise 110 00:09:35,690 --> 00:09:36,690 it up just yet. 111 00:09:36,910 --> 00:09:40,010 Remember, we have volunteers chosen for the audience at random. 112 00:09:40,490 --> 00:09:44,670 I'm not in a theater. The conditions are completely impossible for any sort of 113 00:09:44,670 --> 00:09:45,670 magic right now. 114 00:09:46,020 --> 00:09:47,800 There's people on top of the platform. 115 00:09:48,020 --> 00:09:49,520 Take a turn up. Wave overhead. 116 00:09:50,000 --> 00:09:51,540 Hold tight. Do not let go. 117 00:09:51,740 --> 00:09:55,660 On the count of three. One, two, three. 118 00:10:07,340 --> 00:10:11,460 Next up, the quick moves of Joshua Jett. When we return. 119 00:10:20,590 --> 00:10:25,170 This card trick may seem a little backwards, but I promise it'll all sort 120 00:10:25,170 --> 00:10:26,170 the nick of time. 121 00:10:26,610 --> 00:10:27,930 Here's Joshua J. 122 00:10:30,410 --> 00:10:31,410 All right. 123 00:10:32,170 --> 00:10:34,430 And now, time trap. 124 00:10:34,950 --> 00:10:40,610 I thought it would be interesting to do a card trick, but backwards. In other 125 00:10:40,610 --> 00:10:44,650 words, play with the time of a card trick. And because this is a trick that 126 00:10:44,650 --> 00:10:48,090 involves time, let's isolate time. 127 00:10:49,230 --> 00:10:55,350 I'll place my watch not only under cloth, but also under glass that you can 128 00:10:55,350 --> 00:10:56,750 your eye on it the whole time. 129 00:10:57,210 --> 00:11:01,970 Now, every deck of cards you've ever seen comes from the factory in exactly 130 00:11:01,970 --> 00:11:02,929 same way, right? 131 00:11:02,930 --> 00:11:06,650 Ace, two, three, four, five, six, and so on of clubs. 132 00:11:07,010 --> 00:11:10,530 Ace through king of hearts, ace through king of spades, and ace through king of 133 00:11:10,530 --> 00:11:13,830 diamonds. And every card trick you've ever seen happens the same way. 134 00:11:14,150 --> 00:11:15,230 You pick a card. 135 00:11:15,670 --> 00:11:16,830 I find the card. 136 00:11:17,770 --> 00:11:19,150 And the crowd goes wild. 137 00:11:20,250 --> 00:11:24,430 So if we were to do this backwards, we would have to start at the end of the 138 00:11:24,430 --> 00:11:27,170 trick, which is the part where you guys go insane. 139 00:11:32,030 --> 00:11:34,410 Now this is the part where I have to find your card. 140 00:11:36,030 --> 00:11:39,750 It's, of course, completely ridiculous because you haven't even picked a card 141 00:11:39,750 --> 00:11:40,729 yet. 142 00:11:40,730 --> 00:11:44,310 And I'll place this card right there where you can watch it. Now I need some 143 00:11:44,310 --> 00:11:47,670 help. In the vest, please. Will you join me up here? Give a round of applause. 144 00:11:50,890 --> 00:11:51,889 What is your name? 145 00:11:51,890 --> 00:11:55,310 I'm Gideon. Gideon, nice to meet you. Gideon, I'm going to look away to keep 146 00:11:55,310 --> 00:11:58,270 this completely fair. I'll ripple through the cards, and you will call 147 00:11:58,270 --> 00:12:00,430 anywhere you want. Remember that card, okay? 148 00:12:01,730 --> 00:12:03,110 Stop. Can you see that card? 149 00:12:03,410 --> 00:12:05,210 Yes. Remember that card? Got it? 150 00:12:05,550 --> 00:12:06,409 Got it. 151 00:12:06,410 --> 00:12:08,210 Take the card in your own hand. 152 00:12:09,000 --> 00:12:13,340 And now we have to do the first step, which normally would be at the beginning 153 00:12:13,340 --> 00:12:17,320 of the trick, but here it's at the end. You need to shuffle. Can you give them a 154 00:12:17,320 --> 00:12:18,320 quick mix? 155 00:12:22,520 --> 00:12:24,460 Nobody's judging you. Nobody's judging you. That's good. 156 00:12:24,680 --> 00:12:29,800 Okay, now take these cards, and for the first time, tell everybody which one you 157 00:12:29,800 --> 00:12:31,200 saw. Three of clubs. 158 00:12:31,440 --> 00:12:32,339 Three of clubs. 159 00:12:32,340 --> 00:12:34,960 Okay, go through the deck face up. Take out the three of clubs. 160 00:12:36,400 --> 00:12:38,060 That's the three of spades. Keep going. 161 00:12:39,600 --> 00:12:40,940 A little faster here. 162 00:12:41,300 --> 00:12:42,300 No. 163 00:12:42,740 --> 00:12:45,500 No. A four of clubs. A two of clubs. Keep going. 164 00:12:47,120 --> 00:12:51,560 Gideon, what's wrong? Is it gone? 165 00:12:52,080 --> 00:12:53,560 No, I haven't found it yet. 166 00:12:54,300 --> 00:12:57,700 It's not that it's gone. It's that it's gone back in time. 167 00:12:57,920 --> 00:13:03,620 You see, I didn't have to find your card because I already found it. 168 00:13:04,300 --> 00:13:05,580 Your three of clubs. 169 00:13:07,960 --> 00:13:09,080 Thank you, Gideon. 170 00:13:10,260 --> 00:13:12,140 Now, stay with me, stay with me. 171 00:13:13,200 --> 00:13:18,440 You see, we are starting to go back in time. And the reason that I know we're 172 00:13:18,440 --> 00:13:23,080 starting to go back in time is because I'm now wearing the watch that I took 173 00:13:23,080 --> 00:13:24,520 three minutes ago. 174 00:13:26,160 --> 00:13:29,220 But if we were to go all the way back in time. 175 00:13:29,600 --> 00:13:33,500 we would have to unshuffle this deck of cards. The way Gideon shuffled it, you 176 00:13:33,500 --> 00:13:38,380 watched him shuffle reds and blacks and hearts and clubs, and to go all the way 177 00:13:38,380 --> 00:13:43,580 back in time to unshuffle this deck would look a little something 178 00:13:43,580 --> 00:13:45,740 like this. 179 00:13:49,240 --> 00:13:52,920 That's two eights, the two, the three, the four, the five, all the clubs, all 180 00:13:52,920 --> 00:13:57,040 the hearts, all the spades, all the diamonds, the tricks ever happened. 181 00:13:57,660 --> 00:13:58,660 Thank you. 182 00:13:58,820 --> 00:14:05,760 Mind reading is the unbelievable skill of Wayne Hoffman. 183 00:14:06,620 --> 00:14:07,180 If 184 00:14:07,180 --> 00:14:15,140 you're 185 00:14:15,140 --> 00:14:18,380 like me, you probably wonder how these magicians do what they do. 186 00:14:18,740 --> 00:14:22,040 This illusionist plans to bring some of that to light. 187 00:14:22,260 --> 00:14:25,020 A round of applause for Wayne Hoffman. 188 00:14:29,119 --> 00:14:33,220 So right now, I'm going to give you a peek behind the curtain and show you how 189 00:14:33,220 --> 00:14:37,240 mentalist practices reading people's thoughts. 190 00:14:37,580 --> 00:14:41,420 Now, we have someone from our audience here. What is your name? Lindsay. 191 00:14:42,840 --> 00:14:43,840 That is correct. 192 00:14:45,680 --> 00:14:49,360 Now, Lindsay, in a moment, I'm going to show you how I practice. And how we're 193 00:14:49,360 --> 00:14:51,900 going to do this is as follows. You're going to be concentrating on something, 194 00:14:52,200 --> 00:14:55,680 whatever it may be, something personal, or it could be something totally at 195 00:14:55,680 --> 00:15:00,120 random. I'm going to try to get it letter by letter. And if I'm wrong, if I 196 00:15:00,120 --> 00:15:02,000 a letter wrong, see, there's consequences. 197 00:15:02,340 --> 00:15:03,420 And that helps me train. 198 00:15:03,680 --> 00:15:07,680 The consequence will be that I have to eat glass. 199 00:15:08,440 --> 00:15:09,179 Eat it? 200 00:15:09,180 --> 00:15:11,200 Every time I'm wrong. 201 00:15:11,500 --> 00:15:14,360 That pressure makes me... 202 00:15:14,600 --> 00:15:18,400 concentrate a little bit harder. Now, to prepare, just in case, I have this 203 00:15:18,400 --> 00:15:22,640 little sandwich baggie with the light bulb in. I want you to take this hammer, 204 00:15:22,720 --> 00:15:26,480 and I want you to just give it one good whack right there and crack it. 205 00:15:28,080 --> 00:15:29,500 Give me that. I don't trust you. 206 00:15:30,540 --> 00:15:34,540 Awesome. Now, you can see the shards of glass right here. Now, be very careful. 207 00:15:34,600 --> 00:15:37,380 I don't want you to touch them because they're very sharp. Actually, here. 208 00:15:38,640 --> 00:15:42,940 Just a little. I don't want you to really pick it, but just very gently tap 209 00:15:42,940 --> 00:15:43,940 that. 210 00:15:44,520 --> 00:15:46,960 You're shaking like I am, but it's sharp. 211 00:15:47,460 --> 00:15:50,760 That's a real glass, a real light bulb. 212 00:15:51,000 --> 00:15:54,100 I want you to clear your mind, and you're going to focus in on something 213 00:15:54,100 --> 00:15:57,260 now. It could be something meaningful, or it could be something completely 214 00:15:57,260 --> 00:16:01,200 random. Whatever it is, concentrate on it now. Do you have it in mind? 215 00:16:02,120 --> 00:16:03,820 Cool. Just look at me. 216 00:16:05,540 --> 00:16:06,540 Think of it. 217 00:16:06,880 --> 00:16:08,100 Does it start with an R? 218 00:16:10,700 --> 00:16:11,700 No. 219 00:16:12,760 --> 00:16:14,520 This is not a good way to start. 220 00:16:36,700 --> 00:16:37,700 Look at me. 221 00:16:38,140 --> 00:16:39,300 Think of the first letter. 222 00:16:45,320 --> 00:16:46,760 It's an L. Uh -huh. 223 00:16:47,340 --> 00:16:48,340 Keep thinking. 224 00:16:48,560 --> 00:16:49,560 Okay. 225 00:16:55,240 --> 00:16:56,760 And then an E? 226 00:16:57,320 --> 00:16:59,540 Yeah. Wait, whoa. Okay, yeah. 227 00:17:00,140 --> 00:17:01,700 Think of the next letter. 228 00:17:08,500 --> 00:17:09,500 O. 229 00:17:12,619 --> 00:17:14,480 It can be. 230 00:17:28,070 --> 00:17:29,150 Look at me. Think of it. 231 00:17:29,630 --> 00:17:30,810 Don't break your concentration. 232 00:17:31,130 --> 00:17:33,750 Ignore the sound of the glass. Think of it. Think of the whole thing. 233 00:17:39,330 --> 00:17:40,370 I think I got it. 234 00:17:45,510 --> 00:17:46,590 I think I have it. 235 00:17:54,830 --> 00:17:57,550 I feel like it's something personal to you. Am I right? 236 00:18:00,030 --> 00:18:04,470 I'll tell you what. I have my thought here that I think you're concentrating 237 00:18:04,610 --> 00:18:07,990 I want you to take this board and this marker and write it. But don't show the 238 00:18:07,990 --> 00:18:11,270 cameras, don't show the audience, and don't show me. And if I've done this 239 00:18:11,270 --> 00:18:13,630 correctly, then these two should match. 240 00:18:14,150 --> 00:18:18,650 On the count of three, we're going to turn these around and show the audience. 241 00:18:18,730 --> 00:18:19,730 Are you ready? 242 00:18:19,870 --> 00:18:23,130 One, two, three. 243 00:18:25,239 --> 00:18:26,960 Right on the money. 244 00:18:34,160 --> 00:18:36,100 Give her a round of applause, ladies and gentlemen. 245 00:18:36,300 --> 00:18:43,100 Well, that's it for this edition of Masters of Illusions. We hope you'll 246 00:18:43,100 --> 00:18:45,780 join us next time for more amazing magic. 247 00:18:46,060 --> 00:18:48,300 Until then, I'm Dean Cain. Thank you for watching. 20833

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