All language subtitles for masters_of_illusion_s08e14_up_close_and_personal

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,510 --> 00:00:07,210 Illusion, the art of tricking the brain, distorting the senses, challenging 2 00:00:07,210 --> 00:00:12,350 perception. You can't trust what you see, even with your own eyes. 3 00:00:12,550 --> 00:00:14,910 Meet the Masters of Illusion. 4 00:00:21,690 --> 00:00:25,530 Hi, I'm Dean Cain, and welcome to Masters of Illusion. 5 00:00:25,770 --> 00:00:28,970 Now, in Hollywood movies, anything can happen. 6 00:00:29,340 --> 00:00:31,900 But in real life, the possibilities are very limited, right? 7 00:00:33,060 --> 00:00:34,060 Don't be so sure. 8 00:00:34,380 --> 00:00:35,900 Watch what happens on this stage. 9 00:00:36,660 --> 00:00:38,600 Here's Ed Alonso, ladies and gentlemen. All right. 10 00:00:39,100 --> 00:00:42,440 How are you? Hi, Ed. How are you? I was just opening the... Nailed it. 11 00:00:43,660 --> 00:00:45,500 That was... That was... Ha! 12 00:00:47,120 --> 00:00:48,120 Nailed it. 13 00:00:48,740 --> 00:00:50,520 I'm going to light it on fire this time. 14 00:00:57,800 --> 00:01:04,060 all right i got it just in time okay thank you ed appreciate that and now 15 00:01:04,060 --> 00:01:08,000 um let's get on with the show i have no idea this 16 00:01:08,000 --> 00:01:14,820 illusionist doesn't just look the part 17 00:01:14,820 --> 00:01:21,080 he plays it as well a total rock star in his field here's chris funk 18 00:01:24,910 --> 00:01:28,150 I didn't always know that I was going to be a magician. No, I thought I was 19 00:01:28,150 --> 00:01:29,790 going to be a musician. 20 00:01:30,870 --> 00:01:33,950 Let me rephrase. I was told I was going to be a musician. 21 00:01:34,250 --> 00:01:35,470 Anyone feeling my pain? Yeah. 22 00:01:35,710 --> 00:01:38,610 Parents told me when I was a young kid that I was going to take music lessons. 23 00:01:38,670 --> 00:01:42,490 Anyways, I got to play a lot of instruments, and I realized that 24 00:01:42,490 --> 00:01:46,610 them can be a little bit of a pain. So, using some magic, I learned the best way 25 00:01:46,610 --> 00:01:48,170 to travel with instruments. 26 00:01:48,370 --> 00:01:49,750 I created this. Check it out. 27 00:01:50,130 --> 00:01:52,010 Boom. Instant instrument. 28 00:01:52,330 --> 00:01:53,350 Whoa, isn't that cool? 29 00:01:53,790 --> 00:01:57,890 So here's the deal. What I did is I actually made a list of about 20 30 00:01:57,890 --> 00:02:01,630 instruments that I can play. That's right. I've played them or I've 31 00:02:01,630 --> 00:02:05,250 play them at one point in my life. So I need someone from our live audience to 32 00:02:05,250 --> 00:02:06,250 help me out right now. 33 00:02:06,810 --> 00:02:07,890 Hi, what is your name? 34 00:02:08,300 --> 00:02:11,100 Heather. Heather, here's the deal. I've got 20 instruments. It goes from 35 00:02:11,100 --> 00:02:15,140 xylophone to weird things like a triangle and a flute. 36 00:02:15,360 --> 00:02:17,480 What I need you to do is just quickly close your eyes, okay? 37 00:02:17,800 --> 00:02:20,380 I'm hoping you don't have a photographic memory. What I want you to do is think 38 00:02:20,380 --> 00:02:23,660 of a number, any number between 1 and 20, okay? 39 00:02:24,020 --> 00:02:25,920 As soon as you have one, just say it out loud. 40 00:02:26,540 --> 00:02:27,580 18. 18. 41 00:02:28,000 --> 00:02:30,740 Perfect. Let's see what it is that we've got here at number 18. 42 00:02:32,260 --> 00:02:33,260 Guitar. 43 00:02:33,450 --> 00:02:36,610 Ooh, I love that. That's cool. That was always a tricky one to travel with. They 44 00:02:36,610 --> 00:02:38,370 don't let you bring it on planes very easily. 45 00:02:38,650 --> 00:02:41,390 Using a little bit of magic, this is what I discovered I could do. 46 00:02:41,630 --> 00:02:42,630 Number 18 is a guitar. 47 00:02:43,690 --> 00:02:47,530 Boom! Just like that, we've got here an electric guitar. That's right, an 48 00:02:47,530 --> 00:02:50,590 electric guitar appearing flat out of nowhere. Oh, hello. 49 00:02:59,120 --> 00:03:04,220 Up next is a great example of a magician making the impossible seem really 50 00:03:04,220 --> 00:03:05,220 impossible. 51 00:03:05,960 --> 00:03:08,300 But you'll see it right before your very eyes. 52 00:03:08,660 --> 00:03:10,580 Check this out from Joel Myers. 53 00:03:15,440 --> 00:03:18,320 What is up, you guys? So I have a random member of the audience here with me 54 00:03:18,320 --> 00:03:19,780 tonight. This is CJ, right, CJ? 55 00:03:20,060 --> 00:03:23,020 CJ. CJ, you're the man. I'm going to try something with your cell phone. Can I 56 00:03:23,020 --> 00:03:26,280 borrow your cell phone? That is perfect. So CJ, here's the deal. 57 00:03:27,010 --> 00:03:32,070 We're going to do this with, I'm going to try and find your flashlight here on 58 00:03:32,070 --> 00:03:33,070 the phone. 59 00:03:33,890 --> 00:03:36,470 Find your flashlight. There we go. Check this out, CJ. 60 00:03:36,870 --> 00:03:40,350 Now, would you actually film this with my phone here? All you have to do is hit 61 00:03:40,350 --> 00:03:41,430 record. It's already ready to go. 62 00:03:41,690 --> 00:03:43,770 Just back up a little bit, CJ. Can you see this? 63 00:03:44,270 --> 00:03:46,210 CJ, we're going to do this on three. Is it recording? 64 00:03:46,510 --> 00:03:49,950 Check it out. Watch. One, two, three. 65 00:03:50,570 --> 00:03:51,570 Do you see it go? 66 00:03:52,610 --> 00:03:53,610 Can you see it, CJ? 67 00:03:53,930 --> 00:03:55,990 No. Do you see where it went? No. 68 00:03:56,910 --> 00:03:58,050 Here's the crazy part, CJ. 69 00:03:58,650 --> 00:04:00,470 When it disappears, it goes somewhere. 70 00:04:02,250 --> 00:04:03,590 You're actually holding it. 71 00:04:08,710 --> 00:04:09,710 No way. 72 00:04:11,850 --> 00:04:12,850 That was crazy. 73 00:04:14,010 --> 00:04:15,010 What? 74 00:04:15,950 --> 00:04:17,029 That was crazy. 75 00:04:17,430 --> 00:04:21,430 Yeah? That was crazy. Yeah, you weren't expecting that, were you? Now watch this 76 00:04:21,430 --> 00:04:25,310 next bit very carefully and see if you can figure out how he does it. 77 00:04:25,790 --> 00:04:26,810 I know I can't. 78 00:04:27,190 --> 00:04:30,010 Here is the magic of Diego Chavez. 79 00:04:33,390 --> 00:04:34,510 Thank you so much, everybody. 80 00:04:34,730 --> 00:04:37,850 I appreciate you so much. Kimmy, thank you so much for helping me out. So we're 81 00:04:37,850 --> 00:04:41,270 going to try some today, but I actually have a ring on me, and I actually 82 00:04:41,270 --> 00:04:43,490 noticed you have one as well. Is it cool if we borrow it? 83 00:04:43,930 --> 00:04:45,850 Absolutely. Amazing. Can you take it off for me? 84 00:04:46,290 --> 00:04:47,290 Perfect, perfect. 85 00:04:47,330 --> 00:04:51,090 Okay. Now, this is actually a really, really nice ring. Could you snap your 86 00:04:51,090 --> 00:04:53,190 fingers whenever you're ready, and you're going to make it disappear. 87 00:04:54,150 --> 00:04:55,150 And whenever you're ready. 88 00:04:57,930 --> 00:04:59,330 Oh, you know what? You did it wrong. 89 00:04:59,730 --> 00:05:03,890 You did it wrong. You actually made a switch, which means this is actually my 90 00:05:03,890 --> 00:05:05,210 ring. This isn't your ring. 91 00:05:05,750 --> 00:05:08,610 See, what happened was you have my ring right here, which means that your ring 92 00:05:08,610 --> 00:05:10,750 should be in my pocket where I left mine. 93 00:05:10,990 --> 00:05:11,929 Just a sec. 94 00:05:11,930 --> 00:05:14,410 I'm sorry. No, that's still mine. That's still mine. Yours was in my hand the 95 00:05:14,410 --> 00:05:15,410 whole time. 96 00:05:15,830 --> 00:05:17,070 We'll do this. We'll do this. 97 00:05:17,390 --> 00:05:20,470 I'll secure it, okay? I'll make sure nothing happens to it this time. We'll 98 00:05:20,470 --> 00:05:22,570 it on this beautiful ribbon. 99 00:05:24,200 --> 00:05:25,200 Just like that. 100 00:05:25,240 --> 00:05:27,820 Okay. Now, can you give that a quick little pull for me? Make sure that's not 101 00:05:27,820 --> 00:05:28,820 going anywhere. 102 00:05:29,180 --> 00:05:30,180 Is that secure? 103 00:05:30,640 --> 00:05:32,620 Do you vouch for it? I vouch for it. 104 00:05:32,940 --> 00:05:34,700 Amazing. Okay. Are you right -handed or left -handed? 105 00:05:35,620 --> 00:05:37,220 Right -handed. Great. We'll use your left hand. 106 00:05:39,200 --> 00:05:41,500 Grab your left hand. Grab my wrist for me. Left one. 107 00:05:41,960 --> 00:05:42,960 Yeah, there we go. 108 00:05:43,100 --> 00:05:46,180 Okay. All right. All right. Ready? On the count of three, you're going to say 109 00:05:46,180 --> 00:05:48,600 go, and you're going to pull down at the same time. Okay. 110 00:05:48,940 --> 00:05:51,980 One, two, three. Go. 111 00:05:53,180 --> 00:05:55,410 Oh. Now don't kill me for this. 112 00:06:02,270 --> 00:06:03,310 Gone? Gone. 113 00:06:03,730 --> 00:06:04,730 All right, you ready? 114 00:06:05,850 --> 00:06:08,350 I've only done this one other time, and it didn't go right. 115 00:06:13,510 --> 00:06:16,270 Just like that. 116 00:06:21,840 --> 00:06:26,660 Next, the quick moves of Tetro, Johnny Ace Hallman. That's pretty fast. 117 00:06:26,980 --> 00:06:28,140 And Bill Cook. 118 00:06:28,420 --> 00:06:30,420 They say that I cheat. Next. 119 00:06:39,600 --> 00:06:43,760 Don't blink or you'll miss out on this fiery performance from Tetro. 120 00:06:48,880 --> 00:06:52,060 Night. I'm excited that there's so much magic to be shared. 121 00:06:52,960 --> 00:06:59,240 I hope that as we reach out, you'll discover something new and unique, 122 00:06:59,240 --> 00:07:00,860 surprising and fun. 123 00:07:01,340 --> 00:07:07,980 Now, you may be tempted to pick apart the trick, separate the cause 124 00:07:07,980 --> 00:07:08,980 and effect. 125 00:07:10,500 --> 00:07:13,820 But it's not the individual pieces that makes the magic. 126 00:07:14,240 --> 00:07:18,540 Well, it's you and me and everyone else. 127 00:07:18,880 --> 00:07:20,640 Together. So relax. 128 00:07:21,280 --> 00:07:22,420 Enjoy the show. 129 00:07:23,340 --> 00:07:29,240 Tonight, we'll make that special something that we call magic. 130 00:07:37,020 --> 00:07:39,900 This next magician is truly a master. 131 00:07:40,240 --> 00:07:45,100 You'll see for yourself right up close where there's no room for trickery. 132 00:07:45,540 --> 00:07:47,700 Here's Johnny Ace Alton. 133 00:07:51,400 --> 00:07:52,219 Thank you. 134 00:07:52,220 --> 00:07:53,220 Thank you very much. 135 00:07:53,860 --> 00:07:57,900 The thimble trick is so fast, the thimble will jump from the first finger 136 00:07:57,900 --> 00:08:01,040 second finger, and you can't see it go. Watch how fast. First to second. 137 00:08:01,260 --> 00:08:02,260 That's pretty fast. 138 00:08:02,560 --> 00:08:05,460 It's almost as fast as the ring fit. You know the one. 139 00:08:05,680 --> 00:08:09,540 I pretend to take the ring off of my finger and squeeze it in this hand. 140 00:08:09,800 --> 00:08:11,440 Actually, it never left my finger. 141 00:08:11,920 --> 00:08:16,000 When I try from one finger, it goes to my second, so I try from two. That's 142 00:08:16,000 --> 00:08:18,760 it goes to my third. Then I try from all my fingers. 143 00:08:19,160 --> 00:08:21,700 That's when I get it, but that's only sometimes. 144 00:08:22,380 --> 00:08:23,380 See, sometimes. 145 00:08:23,900 --> 00:08:27,560 When I'm in church, I let the symbol represent a person. In this hand, the 146 00:08:27,560 --> 00:08:31,560 devil. And the devil tries to get the person, but he can't get him. That's 147 00:08:31,560 --> 00:08:35,659 because this person believes in the power of God, and that leaves the devil 148 00:08:35,659 --> 00:08:36,919 behind the eight ball. 149 00:08:41,740 --> 00:08:42,740 Thank you. 150 00:08:45,620 --> 00:08:47,140 Ready for some fun and games? 151 00:08:48,250 --> 00:08:49,189 You're in luck. 152 00:08:49,190 --> 00:08:51,850 Enjoy the playful antics of Bill Cook. 153 00:08:57,410 --> 00:09:00,490 Thank you very much. I'm also here with my helper from the audience. This is 154 00:09:00,490 --> 00:09:04,330 Tanya. Tanya, I have to ask you, do you like games? 155 00:09:04,690 --> 00:09:05,249 I do. 156 00:09:05,250 --> 00:09:06,890 You do. Do you like to make stuff? 157 00:09:07,230 --> 00:09:10,310 Yes, I do. Well, I love games, too, and I love to make stuff, and I combined 158 00:09:10,310 --> 00:09:11,710 making stuff and games. 159 00:09:12,510 --> 00:09:17,090 When I was in school, I was in woodshop, and we had to do a... 160 00:09:17,360 --> 00:09:21,580 project for like a final project and where a lot of people made like chairs 161 00:09:21,580 --> 00:09:25,080 tables for home. I went through a book and I found this. It's a game. 162 00:09:25,960 --> 00:09:30,220 It's a game using pieces of playing cards and like three quarter inch wooden 163 00:09:30,220 --> 00:09:33,440 dowel. And the idea was you cut 15 squares. 164 00:09:33,900 --> 00:09:36,880 Okay. And then you glue playing card pieces to it. 165 00:09:37,520 --> 00:09:39,260 And then you have a playing card picked. 166 00:09:39,660 --> 00:09:43,200 And if you pick something like the four clubs, You would have to put the four 167 00:09:43,200 --> 00:09:45,660 clubs into the corners. You dump all the pieces out. 168 00:09:45,880 --> 00:09:49,220 And you have to put all the white spaces in and all the club parts in. 169 00:09:49,620 --> 00:09:51,720 And it was 15 points a turn. 170 00:09:52,160 --> 00:09:55,420 And you would go to like 100 points person to person to 100 points. And you 171 00:09:55,420 --> 00:09:57,700 only that amount of time to put the pieces together. 172 00:09:58,120 --> 00:09:59,160 It was a fun game. 173 00:09:59,380 --> 00:10:01,560 And I made it. I got an A on the project. 174 00:10:01,880 --> 00:10:04,140 But my siblings don't like to play this game with me. 175 00:10:04,720 --> 00:10:05,800 They say that I cheat. 176 00:10:06,340 --> 00:10:08,860 I don't think I cheat. I just think I'm better at it than them. 177 00:10:09,880 --> 00:10:11,060 Well, let's find out if you cheat. 178 00:10:11,320 --> 00:10:12,320 We'll find out together. 179 00:10:13,520 --> 00:10:16,140 I'll go through the cards like this. I want you to reach out and just touch 180 00:10:16,780 --> 00:10:19,820 I'm going to go with that one. Are you sure? Yes. 181 00:10:20,300 --> 00:10:22,960 Fantastic. You picked the eight of hearts. 182 00:10:23,320 --> 00:10:26,780 Okay. Now, here's what I know. There's 15 squares, and since there's eight 183 00:10:26,780 --> 00:10:32,380 hearts, I have to find eight hearts and seven blank spaces in the span of 30 184 00:10:32,380 --> 00:10:33,380 seconds. 185 00:10:34,600 --> 00:10:38,900 Not hard to do, especially if you're me. See, my siblings think I cheat. 186 00:10:39,280 --> 00:10:42,560 I just know that I'm better at it than them. Because by the time I would get to 187 00:10:42,560 --> 00:10:45,100 turn the timer over, it was already done. 188 00:10:47,300 --> 00:10:48,300 I know, right? 189 00:10:49,400 --> 00:10:50,400 Perfect match. 190 00:10:53,360 --> 00:10:53,760 Amazing 191 00:10:53,760 --> 00:11:01,560 is 192 00:11:01,560 --> 00:11:04,240 the only way to describe Tristan Lambert. 193 00:11:14,480 --> 00:11:17,720 Dreams are the mind's way of unpacking your day. 194 00:11:18,340 --> 00:11:21,520 I can't wait to see what I dream after this next act. 195 00:11:21,720 --> 00:11:23,680 Here's Kristen Lambert. 196 00:11:26,580 --> 00:11:27,580 Thank you. 197 00:11:27,900 --> 00:11:34,780 I'm Kristen, and I am obsessed with Victorian psychic mediums. You 198 00:11:34,780 --> 00:11:40,640 know, crystal ball divinations, palmistry, tarot, but also work with 199 00:11:41,580 --> 00:11:47,040 And this is of much interest to me because I have the most vivid dream in 200 00:11:47,040 --> 00:11:52,360 world. I can tell you what I dreamt last week, last year, childhood, but it's 201 00:11:52,360 --> 00:11:53,360 okay. 202 00:11:53,380 --> 00:11:57,180 I'm over it. We have a spectator from the audience here. Your name is? 203 00:11:57,420 --> 00:12:01,780 Lydia. Lydia. And Lydia has said that she had a vivid dream recently. 204 00:12:03,020 --> 00:12:04,440 So we're going to play with this. 205 00:12:05,000 --> 00:12:08,600 Sweet Lydia, I'm going to have you write down a dream. Now, this does not have 206 00:12:08,600 --> 00:12:12,020 to be the dream you had in mind when you came up here, but some dream that you 207 00:12:12,020 --> 00:12:14,840 recall. Okay? Just in a sentence or two, key points. 208 00:12:15,300 --> 00:12:16,920 All right? I'm going to turn away. 209 00:12:17,700 --> 00:12:22,520 Now, the psychic medium who was most known for dream work was a woman named 210 00:12:22,520 --> 00:12:23,520 Florence Cook. 211 00:12:23,960 --> 00:12:27,860 Now, Florence Cook apparently could not only tell you what you had dreamt in the 212 00:12:27,860 --> 00:12:32,920 past, but also what you would dream in the future, and apparently to great 213 00:12:32,920 --> 00:12:33,920 success. 214 00:12:34,860 --> 00:12:40,360 So essentially, I'm going to channel Florence Cook, a deceased person who 215 00:12:40,360 --> 00:12:44,180 channels deceased people, for your entertainment pleasure. 216 00:12:46,720 --> 00:12:48,560 So Lydia, how are we doing? Are you about done? 217 00:12:48,920 --> 00:12:49,920 I am. 218 00:12:50,240 --> 00:12:54,020 All right, that's good. I'm going to have you put it face down right here. 219 00:12:55,840 --> 00:13:01,320 Okay, so Lydia, we are not only going to get your dream. Yep. 220 00:13:01,770 --> 00:13:05,270 but we're also going to tell you a dream you will have in the future. 221 00:13:07,450 --> 00:13:08,450 So look at me. 222 00:13:18,650 --> 00:13:20,370 Okay, I'm committed to that. 223 00:13:21,510 --> 00:13:24,170 Okay, so now look at me. 224 00:13:25,910 --> 00:13:29,150 Whatever you do, don't say anything. Just think it. 225 00:13:29,710 --> 00:13:33,580 But when you sleep at night, What side do you sleep on? 226 00:13:35,320 --> 00:13:38,240 Okay, I get the impression that you toss and turn quite a bit. 227 00:13:38,440 --> 00:13:45,160 I'm a bit of a tosser. But when you finally settle down, you sleep on your 228 00:13:45,160 --> 00:13:46,160 side. 229 00:13:47,400 --> 00:13:48,620 Yes? Yes. 230 00:13:50,180 --> 00:13:51,180 Spooky. 231 00:13:52,020 --> 00:13:57,500 So, Lydia, I'm just going to tap your right side, and we're going to get your 232 00:13:57,500 --> 00:13:58,500 dream. 233 00:14:09,140 --> 00:14:13,300 This is a dream that could go one of two ways. 234 00:14:14,080 --> 00:14:18,220 This could be a very bad dream, but it could also be a pleasant dream depending 235 00:14:18,220 --> 00:14:19,220 on the circumstance. 236 00:14:20,120 --> 00:14:24,060 It's not like a fun flying dream, but it's not like a waking nightmare. 237 00:14:25,480 --> 00:14:29,840 This is something that happens in real life, but not all the time. 238 00:14:31,760 --> 00:14:34,540 This is something, this is kind of a special occasion situation. 239 00:14:36,430 --> 00:14:39,290 Does this gesture mean anything to you? 240 00:14:40,350 --> 00:14:41,350 It does. 241 00:14:41,850 --> 00:14:44,730 Did you dream about a rainstorm? 242 00:14:46,010 --> 00:14:47,010 I did. 243 00:14:50,430 --> 00:14:54,850 So, Lydia, we have gotten words written. I have also written down a dream we'll 244 00:14:54,850 --> 00:14:55,850 have in the future. 245 00:14:55,870 --> 00:15:01,250 Now, do not read this now, but perhaps read it before you go to bed tonight. 246 00:15:01,250 --> 00:15:05,010 it might not happen tonight, but it will happen at some point in the future. 247 00:15:05,580 --> 00:15:07,800 And when it does, DM me, lady. 248 00:15:08,080 --> 00:15:10,000 Okay. Thank you. 249 00:15:11,740 --> 00:15:12,780 Kristen, good night. 250 00:15:15,640 --> 00:15:20,560 The unbelievable talent of Masters of Illusion, Ed Alonzo. 251 00:15:21,120 --> 00:15:22,120 Next. 252 00:15:31,740 --> 00:15:35,110 Magic has a way of... bringing us all back to our childhood. 253 00:15:35,450 --> 00:15:38,050 It brings back that sense of wonderment. 254 00:15:38,330 --> 00:15:41,450 Well, our next illusionist knows exactly what I mean. 255 00:15:41,790 --> 00:15:43,390 Here's Ed Alonso. 256 00:15:47,950 --> 00:15:54,710 The other day, I was going through my parents' attic where they had 257 00:15:54,710 --> 00:15:57,450 kept some of my favorite childhood keepsakes. 258 00:15:58,130 --> 00:16:01,010 And they even put them in a special box. 259 00:16:05,640 --> 00:16:06,640 Could you help me? 260 00:16:06,720 --> 00:16:07,760 Give her some applause. 261 00:16:10,460 --> 00:16:11,460 Hi, how are you? 262 00:16:11,820 --> 00:16:12,819 What is your name? 263 00:16:12,820 --> 00:16:13,559 I'm Noma. 264 00:16:13,560 --> 00:16:14,900 Noma, what a beautiful name. 265 00:16:15,320 --> 00:16:16,720 Noma, wait right there. 266 00:16:17,200 --> 00:16:24,180 You know, Noma, when I was seven years old, I went to a pottery store that my 267 00:16:24,180 --> 00:16:26,880 mother took me to where you could do some painting. 268 00:16:27,340 --> 00:16:28,420 And guess what I did? 269 00:16:28,720 --> 00:16:31,060 Well, I was a magic fan even back then. 270 00:16:32,260 --> 00:16:33,260 Oh, magic! 271 00:16:35,640 --> 00:16:41,500 You see, I painted some little plates with bunnies. 272 00:16:42,160 --> 00:16:43,160 That's the magician. 273 00:16:46,980 --> 00:16:48,220 His lovely assistant. 274 00:16:51,280 --> 00:16:54,800 And with the crown, that's their manager. 275 00:16:57,980 --> 00:16:59,440 Know me, here's what I'm going to do. 276 00:16:59,800 --> 00:17:01,320 I'm going to blindfold myself. 277 00:17:02,160 --> 00:17:05,980 And after I've done that, I want you to walk over, pick up one of the plates, 278 00:17:06,119 --> 00:17:10,920 and then walk forward. And display it to the audience as though you were a 279 00:17:10,920 --> 00:17:15,520 showperson on a game show. Really ham it up. The crowd will go nuts. 280 00:17:15,740 --> 00:17:20,220 And then, carefully, take the plate and put it back on the stand in the same 281 00:17:20,220 --> 00:17:24,079 place. I'm going to try and figure out which one that you selected. 282 00:17:33,990 --> 00:17:35,150 Anytime you're ready. 283 00:17:42,070 --> 00:17:44,470 Just let me know after you've shown it to everyone. 284 00:17:46,230 --> 00:17:47,870 Let everyone see that. 285 00:17:49,130 --> 00:17:50,750 Just let me know. 286 00:17:51,410 --> 00:17:52,650 Let me know when you're ready. 287 00:18:03,920 --> 00:18:06,460 It moved when I put it back. 288 00:18:07,100 --> 00:18:08,280 Oh, it's okay. 289 00:18:09,060 --> 00:18:10,060 Hey. 290 00:18:13,500 --> 00:18:15,280 Hey. Something. 291 00:18:19,080 --> 00:18:20,400 Oh, it's a mess. 292 00:18:20,780 --> 00:18:21,780 Oh, gee. 293 00:18:23,420 --> 00:18:25,940 I'm going to clean them up here. 294 00:18:32,520 --> 00:18:33,740 No need to feel bad. 295 00:18:38,560 --> 00:18:44,080 Reach in and take a piece of my childhood. 296 00:18:48,520 --> 00:18:50,360 I'll put these back where they came from. 297 00:18:52,340 --> 00:18:53,340 Magic! 298 00:19:14,960 --> 00:19:18,860 There's only one way for us to know if that's the same plate. Pull that plate 299 00:19:18,860 --> 00:19:19,459 out of there. 300 00:19:19,460 --> 00:19:20,460 Yes. Okay. 301 00:19:27,560 --> 00:19:28,560 Yes! 302 00:19:33,740 --> 00:19:37,260 Give it up for Naomi, everybody. 303 00:19:37,960 --> 00:19:39,200 Oh, you were awesome. 304 00:19:47,610 --> 00:19:48,770 Masters of Illusion. 305 00:19:52,870 --> 00:19:53,870 Fireball. 306 00:19:55,110 --> 00:20:00,510 All I can say is wow. Be sure to join us next time for more Masters of Illusion. 307 00:20:00,590 --> 00:20:04,130 Till then, I'm Dean Cain. Thank you and good night. 308 00:20:17,570 --> 00:20:18,570 Boom! 309 00:20:19,590 --> 00:20:20,930 Just like that. Now hold on. 310 00:20:21,790 --> 00:20:22,790 That's pretty fast. 311 00:20:24,370 --> 00:20:25,370 But it's okay. 312 00:20:25,950 --> 00:20:26,950 I'm over it. 313 00:20:28,030 --> 00:20:29,030 Oh yeah, right? 314 00:20:31,390 --> 00:20:32,830 Thanks for helping, Norman. 315 00:20:33,070 --> 00:20:34,070 Am I on fire? 26010

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.