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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,580 --> 00:00:07,260 Illusion, the art of tricking the brain, distorting the senses, challenging 2 00:00:07,260 --> 00:00:13,580 perception. You can't trust what you see even with your own eyes. Meet the 3 00:00:13,580 --> 00:00:14,960 Masters of Illusion. 4 00:00:19,200 --> 00:00:24,440 Hello everyone, I'm Dean Cain and welcome to Masters of Illusion. Now if 5 00:00:24,440 --> 00:00:29,260 a fan of magic, you're probably familiar with terms like illusion, conjuring. 6 00:00:29,720 --> 00:00:31,740 Sleight of hand, close -up magic. 7 00:00:32,060 --> 00:00:37,240 But what you're about to see is a combo pack containing all of the above. A 8 00:00:37,240 --> 00:00:39,140 smorgasbord of magic. 9 00:00:39,920 --> 00:00:42,640 Farrell. Oh, okay, cool. No, 10 00:00:43,520 --> 00:00:44,520 like I'm... What? 11 00:00:45,560 --> 00:00:46,880 Okay. Oh, Dean. Yes? 12 00:00:47,300 --> 00:00:48,580 You were Superman on TV. 13 00:00:48,780 --> 00:00:53,200 Yes, I was. Superman has power, right? Like real power, right? It's not like 14 00:00:53,200 --> 00:00:56,600 magic tricks, right? Right, of course. No, you've got like, what, you can fly? 15 00:00:56,740 --> 00:00:57,729 Fly. 16 00:00:57,730 --> 00:01:02,110 He is impervious to, you know, harm. Laser vision. Laser vision. 17 00:01:02,390 --> 00:01:04,290 Dude, that's the one I want to see, okay? 18 00:01:04,709 --> 00:01:07,270 I want to see it. I don't have that. 19 00:01:07,490 --> 00:01:12,270 Well, let's give it a try, okay? So look, we have a light bulb here inside 20 00:01:12,270 --> 00:01:16,810 bag. I want you to try and use your laser vision to light this light bulb, 21 00:01:16,810 --> 00:01:18,230 right? But you just try, okay? 22 00:01:18,850 --> 00:01:20,470 This is going to be bad, but okay. 23 00:01:21,190 --> 00:01:22,190 Give it a try. 24 00:01:24,520 --> 00:01:26,400 All right, Dean, are you trying that? I'm trying. 25 00:01:26,620 --> 00:01:28,680 Usually I'm brassy, but I don't... You gotta really, you gotta really try. 26 00:01:31,040 --> 00:01:31,818 There, whoa. 27 00:01:31,820 --> 00:01:32,820 Holy smokes. 28 00:01:33,200 --> 00:01:34,200 Dean, that was impressive. 29 00:01:35,780 --> 00:01:38,480 Can I start the show? Is it really good? Yeah, let's... Oh, there it is. 30 00:01:43,680 --> 00:01:48,300 Okay, you've seen magicians make everyday objects appear and disappear 31 00:01:48,300 --> 00:01:49,500 from their very own hands. 32 00:01:49,860 --> 00:01:53,700 Well, here's the same thing, but with a slightly larger object. 33 00:01:54,250 --> 00:01:56,370 It's the magic of Rob Lake. 34 00:02:27,880 --> 00:02:32,160 This next magician is slick, stylish, and utterly amazing. 35 00:02:32,460 --> 00:02:34,840 I promise you're going to like what you see. 36 00:02:35,580 --> 00:02:36,580 Here's Eric Jones. 37 00:02:38,380 --> 00:02:39,380 Hey, guys. 38 00:02:39,660 --> 00:02:43,980 Hey, how are you? I'm good. So I've got a guy from the audience who's willing to 39 00:02:43,980 --> 00:02:46,920 help out. What was your first name? Andy. Andy. Good to meet you, brother. 40 00:02:46,920 --> 00:02:49,740 Eric. I want to show you something really cool with a deck playing card. 41 00:02:50,210 --> 00:02:54,150 Inside of this pack of playing cards, they're all random. They're all regular. 42 00:02:54,250 --> 00:02:57,010 That's important that you know that they are different. But you'll notice that 43 00:02:57,010 --> 00:03:01,230 here towards the top of the pack, I've taken the liberty of removing the four 44 00:03:01,230 --> 00:03:03,450 kings. That way I can get to them a little bit more easily. 45 00:03:03,690 --> 00:03:06,950 Can I ask you to do me a favor, Andy? As I go through the cards like this, would 46 00:03:06,950 --> 00:03:10,310 you mind saying the word stop? And wherever you say stop, that'll be your 47 00:03:10,350 --> 00:03:11,350 Sound fair? 48 00:03:11,690 --> 00:03:15,110 Stop. Are you happy at that spot? Yeah. Please, go ahead and take a look at the 49 00:03:15,110 --> 00:03:17,890 card. If you don't mind, show it to everyone. That way they get a chance to 50 00:03:17,890 --> 00:03:18,890 what your card is. 51 00:03:19,620 --> 00:03:22,240 Perfect. I'll take it back. And what we're going to do is we're going to take 52 00:03:22,240 --> 00:03:27,360 Andy's card and place it about, more or less, halfway from the top of the pack. 53 00:03:27,420 --> 00:03:28,820 More or less. Yeah, that seems good. 54 00:03:29,380 --> 00:03:33,060 What's going to happen is that the four kings are going to tell me a little bit 55 00:03:33,060 --> 00:03:36,780 about Andy's card, but before they do that, they first need to do a bit of a 56 00:03:36,780 --> 00:03:39,160 warm -up exercise. We don't need the rest of the cards. 57 00:03:39,480 --> 00:03:42,380 We're going to start with the top king, the king of spades. 58 00:03:42,720 --> 00:03:46,600 The interesting thing about the king of spades is as it coalesces with the other 59 00:03:46,600 --> 00:03:47,600 cards, Andy. 60 00:03:48,260 --> 00:03:52,680 It actually coerces each of those kings to turn face up. 61 00:03:54,380 --> 00:03:56,640 We're just getting started, brother. We're just getting started. It's going 62 00:03:56,640 --> 00:03:59,060 get better. It's going to get better. In fact, we're going to use the other 63 00:03:59,060 --> 00:04:02,780 black king, the king of clubs. And the cool thing about the king of clubs is 64 00:04:02,780 --> 00:04:06,800 when you turn that card face down, it also coalesces with the cards, coercing 65 00:04:06,800 --> 00:04:09,540 them to then turn face down. 66 00:04:10,700 --> 00:04:11,700 It's strange. 67 00:04:11,740 --> 00:04:12,698 It's strength. 68 00:04:12,700 --> 00:04:16,540 It is. But now they've done the exercise. They've got their workout on. 69 00:04:16,540 --> 00:04:17,779 they're ready to do the math. 70 00:04:19,079 --> 00:04:20,200 Watch the four kings. 71 00:04:23,580 --> 00:04:26,380 We'll start with the king of hearts. Go ahead and feel it. Make sure that it's a 72 00:04:26,380 --> 00:04:30,040 single playing card. One piece of taste board. Nothing stuck to it in any way. 73 00:04:30,160 --> 00:04:31,160 Yes? Good. 74 00:04:32,020 --> 00:04:37,240 Watch. If I was to just move that card forwards and back, if you just rub on 75 00:04:37,240 --> 00:04:38,240 back of the card, 76 00:04:39,240 --> 00:04:44,020 It likes that. It likes that. And that's what forces it to turn into a black 77 00:04:44,020 --> 00:04:47,360 card, which tells me that, in fact, you chose a black card. Yeah, that's a 78 00:04:47,360 --> 00:04:48,360 single card. Yes. 79 00:04:49,080 --> 00:04:51,040 Yeah. Single card. 80 00:04:52,060 --> 00:04:56,580 Yeah. So the first card tells me that you did choose a black card, which is 81 00:04:56,580 --> 00:04:59,880 truth, right? Yes. The next card is going to tell me a little bit as well. 82 00:04:59,880 --> 00:05:00,879 king of clubs. 83 00:05:00,880 --> 00:05:05,300 If you rub on the back of the king of clubs, it tells me that maybe, just 84 00:05:05,400 --> 00:05:06,500 you chose a club. 85 00:05:07,280 --> 00:05:08,280 Yeah, I did. 86 00:05:08,380 --> 00:05:09,380 That's interesting. 87 00:05:09,420 --> 00:05:13,400 So the first card told me that you chose a black card. The second card, it tells 88 00:05:13,400 --> 00:05:18,460 me that you chose a club. The third card, the king of diamonds, it tells me 89 00:05:18,460 --> 00:05:22,500 little bit of information as well. It tells me that maybe you chose a four. 90 00:05:23,220 --> 00:05:24,219 How's that sound? 91 00:05:24,220 --> 00:05:25,220 That is correct. 92 00:05:25,380 --> 00:05:30,440 It leaves one card left to go. The last king tells me that it was, in fact. 93 00:05:30,960 --> 00:05:32,680 The four of clubs. That's strange. 94 00:05:33,300 --> 00:05:34,119 It's weird. 95 00:05:34,120 --> 00:05:37,800 And the reason I think it's weird is because we all know in the regular deck 96 00:05:37,800 --> 00:05:40,500 playing cards, there is only one four of clubs. 97 00:05:41,560 --> 00:05:46,300 Which means that there's absolutely no way on the planet that that could have 98 00:05:46,300 --> 00:05:48,300 been the four of clubs. Because that's the king of spades. 99 00:05:48,600 --> 00:05:51,600 The other three kings, there's no way they could be the four of clubs because 100 00:05:51,600 --> 00:05:52,840 they're the other kings. 101 00:05:53,480 --> 00:05:57,980 So then the question then becomes, well, where in the heck is the four of clubs? 102 00:06:00,950 --> 00:06:03,370 I'm sorry. That's the king of spades. I apologize. 103 00:06:07,170 --> 00:06:09,150 That's the king of cards. I'm sorry. 104 00:06:11,370 --> 00:06:16,950 I know I had one 105 00:06:16,950 --> 00:06:19,250 card. 106 00:06:20,170 --> 00:06:21,530 Isn't that freaking weird? 107 00:06:27,790 --> 00:06:28,790 That's about it. 108 00:06:33,360 --> 00:06:36,600 Up next, the quick moves of Chipper Lowell. 109 00:06:36,900 --> 00:06:37,900 When we return. 110 00:06:47,200 --> 00:06:52,460 Next up, we have a pocket -sized illusion from our very own Chipper 111 00:06:53,320 --> 00:06:58,340 Hello, and a big round of applause for Leia. Is that correct? Beautiful name. I 112 00:06:58,340 --> 00:06:59,340 appreciate you helping out. 113 00:06:59,710 --> 00:07:03,870 You know, Leo, when I was growing up, I absolutely was a huge fan of Harry 114 00:07:03,870 --> 00:07:07,350 Houdini. It's probably why I got into magic. And a lot of people know him for 115 00:07:07,350 --> 00:07:12,050 his incredible escapes, but he also did amazing illusions, grand illusions, in 116 00:07:12,050 --> 00:07:15,530 his show, traveling all over the world. And I thought I would duplicate one of 117 00:07:15,530 --> 00:07:19,670 his grand illusions here tonight. Now, I can't afford the big stuff, so I have 118 00:07:19,670 --> 00:07:23,110 to downsize it right down to here. I hope that makes sense. And also, we need 119 00:07:23,110 --> 00:07:27,510 little Houdini for this, so I have drawn a very lifelike sketch of Houdini. 120 00:07:28,010 --> 00:07:29,930 It looks just like him, doesn't it? 121 00:07:30,150 --> 00:07:33,590 Actually, I thought it would be fun if you would play Houdini. So I'm going to 122 00:07:33,590 --> 00:07:38,870 have you fill in your features, your face, eyes, ears, your nose, your hair, 123 00:07:38,870 --> 00:07:40,430 then sign it, if you would please, okay? 124 00:07:40,730 --> 00:07:44,830 There you go. You got all that? That's great. While you're doing that, let me 125 00:07:44,830 --> 00:07:45,809 set the stage. 126 00:07:45,810 --> 00:07:49,630 Now, Houdini would use a completely empty stage, and he would put out a very 127 00:07:49,630 --> 00:07:53,710 ornate rug. I got this from a dollhouse that I may or may not own. 128 00:07:54,090 --> 00:07:55,850 Now, he also had platforms. 129 00:07:56,330 --> 00:08:01,070 We're using drink coasters for this. And he had two cabinets. We're going to use 130 00:08:01,070 --> 00:08:01,989 these bowls. 131 00:08:01,990 --> 00:08:08,710 And he also had a giant brick wall that was constructed right over the 132 00:08:08,710 --> 00:08:10,690 carpet. And are you all set there? 133 00:08:10,910 --> 00:08:14,750 All right, let me take a look. And, oh, pretty nice. 134 00:08:15,050 --> 00:08:19,870 No, that's great. As a matter of fact, smile to the camera and everyone take a 135 00:08:19,870 --> 00:08:21,650 look. Huh? Like looking in a mirror. 136 00:08:22,430 --> 00:08:23,430 That's amazing. 137 00:08:23,710 --> 00:08:27,170 One of the things that Houdini did that a lot of people didn't know is that he 138 00:08:27,170 --> 00:08:32,510 could actually bend himself like a contortionist into small little shapes. 139 00:08:32,510 --> 00:08:35,070 that would help him. This would help him to escape, you know. 140 00:08:35,390 --> 00:08:38,630 Stuff like that. There we are. And would you place two fingers up like that for 141 00:08:38,630 --> 00:08:41,370 me, if you would? Very nice. I'm going to have you hold yourself right there, 142 00:08:41,390 --> 00:08:44,430 because that is you, so don't pinch yourself too much. And then I'm going to 143 00:08:44,430 --> 00:08:48,330 have you carefully place yourself into one of the cabinets right here, if you 144 00:08:48,330 --> 00:08:48,969 would, please. 145 00:08:48,970 --> 00:08:49,849 Very nice. 146 00:08:49,850 --> 00:08:54,130 Okay. And then I'm also going to have you take a look at this. 147 00:08:54,720 --> 00:08:59,240 All right. And it is exactly what it is. Go ahead and give a good wrap on either 148 00:08:59,240 --> 00:09:00,520 side. No, take it. 149 00:09:00,860 --> 00:09:05,040 Seriously. Yeah. Take a look at it. I want everyone to see that. Very nice. 150 00:09:05,040 --> 00:09:08,600 then if you would, please place it right there in the middle. There we go. Very 151 00:09:08,600 --> 00:09:13,400 good. Now, when Houdini performed this, he would actually have a whole group of 152 00:09:13,400 --> 00:09:17,220 volunteers circle all the way around the brick wall and the carpet. He would 153 00:09:17,220 --> 00:09:21,140 have his assistants bring in one platform and the other platform. And 154 00:09:21,140 --> 00:09:23,820 would have the cabinets put one on one side, one on the other. 155 00:09:24,360 --> 00:09:28,780 And in a few minutes, Houdini would actually walk through the wall from one 156 00:09:28,780 --> 00:09:32,820 to the other. You are going to do it even faster. 157 00:09:33,680 --> 00:09:35,760 Oh, that was really fast. 158 00:09:36,120 --> 00:09:37,320 No, that was amazing. 159 00:09:37,720 --> 00:09:39,260 I'm serious. I think it happened. 160 00:09:39,460 --> 00:09:42,880 I'm going to very slowly walk away from this. 161 00:09:43,620 --> 00:09:45,440 Do you notice that you're not there anymore? 162 00:09:45,680 --> 00:09:46,860 Is that the creepiest? 163 00:09:47,500 --> 00:09:50,640 You can't find yourself. Do me a favor. Walk all the way around, if you would, 164 00:09:50,680 --> 00:09:52,800 to the other side. Tell me if you have found yourself. 165 00:09:53,140 --> 00:09:53,999 Are you kidding? 166 00:09:54,000 --> 00:09:57,800 Yeah. Would you please pick yourself up? Would you very carefully unfold 167 00:09:57,800 --> 00:10:01,460 yourself all the way out? Yes. Open yourself up to everybody. 168 00:10:01,880 --> 00:10:04,820 Please show yourself to everyone. Is that you? Is that your signature? 169 00:10:05,400 --> 00:10:10,200 Ladies and gentlemen, she walked through a solid brick wall. Give it up for Mia 170 00:10:10,200 --> 00:10:11,200 Lee. 171 00:10:14,480 --> 00:10:19,260 Next up, amazing is the only way to describe Diego Chavez. When we come 172 00:10:28,200 --> 00:10:31,920 Magicians are always pushing our boundaries of what we believe is 173 00:10:32,180 --> 00:10:34,380 Well, this next trick is no exception. 174 00:10:34,860 --> 00:10:36,240 Here's Diego Chavez. 175 00:10:36,660 --> 00:10:37,720 Thank you so much, everybody. 176 00:10:37,960 --> 00:10:40,660 I just want to welcome Victoria to the stage. Thank you for helping me out. 177 00:10:40,860 --> 00:10:43,580 And we're going to try something using four silver. 178 00:10:44,120 --> 00:10:45,120 Half dollars, okay? 179 00:10:45,380 --> 00:10:46,680 Have you ever seen these before? No. 180 00:10:46,900 --> 00:10:49,100 Okay, we're going to try something magical with them. Are you ready? Yeah. 181 00:10:49,400 --> 00:10:52,660 Awesome. Can you do me a favor? Hold your right hand out for me just like 182 00:10:52,840 --> 00:10:56,380 Perfect. And your left hand, would you mind just kind of hovering it just like 183 00:10:56,380 --> 00:10:57,219 this? 184 00:10:57,220 --> 00:10:59,960 Could you just take those coins and kind of push them together? Scrunch them up 185 00:10:59,960 --> 00:11:00,960 and then close your hand around them. 186 00:11:01,920 --> 00:11:05,480 Perfect. Just like that. Now, could you imagine for a second that you could take 187 00:11:05,480 --> 00:11:08,780 one coin out? Don't actually do it, but imagine you're taking a coin out and 188 00:11:08,780 --> 00:11:09,780 flipping it into my hand. 189 00:11:11,520 --> 00:11:12,520 Oh, I'm ready. 190 00:11:13,819 --> 00:11:14,819 I'm ready. 191 00:11:14,840 --> 00:11:17,580 One, two, three. 192 00:11:18,940 --> 00:11:20,360 Could you open up your hand for me? 193 00:11:22,460 --> 00:11:23,460 Just like that. 194 00:11:24,780 --> 00:11:28,220 Now, could you take this coin and verify that it's completely, 100 % a real 195 00:11:28,220 --> 00:11:31,560 coin, nothing more than just a silver half dollar. Is that right? 196 00:11:32,040 --> 00:11:35,160 One more time. We'll take this one from you just like this, and you're going to 197 00:11:35,160 --> 00:11:38,980 actually see this one and hear it go across just like that. 198 00:11:40,880 --> 00:11:41,880 Crazy. They're crazy. 199 00:11:42,180 --> 00:11:43,280 This time, take all four. 200 00:11:44,440 --> 00:11:47,700 And we'll try something a little bit different. Before, you only imagine that 201 00:11:47,700 --> 00:11:50,940 you grab the coin and you place it into my hand. Could you take your left hand 202 00:11:50,940 --> 00:11:53,080 and pinch that top coin on the top? Place it right here. 203 00:11:53,880 --> 00:11:58,460 Close the hand. Perfect. Just like that. Now, did you only imagine that you 204 00:11:58,460 --> 00:12:01,460 placed the coin in my hand, or did you actually do it this time? I actually did 205 00:12:01,460 --> 00:12:02,540 it. You actually did it. 206 00:12:03,400 --> 00:12:06,400 See, sometimes what you think you do... 207 00:12:06,800 --> 00:12:10,020 It's just imagination. Because if you open up your hand, you'll actually see. 208 00:12:10,060 --> 00:12:11,840 How many coins are in your hand right now? Four. 209 00:12:12,420 --> 00:12:16,320 Four coins in your hand. Thank you so much. I appreciate it. Thank you, thank 210 00:12:16,320 --> 00:12:16,899 you, thank you. 211 00:12:16,900 --> 00:12:17,900 Thank you. 212 00:12:20,020 --> 00:12:24,440 Buckle up. We are in for a wild ride with this next act from Matt Marshall. 213 00:12:25,660 --> 00:12:26,660 Thank you very much. 214 00:12:27,600 --> 00:12:31,360 I want to talk about something that we've all experienced in our lives, and 215 00:12:31,360 --> 00:12:32,360 is coincidence. 216 00:12:33,360 --> 00:12:34,360 Have you ever had a coincidence? 217 00:12:35,319 --> 00:12:36,440 Yeah. Me too. 218 00:12:38,520 --> 00:12:41,720 And yet, in a given day, thousands of events occur. It makes sense that some 219 00:12:41,720 --> 00:12:43,520 those events are going to coincide. 220 00:12:43,760 --> 00:12:47,200 And yet, people ascribe to coincidence amazing explanations. 221 00:12:47,560 --> 00:12:53,100 They call them luck, or fate, or destiny, or magic. 222 00:12:53,320 --> 00:12:55,080 There's something magical about a coincidence. 223 00:12:55,440 --> 00:12:59,480 And with that in mind, I'm going to try to create a coincidence for you tonight. 224 00:12:59,820 --> 00:13:02,900 Now, I know that sounds like a strange contradiction to create a coincidence, 225 00:13:03,020 --> 00:13:04,300 but I'm going to try. 226 00:13:04,949 --> 00:13:05,949 Here's what I've done. 227 00:13:06,270 --> 00:13:08,130 From the deck, I pulled out a mix of cards. 228 00:13:08,330 --> 00:13:10,890 It's a bunch of different cards, but I removed all the faith cards, no faith 229 00:13:10,890 --> 00:13:14,330 cards. We're going to begin by putting these cards into a random order. And 230 00:13:14,330 --> 00:13:15,069 here's how. 231 00:13:15,070 --> 00:13:16,070 What is your name? 232 00:13:16,150 --> 00:13:19,430 Vanessa. In a moment, I'm going to deal through these cards one at a time. 233 00:13:19,610 --> 00:13:22,490 Whenever you would like, you can say shuffle, and I will shuffle the next two 234 00:13:22,490 --> 00:13:25,410 cards. You can say shuffle as many times or as few times as you want. 235 00:13:25,770 --> 00:13:26,770 Ready? Here we go. 236 00:13:32,680 --> 00:13:34,800 Two shuffles for Vanessa. Very good. Exciting. 237 00:13:35,160 --> 00:13:36,520 What is your name? 238 00:13:36,720 --> 00:13:39,560 Steve. Steve, is it many times or as few times as you want? Just say shuffle. 239 00:13:40,480 --> 00:13:41,480 Shuffle. 240 00:13:42,020 --> 00:13:43,020 Shuffle. 241 00:13:43,660 --> 00:13:45,400 Oh, you're out, Steve. Sorry. That's all right. 242 00:13:46,240 --> 00:13:48,880 Cars will go into the glass, mixed up. We'll come back to those in a minute. 243 00:13:49,060 --> 00:13:51,760 Now, I need to have some numbers written down. I brought a pad of paper. 244 00:13:52,040 --> 00:13:54,580 And Vanessa, would you join me up here real quick? Yep, come on up here. 245 00:13:54,840 --> 00:13:59,120 Vanessa, do you remember the address, the street number of the house you grew 246 00:13:59,120 --> 00:14:00,120 in? 247 00:14:00,140 --> 00:14:02,540 Yep. Would you write it on the top line for me there? Yep, right there. 248 00:14:02,760 --> 00:14:04,220 Just write in Helvetica bold, please. 249 00:14:05,920 --> 00:14:08,180 Font joke. Never mind. Don't worry about it. Very good. Thank you very much. You 250 00:14:08,180 --> 00:14:08,859 can have a seat. 251 00:14:08,860 --> 00:14:09,860 Let's see. What is your name? 252 00:14:10,100 --> 00:14:11,780 Janae, jump up here for me if you would, Janae. 253 00:14:12,060 --> 00:14:15,200 Janae, how about the first two digits of your phone number? 254 00:14:15,500 --> 00:14:18,620 Early coder number, your choice. Just write below that the first two digits of 255 00:14:18,620 --> 00:14:19,620 your phone number. It would be great. 256 00:14:20,040 --> 00:14:22,620 Fantastic. You can have a seat. And hi, what's your name? Alexander. 257 00:14:23,060 --> 00:14:24,580 Alexander, come on up here for me if you would, right here. 258 00:14:24,880 --> 00:14:27,600 Alexander, right below that, just the last four digits of your social security 259 00:14:27,600 --> 00:14:29,040 number. Okay. Yep. 260 00:14:29,340 --> 00:14:30,340 Right there. 261 00:14:31,200 --> 00:14:32,520 And then your mother's maiden name? 262 00:14:32,860 --> 00:14:34,300 No, you're fine. All right, go sit down. 263 00:14:36,040 --> 00:14:36,779 What's your name? 264 00:14:36,780 --> 00:14:40,800 Lisa. Lisa, jump up here, Lisa. I need a number. How about a number from 1 to 1 265 00:14:40,800 --> 00:14:43,420 ,000 at the bottom? A number from 1 to 1 ,000 right at the bottom there. 266 00:14:44,620 --> 00:14:45,519 Right there, yep. 267 00:14:45,520 --> 00:14:46,520 Okay. 268 00:14:46,580 --> 00:14:49,100 Oh, nice penmanship. Very good. You can have it, Lisa. Thank you very much. 269 00:14:49,100 --> 00:14:50,530 Okay. All right, let's see. 270 00:14:50,970 --> 00:14:53,810 Steve, we talked earlier. Steve, do you have a phone with you? I do. What do you 271 00:14:53,810 --> 00:14:56,390 got? Smart phone, flip phone, brick, pay phone, whatever you got? Yeah? 272 00:14:56,890 --> 00:14:59,430 Bring it up here if you would. Do you have a calculator on that thing? I do. 273 00:14:59,430 --> 00:15:01,530 out the calculator. Come on up here with it. Do you do a lot of math at home? 274 00:15:02,290 --> 00:15:04,330 All the way up here. Come on up and clear out the calculator. 275 00:15:04,790 --> 00:15:05,790 Right over here, Steve. 276 00:15:06,290 --> 00:15:06,949 Right there. 277 00:15:06,950 --> 00:15:09,290 And if you would just multiply the four numbers together. 278 00:15:09,490 --> 00:15:10,490 Multiply them together. 279 00:15:10,510 --> 00:15:14,050 Okay? What we're trying to do is to get a large random number with a lot of 280 00:15:14,050 --> 00:15:17,170 digits. We need a very specific number of digits for this to work. Steve, let 281 00:15:17,170 --> 00:15:18,830 know when you've got your answer there. No pressure. 282 00:15:19,780 --> 00:15:20,780 We're just on TV. 283 00:15:21,460 --> 00:15:23,560 Good job. You got an answer? How many digits in your answer? 284 00:15:23,960 --> 00:15:26,180 Let's see. We've got nine. 285 00:15:26,720 --> 00:15:29,820 Perfect. Fantastic. Keep it up there. Go back to your seat. Great. Thank you 286 00:15:29,820 --> 00:15:30,319 very much. 287 00:15:30,320 --> 00:15:31,340 Nine is what we want. 288 00:15:31,620 --> 00:15:35,860 And the reason that we wanted nine is because before we started, we mixed up 289 00:15:35,860 --> 00:15:39,040 nine playing cards and we put them in the wine glass. 290 00:15:39,800 --> 00:15:42,700 Steve, loudly, so we can all hear. What is the first digit of the answer you 291 00:15:42,700 --> 00:15:43,700 got? 292 00:15:43,860 --> 00:15:45,100 Six. Six. 293 00:15:50,020 --> 00:15:52,560 No, it's just a coincidence. They happen every day. It's no big deal, right? 294 00:15:53,240 --> 00:15:54,300 What's the next digit, Steve? 295 00:15:55,320 --> 00:15:56,340 Two. Two. 296 00:15:58,280 --> 00:15:59,280 That is weird. 297 00:15:59,720 --> 00:16:00,720 Keep reading, Steve. 298 00:16:01,720 --> 00:16:02,880 Seven. Seven. 299 00:16:06,420 --> 00:16:07,420 Four. Four. 300 00:16:09,760 --> 00:16:11,360 Eight. Eight. Good. 301 00:16:12,520 --> 00:16:13,520 Five. Five. 302 00:16:15,220 --> 00:16:16,700 Eight. Eight again. 303 00:16:17,000 --> 00:16:18,000 Yes. 304 00:16:19,020 --> 00:16:20,020 Five. 305 00:16:20,960 --> 00:16:23,240 Nine. Nine. Coincidence? 306 00:16:23,740 --> 00:16:25,180 I think not. 307 00:16:28,140 --> 00:16:30,700 Thank you very much, everybody. 308 00:16:33,040 --> 00:16:37,420 Next, the impossible is made possible by Ed's alignment. 309 00:16:45,920 --> 00:16:50,500 Let's give it up for the always entertaining... always amazing, and 310 00:16:50,500 --> 00:16:55,260 always amusing, the one and the only Ed Alonzo. 311 00:17:00,300 --> 00:17:06,520 You know, recently in an online antique auction, I won a studio portrait camera 312 00:17:06,520 --> 00:17:08,339 from the 1800s. 313 00:17:08,579 --> 00:17:11,160 Well, it looks like I'm getting into photography. 314 00:19:15,760 --> 00:19:20,960 All I can say is wow. I cannot believe what I've seen in the last half hour, 315 00:19:20,960 --> 00:19:21,960 I can't believe it's over. 316 00:19:22,160 --> 00:19:27,080 For now. So be sure to join us next time for more Masters of Illusion. Till 317 00:19:27,080 --> 00:19:30,300 then, I'm Dean Cain. Thank you, and good night. 28210

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