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Illusion, the art of tricking the brain,
distorting the senses, challenging
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perception. You can't trust what you see
even with your own eyes. Meet the
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Masters of Illusion.
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Hello everyone, I'm Dean Cain and
welcome to Masters of Illusion. Now if
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a fan of magic, you're probably familiar
with terms like illusion, conjuring.
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Sleight of hand, close -up magic.
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But what you're about to see is a combo
pack containing all of the above. A
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smorgasbord of magic.
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Farrell. Oh, okay, cool. No,
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like I'm... What?
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Okay. Oh, Dean. Yes?
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You were Superman on TV.
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Yes, I was. Superman has power, right?
Like real power, right? It's not like
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magic tricks, right? Right, of course.
No, you've got like, what, you can fly?
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Fly.
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He is impervious to, you know, harm.
Laser vision. Laser vision.
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Dude, that's the one I want to see,
okay?
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I want to see it. I don't have that.
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Well, let's give it a try, okay? So
look, we have a light bulb here inside
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bag. I want you to try and use your
laser vision to light this light bulb,
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right? But you just try, okay?
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This is going to be bad, but okay.
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Give it a try.
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All right, Dean, are you trying that?
I'm trying.
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Usually I'm brassy, but I don't... You
gotta really, you gotta really try.
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There, whoa.
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Holy smokes.
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Dean, that was impressive.
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Can I start the show? Is it really good?
Yeah, let's... Oh, there it is.
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Okay, you've seen magicians make
everyday objects appear and disappear
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from their very own hands.
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Well, here's the same thing, but with a
slightly larger object.
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It's the magic of Rob Lake.
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This next magician is slick, stylish,
and utterly amazing.
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I promise you're going to like what you
see.
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Here's Eric Jones.
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Hey, guys.
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Hey, how are you? I'm good. So I've got
a guy from the audience who's willing to
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help out. What was your first name?
Andy. Andy. Good to meet you, brother.
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Eric. I want to show you something
really cool with a deck playing card.
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Inside of this pack of playing cards,
they're all random. They're all regular.
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That's important that you know that they
are different. But you'll notice that
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here towards the top of the pack, I've
taken the liberty of removing the four
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kings. That way I can get to them a
little bit more easily.
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Can I ask you to do me a favor, Andy? As
I go through the cards like this, would
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you mind saying the word stop? And
wherever you say stop, that'll be your
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Sound fair?
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Stop. Are you happy at that spot? Yeah.
Please, go ahead and take a look at the
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card. If you don't mind, show it to
everyone. That way they get a chance to
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what your card is.
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Perfect. I'll take it back. And what
we're going to do is we're going to take
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Andy's card and place it about, more or
less, halfway from the top of the pack.
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More or less. Yeah, that seems good.
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What's going to happen is that the four
kings are going to tell me a little bit
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about Andy's card, but before they do
that, they first need to do a bit of a
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warm -up exercise. We don't need the
rest of the cards.
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We're going to start with the top king,
the king of spades.
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The interesting thing about the king of
spades is as it coalesces with the other
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cards, Andy.
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It actually coerces each of those kings
to turn face up.
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We're just getting started, brother.
We're just getting started. It's going
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get better. It's going to get better. In
fact, we're going to use the other
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black king, the king of clubs. And the
cool thing about the king of clubs is
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when you turn that card face down, it
also coalesces with the cards, coercing
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them to then turn face down.
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It's strange.
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It's strength.
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It is. But now they've done the
exercise. They've got their workout on.
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they're ready to do the math.
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Watch the four kings.
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We'll start with the king of hearts. Go
ahead and feel it. Make sure that it's a
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single playing card. One piece of taste
board. Nothing stuck to it in any way.
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Yes? Good.
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Watch. If I was to just move that card
forwards and back, if you just rub on
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back of the card,
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It likes that. It likes that. And that's
what forces it to turn into a black
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card, which tells me that, in fact, you
chose a black card. Yeah, that's a
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single card. Yes.
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Yeah. Single card.
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Yeah. So the first card tells me that
you did choose a black card, which is
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truth, right? Yes. The next card is
going to tell me a little bit as well.
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king of clubs.
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If you rub on the back of the king of
clubs, it tells me that maybe, just
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you chose a club.
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Yeah, I did.
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That's interesting.
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So the first card told me that you chose
a black card. The second card, it tells
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me that you chose a club. The third
card, the king of diamonds, it tells me
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little bit of information as well. It
tells me that maybe you chose a four.
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How's that sound?
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That is correct.
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It leaves one card left to go. The last
king tells me that it was, in fact.
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The four of clubs. That's strange.
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It's weird.
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And the reason I think it's weird is
because we all know in the regular deck
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playing cards, there is only one four of
clubs.
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Which means that there's absolutely no
way on the planet that that could have
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been the four of clubs. Because that's
the king of spades.
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The other three kings, there's no way
they could be the four of clubs because
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they're the other kings.
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So then the question then becomes, well,
where in the heck is the four of clubs?
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I'm sorry. That's the king of spades. I
apologize.
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That's the king of cards. I'm sorry.
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I know I had one
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card.
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Isn't that freaking weird?
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That's about it.
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Up next, the quick moves of Chipper
Lowell.
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When we return.
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Next up, we have a pocket -sized
illusion from our very own Chipper
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Hello, and a big round of applause for
Leia. Is that correct? Beautiful name. I
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appreciate you helping out.
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You know, Leo, when I was growing up, I
absolutely was a huge fan of Harry
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Houdini. It's probably why I got into
magic. And a lot of people know him for
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his incredible escapes, but he also did
amazing illusions, grand illusions, in
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his show, traveling all over the world.
And I thought I would duplicate one of
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his grand illusions here tonight. Now, I
can't afford the big stuff, so I have
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to downsize it right down to here. I
hope that makes sense. And also, we need
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little Houdini for this, so I have drawn
a very lifelike sketch of Houdini.
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It looks just like him, doesn't it?
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Actually, I thought it would be fun if
you would play Houdini. So I'm going to
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have you fill in your features, your
face, eyes, ears, your nose, your hair,
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then sign it, if you would please, okay?
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There you go. You got all that? That's
great. While you're doing that, let me
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set the stage.
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Now, Houdini would use a completely
empty stage, and he would put out a very
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ornate rug. I got this from a dollhouse
that I may or may not own.
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Now, he also had platforms.
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We're using drink coasters for this. And
he had two cabinets. We're going to use
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these bowls.
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And he also had a giant brick wall that
was constructed right over the
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carpet. And are you all set there?
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All right, let me take a look. And, oh,
pretty nice.
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No, that's great. As a matter of fact,
smile to the camera and everyone take a
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look. Huh? Like looking in a mirror.
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That's amazing.
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One of the things that Houdini did that
a lot of people didn't know is that he
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could actually bend himself like a
contortionist into small little shapes.
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that would help him. This would help him
to escape, you know.
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Stuff like that. There we are. And would
you place two fingers up like that for
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me, if you would? Very nice. I'm going
to have you hold yourself right there,
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because that is you, so don't pinch
yourself too much. And then I'm going to
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have you carefully place yourself into
one of the cabinets right here, if you
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would, please.
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Very nice.
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Okay. And then I'm also going to have
you take a look at this.
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All right. And it is exactly what it is.
Go ahead and give a good wrap on either
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side. No, take it.
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Seriously. Yeah. Take a look at it. I
want everyone to see that. Very nice.
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then if you would, please place it right
there in the middle. There we go. Very
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good. Now, when Houdini performed this,
he would actually have a whole group of
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volunteers circle all the way around the
brick wall and the carpet. He would
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have his assistants bring in one
platform and the other platform. And
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would have the cabinets put one on one
side, one on the other.
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And in a few minutes, Houdini would
actually walk through the wall from one
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to the other. You are going to do it
even faster.
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Oh, that was really fast.
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No, that was amazing.
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I'm serious. I think it happened.
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I'm going to very slowly walk away from
this.
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Do you notice that you're not there
anymore?
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Is that the creepiest?
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You can't find yourself. Do me a favor.
Walk all the way around, if you would,
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to the other side. Tell me if you have
found yourself.
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Are you kidding?
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Yeah. Would you please pick yourself up?
Would you very carefully unfold
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yourself all the way out? Yes. Open
yourself up to everybody.
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Please show yourself to everyone. Is
that you? Is that your signature?
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Ladies and gentlemen, she walked through
a solid brick wall. Give it up for Mia
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Lee.
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Next up, amazing is the only way to
describe Diego Chavez. When we come
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Magicians are always pushing our
boundaries of what we believe is
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Well, this next trick is no exception.
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Here's Diego Chavez.
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Thank you so much, everybody.
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I just want to welcome Victoria to the
stage. Thank you for helping me out.
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And we're going to try something using
four silver.
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Half dollars, okay?
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Have you ever seen these before? No.
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Okay, we're going to try something
magical with them. Are you ready? Yeah.
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Awesome. Can you do me a favor? Hold
your right hand out for me just like
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Perfect. And your left hand, would you
mind just kind of hovering it just like
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this?
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Could you just take those coins and kind
of push them together? Scrunch them up
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and then close your hand around them.
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Perfect. Just like that. Now, could you
imagine for a second that you could take
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one coin out? Don't actually do it, but
imagine you're taking a coin out and
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flipping it into my hand.
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Oh, I'm ready.
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I'm ready.
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One, two, three.
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Could you open up your hand for me?
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Just like that.
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Now, could you take this coin and verify
that it's completely, 100 % a real
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coin, nothing more than just a silver
half dollar. Is that right?
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One more time. We'll take this one from
you just like this, and you're going to
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actually see this one and hear it go
across just like that.
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Crazy. They're crazy.
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This time, take all four.
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And we'll try something a little bit
different. Before, you only imagine that
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you grab the coin and you place it into
my hand. Could you take your left hand
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and pinch that top coin on the top?
Place it right here.
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Close the hand. Perfect. Just like that.
Now, did you only imagine that you
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placed the coin in my hand, or did you
actually do it this time? I actually did
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it. You actually did it.
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See, sometimes what you think you do...
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It's just imagination. Because if you
open up your hand, you'll actually see.
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How many coins are in your hand right
now? Four.
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Four coins in your hand. Thank you so
much. I appreciate it. Thank you, thank
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you, thank you.
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Thank you.
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Buckle up. We are in for a wild ride
with this next act from Matt Marshall.
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Thank you very much.
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I want to talk about something that
we've all experienced in our lives, and
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is coincidence.
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Have you ever had a coincidence?
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Yeah. Me too.
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And yet, in a given day, thousands of
events occur. It makes sense that some
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those events are going to coincide.
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And yet, people ascribe to coincidence
amazing explanations.
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They call them luck, or fate, or
destiny, or magic.
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There's something magical about a
coincidence.
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And with that in mind, I'm going to try
to create a coincidence for you tonight.
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Now, I know that sounds like a strange
contradiction to create a coincidence,
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but I'm going to try.
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Here's what I've done.
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From the deck, I pulled out a mix of
cards.
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It's a bunch of different cards, but I
removed all the faith cards, no faith
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cards. We're going to begin by putting
these cards into a random order. And
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here's how.
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What is your name?
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Vanessa. In a moment, I'm going to deal
through these cards one at a time.
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Whenever you would like, you can say
shuffle, and I will shuffle the next two
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cards. You can say shuffle as many times
or as few times as you want.
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Ready? Here we go.
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Two shuffles for Vanessa. Very good.
Exciting.
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00:13:35,160 --> 00:13:36,520
What is your name?
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Steve. Steve, is it many times or as few
times as you want? Just say shuffle.
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00:13:40,480 --> 00:13:41,480
Shuffle.
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00:13:42,020 --> 00:13:43,020
Shuffle.
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00:13:43,660 --> 00:13:45,400
Oh, you're out, Steve. Sorry. That's all
right.
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Cars will go into the glass, mixed up.
We'll come back to those in a minute.
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Now, I need to have some numbers written
down. I brought a pad of paper.
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And Vanessa, would you join me up here
real quick? Yep, come on up here.
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00:13:54,840 --> 00:13:59,120
Vanessa, do you remember the address,
the street number of the house you grew
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in?
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00:14:00,140 --> 00:14:02,540
Yep. Would you write it on the top line
for me there? Yep, right there.
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Just write in Helvetica bold, please.
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Font joke. Never mind. Don't worry about
it. Very good. Thank you very much. You
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00:14:08,180 --> 00:14:08,859
can have a seat.
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Let's see. What is your name?
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00:14:10,100 --> 00:14:11,780
Janae, jump up here for me if you would,
Janae.
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00:14:12,060 --> 00:14:15,200
Janae, how about the first two digits of
your phone number?
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00:14:15,500 --> 00:14:18,620
Early coder number, your choice. Just
write below that the first two digits of
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00:14:18,620 --> 00:14:19,620
your phone number. It would be great.
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00:14:20,040 --> 00:14:22,620
Fantastic. You can have a seat. And hi,
what's your name? Alexander.
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00:14:23,060 --> 00:14:24,580
Alexander, come on up here for me if you
would, right here.
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00:14:24,880 --> 00:14:27,600
Alexander, right below that, just the
last four digits of your social security
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00:14:27,600 --> 00:14:29,040
number. Okay. Yep.
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00:14:29,340 --> 00:14:30,340
Right there.
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And then your mother's maiden name?
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00:14:32,860 --> 00:14:34,300
No, you're fine. All right, go sit down.
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00:14:36,040 --> 00:14:36,779
What's your name?
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00:14:36,780 --> 00:14:40,800
Lisa. Lisa, jump up here, Lisa. I need a
number. How about a number from 1 to 1
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00:14:40,800 --> 00:14:43,420
,000 at the bottom? A number from 1 to 1
,000 right at the bottom there.
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00:14:44,620 --> 00:14:45,519
Right there, yep.
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00:14:45,520 --> 00:14:46,520
Okay.
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00:14:46,580 --> 00:14:49,100
Oh, nice penmanship. Very good. You can
have it, Lisa. Thank you very much.
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00:14:49,100 --> 00:14:50,530
Okay. All right, let's see.
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00:14:50,970 --> 00:14:53,810
Steve, we talked earlier. Steve, do you
have a phone with you? I do. What do you
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00:14:53,810 --> 00:14:56,390
got? Smart phone, flip phone, brick, pay
phone, whatever you got? Yeah?
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00:14:56,890 --> 00:14:59,430
Bring it up here if you would. Do you
have a calculator on that thing? I do.
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00:14:59,430 --> 00:15:01,530
out the calculator. Come on up here with
it. Do you do a lot of math at home?
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00:15:02,290 --> 00:15:04,330
All the way up here. Come on up and
clear out the calculator.
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00:15:04,790 --> 00:15:05,790
Right over here, Steve.
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00:15:06,290 --> 00:15:06,949
Right there.
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00:15:06,950 --> 00:15:09,290
And if you would just multiply the four
numbers together.
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00:15:09,490 --> 00:15:10,490
Multiply them together.
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00:15:10,510 --> 00:15:14,050
Okay? What we're trying to do is to get
a large random number with a lot of
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00:15:14,050 --> 00:15:17,170
digits. We need a very specific number
of digits for this to work. Steve, let
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00:15:17,170 --> 00:15:18,830
know when you've got your answer there.
No pressure.
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00:15:19,780 --> 00:15:20,780
We're just on TV.
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00:15:21,460 --> 00:15:23,560
Good job. You got an answer? How many
digits in your answer?
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00:15:23,960 --> 00:15:26,180
Let's see. We've got nine.
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00:15:26,720 --> 00:15:29,820
Perfect. Fantastic. Keep it up there. Go
back to your seat. Great. Thank you
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00:15:29,820 --> 00:15:30,319
very much.
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00:15:30,320 --> 00:15:31,340
Nine is what we want.
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00:15:31,620 --> 00:15:35,860
And the reason that we wanted nine is
because before we started, we mixed up
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00:15:35,860 --> 00:15:39,040
nine playing cards and we put them in
the wine glass.
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00:15:39,800 --> 00:15:42,700
Steve, loudly, so we can all hear. What
is the first digit of the answer you
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00:15:42,700 --> 00:15:43,700
got?
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00:15:43,860 --> 00:15:45,100
Six. Six.
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00:15:50,020 --> 00:15:52,560
No, it's just a coincidence. They happen
every day. It's no big deal, right?
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00:15:53,240 --> 00:15:54,300
What's the next digit, Steve?
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00:15:55,320 --> 00:15:56,340
Two. Two.
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00:15:58,280 --> 00:15:59,280
That is weird.
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00:15:59,720 --> 00:16:00,720
Keep reading, Steve.
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00:16:01,720 --> 00:16:02,880
Seven. Seven.
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00:16:06,420 --> 00:16:07,420
Four. Four.
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00:16:09,760 --> 00:16:11,360
Eight. Eight. Good.
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00:16:12,520 --> 00:16:13,520
Five. Five.
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00:16:15,220 --> 00:16:16,700
Eight. Eight again.
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00:16:17,000 --> 00:16:18,000
Yes.
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00:16:19,020 --> 00:16:20,020
Five.
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00:16:20,960 --> 00:16:23,240
Nine. Nine. Coincidence?
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00:16:23,740 --> 00:16:25,180
I think not.
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00:16:28,140 --> 00:16:30,700
Thank you very much, everybody.
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00:16:33,040 --> 00:16:37,420
Next, the impossible is made possible by
Ed's alignment.
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00:16:45,920 --> 00:16:50,500
Let's give it up for the always
entertaining... always amazing, and
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00:16:50,500 --> 00:16:55,260
always amusing, the one and the only Ed
Alonzo.
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00:17:00,300 --> 00:17:06,520
You know, recently in an online antique
auction, I won a studio portrait camera
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00:17:06,520 --> 00:17:08,339
from the 1800s.
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00:17:08,579 --> 00:17:11,160
Well, it looks like I'm getting into
photography.
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00:19:15,760 --> 00:19:20,960
All I can say is wow. I cannot believe
what I've seen in the last half hour,
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00:19:20,960 --> 00:19:21,960
I can't believe it's over.
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00:19:22,160 --> 00:19:27,080
For now. So be sure to join us next time
for more Masters of Illusion. Till
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00:19:27,080 --> 00:19:30,300
then, I'm Dean Cain. Thank you, and good
night.
28210
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