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Illusion, the art of tricking the brain,
distorting the senses, challenging
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perception. You can't trust what you
see, even with your own eyes.
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Meet the Masters of Illusion.
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Hello, good evening everyone.
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I'm Dean Cain and welcome to Masters of
Illusion. How would you describe an
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illusion? You might say it's the
impression or the perception.
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of something that in reality is not as
it seems. So I wonder, are they real or
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are they just bending our mind?
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Well, I have a feeling we're about to
find out.
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Are you ready?
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These wavy lines seem to jump out of
this illustration.
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They create motion where actually
nothing is moving.
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Creating something that only exists in
your mind is exactly the intent of our
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Masters of Illusion.
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You'll find out.
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Our next performer comes from Seattle,
Washington, and has a very unique
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to surprise his targets, catching them
completely off guard.
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Watch the very clever manipulations of
Louis Fox.
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Oh. Oh, thank you.
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So I'm going to show you the oldest card
trick in the world. This trick is so
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old, dinosaurs did this to cavemen. Now,
I need someone from the audience.
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Someone want to help out?
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You do? All right. One hand. I like
this.
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What's your name?
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Anthony. Anthony, would you come up?
Will you all give Anthony a big round of
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applause?
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All right. Anthony, you are going to
take any one of these you like. Do not
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me see it. You're going to show it to
the audience.
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Go for it. Grab one.
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Oh. All right.
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Got it?
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Show it to them. Show it to them. Show
it to them.
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Perfect. Show it back here.
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Excellent. Perfect.
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Hang on to it. I'm going to go grab my
dinosaur.
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All right?
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Slip that in your pocket. I'm going to
step backstage.
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While I do that, you're welcome to tell
a joke or dance, whatever.
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What was your turn? Show it to everyone.
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That's exactly what I have.
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Thank you all.
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Originally from England, please welcome
the very funny
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and pretty talented Nick Lewin.
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How you doing?
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It is so nice to be here.
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Today's copy of the author today.
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This fine piece of journalism.
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This is what people used to get their
news from before they had smartphones.
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Watch it closely. You can't argue with
hands like these. I've studied the
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martial arts.
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I have a black belt in origami.
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Now watch.
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I'm going to create an illusion.
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The illusion of tearing this newspaper
in half.
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Now, I'm not really going to do it.
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I'm just going to create the illusion.
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It felt pretty convincing.
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Tearing it in half.
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Or half, as you say. I'm English.
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Another rip, another tear. Torn into
little pieces. He's got the strength of
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Hulk Hogan.
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The body of Fred Flint.
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Watch the actual pieces of tape.
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Torn like that. Ripped into perfectly
even pieces.
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Pieces. Now you might have seen a
magician who could take a newspaper like
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They really look torn up, don't they?
It's kind of scary.
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He could just do this and instantly they
restore.
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I can't do that.
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Actually, I can. I'm going to do it for
you. I'm going to do it in slow motion.
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And that is the toughest way to fool any
audience with any kind of magic.
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Because it's the quickness of the hand
that deceives the eye. Now watch.
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In slow motion, you really may believe
that you see that newspaper getting big.
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In fact, if you're watching that
closely, you might even think you see
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torn edges start to blend together.
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In fact, you might even think you see
that newspaper totally restored, but
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could never happen. That would be just
an illusion. And this is just today's
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couple of the other two guys. Thank you
very much, Cindy.
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There you go.
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Amazing is the only way to describe
Richard Turner.
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Sometimes we see a performance that is
so impressive it takes magic to a whole
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nother level.
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Our next performer is an inspiration to
everyone.
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At age seven, he began losing his
eyesight, but it never stopped him from
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becoming one of the world's most...
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Beautiful card technician.
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Ladies and gentlemen, please welcome
Richard Turner.
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Hey.
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Let me ask, how many have ever played my
favorite game, Seven Cards Studs? Say
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yes. Yes.
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I want you to see, I have a pack of
playing cards. We're going to give them
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what's called a casino wash.
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And would you please tell everybody your
name?
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Hi, I'm Alexis. This is Alexis, and your
name? Mark.
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Mark, Alexis, would you give that deck a
shuffle any way you like?
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Shuffle up. We'll do the best you can.
You're going to be doing a lot of
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shuffling, so time to warm up.
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Oh, yeah.
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That's good. Just set them here when
you're happy.
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Perfect. There you go. All right. How
many have ever played cards for money?
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yes. Yes.
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Now, we're going to play my favorite
game, seven card stud. Mark, pick a
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of players, four or five, for time's
sake. Let's do four. Where do you want
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sit, Mark?
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One. Two, three, or four. Pick your
position.
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Three, always.
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Four and three. One, two.
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Here's Mark right here, number three.
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Now watch this. Alexis, I want you to
take these cards and mix them up.
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Don't give me the whole deck back. Just
pull out a random stack. Just give the
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deck a quick mix or cut or whatever you
want and put a stack of cards in my
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hand.
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Alexis is going to do everything she can
to screw things up for Mark.
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Awesome. We have player one, two, or
four. Now we have player one.
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Player two, here's Mark right here,
number three. Take them back, Alexis.
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Mix them all together and hand me any
part of the deck you want.
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Just hand me any random stack out of
that deck.
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There you go. That's three cards less
than last time.
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And we have player four. Now we have
what are called the door cards. That
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the face -up cards.
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Here's one, here's two, and here's Mark.
Mark, what's that card?
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It's a queen of spades.
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The queens are wild. Mix them up, mix
them up.
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Take them all.
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Oh, I love Queens, too.
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All right.
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And we have player four.
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We have player one, player two, player
Mark.
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What's that card, Mark? Queen of
Diamonds.
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How is she doing this? Mix them up, take
them back, mix them up, mix them up.
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Hand me any part of that deck you want.
We're playing seven cards stud.
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We play high spade in the hole, split
the pot. Hand me any random part of that
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deck. Ooh, that's four cards less than
last time. She's getting sticky.
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Sticky around this joint. Player one.
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Player one, two. Here's Mark. What's
that card?
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The king of hearts.
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So, yep. Trip kings right now because
those queens are wild. Mix them up.
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All right. Hand me a stack of cards.
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Trying to really mix them up. She's
really... Oh, my gosh. She's getting
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generous, too.
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Player four.
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Player one. Player two. You chose number
three.
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What's that card, Mark?
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Ace of diamonds.
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Ooh.
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Mix them up. This will be the last card.
Last card.
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Mix them up. Once again, she's
shuffling, cutting.
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And the point is, even if the deck was
face up, and you could see every card
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coming off the deck, or if they had a
giant embossed A on the A and a K on the
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K, to do anything under these conditions
would have been inconceivable. And
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what's just about heck of it? Switch
them with me. You mix up those right
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I deal Mark's last card. Right before I
deal Mark's last card.
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Player three, player four. Put that with
the rest of the stack.
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Once again, you shuffle the cup.
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Four players.
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Three to win.
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Seven cards done. High spade splits the
pot.
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What's that card, Mark?
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Two of diamonds.
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That's not a wild card. What's that?
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Ace of diamonds. Ace.
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King of hearts. King. Queen of diamonds.
Queen. We're going to put it with the
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ace because it's wild. What's that?
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Queen of spades. So that equals three
aces.
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What's that card?
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Ace of spades. That's half the pot.
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Ace of spades. High spade in the hole.
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What's that?
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It doesn't matter because you have four
aces high spade in the hole.
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But you shuffled, you cut, you chose how
many players, you chose where you
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wanted to sit. All I did was cheat.
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Let's turn our focus now on our audience
camera and the close -up manipulations
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of a master from Tokyo. Please welcome
Japan's Shoot Ogawa.
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Hello. Hello, everyone. I have a new
friend here. Hi, what's your name? My
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name's Carrie.
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Carrie, okay. Carrie, nice to meet you.
My name is Shoots.
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Thank you.
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Okay, nice to meet you. All right, so
we're going to do magic together, so
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very important. I use a Hodeco card
here, and I need your help. I want to
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one card out, so just take one, but
don't face up, okay? Okay. Yep, yep.
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very good. And don't show me, and
remember yourself, but you remember and
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to the camera.
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00:10:20,980 --> 00:10:22,020
Okay, I don't want to see it.
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All right, you got it? Yes. You
remember?
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Yes. Okay, put it back.
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All right. I want to find out your card
with the suit. Just tell me the suit. No
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number, the value.
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Card.
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Just say yes or no. Was your card like a
three of hearts?
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No. Nope.
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Okay, but this card has three hearts.
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That's right. That's why it's three of
hearts.
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00:10:45,590 --> 00:10:49,370
Okay, so I hope you can see well for the
camera. Can you see between my finger?
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So there's a dot, right, like three
hearts here. You can see only two of
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but I can slide this.
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Heart, closer to the number.
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Like almost cartoon, like animation.
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Little by little, like that way. You
know, it's the smallest trick in the
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theater. So now it moves, and now it
becomes six of hearts. You've got six of
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00:11:04,700 --> 00:11:05,760
hearts? Wow.
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00:11:06,220 --> 00:11:08,460
No, I'm sorry, upside down. Six and nine
is very similar.
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00:11:10,940 --> 00:11:11,940
It's nine.
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00:11:13,500 --> 00:11:14,500
Really?
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Now you're happy and happy.
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00:11:17,420 --> 00:11:19,220
Thank you very much. Thank you very
much.
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00:11:24,220 --> 00:11:28,700
The impossible is made possible by Anna
de Guzman.
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00:11:37,160 --> 00:11:42,040
Our next performer is a young lady who
distracts her subject with her
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But beware, her magic is very deceiving.
Here is Anna de Guzman.
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I need the help of a very special, lucky
gentleman.
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You, sir, would you mind helping me?
Give him a round of applause.
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00:12:01,490 --> 00:12:02,490
Thank you, sir.
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00:12:03,050 --> 00:12:04,430
Hi, what's your name? Him.
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00:12:04,630 --> 00:12:07,590
Him. Lovely to meet you. You're going to
help me. You're going to be my lovely,
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beautiful assistant.
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00:12:09,030 --> 00:12:12,830
Can you take one of these cups, please?
Thank you. We're going to cheers, okay?
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00:12:14,250 --> 00:12:15,390
What are we cheersing to?
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00:12:17,130 --> 00:12:21,750
A healthy life. A healthy life, a
magical year, right? Cheers.
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00:12:22,600 --> 00:12:23,960
Cheers, everyone at home.
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00:12:24,760 --> 00:12:27,280
Thank you. So, can you hold the cup over
your head?
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Yes.
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00:12:29,760 --> 00:12:32,780
We're going to do a little magic
incantation, okay? Okay.
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00:12:32,980 --> 00:12:34,080
What are the magical words?
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00:12:35,200 --> 00:12:38,980
Abracadabra. Okay, that's pretty basic.
We'll go with abracadabra. Classic.
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00:12:39,280 --> 00:12:44,260
Okay, ready? We're going to do a one,
two, three, abracadabra, and then turn
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00:12:44,260 --> 00:12:45,260
cup over, okay? Okay.
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00:12:45,760 --> 00:12:46,880
Right? Wait, what?
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Just trust me, right? If you believe in
yourself, it'll work.
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00:12:51,420 --> 00:12:52,420
Okay.
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00:12:52,710 --> 00:12:53,830
I'll go first. Ready?
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00:12:54,190 --> 00:12:55,410
Do you still feel the water?
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00:12:56,550 --> 00:12:57,930
Yeah. Okay, ready?
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00:12:59,770 --> 00:13:01,870
One, two, three.
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00:13:03,190 --> 00:13:04,190
Abracadabra.
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00:13:08,930 --> 00:13:11,490
One, two, three.
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00:13:12,950 --> 00:13:13,950
Abracadabra.
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00:13:16,090 --> 00:13:20,990
Thank you so much, Tim, for trying.
236
00:13:25,900 --> 00:13:27,260
Thank you so much for your help, Tim.
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00:13:28,340 --> 00:13:29,340
Wow.
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Our next magician began performing at
the famous Magic Castle in Hollywood
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00:13:37,480 --> 00:13:38,480
he was 15.
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00:13:38,720 --> 00:13:44,280
His blend of comedy, magic, and
inventiveness is more than an invitation
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00:13:44,280 --> 00:13:45,179
a card.
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00:13:45,180 --> 00:13:48,140
All grown up, this is Eric Eaton.
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00:13:53,540 --> 00:13:54,560
Let's get started.
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00:13:56,459 --> 00:13:58,760
Hi, beautiful young lady. Would you like
to do a card trick?
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Give her a round of applause.
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00:14:03,740 --> 00:14:05,920
I have a deck of cards now. Whenever
you're ready, say stop.
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00:14:06,800 --> 00:14:07,800
Stop.
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00:14:07,960 --> 00:14:08,960
Right there? Yeah.
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00:14:09,120 --> 00:14:10,120
Perfect.
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00:14:10,660 --> 00:14:11,680
We'll try that again. Ready?
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00:14:12,640 --> 00:14:13,640
Stop. Right there?
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00:14:13,740 --> 00:14:16,720
Perfect. Take a look at your card.
Please show everyone here your card. Do
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00:14:16,720 --> 00:14:17,459
show me.
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00:14:17,460 --> 00:14:18,960
I'm pretty sure I've seen that card
before.
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00:14:20,380 --> 00:14:23,000
Now, I have a pen here. Be careful. It's
Sharpie.
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00:14:23,310 --> 00:14:26,090
Can I get you to mark that card so you
can identify it later?
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00:14:26,370 --> 00:14:30,450
Put maybe your name, your number, just
something so we know it's truly yours.
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00:14:32,090 --> 00:14:33,090
Perfect.
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00:14:33,190 --> 00:14:34,190
I'll take that.
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Here's what we're going to do. We're
going to lose your card somewhere in
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00:14:36,570 --> 00:14:37,549
deck.
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00:14:37,550 --> 00:14:41,210
Now, over here, I have the fish swimming
in the aquarium, correct?
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00:14:42,330 --> 00:14:43,309
Slowly going.
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00:14:43,310 --> 00:14:46,270
Now, I can get you to step aside. I want
you to watch right here.
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00:14:46,470 --> 00:14:50,330
I want you to imagine your card being
right here on the face of the aquarium.
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00:14:51,370 --> 00:14:52,370
Watch this.
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00:14:52,980 --> 00:14:59,320
One, two, three. One card goes right to
the aquarium.
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00:15:06,500 --> 00:15:13,040
Now, just to verify that, we have one
card. Can you verify? Is that your
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00:15:13,040 --> 00:15:14,040
signature? Yep.
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Everyone give her a round of applause.
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Thank you so much.
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00:15:21,290 --> 00:15:24,750
From Dallas, Texas, please welcome Trig
Watson.
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00:15:28,010 --> 00:15:29,390
Thank you. It's Janelle, yes?
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00:15:29,590 --> 00:15:33,710
Janelle, I have here in this bandana
some things that everyone is familiar
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a magic prop that everyone can do magic
with.
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Any guesses?
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00:15:38,110 --> 00:15:40,410
No. It is candy!
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00:15:41,130 --> 00:15:42,870
Because everyone can make candy
disappear.
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00:15:44,189 --> 00:15:46,650
That's an easy trick. I'm going to try
it here. We're going to try it a little
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00:15:46,650 --> 00:15:49,470
different way, though. I want you to
hold out your hand like that. That's
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00:15:49,470 --> 00:15:53,790
perfect. All right. I'm going to try and
make that candy there disappear out of
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00:15:53,790 --> 00:15:55,490
your hand. Hold on good and tight. Don't
let go.
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00:15:56,150 --> 00:15:57,150
All right. That's perfect.
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00:15:57,950 --> 00:16:00,450
Imagine that candy just slowly
disappearing.
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00:16:00,730 --> 00:16:01,850
Did you feel it disappear?
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00:16:02,430 --> 00:16:03,430
Yeah.
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00:16:04,010 --> 00:16:04,729
Say yeah.
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00:16:04,730 --> 00:16:05,750
Yeah. Good answer.
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00:16:07,230 --> 00:16:09,750
And now open up your hand again. Look,
it's back again. That's amazing.
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00:16:10,290 --> 00:16:11,350
OMG. That's incredible.
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00:16:11,670 --> 00:16:13,510
No, squeeze it really tight. Put your
other hand on top.
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00:16:13,770 --> 00:16:16,330
See, now it's harder because now I've
got to get through two hands, right? I'm
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00:16:16,330 --> 00:16:19,150
going to distract you with a different
candy here. I'm going to pull out
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00:16:19,150 --> 00:16:22,210
this one. All right, I want everyone to
get a nice, close -up view of this here.
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00:16:22,410 --> 00:16:23,349
Check this out.
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00:16:23,350 --> 00:16:26,730
One. Don't let go of that yellow one.
You still feel it in your hand? One,
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00:16:26,950 --> 00:16:27,950
three.
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00:16:31,570 --> 00:16:34,390
That is the yellow one inside my hand.
Yours has the?
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00:16:34,890 --> 00:16:36,210
Oak up your hand and show the audience.
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00:16:41,610 --> 00:16:46,510
The impossible is easy for the masterful
manipulation of Dan Spade.
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00:16:51,570 --> 00:16:58,470
From the world of darkness comes our
next
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00:16:58,470 --> 00:17:04,970
performer. He claims Minnesota as his
home, but he is from the land of
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00:17:05,050 --> 00:17:08,690
Enjoy the very mysterious Dan Spade.
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00:17:14,170 --> 00:17:17,710
So I like to doodle a lot. Who are you?
Heather. Oh, yeah. Hi, Heather. I like
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00:17:17,710 --> 00:17:21,990
to doodle a lot. It was told that
especially when I was young, growing up,
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00:17:21,990 --> 00:17:24,050
helped keep me calm and sort of like
then out.
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00:17:24,250 --> 00:17:26,089
You know what I mean? So I drew you a
picture.
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00:17:26,510 --> 00:17:28,610
I'm not going to show it to you yet
because it's more like a prediction.
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00:17:28,830 --> 00:17:31,830
You know what that is? Yeah. Something
that I think is going to happen. Right.
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00:17:31,950 --> 00:17:36,230
So I'm actually going to not show it to
you yet. I want to tear off the notepad.
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00:17:36,390 --> 00:17:38,770
I'm going to fold it up and I need you
to hang on to it with one hand.
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00:17:39,110 --> 00:17:41,450
And the next thing that we're going to
do is.
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00:17:41,790 --> 00:17:45,290
Have you choose a playing card, okay?
Now, we can do this the classic way, but
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00:17:45,290 --> 00:17:49,090
I'm too lazy. So instead, you can see
all are different, right? That's how it
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00:17:49,090 --> 00:17:50,390
goes. All are different. All are
different.
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00:17:50,910 --> 00:17:52,350
Whatever. I'm just going to shuffle them
up.
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00:17:53,070 --> 00:17:57,030
And I just need you to say stop anywhere
as I riffle, right? Okay.
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00:17:58,610 --> 00:17:59,409
Stop. There?
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00:17:59,410 --> 00:18:00,730
Okay. Go ahead. Look at it.
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00:18:01,110 --> 00:18:01,949
I don't care.
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00:18:01,950 --> 00:18:05,390
You're going to hold on to it, show it
around, show it to the camera, and I
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00:18:05,390 --> 00:18:07,470
you to put it somewhere where I can't
get to it.
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00:18:08,330 --> 00:18:09,430
But you can get to it.
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00:18:11,580 --> 00:18:12,580
Not looking.
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00:18:13,360 --> 00:18:17,820
Now, remember, I had been working on a
doodle, a drawing that was my
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00:18:17,980 --> 00:18:22,920
Now, I'm not a very good artist, but
hopefully what I doodled and what I drew
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00:18:22,920 --> 00:18:27,580
will make sense. I need you right now,
though, do me a favor and just open the
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00:18:27,580 --> 00:18:30,000
piece of paper. Don't show it to
anybody, but open it.
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00:18:30,380 --> 00:18:34,260
And there is a drawing on there, right,
of a playing card that I drew, right?
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00:18:34,380 --> 00:18:35,740
Yeah. And what is it?
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00:18:36,280 --> 00:18:40,950
Faith. Yeah, and an eight. The eight of
spades. The eight of spades.
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00:18:42,830 --> 00:18:47,610
Right? Yeah? Yeah. I know that's not it.
I just made up my own. I changed the
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00:18:47,610 --> 00:18:51,450
lyrics a little bit. You went some, blew
some. But that's your card, right? Yes.
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00:18:51,630 --> 00:18:53,270
No. What? No. No.
335
00:18:53,850 --> 00:18:56,570
Are you sure? Maybe it's the lighting.
Maybe you're not looking at it right.
336
00:18:56,990 --> 00:18:58,430
Hang on. Hold on to it.
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00:18:58,670 --> 00:18:59,649
Just like that.
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00:18:59,650 --> 00:19:02,890
Like I said, it might be the lighting.
So I'm going to help with some matches.
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00:19:04,240 --> 00:19:07,400
If I light them, I want you to hold on
to the matches. I'm going to trade that
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00:19:07,400 --> 00:19:09,700
with you just in case this goes out. We
might need more, but I want you to look
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00:19:09,700 --> 00:19:14,820
close. Because as I actually hold it up
to the paper, you can see it actually
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00:19:14,820 --> 00:19:19,620
morph and change to the five of clubs.
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00:19:20,820 --> 00:19:23,840
Take out the cards. So, the five of
clubs.
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00:19:24,520 --> 00:19:25,520
Now,
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00:19:25,960 --> 00:19:28,200
that's your shoes in there that you get
to keep.
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00:19:28,400 --> 00:19:29,500
I know, get excited.
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00:19:29,700 --> 00:19:31,160
And you can keep the matches too.
348
00:19:31,480 --> 00:19:33,320
Go ahead, take out a match really fast.
349
00:19:35,600 --> 00:19:38,520
There never were matches the entire
time.
350
00:19:38,900 --> 00:19:39,900
Magic show.
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00:19:40,620 --> 00:19:42,800
Boom. All right, let's go.
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00:19:46,100 --> 00:19:52,760
We hope you enjoyed this edition of
Masters of Illusion. I know I did. And
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00:19:52,760 --> 00:19:54,100
sure to join us next time.
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00:19:54,320 --> 00:19:57,260
So until then, I'm Dean Cain. Good
night.
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00:20:02,500 --> 00:20:03,640
I'm coming over here.
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00:20:04,720 --> 00:20:05,720
Good to see you.
357
00:20:07,560 --> 00:20:10,360
Lovely to meet you.
358
00:20:12,340 --> 00:20:14,040
Hey, you smile.
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00:20:14,620 --> 00:20:18,780
All right.
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00:20:20,720 --> 00:20:21,720
Bye -bye.
30107
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