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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,430 --> 00:00:07,110 Illusion, the art of tricking the brain, distorting the senses, challenging 2 00:00:07,110 --> 00:00:12,230 perception. You can't trust what you see, even with your own eyes. 3 00:00:12,490 --> 00:00:14,770 Meet the Masters of Illusion. 4 00:00:18,810 --> 00:00:20,570 Hello, good evening everyone. 5 00:00:21,410 --> 00:00:26,770 I'm Dean Cain and welcome to Masters of Illusion. How would you describe an 6 00:00:26,770 --> 00:00:29,750 illusion? You might say it's the impression or the perception. 7 00:00:30,300 --> 00:00:35,480 of something that in reality is not as it seems. So I wonder, are they real or 8 00:00:35,480 --> 00:00:37,520 are they just bending our mind? 9 00:00:38,080 --> 00:00:40,960 Well, I have a feeling we're about to find out. 10 00:00:41,200 --> 00:00:42,200 Are you ready? 11 00:00:46,160 --> 00:00:53,160 These wavy lines seem to jump out of this illustration. 12 00:00:53,440 --> 00:00:57,280 They create motion where actually nothing is moving. 13 00:00:57,900 --> 00:01:02,420 Creating something that only exists in your mind is exactly the intent of our 14 00:01:02,420 --> 00:01:03,420 Masters of Illusion. 15 00:01:03,720 --> 00:01:04,760 You'll find out. 16 00:01:09,460 --> 00:01:13,900 Our next performer comes from Seattle, Washington, and has a very unique 17 00:01:13,900 --> 00:01:17,560 to surprise his targets, catching them completely off guard. 18 00:01:17,860 --> 00:01:21,800 Watch the very clever manipulations of Louis Fox. 19 00:01:27,790 --> 00:01:28,990 Oh. Oh, thank you. 20 00:01:29,390 --> 00:01:33,290 So I'm going to show you the oldest card trick in the world. This trick is so 21 00:01:33,290 --> 00:01:36,990 old, dinosaurs did this to cavemen. Now, I need someone from the audience. 22 00:01:37,070 --> 00:01:38,070 Someone want to help out? 23 00:01:38,210 --> 00:01:39,990 You do? All right. One hand. I like this. 24 00:01:40,210 --> 00:01:40,908 What's your name? 25 00:01:40,910 --> 00:01:43,450 Anthony. Anthony, would you come up? Will you all give Anthony a big round of 26 00:01:43,450 --> 00:01:44,450 applause? 27 00:01:46,390 --> 00:01:50,390 All right. Anthony, you are going to take any one of these you like. Do not 28 00:01:50,390 --> 00:01:52,450 me see it. You're going to show it to the audience. 29 00:01:52,650 --> 00:01:53,650 Go for it. Grab one. 30 00:01:54,630 --> 00:01:55,770 Oh. All right. 31 00:01:55,990 --> 00:01:56,839 Got it? 32 00:01:56,840 --> 00:01:58,640 Show it to them. Show it to them. Show it to them. 33 00:01:59,280 --> 00:02:00,540 Perfect. Show it back here. 34 00:02:01,200 --> 00:02:02,079 Excellent. Perfect. 35 00:02:02,080 --> 00:02:03,820 Hang on to it. I'm going to go grab my dinosaur. 36 00:02:04,040 --> 00:02:04,839 All right? 37 00:02:04,840 --> 00:02:06,760 Slip that in your pocket. I'm going to step backstage. 38 00:02:06,980 --> 00:02:09,500 While I do that, you're welcome to tell a joke or dance, whatever. 39 00:02:46,600 --> 00:02:47,800 What was your turn? Show it to everyone. 40 00:02:50,520 --> 00:02:52,200 That's exactly what I have. 41 00:02:58,740 --> 00:02:59,740 Thank you all. 42 00:03:00,400 --> 00:03:06,840 Originally from England, please welcome the very funny 43 00:03:06,840 --> 00:03:10,220 and pretty talented Nick Lewin. 44 00:03:11,360 --> 00:03:13,400 How you doing? 45 00:03:14,640 --> 00:03:16,660 It is so nice to be here. 46 00:03:17,420 --> 00:03:20,540 Today's copy of the author today. 47 00:03:21,740 --> 00:03:24,000 This fine piece of journalism. 48 00:03:24,760 --> 00:03:28,920 This is what people used to get their news from before they had smartphones. 49 00:03:30,560 --> 00:03:34,480 Watch it closely. You can't argue with hands like these. I've studied the 50 00:03:34,480 --> 00:03:35,299 martial arts. 51 00:03:35,300 --> 00:03:36,920 I have a black belt in origami. 52 00:03:38,420 --> 00:03:39,420 Now watch. 53 00:03:39,500 --> 00:03:40,660 I'm going to create an illusion. 54 00:03:40,920 --> 00:03:43,520 The illusion of tearing this newspaper in half. 55 00:03:44,760 --> 00:03:46,360 Now, I'm not really going to do it. 56 00:03:46,760 --> 00:03:48,320 I'm just going to create the illusion. 57 00:03:49,000 --> 00:03:50,540 It felt pretty convincing. 58 00:03:51,460 --> 00:03:52,840 Tearing it in half. 59 00:03:53,100 --> 00:03:55,100 Or half, as you say. I'm English. 60 00:03:56,200 --> 00:04:00,680 Another rip, another tear. Torn into little pieces. He's got the strength of 61 00:04:00,680 --> 00:04:01,579 Hulk Hogan. 62 00:04:01,580 --> 00:04:03,740 The body of Fred Flint. 63 00:04:05,060 --> 00:04:07,480 Watch the actual pieces of tape. 64 00:04:07,840 --> 00:04:11,740 Torn like that. Ripped into perfectly even pieces. 65 00:04:14,519 --> 00:04:18,500 Pieces. Now you might have seen a magician who could take a newspaper like 66 00:04:18,980 --> 00:04:21,940 They really look torn up, don't they? It's kind of scary. 67 00:04:22,540 --> 00:04:25,120 He could just do this and instantly they restore. 68 00:04:26,620 --> 00:04:27,620 I can't do that. 69 00:04:28,680 --> 00:04:32,060 Actually, I can. I'm going to do it for you. I'm going to do it in slow motion. 70 00:04:32,540 --> 00:04:36,160 And that is the toughest way to fool any audience with any kind of magic. 71 00:04:36,740 --> 00:04:40,840 Because it's the quickness of the hand that deceives the eye. Now watch. 72 00:04:42,060 --> 00:04:45,560 In slow motion, you really may believe that you see that newspaper getting big. 73 00:04:46,860 --> 00:04:50,180 In fact, if you're watching that closely, you might even think you see 74 00:04:50,180 --> 00:04:52,260 torn edges start to blend together. 75 00:04:53,300 --> 00:04:56,760 In fact, you might even think you see that newspaper totally restored, but 76 00:04:56,760 --> 00:05:01,860 could never happen. That would be just an illusion. And this is just today's 77 00:05:01,860 --> 00:05:06,280 couple of the other two guys. Thank you very much, Cindy. 78 00:05:07,520 --> 00:05:08,520 There you go. 79 00:05:11,570 --> 00:05:14,730 Amazing is the only way to describe Richard Turner. 80 00:05:23,350 --> 00:05:28,170 Sometimes we see a performance that is so impressive it takes magic to a whole 81 00:05:28,170 --> 00:05:29,270 nother level. 82 00:05:29,550 --> 00:05:33,110 Our next performer is an inspiration to everyone. 83 00:05:33,350 --> 00:05:37,510 At age seven, he began losing his eyesight, but it never stopped him from 84 00:05:37,510 --> 00:05:39,270 becoming one of the world's most... 85 00:05:39,480 --> 00:05:40,940 Beautiful card technician. 86 00:05:41,580 --> 00:05:44,420 Ladies and gentlemen, please welcome Richard Turner. 87 00:05:45,520 --> 00:05:46,520 Hey. 88 00:05:47,300 --> 00:05:51,140 Let me ask, how many have ever played my favorite game, Seven Cards Studs? Say 89 00:05:51,140 --> 00:05:52,140 yes. Yes. 90 00:05:54,020 --> 00:05:57,560 I want you to see, I have a pack of playing cards. We're going to give them 91 00:05:57,560 --> 00:05:58,980 what's called a casino wash. 92 00:06:00,000 --> 00:06:02,840 And would you please tell everybody your name? 93 00:06:03,120 --> 00:06:06,680 Hi, I'm Alexis. This is Alexis, and your name? Mark. 94 00:06:06,970 --> 00:06:10,250 Mark, Alexis, would you give that deck a shuffle any way you like? 95 00:06:11,830 --> 00:06:14,550 Shuffle up. We'll do the best you can. You're going to be doing a lot of 96 00:06:14,550 --> 00:06:15,850 shuffling, so time to warm up. 97 00:06:16,090 --> 00:06:17,090 Oh, yeah. 98 00:06:18,950 --> 00:06:20,770 That's good. Just set them here when you're happy. 99 00:06:20,990 --> 00:06:24,870 Perfect. There you go. All right. How many have ever played cards for money? 100 00:06:24,870 --> 00:06:25,910 yes. Yes. 101 00:06:26,210 --> 00:06:31,010 Now, we're going to play my favorite game, seven card stud. Mark, pick a 102 00:06:31,010 --> 00:06:34,190 of players, four or five, for time's sake. Let's do four. Where do you want 103 00:06:34,190 --> 00:06:34,749 sit, Mark? 104 00:06:34,750 --> 00:06:37,480 One. Two, three, or four. Pick your position. 105 00:06:37,720 --> 00:06:38,679 Three, always. 106 00:06:38,680 --> 00:06:41,260 Four and three. One, two. 107 00:06:41,760 --> 00:06:43,760 Here's Mark right here, number three. 108 00:06:44,020 --> 00:06:47,820 Now watch this. Alexis, I want you to take these cards and mix them up. 109 00:06:48,240 --> 00:06:51,640 Don't give me the whole deck back. Just pull out a random stack. Just give the 110 00:06:51,640 --> 00:06:55,180 deck a quick mix or cut or whatever you want and put a stack of cards in my 111 00:06:55,180 --> 00:06:56,180 hand. 112 00:06:56,300 --> 00:06:59,440 Alexis is going to do everything she can to screw things up for Mark. 113 00:07:00,560 --> 00:07:04,580 Awesome. We have player one, two, or four. Now we have player one. 114 00:07:05,160 --> 00:07:08,240 Player two, here's Mark right here, number three. Take them back, Alexis. 115 00:07:08,740 --> 00:07:11,360 Mix them all together and hand me any part of the deck you want. 116 00:07:11,980 --> 00:07:14,040 Just hand me any random stack out of that deck. 117 00:07:14,860 --> 00:07:16,820 There you go. That's three cards less than last time. 118 00:07:17,180 --> 00:07:20,060 And we have player four. Now we have what are called the door cards. That 119 00:07:20,060 --> 00:07:21,060 the face -up cards. 120 00:07:21,180 --> 00:07:24,720 Here's one, here's two, and here's Mark. Mark, what's that card? 121 00:07:24,980 --> 00:07:25,980 It's a queen of spades. 122 00:07:27,160 --> 00:07:29,420 The queens are wild. Mix them up, mix them up. 123 00:07:29,980 --> 00:07:30,980 Take them all. 124 00:07:32,340 --> 00:07:33,900 Oh, I love Queens, too. 125 00:07:34,600 --> 00:07:35,600 All right. 126 00:07:35,800 --> 00:07:37,440 And we have player four. 127 00:07:37,860 --> 00:07:42,080 We have player one, player two, player Mark. 128 00:07:42,320 --> 00:07:44,380 What's that card, Mark? Queen of Diamonds. 129 00:07:44,840 --> 00:07:48,080 How is she doing this? Mix them up, take them back, mix them up, mix them up. 130 00:07:48,160 --> 00:07:51,040 Hand me any part of that deck you want. We're playing seven cards stud. 131 00:07:51,320 --> 00:07:55,440 We play high spade in the hole, split the pot. Hand me any random part of that 132 00:07:55,440 --> 00:07:58,860 deck. Ooh, that's four cards less than last time. She's getting sticky. 133 00:07:59,440 --> 00:08:00,940 Sticky around this joint. Player one. 134 00:08:01,340 --> 00:08:04,160 Player one, two. Here's Mark. What's that card? 135 00:08:04,380 --> 00:08:05,380 The king of hearts. 136 00:08:05,500 --> 00:08:09,060 So, yep. Trip kings right now because those queens are wild. Mix them up. 137 00:08:09,340 --> 00:08:10,900 All right. Hand me a stack of cards. 138 00:08:12,460 --> 00:08:15,780 Trying to really mix them up. She's really... Oh, my gosh. She's getting 139 00:08:15,780 --> 00:08:16,960 generous, too. 140 00:08:17,160 --> 00:08:18,160 Player four. 141 00:08:18,180 --> 00:08:21,880 Player one. Player two. You chose number three. 142 00:08:22,260 --> 00:08:23,400 What's that card, Mark? 143 00:08:23,620 --> 00:08:24,620 Ace of diamonds. 144 00:08:24,940 --> 00:08:25,940 Ooh. 145 00:08:26,090 --> 00:08:28,370 Mix them up. This will be the last card. Last card. 146 00:08:28,690 --> 00:08:30,870 Mix them up. Once again, she's shuffling, cutting. 147 00:08:31,590 --> 00:08:35,890 And the point is, even if the deck was face up, and you could see every card 148 00:08:35,890 --> 00:08:40,450 coming off the deck, or if they had a giant embossed A on the A and a K on the 149 00:08:40,450 --> 00:08:45,210 K, to do anything under these conditions would have been inconceivable. And 150 00:08:45,210 --> 00:08:47,990 what's just about heck of it? Switch them with me. You mix up those right 151 00:08:47,990 --> 00:08:51,430 I deal Mark's last card. Right before I deal Mark's last card. 152 00:08:51,650 --> 00:08:54,650 Player three, player four. Put that with the rest of the stack. 153 00:08:55,100 --> 00:08:56,500 Once again, you shuffle the cup. 154 00:08:57,000 --> 00:08:58,000 Four players. 155 00:08:58,160 --> 00:08:59,160 Three to win. 156 00:08:59,200 --> 00:09:01,300 Seven cards done. High spade splits the pot. 157 00:09:01,580 --> 00:09:02,580 What's that card, Mark? 158 00:09:02,720 --> 00:09:03,720 Two of diamonds. 159 00:09:03,820 --> 00:09:05,340 That's not a wild card. What's that? 160 00:09:05,640 --> 00:09:06,720 Ace of diamonds. Ace. 161 00:09:07,360 --> 00:09:10,620 King of hearts. King. Queen of diamonds. Queen. We're going to put it with the 162 00:09:10,620 --> 00:09:11,780 ace because it's wild. What's that? 163 00:09:12,000 --> 00:09:14,920 Queen of spades. So that equals three aces. 164 00:09:15,320 --> 00:09:16,320 What's that card? 165 00:09:16,960 --> 00:09:19,380 Ace of spades. That's half the pot. 166 00:09:19,600 --> 00:09:21,220 Ace of spades. High spade in the hole. 167 00:09:21,460 --> 00:09:22,460 What's that? 168 00:09:22,960 --> 00:09:26,720 It doesn't matter because you have four aces high spade in the hole. 169 00:09:26,940 --> 00:09:31,200 But you shuffled, you cut, you chose how many players, you chose where you 170 00:09:31,200 --> 00:09:33,620 wanted to sit. All I did was cheat. 171 00:09:42,400 --> 00:09:46,420 Let's turn our focus now on our audience camera and the close -up manipulations 172 00:09:46,420 --> 00:09:51,620 of a master from Tokyo. Please welcome Japan's Shoot Ogawa. 173 00:09:57,359 --> 00:10:00,440 Hello. Hello, everyone. I have a new friend here. Hi, what's your name? My 174 00:10:00,440 --> 00:10:01,299 name's Carrie. 175 00:10:01,300 --> 00:10:03,720 Carrie, okay. Carrie, nice to meet you. My name is Shoots. 176 00:10:04,320 --> 00:10:05,320 Thank you. 177 00:10:05,480 --> 00:10:08,380 Okay, nice to meet you. All right, so we're going to do magic together, so 178 00:10:08,380 --> 00:10:12,020 very important. I use a Hodeco card here, and I need your help. I want to 179 00:10:12,020 --> 00:10:15,800 one card out, so just take one, but don't face up, okay? Okay. Yep, yep. 180 00:10:15,860 --> 00:10:19,900 very good. And don't show me, and remember yourself, but you remember and 181 00:10:19,900 --> 00:10:20,900 to the camera. 182 00:10:20,980 --> 00:10:22,020 Okay, I don't want to see it. 183 00:10:22,240 --> 00:10:23,920 All right, you got it? Yes. You remember? 184 00:10:24,140 --> 00:10:25,460 Yes. Okay, put it back. 185 00:10:26,410 --> 00:10:31,110 All right. I want to find out your card with the suit. Just tell me the suit. No 186 00:10:31,110 --> 00:10:32,290 number, the value. 187 00:10:32,550 --> 00:10:33,550 Card. 188 00:10:36,810 --> 00:10:40,010 Just say yes or no. Was your card like a three of hearts? 189 00:10:40,610 --> 00:10:41,610 No. Nope. 190 00:10:42,010 --> 00:10:43,730 Okay, but this card has three hearts. 191 00:10:44,090 --> 00:10:45,370 That's right. That's why it's three of hearts. 192 00:10:45,590 --> 00:10:49,370 Okay, so I hope you can see well for the camera. Can you see between my finger? 193 00:10:49,510 --> 00:10:52,850 So there's a dot, right, like three hearts here. You can see only two of 194 00:10:52,890 --> 00:10:53,890 but I can slide this. 195 00:10:53,980 --> 00:10:55,560 Heart, closer to the number. 196 00:10:55,920 --> 00:10:57,540 Like almost cartoon, like animation. 197 00:10:57,880 --> 00:11:01,220 Little by little, like that way. You know, it's the smallest trick in the 198 00:11:01,220 --> 00:11:04,700 theater. So now it moves, and now it becomes six of hearts. You've got six of 199 00:11:04,700 --> 00:11:05,760 hearts? Wow. 200 00:11:06,220 --> 00:11:08,460 No, I'm sorry, upside down. Six and nine is very similar. 201 00:11:10,940 --> 00:11:11,940 It's nine. 202 00:11:13,500 --> 00:11:14,500 Really? 203 00:11:15,680 --> 00:11:17,200 Now you're happy and happy. 204 00:11:17,420 --> 00:11:19,220 Thank you very much. Thank you very much. 205 00:11:24,220 --> 00:11:28,700 The impossible is made possible by Anna de Guzman. 206 00:11:37,160 --> 00:11:42,040 Our next performer is a young lady who distracts her subject with her 207 00:11:42,420 --> 00:11:48,140 But beware, her magic is very deceiving. Here is Anna de Guzman. 208 00:11:52,910 --> 00:11:56,550 I need the help of a very special, lucky gentleman. 209 00:11:57,430 --> 00:11:59,930 You, sir, would you mind helping me? Give him a round of applause. 210 00:12:01,490 --> 00:12:02,490 Thank you, sir. 211 00:12:03,050 --> 00:12:04,430 Hi, what's your name? Him. 212 00:12:04,630 --> 00:12:07,590 Him. Lovely to meet you. You're going to help me. You're going to be my lovely, 213 00:12:07,730 --> 00:12:08,730 beautiful assistant. 214 00:12:09,030 --> 00:12:12,830 Can you take one of these cups, please? Thank you. We're going to cheers, okay? 215 00:12:14,250 --> 00:12:15,390 What are we cheersing to? 216 00:12:17,130 --> 00:12:21,750 A healthy life. A healthy life, a magical year, right? Cheers. 217 00:12:22,600 --> 00:12:23,960 Cheers, everyone at home. 218 00:12:24,760 --> 00:12:27,280 Thank you. So, can you hold the cup over your head? 219 00:12:28,240 --> 00:12:29,240 Yes. 220 00:12:29,760 --> 00:12:32,780 We're going to do a little magic incantation, okay? Okay. 221 00:12:32,980 --> 00:12:34,080 What are the magical words? 222 00:12:35,200 --> 00:12:38,980 Abracadabra. Okay, that's pretty basic. We'll go with abracadabra. Classic. 223 00:12:39,280 --> 00:12:44,260 Okay, ready? We're going to do a one, two, three, abracadabra, and then turn 224 00:12:44,260 --> 00:12:45,260 cup over, okay? Okay. 225 00:12:45,760 --> 00:12:46,880 Right? Wait, what? 226 00:12:47,740 --> 00:12:51,060 Just trust me, right? If you believe in yourself, it'll work. 227 00:12:51,420 --> 00:12:52,420 Okay. 228 00:12:52,710 --> 00:12:53,830 I'll go first. Ready? 229 00:12:54,190 --> 00:12:55,410 Do you still feel the water? 230 00:12:56,550 --> 00:12:57,930 Yeah. Okay, ready? 231 00:12:59,770 --> 00:13:01,870 One, two, three. 232 00:13:03,190 --> 00:13:04,190 Abracadabra. 233 00:13:08,930 --> 00:13:11,490 One, two, three. 234 00:13:12,950 --> 00:13:13,950 Abracadabra. 235 00:13:16,090 --> 00:13:20,990 Thank you so much, Tim, for trying. 236 00:13:25,900 --> 00:13:27,260 Thank you so much for your help, Tim. 237 00:13:28,340 --> 00:13:29,340 Wow. 238 00:13:33,120 --> 00:13:37,480 Our next magician began performing at the famous Magic Castle in Hollywood 239 00:13:37,480 --> 00:13:38,480 he was 15. 240 00:13:38,720 --> 00:13:44,280 His blend of comedy, magic, and inventiveness is more than an invitation 241 00:13:44,280 --> 00:13:45,179 a card. 242 00:13:45,180 --> 00:13:48,140 All grown up, this is Eric Eaton. 243 00:13:53,540 --> 00:13:54,560 Let's get started. 244 00:13:56,459 --> 00:13:58,760 Hi, beautiful young lady. Would you like to do a card trick? 245 00:13:59,260 --> 00:14:00,480 Give her a round of applause. 246 00:14:03,740 --> 00:14:05,920 I have a deck of cards now. Whenever you're ready, say stop. 247 00:14:06,800 --> 00:14:07,800 Stop. 248 00:14:07,960 --> 00:14:08,960 Right there? Yeah. 249 00:14:09,120 --> 00:14:10,120 Perfect. 250 00:14:10,660 --> 00:14:11,680 We'll try that again. Ready? 251 00:14:12,640 --> 00:14:13,640 Stop. Right there? 252 00:14:13,740 --> 00:14:16,720 Perfect. Take a look at your card. Please show everyone here your card. Do 253 00:14:16,720 --> 00:14:17,459 show me. 254 00:14:17,460 --> 00:14:18,960 I'm pretty sure I've seen that card before. 255 00:14:20,380 --> 00:14:23,000 Now, I have a pen here. Be careful. It's Sharpie. 256 00:14:23,310 --> 00:14:26,090 Can I get you to mark that card so you can identify it later? 257 00:14:26,370 --> 00:14:30,450 Put maybe your name, your number, just something so we know it's truly yours. 258 00:14:32,090 --> 00:14:33,090 Perfect. 259 00:14:33,190 --> 00:14:34,190 I'll take that. 260 00:14:34,330 --> 00:14:36,570 Here's what we're going to do. We're going to lose your card somewhere in 261 00:14:36,570 --> 00:14:37,549 deck. 262 00:14:37,550 --> 00:14:41,210 Now, over here, I have the fish swimming in the aquarium, correct? 263 00:14:42,330 --> 00:14:43,309 Slowly going. 264 00:14:43,310 --> 00:14:46,270 Now, I can get you to step aside. I want you to watch right here. 265 00:14:46,470 --> 00:14:50,330 I want you to imagine your card being right here on the face of the aquarium. 266 00:14:51,370 --> 00:14:52,370 Watch this. 267 00:14:52,980 --> 00:14:59,320 One, two, three. One card goes right to the aquarium. 268 00:15:06,500 --> 00:15:13,040 Now, just to verify that, we have one card. Can you verify? Is that your 269 00:15:13,040 --> 00:15:14,040 signature? Yep. 270 00:15:14,400 --> 00:15:15,700 Everyone give her a round of applause. 271 00:15:18,580 --> 00:15:19,640 Thank you so much. 272 00:15:21,290 --> 00:15:24,750 From Dallas, Texas, please welcome Trig Watson. 273 00:15:28,010 --> 00:15:29,390 Thank you. It's Janelle, yes? 274 00:15:29,590 --> 00:15:33,710 Janelle, I have here in this bandana some things that everyone is familiar 275 00:15:33,830 --> 00:15:35,910 a magic prop that everyone can do magic with. 276 00:15:36,470 --> 00:15:37,470 Any guesses? 277 00:15:38,110 --> 00:15:40,410 No. It is candy! 278 00:15:41,130 --> 00:15:42,870 Because everyone can make candy disappear. 279 00:15:44,189 --> 00:15:46,650 That's an easy trick. I'm going to try it here. We're going to try it a little 280 00:15:46,650 --> 00:15:49,470 different way, though. I want you to hold out your hand like that. That's 281 00:15:49,470 --> 00:15:53,790 perfect. All right. I'm going to try and make that candy there disappear out of 282 00:15:53,790 --> 00:15:55,490 your hand. Hold on good and tight. Don't let go. 283 00:15:56,150 --> 00:15:57,150 All right. That's perfect. 284 00:15:57,950 --> 00:16:00,450 Imagine that candy just slowly disappearing. 285 00:16:00,730 --> 00:16:01,850 Did you feel it disappear? 286 00:16:02,430 --> 00:16:03,430 Yeah. 287 00:16:04,010 --> 00:16:04,729 Say yeah. 288 00:16:04,730 --> 00:16:05,750 Yeah. Good answer. 289 00:16:07,230 --> 00:16:09,750 And now open up your hand again. Look, it's back again. That's amazing. 290 00:16:10,290 --> 00:16:11,350 OMG. That's incredible. 291 00:16:11,670 --> 00:16:13,510 No, squeeze it really tight. Put your other hand on top. 292 00:16:13,770 --> 00:16:16,330 See, now it's harder because now I've got to get through two hands, right? I'm 293 00:16:16,330 --> 00:16:19,150 going to distract you with a different candy here. I'm going to pull out 294 00:16:19,150 --> 00:16:22,210 this one. All right, I want everyone to get a nice, close -up view of this here. 295 00:16:22,410 --> 00:16:23,349 Check this out. 296 00:16:23,350 --> 00:16:26,730 One. Don't let go of that yellow one. You still feel it in your hand? One, 297 00:16:26,950 --> 00:16:27,950 three. 298 00:16:31,570 --> 00:16:34,390 That is the yellow one inside my hand. Yours has the? 299 00:16:34,890 --> 00:16:36,210 Oak up your hand and show the audience. 300 00:16:41,610 --> 00:16:46,510 The impossible is easy for the masterful manipulation of Dan Spade. 301 00:16:51,570 --> 00:16:58,470 From the world of darkness comes our next 302 00:16:58,470 --> 00:17:04,970 performer. He claims Minnesota as his home, but he is from the land of 303 00:17:05,050 --> 00:17:08,690 Enjoy the very mysterious Dan Spade. 304 00:17:14,170 --> 00:17:17,710 So I like to doodle a lot. Who are you? Heather. Oh, yeah. Hi, Heather. I like 305 00:17:17,710 --> 00:17:21,990 to doodle a lot. It was told that especially when I was young, growing up, 306 00:17:21,990 --> 00:17:24,050 helped keep me calm and sort of like then out. 307 00:17:24,250 --> 00:17:26,089 You know what I mean? So I drew you a picture. 308 00:17:26,510 --> 00:17:28,610 I'm not going to show it to you yet because it's more like a prediction. 309 00:17:28,830 --> 00:17:31,830 You know what that is? Yeah. Something that I think is going to happen. Right. 310 00:17:31,950 --> 00:17:36,230 So I'm actually going to not show it to you yet. I want to tear off the notepad. 311 00:17:36,390 --> 00:17:38,770 I'm going to fold it up and I need you to hang on to it with one hand. 312 00:17:39,110 --> 00:17:41,450 And the next thing that we're going to do is. 313 00:17:41,790 --> 00:17:45,290 Have you choose a playing card, okay? Now, we can do this the classic way, but 314 00:17:45,290 --> 00:17:49,090 I'm too lazy. So instead, you can see all are different, right? That's how it 315 00:17:49,090 --> 00:17:50,390 goes. All are different. All are different. 316 00:17:50,910 --> 00:17:52,350 Whatever. I'm just going to shuffle them up. 317 00:17:53,070 --> 00:17:57,030 And I just need you to say stop anywhere as I riffle, right? Okay. 318 00:17:58,610 --> 00:17:59,409 Stop. There? 319 00:17:59,410 --> 00:18:00,730 Okay. Go ahead. Look at it. 320 00:18:01,110 --> 00:18:01,949 I don't care. 321 00:18:01,950 --> 00:18:05,390 You're going to hold on to it, show it around, show it to the camera, and I 322 00:18:05,390 --> 00:18:07,470 you to put it somewhere where I can't get to it. 323 00:18:08,330 --> 00:18:09,430 But you can get to it. 324 00:18:11,580 --> 00:18:12,580 Not looking. 325 00:18:13,360 --> 00:18:17,820 Now, remember, I had been working on a doodle, a drawing that was my 326 00:18:17,980 --> 00:18:22,920 Now, I'm not a very good artist, but hopefully what I doodled and what I drew 327 00:18:22,920 --> 00:18:27,580 will make sense. I need you right now, though, do me a favor and just open the 328 00:18:27,580 --> 00:18:30,000 piece of paper. Don't show it to anybody, but open it. 329 00:18:30,380 --> 00:18:34,260 And there is a drawing on there, right, of a playing card that I drew, right? 330 00:18:34,380 --> 00:18:35,740 Yeah. And what is it? 331 00:18:36,280 --> 00:18:40,950 Faith. Yeah, and an eight. The eight of spades. The eight of spades. 332 00:18:42,830 --> 00:18:47,610 Right? Yeah? Yeah. I know that's not it. I just made up my own. I changed the 333 00:18:47,610 --> 00:18:51,450 lyrics a little bit. You went some, blew some. But that's your card, right? Yes. 334 00:18:51,630 --> 00:18:53,270 No. What? No. No. 335 00:18:53,850 --> 00:18:56,570 Are you sure? Maybe it's the lighting. Maybe you're not looking at it right. 336 00:18:56,990 --> 00:18:58,430 Hang on. Hold on to it. 337 00:18:58,670 --> 00:18:59,649 Just like that. 338 00:18:59,650 --> 00:19:02,890 Like I said, it might be the lighting. So I'm going to help with some matches. 339 00:19:04,240 --> 00:19:07,400 If I light them, I want you to hold on to the matches. I'm going to trade that 340 00:19:07,400 --> 00:19:09,700 with you just in case this goes out. We might need more, but I want you to look 341 00:19:09,700 --> 00:19:14,820 close. Because as I actually hold it up to the paper, you can see it actually 342 00:19:14,820 --> 00:19:19,620 morph and change to the five of clubs. 343 00:19:20,820 --> 00:19:23,840 Take out the cards. So, the five of clubs. 344 00:19:24,520 --> 00:19:25,520 Now, 345 00:19:25,960 --> 00:19:28,200 that's your shoes in there that you get to keep. 346 00:19:28,400 --> 00:19:29,500 I know, get excited. 347 00:19:29,700 --> 00:19:31,160 And you can keep the matches too. 348 00:19:31,480 --> 00:19:33,320 Go ahead, take out a match really fast. 349 00:19:35,600 --> 00:19:38,520 There never were matches the entire time. 350 00:19:38,900 --> 00:19:39,900 Magic show. 351 00:19:40,620 --> 00:19:42,800 Boom. All right, let's go. 352 00:19:46,100 --> 00:19:52,760 We hope you enjoyed this edition of Masters of Illusion. I know I did. And 353 00:19:52,760 --> 00:19:54,100 sure to join us next time. 354 00:19:54,320 --> 00:19:57,260 So until then, I'm Dean Cain. Good night. 355 00:20:02,500 --> 00:20:03,640 I'm coming over here. 356 00:20:04,720 --> 00:20:05,720 Good to see you. 357 00:20:07,560 --> 00:20:10,360 Lovely to meet you. 358 00:20:12,340 --> 00:20:14,040 Hey, you smile. 359 00:20:14,620 --> 00:20:18,780 All right. 360 00:20:20,720 --> 00:20:21,720 Bye -bye. 30107

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