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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,460 --> 00:00:07,120 Illusion, the art of tricking the brain, distorting the senses, challenging 2 00:00:07,120 --> 00:00:12,220 perception. You can't trust what you see, even with your own eyes. 3 00:00:12,500 --> 00:00:14,800 Meet the Masters of Illusion. 4 00:00:21,200 --> 00:00:26,300 Good evening everyone and welcome to Masters of Illusion. I'm Dean Cain. 5 00:00:26,600 --> 00:00:29,400 So, fact or fantasy? 6 00:00:30,269 --> 00:00:34,010 That's the game we are about to play as we watch and try to figure out what is 7 00:00:34,010 --> 00:00:40,430 real and what is just pure illusion, performed by our masters of illusion. 8 00:00:40,710 --> 00:00:44,430 Now, it always baffles me, and I think that you'll agree, it's truly amazing. 9 00:00:45,090 --> 00:00:46,350 So are you ready to be amazed? 10 00:00:47,990 --> 00:00:48,990 Me too. 11 00:00:52,070 --> 00:00:53,310 This one gets me every time. 12 00:00:53,590 --> 00:00:56,130 The first time I look at it, I see four blocks of wood. 13 00:00:57,130 --> 00:00:59,550 The second time I look, there are only three. 14 00:01:00,000 --> 00:01:01,020 How many do you see? 15 00:01:01,240 --> 00:01:02,240 Count them again. 16 00:01:02,680 --> 00:01:04,800 There are only three. 17 00:01:05,820 --> 00:01:10,020 Well, something I promise you can count on is that our magicians tonight, they 18 00:01:10,020 --> 00:01:11,460 will confuse your mind. 19 00:01:15,060 --> 00:01:21,120 Now, the always classic trick of sawing a woman in half, but with a new twist. 20 00:01:21,540 --> 00:01:26,420 This is a very innovative young performer from San Francisco. Ladies and 21 00:01:26,420 --> 00:01:28,640 gentlemen, please welcome Alex Ramon. 22 00:01:33,149 --> 00:01:36,910 The most famous illusion in magic is sawing a woman in half. 23 00:01:37,130 --> 00:01:39,870 A long time ago in the days of vaudeville, there was a magician named 24 00:01:39,870 --> 00:01:44,490 Jarrett. Now, Jarrett was a kind of genius, and he hated the illusion 25 00:01:44,490 --> 00:01:48,070 realized there's only two possible ways to saw a woman in half, either the lady 26 00:01:48,070 --> 00:01:49,850 moves or the blade moves. 27 00:01:50,470 --> 00:01:52,270 And then Jarrett had an epiphany. 28 00:01:52,650 --> 00:01:57,470 He discovered a third way to perform this illusion and recreated for the very 29 00:01:57,470 --> 00:02:00,050 first time Jarrett's ominous invention. 30 00:02:00,650 --> 00:02:03,910 Now, some of you may be thinking, this almost looks big enough for someone to 31 00:02:03,910 --> 00:02:04,910 fit inside. 32 00:02:05,170 --> 00:02:06,170 And you'd be wrong. 33 00:02:07,490 --> 00:02:10,630 It is big enough for someone to fit inside, and that lovely someone is, of 34 00:02:10,630 --> 00:02:12,210 course, Miss Megan Doyle. 35 00:02:19,030 --> 00:02:21,630 You're about to see something even I think is impossible. 36 00:02:50,929 --> 00:02:52,850 Thank you. 37 00:03:21,000 --> 00:03:23,160 for the second element, the blade. 38 00:03:23,720 --> 00:03:30,700 Here's the blade with no trapdoor. And obviously, it's real. 39 00:04:10,730 --> 00:04:14,910 past three minutes, you just witnessed what some magician said was impossible 40 00:04:14,910 --> 00:04:16,970 for the past 80 years. 41 00:04:17,470 --> 00:04:19,769 Is there a third way to solve a woman in half? 42 00:04:20,410 --> 00:04:21,670 Is there a third method? 43 00:04:44,650 --> 00:04:49,510 From Texas comes our next performer, a young magician who began touring the 44 00:04:49,510 --> 00:04:51,610 United States at the age of 17. 45 00:04:51,970 --> 00:04:56,370 His fast -paced humor makes him both a popular and creative magician. 46 00:04:56,690 --> 00:04:58,790 Please welcome Eric Eaton. 47 00:05:01,910 --> 00:05:04,050 I'm going to do a trick involving a beach ball. 48 00:05:04,670 --> 00:05:08,230 I'm going to throw this beach ball out. If it comes to you, please catch it. 49 00:05:10,290 --> 00:05:13,450 Whoa, I didn't even see you there. Perfect. Hi, what's your name? Carly. 50 00:05:14,280 --> 00:05:15,059 No way. 51 00:05:15,060 --> 00:05:16,200 That's my mom's name. 52 00:05:16,940 --> 00:05:18,200 I'm just messing with you. 53 00:05:18,960 --> 00:05:22,320 Carly, in a deck, I have red cards and black cards. Which one would you like? 54 00:05:22,700 --> 00:05:25,700 Red. Red. Perfect, Carly. Can I get you to throw that to someone else? 55 00:05:27,120 --> 00:05:28,660 Oh, wow. One row back. 56 00:05:28,900 --> 00:05:30,740 That's not obvious. Hi, what's your name? 57 00:05:31,000 --> 00:05:34,400 Kristen. Kristen. No way. That's actually my mom's name. 58 00:05:34,900 --> 00:05:35,879 No, Kristen. 59 00:05:35,880 --> 00:05:38,480 Now I have hearts and diamonds. Which one would you like? 60 00:05:39,080 --> 00:05:40,420 Diamonds. Diamonds. Ooh, expensive. 61 00:05:42,630 --> 00:05:45,110 Kristen, can I get you to throw that now to someone else for me, please? 62 00:05:47,310 --> 00:05:48,390 You, sir. What's your name? 63 00:05:48,610 --> 00:05:49,610 Luca. Luca. 64 00:05:49,930 --> 00:05:50,930 No way. 65 00:05:51,810 --> 00:05:52,990 That's my mom's name. 66 00:05:55,050 --> 00:05:58,830 Luca, now in diamonds, I have face cards and number cards. Which one would you 67 00:05:58,830 --> 00:05:59,729 like? Number. 68 00:05:59,730 --> 00:06:02,070 Number card. Perfect. Can I get you to throw that one more time? 69 00:06:04,410 --> 00:06:06,590 Yeah, adds up. It's a big ball. You can't miss it. 70 00:06:07,710 --> 00:06:09,530 Hi, what's your name, sir? Sean. Sean. 71 00:06:10,010 --> 00:06:14,050 Now, in number cards, I have high and low numbers. High numbers would be 6 72 00:06:14,050 --> 00:06:16,590 through 10. Low numbers would be 2 through 5. Which one would you like? 73 00:06:16,810 --> 00:06:19,250 High. Throw that one more time for me. 74 00:06:19,750 --> 00:06:25,670 All right. So now in high, I got 6, 7, 8, 9, 10. Which one would you like? 75 00:06:26,410 --> 00:06:27,410 Perfect. 76 00:06:27,470 --> 00:06:29,870 Everyone give him a round of applause as he makes his way to the stage. 77 00:06:30,170 --> 00:06:31,170 Come on up here. 78 00:06:33,950 --> 00:06:34,950 Good. I'll take this. 79 00:06:35,110 --> 00:06:37,630 Now, in full view this whole time. 80 00:06:38,010 --> 00:06:39,650 I have actually had a deck of cards. 81 00:06:40,630 --> 00:06:45,970 And you guys aren't going to believe this, but somewhere in this deck, I 82 00:06:45,970 --> 00:06:48,370 actually have the six of diamonds. 83 00:06:50,430 --> 00:06:52,490 Thank you. That doesn't seem to impress you. 84 00:06:52,910 --> 00:06:53,910 Let's step it up. 85 00:06:55,450 --> 00:06:58,070 This beach ball has been in full view the whole time. Can we agree? 86 00:06:58,790 --> 00:07:01,730 It went to several different people. You guys got to pick who it went to, 87 00:07:01,770 --> 00:07:02,770 correct? Yes. 88 00:07:02,990 --> 00:07:03,990 Check this out. 89 00:07:05,230 --> 00:07:06,490 Can I get you to come over here? 90 00:07:07,100 --> 00:07:09,780 And can I get you to reach inside there? Is there anything inside there? 91 00:07:10,280 --> 00:07:12,760 Check that out. Pull that out. Show them what's inside. 92 00:07:13,100 --> 00:07:14,860 A card. Show them. What card is that? 93 00:07:15,500 --> 00:07:17,020 The six of diamonds. 94 00:07:17,920 --> 00:07:18,920 Thank you. 95 00:07:20,700 --> 00:07:22,520 Thank you, guys. 96 00:07:25,200 --> 00:07:28,920 The impossible is made possible by Paige Thompson. 97 00:07:38,090 --> 00:07:42,550 In an art form traditionally dominated by men, our next performer learned her 98 00:07:42,550 --> 00:07:44,310 craft as a magician's assistant. 99 00:07:44,670 --> 00:07:49,570 After years of experience, she decided to combine her passion for magic and 100 00:07:49,570 --> 00:07:53,730 performing. And now we have her here. Here is Paige Thompson. 101 00:07:56,310 --> 00:07:57,310 Thank you. 102 00:07:58,430 --> 00:08:01,070 Thank you. Thank you. Thank you. 103 00:08:01,770 --> 00:08:06,210 I'm not just doing a card trick. It is mentalism. 104 00:08:06,880 --> 00:08:10,220 I'm working on it, so it may not be great. But let me try. I have made a 105 00:08:10,220 --> 00:08:15,820 prediction. In this deck of cards, I have made one card flip over. 106 00:08:16,140 --> 00:08:18,760 Completely different than the other cards. 107 00:08:19,440 --> 00:08:23,640 Crazy, right? I need somebody. I see somebody in the front row, pink shirt, 108 00:08:23,760 --> 00:08:25,760 long. What is your name? The Horry. 109 00:08:25,980 --> 00:08:26,980 The Horry. 110 00:08:27,000 --> 00:08:30,520 Beautiful name. To make this random, you're going to point to somebody for 111 00:08:30,560 --> 00:08:34,240 So this way, it's not my fault. Point to somebody you like, don't like, want to 112 00:08:34,240 --> 00:08:35,659 meet, look pretty. I don't know. 113 00:08:36,979 --> 00:08:38,480 Hi, Leopard Prince. What is your name? 114 00:08:38,780 --> 00:08:39,780 Lily. Lily! 115 00:08:39,940 --> 00:08:42,880 Do you wish to accept this challenge or pass it off? 116 00:08:43,140 --> 00:08:44,500 It's not a hard thing, I promise. 117 00:08:44,920 --> 00:08:45,739 Thank you. 118 00:08:45,740 --> 00:08:47,800 Okay, great. Lily, here we go. 119 00:08:48,500 --> 00:08:51,840 I'm not even going to have you pick a card. I just want you to put one card in 120 00:08:51,840 --> 00:08:53,520 your brain. Let me know when it's there. Is it there? 121 00:08:54,020 --> 00:08:58,020 Okay. Make it crazy. Not a joker. I don't have those. Maybe not an ace 122 00:08:58,020 --> 00:09:01,000 everybody picks an ace. You got one in your head? Yes. Boom. 123 00:09:01,200 --> 00:09:02,660 Lily, send it to me magically. 124 00:09:03,500 --> 00:09:04,960 Whoa, that's good. I like that. 125 00:09:05,740 --> 00:09:09,280 I don't know about that, but I'm fine. I'm getting it. I'm getting it. It's 126 00:09:09,280 --> 00:09:10,620 coming. Yes, 127 00:09:11,500 --> 00:09:15,600 it is right. I have made sure that one card is flipped over. 128 00:09:15,960 --> 00:09:16,960 Your card. 129 00:09:17,560 --> 00:09:21,520 Before I even opened the box, what was your card? 130 00:09:22,100 --> 00:09:24,900 Five of spades. The five of spades. Oh, my God. 131 00:09:25,960 --> 00:09:27,420 Are you sure? 132 00:09:27,800 --> 00:09:28,800 Yes. 133 00:09:28,880 --> 00:09:30,300 Like, for real? 134 00:09:30,600 --> 00:09:31,880 Yes. You know what? 135 00:10:00,430 --> 00:10:01,430 Okay. 136 00:10:01,750 --> 00:10:06,350 Well, you see, Lily, now, it looks like I failed, but you know what? 137 00:10:07,250 --> 00:10:11,030 I didn't mess up, because these cards are the only different cards from the 138 00:10:11,030 --> 00:10:15,230 whole deck. So the aces, they actually are marked on the back. They have a 139 00:10:15,230 --> 00:10:16,229 little message. 140 00:10:16,230 --> 00:10:19,670 The message starts with the five. 141 00:10:38,480 --> 00:10:42,680 Back in our audience, our ambassador from Las Vegas has a quick surprise for 142 00:10:42,820 --> 00:10:44,380 Here is Marie Satcha. 143 00:10:48,020 --> 00:10:52,720 So, I love random tricks. This one I came up with during breakfast. Having 144 00:10:52,720 --> 00:10:54,100 breakfast, having my orange juice. 145 00:10:54,380 --> 00:10:56,400 And I want you to help me. Tell me your name. 146 00:10:56,600 --> 00:11:00,740 Ashley. Ashley. Ashley, thanks for helping me. I thought orange juice was 147 00:11:00,740 --> 00:11:02,280 -calorie. And I found out it's not. 148 00:11:02,800 --> 00:11:04,880 But my orange juice is low -calorie. You know why? 149 00:11:05,160 --> 00:11:06,160 Why? Because I said so. 150 00:11:06,300 --> 00:11:07,229 So I'm going to... 151 00:11:07,230 --> 00:11:09,310 I'm going to pour this orange juice into the cup just like so. I'm going to fill 152 00:11:09,310 --> 00:11:10,470 up the cup a little bit. Yeah, pretty much. 153 00:11:10,890 --> 00:11:12,910 And that should do it right about there. 154 00:11:13,110 --> 00:11:13,949 Can you hang on? 155 00:11:13,950 --> 00:11:15,010 Yeah, thank you very much. 156 00:11:15,310 --> 00:11:16,310 Boy, it's pretty cool, yes? 157 00:11:16,470 --> 00:11:17,630 Yes. I'm going to do it very carefully. 158 00:11:17,830 --> 00:11:20,230 My orange juice is so low -calorie, it's almost invisible. 159 00:11:20,670 --> 00:11:21,670 Now, check this out. 160 00:11:22,510 --> 00:11:25,510 No, it really is. 161 00:11:26,350 --> 00:11:29,290 No, no. Please tell me it's not low -calorie. Come on now, people. 162 00:11:29,550 --> 00:11:30,870 Look at that. Mm -hmm. Yep. 163 00:11:31,370 --> 00:11:33,770 And that's my orange juice right there. Thank you for your help. 164 00:11:35,090 --> 00:11:36,210 And now, it's to you. 165 00:11:36,800 --> 00:11:37,800 There you go. 166 00:11:38,980 --> 00:11:42,800 Next, the amazing card wizardry of Sean Jones. 167 00:11:51,740 --> 00:11:56,740 Our next magician is very difficult to keep up with. He is the epitome of the 168 00:11:56,740 --> 00:11:58,260 hand is quicker than the eye. 169 00:11:58,500 --> 00:12:01,280 Please enjoy the deception of Sean J. 170 00:12:08,490 --> 00:12:12,070 I'm going to give you some cards in a moment. I'm also going to use this box 171 00:12:12,070 --> 00:12:16,570 here. Now, I have a dry erase marker, and you're just going to do this so you 172 00:12:16,570 --> 00:12:17,570 can experience this yourself. 173 00:12:17,670 --> 00:12:19,370 Just make a little mark on that box. 174 00:12:20,550 --> 00:12:21,690 Just make a squiggle. 175 00:12:22,010 --> 00:12:28,170 You notice that once it dries, you can wipe it away really easily. It doesn't 176 00:12:28,170 --> 00:12:30,710 move until you touch it or something with your finger. 177 00:12:30,970 --> 00:12:32,910 So we're going to try this. Can you put the cap back on? 178 00:12:33,930 --> 00:12:37,530 I'm going to have you do this whole thing. 179 00:12:38,680 --> 00:12:39,840 52 different possibilities. 180 00:12:42,040 --> 00:12:44,300 52 different possibilities. Now hold up your finger. 181 00:12:44,900 --> 00:12:49,360 You're just going to touch the back of any one of these cards that you like. 182 00:12:51,260 --> 00:12:52,260 Which one here? This one? 183 00:12:52,940 --> 00:12:55,440 Not this one. If you would have gone one further, it would have been the Jack of 184 00:12:55,440 --> 00:12:58,300 Diamonds, but it's not that one. You want this one here. Take a peek at that. 185 00:12:58,340 --> 00:12:59,119 Remember that? 186 00:12:59,120 --> 00:13:01,040 I'm going to show the rest of the audience. Y 'all can see that? 187 00:13:02,120 --> 00:13:03,280 Remember that card. 188 00:13:04,220 --> 00:13:05,520 Remember that card. Now. 189 00:13:06,720 --> 00:13:10,960 We're going to try a little experiment here. May I see that? 190 00:13:14,480 --> 00:13:16,400 Actually, I'll have you do it again. 191 00:13:17,040 --> 00:13:21,320 Just make a little dot just like right there. 192 00:13:23,120 --> 00:13:24,120 There you go. 193 00:13:24,280 --> 00:13:28,660 I'll fill in a little more so everybody at home can also see this. 194 00:13:30,300 --> 00:13:35,280 I'm going to check this out. We're going to try hold up. 195 00:13:36,040 --> 00:13:37,700 Your right hand again with that finger. 196 00:13:38,280 --> 00:13:40,600 This is crazy if this works. I don't know if it's going to work. 197 00:13:40,860 --> 00:13:44,080 But I want you, in a moment, you're going to touch my finger. When you do, I 198 00:13:44,080 --> 00:13:46,660 want you to watch that squiggle of ink on the box. 199 00:13:47,000 --> 00:13:52,000 Okay? See the card. Imagine the card traveling from your mind down your arm 200 00:13:52,000 --> 00:13:54,800 the end of your finger. You're going to send that card to me. 201 00:13:55,380 --> 00:13:57,020 Okay? You're going to send it to me. 202 00:13:57,440 --> 00:13:59,040 It's going to make sense in a second. Watch. 203 00:13:59,400 --> 00:14:00,420 Three, two, one. 204 00:14:01,920 --> 00:14:03,240 Watch the ink on the box. 205 00:14:03,600 --> 00:14:05,360 Watch the ink on. 206 00:14:05,760 --> 00:14:11,840 The box, as it slowly starts to make its move, 207 00:14:11,960 --> 00:14:18,260 ever so slowly, follow the path and see 208 00:14:18,260 --> 00:14:22,740 your card come into view. You're actually going to see, it looks like a 209 00:14:22,740 --> 00:14:24,180 there and a diamond. 210 00:14:24,480 --> 00:14:26,040 Do you see a seven and a diamond? 211 00:14:26,260 --> 00:14:26,919 Yes, I do. 212 00:14:26,920 --> 00:14:29,260 Was the card, ladies and gentlemen, the seven of diamonds? 213 00:14:36,400 --> 00:14:40,680 Our next illusionist is unique and combines his gift of blending the use 214 00:14:40,680 --> 00:14:43,980 understanding of the Internet and quick deception. 215 00:14:44,240 --> 00:14:48,320 For him, there is no difference between fantasy and reality. 216 00:14:48,540 --> 00:14:51,500 Hmm. This is Leon Etzner. 217 00:15:34,800 --> 00:15:39,160 Now, the impossible is made possible by Chris Funk. 218 00:15:48,080 --> 00:15:54,380 Magic evolves within time, and so do the performers who perfect this art. One of 219 00:15:54,380 --> 00:15:58,640 the most talked about contemporary performers in the world is refreshingly 220 00:15:58,640 --> 00:16:01,520 different. Here is Canada's Chris Funk. 221 00:16:05,100 --> 00:16:07,140 Here is Imani from our live studio audience. 222 00:16:07,380 --> 00:16:10,840 Imani, I've got a question for you. Have you got something that we could use to 223 00:16:10,840 --> 00:16:15,120 write with in a moment, like a pen or lipstick or eyeliner, mascara, something 224 00:16:15,120 --> 00:16:19,840 like that? I might. Okay, go ahead. I want to try something right now using 225 00:16:19,840 --> 00:16:23,220 time. You see, time is an important thing. It affects us all. A lot of 226 00:16:23,220 --> 00:16:26,100 think that we don't have enough time or we have too much time. You have 227 00:16:26,100 --> 00:16:26,899 something. Awesome. 228 00:16:26,900 --> 00:16:30,380 Imani, you can put your purse down. I want you to think of a time. 229 00:16:30,800 --> 00:16:33,160 Okay, I want you to think of a time, and you're going to actually put it right 230 00:16:33,160 --> 00:16:37,020 here on my hand. I want you to write it right on the palm of my hand, Imani. Can 231 00:16:37,020 --> 00:16:38,020 you do that? Go ahead. 232 00:16:38,220 --> 00:16:39,220 Okay. 233 00:16:43,540 --> 00:16:44,239 Oh, wow. 234 00:16:44,240 --> 00:16:48,340 This is the weirdest thing. 8 .15 a .m. My hand has been like this the entire 235 00:16:48,340 --> 00:16:50,000 time. Yeah. You got to watch. 236 00:16:50,740 --> 00:16:51,740 It doesn't work. 237 00:16:51,940 --> 00:16:53,260 I just wear it because it looks cool. 238 00:16:53,460 --> 00:16:56,480 It is very cool. You see, it actually stopped working at a very specific time. 239 00:16:57,600 --> 00:16:59,060 You wrote 8 .15. Yeah. 240 00:16:59,520 --> 00:17:03,100 And if you look at my watch, you'll notice it stops at 8. 241 00:17:03,600 --> 00:17:08,339 How much 242 00:17:08,339 --> 00:17:15,240 praise can you 243 00:17:15,240 --> 00:17:18,579 bestow on a performer and still feel like it's never enough? 244 00:17:18,940 --> 00:17:24,619 Well, from Holland, here is probably the best illusionist in the world. 245 00:17:25,440 --> 00:17:26,440 Hans Klok. 246 00:19:29,100 --> 00:19:33,040 For this edition of Masters of Illusion, we hope you'll join us next time for 247 00:19:33,040 --> 00:19:34,520 more amazing magic. 248 00:19:34,880 --> 00:19:36,440 Until then, I am Dean Cain. 249 00:19:36,700 --> 00:19:37,780 Thank you for watching. 21075

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