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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,190 --> 00:00:07,870 The art of tricking the brain, distorting the senses, challenging 2 00:00:08,210 --> 00:00:12,230 You can't trust what you see, even with your own eyes. 3 00:00:12,490 --> 00:00:14,810 Meet the Masters of Illusion. 4 00:00:19,870 --> 00:00:23,010 Welcome to Masters of Illusion. I'm Dean K. 5 00:00:23,430 --> 00:00:28,370 Now, can your mind be controlled or programmed? Can it be disillusioned? 6 00:00:28,910 --> 00:00:34,070 You believe in the world of magic, a world in which nothing is real. 7 00:00:34,370 --> 00:00:37,230 But your mind believes otherwise. 8 00:00:37,810 --> 00:00:40,890 Tonight's mission is to make you doubt yourself. 9 00:00:41,510 --> 00:00:43,210 So are you ready to be doubted? 10 00:00:45,930 --> 00:00:51,690 How many faces did this artist include in this painting? 11 00:00:52,670 --> 00:00:54,770 There's one. There's two. 12 00:00:55,470 --> 00:00:56,470 Three. 13 00:00:57,010 --> 00:00:58,010 Four. 14 00:00:59,430 --> 00:01:00,430 Five. 15 00:01:01,190 --> 00:01:02,190 Six. 16 00:01:02,450 --> 00:01:03,930 She's standing on his face. 17 00:01:04,930 --> 00:01:06,230 Oh, what about her face? 18 00:01:06,670 --> 00:01:07,670 That's seven. 19 00:01:08,110 --> 00:01:12,490 Well, will the obvious be hidden by tonight's Masters of Illusion? 20 00:01:13,370 --> 00:01:14,750 I promise you it will. 21 00:01:17,790 --> 00:01:21,190 Our next performer brings the world of voodoo to our stage. 22 00:01:21,450 --> 00:01:26,850 To say that he is different, that's an understatement. Here is Dan Sperry. 23 00:01:34,070 --> 00:01:36,370 I do need the assistance of somebody to come up on stage to help make sure 24 00:01:36,370 --> 00:01:39,050 everything I'm doing is exactly what I say it is. Who are you? You're in the 25 00:01:39,050 --> 00:01:39,869 front row. You're convenient. 26 00:01:39,870 --> 00:01:40,970 Who are you? My name is Monica. 27 00:01:41,190 --> 00:01:42,009 What is it? Monica? 28 00:01:42,010 --> 00:01:43,590 Yes. All right, Monica. Perfect. I'm Dan. 29 00:01:43,890 --> 00:01:45,170 What's up? Everybody look. It's Monica. 30 00:01:45,370 --> 00:01:46,370 Yay! 31 00:01:47,630 --> 00:01:49,570 Monica, come over here. Have a seat. Talk to me twice. 32 00:01:50,230 --> 00:01:53,990 Because what we do right now is perform our own voodoo magic ritual ceremony. 33 00:01:54,330 --> 00:01:56,570 And your job is very important. You're going to be someone from the audience to 34 00:01:56,570 --> 00:01:59,130 make sure everything I'm doing is what I say it is. Yeah, get excited. It's 35 00:01:59,130 --> 00:02:00,089 going to be great. Get excited. 36 00:02:00,090 --> 00:02:01,890 So first, roll your sleeves back. Magic. 37 00:02:02,360 --> 00:02:05,820 Yeah, so we can see that. Oh, hey, what's up? Yeah, roll them up so we can 38 00:02:06,000 --> 00:02:09,759 Nothing. All right, stop. Now, the first thing is this blindfold. 39 00:02:09,979 --> 00:02:12,920 Don't worry. We watch this after every show, so you're not going to get pink 40 00:02:12,920 --> 00:02:13,920 or anything like that. 41 00:02:14,920 --> 00:02:16,100 Are you comfortable? I don't want you uncomfortable. 42 00:02:16,540 --> 00:02:20,560 Yes. So I have inside my little magic box. You still can't see, right? 43 00:02:21,160 --> 00:02:23,920 That's good. All right, so I have two needles. 44 00:02:24,840 --> 00:02:26,960 What I'm going to have you do, gently hold onto this. 45 00:02:27,660 --> 00:02:30,040 I'm going to lift up your right arm. We're going to bend at your elbow. 46 00:02:30,430 --> 00:02:32,270 And hold your elbow above your heart. You're going to want to be above the 47 00:02:32,270 --> 00:02:32,869 thing, right? 48 00:02:32,870 --> 00:02:35,770 Yeah, good. Now, since you are under the voodoo tracks, you shouldn't feel 49 00:02:35,770 --> 00:02:38,010 anything. But what we're going to do right now is recreate those same rituals 50 00:02:38,010 --> 00:02:41,670 that I just described by making our own sort of metaphorical human voodoo doll. 51 00:02:43,330 --> 00:02:46,710 So, yeah, don't tense up too much. You can relax, but don't make a tight fist 52 00:02:46,710 --> 00:02:48,890 because that's what makes the blood squirt everywhere. That's a mess. That's 53 00:02:48,890 --> 00:02:53,970 good. That's number one. Number two. Now, with your left hand, your left arm. 54 00:02:54,050 --> 00:02:55,090 Perfect. Move that back. 55 00:02:55,710 --> 00:02:56,710 Number two. 56 00:03:00,520 --> 00:03:02,440 Doing great. Again, yeah, just relax. Perfect. 57 00:03:03,760 --> 00:03:04,760 That's number two. 58 00:03:05,240 --> 00:03:08,360 Now, as I said before as well, you are here to make sure everything I'm doing 59 00:03:08,360 --> 00:03:09,360 what I say it is. 60 00:03:09,640 --> 00:03:12,260 So I'm going to take the blindfold off right now momentarily. 61 00:03:12,460 --> 00:03:14,000 Yeah, yeah, yeah. 62 00:03:14,640 --> 00:03:18,140 It's going to get weird. It's going to get weird. So when I do that, I want you 63 00:03:18,140 --> 00:03:22,820 to take a little peek at each of your arms and verify yes or no. 64 00:03:23,180 --> 00:03:26,800 Do those needles appear to be going through your skin? 65 00:03:27,820 --> 00:03:28,820 Look at it. 66 00:03:29,480 --> 00:03:33,820 Yep, okay, that's a yes. She's definitely under, definitely under the 67 00:03:33,820 --> 00:03:36,160 trend, because that was an amazing reaction. 68 00:03:37,560 --> 00:03:39,740 Now we're going to let everybody else have a look as well. We're going to 69 00:03:39,740 --> 00:03:41,380 with just your left arm, just your left shoulder. 70 00:03:41,720 --> 00:03:45,140 Rotate it open like this, so everybody can actually see it going through her 71 00:03:45,140 --> 00:03:48,320 skin, but just like those voodoo practitioners, no holes, no scars, no 72 00:03:48,440 --> 00:03:49,840 Give her a round of applause, that's very good. 73 00:03:54,640 --> 00:03:57,060 Number two on this side, if you didn't get a good look at that, that's number 74 00:03:57,060 --> 00:03:58,240 two, through her arm. 75 00:03:58,680 --> 00:04:02,340 actually going through her skin, penetrating her... Oh, hold on. No, no, 76 00:04:02,340 --> 00:04:06,340 fine. Fine. Shut up. Shut up. You're scaring her. You're scaring her. Stop 77 00:04:06,380 --> 00:04:07,500 Look, no holes, no scars. 78 00:04:08,820 --> 00:04:11,500 Little bit of blood, but it's a mulligan. It's gimme. She's never done 79 00:04:11,500 --> 00:04:12,940 before. It's fine. It's fine. It's fine. 80 00:04:13,660 --> 00:04:17,260 Don't hold your arm right there. We have to fix that. That's why we have this to 81 00:04:17,260 --> 00:04:20,100 clean off the blood. No, sorry. Yeah, we have to clean that off. Look, no holes, 82 00:04:20,220 --> 00:04:23,160 no scars, no blood. Give her a round of applause. It's very good, right? 83 00:04:23,660 --> 00:04:24,660 Let me put that there. 84 00:04:26,210 --> 00:04:27,290 I'm going to remove the blindfold. 85 00:04:28,090 --> 00:04:31,910 That's where we introduce the ceremonial, very stereotypical voodoo 86 00:04:32,510 --> 00:04:35,930 And it just so happens I have with me tonight an authentic voodoo doll. As 87 00:04:35,930 --> 00:04:38,170 legend has it, now anything that happens to the doll should happen to you. I'm 88 00:04:38,170 --> 00:04:40,730 going to have you hold him just like that for a moment. I have to ask you 89 00:04:40,730 --> 00:04:41,730 something. Are you ticklish? 90 00:04:42,170 --> 00:04:43,290 Yes. Good. 91 00:04:43,810 --> 00:04:46,110 Because that's why we're going to use this feather and the bottom of the 92 00:04:46,110 --> 00:04:48,890 feet. I'm going to simply tickle the bottom of the doll's feet and yes or no. 93 00:04:48,890 --> 00:04:50,030 you feel that on the bottom of your feet? 94 00:04:50,890 --> 00:04:51,890 No. No? 95 00:04:52,310 --> 00:04:53,310 You don't feel anything. 96 00:04:53,570 --> 00:04:54,570 Sometimes that happens. 97 00:04:54,880 --> 00:04:56,620 So we need to move to a different area on the doll. 98 00:04:56,900 --> 00:04:59,260 And instead of the feather, we're going to go back to the needles. We had better 99 00:04:59,260 --> 00:05:02,440 luck with that. So we're going to use this much bigger, much larger needle. 100 00:05:02,880 --> 00:05:06,480 So now when this makes contact with the backside of the doll, all you have to do 101 00:05:06,480 --> 00:05:09,020 is let us know if you feel anything. 102 00:05:17,060 --> 00:05:18,500 Anything at all when this makes contact. 103 00:05:19,540 --> 00:05:22,160 The backside of the doll. 104 00:05:22,430 --> 00:05:24,290 I want you to just go ahead and you let us know if you feel anything. 105 00:05:24,550 --> 00:05:27,070 What? You felt that for real? You did? 106 00:05:27,550 --> 00:05:30,390 Then that's it. We have completed the voodoo ceremony. You're going to be 107 00:05:31,030 --> 00:05:33,570 We've completed the voodoo ceremony. This is your voodoo. 108 00:05:33,850 --> 00:05:36,750 She was great. 109 00:05:37,550 --> 00:05:39,590 Just remember to use your powers for good. 110 00:05:40,930 --> 00:05:41,930 All right. 111 00:05:42,150 --> 00:05:43,150 Magic show. 112 00:05:48,470 --> 00:05:50,830 Let's go to our audience camera now and catch up. 113 00:05:51,100 --> 00:05:52,260 with Murray Sawchuck. 114 00:05:56,920 --> 00:05:58,560 Well, tell everybody your name. 115 00:05:59,320 --> 00:06:00,320 My name is Myce. 116 00:06:00,680 --> 00:06:03,180 Thank you for being here. Thanks for helping me. We're going to do a card 117 00:06:03,380 --> 00:06:07,180 I'm going to go like this. I want you to say stop whenever you'd like, all 118 00:06:07,180 --> 00:06:08,159 right? 119 00:06:08,160 --> 00:06:09,480 Stop. Take the card. 120 00:06:09,860 --> 00:06:11,980 Memorize the card. Have a look at the card. Show everyone out there. 121 00:06:13,160 --> 00:06:14,160 Great and funny. 122 00:06:14,400 --> 00:06:15,540 Put it anywhere on the deck you want. 123 00:06:16,880 --> 00:06:19,220 Anywhere. Oh, look at you covering it up so I can't see it. 124 00:06:19,580 --> 00:06:21,320 You know what? Take those stuff and mix them up real good. 125 00:06:22,180 --> 00:06:22,979 Oh, professional. 126 00:06:22,980 --> 00:06:24,620 You're very good at this. That's concerning. 127 00:06:26,200 --> 00:06:27,460 All right. Didn't see that coming. 128 00:06:28,280 --> 00:06:29,700 Put that in the box, please. 129 00:06:31,220 --> 00:06:32,460 And then close the lid. 130 00:06:33,080 --> 00:06:34,080 All right. 131 00:06:34,480 --> 00:06:36,580 Excellent. And then I have a piece of paper here. All right. 132 00:06:36,880 --> 00:06:39,840 Check out the piece of paper. Open it up. Make sure there's nothing written on 133 00:06:39,840 --> 00:06:40,639 the piece of paper. 134 00:06:40,640 --> 00:06:44,500 So rub the back of the pack back and forth, and your card is going to 135 00:06:44,500 --> 00:06:46,380 appear on the paper. 136 00:06:46,960 --> 00:06:48,100 Isn't that great? Hold up. 137 00:06:48,440 --> 00:06:49,440 You see it? 138 00:06:49,700 --> 00:06:50,700 Nothing. A lot more. 139 00:06:52,940 --> 00:06:54,140 Shocked me. I didn't even see that coming. 140 00:06:55,480 --> 00:06:56,480 I'm like, really? Wow. 141 00:06:57,040 --> 00:06:58,040 Now hold up. 142 00:06:58,540 --> 00:07:01,940 Nothing? Here, let me heat it up a bit more. Let me do this. And do this, 143 00:07:03,140 --> 00:07:04,140 Look really carefully. 144 00:07:04,400 --> 00:07:06,080 There's... Whoa. 145 00:07:06,580 --> 00:07:07,580 There's your card. 146 00:07:07,640 --> 00:07:08,640 The ten. 147 00:07:08,740 --> 00:07:10,120 A diamond. And a diamond, yeah. 148 00:07:10,880 --> 00:07:11,699 There you go. 149 00:07:11,700 --> 00:07:12,700 That's for you. 150 00:07:12,880 --> 00:07:13,880 And that's for you. 151 00:07:16,910 --> 00:07:19,710 Amazing is the only way to describe Chris Funk. 152 00:07:28,470 --> 00:07:33,830 There is always change in the air if you can keep your focus on the antics of 153 00:07:33,830 --> 00:07:34,830 Chris Funk. 154 00:07:41,410 --> 00:07:43,010 Like, right now? 155 00:07:43,980 --> 00:07:46,900 I thought you were going to give me a bit of a heads up here before, like a 156 00:07:46,900 --> 00:07:49,560 warning so I could get... No, not doing that. 157 00:07:50,020 --> 00:07:51,100 Not doing that today. 158 00:07:52,260 --> 00:07:53,260 All right. 159 00:07:53,440 --> 00:07:54,440 Let's see what I can do here. 160 00:08:16,840 --> 00:08:20,620 Many magicians pride themselves on their ability to reach out to the spirit 161 00:08:20,620 --> 00:08:25,780 world. Well, concentrate on our next performer as he takes us on a seance. 162 00:08:26,000 --> 00:08:28,320 Here now is Joel Myers. 163 00:08:31,800 --> 00:08:32,880 What's up, guys? 164 00:08:33,179 --> 00:08:36,580 I'm very excited to be here tonight. In order for this to work, I need to borrow 165 00:08:36,580 --> 00:08:38,860 somebody who believes in ghosts. 166 00:08:39,440 --> 00:08:40,440 Let's see here. 167 00:08:40,620 --> 00:08:42,000 Oh, man, a lot of believers. 168 00:08:42,299 --> 00:08:43,299 You miss. What's your name? 169 00:08:44,199 --> 00:08:47,040 Shelly, you look like a believer. Everybody give Shelly a big hand if she 170 00:08:47,040 --> 00:08:48,460 me on stage. Shelly, come on up. 171 00:08:50,740 --> 00:08:52,880 Shelly, here's what we're going to do. Let's just think about somebody who's 172 00:08:52,880 --> 00:08:54,240 really close to you and you like, okay? 173 00:08:54,440 --> 00:08:57,420 This can be like a close friend or a close family member. They can be here. 174 00:08:57,420 --> 00:08:59,880 can be at home. It doesn't matter. But it's important, Shelly, you and I have 175 00:08:59,880 --> 00:09:00,900 never met before, right? 176 00:09:01,520 --> 00:09:04,620 Awesome. So, Shelly, check it out. Behind me are the 26 letters of the 177 00:09:04,860 --> 00:09:08,640 They have been chilling on stage the entire time since before I even came 178 00:09:08,880 --> 00:09:10,960 Shelly, over here I have a very old table. 179 00:09:11,760 --> 00:09:16,710 And then I also have... A couple of tiny chalkboards here. 180 00:09:17,130 --> 00:09:18,250 So, Shelly, here's the deal. 181 00:09:18,910 --> 00:09:22,370 These chalkboards have a little piece of chalk with them just like this. They're 182 00:09:22,370 --> 00:09:24,710 completely blank. There's nothing funny about them. Just kind of wipe one side. 183 00:09:24,790 --> 00:09:27,230 Just make sure it's totally blank. Go ahead. You can wipe that side just to 184 00:09:27,230 --> 00:09:28,750 sure it's totally analog. They're not like electronic. 185 00:09:28,950 --> 00:09:29,950 Nothing pre -written on both sides. 186 00:09:30,130 --> 00:09:31,130 Yeah, cool. 187 00:09:31,210 --> 00:09:33,650 I need a gentleman as well. Hi. How's it going, man? 188 00:09:34,150 --> 00:09:34,849 What's your name? 189 00:09:34,850 --> 00:09:38,170 Antrell. Antrell, could you do me a favor, man? Stand right over here, maybe 190 00:09:38,170 --> 00:09:39,210 the second step there. 191 00:09:39,690 --> 00:09:42,090 Antrell, here's what's going to happen. You're going to hold on to these two 192 00:09:42,090 --> 00:09:45,860 boards. Okay, so I'm going to put the boards together just like this. In 193 00:09:45,860 --> 00:09:47,660 the boards, I'm going to place a tiny little piece of chalk. 194 00:09:48,200 --> 00:09:51,040 Very simple, just like this. Tiny little piece of chalk in between the boards. 195 00:09:51,720 --> 00:09:52,720 Antrell, I'm saying it right? 196 00:09:53,000 --> 00:09:56,920 Antrell, hold it just like this. Now, Antrell, don't move and don't freak out 197 00:09:56,920 --> 00:09:57,920 matter what you hear. 198 00:09:58,260 --> 00:09:59,760 Okay, Shelly, here's the deal. 199 00:10:00,340 --> 00:10:01,660 You're thinking about somebody you're close to, yeah? 200 00:10:02,040 --> 00:10:04,600 Come a little bit closer to the table here, Shelly. We're going to use this. 201 00:10:05,160 --> 00:10:07,620 What I'm going to do is I'm going to show you it's just a table with a 202 00:10:07,620 --> 00:10:11,280 tablecloth on top. Now, we have to have physical contact with this table, 203 00:10:11,380 --> 00:10:14,020 Shelly, without physically touching the table. You get me? 204 00:10:14,540 --> 00:10:17,020 Awesome. Shelly, I want you to hold onto the corners of the cloth just like 205 00:10:17,020 --> 00:10:20,280 this, really loosely. Come a little bit closer. That's perfect. Yeah, just relax 206 00:10:20,280 --> 00:10:21,620 your hands. Yeah, hold it just like that. 207 00:10:22,340 --> 00:10:28,620 Awesome, Shelly. I'm going to ask if there is a ghost in this room right now, 208 00:10:28,620 --> 00:10:33,400 they can present themselves now and show us the initials of the person that 209 00:10:33,400 --> 00:10:34,400 you're thinking of. 210 00:10:34,820 --> 00:10:39,480 using the letters behind me and this table just like a giant Ouija board. 211 00:10:39,720 --> 00:10:43,860 Okay? So, Shelly, focus on the first two letters of the name of the person that 212 00:10:43,860 --> 00:10:44,860 you're thinking of. 213 00:10:44,880 --> 00:10:50,320 Focus on the table, but more importantly, focus on those initials, 214 00:10:50,320 --> 00:10:51,320 it out. 215 00:10:51,660 --> 00:10:54,960 See, sometimes it happens slowly, sometimes it happens quickly, but 216 00:11:01,590 --> 00:11:03,090 Shelly, look underneath, make sure there's nothing underneath. 217 00:11:03,470 --> 00:11:05,170 You can lift up a little bit, Shelly. Go ahead, lift up underneath. 218 00:11:05,630 --> 00:11:06,630 Okay, careful, careful. 219 00:11:07,170 --> 00:11:08,290 Okay, Shelly, keep holding on. 220 00:11:08,510 --> 00:11:10,870 Just move with it, wherever it wants to go, Shelly. Just move with it. 221 00:11:11,110 --> 00:11:13,570 Move with it, wherever it wants to go. Think about the first letter of the 222 00:11:13,570 --> 00:11:16,970 person that you're close to. The first letter. Is the first letter an A, 223 00:11:17,070 --> 00:11:21,410 Keep moving with it, wherever it wants to go. Just focus on, focus on, just 224 00:11:21,410 --> 00:11:23,290 focus on that name, Shelly. Is it A -L? 225 00:11:23,770 --> 00:11:25,110 Let go, let go. I feel it, I feel it. 226 00:11:42,700 --> 00:11:44,580 Everybody give Shelly a big hand. Come on. 227 00:11:45,980 --> 00:11:47,140 Shelly, you are awesome. 228 00:11:48,600 --> 00:11:49,860 Wait a second. And Trell? 229 00:11:51,960 --> 00:11:53,160 Nobody came up to these, right? 230 00:11:53,640 --> 00:11:57,860 Check this out. Shelly, for the first time, name out loud, what's the name of 231 00:11:57,860 --> 00:11:59,420 the person that you're thinking of? Alice. 232 00:11:59,980 --> 00:12:00,980 Alice? 233 00:12:01,640 --> 00:12:02,640 Come here, Shelly. 234 00:12:02,940 --> 00:12:03,940 Check it out. 235 00:12:09,980 --> 00:12:11,380 Everybody give Shelly a big hand. 236 00:12:17,320 --> 00:12:20,960 Now we turn to South America and the pride of Peru. 237 00:12:21,240 --> 00:12:25,940 This magician proves the importance of being able to always get your money 238 00:12:26,200 --> 00:12:28,380 Here is George Iglesias. 239 00:12:29,000 --> 00:12:34,160 Hello. How are you, Eric? There is a very American expression that says 240 00:12:34,160 --> 00:12:36,040 remorse. Have you had that feeling before? 241 00:12:36,650 --> 00:12:40,250 That feeling when we buy and spend money and then we go home and we regret. 242 00:12:40,410 --> 00:12:44,090 That's when buyer remorse comes to me. And then there is nothing you can do 243 00:12:44,090 --> 00:12:45,250 about it. Or perhaps, yes. 244 00:12:45,590 --> 00:12:47,370 Look here. I kept the receipt. 245 00:12:47,570 --> 00:12:50,010 Yeah. The duty free of the American. 246 00:12:50,210 --> 00:12:51,390 The receipt. Yes, yes, yes. 247 00:12:51,690 --> 00:12:57,090 $400 I spent. Look. But have you spent $400 before at a duty free? It's too 248 00:12:57,090 --> 00:13:00,290 money, right? I'm thinking if there is a way to going back in time. Because if I 249 00:13:00,290 --> 00:13:05,790 can go back in time, then I can just have my money back right away. 250 00:13:06,400 --> 00:13:10,920 Yes, ladies and gentlemen, $100, $200, $300, and $400. 251 00:13:16,540 --> 00:13:21,040 Next, is your mind able to keep up with the antics of Billy Kidd? 252 00:13:29,980 --> 00:13:33,260 Time for another spin with the very delightful mysteries. 253 00:13:33,870 --> 00:13:35,990 created by London's Lady of Magic. 254 00:13:36,610 --> 00:13:38,350 Here is Billy Kidd. 255 00:13:40,250 --> 00:13:41,250 Thank you very much. 256 00:13:42,130 --> 00:13:45,430 I know this might be an odd question to ask, but does anyone have any money I 257 00:13:45,430 --> 00:13:46,430 can borrow? 258 00:13:47,030 --> 00:13:48,030 You have one? 259 00:13:48,170 --> 00:13:50,810 It looks like you have 25 cents. Give this man a round of applause. Come on 260 00:13:50,810 --> 00:13:51,810 the stage, my friend. 261 00:13:53,190 --> 00:13:55,050 Here he comes. Come on, come on. Johnny, 262 00:13:56,070 --> 00:13:58,970 excellent. You got 25 cents. That is brilliant. Johnny, what I want you to 263 00:13:59,200 --> 00:14:02,240 I want you to initial both sides of the coin so you know that is your coin that 264 00:14:02,240 --> 00:14:04,860 we start with and hopefully the coin that we end with at the end of the 265 00:14:05,100 --> 00:14:07,460 Now, while Johnny does that, I'm going to need to borrow somebody else, a very 266 00:14:07,460 --> 00:14:09,460 sexy man. Do we have one of those in the audience? 267 00:14:11,380 --> 00:14:12,380 It's going to be difficult. 268 00:14:13,880 --> 00:14:16,420 You, come on up. Give this man a big round of applause. You'll do. 269 00:14:17,340 --> 00:14:18,239 What's your name? 270 00:14:18,240 --> 00:14:19,840 Smile. Smile while I'm filling your teeth. 271 00:14:21,160 --> 00:14:23,720 Great. I was just waiting for you. Now, you initialed that coin. 272 00:14:24,120 --> 00:14:26,520 Now, Ryan, you got a job. He's going to be like security. 273 00:14:26,720 --> 00:14:29,240 So we're going to trust Ryan with your coin. Okay, this is important. 274 00:14:29,440 --> 00:14:30,440 Ryan, hold out your hand. 275 00:14:30,480 --> 00:14:33,020 You're going to guard this coin with your life. Hold it like this. Make sure 276 00:14:33,020 --> 00:14:34,020 one goes near it. 277 00:14:34,140 --> 00:14:37,500 Over here, you might have noticed, we've got a brown paper bag. It's been here 278 00:14:37,500 --> 00:14:38,499 since the beginning. 279 00:14:38,500 --> 00:14:42,280 And what's going to happen is, my friend, you're going to hold on to this 280 00:14:42,280 --> 00:14:45,140 and high in your right hand as high as you can. And in your left hand, you're 281 00:14:45,140 --> 00:14:46,109 going to hold on to this. 282 00:14:46,110 --> 00:14:47,490 Nice and low. All right. 283 00:14:47,810 --> 00:14:52,150 So inside the bag, we have, ladies and gentlemen, believe it or not, we have 284 00:14:52,150 --> 00:14:56,270 a ball of wool. 285 00:14:57,670 --> 00:14:59,590 It's a big budget show here, as you can tell. 286 00:15:00,170 --> 00:15:03,550 So we're going to take this ball of wool and find the end here. I'm going to 287 00:15:03,550 --> 00:15:04,550 place it inside here. 288 00:15:04,610 --> 00:15:07,350 You can hold on like this so it doesn't fall out. Brilliant. And you're going to 289 00:15:07,350 --> 00:15:10,090 hang on to this in your other hand. You still got the coin, yes? 290 00:15:10,430 --> 00:15:14,550 Great. And I'm going to need the magic wand, which will be this sharpie. 291 00:15:14,860 --> 00:15:18,220 Open your hand. So you've got the coin. Okay. What we're going to need for this 292 00:15:18,220 --> 00:15:20,760 trick to work is actually absolute silence. 293 00:15:22,340 --> 00:15:27,740 Because I want you to hear the moment the coin penetrates 294 00:15:27,740 --> 00:15:30,220 straight through the wall. 295 00:15:33,580 --> 00:15:36,020 So we're going to switch places. You're going to stand in the middle of the 296 00:15:36,020 --> 00:15:37,020 stage. Okay. 297 00:15:37,080 --> 00:15:40,300 You're going to help me. We're going to unwind this ball of wool. 298 00:15:40,500 --> 00:15:41,860 Yes. Very good. 299 00:15:42,350 --> 00:15:46,750 And just in case anybody in the audience is wondering, this part of the routine 300 00:15:46,750 --> 00:15:50,350 takes about, maybe about one hour. 301 00:15:51,490 --> 00:15:52,490 Okay, brilliant. 302 00:15:52,610 --> 00:15:56,570 Ryan, you're doing excellent. I think we're getting almost to the end of this 303 00:15:56,570 --> 00:15:58,510 ball of wool, and there's something inside. 304 00:15:58,930 --> 00:16:03,410 I'm not sure what that is yet, but we're almost there. Very good. Give Ryan a 305 00:16:03,410 --> 00:16:06,390 big round of applause, my friend Ryan. Thank you very much. You may go sit 306 00:16:06,570 --> 00:16:09,330 Missing security. Now, I don't want to touch that. 307 00:16:10,780 --> 00:16:15,020 You're going to speak nice and loud in the microphone, okay? And I want you to 308 00:16:15,020 --> 00:16:15,999 reach inside. 309 00:16:16,000 --> 00:16:18,900 You're going to take that out, and you can tell everybody in the microphone 310 00:16:18,900 --> 00:16:19,900 that is. 311 00:16:20,200 --> 00:16:22,880 It's a box with some rubber bands. 312 00:16:23,140 --> 00:16:26,120 Unravel everything. Put everything inside the jar. Very good. 313 00:16:26,640 --> 00:16:28,140 The suspense is killing me. 314 00:16:28,720 --> 00:16:32,400 Open that up, my friend. Take a look inside and tell everybody what you find 315 00:16:32,400 --> 00:16:34,320 inside. It's a pouch. 316 00:16:35,040 --> 00:16:38,840 Pout with a... With a rubber band. With another rubber band. All right. Unravel 317 00:16:38,840 --> 00:16:41,120 everything. Put everything inside the jar. Yep. 318 00:16:41,500 --> 00:16:43,160 Fuck. The rubber band. 319 00:16:43,380 --> 00:16:44,480 Do you feel something inside there? 320 00:16:45,500 --> 00:16:49,320 Yeah. You do? Could you open that up? Show them. Otherwise, it's 321 00:16:53,940 --> 00:16:58,240 It's the quarter with my initials. That is your quarter with your initials. Give 322 00:16:58,240 --> 00:17:00,420 this man a great big round of applause. Okay, that's mine. 323 00:17:00,780 --> 00:17:02,460 Thank you very much, my friend. That's brilliant. 324 00:17:05,349 --> 00:17:06,349 Thank you very kindly. 325 00:17:09,670 --> 00:17:15,550 Up next, the impossible is made possible by Greg Fruin. When we come back. 326 00:17:24,450 --> 00:17:28,010 He is considered one of the world's foremost illusionists. 327 00:17:28,390 --> 00:17:32,310 Behold, the beguiling deception of Greg Fruin. 328 00:20:08,360 --> 00:20:10,900 Well, that's it for tonight's Masters of Illusion. 329 00:20:11,180 --> 00:20:13,620 I'm Dean Cain. Thank you so much for watching. 330 00:20:38,090 --> 00:20:39,090 Thank you. 28911

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