Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,190 --> 00:00:07,870
The art of tricking the brain,
distorting the senses, challenging
2
00:00:08,210 --> 00:00:12,230
You can't trust what you see, even with
your own eyes.
3
00:00:12,490 --> 00:00:14,810
Meet the Masters of Illusion.
4
00:00:19,870 --> 00:00:23,010
Welcome to Masters of Illusion. I'm Dean
K.
5
00:00:23,430 --> 00:00:28,370
Now, can your mind be controlled or
programmed? Can it be disillusioned?
6
00:00:28,910 --> 00:00:34,070
You believe in the world of magic, a
world in which nothing is real.
7
00:00:34,370 --> 00:00:37,230
But your mind believes otherwise.
8
00:00:37,810 --> 00:00:40,890
Tonight's mission is to make you doubt
yourself.
9
00:00:41,510 --> 00:00:43,210
So are you ready to be doubted?
10
00:00:45,930 --> 00:00:51,690
How many faces did this artist include
in this painting?
11
00:00:52,670 --> 00:00:54,770
There's one. There's two.
12
00:00:55,470 --> 00:00:56,470
Three.
13
00:00:57,010 --> 00:00:58,010
Four.
14
00:00:59,430 --> 00:01:00,430
Five.
15
00:01:01,190 --> 00:01:02,190
Six.
16
00:01:02,450 --> 00:01:03,930
She's standing on his face.
17
00:01:04,930 --> 00:01:06,230
Oh, what about her face?
18
00:01:06,670 --> 00:01:07,670
That's seven.
19
00:01:08,110 --> 00:01:12,490
Well, will the obvious be hidden by
tonight's Masters of Illusion?
20
00:01:13,370 --> 00:01:14,750
I promise you it will.
21
00:01:17,790 --> 00:01:21,190
Our next performer brings the world of
voodoo to our stage.
22
00:01:21,450 --> 00:01:26,850
To say that he is different, that's an
understatement. Here is Dan Sperry.
23
00:01:34,070 --> 00:01:36,370
I do need the assistance of somebody to
come up on stage to help make sure
24
00:01:36,370 --> 00:01:39,050
everything I'm doing is exactly what I
say it is. Who are you? You're in the
25
00:01:39,050 --> 00:01:39,869
front row. You're convenient.
26
00:01:39,870 --> 00:01:40,970
Who are you? My name is Monica.
27
00:01:41,190 --> 00:01:42,009
What is it? Monica?
28
00:01:42,010 --> 00:01:43,590
Yes. All right, Monica. Perfect. I'm
Dan.
29
00:01:43,890 --> 00:01:45,170
What's up? Everybody look. It's Monica.
30
00:01:45,370 --> 00:01:46,370
Yay!
31
00:01:47,630 --> 00:01:49,570
Monica, come over here. Have a seat.
Talk to me twice.
32
00:01:50,230 --> 00:01:53,990
Because what we do right now is perform
our own voodoo magic ritual ceremony.
33
00:01:54,330 --> 00:01:56,570
And your job is very important. You're
going to be someone from the audience to
34
00:01:56,570 --> 00:01:59,130
make sure everything I'm doing is what I
say it is. Yeah, get excited. It's
35
00:01:59,130 --> 00:02:00,089
going to be great. Get excited.
36
00:02:00,090 --> 00:02:01,890
So first, roll your sleeves back. Magic.
37
00:02:02,360 --> 00:02:05,820
Yeah, so we can see that. Oh, hey,
what's up? Yeah, roll them up so we can
38
00:02:06,000 --> 00:02:09,759
Nothing. All right, stop. Now, the first
thing is this blindfold.
39
00:02:09,979 --> 00:02:12,920
Don't worry. We watch this after every
show, so you're not going to get pink
40
00:02:12,920 --> 00:02:13,920
or anything like that.
41
00:02:14,920 --> 00:02:16,100
Are you comfortable? I don't want you
uncomfortable.
42
00:02:16,540 --> 00:02:20,560
Yes. So I have inside my little magic
box. You still can't see, right?
43
00:02:21,160 --> 00:02:23,920
That's good. All right, so I have two
needles.
44
00:02:24,840 --> 00:02:26,960
What I'm going to have you do, gently
hold onto this.
45
00:02:27,660 --> 00:02:30,040
I'm going to lift up your right arm.
We're going to bend at your elbow.
46
00:02:30,430 --> 00:02:32,270
And hold your elbow above your heart.
You're going to want to be above the
47
00:02:32,270 --> 00:02:32,869
thing, right?
48
00:02:32,870 --> 00:02:35,770
Yeah, good. Now, since you are under the
voodoo tracks, you shouldn't feel
49
00:02:35,770 --> 00:02:38,010
anything. But what we're going to do
right now is recreate those same rituals
50
00:02:38,010 --> 00:02:41,670
that I just described by making our own
sort of metaphorical human voodoo doll.
51
00:02:43,330 --> 00:02:46,710
So, yeah, don't tense up too much. You
can relax, but don't make a tight fist
52
00:02:46,710 --> 00:02:48,890
because that's what makes the blood
squirt everywhere. That's a mess. That's
53
00:02:48,890 --> 00:02:53,970
good. That's number one. Number two.
Now, with your left hand, your left arm.
54
00:02:54,050 --> 00:02:55,090
Perfect. Move that back.
55
00:02:55,710 --> 00:02:56,710
Number two.
56
00:03:00,520 --> 00:03:02,440
Doing great. Again, yeah, just relax.
Perfect.
57
00:03:03,760 --> 00:03:04,760
That's number two.
58
00:03:05,240 --> 00:03:08,360
Now, as I said before as well, you are
here to make sure everything I'm doing
59
00:03:08,360 --> 00:03:09,360
what I say it is.
60
00:03:09,640 --> 00:03:12,260
So I'm going to take the blindfold off
right now momentarily.
61
00:03:12,460 --> 00:03:14,000
Yeah, yeah, yeah.
62
00:03:14,640 --> 00:03:18,140
It's going to get weird. It's going to
get weird. So when I do that, I want you
63
00:03:18,140 --> 00:03:22,820
to take a little peek at each of your
arms and verify yes or no.
64
00:03:23,180 --> 00:03:26,800
Do those needles appear to be going
through your skin?
65
00:03:27,820 --> 00:03:28,820
Look at it.
66
00:03:29,480 --> 00:03:33,820
Yep, okay, that's a yes. She's
definitely under, definitely under the
67
00:03:33,820 --> 00:03:36,160
trend, because that was an amazing
reaction.
68
00:03:37,560 --> 00:03:39,740
Now we're going to let everybody else
have a look as well. We're going to
69
00:03:39,740 --> 00:03:41,380
with just your left arm, just your left
shoulder.
70
00:03:41,720 --> 00:03:45,140
Rotate it open like this, so everybody
can actually see it going through her
71
00:03:45,140 --> 00:03:48,320
skin, but just like those voodoo
practitioners, no holes, no scars, no
72
00:03:48,440 --> 00:03:49,840
Give her a round of applause, that's
very good.
73
00:03:54,640 --> 00:03:57,060
Number two on this side, if you didn't
get a good look at that, that's number
74
00:03:57,060 --> 00:03:58,240
two, through her arm.
75
00:03:58,680 --> 00:04:02,340
actually going through her skin,
penetrating her... Oh, hold on. No, no,
76
00:04:02,340 --> 00:04:06,340
fine. Fine. Shut up. Shut up. You're
scaring her. You're scaring her. Stop
77
00:04:06,380 --> 00:04:07,500
Look, no holes, no scars.
78
00:04:08,820 --> 00:04:11,500
Little bit of blood, but it's a
mulligan. It's gimme. She's never done
79
00:04:11,500 --> 00:04:12,940
before. It's fine. It's fine. It's fine.
80
00:04:13,660 --> 00:04:17,260
Don't hold your arm right there. We have
to fix that. That's why we have this to
81
00:04:17,260 --> 00:04:20,100
clean off the blood. No, sorry. Yeah, we
have to clean that off. Look, no holes,
82
00:04:20,220 --> 00:04:23,160
no scars, no blood. Give her a round of
applause. It's very good, right?
83
00:04:23,660 --> 00:04:24,660
Let me put that there.
84
00:04:26,210 --> 00:04:27,290
I'm going to remove the blindfold.
85
00:04:28,090 --> 00:04:31,910
That's where we introduce the
ceremonial, very stereotypical voodoo
86
00:04:32,510 --> 00:04:35,930
And it just so happens I have with me
tonight an authentic voodoo doll. As
87
00:04:35,930 --> 00:04:38,170
legend has it, now anything that happens
to the doll should happen to you. I'm
88
00:04:38,170 --> 00:04:40,730
going to have you hold him just like
that for a moment. I have to ask you
89
00:04:40,730 --> 00:04:41,730
something. Are you ticklish?
90
00:04:42,170 --> 00:04:43,290
Yes. Good.
91
00:04:43,810 --> 00:04:46,110
Because that's why we're going to use
this feather and the bottom of the
92
00:04:46,110 --> 00:04:48,890
feet. I'm going to simply tickle the
bottom of the doll's feet and yes or no.
93
00:04:48,890 --> 00:04:50,030
you feel that on the bottom of your
feet?
94
00:04:50,890 --> 00:04:51,890
No. No?
95
00:04:52,310 --> 00:04:53,310
You don't feel anything.
96
00:04:53,570 --> 00:04:54,570
Sometimes that happens.
97
00:04:54,880 --> 00:04:56,620
So we need to move to a different area
on the doll.
98
00:04:56,900 --> 00:04:59,260
And instead of the feather, we're going
to go back to the needles. We had better
99
00:04:59,260 --> 00:05:02,440
luck with that. So we're going to use
this much bigger, much larger needle.
100
00:05:02,880 --> 00:05:06,480
So now when this makes contact with the
backside of the doll, all you have to do
101
00:05:06,480 --> 00:05:09,020
is let us know if you feel anything.
102
00:05:17,060 --> 00:05:18,500
Anything at all when this makes contact.
103
00:05:19,540 --> 00:05:22,160
The backside of the doll.
104
00:05:22,430 --> 00:05:24,290
I want you to just go ahead and you let
us know if you feel anything.
105
00:05:24,550 --> 00:05:27,070
What? You felt that for real? You did?
106
00:05:27,550 --> 00:05:30,390
Then that's it. We have completed the
voodoo ceremony. You're going to be
107
00:05:31,030 --> 00:05:33,570
We've completed the voodoo ceremony.
This is your voodoo.
108
00:05:33,850 --> 00:05:36,750
She was great.
109
00:05:37,550 --> 00:05:39,590
Just remember to use your powers for
good.
110
00:05:40,930 --> 00:05:41,930
All right.
111
00:05:42,150 --> 00:05:43,150
Magic show.
112
00:05:48,470 --> 00:05:50,830
Let's go to our audience camera now and
catch up.
113
00:05:51,100 --> 00:05:52,260
with Murray Sawchuck.
114
00:05:56,920 --> 00:05:58,560
Well, tell everybody your name.
115
00:05:59,320 --> 00:06:00,320
My name is Myce.
116
00:06:00,680 --> 00:06:03,180
Thank you for being here. Thanks for
helping me. We're going to do a card
117
00:06:03,380 --> 00:06:07,180
I'm going to go like this. I want you to
say stop whenever you'd like, all
118
00:06:07,180 --> 00:06:08,159
right?
119
00:06:08,160 --> 00:06:09,480
Stop. Take the card.
120
00:06:09,860 --> 00:06:11,980
Memorize the card. Have a look at the
card. Show everyone out there.
121
00:06:13,160 --> 00:06:14,160
Great and funny.
122
00:06:14,400 --> 00:06:15,540
Put it anywhere on the deck you want.
123
00:06:16,880 --> 00:06:19,220
Anywhere. Oh, look at you covering it up
so I can't see it.
124
00:06:19,580 --> 00:06:21,320
You know what? Take those stuff and mix
them up real good.
125
00:06:22,180 --> 00:06:22,979
Oh, professional.
126
00:06:22,980 --> 00:06:24,620
You're very good at this. That's
concerning.
127
00:06:26,200 --> 00:06:27,460
All right. Didn't see that coming.
128
00:06:28,280 --> 00:06:29,700
Put that in the box, please.
129
00:06:31,220 --> 00:06:32,460
And then close the lid.
130
00:06:33,080 --> 00:06:34,080
All right.
131
00:06:34,480 --> 00:06:36,580
Excellent. And then I have a piece of
paper here. All right.
132
00:06:36,880 --> 00:06:39,840
Check out the piece of paper. Open it
up. Make sure there's nothing written on
133
00:06:39,840 --> 00:06:40,639
the piece of paper.
134
00:06:40,640 --> 00:06:44,500
So rub the back of the pack back and
forth, and your card is going to
135
00:06:44,500 --> 00:06:46,380
appear on the paper.
136
00:06:46,960 --> 00:06:48,100
Isn't that great? Hold up.
137
00:06:48,440 --> 00:06:49,440
You see it?
138
00:06:49,700 --> 00:06:50,700
Nothing. A lot more.
139
00:06:52,940 --> 00:06:54,140
Shocked me. I didn't even see that
coming.
140
00:06:55,480 --> 00:06:56,480
I'm like, really? Wow.
141
00:06:57,040 --> 00:06:58,040
Now hold up.
142
00:06:58,540 --> 00:07:01,940
Nothing? Here, let me heat it up a bit
more. Let me do this. And do this,
143
00:07:03,140 --> 00:07:04,140
Look really carefully.
144
00:07:04,400 --> 00:07:06,080
There's... Whoa.
145
00:07:06,580 --> 00:07:07,580
There's your card.
146
00:07:07,640 --> 00:07:08,640
The ten.
147
00:07:08,740 --> 00:07:10,120
A diamond. And a diamond, yeah.
148
00:07:10,880 --> 00:07:11,699
There you go.
149
00:07:11,700 --> 00:07:12,700
That's for you.
150
00:07:12,880 --> 00:07:13,880
And that's for you.
151
00:07:16,910 --> 00:07:19,710
Amazing is the only way to describe
Chris Funk.
152
00:07:28,470 --> 00:07:33,830
There is always change in the air if you
can keep your focus on the antics of
153
00:07:33,830 --> 00:07:34,830
Chris Funk.
154
00:07:41,410 --> 00:07:43,010
Like, right now?
155
00:07:43,980 --> 00:07:46,900
I thought you were going to give me a
bit of a heads up here before, like a
156
00:07:46,900 --> 00:07:49,560
warning so I could get... No, not doing
that.
157
00:07:50,020 --> 00:07:51,100
Not doing that today.
158
00:07:52,260 --> 00:07:53,260
All right.
159
00:07:53,440 --> 00:07:54,440
Let's see what I can do here.
160
00:08:16,840 --> 00:08:20,620
Many magicians pride themselves on their
ability to reach out to the spirit
161
00:08:20,620 --> 00:08:25,780
world. Well, concentrate on our next
performer as he takes us on a seance.
162
00:08:26,000 --> 00:08:28,320
Here now is Joel Myers.
163
00:08:31,800 --> 00:08:32,880
What's up, guys?
164
00:08:33,179 --> 00:08:36,580
I'm very excited to be here tonight. In
order for this to work, I need to borrow
165
00:08:36,580 --> 00:08:38,860
somebody who believes in ghosts.
166
00:08:39,440 --> 00:08:40,440
Let's see here.
167
00:08:40,620 --> 00:08:42,000
Oh, man, a lot of believers.
168
00:08:42,299 --> 00:08:43,299
You miss. What's your name?
169
00:08:44,199 --> 00:08:47,040
Shelly, you look like a believer.
Everybody give Shelly a big hand if she
170
00:08:47,040 --> 00:08:48,460
me on stage. Shelly, come on up.
171
00:08:50,740 --> 00:08:52,880
Shelly, here's what we're going to do.
Let's just think about somebody who's
172
00:08:52,880 --> 00:08:54,240
really close to you and you like, okay?
173
00:08:54,440 --> 00:08:57,420
This can be like a close friend or a
close family member. They can be here.
174
00:08:57,420 --> 00:08:59,880
can be at home. It doesn't matter. But
it's important, Shelly, you and I have
175
00:08:59,880 --> 00:09:00,900
never met before, right?
176
00:09:01,520 --> 00:09:04,620
Awesome. So, Shelly, check it out.
Behind me are the 26 letters of the
177
00:09:04,860 --> 00:09:08,640
They have been chilling on stage the
entire time since before I even came
178
00:09:08,880 --> 00:09:10,960
Shelly, over here I have a very old
table.
179
00:09:11,760 --> 00:09:16,710
And then I also have... A couple of tiny
chalkboards here.
180
00:09:17,130 --> 00:09:18,250
So, Shelly, here's the deal.
181
00:09:18,910 --> 00:09:22,370
These chalkboards have a little piece of
chalk with them just like this. They're
182
00:09:22,370 --> 00:09:24,710
completely blank. There's nothing funny
about them. Just kind of wipe one side.
183
00:09:24,790 --> 00:09:27,230
Just make sure it's totally blank. Go
ahead. You can wipe that side just to
184
00:09:27,230 --> 00:09:28,750
sure it's totally analog. They're not
like electronic.
185
00:09:28,950 --> 00:09:29,950
Nothing pre -written on both sides.
186
00:09:30,130 --> 00:09:31,130
Yeah, cool.
187
00:09:31,210 --> 00:09:33,650
I need a gentleman as well. Hi. How's it
going, man?
188
00:09:34,150 --> 00:09:34,849
What's your name?
189
00:09:34,850 --> 00:09:38,170
Antrell. Antrell, could you do me a
favor, man? Stand right over here, maybe
190
00:09:38,170 --> 00:09:39,210
the second step there.
191
00:09:39,690 --> 00:09:42,090
Antrell, here's what's going to happen.
You're going to hold on to these two
192
00:09:42,090 --> 00:09:45,860
boards. Okay, so I'm going to put the
boards together just like this. In
193
00:09:45,860 --> 00:09:47,660
the boards, I'm going to place a tiny
little piece of chalk.
194
00:09:48,200 --> 00:09:51,040
Very simple, just like this. Tiny little
piece of chalk in between the boards.
195
00:09:51,720 --> 00:09:52,720
Antrell, I'm saying it right?
196
00:09:53,000 --> 00:09:56,920
Antrell, hold it just like this. Now,
Antrell, don't move and don't freak out
197
00:09:56,920 --> 00:09:57,920
matter what you hear.
198
00:09:58,260 --> 00:09:59,760
Okay, Shelly, here's the deal.
199
00:10:00,340 --> 00:10:01,660
You're thinking about somebody you're
close to, yeah?
200
00:10:02,040 --> 00:10:04,600
Come a little bit closer to the table
here, Shelly. We're going to use this.
201
00:10:05,160 --> 00:10:07,620
What I'm going to do is I'm going to
show you it's just a table with a
202
00:10:07,620 --> 00:10:11,280
tablecloth on top. Now, we have to have
physical contact with this table,
203
00:10:11,380 --> 00:10:14,020
Shelly, without physically touching the
table. You get me?
204
00:10:14,540 --> 00:10:17,020
Awesome. Shelly, I want you to hold onto
the corners of the cloth just like
205
00:10:17,020 --> 00:10:20,280
this, really loosely. Come a little bit
closer. That's perfect. Yeah, just relax
206
00:10:20,280 --> 00:10:21,620
your hands. Yeah, hold it just like
that.
207
00:10:22,340 --> 00:10:28,620
Awesome, Shelly. I'm going to ask if
there is a ghost in this room right now,
208
00:10:28,620 --> 00:10:33,400
they can present themselves now and show
us the initials of the person that
209
00:10:33,400 --> 00:10:34,400
you're thinking of.
210
00:10:34,820 --> 00:10:39,480
using the letters behind me and this
table just like a giant Ouija board.
211
00:10:39,720 --> 00:10:43,860
Okay? So, Shelly, focus on the first two
letters of the name of the person that
212
00:10:43,860 --> 00:10:44,860
you're thinking of.
213
00:10:44,880 --> 00:10:50,320
Focus on the table, but more
importantly, focus on those initials,
214
00:10:50,320 --> 00:10:51,320
it out.
215
00:10:51,660 --> 00:10:54,960
See, sometimes it happens slowly,
sometimes it happens quickly, but
216
00:11:01,590 --> 00:11:03,090
Shelly, look underneath, make sure
there's nothing underneath.
217
00:11:03,470 --> 00:11:05,170
You can lift up a little bit, Shelly. Go
ahead, lift up underneath.
218
00:11:05,630 --> 00:11:06,630
Okay, careful, careful.
219
00:11:07,170 --> 00:11:08,290
Okay, Shelly, keep holding on.
220
00:11:08,510 --> 00:11:10,870
Just move with it, wherever it wants to
go, Shelly. Just move with it.
221
00:11:11,110 --> 00:11:13,570
Move with it, wherever it wants to go.
Think about the first letter of the
222
00:11:13,570 --> 00:11:16,970
person that you're close to. The first
letter. Is the first letter an A,
223
00:11:17,070 --> 00:11:21,410
Keep moving with it, wherever it wants
to go. Just focus on, focus on, just
224
00:11:21,410 --> 00:11:23,290
focus on that name, Shelly. Is it A -L?
225
00:11:23,770 --> 00:11:25,110
Let go, let go. I feel it, I feel it.
226
00:11:42,700 --> 00:11:44,580
Everybody give Shelly a big hand. Come
on.
227
00:11:45,980 --> 00:11:47,140
Shelly, you are awesome.
228
00:11:48,600 --> 00:11:49,860
Wait a second. And Trell?
229
00:11:51,960 --> 00:11:53,160
Nobody came up to these, right?
230
00:11:53,640 --> 00:11:57,860
Check this out. Shelly, for the first
time, name out loud, what's the name of
231
00:11:57,860 --> 00:11:59,420
the person that you're thinking of?
Alice.
232
00:11:59,980 --> 00:12:00,980
Alice?
233
00:12:01,640 --> 00:12:02,640
Come here, Shelly.
234
00:12:02,940 --> 00:12:03,940
Check it out.
235
00:12:09,980 --> 00:12:11,380
Everybody give Shelly a big hand.
236
00:12:17,320 --> 00:12:20,960
Now we turn to South America and the
pride of Peru.
237
00:12:21,240 --> 00:12:25,940
This magician proves the importance of
being able to always get your money
238
00:12:26,200 --> 00:12:28,380
Here is George Iglesias.
239
00:12:29,000 --> 00:12:34,160
Hello. How are you, Eric? There is a
very American expression that says
240
00:12:34,160 --> 00:12:36,040
remorse. Have you had that feeling
before?
241
00:12:36,650 --> 00:12:40,250
That feeling when we buy and spend money
and then we go home and we regret.
242
00:12:40,410 --> 00:12:44,090
That's when buyer remorse comes to me.
And then there is nothing you can do
243
00:12:44,090 --> 00:12:45,250
about it. Or perhaps, yes.
244
00:12:45,590 --> 00:12:47,370
Look here. I kept the receipt.
245
00:12:47,570 --> 00:12:50,010
Yeah. The duty free of the American.
246
00:12:50,210 --> 00:12:51,390
The receipt. Yes, yes, yes.
247
00:12:51,690 --> 00:12:57,090
$400 I spent. Look. But have you spent
$400 before at a duty free? It's too
248
00:12:57,090 --> 00:13:00,290
money, right? I'm thinking if there is a
way to going back in time. Because if I
249
00:13:00,290 --> 00:13:05,790
can go back in time, then I can just
have my money back right away.
250
00:13:06,400 --> 00:13:10,920
Yes, ladies and gentlemen, $100, $200,
$300, and $400.
251
00:13:16,540 --> 00:13:21,040
Next, is your mind able to keep up with
the antics of Billy Kidd?
252
00:13:29,980 --> 00:13:33,260
Time for another spin with the very
delightful mysteries.
253
00:13:33,870 --> 00:13:35,990
created by London's Lady of Magic.
254
00:13:36,610 --> 00:13:38,350
Here is Billy Kidd.
255
00:13:40,250 --> 00:13:41,250
Thank you very much.
256
00:13:42,130 --> 00:13:45,430
I know this might be an odd question to
ask, but does anyone have any money I
257
00:13:45,430 --> 00:13:46,430
can borrow?
258
00:13:47,030 --> 00:13:48,030
You have one?
259
00:13:48,170 --> 00:13:50,810
It looks like you have 25 cents. Give
this man a round of applause. Come on
260
00:13:50,810 --> 00:13:51,810
the stage, my friend.
261
00:13:53,190 --> 00:13:55,050
Here he comes. Come on, come on. Johnny,
262
00:13:56,070 --> 00:13:58,970
excellent. You got 25 cents. That is
brilliant. Johnny, what I want you to
263
00:13:59,200 --> 00:14:02,240
I want you to initial both sides of the
coin so you know that is your coin that
264
00:14:02,240 --> 00:14:04,860
we start with and hopefully the coin
that we end with at the end of the
265
00:14:05,100 --> 00:14:07,460
Now, while Johnny does that, I'm going
to need to borrow somebody else, a very
266
00:14:07,460 --> 00:14:09,460
sexy man. Do we have one of those in the
audience?
267
00:14:11,380 --> 00:14:12,380
It's going to be difficult.
268
00:14:13,880 --> 00:14:16,420
You, come on up. Give this man a big
round of applause. You'll do.
269
00:14:17,340 --> 00:14:18,239
What's your name?
270
00:14:18,240 --> 00:14:19,840
Smile. Smile while I'm filling your
teeth.
271
00:14:21,160 --> 00:14:23,720
Great. I was just waiting for you. Now,
you initialed that coin.
272
00:14:24,120 --> 00:14:26,520
Now, Ryan, you got a job. He's going to
be like security.
273
00:14:26,720 --> 00:14:29,240
So we're going to trust Ryan with your
coin. Okay, this is important.
274
00:14:29,440 --> 00:14:30,440
Ryan, hold out your hand.
275
00:14:30,480 --> 00:14:33,020
You're going to guard this coin with
your life. Hold it like this. Make sure
276
00:14:33,020 --> 00:14:34,020
one goes near it.
277
00:14:34,140 --> 00:14:37,500
Over here, you might have noticed, we've
got a brown paper bag. It's been here
278
00:14:37,500 --> 00:14:38,499
since the beginning.
279
00:14:38,500 --> 00:14:42,280
And what's going to happen is, my
friend, you're going to hold on to this
280
00:14:42,280 --> 00:14:45,140
and high in your right hand as high as
you can. And in your left hand, you're
281
00:14:45,140 --> 00:14:46,109
going to hold on to this.
282
00:14:46,110 --> 00:14:47,490
Nice and low. All right.
283
00:14:47,810 --> 00:14:52,150
So inside the bag, we have, ladies and
gentlemen, believe it or not, we have
284
00:14:52,150 --> 00:14:56,270
a ball of wool.
285
00:14:57,670 --> 00:14:59,590
It's a big budget show here, as you can
tell.
286
00:15:00,170 --> 00:15:03,550
So we're going to take this ball of wool
and find the end here. I'm going to
287
00:15:03,550 --> 00:15:04,550
place it inside here.
288
00:15:04,610 --> 00:15:07,350
You can hold on like this so it doesn't
fall out. Brilliant. And you're going to
289
00:15:07,350 --> 00:15:10,090
hang on to this in your other hand. You
still got the coin, yes?
290
00:15:10,430 --> 00:15:14,550
Great. And I'm going to need the magic
wand, which will be this sharpie.
291
00:15:14,860 --> 00:15:18,220
Open your hand. So you've got the coin.
Okay. What we're going to need for this
292
00:15:18,220 --> 00:15:20,760
trick to work is actually absolute
silence.
293
00:15:22,340 --> 00:15:27,740
Because I want you to hear the moment
the coin penetrates
294
00:15:27,740 --> 00:15:30,220
straight through the wall.
295
00:15:33,580 --> 00:15:36,020
So we're going to switch places. You're
going to stand in the middle of the
296
00:15:36,020 --> 00:15:37,020
stage. Okay.
297
00:15:37,080 --> 00:15:40,300
You're going to help me. We're going to
unwind this ball of wool.
298
00:15:40,500 --> 00:15:41,860
Yes. Very good.
299
00:15:42,350 --> 00:15:46,750
And just in case anybody in the audience
is wondering, this part of the routine
300
00:15:46,750 --> 00:15:50,350
takes about, maybe about one hour.
301
00:15:51,490 --> 00:15:52,490
Okay, brilliant.
302
00:15:52,610 --> 00:15:56,570
Ryan, you're doing excellent. I think
we're getting almost to the end of this
303
00:15:56,570 --> 00:15:58,510
ball of wool, and there's something
inside.
304
00:15:58,930 --> 00:16:03,410
I'm not sure what that is yet, but we're
almost there. Very good. Give Ryan a
305
00:16:03,410 --> 00:16:06,390
big round of applause, my friend Ryan.
Thank you very much. You may go sit
306
00:16:06,570 --> 00:16:09,330
Missing security. Now, I don't want to
touch that.
307
00:16:10,780 --> 00:16:15,020
You're going to speak nice and loud in
the microphone, okay? And I want you to
308
00:16:15,020 --> 00:16:15,999
reach inside.
309
00:16:16,000 --> 00:16:18,900
You're going to take that out, and you
can tell everybody in the microphone
310
00:16:18,900 --> 00:16:19,900
that is.
311
00:16:20,200 --> 00:16:22,880
It's a box with some rubber bands.
312
00:16:23,140 --> 00:16:26,120
Unravel everything. Put everything
inside the jar. Very good.
313
00:16:26,640 --> 00:16:28,140
The suspense is killing me.
314
00:16:28,720 --> 00:16:32,400
Open that up, my friend. Take a look
inside and tell everybody what you find
315
00:16:32,400 --> 00:16:34,320
inside. It's a pouch.
316
00:16:35,040 --> 00:16:38,840
Pout with a... With a rubber band. With
another rubber band. All right. Unravel
317
00:16:38,840 --> 00:16:41,120
everything. Put everything inside the
jar. Yep.
318
00:16:41,500 --> 00:16:43,160
Fuck. The rubber band.
319
00:16:43,380 --> 00:16:44,480
Do you feel something inside there?
320
00:16:45,500 --> 00:16:49,320
Yeah. You do? Could you open that up?
Show them. Otherwise, it's
321
00:16:53,940 --> 00:16:58,240
It's the quarter with my initials. That
is your quarter with your initials. Give
322
00:16:58,240 --> 00:17:00,420
this man a great big round of applause.
Okay, that's mine.
323
00:17:00,780 --> 00:17:02,460
Thank you very much, my friend. That's
brilliant.
324
00:17:05,349 --> 00:17:06,349
Thank you very kindly.
325
00:17:09,670 --> 00:17:15,550
Up next, the impossible is made possible
by Greg Fruin. When we come back.
326
00:17:24,450 --> 00:17:28,010
He is considered one of the world's
foremost illusionists.
327
00:17:28,390 --> 00:17:32,310
Behold, the beguiling deception of Greg
Fruin.
328
00:20:08,360 --> 00:20:10,900
Well, that's it for tonight's Masters of
Illusion.
329
00:20:11,180 --> 00:20:13,620
I'm Dean Cain. Thank you so much for
watching.
330
00:20:38,090 --> 00:20:39,090
Thank you.
28911
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.