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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,160 --> 00:00:07,900 The art of tricking the brain, distorting the senses, challenging 2 00:00:08,200 --> 00:00:12,240 You can't trust what you see, even with your own eyes. 3 00:00:12,480 --> 00:00:14,740 Meet the Masters of Illusion. 4 00:00:22,220 --> 00:00:27,860 Welcome to Masters of Illusion. I'm Dean Cain. Now, when you see something for 5 00:00:27,860 --> 00:00:31,220 the first time, but you have an uneasy feeling that you've seen it before, 6 00:00:31,300 --> 00:00:32,360 that's called déjà vu. 7 00:00:32,780 --> 00:00:37,700 When you see something you know is simply impossible, that experience might 8 00:00:37,700 --> 00:00:38,980 called mind -blowing. 9 00:00:39,480 --> 00:00:41,360 So are you ready to have your mind blown? 10 00:00:43,680 --> 00:00:45,480 Well, you've come to the right place. 11 00:00:52,020 --> 00:00:55,680 The brain kind of goes crazy. 12 00:00:56,500 --> 00:01:01,760 With the design, the more you look at it, getting a little seasick? 13 00:01:02,480 --> 00:01:06,540 Yeah, well, in fact, nothing, of course, is moving here. The motion is in your 14 00:01:06,540 --> 00:01:12,000 mind. So how much can your mind influence what you see tonight? 15 00:01:13,360 --> 00:01:15,240 I'm going to say a lot, right? 16 00:01:15,840 --> 00:01:17,100 Is it worse if I move it? 17 00:01:20,020 --> 00:01:21,020 Whoa, look at that. 18 00:01:24,490 --> 00:01:26,150 I'm taking this home with me tonight. 19 00:01:31,390 --> 00:01:37,010 Our next performer has the ability to throw a card at any target, possibly 20 00:01:37,010 --> 00:01:42,430 because he was a former NCAA Division I pitcher, and he currently holds three 21 00:01:42,430 --> 00:01:43,910 Guinness World Records. 22 00:01:44,130 --> 00:01:45,130 Very impressive. 23 00:01:45,290 --> 00:01:47,790 Here is Rick Smith, Jr. 24 00:01:53,640 --> 00:01:55,400 Today, I want to do a challenge. 25 00:01:55,880 --> 00:01:59,200 I need someone that will help me with this challenge right now. I need a 26 00:01:59,200 --> 00:02:02,360 volunteer. Someone that thinks they can choose any playing card. 27 00:02:02,760 --> 00:02:05,200 Anybody. Anybody at all. Let's give this guy a round of applause. 28 00:02:08,460 --> 00:02:09,459 How are you, sir? 29 00:02:09,460 --> 00:02:10,639 Great. Tell me your name. 30 00:02:10,840 --> 00:02:12,140 Javier. Javier. Ready? 31 00:02:12,560 --> 00:02:16,160 Deck of cards. All of the cards are indeed different. 32 00:02:17,120 --> 00:02:20,620 They are? You're going to choose any one you'd like. Just grab one out. Go 33 00:02:20,620 --> 00:02:21,620 ahead. Take it. 34 00:02:21,829 --> 00:02:23,770 Memorize it. Do not let me see the card. 35 00:02:25,410 --> 00:02:30,390 Javier, take this marker and please sign your name at the top of the card. 36 00:02:32,050 --> 00:02:34,990 Out of all of these playing cards that I have here, you're going to put your 37 00:02:34,990 --> 00:02:38,290 card back in anywhere you'd like, but don't let me know where it is. Ready? 38 00:02:38,410 --> 00:02:40,110 Place it anywhere you'd like into the deck. 39 00:02:41,770 --> 00:02:42,770 You got it in there? 40 00:02:42,830 --> 00:02:45,290 Yes. There's no way that I would know what that card is. 41 00:02:45,510 --> 00:02:46,890 Correct? Correct. Okay. 42 00:02:47,490 --> 00:02:49,430 I'm going to hand this deck of cards. 43 00:02:49,840 --> 00:02:52,840 to one of our stage hands. Curtis, would you mind coming out here? Can you make 44 00:02:52,840 --> 00:02:54,660 sure the top card is not your card, sir? 45 00:02:55,180 --> 00:02:56,180 Take it and hold it. 46 00:02:56,700 --> 00:02:57,700 It's not your card? 47 00:02:58,100 --> 00:02:59,100 Would you mind holding these? 48 00:02:59,760 --> 00:03:01,480 Javier, time for some accuracy. 49 00:03:05,260 --> 00:03:09,740 Perfect. I'm going to have you stand right over here, look right at me, and 50 00:03:09,740 --> 00:03:14,640 going to throw a playing card so fast that it's going to stick in that target. 51 00:03:15,740 --> 00:03:16,940 And do you have the card to throw? 52 00:03:17,670 --> 00:03:20,470 Which card is this? The ace of spades. I'm going to throw the ace of spades. 53 00:03:20,950 --> 00:03:22,370 I'm going to try to stick it in that board. 54 00:03:22,730 --> 00:03:25,750 At the same time, I'm going to try to find your card. 55 00:03:26,590 --> 00:03:27,489 Are you ready? 56 00:03:27,490 --> 00:03:29,110 Right. Curtis, are you ready? 57 00:03:29,610 --> 00:03:32,610 Spring the cards, and I'm going to try to hit it in midair. Get a little bit 58 00:03:32,610 --> 00:03:33,610 closer. Get a little bit closer. 59 00:03:33,810 --> 00:03:34,810 And go. 60 00:03:39,690 --> 00:03:40,690 Hold on. 61 00:03:40,790 --> 00:03:41,790 This is crazy. 62 00:03:42,090 --> 00:03:45,510 There is one card pinned into another card. Javier. 63 00:03:46,540 --> 00:03:49,880 One card pinned into another card. 64 00:03:51,600 --> 00:03:52,920 What was your card, sir? 65 00:03:53,180 --> 00:03:54,180 King of heart. 66 00:03:54,480 --> 00:03:57,180 Dined. King of heart. 67 00:04:04,820 --> 00:04:09,000 Magic is the combination of perfect timing and unexpected surprise. 68 00:04:09,380 --> 00:04:14,340 Well, both of these elements are the trademark of this magician. Here is 69 00:04:14,340 --> 00:04:15,340 Turco. 70 00:05:36,910 --> 00:05:40,810 We all know some people see the glass as half full, and some people see it as 71 00:05:40,810 --> 00:05:41,810 half empty. 72 00:05:41,870 --> 00:05:44,390 Well, you'll want to see all of this. 73 00:05:44,730 --> 00:05:46,510 Here is Jason Andrews. 74 00:05:50,310 --> 00:05:54,450 You guys have been such a fantastic audience, I wanted to do a little toast. 75 00:05:55,050 --> 00:06:01,810 So, here's to you, here's to me, here's to friends we all shall be. May 76 00:06:01,810 --> 00:06:04,930 we mix, may we mingle. 77 00:06:05,740 --> 00:06:07,520 May this trick make you tingle. 78 00:06:07,980 --> 00:06:14,820 And when it comes time for us to part, may we remember our time 79 00:06:14,820 --> 00:06:16,580 together. 80 00:06:17,340 --> 00:06:18,340 Cheers! 81 00:06:25,900 --> 00:06:30,500 Up next, Lefty will make you doubt your senses when we come back. 82 00:06:39,600 --> 00:06:44,880 Our next magician is performing solo for the first time, and he is sure to be as 83 00:06:44,880 --> 00:06:50,540 amusing as he is amazing. Here is a magician known simply as Lecti. 84 00:09:17,180 --> 00:09:21,380 Let's go to our audience camera now and watch the astounding charms of this 85 00:09:21,380 --> 00:09:25,160 award -winning magician from Paris and her fast French shuffle. 86 00:09:25,540 --> 00:09:27,700 Here's Alexandra Duvivier. 87 00:09:35,880 --> 00:09:39,820 I have noticed something that with a full deck of cards, sometimes it can be 88 00:09:39,820 --> 00:09:42,620 difficult to follow. That's why we're not going to use it. 89 00:09:43,340 --> 00:09:49,000 Because I have a solution for everybody, especially for me. I have taken a small 90 00:09:49,000 --> 00:09:53,940 pack of cards. I have taken also all alike cards. Much easier to follow. Not 91 00:09:53,940 --> 00:09:55,760 you. But for you, yes. 92 00:09:57,340 --> 00:10:00,940 Only red cards except for one, which is black by itself. 93 00:10:01,160 --> 00:10:02,900 Okay? And many red cards. 94 00:10:03,100 --> 00:10:04,360 So I put some red. 95 00:10:04,920 --> 00:10:09,620 See, your job guide is to follow the black card, okay? 96 00:10:10,160 --> 00:10:14,500 And I have to mention that I have too many reds, so I will put some aside 97 00:10:14,500 --> 00:10:18,960 on, okay? So your job, like I said, is to follow the black card. 98 00:10:21,360 --> 00:10:26,500 Okay? And like I said, I have to put some more reds above and below, like 99 00:10:26,880 --> 00:10:28,200 Too many reds, you know, in fact. 100 00:10:28,910 --> 00:10:33,590 But you know what? I have... I put some aside, like I told you, because I have 101 00:10:33,590 --> 00:10:38,030 20. So now, the key question, where is the black card? Bring it on. 102 00:10:38,350 --> 00:10:43,530 Yeah, yeah, yeah. Middle, there, yeah. This one, this middle, that one. 103 00:10:44,690 --> 00:10:48,950 I was trying to help you guys. I'm telling you, because it's everywhere. I 104 00:10:48,950 --> 00:10:50,450 you, everywhere I told you. 105 00:10:59,240 --> 00:11:03,360 We'll be right back with a super quick hand of Matt Marcy. 106 00:11:12,440 --> 00:11:16,740 I have heard that escape artists have the ability to withstand great pain. 107 00:11:17,080 --> 00:11:22,480 Well, our next performer has the ability to completely ignore it. Watch the 108 00:11:22,480 --> 00:11:25,080 creative talents of Matt Marcy. 109 00:11:28,890 --> 00:11:29,970 Thank you very much. 110 00:11:30,650 --> 00:11:34,410 It is time for a classic of magic, and for this, I need the help of a couple of 111 00:11:34,410 --> 00:11:35,890 people from the audience. So let's see. 112 00:11:36,450 --> 00:11:37,450 Ma 'am, what is your name? 113 00:11:37,530 --> 00:11:41,230 Madison. Madison, would you join me up here? And, sir, what is your name? What 114 00:11:41,230 --> 00:11:43,970 is this? Chris, up here. Madison and Chris, give them a round of applause. 115 00:11:44,270 --> 00:11:45,790 Right here, Madison. Chris, over here. 116 00:11:46,050 --> 00:11:47,050 There you go. 117 00:11:47,590 --> 00:11:48,730 Excellent. Thanks for volunteering. 118 00:11:49,310 --> 00:11:53,130 Before we do any magic, I want you to do me a favor and examine my hands. Nobody 119 00:11:53,130 --> 00:11:54,830 trust the magician. Make sure they are regular hands. 120 00:11:55,280 --> 00:11:59,040 Fingers are attached, nothing up the sleeve. That's very popular. Look good. 121 00:11:59,040 --> 00:12:01,840 right. Thank you, Madison. 122 00:12:02,060 --> 00:12:03,060 Thank you, too. 123 00:12:03,280 --> 00:12:07,480 Chris, I have here a couple of pipe cleaners. I want you to select one, 124 00:12:07,480 --> 00:12:08,479 one you would like. 125 00:12:08,480 --> 00:12:09,860 Good choice. That one is for you, Madison. 126 00:12:10,660 --> 00:12:14,180 Now, pipe cleaners are made from steel wire, and they do not stretch, and they 127 00:12:14,180 --> 00:12:16,820 do not break. And that will be important. So give them a tug. Make sure 128 00:12:16,820 --> 00:12:20,180 very strong. You cannot stretch or break them. The two pipe cleaners, the short 129 00:12:20,180 --> 00:12:23,240 one and the long one, get twisted together at the center. 130 00:12:24,140 --> 00:12:26,460 Two ends go around one of my thumbs and get twisted there. 131 00:12:26,800 --> 00:12:29,580 Chris, give that a couple of twists. Make sure it's good and tight around the 132 00:12:29,580 --> 00:12:30,580 base of my thumb. One more. 133 00:12:31,820 --> 00:12:34,480 Perfect. The two short ends around the other thumb, Madison, twist those 134 00:12:34,480 --> 00:12:35,660 together. Make them really tight. 135 00:12:36,280 --> 00:12:37,600 Don't worry about cutting off circulation. 136 00:12:38,760 --> 00:12:39,980 Chris already did that. 137 00:12:41,220 --> 00:12:42,380 One more. Make it hurt. Come on. 138 00:12:42,900 --> 00:12:46,480 Good job. Chris, reach through my wrist and grab one end. 139 00:12:47,200 --> 00:12:49,240 The other end on top. Pull them around my thumbs. 140 00:12:49,620 --> 00:12:51,560 Cross the ends. Pull them tight and twist them together. 141 00:12:52,260 --> 00:12:53,860 Come on, He -Man, until they turn purple. 142 00:12:54,280 --> 00:12:55,280 Good, good, good, good. 143 00:12:55,580 --> 00:12:57,140 Perfect. So the thumbs are secure. 144 00:12:57,340 --> 00:13:00,260 Perfect. All right, take a step to your side. Madison, hanging from the stand 145 00:13:00,260 --> 00:13:02,100 are some metal rings. Would you grab the rings for me? 146 00:13:02,320 --> 00:13:04,920 Check them out and make sure that they are solid. There are no gaps. There are 147 00:13:04,920 --> 00:13:07,260 no breaks. They don't magically link together. Look good? 148 00:13:07,680 --> 00:13:11,320 All right, stand right here and hold one of the rings edgewise towards me. 149 00:13:11,560 --> 00:13:13,960 On the count of three, I want you to talk right here, okay? 150 00:13:14,600 --> 00:13:16,080 One, two, three. 151 00:13:16,700 --> 00:13:17,900 Just like that. 152 00:13:21,459 --> 00:13:22,520 Toss to the other one right here, Madison. 153 00:13:22,780 --> 00:13:24,560 One, two, three. Give it a toss. 154 00:13:25,060 --> 00:13:27,660 Check the rings. Make sure that they're really on the arm. Then check the 155 00:13:27,660 --> 00:13:29,640 thumbs. Make sure they're still secure and do not separate. 156 00:13:31,420 --> 00:13:32,800 No, please. Calm down. 157 00:13:38,020 --> 00:13:39,720 Do me a favor, Madison. Hang on to the rings. 158 00:13:40,080 --> 00:13:45,640 Got them good. Now, I realize that sometimes... Hang those back on the hook 159 00:13:45,640 --> 00:13:46,640 me there, Madison. 160 00:13:47,080 --> 00:13:50,380 Sometimes people think the pipe cleaners break or stretch or come loose. 161 00:13:50,910 --> 00:13:54,230 We're going to make sure that's not the case. I'm going to add two more pipers. 162 00:13:54,750 --> 00:13:55,870 Madison. Hold them at the top. 163 00:13:56,110 --> 00:13:58,830 I will feed them through my wrist. Grab the bottom. Pull the ends around my 164 00:13:58,830 --> 00:14:01,650 thumb. Cross the ends, pull them tight, and twist them together. But really 165 00:14:01,650 --> 00:14:02,589 tight this time. 166 00:14:02,590 --> 00:14:03,590 Twist, twist, twist. 167 00:14:03,610 --> 00:14:04,449 Twist, twist. 168 00:14:04,450 --> 00:14:06,770 And then make the ends like little reindeer antlers. All right. 169 00:14:08,590 --> 00:14:10,490 I was totally kidding about the antlers, but look at that. 170 00:14:12,130 --> 00:14:14,610 We're going to do this one more time. We're not going to use the rings. I have 171 00:14:14,610 --> 00:14:15,569 one other item. 172 00:14:15,570 --> 00:14:17,530 It is this samurai sword. 173 00:14:18,390 --> 00:14:19,610 Look at his eyes light up. All right. 174 00:14:20,290 --> 00:14:22,490 Chris, do not hurt yourself. Check it out. Make sure it's solid. 175 00:14:22,830 --> 00:14:26,410 When you're satisfied, hold it in your right hand with a point to the sky, 176 00:14:26,410 --> 00:14:27,410 side to me. 177 00:14:28,430 --> 00:14:29,810 Slide the upper bit onto your left hand. 178 00:14:30,190 --> 00:14:31,770 We'll be baking later. I want you to be ready. 179 00:14:32,150 --> 00:14:34,070 Let's see if you can grab it at the top. Grab it around the blade. 180 00:14:34,490 --> 00:14:37,090 Hold it with both hands straight up and down. Push your arms all the way forward 181 00:14:37,090 --> 00:14:38,550 and step towards me a little bit. 182 00:14:38,970 --> 00:14:42,690 I'm just going to adjust you a bit so that the blood goes... Okay. 183 00:14:42,950 --> 00:14:43,950 Thank you. 184 00:14:44,450 --> 00:14:45,450 Tell me. 185 00:14:46,290 --> 00:14:48,470 Madison, I want you to check the phone for more time, make sure they're still 186 00:14:48,470 --> 00:14:49,470 secure. 187 00:14:49,510 --> 00:14:50,469 Turning purple? 188 00:14:50,470 --> 00:14:52,390 Yeah. That's for your entertainment. 189 00:14:54,050 --> 00:14:55,050 Okay, good. 190 00:14:55,570 --> 00:14:59,310 Chris, whatever happens, please do not move the door. I do not want to cut 191 00:14:59,310 --> 00:15:00,310 myself, all right? 192 00:15:00,610 --> 00:15:01,610 Here we go. 193 00:15:05,230 --> 00:15:06,230 One! 194 00:15:09,510 --> 00:15:10,910 We have to go, this is ten. 195 00:15:11,730 --> 00:15:12,730 Two. 196 00:15:16,069 --> 00:15:18,310 Three. Right through, Chris. Let go of your top hand, Madison. 197 00:15:18,510 --> 00:15:19,830 Check the thumbs. Pull them until they come apart. 198 00:15:20,430 --> 00:15:21,430 Still secure? 199 00:15:21,670 --> 00:15:24,050 Give them both a big round of applause. 200 00:15:26,210 --> 00:15:27,210 Madison, you're fantastic. 201 00:15:27,350 --> 00:15:30,630 Watch your step on the way down. Before you leave, I need you to help out and 202 00:15:30,630 --> 00:15:31,630 flip these offers. 203 00:15:32,810 --> 00:15:35,190 Perfect. And I get up from there. One more hand for Chris. 204 00:15:36,090 --> 00:15:37,090 And Madison. 205 00:15:38,670 --> 00:15:39,670 And me. 206 00:15:44,870 --> 00:15:47,250 Impossible Prediction by Nathan Phan. 207 00:15:56,310 --> 00:15:59,550 Now it's time to bring a little culture to mix in with the magic. 208 00:15:59,770 --> 00:16:01,910 Here is Nathan Phan. 209 00:16:05,930 --> 00:16:06,930 Hello! 210 00:16:08,450 --> 00:16:12,610 Oh, no time to bandy about. I need to borrow a spectator out of the audience. 211 00:16:14,300 --> 00:16:16,680 Have you been used for anything, sir? You have not? What's your name? 212 00:16:17,300 --> 00:16:20,360 Everyone, a round of applause for Daniel. Come on up here. 213 00:16:21,960 --> 00:16:23,380 Daniel, thanks so much for coming up. 214 00:16:24,120 --> 00:16:29,420 Over here, behind this table, I have here, at this table, I have, these are 215 00:16:29,420 --> 00:16:30,420 numbers here. 216 00:16:30,620 --> 00:16:32,100 They're not in any particular order. 217 00:16:32,500 --> 00:16:34,900 Yes, some of them are small, some of them are larger, some of them go on 218 00:16:34,900 --> 00:16:37,760 forever. I have some colors as well, each of these notebooks. 219 00:16:38,170 --> 00:16:40,350 About 25 pages of just different pieces of information. 220 00:16:40,570 --> 00:16:41,570 Here are some colors here. 221 00:16:41,850 --> 00:16:43,950 Eggshell, crimson, sky blue. 222 00:16:45,430 --> 00:16:50,110 Shapes as well. I have your cube, tetrahedron, rhombus. You know, the 223 00:16:50,310 --> 00:16:53,590 Convict pentagon. So in a moment, what's going to happen is this. You are going 224 00:16:53,590 --> 00:16:57,570 to open up each book to any page that you'd like. Once you do, you're going to 225 00:16:57,570 --> 00:17:01,210 show Stacey what you did. And then Stacey is going to write down your 226 00:17:01,210 --> 00:17:05,150 big and bold across this. Now, here's the thing. I can't be... 227 00:17:05,980 --> 00:17:09,440 witness or privy to this, and I also can't have you thinking that I'm 228 00:17:09,440 --> 00:17:13,700 the information somehow, so I'm going to blindfold myself with a balloon. 229 00:17:13,920 --> 00:17:16,619 And not just any balloon, the biggest ruddy balloon you've ever seen in your 230 00:17:16,619 --> 00:17:17,619 life. 231 00:17:17,660 --> 00:17:19,300 You ever seen a six -foot balloon before? 232 00:17:19,800 --> 00:17:21,240 Yeah, you're about to. Check this out. 233 00:17:22,579 --> 00:17:23,579 Look at that. 234 00:17:24,240 --> 00:17:25,839 Violet! You're turning violet, Violet! 235 00:17:26,640 --> 00:17:27,640 Yeah! 236 00:17:27,780 --> 00:17:30,280 This is what it looks like when the Blue Man Group goes off on their diet. 237 00:17:36,890 --> 00:17:37,890 Alright, 238 00:17:37,910 --> 00:17:40,310 so here's what's going on. I am going to climb inside. Alright, 239 00:17:41,990 --> 00:17:44,490 excellent. So I'm going to climb inside. Once I'm inside, I'm going to give you 240 00:17:44,490 --> 00:17:46,270 the all -clear signal for you to make your free choice. 241 00:17:46,490 --> 00:17:48,510 1 out of 25, 1 out of 25, 1 out of 25. 242 00:17:48,770 --> 00:17:52,370 And then Stacy's going to write it down. But, because this is Masters of 243 00:17:52,370 --> 00:17:55,630 Illusion, because you find people that deserve it, I will sing any song you'd 244 00:17:55,630 --> 00:17:58,010 like as I climb inside the balloon. Shout out a song! 245 00:17:58,450 --> 00:18:01,850 What's that? The Figaro song from the Barber of Seville. I think we have that 246 00:18:01,850 --> 00:18:02,850 track. Hit it! 247 00:18:33,790 --> 00:18:36,310 I don't think people realize it's really me singing. 248 00:18:46,790 --> 00:18:48,350 One at a time. 249 00:18:48,690 --> 00:18:49,710 For charity. 250 00:18:50,010 --> 00:18:51,330 For charity. 251 00:18:51,670 --> 00:18:52,930 For charity. 252 00:18:53,850 --> 00:18:55,670 One at a time. 253 00:18:55,930 --> 00:18:57,630 One at a time. 254 00:18:57,850 --> 00:18:59,550 One at a time. 255 00:18:59,970 --> 00:19:01,670 For charity. 256 00:19:02,970 --> 00:19:04,850 Figaro. I'm here. 257 00:19:05,370 --> 00:19:06,650 I'm Figaro. 258 00:19:07,390 --> 00:19:08,470 Figaro is there. 259 00:19:14,379 --> 00:19:18,020 This part's kind of hard and needs some help. 260 00:19:41,460 --> 00:19:45,560 Actually, for the first time out live, could you please read out live the three 261 00:19:45,560 --> 00:19:47,200 selections that you made? 262 00:19:49,200 --> 00:19:50,900 323 red spheres. 263 00:19:51,300 --> 00:19:54,100 That's incredible, because on this prediction that's been sitting out in 264 00:19:54,100 --> 00:20:00,880 view the entire time, I wrote down 323 red 265 00:20:00,880 --> 00:20:01,880 spheres! 266 00:20:08,840 --> 00:20:11,720 Here's a souvenir for you to take with you. 267 00:20:12,280 --> 00:20:19,040 Well, that's it for 268 00:20:19,040 --> 00:20:20,600 tonight's Masters of Illusion. 269 00:20:20,820 --> 00:20:23,300 I'm Dean Cain. Thank you so much for watching. 270 00:20:45,480 --> 00:20:46,480 I'll take the belt. 22874

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