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Illusion, the art of tricking the brain,
distorting the senses, challenging
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perception. You can't trust what you
see, even with your own eyes.
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Meet the Masters of Illusion.
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Welcome to a very special edition of
Masters of Illusion, as we celebrate 21
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years of magic, mystery, and making the
impossible seem possible.
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Over the next hour, in addition to the
magic that you're going to see performed
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live right here on this stage, we will
bring you Masters of Illusion classics,
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the best of the best from all 21 years
on television. Some performed on stage.
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Some outside, surrounded by spectators.
All the most incredible moments from
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Masters of Illusion. So, let's get
started.
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As you're about to see, this crazy,
dangerous escape was one of the boldest
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ever. It becomes very apparent that if
the escape is not successful or not done
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in time, the only outcome is death.
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Now, this is a magician who usually
walks on the lighter side of magic, but
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this time.
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Here is Murray Satchin.
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I've got to get out of the car before
I'm being blown up. When you hit the
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stopwatch, it triggers the timer on the
TNT.
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So you need to be out way before 90
seconds. Yeah, the first thing to go up
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me.
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All right, everybody.
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Let's do this.
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You good?
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Yeah, you know what? I need one hairpin.
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That's the only tool I get?
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The only tool I get? Really?
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One hairpin.
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All right, put them on.
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Oh, hang on.
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That's it.
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All right.
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Let's do this.
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What's your head?
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Oh, man.
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Not as easy as you think getting in.
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All right.
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This base is small. You know, in those
monster movies, they made this look a
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easier. I'm just saying.
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Oh, my God.
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I want to make sure I can reach this
timer.
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All right, give me a kiss. Okay.
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I love you. I love you. I really, really
wish you weren't doing this.
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All right.
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Okay, ready? Yeah.
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Three, two, one, go.
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You are...
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Stupid. One thing you come across a lot
on this show is a total disregard for
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the laws of physics.
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But what you're about to see is the
perfect example in which the law of
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is completely violated. Check out this
amazing levitation effect that's one of
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the best ever.
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Here is Greg Bruin.
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Next up, Franz Harari and Mack King when
we come back.
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This next magician has been entertaining
magic and comedy lovers everywhere with
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his wacky tricks just like what you're
about to see. Here's his performance
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the 10th anniversary show in Santa
Monica, California.
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Here is Mack King.
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Let's see. This is for you.
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Right there.
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Enjoy yourself.
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What's your name, Matt?
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Michelle. Nice to meet you. Michelle?
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I'm Matt King.
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Michelle, do me a favor. Hold that rope
up into the air. We'll try a little
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magic trick here.
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Stretch it out nice and tight. I'm going
to throw these scissors and cut it
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right in half in midair.
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Michelle, can you stand? Hold it in
front of him. That's a good move.
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Michelle, can you stand up for just a
sec? The rope has to be kind of high for
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this to work. Hold it up nice and high.
That is still not going to be high
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enough. You're going to have to come up
on the stage. Give Michelle a big hand
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for volunteering.
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Walk a step there.
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Sorry to cut you like that. Hi, nice to
meet you.
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Right around this side or right over
here, Michelle, if you would. Thanks for
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coming up. I can call you Michelle.
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Well, when can I call you?
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Right now?
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Show's over.
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Michelle, you and I and that piece of
rope are going to do one of Houdini's
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famous tricks.
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This is called the Houdini Challenge
Naked
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Rope Escape.
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I just want you to take off your clothes
and tie me up.
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I'm kidding, I'm kidding.
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You don't have to tie me up.
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No, Michelle.
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This is for you. Hold on to this right
down there. If you would, just at the
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base, just like that. That's good. If
you hold it like that, everybody can see
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the water part of the glass really good.
When you were a little girl, Michelle,
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did you ever go fishing?
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Yeah. My grandpa used to take me fishing
when I was a little girl.
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He said, my grandpa said, in order to
catch fish, you have to have three
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You have to have the proper fishing
pole. This is my grandpa's original
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pole right here.
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You have to have a place to put the
fish.
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That's what you're holding right there,
Michelle. I'm going to...
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catch a fish and drop him right in that
glass of water. The third thing that you
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have to have to catch fish is, of
course, the proper bait.
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The Fig Newton.
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That's right. You bust off about a third
of a cookie. That's all you need. A
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nice, long, squishy, skinny piece of
squishy Fig Newton. Here's what you do,
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Michelle. You kind of roll up that Fig
Newton piece and squish it up on the
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so it'll stay.
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And with Fig Newton as bait, you can
fish anywhere you want. You and I are
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fishing out here in midair.
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We're not looking for just any fish.
We're catching goldfish.
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There's a goldfish right here in midair.
Let's see if I can snag him. Yep, got
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him.
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Oh, yeah, he is a fighter. Whoa, oh,
geez.
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That's a dang
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real
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fish.
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Michelle, you know the rule here in
Santa Monica?
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Oh, you don't know the rule. The rule is
whatever you catch, you got to eat.
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Nah, he's still there. He's still there.
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He's just a little scared now.
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That's why the water's kind of cloudy.
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Hold that one just like before. I can't
show you how to catch fish out of the
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air, but I can show you how to freak out
your friends.
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Get a carrot and a carrot peeler. This
is how I pretended to eat the fish. You
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peel off a big strip of carrot so it
looks just like a goldfish.
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Okay, there's work to do.
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You've got to use your teeth.
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Don't worry, today we'll use mine.
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Actually, these used to be my grandpa's,
too.
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You turn up the carrot so it's vaguely
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goldfish -shaped.
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Pretend like that glass of water is your
friend's aquarium.
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Bunch of goldfish swimming in there.
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Here's what you do. Hold that carrot
sliver behind your fingers. Nobody knows
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you have it there. That's your secret.
When you're ready to freak out your
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friends, reach down amongst their fish,
pull out that carrot. You go, oh, I got
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your goldfish.
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Don't do this. Don't say, oh, I got your
carrot.
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So you keep a wiggling. Before they get
a good look at it, you pop it in your
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mouth.
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You ready for this?
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Oh, Michelle.
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Hold that glass over here.
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Michelle, thank you very much for your
help. Watch yourself going off the edge
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there.
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It was once believed that fire was one
of the four essential elements that make
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up our world, the others being earth,
wind, and water.
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But whatever the era, it's not too far a
stretch to say that fire is probably
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the most dangerous element to deal with
in magic. This amazing performance was
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the first time Masters of Illusion shut
down Hollywood Boulevard to pull off
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something spectacular and more than just
a little bit dangerous.
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Here is Franz Harari out on world
-famous Hollywood Boulevard.
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The watch took over six months to
prepare and over 140 trained
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The stunt begins with this.
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It's a prototype to an F -14 jet
fighter.
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Imagine being placed inside a steel
coffin. That coffin being placed
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into the flames of a jet engine
afterburner.
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Most importantly, remember, what you're
about to see is live.
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It's not only being watched by you at
home, but being shared with over 450
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people right here on Hollywood
Boulevard.
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It's not special effects. It's not
Hollywood trickery.
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It's real.
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The amount of heat that's put out by
this jet engine is enough to destroy
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anything in its path.
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That is a major firepower.
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Throughout history, mankind has been
fascinated, if not obsessed, with the
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of overcoming fire.
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It's still happening today.
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Only in this version, I'm going to lock
myself inside this steel coffin.
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Once inside, I will be subjected to the
power of this jet engine.
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It's also been said that one of the only
substances on Earth capable of
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withstanding such heat is a crystal.
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It has been said that the crystal holds
the essence of man.
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Thank you.
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Next up, the unbelievable talent of
Barry and Stuart.
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This magical duo has consistently
entertained audiences the world over
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their unique blend of amazement and
amusement.
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These two establish themselves as among
the quirkiest and most irreverent
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magicians ever to appear in the series.
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Here is the very skilled and very funny
team known as Barry and Stu.
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We would like to do a trick for you now
that we call Stuart's Surprising Spleen.
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And to do that, we need to borrow
something from the crowd. So could
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the front row, could you reach into your
pocket or your bag, take out first your
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cell phones and hold them up high?
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Now, in the past, we've found it
difficult borrowing things from people
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audience. Yeah, people, they don't trust
us. No, especially with their cell
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phones. So we've developed a gentle,
persuasive technique to get round this
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problem.
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You sir, you sitting right there?
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Keep your hands where you can see them
and get that out of your phone.
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Give it here.
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Come on, give it to him, or we'll give
you a wet willy. Have a seat. With a
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knife.
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What you've all just witnessed is a
mugging.
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Sorry about that one, victim.
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Victim. Sorry, you're not really a
victim. What's your name?
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Charlie. Sorry about that one, Charlie.
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Charlie.
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To do this trick, we need Stuart's
spleen, we need your phone, but we also
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one other thing, and that's this.
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High -speed blender.
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First, Charlie, your phone goes in the
blender.
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Then we add some milk.
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Don't worry, Charlie, this is 0 % fat
milk.
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Now... Here comes the magic bit.
Everybody watch very, very carefully.
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Charlie, you might want to go away.
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OK, Charlie, your phone's all blended
up. Now we need to give it a shake.
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Oh, yes, we do.
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Just keep telling yourself, Charlie,
this is all an illusion.
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But it's not an illusion, is it? No,
don't tell him that.
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The perfect phone cocktail.
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We like to call this one...
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Text on the beach.
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Here we go.
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And now, Charlie, to make your phone
completely disappear.
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Gone.
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Totally gone.
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Abracadabra.
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No, no, no.
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I know what you're thinking, and yes,
you are right. The phone hasn't actually
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vanished. The pieces of the phone are
right now, besides Stuart's very
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surprising spleen.
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And the thing about Stuart is he grew up
in the northeast of Scotland on a diet
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of oats, haggis, and when he was very,
very young, malt whiskey.
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And that gave Stuart the property of his
very surprising spleen, didn't it? It
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00:21:56,150 --> 00:21:59,890
did. We can prove this to you now using
this X -ray machine.
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You see, earlier today, I drank a
special radioactive fluid, Sunny D.
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And, Charlie, it means your phone should
show up on an X -ray picture.
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Let me just get inside the x -ray
machine right here.
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We do have a photographic plate that,
when placed in front of the machine,
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should develop a picture showing us the
precise location of your phone.
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Let's have a look.
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Oh!
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OK, right. Now, I'm not actually a
professional doctor, but I can tell,
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at that very, very realistic, kind of no
-waste -take picture there, that...
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Charlie, your phone is right beside
Stuart's very surprising spleen. Yep.
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phone has reformed itself in my stomach.
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All right, buddy.
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Do it.
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Buddy,
238
00:22:53,260 --> 00:22:55,480
you don't have the phone. You've messed
this up.
239
00:22:56,840 --> 00:22:59,400
Pull your hand back. Hang on. I know I
missed it. Try again.
240
00:22:59,800 --> 00:23:02,100
Stuart, I'm stuck. I'm stuck in your
ribs.
241
00:23:02,420 --> 00:23:03,359
You know what?
242
00:23:03,360 --> 00:23:05,700
I think I'm just going to have to go
forward.
243
00:23:06,020 --> 00:23:07,420
Forward? Yeah. Oh, gosh.
244
00:23:21,360 --> 00:23:22,360
Come on up here.
245
00:23:22,880 --> 00:23:23,880
Quick as you can.
246
00:23:23,940 --> 00:23:25,980
Come on, this is show business. Up the
steps.
247
00:23:26,520 --> 00:23:27,540
Could you do that any slower?
248
00:23:27,740 --> 00:23:28,740
Time is money.
249
00:23:29,280 --> 00:23:30,460
Charlie, take your phone back.
250
00:23:31,420 --> 00:23:34,540
Hopefully, if you wipe off the blood and
the bile, that thing still works. Give
251
00:23:34,540 --> 00:23:36,600
it up for Charlie as he goes back to his
feet.
252
00:23:43,920 --> 00:23:47,160
Stuart, I'm going to do a backflip. A
backflip?
253
00:24:10,770 --> 00:24:14,710
Amazing is the only way to describe
Farrell Dillon. Up next.
254
00:24:23,850 --> 00:24:28,650
One of the favorites of Masters of
Illusion, this next magician does
255
00:24:28,650 --> 00:24:33,970
with a sense of fun. This performance
was not his first on Masters of
256
00:24:34,030 --> 00:24:37,790
but it was perhaps his best, showcasing
his multiple talent.
257
00:24:38,030 --> 00:24:39,030
You'll see what I mean.
258
00:24:39,510 --> 00:24:40,970
Here is Sparrow Dillon.
259
00:24:44,370 --> 00:24:47,890
Hi. Hi. My name's Sparrow. What's your
name? Bill. Bill, nice to meet you.
260
00:24:47,970 --> 00:24:49,310
have you ever been inside of a
straightjacket before?
261
00:24:49,930 --> 00:24:50,930
Not recently.
262
00:24:50,970 --> 00:24:54,610
Oh, good. So you're going to be familiar
with this. Awesome. Hop in.
263
00:24:57,500 --> 00:24:58,860
I'm just kidding. They don't let me do
that anymore.
264
00:24:59,640 --> 00:25:00,640
Bill,
265
00:25:00,800 --> 00:25:02,800
what I would like you to do is take a
look at the jacket. Pull on it. Make
266
00:25:02,800 --> 00:25:05,400
it doesn't stretch or anything. It's
made out of canvas and leather. There
267
00:25:05,400 --> 00:25:07,920
buckles and straps on the jacket. Pull
on those. Make sure they do not come
268
00:25:08,080 --> 00:25:09,160
It's very, very important.
269
00:25:09,980 --> 00:25:10,980
Everything okay?
270
00:25:11,060 --> 00:25:13,400
Great. Bill, what I need you to do is
hold up in the jacket just like that.
271
00:25:13,420 --> 00:25:16,160
Perfect. My arms are going to go in the
sleeves. My tie, however, goes over the
272
00:25:16,160 --> 00:25:19,220
front of the jacket because it's very
important that I look classy.
273
00:25:27,660 --> 00:25:30,320
All right, now, Bill, on the back of the
jacket, you're going to find five
274
00:25:30,320 --> 00:25:33,240
buckles and five straps. What I'd like
you to do is start at the top, work your
275
00:25:33,240 --> 00:25:35,200
way to the bottom, buckling each of
those straps in succession.
276
00:25:35,540 --> 00:25:38,640
While you're doing that, I'm going to
tell everyone a brief history of the
277
00:25:38,640 --> 00:25:39,640
straitjacket.
278
00:25:40,160 --> 00:25:43,820
The straitjacket was invented in the
year 2000 B .C. by the Egyptians.
279
00:25:44,360 --> 00:25:47,540
It was originally made out of paper, but
then the Egyptians realized it didn't
280
00:25:47,540 --> 00:25:50,500
make a very good restraint because
people could just tear their way out.
281
00:25:51,040 --> 00:25:54,520
I'd like to credit Wikipedia with that
history of the straitjacket.
282
00:26:00,430 --> 00:26:02,370
All right, now, Bill, you've done a
great job so far. I've got two more
283
00:26:02,370 --> 00:26:04,250
and two more buckles. There's a buckle
on this sleeve, a strap on the other
284
00:26:04,250 --> 00:26:07,130
sleeve. Those go across my body, and
they buckle in the back. I'd like you to
285
00:26:07,130 --> 00:26:09,050
tighten that as much as you possibly
can, okay?
286
00:26:09,430 --> 00:26:11,930
A lot of people ask me where I get these
straitjackets from.
287
00:26:12,150 --> 00:26:13,670
I got this one from TSA.
288
00:26:16,390 --> 00:26:18,230
Yeah, it's really embarrassing. I don't
want to talk about it.
289
00:26:20,070 --> 00:26:22,110
Yep, now, Bill, when you're done with
that, I've got one more strap.
290
00:26:22,590 --> 00:26:26,230
It hangs between my legs, okay? But I've
got a method for this one. It's like
291
00:26:26,230 --> 00:26:27,310
football. Do you like football?
292
00:26:27,550 --> 00:26:29,890
Oh, yes. Great, nothing more manly than
football.
293
00:26:30,600 --> 00:26:33,160
So you'll be the quarterback. I'll be
the center. I'm going to hike you the
294
00:26:33,160 --> 00:26:34,160
strap.
295
00:26:34,680 --> 00:26:36,580
When I say hike, you grab hold, okay?
296
00:26:37,460 --> 00:26:39,120
And don't grab before hike.
297
00:26:40,300 --> 00:26:43,120
And when you grab it, don't pull it or
anything. Just grab hold and wait
298
00:26:43,120 --> 00:26:44,120
instruction.
299
00:26:47,320 --> 00:26:48,320
Down!
300
00:26:48,420 --> 00:26:52,240
Okay, you obviously don't know how to
play football, but there's a buckle back
301
00:26:52,240 --> 00:26:53,440
there, which you've clearly already
found.
302
00:26:53,960 --> 00:26:56,840
Take the strap, put in the buckle, and
then tighten it as much as possible.
303
00:27:03,020 --> 00:27:05,620
All right, good. Now, Bill, when you're
done with that, I've got two more quick
304
00:27:05,620 --> 00:27:08,300
favors left to ask. The first one's very
simple. Would you take my tie and pull
305
00:27:08,300 --> 00:27:09,300
it up over my sleeve?
306
00:27:09,680 --> 00:27:11,880
Yeah, I don't want to look ridiculous.
That'd be awful.
307
00:27:13,500 --> 00:27:15,700
And then, Bill, if you would, go over to
that side of the swiveling platform,
308
00:27:15,760 --> 00:27:18,000
take your feet, place them against it
like this. That'll keep it from
309
00:27:18,000 --> 00:27:20,120
back and forth. I'm going to stand on
the surfboard, Bill. If you would, take
310
00:27:20,120 --> 00:27:22,340
your hands and put them on my elbows.
311
00:27:22,940 --> 00:27:24,980
Perfect. We're going to try and balance.
Here we go. One, two, three.
312
00:27:26,540 --> 00:27:29,060
Don't worry, we'll try again. Here we
go. Don't force it. One, two, three.
313
00:27:29,880 --> 00:27:30,880
Well, we're all going to die.
314
00:27:32,570 --> 00:27:34,690
Which is a shame because we just proved
the Mayans wrong.
315
00:27:36,970 --> 00:27:38,770
Okay, I just alienated all the Mayans.
Wonderful.
316
00:27:39,090 --> 00:27:40,090
All right.
317
00:27:40,290 --> 00:27:42,550
Better idea. Put your hands on my
shoulders, Bill. That might work a
318
00:27:42,550 --> 00:27:43,550
better. Here we go. One, two, three.
319
00:27:44,130 --> 00:27:45,210
Nope, that worked worse. Okay.
320
00:27:46,450 --> 00:27:47,450
All right, Bill. Better idea.
321
00:27:48,350 --> 00:27:49,350
Hug me.
322
00:27:50,290 --> 00:27:53,210
No, don't worry. It'll be just like
football. Give me a big man hug. Here we
323
00:28:08,010 --> 00:28:09,330
This really means a lot to me.
324
00:28:10,470 --> 00:28:13,490
Okay, it's getting awkward, so if you
would slowly let go of me.
325
00:28:13,770 --> 00:28:16,110
Great, and then slowly back away, or
back away fast, that's fine.
326
00:28:17,470 --> 00:28:19,990
And Bill, you've done a wonderful job
putting me in the straitjacket and for
327
00:28:19,990 --> 00:28:22,750
putting up with me. Let's give Bill a
big round of applause. Thank you so much
328
00:28:22,750 --> 00:28:26,070
for your help. Watch your step on the
way back down the stairs. Everybody, one
329
00:28:26,070 --> 00:28:27,070
more time. Bill!
330
00:28:29,630 --> 00:28:34,550
And now, for the moment we've all been
waiting for, the straitjacket escape
331
00:28:34,550 --> 00:28:35,910
while surfing.
332
00:28:37,420 --> 00:28:38,420
Music, please.
333
00:28:42,340 --> 00:28:43,360
Yeah, I know, it's hilarious.
334
00:28:44,980 --> 00:28:48,580
Now, I'm going to explain to you guys
exactly what I'm doing as I attempt to
335
00:28:48,580 --> 00:28:49,940
escape from this straitjacket.
336
00:28:50,160 --> 00:28:54,880
That way, if you guys ever find
yourselves in this exact same
337
00:28:54,880 --> 00:28:57,200
too can escape from a straitjacket while
surfing.
338
00:28:58,400 --> 00:29:01,600
All right, the first thing I need to do
is get one of my arms up over my head.
339
00:29:01,720 --> 00:29:03,080
Here we go, arm up over the head.
340
00:29:23,210 --> 00:29:25,290
I think I just hit myself in the face.
341
00:29:48,970 --> 00:29:49,970
That's a joke for the mothers.
342
00:29:52,590 --> 00:29:56,030
Oh, thank you.
343
00:29:58,010 --> 00:29:59,150
Thank you guys for caring.
344
00:30:00,910 --> 00:30:02,610
I feel like we're family now.
345
00:30:03,410 --> 00:30:06,470
All right. So the next thing I need to
do is get one of my arms up out of the
346
00:30:06,470 --> 00:30:08,130
sleeve. Here we go. Arm up out of the
sleeve.
347
00:30:20,880 --> 00:30:22,180
hear you from here. This isn't
television.
348
00:30:23,820 --> 00:30:25,700
Actually, it kind of is. That's really
weird.
349
00:30:27,540 --> 00:30:29,160
The only time that doesn't make any
sense.
350
00:30:56,080 --> 00:30:57,080
There we go.
351
00:30:58,380 --> 00:30:59,380
Last draft.
352
00:30:59,720 --> 00:31:00,780
Bill, this one's for you.
353
00:31:09,840 --> 00:31:11,420
Okay, I guess it doesn't work that way.
354
00:31:12,960 --> 00:31:13,980
All right.
355
00:31:14,240 --> 00:31:17,420
Now, I'm almost out of the jacket, and
I've got one more thing left to do. I've
356
00:31:17,420 --> 00:31:20,560
got to get the jacket up over my head.
Now, normally, this would be the easiest
357
00:31:20,560 --> 00:31:22,680
part. It's like escaping from a
sweatshirt.
358
00:31:23,730 --> 00:31:26,550
Because if I have this ridiculous
contraption, it eliminates my eyesight
359
00:31:26,550 --> 00:31:29,610
merely a second. So if I kept flying at
you, I'm sorry.
360
00:31:30,670 --> 00:31:32,070
Here we go. Jacket over the head. Ready?
361
00:31:36,550 --> 00:31:37,550
I'm okay!
362
00:31:41,390 --> 00:31:44,350
I'm going to need your guys' help. If
you would count with me to three, I will
363
00:31:44,350 --> 00:31:46,910
remove the jacket because I'll feel
obligated because you guys have been
364
00:31:46,910 --> 00:31:48,450
awesome. So on the count of three,
ready?
365
00:31:52,940 --> 00:31:54,300
Are you kids trying to kill me?
366
00:31:55,300 --> 00:31:57,060
All right, on the count of three with
me. Ready?
367
00:31:57,660 --> 00:32:00,000
One, two, three.
368
00:32:07,620 --> 00:32:11,660
Next, Jonathan Pender, Nathan Fang, and
Jackie Yu.
369
00:32:22,910 --> 00:32:27,010
properties of glass is that you can see
right through it, like water. But
370
00:32:27,010 --> 00:32:31,630
another property of glass is that it's
solid, and you cannot pass through it.
371
00:32:31,990 --> 00:32:32,990
Or can you?
372
00:32:33,530 --> 00:32:38,690
Well, here he is. Not in the studio, but
out at Universal CityWalk in Hollywood.
373
00:32:38,970 --> 00:32:44,470
This performance was one of his best and
most astounding ever. Here we have the
374
00:32:44,470 --> 00:32:46,730
amazing Nathan Thorn.
375
00:32:48,850 --> 00:32:53,050
I need to borrow... A cell phone from
somebody. Sir, can I borrow your cell
376
00:32:53,050 --> 00:32:54,050
phone? Yeah, yeah.
377
00:32:54,610 --> 00:32:58,990
Excellent. Oh, very, very nice. Oh, this
one looks expensive and fancy. I'll do
378
00:32:58,990 --> 00:33:01,870
my best to be very careful with it. So
now, you have insurance on this?
379
00:33:02,110 --> 00:33:05,830
Yeah. Now, I notice you don't have a
case on this. You probably should,
380
00:33:05,890 --> 00:33:08,870
Probably should. I found out here's a
really good inexpensive case that you
381
00:33:08,870 --> 00:33:09,870
go out and make yourself.
382
00:33:10,010 --> 00:33:11,230
This is really good at the beach.
383
00:33:11,470 --> 00:33:13,750
All right, hold on. I have them in my
back pocket over here.
384
00:33:14,370 --> 00:33:15,690
This right here, a balloon.
385
00:33:16,070 --> 00:33:18,830
Take a balloon. It's a really good
inexpensive case. What you do...
386
00:33:20,219 --> 00:33:21,560
Before you go to the beach or something.
387
00:33:25,580 --> 00:33:28,580
I want you guys to notice the color
coordination as well. I love it. All
388
00:33:28,580 --> 00:33:29,179
thank you.
389
00:33:29,180 --> 00:33:30,820
All right, watch.
390
00:33:31,160 --> 00:33:34,560
Very carefully, we're going to take it.
And if you just place the phone
391
00:33:34,560 --> 00:33:41,400
inside the balloon, now
392
00:33:41,400 --> 00:33:43,860
it's protected from the elements. Isn't
that amazing?
393
00:33:44,340 --> 00:33:45,259
Wow, thank you.
394
00:33:45,260 --> 00:33:47,580
That's inside the... Okay.
395
00:33:48,110 --> 00:33:50,570
Now here's the thing, so this will
protect you in the sand, but what about
396
00:33:50,570 --> 00:33:53,450
water? Water can still get in. Here's
what you do, you inflate it slightly.
397
00:33:54,630 --> 00:33:56,790
You see that the screen still lights up
and everything inside?
398
00:33:57,030 --> 00:34:01,830
Yep. Alright, and if you actually tie it
off, like this, now, if you drop it in
399
00:34:01,830 --> 00:34:02,870
the water, it'll float!
400
00:34:03,230 --> 00:34:06,010
It sure won't. Look at that, so you
won't lose the phone, it'll just bob
401
00:34:06,010 --> 00:34:07,010
in the water, right?
402
00:34:07,070 --> 00:34:10,250
Now you want your phone back, right? So
this is a good case for now, but we'll
403
00:34:10,250 --> 00:34:11,449
give it back to you. Hold on a second.
Sure.
404
00:34:13,210 --> 00:34:14,810
There we go.
405
00:34:16,210 --> 00:34:17,210
Did it get there?
406
00:34:17,320 --> 00:34:18,320
phone in.
407
00:34:18,679 --> 00:34:19,679
Oh!
408
00:34:20,440 --> 00:34:21,359
That's not your phone.
409
00:34:21,360 --> 00:34:22,360
That's not my phone.
410
00:34:23,179 --> 00:34:25,120
Well, it's a different one. That's my
phone! Wait a minute!
411
00:34:25,860 --> 00:34:26,940
What? When did?
412
00:34:27,440 --> 00:34:30,760
So, um, um, alright, that's weird.
413
00:34:31,520 --> 00:34:34,820
I'm so sorry. I don't know what
happened. Do me a favor, since we have
414
00:34:34,820 --> 00:34:37,340
out here, can you do me a huge favor?
Can you please dial your phone so we can
415
00:34:37,340 --> 00:34:39,699
find it? I feel really bad about this.
Go ahead and dial in your number. Okay.
416
00:34:40,480 --> 00:34:41,480
And we're going to call it.
417
00:34:41,739 --> 00:34:42,820
Where's my phone?
418
00:34:43,540 --> 00:34:46,340
We'll find it. Hit call. Okay. See if we
can find it.
419
00:34:48,460 --> 00:34:49,460
Can you guys hear it?
420
00:34:50,300 --> 00:34:51,300
What's that?
421
00:34:52,620 --> 00:34:53,620
Right here?
422
00:34:55,520 --> 00:34:56,520
No.
423
00:34:57,200 --> 00:35:00,620
No. No, no, no, no, no, no, no, no.
Look, look, look, look, look. Sir, is
424
00:35:00,620 --> 00:35:02,960
your phone? Are you kidding me? Inside
this display case?
425
00:35:03,180 --> 00:35:04,180
Are you kidding me?
426
00:35:04,280 --> 00:35:06,120
Is that your phone inside the display
case?
427
00:35:06,360 --> 00:35:09,980
Yes. Yes? All right, here. Do you ever
stand right over here? Okay, I feel...
428
00:35:09,980 --> 00:35:13,580
That's crazy. Can we get someone from
the Hard Rock Cafe to open this up for
429
00:35:14,420 --> 00:35:15,420
Okay.
430
00:35:18,500 --> 00:35:21,520
Okay, I have a way of getting it out,
but the problem is that if security
431
00:35:21,520 --> 00:35:22,700
by, they're going to think I'm trying to
steal.
432
00:35:22,920 --> 00:35:27,320
So do me a favor. I did this a few times
back in Scotland growing up, and I got
433
00:35:27,320 --> 00:35:30,080
into a lot of trouble. So do me a favor.
What I want you to do is make sure that
434
00:35:30,080 --> 00:35:32,360
no one's coming. Make sure no security's
coming. Can you do that for me? Is
435
00:35:32,360 --> 00:35:33,360
there any security coming?
436
00:35:33,580 --> 00:35:35,380
No, no security coming? All right, here,
we're going to try this.
437
00:35:35,640 --> 00:35:36,700
Ready? Hold on one second. Ready?
438
00:35:52,140 --> 00:35:55,060
That's your phone, right? Double check.
Make sure that really is your phone.
439
00:35:55,080 --> 00:35:56,078
That's your phone?
440
00:35:56,080 --> 00:35:58,620
Absolutely? Yes. Good. Hold on one
second. We've got to steal that back up.
441
00:35:59,580 --> 00:36:00,479
There we go.
442
00:36:00,480 --> 00:36:03,800
Good. Excellent. Thank you so much for
your time. I really appreciate it.
443
00:36:05,320 --> 00:36:06,320
Where's my watch?
444
00:36:06,440 --> 00:36:07,600
Oh, you've got to be kidding me.
445
00:36:11,760 --> 00:36:16,900
Quick is the best way to describe the
action of our magic ambassador from
446
00:36:16,900 --> 00:36:19,420
Korea. Here is Jackie Yu.
447
00:37:20,200 --> 00:37:24,440
One of the hallmarks of magic is making
something vanish or suddenly appear.
448
00:37:24,680 --> 00:37:29,760
Another version is making something
change into something else or someone
449
00:37:29,840 --> 00:37:34,560
Setting a Guinness World Record for this
very trick, an all -time highlight of
450
00:37:34,560 --> 00:37:36,960
the series is this unbeatable
performance.
451
00:37:37,480 --> 00:37:41,840
Here, doing it like no one else can, is
Jonathan Kenseth.
452
00:39:36,750 --> 00:39:42,030
Well, that's it for our very special
21st anniversary show celebrating over
453
00:39:42,030 --> 00:39:46,190
decades of Masters of Illusion. And
there's lots more magic to come.
454
00:39:46,490 --> 00:39:49,310
We hope you keep watching and asking the
same question.
455
00:39:49,750 --> 00:39:50,970
How'd they do that?
456
00:39:51,450 --> 00:39:54,170
I'm Dean Cain. Thank you so much for
joining us.
39537
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