All language subtitles for masters_of_illusion_s04e07

Illusion, the art of tricking the brain,
distorting the senses, challenging

perception. You can't trust what you see
even with your own eyes. Meet the

Masters of Illusion.

Hello everybody, I'm Dean Cain and
welcome to Masters of Illusion. The

you're about to see will amaze you.

And maybe even make you laugh.

Either way, it's going to test your
senses.

Should we get started?

I think so.

Okay, what do you see here?

The portrait of an Egyptian princess?

Look again. Now do you see the profiles
of two princesses facing each other?

Well, see if our illusionist tonight can
make your senses miss the obvious.

Magic challenges the senses.

But if you can't trust your own senses,
who can you trust?

Probably not this young lady. Here is
Billy Kidd.

Ladies and gentlemen, it's now time for
a show where I like to play a little

game called Touch It, Touch It, Guess
What's in the Box.

Say it with me. Say it with me.

Touch it, touch it, guess what's in the
box. Brilliant. And for that, I will

need a volunteer.

If it's all right, maybe...

You, madam, right there. Would you mind
helping me? Can you guys give her a big

round of applause?

Come up on stage.

Thank you very much. What's your name?

Quinn. Now, Quinn, if you could just
take a look at the box. You can put your

hand through there so you know what that
feels like. And on top of the box,

Quinn, there's a hole. You can put your
hand through the top of the box.

Perfect. Now, Quinn, the idea of the
game is this.

I've got here a bag with a few random
objects that I will be placing inside of

the box.

But, Quinn, nobody...

Not even yourself will see what is going
inside of the box because I will be

covering it with this here door.

Your job, Quinn, is you're going to
place your hand into the box. And,

it's very important that you describe to
the audience what you feel. So the

texture, is it soft, hard, big or small?
All right, Quinn. Ladies and gentlemen,

it is officially round one of Touch It.

Touch it. Guess what's in the box.
Brilliant. Quinn, no looking. Facing

way, Quinn.

I am going to close the door so no one
can see what is going on.

Object number one is going inside of the
box. Quinn, no cheating, no looking.

Quinn, in your own time, with your right
hand, place it on top of the box, and I

will guide you. Hand in the box, Quinn.
Very good. And have a little feel, have

a little touch.

Oh, right, no, right, right, right about
there, yes.

Can you describe that texture, Quinn?
What does that feel like?

It's a curvature.

Okay. Like, feels like a teaspoon.

Like a teaspoon. Okay, you seem pretty
confident on that, Quinn. Quinn, you can

take your hand out of the box. Take your
hand out of the box and open up the

door, Quinn.

And I want you to have a little look.

You've got big cups where you come from,
yes? Yes, yes. That's how I drink tea.

Wow, all right.

Okay.

problem, Quinn.

I've got another object. We'll try one
more object, Quinn.

Facing that way, Quinn, we'll try it
again.

Ladies and gentlemen, round two of touch
it, touch it, guess what's in that box

brilliantly said. Quinn, no looking, no
cheating.

I will close the door so no one can see.

Object number two. Oh, yes, Quinn, this
is going to be good.

Don't be squared, Quinn. It's not alive.

It's not dead.

Well,

I might be asleep, Quinn, but you'll be
fine, Quinn.

Quinn, same thing. Hand on top of the
box. No cheating, no looking. Have a

little feel, have a little touch.

Excellent. Oh, yeah, right there, Quinn.
You can feel it right there, yes? What

does that feel like, Quinn?

It feels like a brush.

Like a brush, okay. Can you be a bit
more specific?

What kind of a brush would you say?

Like a very, like a short toothbrush.

Like a short toothbrush. Okay, Quinn,
that seems like a good guess. Hand over

the box, Quinn. And once again, you can
open up the door and have a little look

at your short toothbrush.

Quinn, I'm not really sure where you're
from. Yeah, you don't.

You do not want to be brushing your
teeth with this.

Quinn, not a problem.

You're going to be all right, Quinn.

Okay.

I really want her to get this, so we'll
try one more round.

We're facing that way. Round three.

Touch it.

Touch it.

Guess what's in the box. Brilliant,
Quinn. No cheating. All right, Quinn.

I believe in you. I don't know if you've
been drinking, but I've got to put the

object in.

Getting overexcited, Quinn.

No cheating, Quinn. No looking.

Here we go. Object number three is going
inside of the box. Quinn, in your own

time. But as quick as possible, Quinn.
Hand inside the box. Have a little feel.

Have a little touch. What does that feel
like, Quinn?

It's soft.

Soft? Soft. All right.

Fungy? Kind of oval -ish.

Any idea what this could be?

Nope.

Sponge? A sponge?

Yeah, like a really flat sponge.

All right. You seem very excited by that
process, Quinn. Hand inside the box,

Quinn. Go ahead. Open up the door.

Because we want to meet Mr. Quinn.

Can you just feel that, Quinn? Can you
tell everyone what that feels like? It's

a rock.

It's a rock. She did it, ladies and
gentlemen. She did it. Give her a big

of applause, Quinn. Thank you so much.
You're absolutely brilliant. Thank you

very much. Back over there.

Thank you.

These days, chores such as house
cleaning have gotten a lot easier, as if

magic. But watch as Xavier Mortimer
takes it a step further.

Next, amazing is the only way to
describe Jarrett and Raja when we

Through what link will a magician go to
impress the object of his affection?

Hmm. The answer will appear now. Here
are Jarrett and Raja.

Bye -bye.

The card trick is one of the oldest
forms of magic performance.

Well, here with a high -tech, modern
twist is Nathan Burton.

Thank you very much.

Thank you very much.

Now, we're going to try something very
cool right now. I want everybody to

in your pocket, your purse, and bring
out your cell phone. Go ahead and bring

out your phone. We're going to do a
little search. Who's got good service?

do you got right there? How many bars?

What's your name?

Patrice, give Patrice a big hand. Come
on over here, Patrice.

Come on over here.

Stand right there, Patrice. Now, I'm
going to have you think of a famous

star, an actor or an actress or a famous
singer, somebody that we all know.

Don't say it out loud. I want you to
think about it inside your head.

Don't say it out loud. I want you to
slowly say it over and over in your

Don't say it out loud.

Don't think about anything else. I'm
going to use your phone, and I'm going

try to predict the future using your
phone.

Don't think about anything else but this
person. Do you have it?

Okay, very slowly. I'm going to make my
prediction. I got it, sir, right here.

Can I use your hand?

Just put it up. I'm going to have you
hold her phone just like Patrice's

just like that. Don't touch the screen.
Just like that. Hold it up so everybody

can see it. Now, Patrice, this person
you've been thinking about, I'm going to

have you write their name on this piece
of paper. I'm going to show it to

everybody, so write it clear.

Spell it correctly.

Who's she thinking about?

Oh, very famous singer.

Now, I'm going to show it to you guys.
Don't say it out loud. It's super

important. Here is the person she is
thinking about. This is your

You could have picked anybody you
wanted. I'll take the pen. Thank you

much. Now, I made a prediction. This is
your phone. Sir, what's your name?

Dylan. Dylan, has anybody touched that
phone since I gave it to you?

No. Now, this is your phone.

I want you to pick up your phone. I want
you to take a look on the phone.

Who is... Yes.

Hold on. Turn around so we get a nice
close shot. Zoom in nice and tight.

Zoom in. Let's go in. Who is that, Mr.
David Bowie?

Great job.

Give it up for Chris. Yes.

Thank you very much. Thank you.

Next, the always amazing Chris Horn and
Leon Etienne will make you doubt your

senses when we come back.

God's illusions can be really
impressive.

But when you witness something
impossible right under your nose, right

of your eyes, well, you won't believe
your own eyes.

Watch Chris Pan.

These are some old silver half dollars.
Take a look at those if you would. From

the late 1940s. Those were my
grandmother's coins.

All right, just so you know the real
thing.

Here we go.

One, two, three, four. We're going to
use this table. You can feel there's no

flits or tears, holes in there.

We're going to make all four of these
disappear.

I'm going to do that one at a time, and
I'll do it one -handed.

Like this.

Pull my sleeve back a bit.

If I rub the coins just like this, a
little rub, a rub here and a rub here,

of those coins does this.

It makes this way.

This time, if you would, take your hand
for me.

Like this, put it flat like that. This
way, you know it doesn't just shoot

across, right?

Just the three, just the one, just a
rub.

Comes two.

He's getting better. He's getting better
at it.

Here we go. Let's slow it down a little
bit.

You'll be like, amazing.

That guy was incredible.

For you guys, we'll do that one again.
That way there's no confusion as to when

the coin goes.

Here we go. Watch. Just two.

Just two.

Watch and close.

Very close. Ready. Two and two. One rub.

Bending time and space is a common
objective in magic.

Well here now bending mind and body is
Leon Etienne.

Can a woman actually be sawed in half?
Believe the impossible when we come

What you're about to see is one of the
most dangerous magic effects of all time

and a true classic.

Here now is Greg Gleason.

This piece of wood, this piece of
lumber, just sawn in half as easily as a

blade goes right through butter.

By that saw blade. That saw blade right
there, a 36 -inch solid steel lumber

blade. It is made from the finest
tempered steel.

That blade is connected to a motor on
top of the frame. It's a 20 horsepower

motor capable of spinning that blade 2
,000 revolutions per minute.

So anything or anyone placed underneath
that saw will suffer the same

consequences as this piece of wood.

In a moment, I am going to saw a woman
in half.

I am going to use that blade and I'm
going to do it in full view of the

audience.

Ladies and gentlemen, please welcome to
the stage the lovely Heather.

I am going to take this wood, this piece
of lumber, and place it underneath

Heather's body.

Watch what it does to the lumber.

As you can see, the wood completely gone
in half.

And the lovely Heather, as good as new.

The masters of illusion. They just made
the impossible happen right before our

eyes. How did they do it?

Until next time, thank you for joining
us. I'm Dean Cain. Thank you very much.