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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,220 --> 00:00:07,740 The art of tricking the brain, distorting the senses, challenging 2 00:00:08,100 --> 00:00:12,580 You can't trust what you see, even with your own eyes. 3 00:00:12,860 --> 00:00:15,500 Meet the Masters of Illusion. 4 00:00:22,020 --> 00:00:28,960 Hello, everybody. I'm Dean Payne, and welcome to Masters of Illusion. Right 5 00:00:28,960 --> 00:00:30,400 we are about to dazzle. 6 00:00:31,459 --> 00:00:33,720 astound, spellbind, and amaze. 7 00:00:34,100 --> 00:00:35,540 Can I show you what I'm talking about? 8 00:00:35,980 --> 00:00:41,580 Our brain can manufacture motion when there is no motion. 9 00:00:41,800 --> 00:00:42,920 Look at this design. 10 00:00:43,160 --> 00:00:44,079 Does it move? 11 00:00:44,080 --> 00:00:45,640 How is that possible? 12 00:00:45,880 --> 00:00:47,740 It is a flat, motionless artwork. 13 00:00:48,140 --> 00:00:50,200 Well, beware of the illusions you see tonight. 14 00:00:50,780 --> 00:00:56,880 Deception is every magician's goal. It is time to believe the impossible. 15 00:00:57,080 --> 00:01:00,000 Welcome to the world of Nathan Burton. 16 00:01:05,379 --> 00:01:06,520 Thank you very much. 17 00:01:07,120 --> 00:01:08,120 Wow, great crowd. 18 00:01:08,480 --> 00:01:10,460 It's a pleasure to be here. I'm Nathan Burton. 19 00:01:10,740 --> 00:01:13,760 And we're going to try something very special tonight. I'm coming out of the 20 00:01:13,760 --> 00:01:16,500 audience. Good -looking crowd tonight. How are you guys doing? Right over here, 21 00:01:16,520 --> 00:01:17,499 what's your name? 22 00:01:17,500 --> 00:01:20,760 Sandra. Sandra. Give Sandra a big hand. Let's hear it. Come on, Sandra. Leave 23 00:01:20,760 --> 00:01:21,880 your purse. Leave your phone. 24 00:01:23,220 --> 00:01:25,340 Come on over. I'll help you up the steps. 25 00:01:25,560 --> 00:01:26,740 Come right up here. 26 00:01:28,280 --> 00:01:29,700 Come right up to your center stage. 27 00:01:30,040 --> 00:01:31,260 Sandra, say hello, audience. 28 00:01:31,560 --> 00:01:33,320 Hello. Hello, yes. 29 00:01:34,169 --> 00:01:37,030 Now, Sandra, we're going to try something very special tonight. Right 30 00:01:37,030 --> 00:01:40,290 the edge of the stage under full lights. And I promise you'll never forget this. 31 00:01:40,450 --> 00:01:41,450 Here we go. 32 00:01:41,510 --> 00:01:44,050 Sandra, I'm going to have you come right over here. You're going to jump up here 33 00:01:44,050 --> 00:01:46,390 and sit on here just like that for me. So come right over here. 34 00:01:47,190 --> 00:01:48,190 Hop up. 35 00:01:48,610 --> 00:01:50,170 Yep. A little bit more. Hop up. 36 00:01:50,430 --> 00:01:52,470 Right there in the center. You're going to lay back. You're going to let your 37 00:01:52,470 --> 00:01:54,370 head hang off. Just relax. Close your eyes. 38 00:01:54,990 --> 00:01:55,990 Just like that. 39 00:01:56,290 --> 00:01:57,229 And relax. 40 00:01:57,230 --> 00:01:58,570 You're going to do great. Here we go. 41 00:02:01,710 --> 00:02:02,710 Here we go, Sandra. 42 00:02:21,550 --> 00:02:23,310 You're doing awesome, Chandra. You're doing awesome. 43 00:02:24,550 --> 00:02:25,650 Give it up for Chandra. 44 00:02:27,330 --> 00:02:28,330 You're doing awesome. 45 00:02:39,890 --> 00:02:42,510 Big hand for Chandra. She did amazing, Chapa. 46 00:02:43,050 --> 00:02:44,470 Woo. Big bow. 47 00:02:45,310 --> 00:02:46,530 Give it up for Chandra. 48 00:02:49,609 --> 00:02:53,370 Let's go down to our audience where our next magician is looking for someone to 49 00:02:53,370 --> 00:02:55,350 help him change a dollar bill. 50 00:02:55,890 --> 00:02:57,570 Here is Bill Cook. 51 00:03:00,470 --> 00:03:03,830 Folks, my name is Bill Cook, and I have to tell you, magicians get asked an 52 00:03:03,830 --> 00:03:07,110 awful lot of questions. Can you make my wife disappear? Can you make my check 53 00:03:07,110 --> 00:03:09,190 disappear? Can you make me more money? 54 00:03:09,590 --> 00:03:10,950 Yes, I can. 55 00:03:11,150 --> 00:03:12,170 Let me show you how. 56 00:03:12,570 --> 00:03:16,630 One, two, three, four dollars. Not a whole lot of money, but enough. 57 00:03:17,870 --> 00:03:23,310 One, two, three, and four. By taking those $4 and nearly snapping my finger, 58 00:03:23,530 --> 00:03:27,530 I can get them to change into something that's a lot more impressive. 59 00:03:28,370 --> 00:03:31,570 $100, $200, $300, and $400. 60 00:03:31,850 --> 00:03:33,130 Thank you so much. Thank you. 61 00:03:33,530 --> 00:03:38,990 Is that real? Take it. Check it. Is that real? Take it. Check it. Is that real? 62 00:03:39,110 --> 00:03:41,750 Take it. Check it. The more fingerprints you get on it, the better it is for me 63 00:03:41,750 --> 00:03:42,750 when I get in front of the judge. 64 00:03:44,130 --> 00:03:46,050 Did you just smell it? What's wrong with you? 65 00:03:47,480 --> 00:03:48,620 Don't you know where these have been? 66 00:03:49,600 --> 00:03:52,620 But I can't keep it this way, folks. Technically, this is considered 67 00:03:52,620 --> 00:03:55,300 counterfeiting, so I have to change them back. What's your name? 68 00:03:55,560 --> 00:03:57,400 Sam. Sam, watch. 69 00:03:58,100 --> 00:04:01,060 By just snapping my finger and twisting them between my fingers, they change 70 00:04:01,060 --> 00:04:03,460 back. Sam, go home and look under your pillow. 71 00:04:03,860 --> 00:04:04,860 They won't be there. 72 00:04:06,460 --> 00:04:09,840 But that would be amazing. Folks, I'm Bill Cook, and enjoy Masters of 73 00:04:15,180 --> 00:04:19,140 Chipper Lowell is a fast -talking guy, but in this performance, it is his 74 00:04:19,140 --> 00:04:24,000 turtle, Blinky, that produces the magic. Here is Chipper Lowell. 75 00:04:50,160 --> 00:04:51,160 How are you? 76 00:04:51,260 --> 00:04:55,080 Come on. I gotcha. I gotcha. Here we go. 77 00:04:56,120 --> 00:04:57,540 It's my colonel. 78 00:04:58,500 --> 00:05:00,300 There you go. Yeah, you're okay. 79 00:05:00,560 --> 00:05:03,600 You're okay. I gotcha. I gotcha. Yeah. 80 00:05:04,140 --> 00:05:06,660 Up the daisy. There we are. 81 00:05:07,120 --> 00:05:08,460 All righty. 82 00:05:08,660 --> 00:05:09,900 There we go. 83 00:05:10,160 --> 00:05:12,160 All right. I, um... 84 00:05:12,510 --> 00:05:16,410 I wanted to introduce you to my turtle. It's my pet turtle. His name is Binky, 85 00:05:16,590 --> 00:05:18,750 and he's really, really smart. 86 00:05:18,970 --> 00:05:22,770 And you know how those really, really smart turtles, usually they become 87 00:05:22,870 --> 00:05:27,310 right? He decided, why not get into show business? So tonight, the world 88 00:05:27,310 --> 00:05:31,470 premiere of his own variety act, with me assisting. I think we're all set to go 89 00:05:31,470 --> 00:05:35,250 here. Everyone do me a favor, give it up nice and big for Binky! 90 00:05:57,820 --> 00:05:58,820 Give it to me. 91 00:05:59,060 --> 00:06:00,060 Give it to me. 92 00:06:28,110 --> 00:06:29,110 Give that to me. 93 00:06:31,790 --> 00:06:32,790 Ow! 94 00:06:33,230 --> 00:06:34,230 What are you doing? 95 00:06:36,850 --> 00:06:37,990 Okay, you know what? 96 00:06:41,190 --> 00:06:42,230 No, no, give it back. 97 00:06:42,490 --> 00:06:43,490 Give it back. 98 00:06:45,290 --> 00:06:46,290 Give it to me. 99 00:06:46,450 --> 00:06:47,450 Ow! 100 00:06:50,450 --> 00:06:51,450 Okay, 101 00:06:51,870 --> 00:06:52,870 you know what? 102 00:07:00,300 --> 00:07:02,220 All right, let's try something else. How about math? 103 00:07:02,580 --> 00:07:05,940 Two plus two equals, and here's the magic marker. 104 00:07:08,360 --> 00:07:09,480 Okay, let me see it. 105 00:07:10,140 --> 00:07:12,040 Yeah, pretty good. 106 00:07:12,680 --> 00:07:14,240 No, give it to me. 107 00:07:18,820 --> 00:07:20,240 Let's see here. Oh, try this. 108 00:07:20,760 --> 00:07:21,760 Balloon, balloon. 109 00:07:25,920 --> 00:07:27,940 Just like that. Okay, blow up the balloon. 110 00:07:34,640 --> 00:07:36,900 Give it to me. Give me the... Ow, ow, ow, ow, ow! 111 00:07:37,760 --> 00:07:38,760 Ah! 112 00:07:40,340 --> 00:07:41,900 Get out here. 113 00:07:44,540 --> 00:07:46,880 Up a little higher. Right about there. 114 00:07:47,820 --> 00:07:48,820 You ready? 115 00:07:51,480 --> 00:07:52,480 All right. 116 00:07:52,820 --> 00:07:53,960 Let's see how you did. 117 00:07:59,420 --> 00:08:01,140 Oh, no. 118 00:08:03,440 --> 00:08:05,640 Oh, my goodness. Come on. I got you. I got you. 119 00:08:13,980 --> 00:08:17,080 Thank you very much. Stop the music. Stop. 120 00:08:33,520 --> 00:08:36,520 Next up, a challenge to technology by T2. 121 00:08:36,740 --> 00:08:40,220 And he always delivers the impossible, Greg Lee. 122 00:08:49,800 --> 00:08:54,660 Now, direct from France, along with his magic tablet, welcome T2. 123 00:08:55,420 --> 00:08:56,420 Hi, guys. 124 00:08:57,300 --> 00:08:58,300 All right. 125 00:08:58,800 --> 00:09:02,100 Hi. Thank you for having me on. What's your name? Emma. 126 00:09:02,360 --> 00:09:05,620 Tama, I'm very happy to introduce you to my new assistant. 127 00:09:06,740 --> 00:09:07,780 It's a digital assistant. 128 00:09:08,780 --> 00:09:11,200 It's pretty cool, right? She's pretty cute, right? Yeah. 129 00:09:11,440 --> 00:09:13,180 She's very quiet. She doesn't talk that much. 130 00:09:14,300 --> 00:09:16,040 And she speaks only French like me. 131 00:09:16,760 --> 00:09:17,780 That's why I have a weird accent. 132 00:09:17,980 --> 00:09:19,460 She does have a weird accent. Hey, come back. 133 00:09:19,740 --> 00:09:21,520 There you go. We'll try something for you. 134 00:09:35,860 --> 00:09:37,220 Thank you very much. 135 00:09:39,840 --> 00:09:45,340 Is this real or is it magic? When you see this next performance, I think 136 00:09:45,340 --> 00:09:47,260 agree it's really magical. 137 00:11:34,060 --> 00:11:37,400 That amazing is the only way to describe Greg Fruin. 138 00:11:46,520 --> 00:11:51,360 Our next Master of Illusion needs two strong volunteers from the audience to 139 00:11:51,360 --> 00:11:54,460 help him in a traditional cut the woman in half. 140 00:11:54,760 --> 00:11:56,680 Here is Greg Fruin. 141 00:12:02,830 --> 00:12:03,890 Thank you very much. 142 00:12:05,070 --> 00:12:08,290 Well, ladies and gentlemen, I need a little bit of help. Ladies, help me out. 143 00:12:08,290 --> 00:12:14,050 need to get two big, macho, GQ, Tom Selleck, Tom Cruise, bodybuilding kind 144 00:12:14,050 --> 00:12:16,470 guys over 21. Ladies, do we have any out there this evening? 145 00:12:17,070 --> 00:12:18,750 It got awful quiet, okay. 146 00:12:19,330 --> 00:12:22,090 All right, we'll just get two younger guys. Right there looks like a good 147 00:12:22,090 --> 00:12:25,350 one. And right over here, sir, in the green, number two. 148 00:12:25,570 --> 00:12:29,490 Let's give our gentlemen both a big round of applause as they make their way 149 00:12:32,270 --> 00:12:35,850 Check this out. Right over here, we're going to bring out on the stage a 150 00:12:35,850 --> 00:12:40,710 surgical table. We have a few other items right over here. I've got a strap. 151 00:12:40,710 --> 00:12:43,330 the end of the strap, we have a leather neck strap. 152 00:12:43,730 --> 00:12:47,490 And right over here, we have another strap with some ankle straps. 153 00:12:47,690 --> 00:12:49,890 Have you ever seen anything like these before? 154 00:12:50,210 --> 00:12:51,310 No. Liar. 155 00:12:53,090 --> 00:12:55,870 All right, gentlemen, we're actually not going to place either of you down on 156 00:12:55,870 --> 00:12:58,190 the table. However, we are going to invite... 157 00:12:58,490 --> 00:13:00,950 The lovely Alex to come on and join us tonight. Give her a big round of 158 00:13:00,950 --> 00:13:02,710 applause. She's doing a fantastic job. 159 00:13:05,670 --> 00:13:07,190 Alex, we're going to have a seat on the table. 160 00:13:07,570 --> 00:13:10,490 You'll notice through the table, there's a couple of small holes. 161 00:13:10,790 --> 00:13:13,990 I'm going to place that strap down there. If you can reach underneath, grab 162 00:13:13,990 --> 00:13:17,130 strap. Pull it all the way through, all the way. Keep going. 163 00:13:17,430 --> 00:13:18,269 Very good. 164 00:13:18,270 --> 00:13:20,250 Alex is going to place her feet around the straps. 165 00:13:20,630 --> 00:13:22,290 And we're going to help her with her shoes. 166 00:13:22,570 --> 00:13:25,550 We're going to close these up. You can take that strap and just go around it 167 00:13:25,550 --> 00:13:28,740 here. You're going to make sure that's good and tight, making sure, in fact, 168 00:13:28,900 --> 00:13:32,080 that is solid and her feet are strapped very well. 169 00:13:32,540 --> 00:13:33,680 Very good. It's all good. 170 00:13:33,960 --> 00:13:37,880 All right, grab your strap. Come on back as far as that will take you. Two hands 171 00:13:37,880 --> 00:13:40,880 on the strap, on this rope that will keep her feet on the table. 172 00:13:41,080 --> 00:13:43,260 We're going to do the same thing over here. We're going to place this around 173 00:13:43,260 --> 00:13:47,040 Alice's neck. If you can make sure that's good and tight, go ahead and do 174 00:13:47,040 --> 00:13:47,839 up as well. 175 00:13:47,840 --> 00:13:50,600 Making sure it's tight, but don't go too tight. She's got to breathe a little 176 00:13:50,600 --> 00:13:51,660 bit, all right? Make sure it's good. 177 00:13:52,300 --> 00:13:54,200 Excellent. Come on back here. Grab your strap. 178 00:13:54,640 --> 00:13:58,100 Go as far as that strap will take you. Two hands on the strap. And now you're 179 00:13:58,100 --> 00:13:59,640 just going to pull her down to that table. Go ahead. 180 00:13:59,840 --> 00:14:00,840 Yep, careful. 181 00:14:01,520 --> 00:14:02,520 Okay. 182 00:14:02,880 --> 00:14:04,940 All right, gentlemen, your job is now simple. 183 00:14:05,220 --> 00:14:08,880 We're going to keep enough tension on these ropes that keep her feet and her 184 00:14:08,880 --> 00:14:12,800 head attached to that table. We're going to cover Alex up now with a couple of 185 00:14:12,800 --> 00:14:13,800 empty boxes. 186 00:14:13,820 --> 00:14:15,320 That is box number one. 187 00:14:15,700 --> 00:14:17,680 And over there we have box number two. 188 00:14:18,120 --> 00:14:21,120 We're going to secure them down as well with a couple of straps. 189 00:14:21,620 --> 00:14:25,710 But you'll notice, gentlemen, At the front of each of these boxes, there's a 190 00:14:25,710 --> 00:14:26,770 couple of small doors. 191 00:14:27,090 --> 00:14:28,850 Right over here, we have door number one. 192 00:14:29,170 --> 00:14:33,730 And over here, door number two. While keeping the tension on your rope, just 193 00:14:33,730 --> 00:14:36,250 take a step forward. Peek inside. Make sure she's still there. 194 00:14:36,710 --> 00:14:37,669 It's all good? 195 00:14:37,670 --> 00:14:39,030 All right, back to your spot, guys. 196 00:14:39,230 --> 00:14:41,190 We're going to have a little bit of fun. Check this out. 197 00:14:41,430 --> 00:14:42,430 Solid. 198 00:14:43,470 --> 00:14:44,470 Stainless. 199 00:14:44,790 --> 00:14:45,790 Steel. 200 00:14:46,130 --> 00:14:47,130 What? 201 00:14:47,290 --> 00:14:48,290 Oh, sorry. 202 00:14:48,550 --> 00:14:49,550 I forgot to... 203 00:14:49,800 --> 00:14:52,840 Close the box. That's important, gentlemen. Keep those ropes tight. 204 00:14:53,700 --> 00:14:57,180 That is blade number one. Gentlemen, bend down. Look underneath. 205 00:14:57,900 --> 00:15:00,000 That blade goes all the way through. 206 00:15:00,960 --> 00:15:02,780 100 % through that box. 207 00:15:03,060 --> 00:15:06,760 But ladies and gentlemen, she is still in one piece. Give her a well -deserved 208 00:15:06,760 --> 00:15:07,880 round of applause. 209 00:15:10,460 --> 00:15:13,440 All right, gentlemen. Keep those ropes tight. We're going to do it again. Here 210 00:15:13,440 --> 00:15:15,660 we go. Blade number one. Excellent. 211 00:15:15,960 --> 00:15:17,100 Blade number two. 212 00:15:23,579 --> 00:15:26,600 Huh. That was a little bit stuck. Just give that strap a yank. 213 00:15:26,860 --> 00:15:27,860 Thank you. 214 00:15:29,220 --> 00:15:33,380 Gentlemen, we also have two three -foot swords. Right here, that is sword number 215 00:15:33,380 --> 00:15:40,380 one. And right here, sword number two. And ladies and gentlemen, this here is a 216 00:15:40,380 --> 00:15:43,000 lady cut in two pieces. 217 00:15:44,760 --> 00:15:51,280 All right, boys, let's bring her back together. 218 00:15:53,520 --> 00:15:54,520 Very good. 219 00:15:58,840 --> 00:15:59,840 Sword number one. 220 00:16:01,200 --> 00:16:06,040 Sword number two. Ladies and gentlemen, two solid stainless steel blades. Guys, 221 00:16:06,080 --> 00:16:09,580 check it out. She is back in one piece. Let's move those boxes and give her a 222 00:16:09,580 --> 00:16:11,220 well -deserved round of applause. 223 00:16:12,940 --> 00:16:13,940 Undo your straps. 224 00:16:14,080 --> 00:16:15,880 Undo your straps here. Let her free. 225 00:16:28,340 --> 00:16:30,800 Jason defies gravity when we return. 226 00:16:40,700 --> 00:16:45,160 Sir Isaac Newton discovered gravity when he saw an apple fall out of a tree. But 227 00:16:45,160 --> 00:16:50,180 this guy would like to show you what comes down also goes up. 228 00:16:50,800 --> 00:16:53,580 Defying gravity, here is Jason Bishop. 229 00:19:50,090 --> 00:19:54,210 So that's it. The masters of illusion, they make the impossible happen right 230 00:19:54,210 --> 00:19:55,450 before your eyes. 231 00:19:55,810 --> 00:19:57,190 Seeing is believing. 232 00:19:57,490 --> 00:19:58,490 Or is it? 233 00:19:58,830 --> 00:20:01,890 Thanks for joining us. Until next time, I'm Dean Cain. Thanks. 19021

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