Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
I think moving away from the books has been a challenge in some ways, but also
benefit, to make sure that the new story material felt very much in keeping with
what we'd had before, but that we were introducing new characters and new
situations and new storylines which would constantly engage the audience,
provide them with the same mix.
of the heartwarming and the upsetting, that mix of gritty realism
with joy that they loved in the first two series.
And I think what Heidi's been so fabulous in doing is blending in
the original characters into these new storylines and the new
characters have entered seamlessly to create a whole.
I think it's certainly true that...
Heidi has been freed up to really develop the characters who, through the
television series, have captured people's imaginations.
I'm thinking particularly of the storyline of Dr Turner and Sister
which is really a creation of the TV series, so their whole romance and the
that they get married, and it's something we could only really have
moving away from the original books.
One of the key strengths of the show has always been the absolute meticulous
research that goes behind the medical stories.
So our midwifery advisor, Terry Coates, is always absolutely rigorous in terms
of the detail of those storylines, of what would and wouldn't have been
at the time.
We're now in 1959, so there's obviously been some advances, but still there are
things which wouldn't have been possible, and so we have to be very
to... to show advances that couldn't have happened.
One of the things that we looked at in one of the early episodes is cystic
fibrosis. And in fact, that was the storyline which originally came to us
Jenny Agata, who herself has had experience in her family of cystic
worked for a charity that supports people who have the disease. The actual
cystic fibrosis had only recently been coined for this particular illness.
And that was a fascinating episode to work on. It's actually been a terrific
episode for Sister Monica Joan because she's the person who first suspects that
that's what's wrong with these children. She doesn't know the name cystic
fibrosis, but she recognises the symptoms.
What I really love about Call the Midwife is the camaraderie with the crew
the cast, especially in the last couple of months, because...
You sort of live in each other's pockets. It's like a work family. So
just lots of in -jokes and lots of fun to be had.
And you just get to know everyone really well. And you feel very comfortable.
You feel like, I know who Jenny Lee is now, and I know her inside out. So it's
a nice way to work.
So Jenny gets a promotion in Series 3, and she quite...
understandably, I think, because she's a human being, gets very proud of herself
and does get a little bit too big for her boots, which really rubs Trixie up
wrong way. Because as you can imagine, Trixie's been there longer than Jenny.
So she was kind of expecting that promotion to come to her.
But it goes to Jenny. And Jenny is... bustling around, kind of ordering her
colleagues around who were, you know, and are pretty much the same level as
but she just happened to have got this promotion, so she really annoys
But they're really lovely about it, and she goes through a really particularly
hard time with a storyline about a racial storyline where the
mother has to put her baby up for adoption, and she finds herself on her
because she's been such a bossy boot.
So that brings her back to the girls, and they sort of take the mickey out of
her, and it's all good again.
I've always been attracted to the show because of its... It has a kind of sweet
exterior, but a very hard and gritty interior that if you
saw it on the page, you wouldn't necessarily see at first, and I think
what gets people.
..in the stomach and makes them cry because we deal with things that not
show deals with. Just the nature of birth is emotional in itself, but every
story that comes along, I often find myself crying reading the script because
they just touch something innately human.
There's a real theme, I think, in this series of renewal, and it sounds really
cheesy, but kind of the cycle of life, if you will. There's some death.
in this series, which hit everyone pretty hard.
But it's dealt with in the most incredible way, because Jennifer Worth,
was very interested in death and what it does to you and how you can deal with
it. So it's not depressing, but it definitely deals with some really big
like that.
One of the first big changes in this series, probably the haircut, which
was...
Potentially quite a shock to people, I suppose, because I'm such a blonde,
-haired character.
I think my taste does overlap a bit. I mean, I love my clothes and my own life.
Some of my new looks in this season involve lots of trousers, which we have
before, but I'm teaming them with ballet pumps and...
It's a lot funkier, it's a lot cooler, a bit more edgy. There's some really
bright blues and bright greens and we've gone from the black silhouette and
really introduced reds and blues and yellows. So she's a lot more vibrant and
suppose it's that sort of French art house film type look that she's going
now and it's less of the Marilyn, more of the Jean Seberg.
There's a few costumes that I really want to take home. I've got this
bright blue suede coat, which is a gorgeous sort of 60s vibrant colour, and
really want to take it home.
We have it for a lovely scene with my new love interest.
So, yeah, I definitely want to steal that one.
I mean, there's quite a lot of furniture bits that I'd quite like to take home
with me because I've not long moved into my new home.
So there's a few bits that I think, like dining room tables and chairs and, you
know, bits in the kitchen I'd really like to take home with me. So I just
removal van, really.
I wish I was as fearless and as confident as she is in every situation.
But, yeah, I definitely think I'm quite gung -ho when I want to be, so I think
there's similarities, definitely.
In series three, we see Cynthia grow more and more in confidence.
She feels much more comfortable with her friends.
She can use her authority when she needs to. She's still a little nervous, but
there's a wonderful story where she's...
she gets into sort of the breathing of the births and things and she really
starts to find her niche in midwifery and sort of in the world and that's
joyful cynthia has a patient who's extremely nervous she's lost her own
and she's got really anxious about the birth and cynthia goes to a lecture and
hears that most of fear
can be solved through how you think and that breathing really relaxes you
relaxes the body i mean things that we're getting back to a medical science
today i think much more holistic approach so cynthia takes us on board
invites the lecturer to come to the mother craft sessions and then he
her and she in fact takes the session herself and really helps this young
and gets her through
And it's just lovely to see Cynthia take the bull by the horns and really go for
what she believes in. It's lovely.
We are all such good friends. It's actually quite boring. There's no real
gossip. There's no nasty one in the pack.
We love each other dearly, and I hope that comes across, especially when the
girls get together. There are scenes in the bedroom when we're drinking or out
on the town. They're really such great days to film.
And then coming back to the dinner table each time, for us young ones, on our
second day ever of filming, that was a real pinch -me moment to be with Pam
Ferris, Judy Parfitt, Jenny Agata, hear their tales of the old Hollywood.
And even now, whenever we come to those scenes, it really is special.
It's still special, even today, and we get on ever so well.
In Tommy World, what's new for Series 3 is she's with child.
and she's in her marital home for the first time, which is very exciting.
So not only is there a new Nonata's house, but there's a new chummy set for
house, which is great fun.
Yeah, I love chummy as a mummy.
Yummy chummy mummy, I call her.
Om.
Because all the love that she didn't get when she was younger, she sort of pours
into this child, and, you know, you just know that she wants to do her best for
him.
I don't know how much it came across in the story, but I often played the fact
that she'd look at her child and just whiff that her mum looked at her like
she's looking at her child, if that makes sense.
She misses midwifery and she misses that role in her life and needs it to be
fully her.
It's sort of dealing with...
whether she can go back to work at the beginning of the series, basically.
Whether she can kind of admit that that's what she wants to do.
I'm sure some of Tommy's neighbours would have frowned upon her at the
going back to work.
You know, why aren't you staying at home? The beginning of the series starts
a whole new setting, which has been quite fun to film in, as well as good
the story and the characters.
We've got some new characters this series.
Jenny's got an interesting storyline as regards... She's got a few romantic
choices to be made.
Aren't I a tease?
You, of course, have the ongoing loveliness of Sheila and Dr. Turner.
Oh, I loved that.
Even though I knew they got together, I'd be watching it going, are they going
to get together?
I'm totally invested in that story. It was brilliant. So, yes, they've got
a journey to go on. No spoilers here. Not from these lips. No. There's a lot
the old and a lot of new.
I don't just like Tommy, I love and adore Tommy.
For the minute I read her entrance in the Jennifer Worth book, when she sent
them to me, I just thought, I have to play this woman, she's just great.
And just goes on that wonderful journey of being a complete fish out of water,
but just determined to...
see because it's so on her heart and she believed that God gave her a gift to do
this but it just didn't make any sense on any level she was practically not
good technically not very good at midwifery but she has the best bedside
because she's so compassionate and so empathetic and I think
that comes from having had a tough upbringing and that's what I love about
is that she's so vulnerable and so sweet but anyone who's been through tough
times in their life do end up being the most compassionate people.
It doesn't matter about her background or where she came from. They just want
her to succeed and fit in because we've all felt like the fish out of water.
So I wanted to kind of honour the audience, I suppose, in terms of their
identifying with Chummy. In my head, there's no overlap at all between Chummy
and Ryan. Well, I suppose when I'm doing it, it's completely different, but I
suppose... The similarity is that fish out of water trying to fit in thing.
So it's two women in their very different ways, simply trying to
cope with life.
But then I think that's probably all women at some point in their life. All
people, in fact, at some point in their life. So it's not some massive
revelation. But yeah, the thing is that sort of every woman feel of showing
their vulnerability and admitting they can't cope.
And so I suppose I love playing that vulnerability and going, I can't do
And then you just hope the television audience goes, oh, phew, no, nor can I.
was too scared to say it.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.