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[INSTRUMENTAL MUSIC]
[NARRATOR] A flash of a familiar face.
A desperate need to find one man alone
in all this desolation.
Only a name, Abbott.
Not a lot to go on for a man with no name,
no past, no memory.
There never is, for a man called Shenandoah.
[DRAMATIC MUSIC]
[GUNSHOT]
[MUSIC CONTINUES]
[GUNSHOT]
[GUNFIRE]
[HORSES GALLOPING]
[GUNSHOT]
[GUNSHOT]
[GRUNTS]
[DRAMATIC MUSIC]
[GRUNTING]
[INSTRUMENTAL MUSIC]
[MUSIC CONTINUES]
? Oh Shenandoah ?
? You're doomed to wander ?
? On beyond ?
? This land so lonely ?
? Oh Shenandoah ?
? You're doomed to wander ?
? So roam ?
? In search of home ?
? Across this land ?
? So lonely ??
[INSTRUMENTAL MUSIC]
You look like you need it
I do.
Thanks.
Indian pony you got there, huh?
Yeah.
Three bucks jumped me.
Crippled my horse so bad, I had to leave him.
Did you take their hair?
I didn't know white men took scalps.
Well, they do.
They're paying a bounty for them these days.
You picked a bad time to come riding through Kiowa country.
Seems like the whole tribe's out on raiding parties.
- Where'd you get that? - Why?
You've seen it before?
I don't know if it's the same one,
but if it is, I seen it.
- Where? - Right here on this bar.
How long ago?
A week ago, yeah.
A big man have it?
Tall, well-made, call himself Abbott?
Didn't give his name, but you described him.
Big fella, meanness written all over him.
- You sure about that? - Sure, I'm sure.
Where'd you get it?
I took it off a Kiowa brave.
I'm afraid Mr. Abbott's cashed in.
[LAUGHS] Not him.
Why do you say that?
Because he come back here
two nights ago, on foot.
All chewed up. Oh, he'd been in a fight, all right.
His stuck his gun under my face.
He took my best horse, and he rode out of here north.
- Two days ago? - Yeah.
Thanks for the information and the whiskey.
[INSTRUMENTAL MUSIC]
[DRAMATIC MUSIC]
Whiskey.
You seen him?
Hey, that's why...
- He was looking for him. - What's that?
Well, there was another fella in here looking for him.
- Who was? - Well, he just rode out.
Say, say, if you catch up with him,
and he still got my horse, will you...
[INSTRUMENTAL MUSIC]
Do something for you, mister?
I hope so. I'm looking for a man.
I'm looking for a lot of them, so we got that in common.
- What's his name? - Abbott. Frank Abbott.
Mm-hmm. Well, what's he done, what's he look like?
I don't know what he's done, but he's a big man,
well-made, tall, about 40.
Oh, I got plenty of them who'll fit that description.
There's a bunch of posters over on the desk.
Take your pick.
You don't find one in there that suits your fancy,
there's plenty more on the board outside.
Thanks.
[DRAMATIC MUSIC]
Lay off, bounty man, this one's mine.
You got the wrong man, mister.
I'm no bounty hunter.
Law man?
I got business with Mr. Abbott.
You got business with him.
[LAUGHS]
Well, so will I.
The vultures gather.
You'd begrudge a man an honest living, sheriff?
I know you, Miller, you never gave
a wanted man a break in your life.
The poster's read dead or alive.
The bounty's the same either way. Right?
The sooner you two get out of town, the better I'll like it.
The Kiowas are on a rampage.
I hope you run right into them.
[DRAMATIC MUSIC]
[INSTRUMENTAL MUSIC]
[HORSE GALLOPING]
That sheriff was right about the Kiowa.
It might make sense if we rode together.
It might be a lot safer.
How long you been tracking Abbott?
Since he busted out of jail in Cheyenne.
You track many this way?
Four or five a year, beats working.
Well, if a man's got the stomach for it.
You got a stomach for it.
You planning to kill Abbott?
The minute I lay eyes on the buzzard.
Not 'til I talk to him.
You better get that straight.
Now, look, you get this straight.
I won't split a bounty with you or anybody else.
You don't have to.
All I wanna do is ask him a few questions.
Yeah? And afterwards?
That's up to you.
Jace Miller.
Howdy.
[INSTRUMENTAL MUSIC]
[DRAMATIC MUSIC]
[HORSES GALLOPING]
These hills are crawling with war parties.
We run into a batch of them, and brother, we've had it.
You can always turn back, Mr. Miller.
Ha-ha. And the leave the bounty to you, huh?
I told you, I'm not a bounty hunter.
Yeah, yeah, so you did.
You're pretty good at tracking a cold trail.
That takes practice, my friend.
[INSTRUMENTAL MUSIC]
Still reading the sign?
Yeah, this trail isn't very old.
How old?
Well, if he builds a fire tonight,
we'll be able to see it.
He won't.
You make it a full day ahead of us?
More like half.
If we push, we should pick him up by noon tomorrow.
[INSTRUMENTAL MUSIC]
Jerky?
What do you know about Abbott?
Not much.
What's he wanted for?
Murder.
- Murder, huh? - Yeah.
Beat up his woman, when he caught her with another man.
[LAUGHS]
- Has he got any kids? - I don't know.
You know where Abbott's from?
Look, I don't know, and I don't want to know.
I guess the less you know about a man you murder
for the price on his head, the...
the easier it is to live with yourself.
That's right.
Why do you ask so many questions?
That's a long story.
Go on, get some sleep.
We'll catch up with Abbott tomorrow.
[DRAMATIC MUSIC]
[MUSIC CONTINUES]
[MUSIC CONTINUES]
Get.
[HORSE SNORTS]
[INSTRUMENTAL MUSIC]
[MEN ULULATING]
[DRAMATIC MUSIC]
[MEN ULULATING]
[MEN ULULATING]
[INSTRUMENTAL MUSIC]
[MUSIC CONTINUES]
[GLASS SHATTERS]
[MUSIC CONTINUES]
[MUSIC CONTINUES]
[MUSIC CONTINUES]
[DRAMATIC MUSIC]
Should be safe for us to rest here.
Come on, I'll give you a hand.
[INSTRUMENTAL MUSIC]
Easy.
[PANTS]
Look at me.
Do you know me?
Are you sure?
[INSTRUMENTAL MUSIC]
Is that yours?
Where'd you get it?
Tell me, where did you get it?
[GUNSHOT]
Get your hand off that gun.
You get your questions answered?
He can't talk.
The Indians cut out his tongue.
[LAUGHS]
That's too bad.
[LAUGHS] Get up.
And move over there.
- Look, you can't just kill him. - Why not?
Bounty's payable, dead or alive.
Give me a minute, maybe he can write down
what I need to know.
That's not going to do you any good.
You see, I'm going to take your horse,
to haul his body back on.
And we'll leave you out here on foot,
just like you left me.
Yeah, you're going to walk out of here.
200 miles through Kiowa country.
So you're as good as dead.
Take off your gun belt.
[GUNFIRE]
[HORSE SNORTS]
[INSTRUMENTAL MUSIC]
This locket.
I want you to write where you got it,
who you got it from, and when.
Write.
Write.
Where?
Who?
And when?
[INSTRUMENTAL MUSIC]
[MUSIC CONTINUES]
[INSTRUMENTAL MUSIC]
? The man I sought ?
? That day was buried ?
? Deep within ?
? The land so lonely ?
? Oh Shenandoah ?
? You're doomed to wander ?
? I'll roam ?
? In search of home ?
? Across the land ?
? So lonely ??
[INSTRUMENTAL MUSIC]
[THEME MUSIC]
[ROARS]
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