Original subtitles

[INSTRUMENTAL MUSIC]

[DOG BARKING]

[WIND HOWLING]

[NEIGHS]

[WOLF HOWLS]

[WOLF HOWLS]

[GUNSHOT]

[DRAMATIC MUSIC]

? Oh Shenandoah ?

? You're doomed to wander ?

? On beyond ?

? This land so lonely ?

? Oh Shenandoah ?

? You're doomed to wander ?

? So roam ?

? In search of home ?

? Across this land ?

? So lonely ??

[INSTRUMENTAL MUSIC]

[WOMAN] I don't have to tell you anything!

Now, get out of here! Leave me alone!

[MAN] I said, I want an answer!

[WOMAN] Talking doesn't make a difference to me!

Now, what do you want?

- You Pritchard? - I'm Pritchard.

Let him in, Red, it's a free country,

according to President Hayes.

Make yourself at home.

You look like you could use some brave-maker.

What?

Something warm, red, and running.

- Thank you. - Where'd you come from?

Where you goin' and what's your name?

Ridge City.

I'm hoping for Dos Minos.

Have you seen me somewhere before?

[BESS] Well, you're practically there.

Cross the mountains this time of year,

it's got to be important business.

- It is. - You.

- You didn't say your name. - I'm called Shenandoah.

It's a good name. I like it.

Well, whiskey's what we got and all we got,

so don't ask for anything more.

I was hoping I could find a horse here.

I got a horse in the barn.

Belonged to my husband when he was alive.

Ten dollars and it's yours.

Fair enough.

You've got any money, mister?

Enough to pay for the horse and the drink.

- And I thank you. - Well, pay first.

- This is my place, why don't... - Shut up!

I said pay her.

[LAUGHING]

You taught him good, Red.

Good as I've ever seen!

[GIGGLING] Yes, sir!

[GIGGLES]

That chair was the one thing I wanted to take with me!

Now, get out of here! Get out of here!

You, too! Now, you get out and you stay out!

I'm through with you and I never want to...

Get out of here...

And you stay out! Stay out of my life!

You!

[DRAMATIC MUSIC]

I'm gonna kill you.

[MUSIC CONTINUES]

Here.

Put it down.

He can bash you good with that thing, Red boy.

[PRITCHARD] Don't come back here tomorrow!

Don't come back here ever

because I won't be here! I told you that!

I'm going to get the first stage out of here.

I've had all I want of you, and this place, and those hills,

and you can die with them!

Well, I am leaving.

I'm tired.

This is no place to live.

No place to love,

be gentle, nothin' holding me here.

Nobody.

Or nothing.

I'd like that horse now.

I have to go.

You bein' trailed?

- I don't know. - I don't understand that.

Lady, you're lookin' at a man without a name.

I don't even have a memory.

You were hurt?

What's it, uh...

What's it like, not to remember?

It's like trailing yourself.

Going from one town to another, hoping that

somebody will look at you and know who you are.

That's why you're going to Dos Minos?

That's why.

Well, it's...

It's warm here, I could fix you something to eat,

and you could, you could go tomorrow.

Sorry.

It won't wait.

The horse is in the corral, help yourself.

[INSTRUMENTAL MUSIC]

Sorry about your chair.

[WIND BLOWING]

[NEIGHING]

[DRAMATIC MUSIC]

[NEIGHING]

[INSTRUMENTAL MUSIC]

What do you want, mister?

My mare needs some feed and a warm stall if you've got it.

Nothing warm here...

in this town, or in this country.

Costs a buck a night, what we got. You want it?

- Yeah. - In advance.

Boy.

Sam Elkin's supposed to live around here.

Maybe you can help me find him?

I don't know.

I can't tell you nothin'.

You better talk to Mr. Haley.

- He's our sheriff. - Where do I find him?

Went into Buckboard this morning,

said he'd be back by night.

You got a hotel around here?

Gone.

Closed up. Used up.

Nobody comes here anymore.

Pretty soon, nobody'll live here anymore.

Most of them gone now.

Mine's gave out.

I got a room you can have up there.

Come on in, boy.

I saw you here last year. You wore a gun then.

Last year?

You sure?

Tell me about it.

Come on, tell me about it.

Come on.

Was I with a man named Elkins?

Do you remember what he called me?

Do you know where Mr. Elkins lives?

Would you take me there?

Let's go.

[BELLS CLANGING]

[PEOPLE SHOUTING] Kill him! Kill him!

[PEOPLE SHOUTING]

[MAN] Spread out!

You look like the one. I never saw you before.

Here he is, I found him!

That's the man that killed Bess Pritchard!

[INTENSE MUSIC]

Don't let him get away!

[SHOUTING INDISTINCTLY]

[NEIGHS]

[INDISTINCT]

[MUSIC CONTINUES]

Get some rope! Get some rope!

Let's tie him!

On the tree.

[MOB SHOUTING]

[GUNSHOT]

Ollie!

Jim! Tate!

Ben! Red!

What's the matter with you?

What's the matter with all of you?

I won't stand for anything like this, you know that.

But he killed Bess Pritchard, Mr. Haley!

[ALL] That's right, Mr. Haley.

- He choked her to death! - I didn't kill anybody.

Who saw him do these things?

He hardly had enough money to pay for the whiskey.

Down to his last blanket, and lookin' for a horse.

And Bess' horse, right over there in the stable.

Dunn! Where's Dunn?

I didn't know it was Bess's horse, Mr. Haley.

All right. You untie him. Take him over to my place.

- But he killed her! - Hold it down!

- Now, where's Bess? - Here. Come with me.

[DRAMATIC MUSIC]

I'm sorry about this, Red.

Get her over there for the night.

You two, give a hand.

Turn this way.

My name is Haley, I'm the sheriff here.

You tell me about you and Bess Pritchard.

Don't leave anything out.

You were at Bess' place today?

Yeah.

- Who else was there? - The one you called Red.

And the other one, the one on the horse.

- Cass. - Yeah, him.

And we argued.

You and Red?

Yeah.

Now, what's this about Bess' horse?

I bought that horse. I paid ten dollars for it.

Anybody see you pay her?

No.

Tell me your name.

I'm called Shenandoah.

I don't like that answer.

Mr. Haley, I don't know my name.

There's a chance I may remember someday,

they don't seem to know for sure.

- Who're we talkin' about? - A doctor named McGee.

He's in Lamont.

[BELL RINGING]

[MEN SHOUTING]

[DRAMATIC MUSIC]

- Dingo! - Yes, sir?

You don't know your name, where you came from,

might not know who you killed.

I know I didn't kill Bess Pritchard.

My animals are out front, Dingo.

Get out there and unhitch 'em and take 'em around the back,

throw saddles on them and wait.

[INDISTINCT SHOUTING]

[INDISTINCT SHOUTING]

Dingo, go over there and unlock those shotguns.

- As of now, you're a deputy. - Me, Mr. Haley?

Look, if you don't mind, I'd rather get back to jail.

Move.

[INDISTINCT SHOUTING]

They just want to hang this fella, Mr. Haley.

Why don't you let them?

Nothin' personal, mister.

Be sure the bolts on that backdoor.

Yes, sir.

[INDISTINCT SHOUTING]

There was someone else at the relay station today when I left.

Who?

The man who belongs to that calico horse out there.

Tate.

He used to call on Bess before

his wife run off and left him.

He called on her today.

I've known him all his life.

- I haven't known you an hour. - Sheriff!

[GUNSHOT]

Last chance, Mr. Haley.

You get back in that cell.

The door locks when it closes.

Look, I don't stand a chance back there.

Let me worry about that.

Move very slow.

Get over against the door.

Move.

They know you wouldn't use this shotgun on them,

and they're counting on it.

But they don't know what I'll do.

[GLASS SHATTERS]

I can get off both barrels before I go down.

Hold on, everyone. Just.

Hold on!

You've been wanting to kill me all night.

All right, this is your chance. I'm in the open.

Who's gonna shoot?

You?

You?

Which one of you?

I can take three or four with me before I go down.

- He ain't got us. - Shut up!

You could've told everybody I paid my way.

I didn't go begging or killing.

You know it, too.

And you! You did me a favor.

You didn't get my killed on your property.

You could've told everybody, I paid for my horse

and lodgings in advance.

What's the matter with you people?

What's the matter with you?

You were there when I left Bess Pritchard.

You could've told them that.

You been calling on Bess? Outside of me?

He's lyin'. He's lyin'!

I don't know how to do that, mister.

Tell 'em you were there when I left.

Tell 'em you were there!

Well, come on...

Shoot him, somebody! Somebody, shoot him!

Tell them she was alive when I left!

Somebody, shoot him!

Come on. Somebody, shoot him!

Listen! Don't let him shoot me!

Tell the truth. This is your last chance.

Don't shoot.

Please don't shoot.

She... She was alive when you left.

[RED] What about when you left?

She-she laughed at me.

I asked her to stay

and marry me, and she laughed at me.

She deserved to die!

[GUNSHOT]

What can I do for you, mister?

What can I do to help you?

Tell me how to find Sam Elkins.

Anybody know him?

I know him.

He can tell you my name.

[INSTRUMENTAL MUSIC]

That's him.

Brought him down from his cabin today.

Face mean anything to you?

Partner, a man named Lasso, shot him.

Far as I can tell, he rode out to Silverton.

Lasso?

Then I'll be going on to Silverton.

Maybe you're better off than other men, not knowing.

Not having a memory.

I thought you'd be wanting him.

You're right.

Shenandoah.

It's a good name.

Good enough for any man.

There's a better one.

Somewhere.

Or a worse one.

[MELLOW MUSIC]

Is there anything else you can tell me?

No, sir.

Well...

You can tell me your name, can't you?

Yes, sir. My name's Joseph.

- Joseph, huh? - Yes, sir.

That's a good name.

[MUSIC CONTINUES]

[MUSIC CONTINUES]

[THEME MUSIC]

[ROARS]

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