Original subtitles

Downloaded from YTS.MX

[suspense music]

Official YIFY movies site: YTS.MX

♪ I caught you watching me under the light ♪

♪ Can I realign

♪ They say it's easy to leave you behind ♪

♪ I don't wanna try

♪ Cut cover take that test

♪ Hold courage to your chest

♪ Don't wanna wait for you

♪ Don't wanna have to lose

♪ All that I've compromised

♪ to feel another high

- I mean, c'mon now.

How old is he?

- 20.

- [laughs] He looks about 12.

- Well, he wasn't.

- Do you love me?

- Oh my God.

Yes.

- Well, I had to say it first, didn't I?

- I said it back very quickly.

- Out of politeness.

What's your fantasy?

- What's my fantasy?

- Fantasy.

- I don't know, I'm just happy to be alive.

- What if we filmed it?

- No, no, that's too dangerous.

- Well, then I'd delete it.

- No. No, what's the...

You want me to dress up or something?

Maybe I could tie you to a chair, what about that?

- Really?

- Yeah, that's a thing.

Like a kidnap, it would be like a kidnap.

- And then what?

- Demand a ransom.

Call your family and demand a ransom.

- You need to find some way to get over yourself.

You're gonna end up alone.

- I think... I think I love you.

It took a while because if we believe that

the self is an illusion--

- What does that mean?

- I don't know, that we're, you know, it's physics.

- Physics.

- Okay, look, what do those words mean?

You put words to it.

I mean, like, aye, what is that suppose to be?

I mean, aye?

- Yeah, yeah, yeah.

Listen, listen, listen.

I don't know what the fuck you're on about.

- What I feel is that we are love.

That's the thing, there's no separation.

And you, you're me.

And the table.

- Do you love the table?

Do you love me more than the table or the same?

- It's all...

I don't know what I'm trying to say.

- How about you just go fuck the table?

- What's wrong with it?

- Nothing.

- It's not too funny?

- I don't think so.

- Would it have been seen if we made it black and white?

Where's he going?

Maybe we should just, um... or what if... I don't know.

- Ben, it's really good.

- Shouldn't just keep one with the scenes with the monk?

- Ben.

- Just one.

I feel like I've mirrored something about

a couple who don't get on.

- It's about a man who's so defended

that he's incapable of love.

Isn't it?

- Say it again?

Look, what about if we just looked at the first monk scene.

- We're picture locked.

Why do we need a monk?

- They don't know who I am if this isn't good.

I think it's not as good.

I just want someone to say,

"You've done a good thing, now you can rest," just rest.

- Okay.

Why don't you come and sit down for a minute?

Come on.

- Maybe I could be a farmer.

- Maybe.

- How is this compared to...

- Don't do that.

Look, some people will quite like it

and other people won't be that into it.

- Why? Who?

- And then, quite soon enough all of those people,

each and every one of them, will die.

Won't they?

- Hopefully.

- We're all going to die.

We're all going to die.

We're all going to die.

That better?

[slow music]

- Hello, Happy.

We're all right, aren't we?

[slow music]

- Everything is dominated by one's self.

And what to find not loved, and what.

To be awakened, to be free,

is to see there is no self.

Can we sit in meditation?

Find out who we really are?

[paper crumpling]

[fridge door opening]

[crushing]

- [Male] Not in my White House.

C.J., show these people out.

[vomiting]

- [Benjamin] Well, what do you suggest?

[phone ringing]

Hello?

- [Billie] Hi, it's me.

- Yes, c'mon up, [mumbles].

Yeah, c'mon.

[knocking]

- Hi.

- Hi. C'mon in.

- Benjamin, I'm so late.

- No, no, no, you're not late.

C'mon on in, hiya.

- God, you're quite far down, aren't you?

I had to get a tube which was...

- Well, thanks for coming to me with the scripts.

- Excuse me, sorry.

I am late, aren't I?

- No, no, I just had a bit of emergency with the cat.

- Yeah, I thought something smelled a bit odd.

- Oh, God. Really?

- No, it's fine.

It's not overwhelming.

Is it a big cat?

Try one with a smile.

[camera shuttering]

Just try one and then we've got the choice.

- [Photographer] Can you just pull that bit of hair down?

- No, no. I don't really.

- [Photographer] Okay, that there.

- [Billie] That's it, that's it.

- There, like this?

- [Billie] No, what you just did.

- Okay.

- [Photographer] Yeah.

- [Billie] But, like, that expression.

Like laugh, laugh. - Laugh?

- [Billie] Yeah.

- [Photographer] Yeah, so nose up a bit.

- Okay [laughs].

- [Photographer] That's it.

And look at the window.

- [Billie] Can you, like...

Your nostrils look quite big.

- I'm not flaring them.

- The hand was good.

- [Photographer] Hold that, hold that.

- Other hand, other hand, other hand.

There, other one down, on your knee.

Yep, okay, all right.

- That's really good.

That's really good.

- Uh, yeah.

Um, should we talk about the film?

Just to-

- [Benjamin] Yeah, please.

- Yeah? And maybe that will...

Cool.

I really just need two lines

for the top of the press release.

Should we say it's about an,

I really don't wanna say an abusive relationship.

Um, say, difficult?

- Well, I don't know.

I think we should maybe focus more

on the loss of self-esteem that comes from being in a--

- So, loss of- loss of self esteem.

- [Benjamin] Self-esteem, yeah.

- Loss of self-esteem.

- Should we try and get some with the award in it as well?

- Yes. Yes.

- [Benjamin] What? Really?

- Yeah, yeah.

- No, I mean, I wouldn't want it to be like

it was this thing I won seven years ago.

- Can we open a window?

It's been quite a while since, Happy came out,

which I loved by the way, as you know.

- Thank you [laughs].

- I guess people will wanna know why.

- Yeah. Well, I think it just took me a while

to come up with something I wasn't, I don't know.

I think when people say that they like what you've done,

it's best to just stop doing it

or they could start hating you.

Ideally, I would've just made that film and died.

Is that not a good answer?

- Should we just say you're a perfectionist?

[phone buzzing]

Urgh.

Do you know what?

I'm gonna have to get this.

I'm really sorry.

- That's okay.

- Martha, I'm in the cab right now.

Yeah.

Sorry, he took longer than I thought.

No, he was yesterday.

He lives alone.

Small?

Okay, yep, right.

Love you, bye.

Do you know Martha Franklin?

- No. I don't really know anyone.

- She's having a thing on Friday, to launch her new chairs,

you should come.

I'll put you on invite.

- No, I'm okay.

I don't really like going anywhere I haven't been before.

- Mm, do you have any wine?

[laughs] Is it too early for wine?

- I don't really drink.

- Huh?

- Sorry, I don't know, would you, what about,

do you want some cocaine?

- Do you have some?

- No, no, sorry, I'm joking.

I've got coconut water.

It's a chair party.

It's the launch of a chair.

Pretty sure it's up here.

What are you doing?

- So frigid.

- You're not allowed to touch me.

- I must touch you.

- No, please do not touch me.

- Yeah, you go in.

I'll...

- No, what?

C'mon.

- It's a children's party.

- Benjamin. You came.

- [Benjamin] Oh, yeah, of course we did.

- [Stephen] We're the past.

- [Benjamin] We're not the past.

- Hi, I'm Billie.

- Stephen.

- Stephen is a comedian.

- Really?

- I'm not funny.

- Okay, great.

So it's all quite arty and young

and we've all such great skill

I don't think it's gonna be a problem.

- [Harry] Oh, my days.

Benji.

- [Benjamin] Harry? What are-

- Yes.

- [laughs] Oh, mate.

- [Billie] How do you two know each other?

Oh my God, you did a film together.

- Hey, man, what's up?

- Hey, I like your clothes.

- Thank you.

Yeah, thank you.

- You know, I invented Harry, right?

- Are you two?

- What we're doing?

- Oh, no.

- Harry's not someone who likes to define things

or be specific about words that mean things.

- Yeah, you know, it's just good to have someone

you can call in the middle of the day and go,

"There's some table tennis tables in the local park

"and there's a sports store right nearby.

"Why don't we get some bats and balls

"and play table tennis?"

- [laughs] Yeah.

- Drink? Oh, no, of course not.

What about you? Beer? Wine?

- I try not to drink in the week.

- Why?

- [Stephen] Vodka Coke?

- [Billie] There you go.

- [Speaker 12] I really like that

it's something you'd want to sit on.

- [Speaker 13] Thank you.

- [Billie] There's nothing I can get you?

- Do they have water?

- Cool.

- Gosh, you're still bigging it?

- Try to be cool.

[Stephen laughs] - Sorry.

- Is he okay?

- He has a cough.

- I'm fine.

[slow music]

- What is it?

What's happening?

♪ Why be so shy

♪ Come and swim in the park with us ♪

- [Benjamin] Who's that singer, Billie?

- [Billie] Good point.

- I need to make him wanna be with me?

I'm very lonely.

- Definitely say that to him.

Maybe lose the coat.

It's really good to see you, to meet you, Henry.

- Stephen.

- Steven, I knew that.

With a V.

- P-H.

- Good for you.

♪ And I don't wanna go if you don't come ♪

♪ I don't wanna leave you here with him ♪

♪ Don't make me go

♪ Don't make me go

♪ But you're braver than you think you are ♪

♪ I can meet the monster once a week ♪

- Can we sit down somewhere?

♪ It's only now

♪ All the time he'd faze under the light ♪

- [Benjamin] How old is he, do we think?

- [Stephen] I don't think we should dwell on it.

- [Benjamin] Okay.

- [Stephen] He's very good looking.

- Oh, God, he's ridiculous.

I should have never have left the flat.

This is weird, look, here it is again.

The thin boy on stage.

- Yeah, you just like people who are well lit and weak,

don't you?

♪ Oh oh oh oh

♪ Oh oh oh oh

- Maybe I should get him to talk films

like I'm some sort of success again.

- Maybe you should talk to him before just in case.

- That film's all I've got.

- Just go and speak to him.

- Won't he laugh at me?

- No.

- Okay, c'mon.

Why aren't you standing?

- You go, I'll hold the fort.

- What fort are you holding?

♪ I'd be your toy

♪ I'm not the boy you think you want in your life ♪

♪ I can be yours

♪ I can be anything at all

♪ Oh oh oh oh

♪ Oh oh oh oh

♪ Oh oh oh oh

[clapping]

- Thank you.

- I think he looked at me.

- Sure it wasn't middle distance?

- Sure, it's okay.

He's just a person in a room.

- [Billie] What's your name?

- Noah.

- You okay?

- Yeah, I'm just trying to find my breath.

- Found it?

- Yep.

- [Billie] So, this is the award-winning Benjamin Oliver.

This is the shockingly brilliant, Noah.

- Noah, like Noah.

Hi, I'm Benjamin.

- Hi, nice to meet you.

- Great gig, man.

- You're really good at singing, congratulations.

- Thanks, we're kind of a mess, but...

- No. You were very clean.

Very tight, very solid.

And you're French too, that's exciting, isn't it?

- Yeah, I suppose so.

- I'm a big fan of Les Mis.

- Oh.

- Noah's studying music at Guild Hall.

- Oh, really, wow.

That's the good one, isn't it?

Have you had any drugs yet?

- You should come to a screening with me of Benjamin's film.

- Yes, I've made a film.

I'm a film person.

- What's it about?

- My inability to love.

I'm fine now and we're writing a musical about depression.

Are you hungry?

We should eat maybe rather than standing and talking

about everybody sitting making route.

- I know a vegetarian place.

- I'm vegan.

- Me too.

- We should get married.

Or we could just eat some vegan things.

- They have veg dumplings.

- Well, we should get dumplings then.

You like dumplings, don't you?

- Yeah.

- Dumplings?

- I can't eat dumplings.

- I'll see you at the [mumbles]?

- The [mumbles], what a relief, yeah.

- Okay, and your other friend?

- Yes, great news, dumplings.

- Oh, God.

- That was horrific.

- No, what was?

- Put your number in there.

- Okay.

[slow music]

[train engine roaring]

- [Benjamin] Dumplings.

- [Stephen] You did it.

- [Benjamin] I just kept saying the word dumplings.

- [Stephen] Well, that's how you get dumplings.

- [laughs] Sorry, it's my laugh.

Nothing can be done.

- You should probably talk to him at some point.

- I think we're fine.

He asked me about these parties.

With your sister and her friends.

- [Stephen] Maybe he just wants to know more

about asparagus.

- [Benjamin] Okay.

I'm gonna go to the toilet and then on the way back,

I'll say hello and then I'm gonna ask him

to move in with me.

- Hey.

- Oh. Hello.

- Sorry, I was getting bored at the other table.

- Yeah, it must be terrible down there.

- So, sell this side to me.

- Uh, oh, Stephen and I were just talking about the lights.

- Actually, uh, I'm gonna head off.

- Where are you going?

- Sorry, I'm just tired.

I'll get the next one though.

- I'll look after him.

- Noah's looking after me.

- [Stephen] Make sure he does a wee-wee before bed.

- What do you think is going to happen, Stephen?

We're just eating dumplings.

- [Stephen] Okay. Night.

- Night [laughs].

- So.

[laughs]

- Why are you laughing?

- Oh, your band are so sweet.

- Yeah, they're cool, I know.

They liked you.

- Really?

- Yeah.

- Well that's-- that's very good.

Um, all right, well, I guess we better both go

to our respective homes and sleep, right?

- Yeah.

Ben, how do I see your film?

- Oh, yes, yeah.

I can sort that out.

I know the people.

It's in two weeks, are you free?

Or hopefully you'll be free.

Should I give you my number?

- Yeah, sure.

- Okay.

Okay, should I set it up later, or type it in, or?

- Uh, I don't know, just in.

- Oh, okay.

- Yeah.

- [Benjamin] All right, right.

[laughs] all right I think that, I think that's it.

Is that it?

- Yeah.

- Great.

- Perfect.

- Okay. Uh, should we, uh, hug?

- [laughs] sure.

- Oh, oh, and great singing, by the way.

I was, I was memorized.

- Be careful of this car.

- [Ben] Oh, yeah.

Sorry.

[slow music]

[phone ringing]

- Miss me already?

Uh, yes.

Um, yeah, I just need to figure out how to do that.

And where do you live?

Or do you wanna-- do you wanna come back to me?

I'm just getting off the bus.

[keys jingling]

- [Noah] Oh, do you play?

- [Benjamin] No, no, very badly.

I can juggle.

[cat meowing]

- Oh, you have a cat.

- Yes, here, I have a cat.

Do you want something to drink?

I don't really have anything.

Do you want some water?

- Yeah, yeah, sure.

"What Is a Person?"

Oh my God.

Is that not high enough?

- [Benjamin] Well, I haven't read that,

I just thought it was a good question.

Who are we, you know, who are we?

- Yeah.

- Do you wanna see a bit of the film?

- Uh, yeah.

- You can tell me if you think it's any good.

- Okay.

- [Harry] It's your fantasy.

- [Benjamin] Okay, all right then.

Right.

- [Harry] Tell me what you're gonna do to me.

- Well, I, maybe upset you.

- How?

- With my, uh, you can't talk.

You're not allowed to talk.

Maybe I should gag you.

Do I have a gag?

- What happens if I talk?

[laughs]

- Oh my God.

- What?

- Oh, sorry. I...

- C'mon.

- I don't know how I'm supposed to be.

- Hey, try to do voice.

- Well, what voice should I do?

- Scottish.

- Here we are then.

[laughs]

- [Harry] Okay, maybe not an old woman.

- Here we are.

- Stop saying here we are, we know where we are.

Would it be better if I tied you up?

- No, no.

I'm gonna go out and I'm gonna come back again.

- [Harry] Okay.

- Hello.

[Noah laughs]

So what do you think? Funny? Sexy?

- Both, both.

You look kind of elfin.

- Really?

- Yeah.

- Do you like elves?

Maybe we should kiss,

is that a good idea at that stage in our lives?

- Yeah, okay.

- Sorry, I'm a child of divorce.

- Me too.

- And vegan.

This is a dream.

Do you want to talk about the divorce?

- Not really. - I was 13.

- I was five.

- Do you know it wasn't your fault?

[kissing]

Where do you want me?

- Stop talking.

- Okay, okay.

Keep talking? No.

[kissing]

[sentimental music]

- Hi, I'm really sorry, my mom's coming over

so it's probably best if you're not here when she here.

- Oh, all right, yeah.

- It was so good to meet you.

- [Stephen] Sure, sure.

- Um.

- [Stephen] Well, maybe it's time I met your mother.

- Hmm?

- [Stephen] No, I'll be, I'll be quicker.

- Cool [laughs].

- [Stephen] Yeah, that was-- that was it.

That was, um, what-- what do you think about,

uh, maybe we should...

Would you like to get some dinner some time?

- What do you mean?

- [Stephen] Would you like to have dinner with me?

- Oh my God, I'm seeing someone.

- Oh, right.

The actor.

- Um, yeah.

Why won't that little shit text me back?

- I'm sure he will.

- Uh, cool, okay, um.

- I love you.

I don't, uh, it's a joke.

- Yeah, I got it.

- Yeah.

- Should we maybe not tell Benjamin about this

just 'cause it's, um...

- [Stephen] Oh, yeah.

- It's probably not a good idea, so.

- [Stephen] Sure.

Yeah, good idea.

Yeah, well, I'll miss you.

- Is that another one?

- [Stephen] Yes.

- Cool. Um, see ya.

[door slamming]

[piano playing]

- Hey.

- Hi.

Sorry, I was just staring at you.

I'm Benjamin.

- Hi Benjamin, I'm Noah.

- What about all that sex, huh?

[laughs]

[playing piano]

- What was that?

- Oh, I don't know.

I like your place, it's pretty cool.

- [Benjamin] Is it?

Take anything you want.

Do you want a piano?

Have a piano.

Okay, this is a good porridge.

We're all going to have a lovely time.

What's your type?

Or what do you usually go for?

- I-- I always end up with geeks like you.

- [Benjamin] Oh, good.

- Shit.

- What happened?

- Oh, there was a manager at the party,

just said he doesn't want to manage us.

- [Benjamin] Oh, who is this guy? Is he--

- It's quite a big deal.

- Oh, well, I don't know if this is helpful,

but external validation isn't everything.

Like, what's important is that you know that you're great.

- Yeah, that isn't helpful.

- Okay. Um, I think you'll get another manager.

- Yeah, sorry, I just-- I just don't want to go home yet.

- [Benjamin] Well, you won't.

You mustn't.

- Okay, listen.

- [Benjamin] Oh, no. What?

Oh, you don't have to eat the porridge.

Don't let me pressure you into porridge.

- No, no. Uh, is it--

is it weird if we carry on hanging out?

If you have stuff to do, I'll go.

- I've got nothing.

No, yeah, go on.

Uh, what should we do with our lives?

- We could-- we could get some mushrooms.

- Magic mushrooms?

Or just mushrooms.

- Magic mushrooms.

- Uh, yeah that sounds-- that sounds fun.

Let's get some of those mushrooms.

- Yeah?

- Mm-hmm.

- Cool, so with the porridge?

- Oh, fuck the porridge.

No, no, we'll eat the porridge.

- Okay.

Oh shit [laughs].

- [Benjamin] That's thick, oh my God.

The continental breakfast thing.

I don't understand what that means.

What does that, I mean, what--

what are they trying to suggest?

Oh my God, where's she going?

- [Noah] Where's she going?

- I'm gonna have to talk to her.

Is that okay?

- Yeah.

- Oh.

Are you thirsty?

- Yes.

We will get water, how will we do this?

Shop?

Okay, sh sh.

[slow music]

- This one.

- You want those ones?

- Yeah.

- [Benjamin] Hi.

- It's one pound twenty.

- Now that sounds reasonable.

One pound twenty.

There you are, money for the water.

Money for the water.

[chuckling]

Oh my God, we can't go in shops.

- [Noah] You're quite funny.

- [Benjamin] Am I?

- [Noah] Yeah.

- [Benjamin] I used to be really funny

then I lived with someone who didn't laugh

and I got a bit rusty.

- [Noah] Why did you live with someone who didn't laugh?

- [Benjamin] I don't know.

I thought it was better than dying alone.

[laughs]

♪ Isn't it weird

♪ Isn't it strange

♪ Even though we're just two strangers ♪

♪ On this runaway train

♪ We're both trying to find a place in the sun ♪

[cars honking]

- [Photographer] Over here.

To your left, thanks.

Smile.

[cameras shuttering]

- You all right?

- Yeah.

- Oh, hi.

How are you?

- Yeah, I'm okay, thanks.

Yeah, yeah.

Are you excited about the film?

- Why are you being weird?

- What?

- You didn't tell Ben, did you?

- No, don't worry, I'm not gonna.

- 'Cause you know nothing's going to happen, right?

- I was just coming out of the toilet, I wasn't--

- Okay, well it was good to see you.

- Okay.

- Now you're being weird.

Surely you can see that.

- Well, I haven't done anything.

Can we start again?

I like your outfit.

- You're being really creepy.

- Okay, I'm gonna go 'cause I don't.

- Okay, so serious God, I was just saying.

- I don't know what you want me to--

- Martha.

Yeah, I'm in the cab now.

[cameras shuttering]

- [Photographer] To your left, to your left.

Thank you, yeah.

- What are you doing?

- I just have to meditate.

- Okay, c'mon now.

Time to be someone who can host a screening like a big boy.

Ben, everyone is sat.

You need to introduce the film.

Now, c'mon.

- I don't think we should have put the monk scenes back in.

- I begged you.

- I think that-- that--, uh, it'd give it something,

but they do, don't they?

Don't they?

- Well, it's about to be screened now so we'll find out.

- Oh, God, no.

- And tonight's film is the second film from Benjamin Oliver

starring Benjamin Oliver himself

alongside Harry Barridge.

Here to introduce the film, please welcome Benjamin Oliver,

Tessa Huston, and Harry Barridge.

[crowd applauding]

- Hello. Um, thank you-- thank you all for coming.

Um, so, yes, this is, uh,

this is the first time I've shown this to anyone,

so that's exciting, right?

Um, hopefully you-- you'll all like it,

so I can continue doing this sort of thing.

Um, oh, well, maybe we should just watch it.

And, uh, we should-- we should just watch the film

and then you can write some wonderful reviews.

I think it's all going to be fine.

Should we sort of bring the lights down?

Does somebody else wanna talk?

No, should we just, uh, bring the lights down

and we should watch it?

Um, oh, and have fun, everyone.

And, yeah, yeah, uh, good luck.

[crowd applauding]

- What is it that you want?

To be free from problems, yes?

But only when you want nothing.

When you have what you want.

Who is it who wants?

Who are you?

Who?

Who?

[crowd clapping]

- Shit.

[door slamming]

[toilet flushing]

- Hey, I lost you.

Are you okay?

- Yeah, I'm fine.

How are they?

How are they taking it?

Are they happy?

- Yeah, I think so, yeah.

Listen, it was really good.

Really interesting.

- Oh, God.

Did you hear that?

- No.

- Is the relationship over?

- What? No, okay...

Listen, maybe- maybe it's better for me to go, so you can--

- No, no, no, no, no, no, it's--

it's very important that you come back with me tonight,

okay? C'mon.

- Hey.

Hey, bravo, bravo.

- Thanks.

It's terrible.

- That was good, it's good.

I just had a couple talk about your shop composition.

It was funny.

- And here, um, what about the monk?

- See I didn't, I wasn't that...

- Oh, okay, yeah.

I think I'm gonna go home and try and cry.

- Yeah.

- Are you gonna be okay here?

- Yeah.

- Maybe you can go say hi to Billie?

- Uh, nah, nah, you go.

I'm fine.

- Okay, just tell me.

Was it really bad?

- It's...

- You just said no?

- No.

- Hello, hugely talented, multi-skilled, wonder man.

- Well, really?

- Please, I mean, who has a monk?

You're so clever.

- I'm gonna go get a drink.

- Okay.

- Hello, beautiful Noah.

- [Noah] Hey.

- So, your boyfriend's a bloody genius.

- Oh. Yeah.

- What's up, maestro?

This film... Benjamin.

- Harry?

- It's genuinely obscene.

Seriously, thank you.

Everyone here thinks that what you have done is profound.

- Well, no, who? Which? Who?

- I cried.

- You only watched the first half.

- And I can't wait to see what happens next.

Sorry, Martha was having a crisis.

- Oh yeah, Martha with the chairs.

Is there somewhere we can sit?

- Hey.

- What's up, man?

What was that?

- Sorry, that was, it was meant to be a playful, um,

you know, the knee behind the knee?

- Yeah, yeah, yeah, yeah, yeah, but you don't know me

to kick me.

- [Benjamin] This is Stephen, he's very playful.

- [Stephen] Can I kick you now?

- Oh, Jesus.

- This is Noah, he's also a delight.

- Hey.

- Is that your real nose? Is it your real nose?

- Don't touch him. - We have to go.

- I think I'm gonna go too.

- Oh, no, no.

Can you just stay, I'll come with you.

- I don't want to sleep with you again, by the way.

That's not what I was trying.

- Oh my God.

Shut up, just shut up.

- What happened?

- Nothing.

Doesn't count, can we go?

- What do you mean it doesn't count?

- It was only for a minute.

- [Harry] Oh [laughs].

What does that mean?

- For fuck's sake, it wasn't a continuous in and out,

it was just an in and then an exit.

- Well, hang on.

- Nothing happened. Okay, bye.

- It was normal, actually it was normal sex.

- [Benjamin] You don't need to go Noah.

- She seduced me.

I was going home, I wasn't even--

- Excuse me, how old are you?

- How old are you?

You-- you-- you're a fucking psychopath.

- Okay, okay.

- What do you want from me?

Do you want me to dance?

Huh?

You want me to dance?

Do you want to be sexy?

Put a smile on your face?

A little dance, like, it's sexy.

- Stephen, Stephen.

What are you doing?

- I don't know.

- You okay?

- Yeah, just get me out of here.

- That was a very good dance.

- Thanks.

- [Benjamin] Are you okay?

- Yeah.

- I've... go...

- Okay.

- [Noah] Hey.

Sorry, it was crazy down there.

- [Benjamin] Yeah, it was, wasn't it?

Are you okay?

- [Noah] Yeah, yeah. I just wanted to say goodbye.

- What, goodbye?

What, why do you wanna say, what, goodbye?

That's ridiculous [laughs].

- I've-- I've things to do tomorrow, so.

- Yeah, I've got things to do tomorrow.

I got things.

Gee, what-- what is this?

- No, nothing.

- [Benjamin] No, go on.

It's okay, what is, or, what is it?

- Well, just, like, maybe I'm not ready for, like,

a relationship, you know?

- Right, yeah.

- So.

- Oh, that's bad.

- But congratulations on making a film.

It's amazing, really.

- Is it?

- Yeah, yeah.

- Cool.

You have to go.

- Yeah. - You have to get to bed.

- Yeah [laughs].

- And sleep, goodnight.

- Okay.

Thank you.

Okay, bye.

- Bye.

[slow music]

- On one hand is this sort of nice,

interesting, lovely kind of romantic comedy about

him and his non-relationship with this character

Aticus played by that guy Harry Barridge,

he's in the new Keira Knightley film, "Sibling".

But then the other half of the movie,

as implied by the title "No Self",

is about the Buddhist idea of the self being a projection

and an illusion to somehow protect you from falling in love.

And the way this keeps being represented

is a pretentious monk from a film about this Buddhist way,

he has absolutely no place being in this film at all.

And you think, why didn't some producer just go,

"Enough with the monk.

"Just do the think that you did before that you can do.

"This monk, we've had maximum monk."

The reason I'm getting slightly exasperated is

'cause I'm sort of disappointed.

Because, you know, you see somebody and there's,

like, an emerging talent and think,

"God, they're gonna do really good work."

And then they don't.

And it's like, you're not angry, you're just disappointed.

And you're a bit like-

- He's let you down.

- He has let me down.

- He's let himself down.

- Exactly [laughs].

- And the whole.

He's let everybody down [laughs].

I'm sorry, it's not funny.

Actually, it's not funny.

[slow music]

[mumbles]

- I could just say the sound to the stage.

Is it Southeast Asia?

- [Speaker 21] Just South Asia.

- [Tessa] So, how's it looking?

- [Benjamin] It's not good.

- [Tessa] Tell me, what have you been up to?

Oh, it's fantastic having a proper project.

Lucy?

- Uh, do you go to lunch or a snack?

- Just a sec.

Lucy, we need to start shooting or we'll lose the children.

Sorry, sorry, I'm listening.

- Uh, no, I was just thinking

and I'm not sure exactly what I wanna do next

and I just thought if you had anything coming up

that needed a director or anything,

and I'm really up for doing something that doesn't

come directly out of my own pain.

- What is all this pain that you're in?

I mean, Ben, are you really in pain?

Ah, Danny.

- I'm sorry, am I in your seat?

- Yeah.

- I'm sorry.

- That's all right.

- No, I'm leaving anyway, so.

- Oh, no.

- Yeah.

- Oh. So sorry, it's just...

- Packed day.

- Yes, um, look, this is all looking so good.

Congratulations.

- Oh, thanks.

- So good.

- Oh, you're the competition winner?

- No, no, no, I'm not one.

Do you know what time it is?

- Oh, I'm so sorry we haven't been able to speak properly.

- Oh, it's okay.

Sure, um, we'll catch up whenever you're done with all this.

- I'd love that.

- Great.

- Love that.

Can't wait to see you.

- Yes, okay.

- You know where you're going?

- Um, yep.

- Great.

- Okay, bye.

- All right, bye bye.

- [Benjamin] Oh, sorry forgot my bag.

♪ Let me go

♪ Let me go, oh, oh

- Uh, yeah, my name is Harry Barridge, I'm an actor.

My favorite film from childhood.

I would probably say "The Parent Trap".

- Like, my only idea was, like, if there was...

say there's, like, a part, or a character,

or something that you've never got the chance to play

and you'd love to play it.

Or, like, if there was a role that's,

you've never been offered,

then I could probably write some for you.

- Oh, tell Ben about your big nude scene.

It's Harry's cinematic debut.

Oh, apart from your film, but does that count?

I mean, this is being released.

- Well, I think it counts, but, uh, so what,

you're a bit naked, or with the penis?

- [Billie] Yeah. - Yeah.

- How do you, I mean, is that okay,

'cause it's the character's penis?

- Ben, I don't know if I should say this,

it may be, like, insulting to your craft.

- Oh, please, um, this is a safe space.

- I'd really love us to write something together.

- Really?

- Yeah. I've been reading, like, so many standard,

mainstream bullshit scripts.

And I love the way you don't chase success, you know?

- [Benjamin] Yeah.

- And it would be so, like, it would be so fucking cool

to create something with you that's, like, totally original.

But, like, not an easy watch.

- Yeah, um, it can be quite intense writing as a pair.

Um, like, I've actually been writing something with Stephen,

like, a different-

- Who?

- My friend, Stephen.

[laughs].

- Oh my God, we never talk about that again.

You slept with that idiot dancer.

- She's not an idiot.

- It's just obvious.

Oh, Christ, can you take these off me?

- [Harry] What are you writing with Stephen?

- Uh, well we're actually doing this funny...

- Sure, sure, 'cause he's so funny.

- Uh, did you have an idea for a story?

- I don't think we should limit ourselves

to the idea of telling a story.

- [Billie] Okay, so you'll do it.

- Well, I don't know-- don't know

if I should commit to anything right now.

- [Billie] Okay, who you texting?

- No one.

- [Billie] So annoying.

- Wanting this, wanting that.

If you are expecting things, make no mistake.

You are a puppet.

Many people, they search their whole lives

looking for a false reputation,

but finally there is obscurity.

And obscurity, this is the best thing.

- I don't know, is there-- is there--

is there a character or set you've got in mind?

- I mean, I can see maroon for some reason.

- The color?

- Yeah.

- Okay. Um, maroon.

But, um, like, if you're to say how we imagine

the film beginning, or, can you see that?

- Well, I think it's...

I don't think we should be too literal about it.

- No, no.

Maybe we open on maroon.

- Mm-hmm.

And there's a feeling in the air of, is this blood?

- [Benjamin] Okay.

And it turns out to be?

- A coat, yeah.

- [Benjamin] Okay, great. Yes, and wearing the coat is you,

maybe?

- Yeah.

- [Benjamin] Okay.

And you're, what are you- what are you doing?

- I'm asleep, I'm dreaming.

- [Benjamin] Okay. What are you dreaming about?

- A swan.

- Okay. Okay.

And then, sorry, uh, what are you trying to say?

I mean, is there a particular kind of message or an idea?

- Can I sketch you?

- [Benjamin] Can you sketch me?

- Yeah.

- [Benjamin] What?

- Just take your top off.

- [Benjamin] Why would you?

- How are my nipples?

Good texture? - Shh.

- What do you like to paint most the time?

Is it--

- It's difficult to talk about.

- Right.

Is it usually people?

Or fruit?

- Well, it's everything, you know?

I mean, if you say what do I paint?

I would say feelings.

My paintings are kind of like my journal,

so I can look back and say that's how I was feeling

last week.

- Oh.

How were you feeling last week?

- Well, I'd have to go in the other room and look.

So, it's not completely what I was trying to do.

- Oh, wow.

Wow, you made me sort of attractive.

- You are attractive.

Seriously, I find conventional beauty so boring.

- Okay then.

Should we go back to work, or?

- Ben, this is the work.

- Yes.

Should I draw you?

- [laughs] Okay, cool.

- Oh, wow, gosh, okay.

Is that the penis from the film?

- How are my nipples?

- Yep.

- Have you seen my bedroom yet?

- You have a bedroom?

[laughs]

[footsteps thudding]

[piano playing]

- Oh, sorry.

Rip it, oh.

- [Harry] You can write here if you want.

Let yourself out when you feel.

- Okay, yeah.

I'll flash it out a bit.

- You okay?

You seemed a bit distracted.

- Oh, no, no.

I was, I liked it.

We did well.

What are we gonna say to Billie about this?

- What do you mean?

- I mean, will we want to do this again, or?

- I think it was kind of an experience, you know?

- Great.

What were the results?

You let me know.

Okay, oh.

Go ahead.

[footsteps thudding]

[slow music]

Hi.

Hi, how are you?

- I'm good.

I'm good.

- Um, is this a bit strange?

Was it a good day for music?

- Yeah.

- Good.

I was just wondering if you might still be in the business

of being interested in me?

I think I might have put you off by being a lunatic.

And I've sort of missed you.

- I missed you too.

- Really?

Have you, how much?

- A bit.

- Like, maybe we should just have fun

rather than anything more formal?

Like, maybe we should just be people.

Should we just be people?

- Is that what you want?

- Yeah, just people.

- Okay, I think we can be people.

- [Benjamin] Great.

[laughing]

So what do we, or how should we, um, a handshake?

[slow music]

[laughing]

- Encore.

[laughing]

- Encore?

- Mm-hmm

[laughing]

[piano playing]

Wait, where's D minor?

- Just move your first finger to another key.

Yeah, yeah.

- Here? That's it?

- Mm-hmm.

- Okay.

Oh, so then that's B minor?

- Yeah [laughs].

- Okay, right, this is the one that concerns me.

- Okay, so play it again slowly and think of something sad.

[piano playing]

Good, really good.

- Okay, now play Vanessa Carlton.

[laughs]

[A Thousand Miles playing]

Amazing.

This is like what monkeys do.

- [laughs] Shh.

- [Benjamin] What?

- No talking in the bath.

- That's a French word?

- Don't speak.

- Okay.

What were you doing?

- Shh.

- Oh, God no please, I don't like this.

I don't like this.

- It's okay.

Hello.

Would you like to be my boyfriend?

[slow music]

- What'd you just do?

- Are you in show business?

Get your foot off the stage.

Right.

Let's get the next one out, shall we?

- [Crowd] Yeah.

- Tickled, thank God.

Right [laughs].

Hey, nice socks.

You're not gonna need those 'cause this bloke is gonna

laugh them straight off your feet.

Here we go.

Are you ready for your next act?

- [Crowd] Yeah.

- He's a great friend of mine.

Ladies and gentlemen, please welcome Stephen Arnold.

C'mon.

[crowd applauding]

- Hello, audience.

How are you?

Good laugh.

You like to laugh, huh?

Yeah, well me too.

The other day I laughed so hard

some milk came out of my nipples,

[crowd laughing]

which was unexpected.

What about all this sexism, right?

I mean, how is there any sexism in the world

when we all come from a woman?

I mean, when do we begin to be sexist?

Are we just there in the womb being like,

"Oh, this is all very good

"but I think my dad would do a better job."

[crowd laughing]

Sorry.

Are you okay?

Oh, right.

He's getting married.

[crowd applauding]

Oh, there she is.

Wow, round of applause for them.

[crowd applauding]

Wow, congratulations.

You know, everything ends.

That's something you can count on.

Any orphans in tonight?

Now see, that would be tough.

That must be really tough.

But I do think if my parents were dead,

I'd find it a lot easier to kill myself.

No? Okay, show of hands, whose father hit them?

Nothing? C'mon [laughs].

C'mon.

No, oh, man, Jesus.

- [Male] Fuck off, mate.

- Oh [laughs] thanks.

That's terrible.

Uh, right, uh, no problem, no problem.

[crowd astounded]

Uh... yeah, no actually, I think that's me.

Goodnight everyone.

Did someone say encore?

- [Noah] How you doing?

- [Benjamin] I don't know.

- [Noah] Hey.

- Hey.

- [Benjamin] Hey.

So, I thought it was great, right?

Perfect date night.

- Right, it was.

It was very real.

- What did you think, Noah?

You're the voice of youth?

- Ah, I think it was funny,

maybe it was just the wrong crowd.

But it was good to see you on stage and perform.

- It was cool.

It's cool, it's cool.

- Uh, please don't upset Noah, he's very young.

- [laughs] Well, what else would he be?

Hey, is this gonna be a film soon?

- [laughs] Okay, um, I think that we,

maybe we need to leave.

Um, but we'll come to the next gig.

- Oh, that was my last gig.

Do you want me to sign any autographs, or?

- Well, when's the next one?

- No, that's it.

I've been doing it for eight years.

I can't write anything new with what's happening,

'cause I'm just-- just getting older.

Don't waste your life like us.

Is it too late to become a vet?

Maybe that would have made daddy love me, I don't know.

This guy knows what I'm talking about.

- Okay, I think maybe it's home time.

Uh, but thank you for all of the laughter.

- And why do we give a shit?

We should just feel grateful for the sperm, right?

Sorry, man.

Anyway, yeah, sorry.

Goodnight everybody, drive safe.

[knocking]

- [Stephen] Hey.

- Oh my God, what happened?

Should I hold your arm?

- No, I'm okay, thank you.

- Okay, do want to talk about it?

- I really can't.

- We could have a conversation.

- Stop please.

- Why do you think this kind of thing keeps happening?

- I don't know.

- Maybe you do.

- I don't.

- Well, okay.

Let's go through the options.

- I don't really wanna talk about it, [crying] Benji.

- Okay, uh, okay. Yes--

- It's like-

- Yeah, let it all out.

That's amazing.

Um, what's, what should I do?

Like, do you want me to do something?

Like, what should I do?

Do you want to make a list?

Do you want to hear my song?

- Sure.

♪ I can't get out of bed

♪ I can't get out of this bed

♪ Why do I feel this way

♪ Is it because of daddy

[laughing]

Yeah?

- Yep.

- There you go.

- It's good.

- It's pretty good, isn't it?

- It's good.

- Just came to me on the bus.

[laughing]

[orchestral music]

[crowd applauding]

- Cheers.

[speaking in foreign language]

- Oh, it was so good, so good.

Well done.

- [speaking in foreign language]

- [speaking in foreign language]

- [Adrianne] You played so beautifully, lovely.

- Thank you, Mama.

- [Claude] And, uh, how is the band doing?

- Good, good.

We have a- we have a gig tomorrow, so it's good.

- [Claude] Have you found a way to make any money with it?

- Well, the band actually, they're so, so good.

I mean, it was, I-- I actually saw the band before we met,

so I knew nothing about him before hand.

So when I actually saw them play, I was just like,

"Oh my God, these guys are good."

And then-- and then we met and yeah, you're so good,

like awesome.

Just a really talented bunch of people.

- And you are so very creative, aren't you?

- Noah said that you write films.

Do you?

- Oh, yeah he does [laughs].

- Yeah, um, I guess.

Uh, sorry.

- What is it?

- Um, no it's okay, it's okay, um--

- [Adrianne] Are you all right?

- It's just, no, it's okay.

It's just that my ex is here.

That was just--

Uh, that's fine.

It's, uh, fine, I mean, he's fun.

This will be fun for us.

I can, um, or maybe I should go over and say hello

before he sees me.

Or maybe I should... Paul.

Hi.

- Hi.

- [Benjamin] How are you?

- Hello.

- [Benjamin] Did you get new glasses?

- No.

- They're lovely.

This is Noah and Adrianne and Claude.

This is Paul.

- [All] Hi, Paul.

- Hi.

- So, is this, uh, this you meeting the parents?

[laughing]

Um, a bit, yeah.

We-- we just saw, uh, Noah just graduated from Guild Hall.

- Of course he did, congratulations.

- Thanks.

- Right [laughs]. Um, so what do you, how are you?

- Yeah, I'm fine.

I heard you wrote a film about me and caused a wanker.

- [Benjamin] [laughs] Uh, the last film that I did,

it was about a relationship

that was slightly inspired by Paul,

but it was-- it was mainly about me being an idiot.

Um, but anyway, thank you.

Uh, thanks, Enriquea.

Oh, sorry, this is Enriquea.

Uh, Paul, Paul, Enriquea, Enriquea, Paul.

What's-- what's going on?

Are you in love?

- Am I-- am I in love?

- [Benjamin] Is that not a good question?

Do you want a breadstick?

- No, I'm okay.

- [Benjamin] Have a breadstick,

why wouldn't you want a breadstick?

- 'Cause you're not really offering me a breadstick,

are you?

- [Claude] Okay, well, Paul, it was lovely to meet you.

- Sorry-- sorry, who are you?

- This is Claude, should we--

- Sorry, you write a film about me

and then you fuck the guy that plays me.

What am I supposed to do with that?

- Okay, should we go outside and have a-- have a talk?

- For real?

- [Claude] I think that's a really good idea.

- You need to chill out, Claude.

Good luck, mate.

Hopefully it won't be two years of

emotionally empty bullshit followed by shit film

about how much of a cunt you are.

- [Claude] What's that?

- He's in fashion.

Paul? What was that?

- What?

Oh, was that embarrassing?

Why do you surround yourself

with all theses stupid children?

- Noah's French.

I like him-- I like him.

- [Paul] Oh, 'cause it's easy.

It's safe.

How long you been doing this?

- [Benjamin] I don't know.

- [Paul] You're gonna end up alone.

You're gonna end up unhappy.

- I know this.

I've written this.

You're saying words I've actually written.

- Because you're still doing the same thing.

Have some pride in yourself.

Why do you think I was with you?

It wasn't a fetish.

- [Benjamin] Well, how much of that was about what I do?

- We were together two years.

Your work isn't that good.

- Okay, I think that I'm gonna go back inside.

- But what are you gonna do, Ben?

Are you gonna adopt him?

I just...

I just wanted to mean something to you, that's all.

- What do... I... you did, you did.

- Okay.

Then we go on.

It's not me who's never gonna feel anything.

- Hi.

I think in the future that'll all seem quite funny.

[slow music]

I think I'm gonna end up hurting you.

- What do you mean?

Maybe I'll hurt you.

What happened?

We've just had a bit of shut, you know.

- Oh, God, please don't look so sad, I can't take it.

Please?

What can I do to make this not so awful?

- Just talk to me, you know.

- I'm sorry, I don't, I can't.

- You can't what?

You want me to go?

- I don't know.

I don't know.

- You don't know.

Okay.

Okay.

- One way to be happy is to enjoy being sad.

Understand that.

[children yelling]

- [Speaker 27] And now a new contemporary piece

by Anna Block called Womb.

[crowd applauding]

[instrumental music]

[paper ripping]

[crowd applauding]

- That's incredible.

- Yeah, man.

That was great.

- That was amazing.

- Yeah, that made me think about life and shit.

- Anna, fuck, that was amazing, I mean, I love--

- [Harry] It was beautiful.

- [Billie] Yes, that was just--

- Thank you.

- You know Ben, right?

- No, hi.

- Hi, yeah, congratulations.

That was, um, it was,

how did you come up with it with all the paper?

- Just came together over the year.

- Year?

No, was that-- was that the last time that you're doing it,

or will you need more paper?

- [Anna] That was it.

- Well, good, good.

But otherwise, that's a lot of paper all the time, isn't it?

Like, where'd you get such big paper?

- I'm sorry, I'm really exhausted.

- Seriously, everything you just did, it was the truth.

- [laughs] No, no, yeah, that's what-- what...

No, no, yeah, the truth.

I'm laughing 'cause it's-- 'cause it's true.

- Okay, um, I'll see you later.

- Yeah.

That was so fucking rude.

- Where are you going?

- I'm going to see if she's okay.

- Aww, she's fine.

What are you doing?

- I think I'm gonna go.

- Don't leave me here on my own.

Just stay here until Harry gets back, okay?

- Okay.

- Do you hate me?

[footsteps thudding]

- [laughs] I've [laughs].

It's a hedge.

♪ Isn't it weird

♪ Isn't it strange

♪ Even though we're just two strangers ♪

♪ On this runaway train

♪ We're both

Oh.

- Who are you?

- Hello.

- [Cat] Who?

- Hello Stephen's voicemail.

Where are you, Stephen?

I think my hair is growing.

What are you gonna say?

You already got this cut last week

and now you're back again?

Call me back, my hair is growing.

[phone ringing]

- [Stephen] Hey, you've called Stephen.

Please leave a-

[phone ringing]

- [Stephen] Hey, you've called Stephen.

Please leave a message.

[phone beeping]

- Stephen?

[knocking]

Stephen?

- [Stephen] Hey, you've called Stephen.

Please leave a message.

- Stephen?

Stephen?

[suspense music]

[glass breaking]

Stephen?

- Oh my God, oh my God.

Thank God.

- What the fuck are you doing?

- Why didn't you answer your phone?

- I was in the shower.

- You can't have a bath?

- Why are you shouting at me?

- Because answer your phone if you've got depression.

- [laughs] What?

- It's not funny.

Could you-- could you just call me first

if you're ever thinking of doing anything?

Can you just call me and we'll discuss it?

- Are you okay?

- Careful.

Careful of the glass.

- Are you okay?

- I broke your window.

- Yeah, I saw.

[crying]

- What's happening to me?

- Benjamin, you're a real boy.

- I'm a real boy?

- Yeah [laughs].

- [laughs] Oh, shit.

- Do you--

- Oh, God.

I'm really sorry about that.

- Um.

- Oh, God.

I have to go.

- Okay, get out of here.

[sentimental music]

[train engine roaring]

♪ I still don't know

♪ I still don't know who you thought I would be ♪

♪ Where did you go

♪ When you were trying to be here with me ♪

♪ And you know that you are safe, on your own ♪

♪ But you're lost, or were you lost with me too ♪

♪ Are you longing to be scared forever ♪

♪ Are you planning to meet somebody new ♪

♪ If you feeling something say how you feel ♪

♪ You know it's safe to let someone hold you ♪

♪ Let somebody make you cry

♪ Let somebody ache for you

♪ Let somebody ache for you

♪ Are you longing to be scared forever ♪

♪ Are you planning to meet somebody new ♪

♪ If you feel something say how you feel ♪

♪ You know it's safe to let someone hold you ♪

♪ Are you longing to be scared forever ♪

♪ Are you planning to meet somebody new ♪

♪ If you feeling something say how you feel ♪

♪ You know it's safe to let someone love you ♪

[crowd applauding]

- Hi.

- Hi.

- You're really good at that, you know?

- Thanks.

- [Benjamin] Shouldn't you be very famous by now?

This is magic you're doing.

- What are you doing here?

- Um, I think I made a mistake.

Can we--

- I'm going home.

- Home? Home, home?

When?

- [Noah] Tomorrow.

- Tomorrow?

You can't go tomorrow.

- Why?

Why wouldn't I?

- Do you wanna move in with me?

- What?

- I know, I'm sorry.

I was scared.

I wasn't capable of love, which I think was just actually

covering the really scary thing, which is that I love you.

- [laughs] Just ridiculous.

- Can you stay another week, maybe?

- No, I can't.

Come to Paris.

- Paris?

I can't move to Paris.

- [Noah] Why not?

- I've got a career.

Like, where would I live?

Who would I be in Paris?

[laughs]

Okay.

[upbeat music]

♪ Fill your heart with love today ♪

♪ Don't play the game with time ♪

♪ Things that happened in the past ♪

♪ Just happened in your mind

♪ Only in your mind

♪ Forget your mind and you'll be free ♪

♪ The writing's on the wall

♪ Free, yeah

♪ And you can know it all

♪ If you choose

♪ Lovers never loose 'cause they are free of faults ♪

♪ And pure

♪ And of thoughts

♪ And kind

♪ Gentleness clears the soul of ♪

♪ Clears the mind

♪ Makes it free

♪ I used to cry now I

♪ Shut my eyes, still I

♪ Hear you cry

♪ So I wont cry

♪ I needed to hold me

♪ Someone to fit me

♪ I need to keep you alive

♪ And I don't wanna go if you don't come ♪

♪ I don't wanna leave you here with him ♪

♪ Don't make me go

♪ Don't make me go

♪ And I don't wanna go if you don't come ♪

♪ I don't wanna leave you here with him ♪

♪ Don't make me go

♪ Don't make me go

♪ But you're braver than you think you are ♪

♪ I can meet the monster once a week ♪

♪ Just you and me, and I am all you need ♪

♪ All I need

♪ And I don't wanna go if you don't come ♪

♪ I don't wanna leave you here with him ♪

♪ Don't make me go

♪ Don't make me go

♪ And I won't ever go if you don't come ♪

♪ I won't ever leave you here with him ♪

♪ Don't make me go

♪ Don't make me go