All language subtitles for The Pretenders - S01E08 - The Copernicus Pact DVDRip.en

Listen, sir. It's eight a.m. Until 9:30 client service doesn't start.

Okay.

I want to talk to the manager.

I told you yesterday you can't talk to the manager.

Listen, I don't know how else to tell you this.

The company won't pay the insurance.

Okay? There's no way, even if you speak with the manager.

Do you understand Spanish?

I want to talk to the manager.

The supermarket was robbed on the 17th, and your fee expired on the 14th.

Technically, you didn't have insurance.

I don't know how insurances work in the East, but we won't pay you here.

I want to talk to the manager.

Sir, you were told kindly and many times,

that the company has decided not to pay you.

Protected by point eight, section B from the insurance you hired.

If you wish, you can take legal action.

If not, I'm going to have to ask you to leave or I call security. Understood?

I want to talk to the manager.

Come back in a few hours, but know he might not see you all day.

- Would you mind?
- Yes, of course.

[LAMPONNE
Technique and mobility]

International Company of Insurance, good morning.

Good morning. With Mr. Cozzetti, please?

- There's no Cozzetti here.
- Cozzetti is the Event Manager of your company, darling.

[MEDINA
Investigation]

- Sorry, I didn't know.
- What's your name?

- Amalia.
- Amalia what?

Amalia Garibaldi.

Amalia, when Cozzetti arrives, tell him Feller arrived from headquarters.

He said he's going that way with Jaques Dupont and the Japanese men.

Tell him to please have everything ready.

Come in!

They called from the headquarters. They said some "Dupont" is arriving with the Japanese men.

Who's Dupont?

I don't know. They also asked for Cozzetti.

Yes, sounds familiar.

Last week they sent me a memo.

Here he is.

Cozzetti is the new Event Manager from the company.

Can someone tell me what happened?

What happened?

Are you serious? I asked for everything to be prepared for the reception.

[RAVENNA
Characterization]

A reception?

My secretary sent a folder the day before yesterday. The Japanese are arriving.

I didn't get any folder.

That's the folder.

Yes, when in doubt, "I didn't get any folder". God.

Yes. Listen, I had some trouble here at the downtown branch.

"The folders never arrived", they didn't get anything.

I don't know. They just found it. I need you to tell me how long it would take...

to send waiters, champagne, snacks,

soda, mineral water, juice, etc...

No. I can't work with that.

Can you bring Mr. Cimari, please?

I'm Cimari.

Oh, well. That's great.

- I need someone available.
- What for?

For what? To make coffee when Dupont and the Japanese arrive. At least.

Excuse me, who's Dupont?

Who's Dupont?

Page 30 from your company's book.

Cimari.

How ineffective. Fuck.

Borrillo?

Get me two thermos flask with coffee, please.

- Me?
- Yes.

- Instant coffee?
- Any kind.

Okay.

[I Pull A Spell On You by Creedence Clearwater Revival plays]

[SANTOS
Logistics and planning]

Welcome.

Mr. Dupont.

Bonjour, monsieur.

- Misoguchi.
- Hajime mashite.

- Osu.
- Hajime mashite.

Mr. Cimari, manager of this branch.

- Bonjour.
- Welcome.

Konichiwa.

This branch is one of the most important in Buenos Aires.

Are you tired from the trip?

A bit.

Here you can see a beautiful view of Buenos Aires city.

The gentlemen are the presidents of World Tokyo Industry Inc.

and they are planning on investing ten million on stocks for this company.

From here you can see the English Tower. There.

Banzai!

Banzai!

Banzai!

It seems this gentlemen is from Osu's hometown.

Their parents were together in high school, too.

They died in Pearl Harbor.

Que se passe?

Pardon.

What's going on?

That's Tamazaki.

He's asking for the payment of his insurance, but it had fallen due.

Can't we pay?

Yes, but I tried to go by the company's rules.

If we are able to not pay, we don't pay. By any means.

And the day his property caught fire, his fee had just expired three days ago.

What I could do, is make a TDF and change the date to three days before.

I don't have trouble.

Excuse me, Mr. Tamazaki. Would you come to my office? Come this way.

Mr. Osu.

Don't worry, his man is in the company's best hands.

This way, gentlemen.

tu as du feu?

Light, Cimari. He's asking to give him light.

Yes, but we can't smoke here.

Merci.

If you can get this ready by tomorrow, better.

- We might use it for another operative.
- Whatever you say, boss.

- See you, champion.
- Bye, see you.

You were always clear.

I know we don't have a commitment.

Yes, I know, but I'm not doing this for you.

I'm doing it for me.

I don't like this lifestyle. I don't feel good with it at all.

Even if it hurts her, I think I'm going to have to divorce.

She can't be happy.

Do you want to know how long it's been since we made love?

[TODAY WE PRESENT:
"The Copernicus Pact"]

Hey.

Hey.

- How was your day?
- Very good.

- You?
- Good. Very good, too.

I went to the supermarket. Bought some stuff.

In the afternoon, I went to the cinema.

And then, I cooked.

- Did you go to the cinema alone?
- Of course!

Do you want me to open a bottle of wine?

No.

No, I have to wake up early. I'll take just water.

Okay.

Okay.

I went to the travel agency and they told me about the Casablanca thing.

There are two direct flights to Morocco.

- You know?
- You know it's impossible for me to go anywhere right now.

- It won't be possible.
- It will do you good, José, please.

Plus, you are always stressed, always...

...worried.

What could happen at the offices if you go for 15 days...

...on a trip with me?

When we traveled together, we had a great time.

Well, I will think about it, okay?

When the trial for the tobacco company ends and I finish some stuff I'm doing...

...maybe we can go 15 days, okay?

Think about it.

Shall we eat?

Yes. Everything will be fine.

Come on.

I made a meatloaf that is delicious.

You don't know how tasty it is.

I need you to look for proof, son. Evidence.

Otherwise, we don't have a defense, and the hearing is next Thursday.

- But we were searching.
- No, it's not "we" were searching.

It's not your job. It's his.

On a team, everyone has their role, or it gets chaotic.

Imagine if I started looking for evidence. Who would present a strategy to the defense?

I need you to be the nexus with the district attorney's office, and you...

...get desperate on the streets looking for evidence so I can present the case.

If you don't get desperate, I will.

- Goodbye, see you.
- Goodbye!

Very well.

Solkin. You may come in.

They have to give you your money. There's no legal way they can avoid that.

Shall we make a lawsuit, then?

No, first we will try to convince them, cause a lawsuit can bring problems.

Imagine, someday, you will want a movie of theirs and they won't give it to you.

Are you okay?

Yes. I have an emotional chaos, but I guess nowadays that's okay.

Are you divorcing?

- I'm trying.
- What's stopping you?

I would die of guilt. I can't leave her.

I feel like I would ruin her life. She would die without me.

I know it sounds strange, but I know some people who could help you.

- No, thanks. I'm tired of psychoanalysts.
- They are not psychoanalysts.

Do you remember the guy who was blackmailing me to sell him the cinema,

and that you said we couldn't do anything legally?

Well, thanks to this people he can't blackmail me anymore.

- What do they do?
- I can't explain. It's complex.

But I can assure you, they are infallible.

Santos.

Come this way, please.

Sit down, please.

What's your problem, Zarazola?

My problem... well, look.

- I am married...
- Yes, I know.

You got married on June 12th, 1993. It will be 9 years soon.

You have been having an extramarital affair for two months with Mariana Lemos,

A recently graduated lawyer who works in your law firm.

You feel like you don't love Laura anymore.

You feel suffocated by that relationship. You want to be alone.

So far, it's clear.

Why don't you divorce?

Well, I tried divorcing many times.

But, when she starts crying...

...it breaks my heart, and I end up telling her it will be fine, we will fix it.

I think the problem is...

...I'm all she has.

She lives for me, thinks of me...

She's always checking on me--

She's always checking on me.

I think...

...I need her to take the decision of breaking up.

So she doesn't suffer.

I want her to leave me.

Because right now, what I'm feeling...

...it's not even guilt, but I'm afraid of hurting her bad.

I want her to tell me-- but I don't know how.

Because I treat her well, and she wants to be with me.

I treat her bad, and she still wants to be with me.

She...

...must be very in love, I don't know.

Even when I've been treating her with an unbearable coldness for a while.

But she still makes plans to remodel the house,

to travel together, she cooks for me...

I don't know what to do.

Are you sure you don't love Laura anymore?

Because our plans are as effective as irreversible.

No, of course I love her. I love her as one would love a dog.

As one would love a dog?

No, don't get me wrong...

Laura is the most important woman in my life.

She's the prettiest, most intelligent, most sensitive...

She's cultured, she's good, but I'm not in love.

Physically, I don't feel anything for her.

I don't feel like making love to her.

I love her... the way you love a sister.

The way you love a cousin.

You need her to voluntarily abandon you, so you don't feel guilty.

Very well.

Let's talk about the operative's cost.

Operative's cost?

We plan an operative, and then give you an estimate on the fee.

This includes costumes, especial effects, locations, anything we need.

You would pay exactly double the amount, for the logistics and labor work.

I warn you, we are expensive.

Don't worry, I can pay.

Yes, we know that. We have all your account's summaries.

The two in Buenos Aires, the one in Montevideo, the one on the Cayman Islands.

- Where did you get that information? It's illegal.
- Yes.

The barrier between legal and illegal, we cross daily. We couldn't care less.

Moreover, I don't know why you react like that, being you are a lawyer.

In two weeks, your wife will stop loving you, and will ask you for the divorce.

You won't tell her about my mistress, right? That would break her.

If you accept our fee, she will stop liking you, Zarazola.

Period.

I know nobody will love me like she does, but my body asks me to be alone.

So be it, then.

Every Tuesday and Thursday, Laura gives a Literature course in the Russian house, which depends on the embassy.

[Speaking Russian]

It's Russian literature in its original language.

For that, she earn 400 pesos, monthly.

Which she spends, almost invariably, in her husband.

It's true Laura is very undervalued. She only lives for Zarazola.

She barely sees her friends, and she's only worried about satisfying her husband's needs.

She goes to the supermarket to buy food he likes.

She goes to the dry cleaner to leave his suits.

She buys flowers to decorate the house all the time.

The only thing she does for herself, to forget Zarazola's mistreatment, is going to the movies.

Hey.

One.

Thanks.

Every Friday she goes to a classic movie screening, in a cinema in Corrientes street.

Her favorites are the ones in which the Nazis are the villains.

I studied her family tree, and her hatred for the Nazis isn't casual.

Mr. Mikael Smirnoff.

Laura's paternal grandfather.

He was murdered by Nazis, when they besieged Leningrad in 1941.

It was an heroic act. He caught the shots destined to his wife.

Laura has been insisting him to travel to Casablanca for over four years.

Zarazola never payed attention. Even more, they hadn't traveled together for five years.

He has gone to congresses and conventions, but always alone.

Besides her fanaticism for the movie Casablanca,

it's in Morocco where Turgenev wrote the book Asya, one of her favorites.

We have to make her fall in love for another man.

It's evident she has idealized her husband and sees him as her only source of pleasure and happiness.

And the coldness of Zarazola makes her feel even more attracted and in love.

We need a third man to make her detached from Zarazola.

It's easy to imagine the profile of a possible man for Laura.

It's evident she admires her Soviet grandfather.

Physical aspects: He doesn't have to be handsome, but has to be elegant.

Smirnoff used two-piece suits made of alpaca, especially Russian cloth.

He used gel in his hair, his mustache was tidily trimmed.

And he used top hats.

Emotional aspects:

He has to be a strong figure. Carrying and protective with women.

That's how Smirnoff was with his wife. In fact, he gave his life for her.

Intellectual aspects:

Laura's grandfather was the leader of a especial group who put up resistance against the Nazi invasions.

Our third man should have high ideals.

Who could that third man be?

Look at this.

Let's investigate this man, Medina.

[Be My Baby by The Ronettes plays]

Jorge Torelli. He is 39 years old. He's the owner of the cinema Laura goes to.

He has been organizing classic movie screenings for five years.

It's evident he's in love with Laura.

He doesn't stop looking at her in all projections.

But after the movie's over, she barely notices him.

He follows her to force a casual encounter, outside the usual space.

But he doesn't have the guts to talk to her.

The truth is that Torelli's life is very depressing.

I'm not sure Laura could fall in love with him.

He spends his days walking on the train station and on Corrientes street.

He also spends a lot of time reading alone in bars.

He loves crime novels.

He's a fan of Cain...

Hammett, Goodis, especially Raymond Chandler.

Torelli is a book thief.

He has a very shameful method, but it's efficient.

Yes?

How much is this book?

- 6.
- Ah, okay, thanks.

He dresses like Robert Mitchum.

He smiles like James Cagney.

And he lights his cigarettes like Humphrey Bogart.

He thinks he is Philip Marlowe.

But the truth is, he is extremely shy and very childish.

And he would never dare talk to Laura.

If I'm not mistaken, we said the third man should be elegant.

A strong, protective figure.

With high and noble ideals, and this guy...

He lacks any type of taste, he can't even protect a pet, and when it comes to his ideals...

Well...

He steals books.

It will be difficult to make Laura fall for him.

Difficult, yes.

Impossible...

...no.

We have to talk to you, Torelli.

Who are you?

Stay calm, Torelli. No one will hurt you.

Who are you?

We are from the Estate's Intelligent Service.

We work alongside people from the CIA, CDT and INTERPOL.

We need your collaboration to stop the Copernicus Pact from happening.

Copernicus Pact?

In five days, there will be an exchange of briefcases.

In one of them, there will be ten million unmarked dollars.

The buyers are a group of neonazis,

sons of members of the SS, who arrived to Argentina after the Second World War.

On the other briefcase, there will be four glass and steel tubes,

which contain 1500cm2 of the Ebola virus.

Enough to contaminate the whole hemisphere.

The sellers are a group of Soviet scientists.

Who went unemployed after the fall of communism, by the end of the Cold War.

The Copernicus Pact was signed five years ago, which indicates the place...

...date, and name of the intermediary who would perform the operation.

The one who would trade one briefcase for the other,

and who would return power to the Nazis after their long absence as the world's enemies.

The date is July 5th, 2002.

The place, Buenos Aires.

And the name...

Matías Plotkin.

We have this information, cause Plotkin came to us, regretful.

He was on our side.

He was going to take the Nazis' briefcase with the 10 million, and would trade it for the Russian's Ebola one.

With the exception...

...that that briefcase would never reach the Nazis.

Because he would bring it to us.

But five months ago, the tragedy occurred.

Plotkin was in a car crash while crossing the Andes mountain chain. He died on the spot.

We thought all these intelligence years were in vain, until we saw you.

It's evident that the resemblance is remarkable.

Plotkin left precise indications on how the transaction should be performed.

What we want, with you approval, is train you to become Plotkin.

Dress you like him.

Put you a mustache like him.

That way, you could help us get that briefcase.

What if I refuse?

The Russians...

...and the Germans...

...would think Plotkin came to us to betray them.

What do you mean, betray them?

Don't forget the resemblance is remarkable.

We could say you are the real Plotkin, who's pretending to be Jorge Torelli.

And that you want to betray the Nazis.

They killed 15 million people.

I don't think one more would bother them.

This is a combination of signs and passwords we found in Plotkin's journals.

To get the Russians suitcase, you will need to learn them.

- But this is in Russian.
- Don't worry.

We will get you a teacher.

[Speaking Russian]

Good afternoon.

Yes?

I understand you give Russian lessons.

Yes, Russian literature.

I need you to train a person for a specific reason.

The job is easy, but urgent.

It's good money.

Could you be more specific?

Not much.

Simply, I need you to train a person so he can hold a pre-written conversation in Russian.

What, does he have to act?

Something like that.

Well, I don't think there will be any trouble.

May I know who the person is?

No, I can't tell you yet.

When the clock on the English tower hits 8 o'clock, you shall be at San Martín park.

In front of the monument.

- Laura.
- How are you?

- May I introduce you to...
- Hey!

- How are you?
- Good, good!

Do you know each other?

- Yes, he's the man from the cinema I...
- Jorge.

He comes to a cycle of screenings I organize.

We will have to change teachers, then.

Why? Is there any problem?

I have to make sure there isn't any kind of affective relationship.

It's fine, let's begin anyways. We have three days.

I'll pick you up in two hours, Torelli.

Laura.

Well, here it says...

...that they will say, "the swallows are free".

Very well.

You have to answer, "the seagulls have emigrated". That's what it says here.

There.

So, they will say...

"The weather is arid".

And you answer...

"Arid is the desert, but not the elevator".

Not the elevator... it doesn't make much sense, but that's what it says.

There it is.

I don't know you very well, Torelli, but why did these people hire you? What for?

- Why do you have to learn Russian?
- Don't ask me, please.

I'm not authorized.

Excuse me, Torelli.

We have a problem.

Don't look. Don't look, please.

One of the Germans is on the park, and if he sees you, it might complicate the operative.

Take this.

One for each. Put it in your ear.

But don't look, please.

Can you tell me what's going on?

Mankind is at danger. Do as you are told, madam.

Turn around and walk.

He's looking at you.

- Torelli, when I tell you, kiss her.
- What?

Now.

Continue, please.

He's hiding behind the fountain. Turn 45 degrees to your right.

Walk.

Hold hands.

- Wait, we lost him.
- What do you mean you lost him?

Yes, I don't know where he is. R9, do you see him?

Negative.

It's been a while, Plotkin.

"But we are finally close."

But we are finally close.

The lady?

"A friend."

A friend.

We will do something big, Plotkin.

Very big.

"I just care about the percentage, Gunter. Only that."

I just care about the percentage, Gunter. Only that.

Three days, my friend.

"See you."

See you.

See you.

Madam.

Get in the van, please.

What van?

Let's hope you never have to use this.

But we have to be prepared.

Aim to the head.

1... 2...

3... fire.

Very well.

- Aim for the heart.
- It's incredible.

I've been recruiting people for 12 years, and I've never seen someone so complete.

He's humble, intelligent, skilled.

This man is about to save humanity, literally.

- And no one will ever know.
- Fire.

Very good, Torelli.

Very good.

Now left arm.

- Why did you bring me here?
- Cause one of the Nazis saw you with Plotkin.

Until this operative is over, your life is at risk.

Don't forget you are believed to be the woman of an international mercenary.

However, if you want to leave, you can. But I would suggest you stay.

Fire.

Right arm.

What do the Nazis want?

No less than buying 1500cm2 of the Ebola virus from the Russians.

And that way, returning to power after the fall of the third Reich.

Fire.

Torelli, agreeing to become Plotkin, will help us prevent that from happening.

Now to the center.

Aim to the center.

1... 2...

3... fire.

Congratulations, Torelli.

Aren't you a bit imprudent? You talk all these in front of me. You don't know who I am.

We know everything about you, Laura.

You were born in Puerto Rico on July 5th, 1970.

You came to Argentina when you were 7.

ID 19.983.422

Married to Zarazola. No children.

In 1977 you studied in the NET school in Almagro.

In 1981 you played Remedios De Escalada in the San Martín play at school.

1983, you were ellected first accompany of the flag.

1987, you won the dance contest as Michael Jackson in your field trip to Bariloche in the Cerebro nightclub.

In 1990 you entered the Buenos Aires University to study Languages.

It's okay, R9.

What's the plan of the operative?

This is the Copernicus Pact, people.

Signed in the city of Genova, Italy, on August 26th, 1998.

On July 16th, 2002, At 22:30, Buenos Aires time,

The Germans, represented by Carl Bahr, and his cousin Ugg Gunter Bahr,

will deliver the briefcase with the 10 million dollars to Mr. Plotkin

on platform 7 of the Retiro train station.

Two hours later, on platform 12,

the Russians, represented by Sergei Borodovsky and Dimitri Nureyev,

will hand the briefcase with the Ebola virus to Plotkin.

There, there will be an exchange of signs and passwords in Russian.

That's what we trained you for, Torelli.

From that moment, the Russians will flee the scene immediately.

We will let go the ten million dollars. We don't care about that.

It's money that comes from the treasures of the third Reich.

Money that disappeared after WWII with the Nazis that migrated to South America.

Now, the Germans think that, at 23 o'clock,

again in platform 7, Plotkin will hand them the briefcase with the Ebola virus.

Our idea is that, at that time and to the view of the Nazis,

another international mercenary seizes that briefcase...

...and kills the fake Plotkin.

Meaning, you.

That way, we could blank his death and we would prevent the Ebola virus from reaching the Nazis.

Don't worry.

The international mercenary is behind you.

I will kill you with fake bullets.

Your body will be full of these devices, which I will activate from another platform.

- And what do I do after that?
- Exile, Torelli.

We have secret funds from Fort Knox, in EE.UU., to finance our operatives.

We would send you to a country, yet to determine, far away.

We would keep you there until Plotkin's death is blanked.

And you can go back to being Jorge Torelli.

And me?

You won't be so exposed in the operative.

So you can go back to your normal life.

Nonetheless, we would like to count with your help tonight.

I want you to be calm. We have everything under control.

You just have to help Torelli with the Russian passwords.

The real Plotkin spoke it perfectly.

The Germans are here.

Look to the 18:00.

Your turn, Torelli.

Good evening, Plotkin.

The day is finally here.

To our thing.

- Ask them to see it.
- I need to see it.

I guarantee this pact with my life.

- At 23:00.
- Good night.

Look to the 15:00. The Russians are here.

The exchange, Torelli.

Go to platform 12.

- It's been a while, Plotkin.
- How are you?

How are you?

The swallows are free.

But the seagulls have emigrated.

The weather is arid.

Arid is the desert, but not the elevator.

Arid is the desert, but not the elevator.

Go back to platform 7.

You are doing very well, Torelli.

If there was only a man like him to stop Hitler, WWII wouldn't have existed.

When Torelli is 2 meters away, R4 intersects him, shoots him and steals the briefcase.

Be precise. Shoot to the chest, where he was the fake shootings.

Understood, R4?

Correct.

R9?

Correct.

Walk in 5, R4.

3.. 2...

We have trouble at 21:00.

- Who are those?
- I don't know. I have no idea.

I don't know.

Give us the briefcase, Plotkin.

Right now.

You can't escape.

And I assure you, if that man came with you...

...you will pay the price of your betrayal with blood.

Don't give that briefcase to the Nazis for nothing in the world, Torelli.

They will kill him!

It's one against millions the release of that suitcase can cost us!

Look to your right, Torelli.

We will take care of the armed ones, Carl and Gunter.

you take care of the other two.

To the count of 5...

4... 3... 2...

1... go!

Don't drop that briefcase for anything, Torelli. Follow me.

Walk fast.

Come with me. Don't stop.

- Do you have your passport?
- Yes.

Very well. Here's your plane ticket.

We will take you to Don Torcuato airport now.

There, you will take a private light aircraft that will take you to Montevideo.

Two days after, on a proper air company, you will fly to Morocco.

You will live in Casablanca, in a hotel.

You will receive a monthly payment so you can work on whatever you like.

You will take Torelli to Casablanca?

Never tell this to anyone.

Torelli, here is your suitcase. We made a selection of your clothes.

Thank you.

See you soon.

Listen, I think she should go too.

She has a husband, a life, she's happy.

- What will she do in Casablanca?
- I don't know.

But I think it would be more wise to send her there too.

We would be less worried.

Don't worry, Laura.

You won't have any trouble here. And thanks for your help.

Please.

I don't know... I guess I have to be thankful.

What an adventure, Laura.

Goodbye.

Goodbye.

We don't have time to lose, Torelli.

The aircraft will depart in two hours.

Our phone for the next 72 hours.

Call us if you need anything.

Good luck.

You sat on top of the device, Torelli.

Sorry.

Laura.

Where were you?

What's wrong?

Trust me, it's nothing against you. I will explain.

I will write and explain to you.

It's weird. I know it's weird, but everything will be fine.

It's time.

Mr. Louie, Mr. Torelli.

Wait a second, Torelli.

Someone else will fly with you.

I always thought Ingrid Bergman was wrong.

Going to her husband instead of with Humphrey Bogart.

I won't make the same mistake.

In Uruguay, someone from our agency will receive you.

He will inform you everything about accommodation and transport in Morocco.

We are ready to go, Louie.

Guys.

When you arrive to Casablanca, you will get a phone call from us.

We will tell you the bank's name and the account number where you can get your monthly money.

From now on, we cut communication for at least two years.

You are free. You can do whatever you want.

If you are planning on traveling, I suggest not coming to South America.

Good trip!

What are you doing here?

Nothing, just going by and thought of coming to say hi.

Then come!

We were working from home.

And we came here to rest a bit, that's all.

Maybe I was wrong, or confused. I don't know what had gotten into me.

But now, I need you to bring her back, cause I miss her.

I realized I love her a lot.

Don't worry, Zarazola. You don't love her.

You want everything you can't have.

Think about it. It's not serious, but it's true.

And excuse me if I'm badly-timed,

but here's the fee for our services.

You can pay with check, if you want.

And one more thing.

Maybe we need your collaboration on a future operative.

Can we count on you?

Here's your part, Gustavo.

Listen, this is not what we had arranged.

- Same as always. Half-time.
- No, it wasn't half-time.

There was also a day to try wardrobes.

Lamponne. Come see this.

Excuse my impertinence.

But I don't trust anyone, not even you.

The Ebola virus must be destroyed.

I decided to take care of this task personally.

So long. Signed Torelli, a.k.a. Plotkin.

A.k.a. The Mole.

Excuse me sir, would you like to put your handbag on top of your seat?

- No, I'd rather take it with me. Thanks.
- Okay.

["The Mole"]

Translation by Fiodeste
Corrections by Gian150