All language subtitles for Once.Upon.a.Time.in.America.1984.EXTENDED.1080p.BluRay.x264-AMIABLE.English

Subtitles by Prospero
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(DOOR OPENS)

(LIGHT SWITCH CLICKING)

Ah!

Where is he? Where is he hiding?

I don't know. I've been looking
for him since yesterday.

I'm gonna ask you for the last time.
Where is he?

I don't know.

What are you gonna do to him?

(GROANS)

Stay here in case that rat shows up.

Okay.

(GASPING)

BEEFY: Who you protecting, you dumb asshole?

A stoolie who rats on his own friends?

They were your friends too.

TRIGGER: I got it. You wanna end up
like that bitch, huh?

(MUMBLES)

At Chun Lao's. Chinese theater.

You stay here with this barrel of shit.

(SPEAKING IN CHINESE)

Noodles. Noodles. Noodles.

(GROANS)

(PHONE RINGS)

MAN: Easy, easy...

(PHONE RINGING)

(SIREN WAILING)

(PHONE RINGING)

(MAN SHOUTING)

(PHONE RINGING)

(MUSIC PLAYS)

(PHONE RINGING)

(RINGING)

(SCREECHING)

This way. Hurry!

There down. Mott Street.
Go. Go. Go.

(ELEVATOR RATTLES)

(GROANS)

(GUNSHOT)

Noodles.

Noodles.

Noodles.

Untie me.

Stay that way. No, stay.
I want them to know I did it.

MOE: Where you going?
NOODLES: I'm gonna go get Eve.

MOE: Don't.

Why?

They... They already been there.

Do you need anything?

Money?

NOODLES: I got more than I need.
Yeah, it's all yours now.

(TRAIN RATTLES)

(MUMBLING)

Where to?

Sir, where do you want to go?

Anywhere. First bus.

Buffalo?

One way.

That'll be $1.20.

(HORN HONKS)

I wanna rent a car.

Would you fill this out, please?

(HORN HOOTING)

(SHIP HOOTS)

(TRAIN HONKS)

MAN: Shoot the dice, man.
Shoot the dice.

(PHONE RINGING)

(VOICE NOT HEARD)

(VOICE NOT HEARD)

(DOORBELL RINGING)

Noodles.

I brought back the key to your clock.

Lock the door.

When did you get back?

NOODLES: Today.

Why?

They got in touch with me.

Who?

I thought you might know.

Me?

I don't know nothing about nobody no more.

(KEYS RATTLE)

You gonna offer me a drink?

Yeah, forgive me. Sure. Of course.

Please sit down.

Who's Robert Williams?

I am.

"We wish to inform you that following the sale

of the Beth Israel Cemetery".

Yeah, the synagogue sent these out if
you wanted to relocate your loved ones.

I got the same letter on
account of my father.

Only the synagogue didn't send that.
I got that last week.

And the rabbi told me he sent
those out 8 months ago.

Yeah, that's right.
That's about when I got mine.

So, what else did he say, the rabbi?

He said I was lucky.
The bodies of Philip Stein,

Maximilian Bercovicz, Patrick
Goldberg were already spoken for.

And they were up in a very
fancy cemetery in Riverdale.

What's this all mean?

It means...

"Though Noodles, you've been hiding
in the asshole of the world,

we found you.
We know where you are."

It means...

"Get ready."

For what?

That's the one thing it didn't say.

What do you think?

I think the answer's here.
That's why I came back.

Hmm.

I moved everything in here.

I had to sell the house, the backroom.

You know I always thought
you might have helped yourself

to that million bucks. But now I know.

You're on your ass worse than ever.

But I thought it was you who...

No, you thought wrong.

The suitcase was empty.

Then who took it?

That's what I've been asking
myself for 35 years.

If it bothers you, I can sleep here.

You can have my room.
NOODLES: No. It's okay.

(SIREN WAILS)

How's your sister?
I ain't seen her for years.

She's a big star now.

We should have known, huh?

You can always tell the winners
at the starting gate.

You can always tell the winners,
and you can tell the losers.

Who would've put a penny on you?

I'd have put everything
I ever had on you.

Yeah, you would've lost.

Well, you're beat. Good night.

Good night, Moe. Thanks.

What have you been doing all these years?

Been going to bed early.

(GRAMOPHONE PLAYS)

Deborah, Papa says you should help.

No.

We got customers all over.
We can't do everything.

Try. I've got my elocution lessons.

(MUSIC STOPS)

Fat, you better spray the toilet.
I saw a cockroach in there.

NOODLES: Sorry.
MAN: Meshuga!

DEBORAH: Sorry, I can't make it today.

GIRL: Okay. Bye.
DEBORAH: Bye.

(YELL)

Sorry, Fats.

PATSY: Noodles! Bugsy's got a job for us.

PATSY: Hurry up. He don't wait.

NOODLES: Who you calling a cockroach?

So, what are you?
You're filthy, you make me sick.

You crawl up toilet walls just
like a roach. So, what are you?

Let go!

I make you sick, huh? Then how come
you showed me your tush?

To a roach.

Go look at yourself, David Aaronson.

She don't leave me alone, I'm gonna
give her what she's asking for.

What's Bugsy want?
We gotta wake up a deadbeat.

That schmuck at the newsstand didn't pay.

NOODLES: Here's your money, sir.

(YELLING)

NOODLES: Beautiful.

Look at it, it looks great! Wow!

(MAN SOBBING)

NOODLES: Come on, guys.

Come on, come on.

Now make up your mind.

Noodles, let's take the dollar.
Yeah.

MAN: Skip, here you go.

NOODLES: That one.

Him.

MAN: Hey, Sam, I'll see you next Thursday.

NOODLES: That one.

Are you nuts?

Bugsy said we could take the dollar
or we could roll the drunk.

Yeah, but he ain't even drunk yet.

We'll wait.

Well, you roll that one over there.
What's to roll? He drunk it all.

Bounce that little shikker.

(WOMAN YELLING IN YIDDISH)

(FLUTE PLAYS)

(WHISTLING)

Jacket.

It's Fartface.

Shit!

We should've took the dollar.

Could've had 10 corned beef
sandwiches on poppy-seed rolls.

Look, the wagon will hide us
from Fartface. Get ready!

Now! Throw your jacket over him.

MAX: Mister, you sick? Poor guy, you'll be
okay. Come on! I'll help you.

Come on, up you go.

Now, you're worse than my Uncle Nathan.

Why do you want to get soused? You can
even rock. I'll take you home.

Go, Mama.

WHITEY: Stop right there. Hey, you!
Yeah, I'm talking to you.

What are you kids doing here?

What are we kids doing here?
We're getting it up the ass.

Yeah, getting screwed.
Is there a law against it?

Can you spare a dime for poor little
pisherkehs that just got it up the ass?

Come on! Get out of here.
Come on! Get off the street.

Get out of here. Get off the street.

Go ahead. And don't come back.

I don't want to see you here again.
All right?

(FLUTE PLAYS)

Hey, stop by for you later.

Yeah, but knock here on the john first.

My old man's praying,
and my old lady's crying.

And the light's turned off.

What the hell should I go home for?
At least in here I can read.

WOMAN: Where do you think you go?
GIRL: Mama, don't get worked up.

MOTHER: You got pots to clean.

Peggeleh?

PEGGY: I'll be right back, Ma.
I gotta go to the can.

Hi, Peggy.

At least you could lock the door.

Don't you like it?

I've seen better.

You seen lots?
How many you seen?

I'll tell you how many. None.

Let me see yours.

Looksies, no feelsies.

NOODLES: Peggy... Peggy, I...

You like it, don't you?
Not for free, I don't.

You bring me a charlotte russe with cream,
and then you can do anything you like.

Tomorrow. I'll bring it to you tomorrow.

I'll bring it tomorrow.
I don't give credit.

I promise. I promise.

You better stop squeezing me,
or I'm gonna poop in my pants.

Well, you getting out?

Come on, come on.

Give me six copies.

Drop your pants and I'll stick it to you again.

What do you mean, "again"?
That's a long story.

And look what time it is.

It's already 6:34. And I gotta go.

Boy, I got a lot of work to do.

Hold it a minute.

Now it's 6:35.
And I ain't got a damn thing to do.

Just you wait, asshole.
I'll do something with your time.

Wait! Hey!

Since we're talking about time...

...it looks like you're gonna break
that lamp at 6:36.

Where'd you pinch this?
It's mine.

Prove it. I gave it to him.

WHITEY: Yeah?

Who the hell are you?

Where you from?
The Bronx.

And you give away watches?

He's my uncle.

And who gave it to you?
My uncle Nathan.

My little brother.

Tell your uncle to stop by the precinct.

MAX: He's dead. Alcoholic.

MAX: In Kishnev, Poland.

Then he don't need it no more.
It's been requisitioned.

What's that mean?
Pinched by him. At 6:37.

Just remember, I got my eye on you two.

I got my eye on you too.

Take it! Take it!
Take the lamp off. I can't hold it.

Max.

Who's this?

MAX: My uncle.

That one. With the cream.
The 5-cent one?

PATSY: Yeah.

For the 2-penny one she
only gives you a hand job.

I can do that myself.

Not that one!

That one.

You sure?

Wrap it up pretty.

Good morning. Peggy home?

MOTHER: She's taking a bath.

That's great. Would you be so
kind to tell her I'm here?

Hey, Ma. Another bucket of water.

Wait.

(DOOR OPENS)

PEGGY: What do you want?
Me?

Mama said you were looking for me.
Oh yeah, no. The guys told me that...

What? I'll come back some other time.

Noodles!

Noodles! Noodles! Noodles!

NOODLES: Did you get it?

His asshole blinked, but we got him.

Nice going, Fartface. And on duty too.

You boys caught me with
my pants down on that time.

No, we caught you with your
schmuck in tukcs of a minor.

Scram, put this someplace safe.
That's all right. Hey, hold it!

Where you going?
Stop! Hey wait a minute!

Hey, you, stop! Hold it.

What are you kids gonna do
with that plate? Depends.

Times, Max?

I think it's time we got our watch back.

Okay, boys, we're even.
The hell we are.

You'll be collecting your
pension before we're even.

PEGGY: Hiya, fellas.

What do you boys want?

MAX: First off...

...you're paying Peggy for us.

Okay. That's it?

MAX: Go ahead while I tell him.

Ok I can't believe it. My first time,
and a lousy cop's paying for it.

WHITEY: Look, what else do you kids
want for that plate?

Noodles was telling me about the guy cope Bugsy.
Seems he's boss of his neighborhood, thanks to you.

Meaning what?
Meaning he pays you off.

PEGGY: Will you slow down?
What is your hurry? Take it easy.

If you keep this up, you're
gonna come too fast.

(NOODLES GROANS)

Do you see I mean I can't... You're
so stupid. I can't believe it.

So why does Bugsy pay you?
What do you do for him?

I close an eye once in a while.
Well, now you close an eye for us.

Why? What are you kids up to?

He'll tell you.

Me, him, Cockeye and Patsy,
we're working together.

Bugsy'll flatten you.

And besides, I don't put up with
no trouble on my beat.

You'll put up, and you'll shut up.

You hear nothing, and you see nothing.

Just like you did for Bugsy.

MAX: Shit!

Don't get him upset. That makes it
worse. It can happen the first time.

It's them two talking out there.

Can't you see you're ruining the mood?

We made our deal.

So take a walk.
PEGGY: Come here, honey.

Feel good, bubeleh?
He'll never get it up.

PEGGY: Relax. Okay.
Calm down, calm down.

(PEGGY LAUGHING)

PEGGY: Okay. Okay, come here.

(PEGGY MOANING)

DEBORAH: I'm glad the baby's better.

WOMAN: Happy Pesach, Deborah.
DEBORAH: Happy Pesach, Becky.

Hurry dada! We're gonna be late.

There's Deborah. Sorry I'm late.
Mama needed help.

Good! I just locked up and
I'm giving you the keys.

I thought I'd just practice my dance
routines, that's all. All right?

Deborah, sure you don't let the goyim in.

Okay, bye.
See you later, Debbie. Bye.

(GRAMOPHONE PLAYS)

DEBORAH: Get down off of there, roach.

That record's just like Ex-Lax.

Every time I put it on, you
have to go to the bathroom.

What are you doing?

Give me a drink.
We're closed.

Nice people don't drink on Pesach.
They go to the synagogue.

So, what are you doing here?

Somebody's got to keep an eye on the place.

There are a lot of thieves out there.

One of them could get into your house.

Especially if you leave the door open.

You can pray here too.

Here or in the synagogue, to
God it's the same difference.

Come over here and sit down.

"My beloved is white and ruddy.

His skin is as the most fine gold.

His cheeks are as a bed of spices."

Even though he hasn't washed
since last December.

"His eyes are as the eyes of doves.

His body is as bright ivory.

His legs are as pillars of marble."

In pants so dirty they stand by themselves.

"He is altogether lovable."

But he'll always be a two-bit punk

so he'll never be my beloved.
What a shame.

(RATTLING)

DEBORAH: Somebody's there.

There ain't nobody.

(WHISTLING)

It's Max.

So that's who it was.

MAX: Noodles!

Go on, run. Your mother's calling you.

MAX: Noodles!

Just gonna go see what he wants.

(WHISTLING)

NOODLES: Hey. Yo?

You been here long?
No.

Were you in there?

You're one lousy kisser.

I seen you go in there
after that ball-buster.

Here's the stuff from last night.

We got 4 for the silverware,
6 for the typewriter.

Lipschitz wouldn't cough up any more.
We gotta get somebody else.

I came to divvy up.

Tomorrow, with the others.
I also came to pick you up.

I can't come right now. The houses,
the stores, they are all empty.

We got our pick. You pick that.

Yeah.

Some partner I got. Have fun.

BUGSY: How's it going, boys?

Who's that?

Bugsy.

I hear you guys are in business
for yourselves now.

I hear youse are doing real good.

Ain't you gonna introduce me
to your friend here?

I'll introduce myself.

Excuse the glove.

BOY: Son of a bitch!

That's my cut.

You don't work for me,
you don't work for no one.

I don't like bosses.

You was better off you stayed in the Bronx.

It would have been better for you too.

(BUGSY SPITS)

(MAX COUGHS)

(NOODLES GROANS)

I'm gonna kill him one of these days.
NOODLES: Yeah?

Meantime it looks like he's killed us.

Deborah, open up the door.

Deborah, open up the door.

Deborah.

AL: That stuff, is it ready for the glob?
We're loading it.

(MEN LAUGHING)

(CHATTERING)

AL: Che cazzo succede down here?

AI, we got the big boys with us today.

They wanna work for us. Doing what
Bugsy did. We want his job.

FRED: Do you get that?

Hey Cochran! We the best escorts you ever gonna get.

A fangulo a ma, escort your
mother's ass out of here.

Okay. Let's go, Noodles.

We peddle your invention somewhere else.

FRED: Hey, wait a minute.

What invention?

You ship your stuff by the river, right?
See sometimes.

And when you get caught by the coastguard,
you gotta throw all the cases overboard.

You lose the whole shipment, Cochran.
So?

For 10 percent, we'll save it all for you.

What do you got, submarine?
We got salt.

You got what?

Salt. Me and the boys are rolling salts.

We need 3 tons of salt per shipment.

Get the fuck out of here.
Go back to school where you belong.

What is it with all this salt?

Hey, hey, we got salt
on our noodles. Show 'em.

NOODLES: This is full of salt.

All right, come here.

AL: So?
Keep your shirt on, Cochran.

NOODLES: We gotta wait for the salt to dissolve.

(FOGHORN HONKING)

Well? Hey, what's wrong?

Hey, look.

DOMINIC: Wow!

PATSY: Great!

Look at that!
It's great.

Noodles.
Look.

NOODLES: I see 'em! What did I tell you?
Yeah.

Yeah!

(CHATTERING)

PATSY: Hey, Noodles.
NOODLES: Hooray. Hooray for us!

We did it.

Come here, Max.

MAX: We did it.
NOODLES: No, Max, no!

Max.

Max.

Max!

Max!

What would you do without me?

(LAUGHING)

MAX: There.

From here on, we establish
the shared funds of the gang.

They belong to all of us together
and to none of us alone.

And we solemnly swear to put in
50 percent of everything we make.

Agreed?
Agreed.

Agreed.
Agreed.

Agreed.

I wanna take another peek.

This goes to Fat Moe.
We don't tell him what it's for.

And he gives it back only
when we're all together.

Agreed?

ALL: Agreed.

Agreed.

(FLUTE PLAYS)

DOMINIC: Bugsy's coming! Run!

Noodles.

I slipped.

(NOODLES YELLING)

NOODLES: Schmuck.

(HORSES GALLOPING)

(NOODLES GROANING)

(BELL RINGING)

Wanna go in?

Yeah.

You a relative?

An uncle.

It's open.

(FLUTE PLAYING)

(FLUTE STOPS PLAYING)

(FLUTE PLAYING)

(KEY CLANGING)

"Erected to their everlasting memory
by their friend and brother...

...David Aaronson, 1967."

Hello. May I help you?

I was just looking.
I'm the director of Riverdale.

I've never seen a tomb like this.

We like to call them "heavens",
we find it more comforting.

Erected to their everlasting memory
by their friend and brother...

David Aaronson, 1967.

Is it the spell?

Yes. Do you know Mr. Aaronson,
Mr...? Sorry.

Mr. Williams.

Mr. Williams. An interest like yours
is a compliment to our architects.

After you.

I think the beauty of the interior
equals that of the exterior.

Don't you agree, Mr. Williams?

We wanted to do the style of the 30s,

which is when our young friends bid farewell.

Was this Mr. Aaronson's idea?

Actually he left the whole thing up to us.

I had...We had carte blanche.

All he suggested was the inscription.

"Your youngest and strongest will fall by the sword."

What about the music?
And the music.

That was exactly his idea too?
Yes.

We received a tape.

You seem to know him so well.

I'd like to ask you to tell him
how much you like the "heaven",

when you see him.
Could you do that? Sure.

I've been away quite a long time
and I lost the address.

And a woman maybe...

You must have signed a bill or something.

The bank handled it. It's a foreign bank.

I wish I could be of more assistance
to you, Mr. Williams.

Have you ever thought to build your own heaven?

Think about it.

Can I take that for you, sir?

Your limousine is waiting.

Maxie.

How are you, uncle? You're looking good.

You're looking a little better.

Come on. Better get you off the streets.

Some limousine.
What are you talking, huh?

We own the company now. It's a good cover.
It'd be a surprise. It pays off too.

My mother wrote me you was
in the body-snatching business.

By the way, I appreciate everything
you did for my family.

Forget it. It's your dough.

It's all down in black and white
in the company books.

You're the company.
You and Patsy and Cockeye.

Gravediggers and any good partners.

Hey, enough of this.
Business before pleasure.

We got a rush job. Here.

Come here. Look at this. Come here.

Sudden death. Fucking tragedy, huh?

26 years old.
26?

Just took it down. What a shame.
Great stiff. She died of an overdose.

And I'm ready for another.

Come on! Pump the life into her. You didn't
turn pansy while you in there, did you?

MAX: There you go.

(GIRL LAUGHING)

Turning over in the grave.
They do it every time.

GIRL: Don't worry. A pansy he ain't.

(MAX CHUCKLING)

NOODLES: Thanks.
MAX: You're welcome, Noodles.

Whoops. Sorry.

GIRL: Thanks. Good night.

Hey, you want a little pick-me-up or something?

GIRL: No, thanks. I've had mine.

(GIRL LAUGHING)

MAX: Did you give her your all?
NOODLES: What do you think? You bet your life.

(MUMBLING)

MAN: Wait till you see this place.

MAX: It's over here.

Where we going?
To a place that never closes.

Whoops. Watch yourself.

(WOMAN CHATTERING)

What's this?

Our place.
We got the hottest spot in town.

This is the real Fat Moe's.

Get rid of that rag, will you?

What do you think?
It's beautiful.

You like it? Beautiful. Beautiful.

GIRL: Hey, give me that.

Noodles.
MAX: Patsy, look who is here!

Come here, son of a bitch.
Come here!

You look fantastic. Wait a minute.

PATSY: How you doing?

Look how big you got.
Me?

Noodles. Oh, God.

Noodles!
MAX: Number 3 coming through.

Let's have a toast, for chrissakes!

You look like shit.
I just got out of prison.

Nice guy.
Hey, Noodles, get a load of this.

Look.

Hey, scotch heating.

Yeah, a buck a cup.

A buck a cup?
Yeah.

How much it cost us?
Costing us?

Yeah.
A dime, including overhead.

Hey, Noodles.
Fat Moe.

NOODLES: You look terrific.

Look like you lost an ounce or two.
You think I'll lose hemorrhoids.

NOODLES: Can't recognize him without an apron.

L'Chaim.
ALL: L'Chaim.

Welcome home.

So what the fuck kind of maître you are? You guys
rose in a joint. You don't even show him around!

PATSY: Yeah.
MAX: What's the matter with you?

I didn't know. Hey Noodles, I'm sorry.
NOODLES: You're some shtunks. You know that?

You don't come up and get me up there.
COCKEYE: He's the shtunk over here.

Yeah, he said you weren't coming out till Monday.

So he is to get him the next time he gets out.

God forbid. God forbid.

ALL: Whoa! Whoa!

Come on, let's see if
you can guess who it is.

Charlotte russe. With a little
too much whipped cream.

Peggy.

Hey, you watch it, now.
And my prices, they've gone up.

I work in a high-class joint now.
And I get paid by the pound.

My Peggy, she's worth every penny
of it too, my red-hot mama.

Come on, come on.

COCKEYE: Timber!

Ok you've seen your old pals now. I want
you to meet some new ones. Come on!

NOODLES: I'll see you later.
MAN: You gonna lay here all night?

Cockeye wanted to play with the band.
I'm serious.

Come on.

Aren't you going to say hello?
Hello.

(MUSIC STOPS)

(BAND PLAYING)

Your brother's a real friend.
He's a romantic.

Max tell you I was getting out today?
Max? No.

You remembered yourself?
No, Moe. It's always Moe.

Yeah.

You weren't counting the days?

DEBORAH: Of course I was. 4344, 4343.

I lost track at 3000.

That wasn't my choice.
Yes, it was. It still is.

Well anyway, did you come here
to welcome me back at least?

I still live here. I was on my way out.
Moe said I should say hello.

I hope Moe didn't have to bend
your arm or anything like that.

No.

Welcome back, Noodles.

MAX: Hey, Noodles.

You dancing?

Every night at the Palace Theatre.

I've made some progress since I used
to dance here among the brooms

and the empties.

You can come spy on me if you like.
If you have time.

Every night.

Noodles.

Go on, Noodles, your mother's calling you.

It's good to see you again, Noodles.

My pleasure.

Did you get the wine?
Dago Red. The best.

How you doing?

There they are.
The 4 horsemen of the apocalypse.

Did you see that movie, Joe?
It's a good movie.

Max, how are you? Good to see you.

Nice to see you.

This must be your friend, Noodles.
Noodles, say hello to Mr. Monaldi.

Hey Noodles, how are you? All right.

Nice to meet you. You don't have
to call me Mr. Monaldi like he says.

I like my friends and people
I respect to call me Frankie.

Come on, sit down.
Get some chairs and some glasses.

Sit down, relax. You're home now.

This is my very dear friend Joe.

He came all way from Detroit
to ask me to do him a favor.

And I wanna do it for him.

I don't have to tell you who Joe is,
how far he got,

or how far he is gonna get.

He's not only my dear friend,
he's my brother.

I'll tell you the truth.
Even a Jew can't eat this shit.

I mean, the mustard doesn't even help.

(FRANKIE CHUCKLING)

These guys with you?

I told you these fellas are with me.

You could trust them.
You're in very good hands.

Just tell them exactly what you want them to do.

Move some diamonds from Detroit.
Kid stuff.

Why us then?

If it's kid stuff, why not have
the kids from Detroit do it?

Excuse me, Noodles. What he means
that it's something that's very simple.

But for now he needs kids
from outside to handle it.

It means he just found out they're
moving these diamonds to Holland

in a few days. So it's something
came up right away.

You understand?

Hey, Joe.

Tell these guys the story about
the pussy being insured. What is it?

Insured?

FRANKIE: Tell these guys how you
stumbled on this whole thing.Did you...

Tell them the story.Who is that?
JOE: Come on.

Pussy insurance. The insurance pussies.
Where is it? Tell them that story.

Life is stranger than shit, that's all.
It's a pisser. No big story.

I got this insurance agent,
this Jew kid named David.

This kid conned me into every policy
in the world. Every policy, name it.

Dogs, house, wife, life, anything.

I'm drinking with the boys one
night, he comes in with his wife...

...a prix brunett with a nice ass
who works for a jeweler.

And he's still on the hustle, this guy.

As I wink at the guys, I say, "Look...

...the most serious policy, that should be,
you don't have me covered for."

He goes, "What's that, Joe?"
"Cock insurance."

"You make me a policy that when
it don't work, I get a payment...

...I'll write out a check now."

He thinks "I don't know if the actuality

gauges govern this...
but we can make a policy.

She says but you gotta guarantee
you're in good health now."

Is that simple? You know I say "Look, leave her
with me. Come back and see if it stands up.

If it stands up, you know I'm
in good health to begin with. Right?."

The jerk leaves her. I screw her.

All right she likes it. And she tells
me she bloods when her boss,

the jeweler... is shipping stones to Holland...

...where he keeps his stash in a little drawer
in the safe. Everything in the world.

Can't ask for more, right?
Except, one better.

I never paid the first premium
on the new cock policy.

MAX: Cock insurance.

Life is funnier than shit.

But...

...be easy with the girl.

I mean that. Be easy with the girl.

CAROL: Oh, my God!

MAX: Open it!

Who's gotten in?

COCKEYE: Had to go and be a hero, huh?

MAX: Open it. No.

MAX: Open it!
CAROL: No, don't hurt him!

Don't hurt him! You...
MAX: Get this bitch out of here.

You animal! You asshole!

Come on, hit me.
NOODLES: What do you mean?

Hit me.
NOODLES: What's the matter? Are you crazy?

Come on! Straighten up and fly right.
I'm all right.

Let me make it look real.
Make it look real.

NOODLES: Knock it off.
I'm all right. Let go.

Come on, cut the act.
Hit me!

COCKEYE: She said hit her.
Go ahead, rap her in the mouth.

CAROL: Hit me!
NOODLES: I'll hit you! You bitch!

CAROL: You animal!
MAX: Put a cork in her.

You shit.

CAROL: No.

No. Don't.

Don't. No!

No! You dirty bastards!

Bastards!

Try the secret compartment.

Attaboy.

Thanks.

COCKEYE: Nice matzo balls.

COCKEYE: Beautiful. Look at that.

MAX: Okay, better wrap them up.

(CAROL GROANING)

MAX: We're going. You coming?

NOODLES: Coming.

Morning.
You get the stones?

Pay him.

Any trouble?
No trouble. Kid stuff.

How come you didn't tell me?
Being inside can change you.

I'd already made the deal
with Frankie to get rid of Joe.

With a man like Frankie Monaldi you don't say yes and
then no. I can't take the chance to change your mind.

You understand? You're right.
I would have said no.

Frankie Monaldi is as big as they come.

He's got the combination in the palm of his hand.

If we're not careful, he's gonna
have us in the palm of his hand.

You don't get nowhere alone.

I thought you were the guy who
said you didn't like bosses.

It sounded like a good idea then.
It still is.

MAX: Let's just think about it, Noodles.

They're gonna ask us to come in with
them. There's a lot in it for us.

Today they asked us to get rid of Joe.

Tomorrow they ask me to get rid of you.

Is that okay with you?
'Cause it's not okay with me.

All right.

Let's just forget about it.

Wanna go for a swim?

Yeah, let's go for a swim.

All right, what are you doing?

Hey, Noodles.
Don't fuck around, Noodles.

Noodles, what are you doing?
PATSY: Hey!

COCKEYE: You crazy?

Shit.

PATSY: Asshole! Can't believe you did this!

(VOICES NOT HEARD)

"District Attorney James Lister
was killed in an explosion of a car

belonging to Secretary of Commerce Christopher Bailey

as he was leaving the secretary's Long Island estate.

Mr. Lister, who was killed instantly
in the blast, was scheduled to testify

in Washington on Thursday before a Senate committee.

A committee investigating what has
come to be called "The Bailey Scandal."

A special team of detectives has been assigned to the case.

As for Secretary Bailey, he was not
available for any statement at this time."

Did you know these guys?

"Let go to the offices of his long time legal advisor,
Irving Gold...

...in hopes of getting some comment.

Mr. Gold, you're aware that District Attorney Lister is

the second witness in the Bailey Scandal
to meet a sudden and violent end.

The first was Thomas Finney,
undersecretary of commerce

who fell to his death from his
15th-floor office just a month ago."

Do you think there is a connection between this and...?

Take the money and run, Noodles.
What the hell is keeping you here?

"The only remaining witness is the man who

rightly or wrongly has given
his name to this whole affair,

Secretary Christopher Bailey."

Curious.

"The secretary has no worries.
So if he has no worries,

why then has he retreated
to his place on Long Island?

Far from retreatin, he's busy preparing
his attack on the questions

he will be asked by the committee.

I'd call them accusations more than questions, sir.

The secretary has no worries.
BRENTLEY: But the public does.

Particularly, in view of the rumors
about rigged contracts,

bribery, the international Mafia.

Especially those dealing with the illegal use

of the Transport union pension funds.

Could you tell us anything about that?

Gentlemen, I deny all of these rumors

and allegations directed against my organization.

Our hands have always been
and will continue to remain clean.

My entire life, I've fought to keep
the American labor movement clear...

Him, I know.

"of any collusion, forced speculation, criminal elements

or corrupt politicians. If any mistakes have been made..."

He's still giving out the same old bullshit.

"If any guilt at all exists in this
situation, it lies elsewhere."

(CLICKING)

What's this I've been reading
about you in the newspapers?

Inflammatory words from a union boss?

Still you can't stop the workers
or the social movement.

Listen to me, you socialist asshole!

We don't give a good fart
about the socialist workers

and their movements.

We want you out of the factory so we
can get the furnaces working again.

This is the last offer you're gonna get.

You want to sign it or what?

Tell your bosses they can wipe
their ass with it.

(JIMMY GROANS)

Fill her up.

(COUGHING)

This is my last...

(TIRES SCREECHING)

MAN: Hold it, boys. Don't shoot.

It's me, Crowning.

Crowning. Yeah.

That'll do, boys.

What'll do?

We almost got the kid where we want him.

And we got the boss where we want him.

PATSY: Easy.

Easy.

Put 'em down.

Put your guns away, boys.

Just swapping prisoners.

COCKEYE: Fair trade, huh, chickenhead?

Union boy over here for Mr. Boss Man.

CHICKEN: Well, look who's here.

Fat Moe's boneyard boys.

Which reminds me.

How's that cancer in your gut
coming along, Chicken Joe?

Untie him.
I don't take orders from you.

We're not asking you to take orders, Joe.
We're telling you.

Now go ahead, untie him.

Untie him.

Untie him.

Who are you?

Who's paying you?

I think this is really gonna piss you off, Mac.

But I think it's those dirty dirty
politician friends of yours.

Well, you crawl back and tell 'em
we don't want you in with us.

Our fight's got nothing to do with
liquor and prostitution and dope.

MAX: Its better you get used to the idea, pal.

This country is still growing up.

Certain diseases is better
to have when you're still young.

You boys ain't a mild case of
the measles. You're the plague.

And bastards like him are immune.

That's the difference between us and them!

Take it easy.

The difference is they are always gonna win.

And you gonna keep getting it up the ass.

Sooner than you think.

Chief Aiello, moving policemen into the
factory came as a surprise to everyone.

The press, the unions, especially the strikers.

What did you want, sweetheart?
A declaration of war?

Ours was a peaceable operation.

REPORTER: Wasn't that contrary to new union laws
and righeous practice?

I'm chief of police, not chief of the people.

Was there any violence on part
of strikers to justify your act?

My motto is: "Prevention, not not repression."

You let scabs move in and start working.

Young lady, you wanna talk to me,
call them "unemployed workers."

Now with your permission, I'll take these

flowers to my missis before they wilt.

Or maybe you heard.
I'm the father of a baby boy.

(AIELLO LAUGHS)

REPORTER: Chief, one more question.

We heard he's the youngest stockholder

in that factory you occupied.

What'd you mean by that?

They say management expressed their thanks
with a birthday present for the baby.

You know slander is a serious offense.

Especially one that comes from a hack reporter.

You wanna find out how serious?

But since this is my first boy after 4 girls...

...I'll declare amnesty.

Behave yourself.

Go.

(BABIES CRYING)

Thank you.

He's eating? Mmm.

For 5.
For 5? Well, why not.

You could feed an army with these two milk plants.

We could open up a dairy.

Oh, hey. Che bella.

Who loves you? Who loves you?
I love you.

And I love you. And I love you.

Lucy!

Don't you have to feed him at 6:00 O' clock?
LUCY: Uh-huh.

(KNOCKING)

LUCY: Come in.

(DOOR OPENS)

LUCY: Oh, here he is now.
He is my son.

That's my son.

That's my son! That's my son!

Jesus Christ, they change fast.

Yeah, but he looks like my old man.

Yeah, yeah, look, same eyes.

And look, the same devilish pride.

Hey. Hey, hey.

Did you see his dickey?

Vincent.
AIELLO: What?

The girls. The girls!

Sooner or later you have to learn that after me,

the boss in the house is him.

He's got balls like his papa.

Hey!
Let me have him.

No, no, no.
I'll do this. I'll do this, huh.

Hey. No, no, no.

Look. Hey, hey.

Let Papa change you.

Come on, look! Give a lip slap.

Come on, come on, come on.

What is this?

What is this? Huh? What's that?
LUCY: Oh, no!

Look! It's the right number.

The right number?
I'll break your goddamn neck!

Find my son, or I'll burn down this
whole goddamned building.

(PHONE RINGING)

Hello. Would you shut up?

No, hey, no. Wait, wait.
I'm not talking to you.

Who's this?

Never mind. To who am I talking?

AIELLO: Where the hell are you?
My son, where is he?

Where do you think he is? He's in
the maternity ward. He never left.

He just got restless, so he wanted
to change his bed.That's all!

And the other kids got the same idea,
so they also wanted to change their beds.

So you got 30, 40 screaming babies
jumping from one bed to another

switching tags, so now we
do have a real problem.

Piece of shit whoever you are!
What the fuck do you say? Give me my son!

No. Luckily, we were there to see
that everything was under control.

If you want, we can put everything
back where it was.

Except it has one problem. You gotta meet
us halfway. What halfway? Tell me!

NOODLES: Why do you give a fuck
about who wins the strike?

AIELLO: That's got nothing to do
with me! What did I do?

What did you do? First of all,
you let the scabs in.

Second, you've got the cops in there
protecting them.That's what you did.

That's all right. I'm a cop!
All right, shut the fuck up! And I'm telling you

what to do. Now listen very carefully.

You're gonna call off your dogs and you're
gonna let the strikers work it out

with the bosses. You got that?
I want my son back now!

NOODLES: You do that and we'll give you the kid's number.

You don't do that, look for your
kid yourself. And good luck.

So, what is it gonna be?
Okay all right.

I'll call my men off today.
Attaboy.

You know, hey hello, for a rotten
rat bastard son of a bitch

you're not as stupid as I thought.

Alright!We'll be in touch with you.
Hold it! When are you gonna call?

Don't worry, don't worry.
We'll be in touch with you.

Bye. I got to...

MAX: So?
NOODLES: We got a deal.

To a very smooth talker.
PATSY: Yeah.

Mazel.
COCKEYE: At least.

Peggeleh.

Where's that switch list?

PATSY: Where the switch list?
Yeah.

I can't find it.
MAX: What?

I can't find it.

What'd you do with it?
I think I dumped it in the hospital jacket.

What a yutz.

NOODLES: Oh, Pat.
PATSY: Wait a minute, listen.

Listen, Noodles, Noodles, wait. I remember.

The boys' numbers was odd...was
even, and the girls' numbers was odd.

It's right simple. You did a real good stunt, Pat.

Now what? Let's give him an even number.

Eight. Let's pick an eight.

Eight.

Yeah, it's a good number. Wait a minute.
What about the other little pischers?

We're better than fate.

We give some the good life to
give it to others right up the ass.

All right, boys, let's settle up.
It's Saturday.

Seduce that my Peggy, I'm
gonna take mine out in trade.

PEGGY: You're such a nudge.

PATSY: You know what? I wish
I was switched when I was a kid.

MAX: What makes you think you weren't?

I don't believe it.

Hey, you guys, come here.
Take a look at who's over here.

That suit you, Peg?
PEGGY: Ok! Fine, Max.

What've you got?
Over there.

Well, what...

Holy shit! Noodles! Noodles!
Come here, come here.

Look.

The blond by the piano.

Yeah, who's that? Who is that?

You and this broad were practically
engaged at one point.

Oh, beat me. Oh I love it.

Who was it? The Detroit cock-squasher?

MAX: Peggy.
NOODLES: No, she looks different.

You know that platinum blonde in floral dress?
Look She's now by the table.

See her? Call her in, will you?

Carol. Carol, whatever.

Just tell her there's a bunch
of her old friends here.

PEGGY: Carol.

Carol!

MAX: Noodles, come here.

Somebody here wants to see you.
Who?

You know these guys?

No.

I don't think so.

No.

No. I'd remember a bunch
of good-lookers like these.

Oh, well, how could I forget.

There was...

There was only one of you
I got to know personally, though.

MAX: Which one?

Let's see how good a memory
you've got for faces.

You.

MAX: No.

Him.

NOODLES: We've been hanging out so
long together we're starting to look alike.

Charmed.

You can call me Carol.

We've already met.

Pleasure.

Pleasure...

...is all mine.

CAROL: Mmm.

So you left Detroit, huh?

No. Her and her husband just come in on weekends.

He has beat the seashore.

She takes on maybe 10 guys while her
hubby watches through the peephole.

Beats the hell out of the movies.

I wonder what that jerk is up
to in his cubbyhole right now?

He must be wondering where
the fuck his fucking wife is.

(CAROL MOANS)

Why don't we make it a threesome, huh?

Can't you see he's got other plans for tonight?

CAROL: Well, bring her along.
We'll make it a foursome.

I'm not that kind of guy.

Besides, I'm afraid if I give you
a good crack in the mouth,

you'd probably like it.

Have a good night, fellas.

See you later.

They make you dress like those
lunatics who go around Germany

burning down all Jewish stores.

Those lunatics burned down that
home sir and made us go to America.

I'm Jewish too.
I know, sir.

Everybody knows.
Knows what?

Everybody knows who you are, sir.

And what do you think? I don't
think, it's your business, sir.

No, you think.

You think it's a disgrace, don't you?

With you sir, don't have to be like the Italians

who look up to the lawbreakers.

We have enough enemies without
becoming gangsters, sir.

How much money you make a week?

Not everybody tips like you, sir.

I make enough to go to school
and learn for my degree.

Good for you. So maybe by the time
you are 60, you make enough

but then you won't be able
to get it up anymore.

Been waiting long?
All my life.

You said you wanted a place by the ocean.
So I had it opened.

It was closed for the season.

All these tables are for two people.

Pick whatever one you want.

I like this one.

NOODLES: Here sit down.

Boeuf à la mode. Blanquette de veau.

I'll have the asperges sauce vinaigrette

and then a Châteaubriand.

Pommes frites? Natures.

Comme dessert?
I'll decide later.

Monsieur?
I'll have the same.

For the wine?

DEBORAH: You decide. I'll just have water.

You decide. Thank you.

You've been around.

Where'd you learn them
parlez-vous français dishes?

Who's teaching you that stuff?

You mean a sugar daddy who
tries to teach me how to act?

I read books. I learn everything.
I wanna know everything.

Doesn't it make sense to have plans?

Yeah, it does.

What about me?
Am I in these plans?

Noodles...

You're the only person that I have ever...

Ever what? Go ahead.

Ever what?

That I ever cared about.

But you'd lock me up and
throw away the key, wouldn't you?

Yeah.

Yeah, I guess so.

Yeah...

The thing is I probably wouldn't even mind.

So?
So I got to get to where I'm going.

And where's that? To the top.

Now you sound just like Maxie.

Youse both alike that's why
you hate each other so much.

Do you want me to leave?

No, I don't want you to leave.

You dancing?

You asking? I'm asking.

I'm dancing.

And you to keep from going crazy, you have
to cut yourself far from the outside world.

Just not think about it.

Yet...you know, there were years
that went by, it seemed like...

...no time at all, because you're
not doing anything.

But there were two things I couldn't
get out of my mind. One was Dominic.

The way he said, "I slipped,"
just before he died.

The other was you.

How you used to read me
your Song of Songs, remember?

How beautiful are your feet
In sandals, O prince's daughter

I used to read the Bible every night.

Every night I used to think about you.

Your navel is a bowl well-rounded with no lack of wine

Your belly, a heap of wheat surrounded with lilies

Your breasts

Clusters of grapes

Your breath, sweet-scented as apples

Nobody's gonna love you the way I loved you.

There were times I couldn't stand it any
more and I used to think about you.

I'd think "Deborah lives.
She's out there. She exists."

And that would get me through it all.

You know how important that was to me?

But I'm leaving tomorrow. I have to go to Hollywood.

I wanted to see you tonight to tell you.

DEBORAH: No.

No!

No! No.

No. Please, no. No, please. No!

No! No! No, please!

No, no! Please, no, no. No.

(SCREAMING)

No!

(SCREAMING)

(SOBBING)

(SCREAMING)

(TIRES SCREECH)

(DEBORAH SOBBING)

NOODLES: Deborah.

DEBORAH: Get away! Get away!

CHAUFFEUR: I'll be right back.

Take her home.

Take her home.

Hi.

Hi.

Are you alone?
No, I'm with you, I hope.

Wanna dance?

No, I'm not up to that.
You know what I want?

I want to get laid.

That's what you're up to?

You drink like this every night
or this is just a bad night?

Who are you, Mr. Rockefeller? No.

Why? how much did I give you? 50.

50?

What's your name? Eve.

I'll call you Deborah.

I did more complicated things for less.

Deborah... Do you love me? Yes.

You are so beautiful!

Thanks.

Your feet are so beautiful!

Sandals...

Prince's daughter...

Deborah...

Now I'll fuck you.

Take your time.

(ELEVATOR RATTLES)

(FLUTE PLAYS)

Well...

look who's back.

What's this?

It's a throne.

It was a gift to a pope.

Cost me 800 bucks.
It's from the 17th century.

NOODLES: So what are you doing with it?

I'm sitting on it.

(FLUTE STOPS)

Moe you got any coffee around?
MOE: Yes.

Thanks.

While you were on vacation,
we were working overtime.

The union paid off.

That's your share.

Yeah. Even that geek.
You know Jimmy "Clean Hands."

He respects us.
I shed a little blood for the cause.

Here, it's all in the papers.

Morning Telegraph, they didn't like it.

It says, "Underworld joins strikers in brutal battle."

But The Post, they liked it.

"Ends justify means in decisive gangland encounter."

And they ever kvetched about the Atlantic City job.

Newspaper guys, you never know
what the fuck they want.

Well, you could have looked for me.
MAX: We did.

Cockeye found you at the Chink's.

So fucking doped up you didn't even recognize him.

Yeah, you called me "Deborah."

(SPEAKS IN YIDDISH)

Go fuck yourself. Mind your own business.

We do our fucking business together
and fucking broads do not get in the way

and you know it!
NOODLES: Yeah?

Yeah. What's she doing here?

Today it ain't Saturday. She should be
back in Detroit, screwing on her line.

Well, she's screwing here now.

And only with Max.

NOODLES: Oh, yeah!

With her husband peeping through the keyhole?
No, I left him.

You live with her, you bring her here and
you tell me not to mess with broads.

You forgot about one thing.
NOODLES: What?

What's that? I don't give a fuck about her.
Max...

Shut up! Shut up!
NOODLES: Maxie, tell me something.

What'll you spend your honeymoon on, cathouse?

Maxie.
Shut the fuck up! Shut up!

Just shut up!

You want me to dump her?

You want me to kick her fucking ass out of
here? You want me to pack and fuck us?

Want me to kick her ass out or what?

You want me to kick... Get the fuck
out! Get the fuck out! Get out!

You gonna tell me I don't have
a way with women?

(PHONE RINGING)

Hello. JIMMY: This is Jimmy.
Who's this, Max?

NOODLES: No, it's Noodles.

Okay, listen. We're gonna need you guys today.

I'm gonna be making a tough speech
and I think you...

Go, go!

(GROANING)

Start the engine. I'll be right with you.

Mr. Gallagher wants you to know how
much he appreciates what you did.

To show his appreciation...

Here's an envelope for the both kills.

If we gotta complete the job,
I'll let you know.

(CAR ROARING)

(GASPS)

Wiped out by a blast of Cordon Rouge.

What would Crowning and his bosses
say after that? This is Jim.

Never be afraid of you then, want they?

They're still not afraid of me. It
was you boys that scared them off.

And you didn't want these guys.
You're lucky you got party leaders

like myself who care about the union.

Hey, the strike is settled. We won.
That's what counts. Am I right, Jim?

Yeah it was tough for Jimmy not to be
there to sign the contract does.

No.

What's tough is, you boys did more in one night

than I could in two years of talking.

Forget it.
SHARKEY: To the hottest newcomer

in American unions.
MAX: There you go.

SHARKEY: Jimmy Conway.
MAX: Now you're talking.

Roll out the barrel.

PATSY: And God bless.
MAX: Drink up. Suck it right down.

NURSE: You must be crazy giving him drinks.
We're going to operate him in a minute.

Ah, what's the rush?

They already told me I'd be a gimp
for the rest of my life.

Don't worry Jimmy. With one leg a little
shy, you're gonna take giant steps.

Yeah. And always one step
right behind you, Sharkey?

MAX: You should work on the right leg, Jim.

It's only blood, huh?
Muzzle.

You boys got yourself a real martyr
for a friend. Make it work for you.

Yeah, but what the hell we're going
to do with a martyr?

Times change. Prohibition isn't gonna last
much longer. Take it from me,

a lot of you guys are gonna be out of work.

Go on, Mr. Sharkey. We're interested.

You ever think of setting
yourselves up in business?

All those trucks they used to haul liquor,

soon be selling them for nothing.

SHARKEY: I'm talking about hundreds of vehicles

controlled by a national organization

and supported by a powerful union
headed by Jimmy Conway.

Whatever you ask, there's
no way he can turn you down.

COCKEYE: You gotta be kidding, Sharkey.

Jimmy "Clean Hands" in business with us?

They won't be clean for long
with the hands he is gonna shake.

Everything in good time.

(SIREN WAILS)

We're not interested. What's the matter
here Noodles, you got a problem?

We got plenty of money tucked away. Why
not invest it? What's the fucking problem?

I'll put the party behind you.
And I got friends in high places.

I'm not interested in your friends in
high places. And I don't trust politicians.

It's the fucking question because you
still think like some schmuck from street.

If we'd listened to you, we'd
still be rolling drunks for living.

Who is making Mayday? You broke?
Don't bust my balls, Noodles.

I am talking about real money.

This is real money to me. It's a lot
of money. You want any of it?

You carry that stink of the street with the rest of your life.
I like this stink of street. It makes me feel good.

I like the smell of it.
It opens up my lungs.

And it gives me a hard-on.

SHARKEY: You're carrying dead weight around, Maxie.

One of these days, you're gonna
have to dump it.

NOODLES: Maxie, Let me know when you're gonna dump me.

Meanwhile, I'll take a vacation in Florida.
I got a yen for the seashore.

MAX: Hey.

Listen, I was thinking it over and...

I guess I kind of got a yen
for the seashore myself.

You wanna go swimming?

Yeah. Yeah, let's go for a swim.

MAN: Read all about it!

Read all about it!

Hey, Maxie.

Max.
Huh?

NOODLES: How much money we got put away?

Why?

Because we're unemployed.

About a million bucks.

Oh, yeah? Where'd you put it?
In my underwear.

I'd have found it there.
Hey.

We gotta reorganize, Max.
And I got a couple of good ideas.

Me too.

If I had a million bucks, I'd take it easy.

MAX: We'll take it easy when we got 20.

50.
NOODLES: Where you gonna get that?

MAX: Right here.

What's that?

It's a dream.

A dream I've been dreaming all my life.

Swear to God Noodles, you and me
together can make it come true.

What is it?

The Federal Reserve Bank.

It's the biggest step we can take, Noodles.

You're really crazy.

Don't you ever say that to me.
Don't ever say that to me again!

What chance is there that a crazy
thing like this might succeed?

Don't ask me, ask Max.

You know as well as I do
that this is suicide,

pure and simple, for everyone.

Yeah, well, don't tell me, tell him.
You got your own methods.

I tried.

He doesn't want to screw anymore.

All he thinks about is this job.

Tear gas, hostages, now he's gonna do this.

He's gonna do it with or without you.

Noodles, we've never liked each other.

We put up with each other for Maxie's sake.
So why don't we get together once

and do something for him.

And after that...

we can go back to being enemies.

You know, if you were all in jail first,

there wouldn't be any bank job.

I got the idea from your friend Max.

What do you mean?

He laughs at you.
He makes fun of you.

He says Eve has got you by the balls.

Every time you walk past this place,
you shit in your pants.

You'd do anything for the cops
to pick you up

so you wouldn't have to do this job.
Is that true?

Well, then do it.

Do it. Put him in jail.
Put him in jail. Not long.

Just long enough so he can get
the idea out of his mind.

If you can't stand being away
from him, put yourself there too.

Better off than being dead.

You know what to do.

And if you don't, I will.

Get out!

Take a cab. I'm busy.
I got things to do. Get out.

Noodles.

Make up your mind fast, huh?

(BAND PLAYS)

What's the matter?

Aren't you having a good time?

Why are you going out tonight?

Why bother now that prohibition
is almost over?

Everybody's selling. I've got some
friends who have a lot of booze.

They wanna get rid of practically nothing.
So we figured why not.

I'm gonna be gone for a while.

I'll be waiting at the hotel.

I like it when you come home
late and wake me up.

I'm not gonna be home tonight.

I'm not gonna be home tomorrow either.

I thought these things
only take a couple of hours.

Ladies and gents, I drink to
the demise of Fat Moe's speakeasy.

I mean who the hell wants to drink
here legally anyway, am I right?

Okay. Come on, Moe! Set them up.
Go on, get in there.

MAX: Here's mud in your eye.

Boys.

Let's drink to our last shipment.

There's more onboard
tonight than just booze.

It's 10 years of our lives. 10
years that were really worth living.

Yeah.

MAX: Noodles.

Noodles.

L'Chaim.
L'Chaim.

How long will I have to wait?

A year and a half, more or less.

6 months off for good behavior.

What are you gonna do?
NOODLES: Don't ask.

FEMALE OPERATOR: Operator.

Police, please.

(RINGS)

5th Precinct. Sergeant Halloran.

Hello.

Who's speaking? Can I help you?

Hello.
Yeah.

I got a good tip for you.

NOODLES: Yeah, who is it?
MAX: It's Max. Open the door.

What's the matter?
You sick? No, I'm not.

MAX: You don't look it.

Maybe you'd better stay home tonight, huh?

Why? Huh.

You know, I've been watching you all night.

You've been drinking like a fish.

Trying to get your courage up?

We're only bringing in a shipment of booze.

It's got so you're even scared to do that.

Maybe you just better stay home tonight.

With Eve.

Hey, Maxie, everywhere you go,
I go too. Remember that.

Maybe Sharkey was right.

Maybe I ought to just dump you.

You're really crazy.
Never say that.

Don't say it!

CAROL: Max made fools of us,
Noodles. He wanted to die.

Did you know his old man
died in the nut house?

Max didn't want to end up the same way.

So he put the idea in our heads to tip off the cops.

When they stopped the truck,
Max started shooting first

just to get himself killed.

What is this?

Opening night.

15 years ago.

Who's this?

Patron saint of the place.

And some actress.

Do you know her?

No.

This proves me base.

She first meet the curled Antony,
he'll make demand of her,

and spend that kiss which
is my heaven to have.

Come, thou mortal wretch.

With thy sharp teeth this knot
intrinsicate of life at once untie.

poor venomous fool.

Be angry and dispatch.

Oh, couldst thou speak!

that I might hear thee call
great Caesar ass unpolicied!

Oh eastern star! Peace, peace!

Dost thou not see my baby
at my breast,

that sucks the nurse asleep?
Oh, break! Oh, break!

As sweet as balm,

as soft as air, as gentle...

Oh, Antony!

Nay, I will take thee too.

What should I stay...

In this vile world?
So fare thee well.

Now boast thee, death, in thy
possession lies a lass unparallel'd.

Downy windows, close

and golden Phoebus never be
beheld of eyes again so royal!

Your crown's awry.
I'll mend it and then play.

Hello, Deborah.

Aren't you gonna say anything?

What is someone supposed to say after...

...more than 30 years.

Well, how about, "How you doing?
You're looking good." Or...

"I was hoping I'd never see you again."

I never thought I would.

There's a difference.

At least you recognized me, that's some.

Actresses have good memories.

You want a drink?

I'm having one.

Margo.

Yes, miss?
DEBORAH: That's all for now. You can go.

All right, miss.

She called you "miss."

You never got married?

No.

You live alone?

No.

Where were you?

I was out of town.

Have you been back long?

A couple of days.

Are you staying?

That depends.

Why do you want to see me?

Two reasons.

First, I wanted to see if
you did the right thing,

turning me down to become an actress.

Well?

You did. You're terrific.

"Age cannot wither her."

It's like the play was written for you.

What was the other reason?

The other reason...

...is to decide whether I should go
to a party tomorrow night.

Party?

Yeah, on Long Island.

A Secretary Bailey.

Do you know Secretary Bailey?

No.

But I was invited anyway.

If you don't know each other,
why were you invited?

I don't know.

I thought you might know why.

Me?

Why me?

Because you know him.

(KNOCKING)

DEBORAH: Who is it?
DAVID: It's me Debprah, David.

No, David.
DAVID: Can I come in?

No. Just wait outside, I'll call you.

Okay, I'll be right here.

What does Secretary Bailey want from me?
You came here to ask me that?

Why'd he send me an invitation?
I don't know.

Why should I know about your
invitations? I don't know anything.

What do you want from me? Why did
you come here? I know nothing.

Now you're a lousy actress.

Who is Secretary Bailey?

Secretary Bailey is a rich businessman.

He came to the United States as a starving
immigrant and made a lot of money...

...San Francisco and Los Angeles
where he's lived for 30 years.

NOODLES: I know all that. It's all
in the papers. What else is there?

He married a very wealthy woman.

They had a child.

She died when the child was born.

A few years ago he went
into politics. Moved here.

That's all past history. I'm not talking
about that. I'm talking about now.

Right now he's in trouble.

Why can't you just tell me you've been
living with him all these years

and that he is you're his lover?

DEBORAH: Age can wither me, Noodles.

We're both getting old.

All that we have left now are our memories.

If you go to that party on Saturday
night, you won't have those anymore.

Tear up that invitation.

There's an exit back this way.

Noodles, go through it.

Keep walking.

Don't turn around.

Please, Noodles.

I'm begging you. Please.

Are you afraid that I'll turn
into a pillar of salt?

If you go out that door, yes.

DEBORAH: This is Secretary Bailey's son.

His name's David just like yours.

I must admit this party was
a wonderful idea, Mr. Secretary.

It's a bit like saying, "I'm going up
before the Commettee in 5 days

but my conscience is clear.

The most important people
in New York are my guests.

It's going to be a night to remember."

Especially if the house blows up.

Where are you putting the next bomb?

In the freezer?

Or in the toilet?

You can't even think straight anymore.

I'll tell you something.

A waiting list of people would like
to send flowers to your funeral.

I can point out ten right now
if you like me to. Yes.

But none of them wants to read my
obituary in front of the Committee

as much as you do.

You and your union.

We just want to resolve this situation clean and legal.

I've heard that same song from you
for 35 fucking years!

Who do you think you are talking to?

I helped you to make a fortune, you
and the rest of those parasites!

It was a reasonable arrangement
between labour and management.

2% for them and 40% for you.

You defend them and you screw them.
Come on!

It's been the story of your life.

You think anybody believe you anymore?
Some.

But no one believes in you anymore

because you have made mistakes and I haven't.

But that's beside the point.

The important thing right now is that

you and I straighten out
these transfers of authority.

Now it's all as we have agreed.

Have had our lawyers drawn it up.

All you have to do is sign.

My last will?

You are in no position to exercise your will.

I give up everything.

12% would be set aside for your boy.

That way he can be assured
of living to a ripe old age.

Or not if I don't sign?

Why don't you take care of this by yourself, Max?

I'd be very happy for you tonight
if during all the noise of the party

I heard a shot.
Maybe you will.

(DOOR OPENS)

BUTLER: Please go in.

MAX: What are you waiting for?

I don't understand, Mr. Bailey.

Sit down, Noodles.

Make yourself comfortable.

I'm glad you accepted my invitation.

NOODLES: Well, I was curious.

So many important people in one place.

MAX: Yes. Well, the rats usually
desert a sinking ship.

But in my case, they appear to be
flocking onboard.

Yeah, I read about your troubles in the newspapers.

But a man in your position,

with all your power and all your privileges...

...has to assume a certain amount of responsibility...

...a certain amount of risk.

Why'd you ask me to come here,
Mr. Bailey?

That invitation doesn't mean a
goddamn thing and you know it.

All that counts is what was in that suitcase.

The money and the contract.

It didn't say who the contract was on,
though.

Haven't you figured that out yet?

You, Mr. Bailey?

I haven't had a gun in my hand
for many many years.

My eyes aren't too good even
with my glasses. My hands shake.

And I wouldn't want to miss, Mr. Bailey.
Cut the bullshit, Noodles.

I'm already a dead man.

At least give me the chance to
settle the debt that I owe to you.

I'll never make it before
the investigating committee.

They're scared to death I'll implicate
the whole bunch of 'em.

They gotta get rid of me.

Today is as good a day as any.

You do it, Noodles.

You're the only person I can accept it from.

You see, I found out where you were.

I brought you back here for this.

To even the score between you and me.

You can get out through there.

It leads right down to the street.
Nobody will see you.

I don't know what you're talking about,
Mr. Bailey. You don't owe me a thing.

Your eyes were too full of tears to see
that it wasn't me lying and burned up

on that street.

It was somebody else.

You were too shocked to realize
that the cops were in on it too.

That was a syndicate operation, Noodles.

You're crazy.

You said that to me once before,
a long time ago.

But my mind was never as clear
as it was at that moment.

I took away your whole life from you.

I've been living in your place.

I took everything.

I took your money.

I took your girl.

All I left for you was 35 years
of grief over having killed me.

Now, why don't you shoot?

It's true, I have killed people,
Mr. Bailey.

Sometimes to defend myself.
Sometimes for money.

And many people used to come to us.

Business partners, rivals...

...lovers.

Some of the jobs we took
and some we didn't.

Yours is one we would never touch, Mr. Bailey.

Is this your way of getting revenge?

No.

It's just the way I see things.

It's 10:25...

...and I've got nothing left to lose.

When you've been betrayed
by a friend, you hit back.

Do it.

You see, Mr. Secretary...

...I have a story also.

A little simpler than yours.

Many years ago I had a friend,
a dear friend.

I turned him in to save his life...

...but he was killed.

But he wanted it that way.

It was a great friendship.

It went bad for him and
it went bad for me too.

Good night, Mr. Bailey.

I hope the investigation turns out to be nothing.

It'd be a shame to see a
lifetime of work go to waste.

(TRUCK STARTS)

(KATE SMITH'S "GOD BLESS AMERICA" PLAYS)

Subtitles by Prospero
prospero.13t@gmail.com