All language subtitles for Ghost.Adventures.S29E02.srt - eng(2)

[Zak] Here
at the Winchester
Mystery House...

Harry Houdini, are you here?

If ever there was a person
who was ever going to escape
the other side,

it would be Harry Houdini.

We're going
to use your energy,

a blood relative
of Harry Houdini...

With your flesh and blood
beside us here,

Houdini, make
your presence clear.

Escape from death.

[man 1] Oh, my God!

-Houdini!
-[man 2] It just said Houdini.

[man 3] Who just called
Houdini?

[Zak] There are things
in this world that we will
never fully understand.

[Zak in ghostly voice]
Understand.

[echoing] We want answers.

We have worked years to build
our credibility,

our reputation.

Working alongside
the most renowned
professionals in the field.

Capturing groundbreaking proof

-of the paranormal.
-It's working!

-[man] Whoa!
-I can't give you
an explanation.

[Zak] This is our evidence,

our host Adventures.

We're at the Winchester
Mystery House
in San Jose, California.

Arguably the world's
most famous haunted house.

This maze-like mansion,

saturated with the dark energy
of the countless deaths

caused
by the Winchester family
gun business

was already hugely compelling.

But now we've discovered
a connection

to legendary magician
and escape artist,

Harry Houdini.

In the midst
of a 1924 nationwide tour,

in which
he aggressively debunked

fraudulent spiritualists
and mediums,

Houdini made a midnight visit
to the mansion.

He later described
a seance room

without corners
and a vast wardrobe,

containing a different robe
for each spirit.

But he didn't debunk anything.

Is this the place that proved
the paranormal
for Harry Houdini?

We gather
in the grand ballroom,

which cost more to build
than the average price
of an entire home at the time.

What's up, guys?

Guys, Harry Houdini.

Very mysterious man.

Very magical man.

And a great escape artist.

Harry Houdini,
born Eric Weisz,

achieved worldwide fame
for dangerous stunts

in which he freed himself
from handcuffs, straitjackets,
and near drowning.

[crowd cheering]

It is the 100 year anniversary

of Houdini's presence

in this extremely mysterious
and haunted mansion.

The mansion
was obsessively built up

by Sarah Winchester
over 38 years.

She was reportedly told
by a spiritualist

that the spirit rots
in the house
that doesn't grow.

And that the reason
a person dies is because
that person does not continue

to build additions
to the house
in which she lives.

It is also said that Sarah
continually added to the house

as a way of confusing
the spirits of those killed
by the guns manufactured

by the Winchester
Repeating Arms Company:

Her late husband William's
massively profitable

19th century weapons
manufacturing business.

Now, the mansion covers
24,000 square feet,

has 160 rooms, 2,000 doors
and 10,000 windows.

Now, years
after Houdini's death,

there was a lot of publicity
in the newspapers

about a bunch of people
wanted to do a seance here.

Including some magicians
and even his widow Bess.

Houdini and his wife Bess

had an understanding
that the first to die

would try to contact
the other from the afterlife.

They came up
with a code phrase,

"Rosabelle Believe."

An intimate reference
to one of their
favorite songs.

After Harry's death in 1926,

Bess tried unsuccessfully
to reach him via seance

every year on Halloween.

The date of his death.

In 1936, she sat down
for what she called
her final attempt.

Listen to a recording
from that very seance

as Bess Houdini describes
what is happening
in the moment.

Houdini did not come through.

My last hope is gone.

It is finished.

Good night, Harry.

[Zak] But in 1938,
Bess decided to try again

at the Winchester
Mystery House.

And it was planned.

Everything was all set up.

But for whatever reason,
it didn't happen.

What powerful effect
did the mansion have

to convince Bess
to change her mind
and try again?

And what stopped her
from going through with it?

What we are going to do,

We are going to do the seance
that never happened.

[laughing]

But we're not just doing
any seance.

-I just got chills.
-I know, man.

We are inviting
his only known blood relative
to our seance.

Mr. George Hardeen.

George Hardeen's grandfather,
Theodore Hardeen,

was Houdini's brother.

Making George Houdini's
great nephew.

We are going
to use your energy,

a blood relative
of Harry Houdini.

You complete the puzzle here.

So for the very first time,
we are gonna use

every piece of equipment
that we have.

We're gonna add some other
scientific instruments

with our technology now.

-And it's a lot more
since 2011.
-[all] Yeah.

-And it's a whole lot more
than the 1930s.
-[Aaron] Yeah.

We, through the usage
of Instrumental
Spirit Communication,

a department
of paranormal research
that we excel,

we are going to try
to get that code word

and a lot more communication

in front of the eyes
and ears
of his blood relative.

Dude, what if we get
the secret word?

What if we get something
he says that he needed,

wanted to say?
Like, this is huge.

Ladies and gentlemen,

this is going to be

a monumental seance
and investigation.

-Yeah.
-100%.

[Zak] We will now search
for areas in the mansion

that Houdini
would have visited in 1924.

And where his unique energy
could still be resonating.

Okay, so we are getting ready
to, uh, make this journey

by following the footsteps
of Harry Houdini

during his visit
here at the Winchester
Mystery House

that is going to lead
to our biggest seance to date.

The seance of Houdini,

one hundred years later
after his visit here
at the mansion.

We are joined, uh,
with Walter here,
the general manager.

Also, Olivia, the assistant
tour manager here.

As we make our way through
this labyrinthine structure,

Olivia reacts to something
across the hall.

I thought
I saw someone over there.

[Zak] What happened?

I thought that
I saw someone, possibly.

-[Zak] Where, over here?
-[Olivia] Yeah, there's
a hallway on the other side.

[Zak] Okay.

We're taking a minute
because our leader
of the train

thought that she might have
seen somebody over there.

So we're just making sure
that somebody
isn't actually over there.

We're all together in a group

and we're the only people
inside the house.

So there's no living being
in that hallway.

We move now to the room
where Houdini
said Sarah Winchester

hung the multicolored robes
she kept for the spirits.

Houdini said that
when Sarah was getting ready
for her seance,

she had a robe
of a different color

for every spirit
she was communicating with

and that was documented
in a newspaper article
detailing his appearance.

-[Zak] That article is stating
that Houdini saw these robes.
-[Walter] Correct.

-Her seance robes
may have hung in this closet.
-[Walter] Correct.

[Zak] Now we just have
to find the seance room
with no corners.

[Zak] As we move
ever closer to our seance,

Olivia and senior
marketing manager
Amelia Richardson

bring out the article
Walter mentioned that detailed
Houdini's visit here.

[Amelia] Yeah, so Houdini
personally clipped off
this piece of paper

and put it in an envelope
and sent it to John Brown.

-Really?
-So on the top of it is a sign

that says,
"Regards, Houdini." [laughs]

Houdini signed it?

Yeah, that's why I said
you can't touch it
because it will disintegrate

-because it's a very old piece
of paper. [laughing]
-Oh!

-[Amelia] Surprise.
-I have to touch it.

[Amelia laughs]

After some negotiation,

I agreed not to touch
the newspaper which Houdini
sent to John Brown,

who took over the house
after Sarah's death in 1922.

[Olivia] So essentially
he got quoted about
the Winchester Mystery House.

[Zak] Oh, my gosh.

This is incredible.

So he literally
has a signature right here.

-[Olivia] Mm-hmm.
-[Zak] Look at Houdini.

Houdini's hand, his eyes
were focused on this article

mentioning
the Winchester Mystery House.

I take the newspaper
into the ballroom

to see if it elicits
a reaction from Houdini
before our seance.

We want you to attend
our seance

that we're gonna have
tomorrow night.

Harry Houdini, are you here?

At the very beginning,
there was a 67 milligal spike

as you started
addressing Harry Houdini.

-[Zak] What?
-Yeah.

[Zak] It is commonly believed

that Houdini gave
the Winchester Mystery House
its name.

Are we feeling
the residual energy
of his connection

to this enigmatic structure?

I meet with John Cox,

a renowned expert
on Houdini's life and legend.

So, uh, John,

there's a lot of sayings
out there

that Harry Houdini

just wanted to really expose
spiritualists and mediums
and things like that.

But then I've heard
the other end,

that he was really
into the afterlife.

And that's why they came up
with this whole seance thing
with his wife after he died.

When he was alive,
do you think he visited here
to just expose a medium?

Or did he visit here
to try to, like,
paranormal investigate?

Um, Houdini, he wasn't
an arch-skeptic,

the way we think
of some skeptics

who just
don't believe anything

and were out
to expose everything.

Houdini was a seeker.

And he characterized himself
as that.

He said,
I'm seeking the truth.

And he was a believer
in spiritualism.

And what he was doing
was he was going to mediums

to try and find
the real thing.

He was weeding out
the ones he thought
were full of [bleep]

and trying to find the mediums
that were truly gifted then?

Yes, that is what
he was doing.

But he always
had an open mind,

and he was always ready
to believe
if it would be evidence.

Um, Houdini always tried
to attend these seances

to see
if he can pierce the veil

and get communication
from that other side.

The other side
that he did believe in.

We have received communication
from that other side.
Intelligent.

We've had questions answered
multiple times.

It's irrefutable.

If his spirit is here,
I believe that we can do it.

John brings out an extremely
significant artifact

to help us
reach out to Houdini.

-This has not been shown ever.
-[Zak] Really?

This was called
a spirit trumpet.

A spirit trumpet?

And mediums would set it
in the table,

turn off the lights,
and during the seance,

the trumpet would levitate,

-and the ghost
would speak through it.
-Really?

There is no evidence
of spirit trumpets

actually levitating
during seances.

That was exactly
the kind of claim

that Houdini
would have debunked.

This was Houdini's
spirit trumpet.

-Let me tell you
a little story.
-Oh, oh. Hold on.

-That was Houdini's?
-Yes.

This came from his wife,
to a collector,

to another collector,
to me tonight.

[Zak] In this picture,
Houdini poses
with Annie Benninghofen,

a spiritualist
he exposed as a fraud.

This was Houdini's
spirit trumpet. Okay?

Just by me touching this
is amazing.

We take John
to the multicolored robe room

and ask Amelia
about the seance room
with no corners.

That would be the witch's cap.

-So--
-[John] Where's
the witch's cap?

That's on the top floor.

Can we go to the witch's cap?

Oh, my-- I've never been
to the witch's cap.

-Oh, that's too good.
-Let's go
to the witch's cap, John!

-I love it.
-[Amelia] This
is my favorite room.

Oh, [bleep], I forgot
he was holding the artifact.

-Sorry.
-[man] No, that's fine.

This thing's tough.

This has been beat up
by a lot of spirits.

[Zak] Amelia takes us
to the witch's cap,

which may well be the room
where Sarah held seances.

And which Houdini
most likely visited in 1924.

Dude, this is creepy up here.

-Different energy up here.
-Yeah.

[Zak] Whoa.

[John] What?

[John] Where at?

Right when I walked in,
it was like...
[imitating laugher]

-Really?
-[Aaron] I swear to God.

Well, what I learned
at the Westerfeld House
in San Francisco,

where all the ceremonies
were done

from, uh, Kenneth Anger
and Anton LaVey,

is they chose
the top of the turret, right?

-[all] Yeah.
-[man] It was a round room.

[Zak] And they believe
because of the turret,

the energy was channeled up
into the sky,

and they actually removed
the rafters.

-[John] Like a pyramid.
-So this would make sense.

Have we just found the room

-that Houdini
was actually talking about?
-[John] The real seance--

-The real seance chamber.
-Yeah.

[Zak] It's Day Two
at the Winchester
Mystery House.

I want to do everything I can
to enhance our connection

to Houdini
during our upcoming seance.

So I send the guys
to nearby San Francisco.

The city bookended
Houdini's career.

He got his big break
at the former Orpheum Theater
in 1899,

then returned to San Francisco

at the end of his career
to perform
in front of massive crowds.

[crowd cheering]

The guys start
in the Fisherman's
Wharf District

at the Musee Mecanique,

a coin-operated arcade

that evolved out
of turn-of-the-century
dime museums

that were home to freak shows
and outlandish entertainments.

[amusing
instrumental music playing]

Before becoming
a global sensation,

Houdini toiled in obscurity

in these dime museums.

And even went
by "Dime Museum Harry."

I've asked the guys to visit
San Francisco landmarks

that impacted Houdini's career

and gather physical material
from the actual locations

to use as trigger objects
during the seance.

They meet first
with Houdini expert
David Facer

at Houdini's Magic Shop
on Pier 39.

This man knew no bounds.

Nothing could hold him.

They always say
if ever there was a person

who was ever going to escape
the other side,
it would be Harry Houdini.

[cheering]

[Zak] David brings out
a scrapbook and identifies
three important locations.

First stop
on the scavenger hunt

is the Hearst Building
where on March 19th, 1923,

Houdini thrilled crowds
by escaping a straitjacket

while hanging upside down
50 feet up.

Billy collects a loose piece
of the metal downspout

and the guys move
to the Golden Gate Theater

where Houdini performed
on April 21st, 1923.

Jay discovers a small bit
of the stucco exterior

and it's off
to the Civic Center Plaza

in central San Francisco

where Houdini narrowly escaped
a burning-at-the-stake stunt

on April 7th, 1923.

Aaron sees a loose rock
from the ground

where Houdini battled
the flames and the search
is complete.

These three highly energetic
trigger objects will be

on the table
throughout our seance

beckoning Houdini
to come forth.

While the guys
are covering ground
in San Francisco,

I meet with George Hardeen
to prep for our seance.

It is an absolute honor
to be sitting across from you

and for you accepting
our bizarre request

to join in on a seance

where we will be trying
very hard

to see if we can get
any evidence at all

of your great uncle
to come through

and give us
maybe his code word

or just something to happen.

George's grandfather,
Theodore Hardeen,
was Harry Houdini's brother.

-Was he into the same
illusionist type magic...
-[George] Yeah.

...as his brother?

He was Houdini's partner
until Houdini got married
to Bess.

And then Bess
became his partner

and my grandfather went off
and did his own.

But they would
challenge each other

and the public did not know
they were brothers.

So Hardeen
would challenge Houdini
and Houdini--

And they would fill
their theaters

because people wanted
to see this.

-[Zak] Mm-hmm.
-And they had
a good thing going.

[Zak] After Houdini's death
in 1926,

many tried and failed
to communicate
with his spirit.

Do you think that
from beyond the grave,

even though he didn't
come through
some of the earlier seances--

I beg to differ.

-Really?
-He was at every one.

It's our perception.

We were unable to perceive
his presence.

[Zak] Really?

But all you need to do
is say the name Houdini

and that invokes the energy
that is Harry Houdini.

[breathing heavily]

At that time,
maybe people just...
just didn't know

how to understand
the senses that they had.

-Maybe he was there...
-No.

...but nobody realized it

because he couldn't pick
a spirit trumpet up.

Right. Because he couldn't
do something physical.

Yeah. Something profound.

Yes, that is what
they were looking for.

Something that they could...
see move.

Who's to know that nobody
sitting at that table

had a very intense
personal experience?

-[George] Mm-hmm. Mm-hmm.
-[Zak] Or had visions of him
a few days later?

The extensive nature
of following up with
those individuals

was probably never done.

But now,
almost 100 years later,

uh, we have a lot
of advancements in technology

that we believe
can penetrate through
the barriers

that prevented that contact
from ever happening.

ITC, Instrumental
Transcommunication,

XLS technology,
LiDAR technology.

All of this.
Even throughout
the various spectrums,

infrared and ultraviolet.

We are capturing
various forms of anomalies

that we know
are spirit forms.

Have you ever felt the spirit
of Houdini around you?

Yeah.

You have?

[George] Well, yeah.

[Zak] You've felt
his spirit before.

[George] Well, let me put it
to you this way.

I became a...
a teacher of meditation
back in 1972.

-Oh.
-And so what we call spirit...

is, uh... not unusual.

I mean, this is what,
uh, these spiritual books
are all about. And--

Do you believe in spirits?

Well, of course.

-What do you think happens
when we die, George Hardeen?
-I think...

I think when we die...
we go to a place

where all the people
we have ever loved
are there to welcome us.

It's the greatest party
we've ever been to.

And we are the guests
of honor.

Mmm. We would like
your great uncle to be
the guest of honor

-for our party tonight.
-Let's invite him over. Yeah.

-[Zak] Let's try.
-Mm-hmm.

Are you ready to...
to get started?

-I've been ready
for my whole life.
-[Zak] Okay.

The darkness looms very close.

And with that said,
we are about to conduct

our most historic seance ever.

We are now ready
to conduct our seance,

intended to contact
Harry Houdini himself.

I can already tell you
the energy is electrifying.

And we have invited to help
lead this seance

two very powerful people that
we have worked with before.

Patti Negri, psychic medium.
That was a no-brainer,

for all the great work
she's done with us.

But also,
ladies and gentlemen,
we have brought warlock,

Christian Day.

Warlock Christian Day
operates a practice

dedicated to Old World
folk witchery,

and communion with the dead.

As we make our way
inside the mansion,

we head
to the first floor dining room

and are joined by our guests.

Over here,
we have left a empty chair
for Harry Houdini.

We have two EMF detectors
on the arm rests.

We have his photo here
with a spirit trumpet

connected to the mouth
of his painting

that is being captured
by a boom mic

that is going back
to nerve center

over at Jeff's station
over there.

Jeff, really quick,
tell us, in a nutshell,

what we have
going on over there.

[Jeff] I have the XLS
on his chair,

as well as the XLS 2,
which will give us
the facial recognition.

Okay. Which you just revamped.

-[Jeff] Yes. So it works
in infrared at the same time.
-[Zak] Okay.

Over this direction,

we have a number
of different types of cameras,

including night vision
back there.

We also have two other rooms.

The witch hat room,

which we spoke
with John yesterday,

and he believes
that may have been the room
that Harry Houdini himself

was referencing
in that article.

The room, with no corners.

In the center of the room,

the acoustics are very,
very unique.

You can actually hear an echo
from around the entire room.

So I've placed
this zoom recorder.

It's a four-channel
zoom recorder,
which means

it's recording front, back,
left and right,

and we can look
at each one of those channels
when we review the audio.

At any time during the seance,
if anybody feels anything

very abnormal,
from medical issues

to just sensations
that are very strong,

that you can't stop
thinking about,

please, uh, notate that
to the camera and to us.

So I'm going to be quiet now.

I'm going to roll over here
on this Ovilus.

[George] I think he's...
Something's...

[Zak] Look at this.

"Call, beckon."

Beckon is defined
as to summon someone
by making a gesture.

Are we already
receiving communication

from the other side
to call upon someone?

[Patti] All right. Everybody,
just so we connect together,

take a slow, deep breath.
Count of four.

One, two,

three, four. Hold it!

Two, three,

four. Exhale. [exhales]

Feel the empty.

[bell dinging]

There is a place
where we all go,

where near the frost
or cold winds blow.

And our friends
remembered reunite,

and those who hate,
forget their spite.

We gather around
these gentle beings,

we call you now
to bless our meeting.

[exhales]
With the ringing
of this bell...

[bell dinging]

...we lift the veil
twixt heaven and hell.

[bell dinging]

To call the spirits to us now,

as we make this sacred vow.

[bangs on table]

As we slowly lift
the veil between the world,

we call you, Harry Houdini.

Come to this table now.

We call you spirit. Spirit.

With your flesh
and blood beside us here,

Houdini, make your
presence clear.

[Christian exhales]

Harry Houdini.

Your link sits to my right.

I draw upon
your energy through him.

You, who could escape
any trap set by man,

surely you can cross
the rivers of death

and the veils
between the worlds
to join us here tonight.

If anyone could escape
the traps of death,

it is you.

[Patti] From the bonds of life
you did escape,

yet love remains,
it did not break.

Houdini, hear our
heartfelt plea,

come forth and from eternity.

Is... I'm feeling pressure

at the back of my head
really strongly.

[Zak] Harry Houdini,

you did a lot
of what we do now
when you were alive.

You were very curious
about the afterlife.

You were
very curious about those
who could summon the dead.

And now here we sit

with those you investigated
to summon yourself.

You visited here
100 years ago.

You came here at midnight.

If there is any place for you
to walk through the door,

the thousands that are here,
please choose the one

where we can see you.

We have set up
a chair for you.

We would like you to sit
in the chair with us
and join us.

Show us your ultimate stunt.

The stunt that your widow,
that your wife Bess

wanted you to come through,

and escape from death.

In Sarah Winchester's
seance room,

we have an ITC isolated video
loop experiment running

which uses a video camera
aimed at a projection screen

to create
a video feedback loop,

that, in theory,
spirits can appear in
or manipulate the feed.

Harry Houdini, can you please
give us any type of sign

that you hear my voice?

We are all focused on you,

your energy,
your body, your eyes,

your voice, your smile,
your anger, your emotions.

We are connected to you.

[Patti] In this house
of endless doors,

Houdini, let your
spirit soar.

[inhales] It feels like
he's opening a door somewhere.

This house is a gateway.

It even says in the Bible.

"In my house,
there are many mansions."

With better examples
than the place we now sit,

with so many rooms.

It becomes a place
of invitation to the spirits.

[Zak] Back at Sarah's
seance room,

we start capturing something
very strange

that emerges from the center
of the video loop.

Immediately after this,

Jay uses the Paranormal Puck 2
at nerve center

and asks,
"Are you here, Sarah?"

And he receives
the word "candle"

in Sarah's seance room,

where we just captured
this ITC anomaly.

There are several candles
hanging from the ceiling.

Aaron now operates
another ITC device,

but this uses
the audio frequencies

within the
electromagnetic spectrum

to try and hear voices
from the other side.

Hey, Houdini. I want you
to complete this, okay?

"Never tell the audience
how good you are.

They will soon
find out for..."

[distorted voice speaking]

[Aaron] It said "Zak."

-Wow.
-[Jeff] It straight up
said Zak.

-[Patti] It said "Zak."
-[Zak] Yes, that is me.

"Never tell the audience
how good you are.

They will soon
find out for..."

[distorted voice speaking]

-For...
-[distorted voice speaking]

Uncle Harry, can you hear me?

-Something's trying
to form right now in black.
-Really?

Harry, keep, um... Oh.

Holy cow!

-You can feel it.
-[Patti] Yeah.

[Zak] Wow.
Wow, wow, wow, wow, wow.

[Jeff] Oh, my God!

A black face.

Right on his picture.

[Zak] Jeff,
our electrical engineer,

begins to notice these
unexplained black anomalies

that are appearing
on the painting,

and also in the empty chair.

Harry, what am I holding
in my hand?

What are these, Harry?

After I say this,
the painting and chair

both show these strange
black masses simultaneously.

And at this exact moment
we all feel ice cold air,

which is strange because
it's extremely hot in here

and there
is no air conditioning.

[Jeff] I'm feeling cold air
come across the table
down here

-and covering my fingers.
It's really...
-[Patti] I am too.

[Jeff] This is weird.
I mean, like, it's colder here
than it is here.

I'm at the very end
of the table

and it's colder down here
than it is over--

-[Zak] Ooh!
-[Jeff] What did it say, Zak?

[Zak] It said "witch, unlock."

As we have two witches
at this table,

is this Houdini telling them
to unlock the gates
to the afterlife?

George, can we ask you
to sit in your uncle's chair?

Sure.

Uncle Harry. It's George.

You know my voice.

I talk to you all the time.

[distorted voice speaking]

[Zak] At this moment,

a male voice
responds to George,

but we can't decipher
what it's saying.

Could this be Harry Houdini?

Uncle Harry. It's George.

I talk to you all the time.

-Did you hear that?
-Yeah. I heard that.

I'm with friends here.

Let them hear you
and feel you.

I just feel a sense of joy.

-That's the feeling I've had
since I got here.
-[Zak] Oh, wow.

-[George] Yeah.
-[Zak] That's good.

[Jeff] Maybe it's gratitude
for what we're doing
to recognize him

and do this a 100 years later.

[George] Perhaps.
It just feels... really good.

[Zak] Right after George
says this,

a large, black,
spherical shaped anomaly,

incredibly appears
and then vanishes
near his head.

It just feels... really good.

At this point, we all wear
UV-protective glasses

so Aaron can take
extended exposure
ultraviolet polaroid photos.

We're recording
with my forensic UV camera

and Aaron's taking
time lapse UV polaroids.

So we need to sit still.

[Zak] After all photos
have been taken,

I decide to spend more time
using the Ovilus to try
and communicate.

Let's try this.
George, you have a random
question for Harry.

Let's just see if we can
get something relevant.

[George] Harry...

Do you remember this house?

[Zak] Through the window?

"Power through window."

-[Jeff] No way.
-[Zak] "Power through window."

[Patti] Oh, my God.
This house is about
the window.

[Zak] It just said
power through the window

-and the windows
are very, uh...
-[Jeff] Oh, yeah.

[Zak] The windows
have a lot of meaning here...

-[Patti] Yes.
-...at the Winchester
Mystery House.

Harry, is there
somewhere in this house
that you want us to go?

"Make trip."

-[Jeff] It just said
"Make trip?"
-[Zak] Yeah.

[Jeff] You just said
we need to go to the other...

-[Zak] Oh, make the trip
to the other room.
-[Jeff] Make the trip. Right.

Which is the seance room...

for this house.
This is not the seance room.

We're just having
a seance in this room.

He's telling me make the trip.

[Zak] Where do you want us
to make the trip to?

Where do you want us to go?

[Jeff] Ooh, man.

[Zak] "Writing poem."

-[Patti stuttering]
-Like, put those
two words together.

-Writing a poem.
-[Patti] I've been channeling
two days

-writing stupid poems.
-[Jeff] She's been reading
the poems.

[Zak] That's what
you told me before.

-[Jeff] She was
reading them just now.
-[Patti] I said

-for two days,
I have a million--
-[Jeff] Channeling poem.

[Patti]
From the bonds of life
you did escape,

yet love remains,
it did not break.

Houdini, hear our
heartfelt plea,

come forth and from eternity.

[Zak] At this point,
we all decided to make
the trip

to visit the witch's hat room
in Sarah's seance room.

[Aaron] Oh, Zak,
do you remember this?

-[Zak] Yeah.
-[Aaron] God.

[crackling]

[distorted voice speaking]

-[Jeff] "Houdini."
-Houdini!

-[Jeff]
It just said "Houdini."
-[Aaron] We just got Houdini.

[Zak] In an incredible moment,

with everyone witnessing,
all of us clearly
hear "Houdini"

from the Polterpod.

[distorted voice speaking]

[Jeff] "Houdini."

-[distorted voice speaking]
-[Jeff] "Houdini."

Houdini!

-[Jeff]
It just said "Houdini."
-[Aaron] We just got Houdini.

Yeah. Ae you here, Houdini?

-[Jeff] Now can you tell us
your great nephew's name?
-[Aaron] Yeah.

[distorted voice speaking]

-What?
-[indistinct]

[Zak] Now a woman's voice
comes through

and says Houdini's
great nephews name.

Could this be
Sarah Winchester?

-[Jeff] Now can you tell us
your great nephew's name?
-[Aaron] Yeah.

-[distorted voice speaking]
-What?

[distorted voice speaking]

-What?
-[indistinct]

[Zak]
This is truly incredible.

With our witnesses next to us,

a spirit
intelligently calls out
George's name clearly.

[distorted voice speaking]

-What?
-[indistinct]

[Zak] George, Patti,
and Christian Day

now head
to the witch's hat room
and join hands.

And we thank
the spirits of this place.

We thank all the energies
and forces and powers

that have
blessed us this night.

[Zak] At this moment,
Patti and Christian Day
begin to notice

a visual change with George.

I know George is channeling.

-Look at that smile on him.
-[Jeff] Yeah.

He's... And I think
he's like...

It's Harry
smiling through him.

Like, I'm so glad
you guys are doing this.

That's what I feel,
and you don't see me.

[Zak] Just when we think
the investigation is over,

Aaron and I head back to nerve

to analyze the UV polaroids.

We are both about to be
absolutely speechless

as to what we discover.

Oh, my God. Let me see it.
Let me see it.

That right there. Look.

Billy, come in.
Billy, come in.

[Zak] I immediately call
everyone else over
to see this.

So when
we were doing the seance,
we're sitting there,

Aaron was taking
a bunch of polaroids.

[Aaron] So-So you can see
that Bill is perfectly still
and so are you.

You are perfectly still.

Behind this photo
is something...

-Wow. Wow.
-...that we can't explain.

Okay?

-What is that?
-[Jeff] Oh, my gosh.

[Aaron] To me,
it looks like a...
like a Tesla coil

back in the day,
when it would explode
with energy.

-[Jeff] And, uh... Damn.
-So, like, it's something
exploding during this.

-We're still sitting there.
-And you're
still sitting there.

So they were still now.

-[Aaron] And so it's like...
-[Jeff] But still.

It's like the energy
of the spirit communicating

-through the four of us.
-It's almost like his drawing.

I don't know.

-[Jeff] Yeah, it does
look like the drawings.
-Almost like his drawings.

[George] We were still.

[Aaron] Wow. That's amazing.

-That's incredible.
-It's instant.

Look. There's nothing
on the back.

We didn't scribble on it.

It's in the photo.

[Zak] Well, we're just gonna
go through these other photos

-just to show you that
it's not on any other photos.
-[Aaron] Yeah.

-Okay. Gotcha.
-This is the science of this.

-[Zak] Right?
-Because light
carries information.

Light is magic.

Light is spirit.

-Watch this.
These are your shots. Ready?
-[Patti] Yeah.

[Aaron] Guys, look,
you kept still on this one
real well.

-You felt at peace.
-[George] Yeah.

-When I said to meditate,
It feels the same way.
-That same...

Yeah. And when I start
every meditation,

I acknowledge
the people in my family
who have passed on.

-[Zak] Mm-hmm.
-And, man, do I sink
like in an elevator.

[Patti] That's amazing.

-[Zak] Oh, wait a minute.
-[Jeff] He's the connection

-shooting out of me.
-Who's this then?

Watch, watch. Look.

Do you see
how it's Christian, me here?

Christian, me here.
You're right around here.

I don't see you here.

You're right where
that flash of light is.

Right. He's right
behind that light.

You're behind
that bright light.

That bright ball of light
is what is connected.

See all the things
coming off of the light?

-That's the magic.
-That's wild.

[Zak] Do you see
what I'm saying?

-Yes.
-Do you see this light
right here?

-This bright light?
-[George] Yes.

-That is not
over here, George.
-[George] No.

So he's taking these photos
of negative art.

Now you can really see.

That's crazy, man.

[Aaron] Really see,
like, beyond.

He's a conduit
that connected everything.

Connected us together.

[Zak] Wait,
that is really weird.

Aaron, I've zoomed in
on your phone right now.

In all
our years investigating,

this is the most
incredible photograph
we have ever taken.

And like Patti just said,
this light energy

is connecting
everyone together

with George being the beacon.

It's also very interesting

how the light
seems to be coming
from Christian Day's hands

as he was focusing on them
to emit power and magic.

George, final thoughts
on the seance
and on the photo.

I'm glad we got this.

This is evidence.

It's as you and I
were speaking before, Zak.

This is happening
all the time

with everyone
who has passed over.

The question is,
do we have the perception

-to perceive that?
-[Zak] Mm-hmm.

With equipment, we do.

And this
is the evidence of it.

I just want to say that
this is my second time

working with you guys

and what you're doing
and the work that
you're doing,

it's not only
proving to the world
that there's life after death,

something we all want to know,

but in these sorts of events,

-when you've
got the witches going...
-[Zak] Mm-hmm.

...you're also
letting the world know
that magic is real.

[Christian and Patti chanting]

[chanting continues]