All language subtitles for Ghost.Adventures.S29E01.srt - eng(2)

[Zak] Ladies and gentlemen,
I am in Simi Valley,
California

and I'm very excited

because we have just
secured a location

that was used in the filming

of one of the most classic
horror films

in American history.

Now this film was produced
by Steven Spielberg,

directed by Tobe Hooper.

This film was full
of conflict, controversy

and a curse.

This is not only
an iconic location,

but this is an absolutely
historic investigation

for the host Adventures crew.

Ladies and gentlemen,
buckle up.

Get ready.

We are going to investigate
the Poltergeist ouse.

They're here.

[opening theme music playing]

There are things in this world
that we will never
fully understand.

Understand.

We want answers.

We have worked years
to build our credibility,

our reputation.

Working alongside
the most renowned
professionals in the field.

Capturing groundbreaking proof
of the paranormal.

-It's working!
-I can't give you
an explanation.

[Zak] This is our evidence.

Our host Adventures.

-Aaron, Jay, you guys there?
-Yeah, we're here.

We can hear you.

What are you guys feeling
right now?

Weird. It's like this weird,
eerie feeling.

Well, there's so many stories,
the movie, the production,
everything.

I feel weird, like nervous
and scared, but happy
and excited.

-It's weird.
-This has been such
an iconic film my entire life.

-It's one of the most
classic horror films.
-[Aaron] Yeah.

It's so weird to say that
as a little boy,

how things happen in life.

And there I was, just a,
like I said, a little boy

watching this movie,
more terrified about

the clown doll
in Poltergeist han anything

that I've ever seen
in my entire life.

And the way that I face
my fears is now I own

what I was once scared of.

[all laughing]

[Zak] Not only do I own
the clown doll that was used

in the movie, but look at
where we're going right now.

This house has been owned
by the same family, I believe,

for 45 years.

Oh, wow.

And the story just broke
on worldwide media

that the house was for sale
last month.

And here we are driving
through the neighborhood

to investigate
the Poltergeist ouse.

-Wow.
-So there's a lot of truth
behind the parallels

of the reality of the house
and where it sits
to the movie.

The oltergeist franchise
is an icon of horror.

It begins with the story of
a family who unknowingly moves

into a house built on
a Native American
burial ground.

What follows is a malevolent
force that tries to destroy

the family and the home
itself.

It turns out the home
where the film was shot

is actually built on
Chumash land.

And some believe this caused
a curse that terrorized

the cast and crew of the film.

June 4th, 1982,
Poltergeist hits theaters.

The film instantly becomes
a nationwide phenomenon.

Five months after
its release,

actress Dominique Dunne,
who played the eldest daughter

of the Freeling family,
is strangled to death by
her ex-boyfriend.

Her senseless murder shakes
Hollywood to its core.

1985.

On the set of oltergeist II,
the cast and crew is plagued

by lights falling,
shadow figures,
and strange noises.

Actor and real-life shaman
Will Sampson is asked

to perform an exorcism
on the set.

And while it helps the cast
and crew finish
the 64-day shoot,

it has unforeseen
consequences.

Will Sampson dies
two years later
from complications

of a heart and lung
transplant.

September 14th, 1985,
during the film's
post-production,

actor Julian Beck passes away
from cancer.

February 1st, 1988,
four months before the release

of oltergeist III,
actress Heather O'Rourke,

who played the beloved
Carol Anne in all three
of the oltergeist films,

tragically dies of
a mysterious illness
at the young age of 12.

News of her untimely death
races across the globe.

January 2004,
Poltergeist II director

Brian Gibson dies at age 59
of bone cancer.

April 1st, 2009,
actor Lou Perryman

is murdered with an axe.

This is it, you guys.
This is the street.

Wow.

Do you see it?

Oh, my God,
this is it right here.

[Aaron] Oh, my God, it is.

Look at that.

I am not lost for words
many times,

but right now, there's a photo
of Heather O'Rourke,

and I believe
she's sitting down.

I believe she's sitting right
here playing with her doll.

And whenever I saw that,
I said, "Man,

I would do anything
to investigate that house."

There is a reason why
we were able to have access

to this place less than
a month after it was sold.

There's a reason
why we were reached.

There's a reason why
we're standing here right now.

And if it has anything to do
with any of those that

were affected by
the film's curse

or the family

that lived in here during
filming and the ones
who just sold it,

three members of that family
died inside of this house.

The most recent death
took place in 2020.

Is the oltergeist curse
still active?

Does it continue
to wreak havoc on those

who step foot inside
this home, even to this day?

And the crazy part about
this investigation

is nobody has officially
investigated the curse

of the film and where
it could have potentially
originated from.

This is the house
they filmed at.

They filmed a lot here.

-Yeah.
-And the plot of the film
is what?

-Based on a house
that's on sacred ground.
-Built on a burial ground.

On sacred ground of
Native Americans, right?

-Which this--
-Most likely would be that.

This is sacred ground
of the Chumash.

Just behind this house,
you can see the mountain
right there.

-See the mountain?
See the top of it?
-[Jay] Yeah.

That was one of
the largest villages

-of the Chumash in
Southern California.
-Oh, yeah.

The truth that lies underneath
of this house,

the truth in the history
of Simi Valley.

Was that truth the actual plot
for The Poltergeist?

-It pretty much was.
-Yeah.

And when they filmed here,
and when they carried out

these scenes involving
real skeletons dug
into the ground,

-did that desecrate the ground
and the house?
-[Aaron] Yeah.

I have big news.

We flew in somebody
that was very important

during the production
of the Poltergeist ilms.

The psychic advisor.

-Really? Wow.
-The real life psychic
that advised the film staff,

-the crew, the director,
the cast, everybody.
-Wow.

Her name is
Jill Cook Richards.

Ladies and gentlemen
at home, Billy, Jay, Aaron,

this is an absolute
iconic investigation.

And for the first time,
we're not just investigating
a house.

We're investigating a curse.

To begin our investigation,
we've asked the homeowner

for permission to explore
the home alone in an attempt

to connect with
the energy here
without any influence.

They're here.

[soft music playing]

Oh, my gosh.

So this is the kitchen.

In oltergeist 1, you see /em
Heather O'Rourke here.

It's really heavy
in here, dude.

-Oh, my gosh.
-Dude, look at this, Zach.

-That's the remote for the TV.
-Oh, my gosh.

-Oh, bro, I just got chills.
-[static]

-Hold on, hold on.
-Dude.

Hold on, hold on, hold on.

[static]

Oh, my gosh.

I first discovered that
the house was for sale.

Actually, I kind of knew
it was for sale.

And I don't know how or why.

Um, I just knew.

And I actually didn't see
the ad until

even another week or two.

It just kind of magically
appeared in my feed

and kind of fast forward
and put in an offer
and here I am.

I know this was just a scene
in a fictional movie,

but that fictional movie
had something to do with
a very real curse.

But I could not come
to the Poltergeist ouse

without seeing this TV
and not turning it on
and touching the screen.

Now, within
Paranormal Investigations,

there's something called ITC.
Billy, talk to me about
what ITC is.

ITC is Instrumental
Transcommunication.

It's when you use
electronic devices to try

and use the electromagnetic
field and devices

to get communication
through those devices.

And there are many different
types of ITC devices.

We use several.

[Zak] This home is built
on land that
the Chumash people

have a sacred connection to.

A connection that lives on
to this very day.

So this is Beverly Folkes.

She is an elder
with the Tatavian tribe,

as well as Chumash.
And this is Cheryl.

-Cheryl, pleasure to meet you.
-I'm a senator for the tribe.

-Senator
for the tribe, really?
-Yes.

Well, first off,
thank you both so much
for coming here.

So, okay,
any discoveries here?

Do you know where
the burial grounds would be?

So I was going to say,
so Chumash and Tataviam tribes

have been here for such
a long period of time.

So we know at least
13,000 years.

-That's unfathomable.
-And we're still here.

-Yes.
-I like to say that too.

Sorry.

Throughout time,
their village sites changed.

So let's say 5,000 years ago,
they lived at the village
of Ta'apu,

and they had their burial
right next to it.

But that was maybe just
1,000 years or so.

-Right, right.
-So what about before that?

It would have been here,
there.

Where did the Chumash live?
How close to this area?

They could have actually lived
right here.

-Because this was
all open land.
-Really?

And this is where
they settled,

-the Chumash and the Tataviam.
-Okay.

And they were all over
this area.

-Really?
-So they could very well
have been right here.

Let's just theorize
that this could have been

a burial ground right here.

They talk about a curse
that afflicted the cast

and the crew on the film.

And they also experienced
a lot of supernatural events

to where they had to have
a real exorcism on set.

So in the movie,
this swimming pool

that we're looking at
right now,

this was the actual hole
that was dug for a scene

with the actress.

She was in here,
and they put a bunch
of humans,

real-life human skeletons
in the pool with her.

And she was screaming,
and they were using

these skeletons as props
for the film.

I want to ask you,
while they dug the hole

in this ground right here,

could that initiate something

like a curse
or angry spirits?

It could.

I've been involved
with burials

and in several
different areas,

some neighborhoods.

I was called on one
where it was right in
a neighborhood

like this, and they were
building a home,

and they found a burial.

The whole neighborhood
was scared.

They were...

Scared of what?

They were scared of the fact
that remains had been found.

[Zak] I now ask this woman,
who is a Chumash elder,

if disturbing these remains
found on home sites

could cause an angry spirit.

I know one thing for sure.

As beautiful as those homes
are,

and if they wanted
to give it to me,
I wouldn't move in there.

Why? Because of the activity?

Because I know that
I would feel like
I was invading the spirits.

-That's the way I would feel.
-Really?

And could this possibly
be replicating that?

Could this situation here
possibly be replicating that?

It could.

[Zak] Did the film crew
unknowingly disturb

a sacred burial
when digging the pool?

And did their use of
real human skeletons

combined with
a very emotional scene

unlock a gateway
to a forbidden dimension

that has injected
this property with a curse?

I send Billy inside the home
to get an EMF baseline.

[Billy]
I was taking readings
with the Trifield meter,

and it was like a half
of a milligauss, not even one.

The whole upstairs, nothing.

[Zak] While Aaron attempts
to capture photographic
evidence.

[Aaron] So right now,
we're just walking around

with lights all on.

You and me are pretty much
the only one in the house,

and we're just snapping
pictures and trying to capture
something.

The first time visiting
the house

was for a tour of the house.

And it was pretty uneventful,

just like any other
house tour.

But when I came back
for inspections,

there were a couple times

that I got very kind of dizzy,
felt like I was being kind of

like pulled down,
I was nauseous, lightheaded,

and I had to go sit on
the stairs

for a period of time.

I got a little kind of chill
in the back of my arms.

It all happened simultaneously
at the same time

and I'm a pretty
healthy person,

so it's very, very out
of character for me

when I left the building,
I was normal.

Everything returned to normal.

Roll, roll, roll.

-What?
-So...

We were up, like you said,
go in there, take some
Polaroids,

do some EMF,
just check it out, right?

So we've been in here
doing it, the whole thing.

I come out,
and you're standing here,

and the lights start
flickering on and off.

-What?
-Were you in the camera?

-He was in there.
-We were in the garage.

I'm like, Bill, come here,
come here.

Okay, so if we didn't capture
it on camera,

I would need to ask the owner,
a third party witness,
were they flickering?

Yes.

Can you grab me an EMF,
please?

So let's just turn this on.

Is there somebody here?

Hold on, hold on.
Oh, my God.

-Did you just see that?
-[Rachel] Yeah.

I will say that
she is my witness,

and I'm filming this as well.
There's another spike.

Oh, my gosh.

[Zak] This is remarkable.

Billy just scanned
the entire house

and got EMF readings of less
than one milligauss.

Are these spikes an indication
of resistance to our presence?

That is why we use
scientific instruments.

[dramatic music playing]

This is the moment
we've been waiting for.

Jill Cook Richards,
the psychic who worked closely

with the oltergeist II crew,
has arrived.

Hi, I'm Zach.

-Oh, I'm Jill.
-Hi, Jill.

Nice to meet you.

Okay, see this?
This is a letter from
Brian Gibson, the director.

-Oh, wow.
-It talks about all
the stuff that I did.

So this is an actual letter
from the director.

A copy from the director.

Now, you worked on
Poltergeist II.

-Two.
-Right, right.

Wow, now that
we are in the final stretches

of completing Poltergeist II,
I really want to thank you

for all your wonderful help
over the last 18 months.

18 months you worked on
this movie.

I worked on this a lot.

You've been a help
in many, many ways

in giving your reactions
to the script and the film

and offering me your thoughts
and opinions about
the astral plane.

There are many events
that you predicted

that have indeed occurred.

First, that I would like to be
asked to do this kind of film.

Second, that this film
would certainly get made.

Third, your accurate
projections about casting.

-So you helped
with the casting?
-Yeah.

Now, you saw oltergeist 1,
did you?

-Oh, yeah.
-I've seen it a lot.

Okay.

Did you pick up on anything
from that filming

or what you've learned later
about the real human
skeletons?

Could you find anything
at all within

what they shot here
at the house that could have

initiated a curse?

Well, to me, everything
started when they dug
the hole.

-[Zak] In the backyard?
-[Jill] In the backyard.

And that's what, to me,
that's when I started,

you know, wait a minute.

[screaming]

[Zak] When it was time to film
Poltergeist II,

director Brian Gibson
also wanted to use
human remains.

[Jill]
I had a fight with Brian.

He wanted to use
real skeletons.

And I said, you can't do that.
You can't mess with
the spirits.

You don't understand.

You know, I'm hearing voices
all the time.

Don't do this.

[Zak] You had objection to it.

[Jill] Yes.

-And you told the director
not to do that.
-[Jill] Correct, absolutely.

Yes.

I just talked to the elder.

I just talked to
the archaeologist

who validated to me that
we are standing on grounds.

Yes, very hallowed ground.

And when you dig into
that soil

and you make a big pit
and you throw human skeletons
in there,

did that aggravate something?

You know the answer to that.
The answer is yes.

-I know, but there's
nobody else.
-If you mess with

-my house, okay?
See what I mean?
-Yeah, yeah.

Yes, absolutely yes.

[thunder rumbling]

Oh, Okay, that's a good start.

-They locked us in.
-Rachel?

-[Rachel] Yeah?
-They locked us out.

They don't want us in.

Oh, no.

[man]
Is the back door still open?

[man speaking]

What? How do you, yeah...

Rachel?

-Oh, my God.
-They could do that, you know?

Rachel, is this on
an automatic lock?

-No, not at all.
-What?

No, this is old school.

So how did it lock
from the inside?

I have no idea.

[Zak] This dead bolt can only
be locked from the inside.

So that does not lock
by itself?

No, there's no way.

[Zak] Was there something here
attempting to keep us out?

Sure you want to move in here?

[eerie music playing]

Hold on one second.

I'm living in here.
I just heard that.

-You just heard that?
-I just heard the voice say
to me, "I'm living in here."

Did somebody just speak?

Who is living in here?

Is somebody speaking to Jill?
Do you want to be heard?

Are you a cast member from
the movie that was filmed
here?

Are you a member of the family
that lives here?

Mmm. Mmm. Mmm.

-Mmm.
-You okay?

Mm-hmm.

Mm-hmm.

-Jill?
-They couldn't talk.

-Really?
-I had to break.

I had to do my little thing.
I couldn't talk.

The answer is yes.

It was one of the family
that owned here,
that died here.

If people don't believe
in something,

then they stay right
where they were.

You understand?
Their spirit stays there.

The body destroys itself.

But the spirit stays
because it doesn't know
where else to go.

-Right.
-Where can it go?

-Really?
-Yes.

He didn't know where to go.

He didn't have any faith
or anything.

Now if there's anything.

[recording playing back]

Whoa, what was that?

Listen to that.

[recording playing back]

Die?

[voice speaking]

[Zak]
Could this be the voice of one
of the family members

who died in this home,
reaching out to us?

After you.

I take Jill to what
she believes to be

the source of all
the darkness here.

Do you think that
when they did the scene

with the skeletons
and everything in the ground,

do you think that that could
have angered them?

Oh, I know it did.
I told the director that.

-Really?
-I said, "What are you doing?
What are you?"

He said, well,
I've got to do this.
It's part of the whole thing.

And I said, I said,
you understand

you're messing with
really angry spirits.

They're stuck down
there, okay?

And this is really what caused
a lot of problems.

-Yes.
-Yes.

Yeah, this is what really
bothered me on this.

This was the main thing
that bothered me
of everything.

What's up?

-Got a couple of things
to show you.
-Okay.

Look at these six photos.

-We're feeling something,
right?
-Yeah.

Aaron's just taking photo
after photo.

Now, look at
the last three here.

-There's some weird...
-Blue.

-Purple, blue, uh...
-Mm-hmm, mirror face.

Okay, when you zoom in
on the last one,

it looks like a DNA strand.
It's very, very strange.

Did this have anything
to do with those readings

we were getting?

That's why we're saying,
because that's when...

If you notice, I'm snapping,
snapping, snapping, snapping,

and every time you guys...
Here's the weird thing,

and I say something.
Every time you guys were like,
I feel it.

Like, you go, oh,
it's spiking.

It actually took the picture
at the exact moment.

You know what happened
right directly after this?

You turned the TV on,
we walked outside,
and the deadbolt got locked.

-That's right.
-So it's like, is this...

Is this a family member
that's like, you know,

"Get out of my house?"

[Zak] While these photographs
are interesting,

I'm still not fully convinced
they're paranormal.

-Brian, how you doing?
-So we are outside.

You're a neighbor here.
You've lived here
for a long time.

I've been in Simi since 1971.

You remember them filming
the movie here, right?

I was here in 1981.

Nineteen eighty one?

Yeah. I was a college student

-over at the local college,
-Mmm-hmm.

and I heard that Spielberg
was producing a movie.

So as a film student,

I got my Super 8 camera
came over,

stood across the street

for probably
seven days straight

-while they were filming
at this house.
-Wow.

It was usually from 7:00 p.m.
to 7:00 a.m.

[Zak] Did you meet--
You said you met Spielberg?

I came up here
to the store right here

-and the casket that comes out
onto the station wagon,
-Mmm-hmm.

-they were prepping that.
-Really?

So I stood here
and just looked at it.

And it was just me

-and then out of nowhere
comes Steven Spielberg.
-Really?

And he stands there
and he goes, "Hey,
what's going on?"

And I say, "Hey, I'm
a film student.

Right now, this week
we're studying you."

You're talking
to Steven Spielberg.

Just him and I
right here at the store.

-And the skeleton.
-Wow.

And so I said,
"Yeah, we're studying you
for the week."

And he goes, "Why me?"

And I go, you know,
all the things

-you've already done.
-Yeah.

And he goes, "Well, I have
a new movie that I'm about
to start."

And I go,
"Okay, what's that called?"

And he goes,
"It's a movie called E.T."

Jeez.

So I go and I asked him
what it was about,

and he gave me
a quick synopsis.

-That's crazy.
-And then... and then
we left it at that.

And then he goes,
you know, feel free to stay,

feel free to tape
whatever I want

-to film whatever I want
back then with Super 8.
-Really?

Did you ever witness anything
that seemed strange

on the movie set
of Poltergeist?

The strangest thing I saw

is as soon as
I walked in the house

-and again, I was over--
-You walked in the house?

So as a 18-year-old, I wait
until everybody went to lunch.

And then I walked
into the house.

What did you see?

As soon as I walked
into the house,

I saw a mound of dirt.

[electrical buzzing]

[Zak] Brian takes me
inside the house to show me

where this strange mound
of dirt was located.

I'm gonna say
the dirt was over here.

And it was a mound of dirt.

It was on a piece
of cardboard,

and it was right here.

And I could not understand
why there was dirt

in this people's home.

[Zak] If the Poltergeist curse
originated from the disruption

of sacred earth
in the backyard.

Could bringing
that soil inside

have invited the curse
into this home?

[intense music playing]

[Zak] Roll.

So we're setting
a shot up over here.

And what did you guys see?

Second floor,
the light just got really,

really intensely bright

and then dropped down
to normal light.

And now just dim down to that.

[Zak] This is, like,
literally, the movie is
replicating right now.

'Cause they did that
through those windows.

[Jeff] It got bright.

It was like a bright flash.

I saw it.

[Zak] There's nobody in there,
is there?

No, there's nobody in there.

[Zak] As we review the cameras
that were rolling at the time,

we actually find one

that captured this moment.

[suspenseful music playing]

[Zak] Okay. Right now um...

it's getting late.

This is Tawney.

Tawney, how are you?

-I'm good.
-So tell me about yourself.

You are a psychic medium?

Yes. I'm very familiar
with Simi Valley

and the area as well.

Okay. Have you been
past the house before?

Absolutely. Multiple times.

Have you picked up
anything here before?

Absolutely.

For some reason,
I've always been really drawn

to the room above the garage.

It feels like there's a man
just staring at me.

Every single time I come by

he's just standing
at the window just watching.

[Zak] That is the exact window
that we all just saw

the flash of light
come from in a vacant house.

Do you normally get feelings?

[Tawney] Yes, immediately
want to go upstairs.

-[Zak] Okay, we'll follow you.
-[Tawney] Okay.

It's weird. The energy in here
feels like young kids.

It's actually
kind of overwhelming.

Notice that I'm going
towards the door.

It's like...it's almost like,
"Get out, get out."

It's a lot of 'em.

Yeah. This is the space
right between these rooms.

-I don't think
this light was--
-[man] It was not on.

-[Tawney] Oh, no.
-[man] I can promise you
it was not on.

[Zak] Let's turn it off.
Let's see if it turns back on.

What's that, Tawney?

Um... these two rooms here

-is where I feel like
that man is here.
-Yeah.

He's very--

It's a very...
depressing but also
intimidating presence.

Like this is my property.

This is my room.

I keep hearing,
"I died. I died."

I think that's what
that EVP said.

"Died."

"I died. I died."
I keep hearing that.

That EVP that we got?

[man]

And it's very
territorial, too.

And so I'm very curious
to ask the owner if she's
felt so far...

[Zak] She's only slept here
one night.

Oh Interesting.
Very territorial.

It's almost like I want to
let her know like,

"Hey, just FYI
this is my house. "

But she said
when she first came in

through here
during inspection,

she felt something
pull her down.

Oh.

I felt like I was being
kind of like, pulled down.

I was nauseous, light headed.

Yeah. I'm not even--

I actually feel like
he's definitely not
the only spirit here.

-[Zak] Mmm-hmm.
-It's a conglomeration.

He's tied to this
particular area,

which is interesting,
like finally getting up here.

But also downstairs,

I feel like
there's another male

and then possibly
even a woman.

So there has been
two male deaths here
and one woman.

-Interesting. Okay.
-And only like I said,

only we would know that.

[Zak] It is shocking
that Tawney picked up

on the deaths of two men
and one woman in this house.

This was privileged
information given only to us

by the very private
former owners.

[Jay] So I've been doing
some research.

So, like you were saying,
the main thing is,

why was all this happening?

Is it the curse?

-Is it--
-What's the source?

That's the biggest question.

First of all, the Chumash
believed that the universe
itself was divided

into three different
planes of existence.

The first world that is above

belongs to
supernatural beings.

-The cloud, the sky,
the sky beings, yes.
-[Jay] Exactly.

-And the middle ground
as humans, is us,
-[Zak] Us. Right.

and the below world
is inhabited by monsters

which enter
the human world after dark.

So the monsters
of the world below

were thought to be malevolent
supernatural beings

that always, always pose
a threat to humans.

Whoa!

[Jay]
They were often described
as grotesque,

nocturnal and misshapen.

So they were like
the evil of the evil

and that they are constantly
a threat to human life.

[Zak] So much death
and suffering,

all linked to one film.

The oltergeist curse
has tormented so many
for 42 years.

[door creaking]

What is in store for us

as we prepare for lockdown?

[electrical buzzing]

All right.
It is now time to begin

our lockdown investigation

at a very iconic location,

the original
Poltergeist ouse.

And we have already
documented some very

compelling activity
and evidence.

And we're very
shocked by that.

So we need to dig deeper
and find out if that hole

that was dug in the backyard
and placed with real skeletons

might have opened
this house up

to some type of ancient curse
or something?

We do know that
there have been

three deaths in this house
from the last family.

And I did not
bring this from home.

This is not my doll.

This doll I do own

as part of my
museum collection.

This doll was owned
and played with

by Heather O'Rourke
from the Poltergeist ilms.

This is a certificate
of authenticity

signed by her mother,
Kathleen O'Rourke.

It came directly
from her mother's estate.

We're dealing
with a little child's death,

and the first thing
I want to say

is how brilliant and talented
she was as an actress.

She was incredible.

At a very young age,
she could even read a script

which baffled the directors.

So by no means
are we saying this curse

had anything to do
with the deaths of hers

or any of the other actors
and actresses in the films.

But did the curse
have something else

to do with the activity

that is being
experienced today

and possibly
with this previous family?

So what I'm gonna do is

I'm gonna take this doll

and place it upstairs
in what would have been

Heather O'Rourke's bedroom
in the film.

And Jay, can you also tell us
what those are over there?

So what we have are
basically baby monitors.

They are things that,
you know, you can
get anywhere.

Every home in America
probably has a set of these

at some point.

What we wanted to do is
leave one on and have one

here at nerve center,
so that way we can just have

a constant open line
of communication.

So at any time
we can hear them,

we can communicate.

We can talk back
and just have this open,

-basically
general communication.
-Communication.

Earlier, we had
a psychic medium Tawney
go in that room

and start telling us

that she was sensing
a child's spirit.

It's weird. The energy in here
feels like young kid's.

And before we go upstairs,
I'm gonna let Billy

talk about the experiment
that we currently have running

near the Poltergeist V.

In this room,

we have set up our isolated
video loop experiment,

which is a camera

that is projecting
what it is seeing
and recording itself.

Creating this
isolated video loop.

Which sometimes,

as an ITC experiment,

can elicit
some sort of results

in the pattern
that you see here.

So we will be watching that
from nerve

as well as the static
on the TV.

We also have,

see here I dangled
a microphone right here

that's going to be pointing
right at the speaker
of the static.

And then I'll be listening in
with headphones from
nerve center,

and we'll see
if anything comes through

the speakers
of the actual TV itself.

[Zak] Just like the movie.

Now it's crazy
because in the movie,

this is where she was
with her hands on the TV.

But before that,
she started hearing
the spirits

talking through
the speaker of the TV.

She was saying,
"I don't know. I don't know."

So we weren't able to hear
what voices she was hearing.

So in real life, these devices
can transmit spirit voices

through Instrumental
Trans-Communication.

We are in a very interesting
moment in time right now.

We are deeply connected
right now to the movie
Poltergeist.

We are in the home
where they filmed
a lot of the movie.

We did receive some
interesting activity as well

right here
at the bottom of these stairs.

We don't know
what spirits are here.

We don't know if we're able
to connect with any of those

who were in the movie
that are no longer here.

But if we do,

we wanna be here for you.

And we know that you love
being in front of the camera.

[suspenseful music playing]

Okay.

I'm gonna put this doll here
so that we could see it

from that camera over there.

This is the baby monitor
that we're gonna listen to.

Okay, ready?

With everything set
and recording,

we now head back
to nerve center

to begin monitoring.

Okay, so right now, Jay and I
are monitoring the house.

We're listening to the house.

This is where
we have a motion sensor

which is connected
to my watch.

You'll notice we have them
in every room.

One on the bed.
We have one on the stairs.

We have one here.

So if anything
alarms on my watch,

we'll be able to see
what number sensor it is.

And that will tell us
which room has the motion.

And I can use
this monitor to speak.

We don't know exactly
who or what,

or if anybody's in this house.

But we know
there's a lot of memories

and we know
there was three deaths.

Can anybody from the movie
talk to us

and replicate the scenes
that you did in the film?

Do you remember?

You were talking
to the spirits

and now it is reversed.

You are the spirit.

Can you talk to us?

Can you give us a message?

We are your friends.

We have love for you.

We have respect for you.

Carol Anne.

Are you there, Carol Anne.

[eerie tone] They're here!

Can you move
the door in the room?

[suspenseful music playing]

I just heard something
on the baby monitor.

[intense music playing]

Can we hear you?

[man] Zak!

Did you hear it say "Zak"?

[Zak] Open the doorways,
open the gateways,
open everything.

Let our two worlds collide.

[crashes]

[man] Hold on, bro.

We are in a studio here
in Las Vegas.

One, two, three.

Oh, my God!

[suspenseful music playing]

I just heard something
on the baby monitor.

[indistinct noise]

What was that?

[mouthing]

[Zak] I want everyone
to turn the volume up

and listen closely
to what sounds like

a faint little girl's voice
that's being captured

on the baby monitor
and the X cam audio.

I put this speaker to my ear

and I started hearing
a high pitched noise

like a little girl voice
or something.

That's why I had to have
everybody be quiet,

because the only way I can
capture this is through this.

[bleep]

[bleep]

So right now
we're hearing noises.

I quickly grabbed the ovilus

to see if we can get
any information

regarding these noises.

Who's making these noises?

Is there somebody
inside the house?

How are these spirits
making these noises?

Their arms!

Oh, my God!

[man] Are you serious?

I just said, "How are you
making these sounds?"

And it said, "Their arms."

Look at this.

-Yes.
-Literally says, "Their arms."

[Zak] At this exact moment,
our full spectrum camera

rolling in the family room

captures this strange
misty anomaly.

Can you give us the name
of whose arms

are being used
to make the noises?

Chris. Aggression.

You just asked the name.
That's a name.

Who's this? Chris.

The name said
Chris Aggression.

-[Aaron] Dude, that's a name.
-[Zak] Wrong.

It says "Wrong."

After you just said that.

[Aaron] No way.

[Zak] Look.

As we start gearing up
to go into the house,

we hear this strange breath
or brushing sound come through
the baby monitor.

Not only that, but there's
a meter, Tri field meter
right here.

[breathing sound]

Whoa!

There's a meter,
Tri field meter right here.

[all exclaim]

[Zak] Something just
came through

the speaker of that
baby monitor.

Like that is creepy.

-[man] Very.
-[Zak] We all heard it.

We're all four down here.

[Zak] Aaron, Billy and I
now enter the home

and set up a UV laser grid

in the kitchen,
along with a tri-field meter.

Right there.

Back in the family room,
we capture possibly

the same anomaly as before.

[Zak] Is there somebody
in here?

[man1] Whoa! See that?

[man2] What? Why did it spike
like that?

One point three
all of a sudden
from 0.2 to 1.4, 1.5?

Doesn't make any sense.

[Zak] Suddenly, Aaron
quickly walks away from us.

[man] You okay, Aaron?

-Aaron?
-[Aaron] That was weird, bro.

I just ran over here,

and I wasn't really
thinking about it.

[Billy] Why did you
just take off?

I don't know.

I just was standing here
and something made me just--

And I stopped.

I'm like, "Why am I--
Why did I do that?"

Like, it was weird.

[Zak] In this moment, Billy
heads back to the kitchen

and is adjusting the settings
on our digital recorder.

He has no idea
that his camera captures

something out this
kitchen window

that's facing the backyard.

We will reveal
this visual evidence

in an upcoming
in depth analysis

with the owner
of the house, Rachel.

[suspenseful music playing]

[Zak] I...

I just, I don't feel good.

Open the doorways!
Open the gateways!

Open everything!

Let our two worlds collide!

I know members
of the cast are gone,

and a lot of people
blame a curse.

Is there truth to that?

So right now
we just came upstairs

and we were hearing noises
up here from the nerve center.

Jay, are you still
hearing any sounds?

Nothing else.

Whoa, that was weird.

I feel like she's gonna start
crying out of nowhere.

Can I there alone?

Yes. Yes.

[Zak] Aaron now begins using
the Polterpod ITC device.

[device buzzing]

Who wants to talk to us?

What's your name?

[man speaking indistinctly]

[Zak] We capture an
unintelligible male
voice here.

Could this possibly be
speaking in a native
American language?

Who wants to talk to us?

What's your name?

[male speaking indistinctly]

[Zak] I now activate
the APF-D processor
along with the SB7 Pro.

[static]

[Zak] It just flatlined.

Why did it just flatline?

[Aaron] I don't know.

[Zak] Something weird
is happening to this
equipment right now.

It just completely flatlined.

And look.

[device beeps]

[Aaron] What was that?

Was that the baby monitor?

[Billy] Yeah.

[Zak] Can you see
if this is sweeping?

[Billy] You all right, Aaron?

Aaron.

Dude.

So I just put a mint
in my mouth.

When that started flatlining,
all I could taste was dirt.

And I was basically felt like
I was getting like,

I was being buried.

It was the weirdest thing.

[suspenseful music playing]

[static]

[Zak] Hi, can you please
talk to us?

What's your name?

[bleep] Nothing, dude.

Try it with my speakers.

[Zak] It is frustrating.

This is just the part
that gets me really upset

is when we feel things
and we're hearing things.

We're using this right now,
this ITC device,

then nobody
wants to talk to us.

Let me hold it.
Just let me hold it.

[girl's faint voice]

[gasps] Did you see
a little girl?

[Billy] Dude.

[Zak] I want to make
a very important note.

Aside from what we believe
to be a Native American voice,

we have only captured
these faint girl voices

earlier from the baby monitor.

And right now we capture
another faint girl voice

through the APF-D processor.

Did you see a little girl?

[Billy] Dude, why do I
keep hearing a little girl?

[Aaron] I hear it.

[Zak] Is there
a little girl there?

After 35 minutes

we're getting--

[Zak gasps] Daddy?

Listen, as my question
is answered.

Is there a little girl there?

[male voice]

Then another spirit
tells us the girl left.

[male voice]

Then a little girl
comes back and calls me daddy.

[girl voice]

[gasps] Daddy?

Is there a little girl there?

[male voice]

After 35 minutes,
we're getting--

[gasps] Daddy?

Okay. We're out here
at nerve center right now.

We're just
switching things up.

I don't feel good.

I don't feel right right now.

I don't know why.

I'm just saying
I don't know why.

We heard somebody in there
in the kids room

and we heard your voice

and you saw our reaction.

I'm sorry if I'm not
in the best of moods
right now.

I'm just not feeling
that great.

I think physically.

This happens
when you get older, you know?

You just don't feel good
for stupid reasons.

And we're getting older,
you know, I'm getting older.

I've been doing this
for a long time,

and sometimes things hurt,
you know,

and things affect
my...my asthma

and stuff like that, you know?

And everybody's gonna
make fun of me for this.

Are you having
a mental breakdown?

[all laughing]

[Aaron speaking]

You're having
a mental breakdown.

[Zak] Maybe I am.

[Aaron] You picked
the right moment.

That was great.

That was on TV.

[Aaron] I'm getting older.
Goddamnit!

[laughing]

[speaking indistinctly]

Sometimes we're the only ones
that listen.

[Zak] We don't know if you
lived in the house before,

or you're connected
to this movie

that we all watched,
and we're scared of.

I had the clown that was
in the bedroom with
the little boy and...

I'm a huge fan of this movie.

And if you can hear me,
let's have fun together.

Guys, look,
we're alive right now,

but, you know, we know
we're going to be on
the other side someday too.

Can you move the doll?

Move the [bleep] doll.

Billy wants to now use
the frequency generator,

which uses a physical coil
to emit frequencies

that can stimulate emotions.

As we are getting ready to
activate the device,

watch how the isolated
video loop begins moving
and undulating.

Then this large black mass
moves through it,

causing the central image
to also move.

All right, what I want
to do now is shoot at

a frequency of 150 hertz,
and anger is said to have

a vibrational frequency
of 150 hertz,

which is associated
with contraction.

So we're going to emit
that vibrational frequency

through the glass table
just like Jay said.

The glass will also resonate
that frequency

at a larger vibration.

And we're going to see
if it can affect anything

or stimulate anything
from portals to manifestations

to our ITC experiments.

[low electrical hum playing]

Now watch as what we believe
to be a long black arm

reaches up into
the central loop image

and appears to extract
the yellow part from the top.

And like Aaron says,
the yolk of an egg.

What is that?

-Whoa.
-What is that?

-[Zak] Whoa. What the hell?
-[Aaron] Oh, my God.

It's like an egg dripping
its yolk

down the [bleep] stairs
or something.

[Billy] It's gone.

-Did you see that?
-I saw that.

There was a black thing
that came up here and, like,

touched it.
And then the arm went away.

I don't know why, guys.
I'd have to go upstairs
to that room again.

[strange sounds playing]

What is that?

As I set my camera down
in the kids' room,

I hear the strangest sound
I've ever heard.

Jay also hears it from Nerve.
Listen to this.

[strange sounds playing]

When we replay the sound,
it's as if

an interdimensional door opens
for like a quick moment.

[strange sounds playing]

What is that?

Downstairs, Aaron and Billy
don't hear it,

but their equipment starts
acting strange.

[Billy] Hey.

Oh, Aaron, why is that
UV light doing that?

Hey, what was that UV light?

Your UV light just flashed on
and flashed off.

-The one in front of me?
-Yes.

And it was, hey, you know
what's going on right now?

-Hey. What was that noise?
-Yeah.

Dude, we didn't hear it
down here.

Cole, you come here right now.

When I walked up there,
it was just like, you know,

calm, quiet, everything.

And it was like for like
five seconds,

it was like I heard
like chattering.

It was like a quick terror
in the spirit world.

It was like they just
peeled it open real quick

-and let me hear something.
-After we did
the God frequency.

-Yeah, it was after
the God frequency.
-Yeah.

Something else happened
that you don't know.
Neither one of you know this.

This light is off right now,
right?

Yeah, you said it kept
going on and on.

It turned on,
and then it turned off.

And I looked up,
and I thought,

why is Aaron touching
the light?
But you weren't.

You were just standing
back here.

I'm like, it reacted.
Oh, it's giving me
the chills, dude.

It was reacting
to that frequency,

and it turned that light on.

And I looked up,
expecting you,
yeah, like that.

But look, it doesn't have
an effect on that.

-It's when you did that...
-It's when we did
that frequency,

that specific frequency
of 936 Hertz

and it changed the frequency.

It added a decimal point,
it changed it on the machine.

[Zak]
I decide to attach our SV7
spirit box directly

to the TV screen to see
if the electromagnetic energy

from the old TV can amplify
the spirit's energy source.

Let's just make sure this...

-[TV static blaring]
-[bleep]

The TV volume suddenly blares,

scaring us all and knocking me
back onto the carpet.

-[TV static blaring]
-[bleep]

Can we hear you?

-Hello?
-Hello?

-Hello?
-Hello?

Can we hear you?

[voice speaking]

-Hello? Hello?
-Hello?

Can you talk to us?

-[voice] Zak.
-Zak!

Did you hear it say Zak?

It said Zak! Plain as day!

There was nothing
that said hello?

Clearly said Zak!

Can you talk to us?

Zak?

Yes, that is me.

Can you tell me your name?

What are you doing in
this house?

Tell me the name of the movie
that was filmed here.

-Important.
-Important?

-Important.
-Important.

It might be a message
that's trying to come through.

Tell me the name of the movie
that was filmed here.

Important?

[Billy] It might be a message
that's trying to come through.

[voice speaking indistinctly]

We capture this
very creepy voice,

but don't understand
the language.

Could this also be
Native American?

[voice speaking indistinctly]

Where are you right now?

What was that flash?
Give it again, everyone.

-What was that flash?
-Wait, hey, hey.

You said,
where are you right now?

And the light turned on
for one split second.

-Flash.
-It flashed.

-Hello.
-Hello again.

It was like
an older lady's voice.

[Zak]
Who are these spirits that
are suddenly greeting us?

We are getting
crystal clear hellos

coming through the TV
into our ITC device.

[female voice speaking]

-Hello.
-Hello.

-Again.
-That was like
an older lady's voice.

[Zak]
I know this sounds crazy,
but the scene in the movie

is our reality right now.

With no further communication,
Billy and I head back

to nerve center to start
wrapping up the investigation.

Okay, so right now,
Jay and Aaron are out back.

They are doing a ceremony,
an offering

to the Native Americans.

Through the Chumash spirits
and any other Native Americans

that were here first.

[Zak] This was their land,
and before we end
our investigation...

We want to give an offering
of peace and respect.

A lot of time has gone by,
and a lot of good people
have been lost.

Please lift any kind of curse,
and I hope you can find peace

and move on.

And this investigation
was absolutely...

incredible.

Um...

Oh. Oh, my God.

[bleep]
Did you just see that?

-What the [bleep]?
-Hold on, let me roll
this camera.

Are you kidding me right now?

-Oh, my God, dude. [bleep]
-Shh. Wait, wait, wait, wait.

-Oh, my, you saw that, right?
-Yeah, I watched it.

-So we both saw that
on screen, right?
-Yup.

-Right?
-Yeah, and that camera right
there for sure caught it.

This investigation
was absolutely incredible.

Um...

My heart is racing right now.

That was [bleep] awesome,
dude.

-Is that camera on?
-Yes.

-It is?
-Yes.

-We have two angles left.
-Oh, great.

Holy [bleep].
We saw that at the same time.

We were wrapping up...

-I wasn't expecting it.
-And the doll just fell over.

-Hey.
-[Aaron] What?

-The doll just [bleep]...
-I swear to God,
come up...

-Are you serious?
-Me and Billy were at nerve.

-Come here.
-[Aaron] Coming.

[Zak] We did not have
high expectations

for this house being
this active.

And we also capture
the doll falling on
this X camera as well.

And this investigation
was absolutely

incredible.

Um...

Oh.

...incredible. Um...

Oh.

This was captured on
two separate cameras.

And throughout the night,
I asked the spirits

multiple times to move
this doll.

Can you move the doll
in the room?

[on speaker]
Can you move the doll?

Move the [bleep] doll.

-...incredible. Um...
-Oh...

My God.

[bleep]
Did you just see that?

What the [bleep]?

Hold on,
let me roll the camera.
Are you kidding me right now?

[Zak] With our investigation
complete,

we head back to Vegas to do
a full analysis of
our evidence.

I know. This looks strange.

You just saw us
in night vision,

and now we're actually stuck
in the television set.

Lockdown ended really weird
for us.

Here we are,
and we don't know
how to get out.

I just see a screen.
Carol Anne, are you here?

Can you help us?

We want to get out.

Ladies and gentlemen,
I did not know what to expect.

We went into
this investigation

very skeptical
of an actual haunting
because the house

is based upon
a fictionalized movie

dealing with fictional ghosts.

However, knowing that there
was some truth

to that movie's storyline
and the backstory,

of these Native American
grounds.

And then us validating that
with elders of the Chumash

made us realize, wow,
this curse could be

very real.

And once we started digging
into the history of the house,

the family that lived there,
the three deaths,

what's going on with
the current owner,

I don't think any of us
expected the sensation

that we felt when
we walked inside

this house.

The activity started
and it never ended.

The scientific evidence
that we documented,

the EMF readings,
the anomalies,

the visual,
the poltergeist activity,

the doll that you just saw,

it fell by itself

after it was sitting there

all night.

...incredible. Um...

Oh, my God.

The voices, the intelligence.

What are we dealing with?

We are just as shocked
as you are.

And we are flying back Jill,

the psychic medium advisor

who worked with the director
on the oltergeist films.

She has something she wants
to show us,

something she captured
while she visited us
for her interview.

But I also have something that
I wanna show her.

-Jill.
-Yes, Zak.

Considering the movie,
where does it feel like
we're at?

-Inside the TV?
-Yeah.

-Oh, that's cool.
-I know you're here.

I know you flew back here
because there's something

that you want to show us.

Yes. I really want everybody
to see this.

My daughter took this photo.

She took a picture
of me standing there
pointing to the TV.

How can that TV reflect
or go through,

transistently through me,
the screen of the television?

[Zak] I don't know if it's
just me, but do you see
that face right there?

[Jill] Yes. Yeah, they said
that. They said they saw
the face, too.

-[Zak] This is weird.
-You're not the only one
that's seen this.

-Hang on a second. Billy?
-Yes.

Didn't I send you, like,
10 or 12 photos

-of this same exact position?
-Yep.

-Is that on your phone?
-Yeah, you want to see them?

Come here for a second,
and let me see those.

Let me compare this
real quick.

-So this is what
I don't understand.
-Okay.

-You and I posed in
the same exact position.
-Right.

-And also took photos.
-Right.

And Billy was moving around
a little bit.

Different angles.

[Billy]
Trying to get different,
you know, angles.

[Zak]
But you don't ever see that
in any other pictures.

-Why is that?
-That is weird.

[Jill]
Because I'm the one that asked
for the spirit to come to me.

[Zak] This is yet another
interesting photo that,

through a series of other
photos taken in the same

exact position, we had
a hard time to debunk.

If this is paranormal,
could this be a message
from beyond?

And is this the chosen
communication device?

But now, ladies and gentlemen,
comes the time

that I present
my special piece

of film history,
a piece of film history

that Jill has
a personal connection to.

Okay, so the TV was
the focal point in the film.

-Absolutely.
-But there was another object

that was a terrifying item

for the film,
an item that was possessed.

And with that said,
I have something that I...

-want to show you.
-Okay.

Jill, follow me.
Keep your eyes covered.

-They're covered.
-And keep them closed.

-They're closed.
They're closed.
-So walk with me.

We're going to walk
right here, okay?

I'm going to move back.

On the count of three,
we're going to open
your eyes, okay?

-Okay.
-One, two, three.

Oh, my God!

Oh, my God.

[Zak] This was used in
all their big scenes.

I acquired that
from Planet Hollywood here
in Las Vegas.

-I had it on display, I think,
for a good 20 years.
-Wow.

-The spirit is real.
-What spirit?

Inside this clown, the spirit
can get in and out.

Oh, my God. You're real.

-You're detecting a spirit
in the doll?
-Yes.

Are you really bad?

Now I'm hearing him say,
I was told to act bad,
to be bad.

-[Zak]
Who's telling you to act bad?
-The spirit, it's in there.

It's not the material.

The spirit's inside is around
and all around the material.

I can almost, I can see like
a little bit of an aura
around.

Just here up, not the legs,
but just here up.

And I'm seeing,
and it's talking to me.

Oh, my God.

Oh, my God, you're real.

[Zak]
Do you think that Poltergeist
was cursed?

-It had curses.
-Could objects from the film,

particularly the clown,
which is probably

the scariest part of
Poltergeist, ould artifacts,

props from the film,
could they have absorbed

pieces or residual traces

of that curse or the spirits

from the people
that played in the film?

Because you said
when you first saw it,
you had a big reaction.

And you said there was
a spirit inside of it.

Why would you think something
like this would be a vessel
for a spirit?

Because that was his purpose.
His purpose was to be scary.

Interesting to me it called
itself an actor.

[Zak] We find it extremely
interesting that Jill presents

the idea that an actor
from the film is attached
to the doll.

I wish we knew which one.

We now head to meet the owner
of the oltergeist house,

Rachel, to analyze
our findings with her.

Rachel, we didn't know what
to expect going into

this investigation.

Is this curse real?

And we thought it was
very important for you
to come back

and see what we captured
inside the house you now own.

Billy, take it away.

When we were
in this room here and we were
using the XLS camera,

this appeared over top of Zak.

[Zak] It's free floating.
You see it's nothing
behind it.

Now it's putting its hand
over my head.

It's hovering over the TV,
and then it vanishes.

-Just like that.
-[Billy] And that was it.

It was just gone.

-That TV is an older
vintage TV.
-It is, yeah.

So it bleeds a lot of EMF,
okay?

-Which provides
for the spirits.
-Yeah.

Zak, were you touching
the TV at this point?

-You were, right?
-I believe so.

Is it reaching to touch you
to touch the TV?

Because you were feeling
the static and the energy
from the TV.

-Let's move to the next one.
-[Billy] All right.

We're looking at
a full spectrum camera.

This camera sees into
the ultraviolet spectrum

as well as visible light
and infrared.

It captured a mist.

It's a weird shape.
That is not any type
of flying insect.

That is not a dust particle.

-No.
-No.

It grows in size as it goes up
into the air.

-Wait a minute, Billy,
do me a favor.
-Yeah.

Go frame by frame.

Keep going. Stop.

-I don't know if that's
just [bleep].
-There's light there.

Rachel is pointing to
the same interesting attribute

of the mist anomaly
that caught my eye
during this review.

It appears as though there
are tiny dots of illumination

within the slightly
larger mist form.

What's wild is it's coming out
of the ground.

And what do we know
about the ground?

That backs up the theory
that all this is coming
from the ground.

-Right there.
-Oh, [bleep],
I didn't even think of that.

-Yeah.
-It's literally right there
in the floor.

-The whole house
is on the ground.
-Yeah.

So this is interesting.
Let's move on to
the next piece.

[Billy] Okay.

-This right here is...
-This one is messing with
my head.

[Zak] This is weird.
Go ahead, Billy.

I can't figure out
what this is.

In the backyard,
there's no light contamination
at all.

-Correct. Okay.
-Let me just play this.

[Zak] Watch very closely.

See something there
and then a light there.

See something there,
and then a light.

Watch the bottom, boom,
and then the light.

-This is glass, right?
-Yes, it's all glass.

-Then why wouldn't we see
the light here?
-Exactly.

-And it only starts here.
-Right.

But that's a very clearly
defined light going down.

[Billy] The light is what's
driving me nuts.

[Zak] There are no roads
or any public views whatsoever

in the backyard.

This is not a car
or any explainable source.

All right, next.

Now we're in the kids' room,
and we're using the Polterpod.

[static]

[voice speaking indistinctly
on device]

-Do you hear that?
-Yeah, but what is it?

-We don't know.
-Can you make it out?

No, but what I will say
is when we were using
the Polterpod in there,

Aaron was using it
for how long before
this happened?

-30 minutes.
-And there was nothing
that whole time.

Not a speck of a single voice.

Absolutely nothing.

And then all of a sudden,
this crystal clear voice

comes out of nowhere
and says something

that I think is
Native American.

[speaking indistinctly]

-That gives you chills,
doesn't it?
-It does.

So we tried and tried
and tried.

If anybody recognizes
this voice from any culture,

any language at all,
post something online.

-We will look. Help us.
-Yeah.

I think that is important
because of how long

-it took for us
to get that voice.
-Yeah.

-We didn't get any more voices
after that.
-[Aaron] Right.

So it was like, Okay,
let's change to another
device.

The APFD processor.

[static playing]

Did you see a little girl?

You hear it right there?

Did you see a little girl?

So it's a female-type sound.

[static playing]

And the interesting part
is before we even began

our investigation,
we started hearing

some female-type sounds,
real low, faint,

but we could hear them
coming from this room.

-Okay, go ahead, next piece.
-Okay, same device.

Is your little girl there?

[static playing]

After 35 minutes,
we're getting...

-There are several
things there.
-There's three things.

Zak asked the question,
is there a little girl here?

-[Rachel] Mm-hmm.
-And right after that,
a voice says, no.

And then there's a pause,
and another voice,

a different voice,
says, she left.

And then Zak starts talking.

Hmm.

-And then--
-And then, it says,
a little girl says, daddy?

Is there a little girl there?

[voice speaking]

-After 35 minutes,
we're getting...
-[gasps]

Daddy?

-Wow.
-So here's the...
We heard that in real time.

-Yeah.
-Is there a little girl there?

[voice speaking]

After 35 minutes,
we're getting...

-Do you hear it, Rachel?
-That gave me goosebumps.

Okay.

I thought that was
a crazy communication session.

It literally answered
your question like that.

-You asked the question
and said no.
-Really?

So it's interacting.

-It is interacting.
-And it's intelligent.

And that's a good point
you make.

It is interacting
intelligently.

-So they're hearing us.
-We're hearing them.

There's your established
interaction.

And that's what this all
comes down to.

We are now ready to review
the sound that we captured
upstairs.

I've been investigating
for a very long time, Rachel.

And what I heard was
one of the strangest,

most disturbing things.

It wasn't that I even
just heard it.

I felt it.

It was like a shock
that came out of it.

This is an upstairs noise.
We have no idea where

-the sound came from,
but it was in the air.
-Hmm.

[strange sounds playing]

-What is that?
-What is that?

-Have you ever heard anything
like that?
-No.

And it's talking.

It's... There's conversation
in there.

Isn't that strange?

It's very strange.

[unexplained sounds playing]

Okay, so now this is where

[bleep] really started to hit
the fan.

-Can we hear you?
- pulsed static playing]

[voice] Hello.

-Hello?
-Hello?

[Billy] You know,
what's weird?

When you're planning on this,
I hear, like, help,

which is scarier, honestly.

Play it again.

-Hello?
-Hello?

-Now I'm hearing that.
-[Zak] What?

It sounds like "Help."

Hello?

Okay, let's move on
to the next one.

-Hello?
-Hello?

-Hello?
-Again?

-[all laughing]
-You can tell how amped
we are.

Some people tell me, oh,
don't get so excited.

-I'm not listening to you.
-You guys are excited.

But that did sound more
like a hello.

-Yeah.
-That one did.

This one.

Hello?

-Hello?
-Hello?

We now begin reviewing
the Polaroids that Aaron took.

I would say there's at least
100 that are easy.

After all that,
I got three pictures
that have something on it.

The first one is
a strange light anomaly

that's coming from Zak.

In all the other photos,
there is no weird light
anomalies

like this that wrap around
his body.

And I will say,
in this exact moment

when this photo was taken,

I stood in that same position
the entire time,

absolutely still.

We are now ready to review
the footage

of Heather O'Rourke's doll
falling off the bookcase.

At the beginning of the night,

we placed the doll
on a bookcase

along with a baby monitor,
which I used to ask the doll

to move.

Can you move the doll
in the room?

Can you move the doll?

Move the [bleep] doll.

At this point, it was
the end of the night.

Hours had passed
when something
incredible happened.

I want you to watch
what happens to this doll.

Oh.

Oh, my God.

-And that's been sitting there
all night.
-All night.

It's been sitting there
all night.

Now the question is,
did it just fall over

due to gravity,
or did something
influence it to fall?

Go back to it.

Yeah, that doll
was stationary.

What is that glowing on it?
Is there something
in its hair?

-Oh, yeah, right there.
I see that.
-But then it goes away.

-It just went away.
-Are you serious?

-It's not moving.
-It goes away.

-It just went away.
-It stopped glowing.

[Zak] It isn't until now
that we make this discovery

of a strange glowing light
right here in her hair

that then slowly dims to dark.

What the [bleep] is that?

Dude.

How in the hell?

And it's not some battery
in the thing because it's old.

-There's no electronics in
it at all.
-From the '80s.

-There aren't any electronics
in it at all.
-No.

It's like that little light
that was outside the window.

-Outside the window.
-But the light goes away.

-Maybe it's like the energy--
-Did you see that?

-I did.
-What is your take on that?

My initial take on it
is that it came down

-almost as if it were dragged.
-Right.

-Right.
-But the light...

-It went away.
-It goes away.

-Well, Rachel.
-Well.

What do you think?
Is this poltergeist activity

that we captured in
the Poltergeist ouse?

-It's very strange.
-We never expected this.

-Never.
-I never expected this.

It has these weird
little lights in it.

[Zak] This film altered
my childhood.

I never thought I would
be able to dive deep

into the strange curse
as an adult.

My childhood fear...

is more real now than
ever before.