All language subtitles for 5.30 Enter Thomas Bowers

The following program
is brought to you

in living color on NBC.

Do you realize that the stage
is almost two hours late?

I do.

Well?
Well, what?

Why is the stage late?

I wouldn't rightly know, Mrs. Gable.

All I know is the stage left
Saint Louis on time.

Stupid man.
He doesn't know anything.

I only hope the stage gets here in time
for the concert tomorrow night.

I knew it. I just knew it.

Now, I'm not one to say
"I told you so," Sarah,

but it was a mistake
to count on a singer

that nobody's ever heard of,
much less seen.

You're just offended, Minnie, because
you're not singing at the concert.

But I think it's high time that
we brought real culture to Virginia City.

Minnie may be right, Sarah.

For all we know,
Thomas Bowers may be just a nobody.

A nobody?

Have you forgotten that letter
from the Lyceum Bureau in Chicago?

Oh, why he's compared
to Count Mario,

the greatest living
Italian opera singer.

Why, they even call him
the American Mario.

You call that a nobody?

Oh, there's Hoss Cartwright.
I've got to talk to him.

Oh, Mr. Cartwright.

Good morning, Ms. Gable.

I hope your father
hasn't forgotten his promise

to make the collection speech
to the concert tomorrow night.

No, ma'am, he sure ain't.
He's got that thing memorized

backwards and fonNards.
He's been practicing it for a week.

Ma'am, that's sure a fine thing
you ladies are doing,

the benefit for the Paiutes.

They're certainly gonna
need that help

after the winter
they've just gone through.

Oh, yes.
Those poor unfortunate people.

But I think that's the least we can do
for our red brethren, don't you?

Yes, ma'am, I do.
Stage coming!

Whoa.

What happened to you?
Plenty.

We were crossing the river, the ropes
broke and we lost all the luggage.

And then later on we lost a wheel.

All the luggage?
Yep.

Uh, Mr. Bowers, I'm Mrs. Gable,
president of the Virginia City--

Uh, no, ma'am,
my name is Simpson.

Charlie Simpson in ladies novelties.

Oh, I had some lovely items
to show you fair ladies.

But thanks to that feel driver,

all my merchandise
is now at the bottom of the river.

Oh, I thought you were
the famous singer, Thomas Bowers.

Uh, no, ma'am.

I'm Thomas Bowers.
Oh.

You're Thomas Bowers?

I am, madam.

Oh, but you can't be.

Uh, I mean, uh,
surely there's some mistake.

Mr. Bowers must be exhausted
from his harrowing trip, Sarah.

Now, aren't you going to take
Mr. Bowers

to your house to freshen up?

You know I have no guestroom
in my house.

Uh, there's a hotel up the street.

I'm sure you'll find
accommodations there.

There's no use fussing about it.

There's no use fussing.

Now, we're gonna do
everything we can

to get your lost luggage
back for you.

Well, we'll send some men out
first thing in the morning.

We'll even drag the river
if necessary.

Now, you can't ask for more,
can you?

You shouldn't have lost them
in the first place.

That's right.
Ridiculous.

Excuse me.

Can you tell me
when the next stage leaves?

Well, that would be
the one you were on.

It'll take a day to clean it up,
put a new wheel on.

Let's see. Day after tomorrow.
That'll be Monday.

You mean there's nothing sooner?

Sooner? You're not thinking on leaving
before the concert, are you?

I have a feeling
there's not gonna be any concert.

Thank you.

Pardon me.
Yes?

My name is Thomas Bowers.
I'd like a room, please.

Beg your pardon?

I said, I'd like a room, please.

I'm sorry, we're all filled up.

I see. Thank you very much.

The pleasure is all mine.

Yes, sir?

Yes, I'd like a nice large room, uh,
with a bath if you have one.

Yes, indeed, sir. I can give you a room
with a bath on the same floor.

How will that be?
That'll suit me fine.

Will you please sign here, sir?

But, Mrs. Gable,
the next issue of the Enterprise

doesn't come out till Monday.

That's two days after the named
is scheduled to be held.

Oh, my, I forgot about that.

But you still haven't told me why
you want to cancel the concert.

Well, isn't that rather obvious?

How am I ever going to explain

to the ladies of
the Virginia City Culture Society

that I hadn't known that
Thomas Bowers was a--? Was a--?

A Negro?

Well, that's not exactly
what I meant.

Isn't it, Mrs. Gable?
What did you mean?

Oh, Mr. Walker,
it's all so embarrassing.

Well, it shouldn't be.

But if you cancel the named,
it will be, for all of us.

Well, what do you mean?

Well, Mrs. Gable,
as the self-appointed leader

of cultural activities in Virginia City,

you should have known
all about Thomas Bowers.

He's quite famous, you know.
He's given concerts all over Europe.

Now, it seems to me that if the color of
his skin didn't bother Queen Victoria,

it shouldn't bother the fair ladies
of Virginia City.

Queen Victoria?

Why, Mr. Walker,
are you trying to tell me

that Thomas Bowers
sang for the Queen?

Why not? He's considered to have
one of the greatest voices in America.

I understand the Queen
was very pleased.

Thank you, Mr. Walker.

You're a most persuasive man.

And then he gets off of the stage
and says,

"I'm Thomas Bowers."

You should have seen
Mrs. Gable's face.

Look like she was gonna
take a fit right then and there.

Speak of the devil.

May I have some ham and eggs,
please?

And you've get money?

Why, yes, of course.

Yes, of course.

Well, that's too bad,
because we're all out of food.

Then perhaps I might have a glass
of water.

Ah! We're all out of water too.

You want a glass of water, boy?

There's a horse trough
right out in front.

Let them go. Let me have them.

Take it easy.

I don't think these fellas
wanna play around anymore.

Do you, boys?

Come on, let's go outside.
You need to cool off. Come on.

Thank you very much.

I guess I wouldn't have stood much
of a chance against theirs odds

if you hadn't stepped in.

I don't know. You look to me like
you can handle yourself pretty good.

I wouldn't have figured
a singer could hit like that.

Well, I guess I was so infuriated,
I didn't know what was happening.

But thank you very much, Mister...
Cartwright. Hoss Cartwright.

Mr. Cartwright,
I wonder if you could tell me

whether there's another restaurant
in this town.

Yeah, there's one over there
in the hotel. Pretty good food.

No, I'm afraid
I wouldn't be welcome there.

They've already refused me lodging.

Said they were all filled up.

Filled up.

We'll find out. There's Jed.
He works over there.

Hey, Jed, Jed. You got a minute?

Hello, Mr. Cartwright.
Howdy, Jed.

Is it true the hotel is full?

I wouldn't know about that,
Mr. Cartwright.

I gotta go. Uh, my lunch is waiting.

I'm sorry.

Well, I guess
that answers your question.

Don't you worry none, Mr. Bowers.
We'll get you something to eat.

But please don't go back to the hotel,
Mr. Bowers. There'll only be trouble.

Now, if you're hungry, you're welcome
to come eat at my place.

Oh, there's more than enough,
if that's what you're thinking.

And my daughter's
a mighty fine cook.

Well, thank you very much,
but I don't want to intrude.

Oh, no. Not at all. Not at all.

Well, thank you, Mr. Cartwright.

And I'm certainly glad
you were on my side.

My pleasure, Mr. Bowers.

I'll be looking forward
to hearing you sing.

There'll be a next time.

And I'll fix him.
I'll fix him good and proper.

Sure you will.

You don't think he's gonna get away
with that, do you?

I'll teach him his place.

He's nothing but a smart
loudmouth--

Look, Sam, simmer down, will you?

And get me another steak, will you?
That one's cold.

Well, that stuff still isn't gonna
get started in this town.

You wait and see.

I'll fix him. I'll fix him but good.

Carrie.
Pa, what took you so long?

Oh.

Mr. Bowers,
this is my daughter, Caroline.

How do you do, Ms. Caroline?

Bowers?

Are you Thomas Bowers, the famous
singer that everybody's talking about?

Well, I don't know
about the famous pan of it.

Oh, but you are.
You see, I know all about you.

You can talk later, Carrie.
Mr. Bowers is hungry.

Now, how was your trip
from Saint Louis, Mr. Bowers?

Say, you do know
a great deal about me.

A few weeks back
I served at a party at Mrs. Gable's.

She's the president of--
Yes, I've met the lady.

Oh.

Mr. Bowers,

can you really sing in Italian?

Caroline, if you don't stop talking
and give us something to eat,

Mr. Bowers, he ain't gonna be able
to sing in any language.

Run, boy, run.

Is Sheriff Coffee in here?

You got eyes.
You see him any place?

A sign on his door
said he's out to lunch.

I thought he'd be here.

I got an important telegram for him.

Oh?

Well, let's have a look at it, boy.

Oh, no, sir. I can't do that.
It's official business.

Now, if it's official business, the sheriff
is duty-bound not to keep it private.

You know that.

"Sheriff, Virginia City.
Be on alert for runaway slave.

Believed headed Nevada Territory.

About 35.

Tall, powerfully built, well-spoken.

Can be dangerous when aroused.

Wanted for murder of overseer.

Reward $1000.

G. Williams, Chief of Police,
Saint Louis, Missouri."

Fits your friend pretty close,
don't it, Cartwright?

Yep, but I reckon it could fit
a lot of people.

Yeah, can it?

How many fancy-talking
runaway slaves

you seen around here lately
about his age,

about the same height as this one?

How come this wire
was sent right hereto Virginia City?

More than likely a general notice
was sent

to all the sheriffs and marshals
throughout the whole west.

Don't listen to him.
Let's go get the black boy.

Sam, wait a minute.

Look, why don't you wait
for the sheriff?

What for?

That's just gonna give him
$1,000 worth of help. Come on.

Look, buddy, you get that back over
to the sheriff's office. You hear?

Tell him what happened.
Wait there for him.

Hello, Mr. Cartwright.
Excuse me, ma'am.

Mr. Bowers, Sam Kiley and a bunch
of the boys are looking for you.

For me? For what?

Well, they got this police bulletin
this morning

describing a runaway slave
that is wanted for murder.

What's that gotta do
with Mr. Bowers?

Ma'am, the way it read, it could
have been him, the description and all.

Same general size and general build,
and it said that he was well-spoken.

And it said that he could
be dangerous when he's aroused.

They don't know he's here, do they?

Not yet, they don't.

He's no runaway slave.

Ma'am, they sure wanna think he is.
We ain't got time to sit around talking.

Now, I got my rig outside. Come on.

Where do you plan to take me?

To the Ponderosa. To my home.

It's all right.
You can trust the Cartwrights.

They're good people.
No. Mr. Bowers hasn't done anything.

Look, they ain't gonna
stick around here

asking no questions
once they find him.

They're gonna put together
a lynch mob that quick,

especially after
what he done this morning.

Lynch mob?
Now, listen.

There's no point in you dear people
getting involved in my trouble.

Thank you very much for your kindness
and I do hope we meet again soon.

Mr. Bowers.

You're not a runaway slave, are you?

And if I were?

Come on.

You got a black man
named Thomas Bowers here?

In this hotel? You can't be serious.

He tried to get a room here,
but I sent him on his way in a hurry.

If it'll be of any help to you,
I saw him going down the street

just a little while ago, uh,
with another colored man.

That must be Jed.
He's the only other one in town.

Jed. He works here, don't he?

Well, yes, he, uh,
sweeps up around here.

Where does he live?

Well, I've never actually
been to his house.

Just tell me where he lives.

Well, he lives on the edge of town
just past the blacksmith.

The people one has to put up with
in this town. I tell you.

Now, where is he?
Let him alone.

Somebody shut her up.

Don't hit me any more, please.

Ow!
Pa, don't tell. Pa.

Look, you got about one second left
before I drive this right through your--

All right, all right, I'll tell you.

Hoss Cartwright came and...

Well, come on. Spit it out.

They went to the Ponderosa.

Ponderosa.

Ponderosa.

Let's go.

Now, you tell anybody
where we're going,

it'll be the last talking you ever do.

Do you understand that, Jed?

Don't you tell nobody. Not a soul.
Hear me, Carrie?

Carrie, you hear me?
Yeah. I hear you, Pa.

I've been listening to you
for 18 years.

"Mind your tongue, Carrie.

Pick up after them.
Know your place."

Trying to be like white folks
only brings sorrow and mm to others.

You saw that today, girl.

What I saw today was a man.

Even if he is a runaway,
he's still nobody's slave.

But you are, Pa.

Are you losing your mind, girl?

I don't belong to nobody. I'm free.

Stop fooling yourself, Pa.

You ain't free.

You're just a poor, scared flunky.

I'm sorry, Pa.

Oh, Pa, I'm sorry.

Pa.

Pa.

Pa.

Whoa, whoa, whoa.

Why are we stopping?

Oh, this dang old team's
been dragging the last couple of miles.

If I don't stop and let them rest a while,
we ain't gonna never make it.

And my load's shifting on me.

Let him pull back over the line.

Don't spend too much time, though.

I'm sure Sam Kiley and the boys have
figured out you're with me by now.

Don't worry. I don't carry a gun.

I think that since you're risking
such a great deal on a total stranger,

you ought to have a look at this.

I don't need no more proof.

Read it, please.

"Mrs. Amos Gable.
Virginia City, Nevada.

Dear madam, this will introduce
Thomas Bowers,

who has graciously consented to fill
the guest spot at your benefit concert.

Best wishes
for a successful concert.

Respectfully, Arthur O'Neill, manager,
Lyceum Bureau, Chicago, Illinois."

Well, does that make you feel
a little better?

How come you didn't
show that to Ms. Gable?

She took one look at me
and she was in an awful hurry

to go in the opposite direction.

Well, you look tired.

We'll be at the house soon
and you can relax.

I'd appreciate that.

I haven't had a good night's sleep
since we left Saint Louis.

Hyah.

Hi, Donnie.
Hi, sheriff.

Where are Sam and his boys
off to in such a hurry?

I reckon
they're after the runaway slave.

Runaway slave? Ha, ha.
What are you talking about, boy?

They tell you about it in this.
In here?

How did Sam know about this?
Did you show to him?

I couldn't help it. I was looking for you
and they grabbed it away from me.

Well, all right. What's done is done.

I sure would like to know where
them hotheads are off to.

Give me that thing.

Sheriff?
Yeah?

What happened to you?
You been in a fight?

Yeah, they made me tell them where
Hoss is taking Mr. Bowers.

I didn't wanna, so they...
Who in the world did that to you?

Sam Kiley and the others.

I don't care if he hurts me
as he said he would.

I ain't gonna let him get Mr. Bowers.
Don't worry, I won't let that happen.

But where were they heading?
The Ponderosa.

They're after them, Mr. Coffee.

If they catch up him with him,
they'll hurt him real bad.

Thanks, Jed.

You done the right thing, Jed.

Yeah.

Maybe it's about time I did.

Whoa, whoa, whoa.

Pa, this is Mr. Thomas Bowers,
the famous singer.

Mr. Bowers,
welcome to the Ponderosa.

These are my brothers,
Little Joe and Adam.

How are you?

Mr. Bowers had sort of a rough time
on the stage

and he needs some rest
pretty bad, Pa.

I'm sorry to hear that.

Well, we'll try
to make you comfortable.

Joe, why don't you show Mr. Bowers
the guestroom?

All right, Pa.
Gentlemen, thank you very much.

It couldn't just be that he had trouble
getting accommodations in town?

Yeah.
That figures.

But that ain't why I brought him here.

Fact is that Sam Kiley and a bunch
of the boys are after him.

They're on their way out here
right now.

What?
After him? What for?

Oh, they think he's some sort of a
dangerous runaway slave or something.

But he ain't and I know he ain't.

Well, I wish I had your faith
in human nature.

Ever stop to think what could happen
to Pa if Bowers is that runaway slave?

Well, we can take care of Kiley.

That's not what I mean.

You've heard
of the Dred Scott decision.

No.
It was just handed down

by the Supreme Court

A slave, even in free territory,
is still the property of his master.

Therefore an escaped slave
is a fugitive from justice.

And anyone who offers him sanctuary
is an accessory to the crime.

What kind of dang law is that?

I know, but nevertheless it's the law.
The new law of the land.

Pa could go to prison
if Bowers is the runaway slave.

Runaway slave? Who?
The man I just brought upstairs?

No, there was a warrant for the arrest
of a runaway slave in town.

And Sam Kiley and a bunch of
the town loafers got it in their head

that Mr. Bowers
was that runaway slave.

Hoss thinks that
they're on their way out here.

What do you think they're gonna do?
Take him by force?

Of course not.

Bowers will stay right here until
there's positive proof of his identity.

A man is innocent
till he's proven guilty.

That's also a law of the land.

Do you think you can convince
Kiley of that? Here he comes.

Howdy, Sam.

Anything we can do for you?

Uh, no, Ben,
something we're gonna do for you.

We're gonna take that black off your
hands, take him back to the sheriff.

Well, if you're referring
to Mr. Bowers,

I'm afraid you've come out here
for nothing.

Look, Ben, you're a law-abiding man.

You wouldn't be protecting
any runaway slave, would you?

Or maybe Hoss didn't tell you who
it was he brung out here this morning.

Well, Sam, whatever Hoss did or did
not tell me is none of your business.

It is my business, Ben,
if he's a runaway slave.

No. No, it isn't.

And even if he were,
you still come out here for nothing.

It just so happens that the man
inside is Thomas Bowers,

the world-famous singer.

You can't prove that.

I don't have to.

Sam, why don't you
and your boys just get along?

Whatever has to be done,
we'll discuss with the sheriff first.

I'm warning you, Cartwright,
if you don't hand him over--

If we don't,
what are you gonna do about it?

Now, hold on, Sam.

You said there wasn't gonna
be no fighting.

Don't you worry, Luke,
there ain't gonna be no fighting.

Sam, just what do you think
you're doing out here?

Well, I'm only trying to be
a good citizen, sheriff.

I'm trying to protect all of us from that
runaway murderer they got in there.

He tried to kill me this morning
with his bare hands.

Yeah.

I don't reckon he cared too much for
all that fine food you served him, Sam.

We just came out here to escort
your prisoner back to town for you.

Sam, you ain't my deputy.
You know that.

But maybe you forgot when you read
that wire addressed to me

mentioning about
that reward money.

Now, you boys better get back
to town right now.

Come on, fellas.

Ben, I gotta talk to you about all this.

Well, go ahead, Roy.

Where's Bowers at?

Inside resting.

I'm sorry, but I'm gonna have to
take him into custody.

Now, how come, Roy?

You ain't got no proof
that he's that slave.

Not yet, no.

But I saw him in town this morning
and from the description in that wire,

I can't say for sure that he ain't
the slave and neither can you.

Now, what does that mean?

Well, Bowers come here from
Saint Louis, didn't he?

Did he?
Yeah.

Well, so did the slave.

Now, ain't it just possible
that he could have bushwhacked,

even killed Bowers and took everything
he had on him including that letter?

And posing as Bowers,
wearing Bowers' clothes,

got on that stagecoach
for Virginia City?

In that case, Ben, you'd be harboring
a murderer and an imposter.

Now, hold on a minute there, Roy.

There's a very easy way to settle it.

Let's ask Mr. Bowers
to sing something.

He's a singer.

Well, I don't see
what that would prove.

Most of them slaves can sing.

Yeah, I guess
that wouldn't be proof positive.

I guess we have no choice, Hoss.

Joe, would you ask Mr. Bowers
to come out?

Right.
I'll go with you.

Wait a minute now, Pa.

You said that the law of the land

was that a man is innocent
until proven guilty.

Right?
Yes, I did.

So, what's the big hurry
in taking him into jail, Roy?

It don't make no difference
whether he's guilty or whether he ain't.

At this stage of the game,
I've got to take him into custody

for the protection of, well, the people
in Virginia City, you Cartwrights,

and the fella inside,
if he's really Thomas Bowers.

Hey, Pa, Bowers is nowhere
in the house. He's gone.

Can't be.

Hold it, mister.

You ain't going nowhere.

I'm taking you into custody.

He's doing it for your good,
Mr. Bowers.

Oh, is he?

Look, I've been trying
to give you the benefit of the doubt.

But if you ain't that slave,
what are you trying to run off for?

Because I've had enough
of Virginia City fair play

and because I think I'm the best judge
of what's good for me.

I can't go along with that.

Now, I can stop a man like Sam Kiley
from doing something out in the open,

but I can't stop him
from sneaking around in private

getting people all stirred up.
You understand?

He's right. He's absolutely right.

There's no telling how far a man
like Sam Kiley will try to go.

Yes, yes, I know.

Well, I suppose I don't really
have any choice in this matter, do I?

Not until I get positive identification.

Now, as soon as I get back to town,

I'll wire Saint Louis for pictures
and further information,

but that's gonna take a few days.

Meanwhile you better come
along with me.

It's your move, Hoss.

Oh.

You moved there, right?

You don't seem to have your mind
on the game.

You got another visitor.

From what I hear about her cooking,
she's gonna be more than welcome.

She'd be more than welcome
with or without cooking.

How do you do, Ms. Caroline?

There's enough here for you too,
Mr. Cartwright. Have some.

Well, thank you, ma'am.
I might just do that.

Oh, this is wonderful. Wonderful.

You will stay and have some
with us, won't you?

No, I have to get home to Pa.
He's waiting for his lunch too.

Oh, yes, I heard what happened
to your father. I'm very sorry.

Oh, Pa is fine. Better than ever.

Well, I'm glad to hear that.

Still, I can't help but feel that
if I hadn't come here,

all of this wouldn't have happened.

If you hadn't come here, Mr. Bowers,

Pa may never have faced
something very important.

I hope you enjoy your lunch.

Oh, we will. Thank you very much.
Bye, Ms. Caroline.

I'll be back later to pick up the dish,
sheriff.

Any old time, Ms. Caroline.

Hello, Ms. Gable.

Oh, this is just too much, sheriff.
This is too dreadful.

What--?
I just heard the news

about Mr. Bowers
or whoever the man is.

With all those tickets sold

and people coming from miles around
to hear the great opera singer.

Oh, what shall I do?

Well, you can
always get a substitute.

Now, Minnie Watkins has
just been chopping at the bit to sing.

No, that's impossible.
I've already turned her down once.

And I won't humiliate myself
by asking her now.

Well, that's up to you. All I know
is that Bowers won't be able to make it.

Bowers. From the very first,
I was against having that man sing.

You were?
Of course.

Only I let Mr. Walker talk me out
of cancelling the concert.

How will I ever explain
to the audience

that the great opera singer
that I've been advertising all over town

is nothing but a runaway slave
wanted by the police?

Now, Mrs. Gable, I'm afraid
you've got your facts confused.

Now, Mr. Bowers and the runaway
slave are two distinct personages.

It's just that we ain't sure
which one we got in that jail cell there.

What's the difference?
You and I both know they're all alike.

Never mind, Hoss.
I've heard that kind of talk before.

Many, many times.

Yeah.

I reckon if one heard it enough
that he'd finally get used to it.

No, you never get used to it.

Oh, I do hope there won't be a hitch.

Oh, I wonder how
they'll take my announcement

that you're going to sing.

Well, look who's here.

Well, look at that.

Walking right in here as though
they're as good as other folks.

Got a lot of gall coming in here.

Jed, you got a shed memory.

You don't frighten me anymore,
Mr. Kiley.

Maybe you can still hurt me,
but you don't frighten me anymore.

Maybe we'll see about that
some other time, Jed.

I am a man of peace,
but I ain't running away anymore.

Excuse me, please. Caroline, Jed.

I have a couple of seats for you.
Thank you, Mr. Cartwright.

It's a free country, ain't it?

Those Cartwrights think
they own the whole town.

Did you see that?
Hey, pipe down, Sam.

The fun's beginning.

Uh, ladies and gentlemen,

I, uh, regret to tell you that
due to unavoidable circumstances,

our famous guest star,
Thomas Bowers,

will not appear tonight.

Uh, Mrs. Gable, why don't you tell
them why he's not gonna be here?

Because we're being cheated.

There ain't no Thomas Bowers.

There's just that runaway slave
over there in the jail.

And you can thank me
that he's ever there

and not free to run around
and kill somebody.

Yeah, we want our money back.

We want our money back.

Quiet, please.
Ladies and gentlemen.

Ladies and gentlemen,
will you please be quiet?

Please.

Now, let's not forget
why we're holding this concert.

It's for a worthy cause.

So that we can buy food
and medicine and supplies

for an Indian tribe
that needs your help,

and they need your help
this year very badly. You know that.

Thank you, Mr. Cartwright.

As I was saying
before I was so rudely interrupted,

Ms. Minnie Watkins has graciously
consented to stand in for Mr. Bowers

and furnish us with several
of her delightful selections.

Uh, but first our esteemed pianist,
Simon Reed,

will open our concert with, uh...

Uh, "The Turkish Rondo"
by Wolfgang Mozart.

Where's the sheriff?

Probably in his office.

Oh, I didn't look there. I thought
everybody was gonna be here.

I got this message here for him
about that runaway slave.

Come on, let's go.

"Sheriff Roy Coffee,
Virginia City, Nevada.

Your inquiry, runaway slave
Ezekiah Randolph,

latest report confirms
he is not in your territory.

Last seen heading
for Canadian border.

G. Williams. Chief of Police,
Saint Louis, Missouri."

What did I tell you?

Well, don't just stand there
gaping, boy.

Get over to Mrs. Gable
at the concert hall

and tell her Mr. Bowers will sing.
Yes, sir. Right away.

Mr. Bowers,
we got some good news for you.

You're free.

I heard.
Yes, sir.

Just in time for you to get over
to the concert for your first song.

I don't intend to do any singing here.

What?

Try and put yourself in my place,
Mr. Cartwright.

Try and imagine yourself being hated,
despised for no reason whatever.

From the moment
I stepped off the stage into this town,

I've been treated
like something subhuman.

An animal.

How could you ask me
to sing for people like this?

Mr. Bowers,

a man,

a sensitive man like yourself,

surely realizes that the Sam Kileys
of this world

must find someone they can belittle,

someone they can
make feel subhuman,

in order to somehow make themselves
feel more important.

Superior.

I'm not worried about
the Sam Kileys and that kind.

I made up my mind a long time ago
not to have anything to do with them.

But, Tom,
what about all the other folks?

I mean, that hall over there
is packed plum full of folks

who came just to hear you sing.

Don't feel yourself.

They came to see a freak,
a black man that sings Italian opera.

That's better than a dancing bear.

Well, I, uh...

I guess I'd better get over
to the concert hall

and tell them you won't be singing.

I'd appreciate that.

Well, I'm sorry to let you down,
Hoss.

Don't worry about that, Tom.

You know, it's son of funny.

It's kind of hard to explain,
but it's like...

Well, it's...

It's sort of like you ain't acting
no different from that Ms. Gable.

Now, I know you're angry.
I can understand that.

Good Lord only knows
you got plenty of reason to be.

But, Tom, supposing the whole town
was against you.

Now, are you gonna
change anything

or make anything better
by running out?

You know, I son of had you figured
for a braver man than that, Tom.

Look here.

There's some folks that's gonna
always be on your side.

And of course there's always gonna
be a few that ain't never gonna be.

And we both know that, don't we?

But what about all them other folks
that ain't made up their minds yet?

And that hall over there
is packed plum full of folks

just waiting to make up their minds.

Are you gonna pass up this opportunity
by running out on them too?

Appear to me
Oh, my love

My sight, my light

All my life

So beautiful

That my heart

Anxiously is waiting

The beauty wounded
And made me fall in love

It will ne'er be erased
From my heart

The thought that my heart--

The thought that our heart--

Hey, Sam, I bet you never thought

you'd get knocked flat
by one of them opry singers, huh?

You got a big mouth.
You know that?

Bravo!

Bravo.
Encore.

Bravo.

Thank you very much,
ladies and gentlemen.

You've been very kind.

Sing us another one, Mr. Bowers.

I'd be very happy to.

From the works of the distinguished
composer of Italian opera, Rossini,

I'd like to sing the "La Calunnia" aria
from The Barber of Seville.

Bravo! Bravo!

Bravo!
More!

This has been a color presentation

of the NBC Television Network.