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[upbeat music]

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How are you doing, partner?

Blake.

It's been a long time.

[intriguing music]

[scuffling]

[glass shatters]

[moans]

[breathing heavily]

They don't let you keep
guns in prison, Beau.

- Don't do anything stupid.
- Who?

Me?

BEAU: I'm still DEA.

[scoffs] I used to
work there, remember?

I never meant for
you to go to prison.

Wait a minute.

I swear to God, , I just
wanted you to back off.

Where is he?

Who?

[whimpers] Don't.

Larkin, where is he?

I don't know who
you're talking about.

[groans]
- Come on!

Don't mess with me!

OK, easy.

He's in Australia.

Where in Australia?

I don't know.

I don't know.

It could be anywhere, man.

It's a big country.

Tell me where he is!

Wait.

Wait.

All right, all right, the
truth, I swear to God.

He's in Broken Hill, I swear.

I swear on my mother.
Come on, man.

No.

He's in the Outback,
someplace called Broken Hill.

Don't do this.

[suspenseful music]

[gun clicks]

[whimpering]

[tense music]

Always keep your
eye on the ball, Beau.

[adventurous music]

[birds chirping]

[engine whirring]

Nerve gas--

[muffled conversation]

I want to be sure everybody's
clear on what they have to do.

And remember, once
the alarms go off,

you've got 30 minutes
at the outside

before the police arrive.

Hang on, Larkin,
that's not enough time.

What if something goes wrong?

Do your job and
nothing will go wrong.

That goes for all
of you, do your job,

stay focused, and stick
with the game plan.

I don't want to end
up in a shooting war.

Is that clear?

Nobody gets hurt on this one.

That's the plan.

Just remember who's
running this operation.

Oh, all set to go?

- Mac.
- You don't have much time now.

You ought to be getting ready.

You're trying to
get rid of us already?

Well, it doesn't
do any of us any good

to have you hanging
about, does it?

[chuckles softly]

But you can stay if you like.

Did you get what we wanted.

This will get you past
any door in the place.

At 10:00 0'clock, the biohazard
inspection team arrive

for their monthly walkthrough.

And that's confirmed?

10:00 on the dot.

You'll show up before
then, I suppose.

Is that the plan?

Pay him off.

Let's go, gentlemen.

Hold on, I brought you
a little something extra.

Latest report on
chemical leakage

into the groundwater, signed
by the head of the facility

and verified by a
government official.

Oh, and an inventory list
of everything in the place.

I underestimated you, Mac.

Well done.

Good job, Mac.

Good job.

Well, I think a little bonus
is called for, don't you think?

I'm sure we can come
to some arrangement.

[intriguing music]

[engine whirring]

[beep]

LARKIN: We're good.

Hands up!

On your knees!

[groans]

Everybody, raise your
arms and you'll not be hurt.

Relax, it can be fun.

Move it.

Sit down.

Move!

Move it.

Get a move on.

OK.

Ready.

This is Larno Mining, a
facility owned and operated

by the Australian government.

Now once inside, we'll
show you why the government

keeps this place a secret.

Let's go!

[dramatic music]

[beeping]

Come in.

Come in.

Hurry up.

We have now taken
control of this facility.

If you follow
instructions exactly,

you will not be harmed.

Sit down.

Having to use
force is regrettable.

But in this situation, the
ends do justify the means.

[chatter]

[phone ringing]

Hold it.

Take it back.

ACIA Counterintelligence.

There, right there,
freeze that for me.

Well, have you
tried to contact them?

Enhance.

Laslovic, Serbian war criminal,
drug dealer, mercenary.

Interpol's been chasing him
for the past three years.

Yes, all right, sir.
We'll take it from here.

Thank you.

When was that taken?

Three days ago
at Sydney Airport.

What brings him here?

I wonder.

Put Sullivan on this.

Commander security at Larno
Mining has been breached.

I can't contact
them by telephone.

Alert the local police.

Tell them to make contact,
but under no circumstances

is anyone to go inside that
main facility building.

[intriguing music]

OK.

Now you'll see the danger
we've all been exposed

to in the name of greed.

[beep]

Chemical weapons from
all over the world

are brought here
for their disposal.

The government makes
millions while risking

an environmental catastrophe.

Nerve agents over here.

Sarius 4, attacks the
central nervous system,

the chemical equivalent
of a neutron bomb.

It gets rid of the population
but doesn't damage property.

These weapons are
obscene and dangerous.

Let the countries that
created them be responsible

for their destruction.

Our government has no
mandate from the people

to allow them here.

Wait a minute.

How's our schedule?

Top side in eight minutes.

[whirring and beeping]

Take cover.

[beep]

[groans]

Check the corridor.

OK.

I'll keep her busy.

Set the timer for 12 minutes.

OK.

[gunshot]
- [moans]

MORGAN.

[gunshot]

[alarm rings]

[screams]

It's too late.

There's nothing we can do.

Move.

[sirens wailing]

We all knew the risks.

Nobody was supposed to die.

It happens.

The trick is to make sure
it doesn't happen to you.

Move it.

[beeping]

[explosion]

[intriguing music]

ANNOUNCER [ON
SPEAKERS]: The train

to Sydney departing from
platform 2 in five minutes.

All aboard, please.

The train to Sydney
departing in five minutes.

[chatter]

So what happened back there?

I don't know.

[sighs] You know,
I don't trust Larkin.

We need them.

They've done this kind of
thing before, we haven't.

I'm still running
things, if that's

what you're worried about.

Yeah, we got less than 30
passengers this time around.

If it gets much worse,
they'll cancel the run.

I'll call you back.

Jack, is that you?

Sandy, how are you, mate?

Here, I'd like you to
meet my daughter Beatrice.

She's off to University.

First one in the family to
make something of herself.

Well, this is a pleasure.

Your dad and I did the
Sydney run 1,000 times.

Sandy, yeah, of course,
dad's told me heaps about you.

[chuckles]

My wallet, I've
left it somewhere.

Well, where were you last?

Excuse me.

Yeah, [chuckles] I
can be there by Friday.

What time?

Excuse me, I left
my wallet here.

I'll, uh-- I'll call you back.

Sorry.

My wallet, I've--

I've left it somewhere
and I thought that maybe--

You mean this?

[exhales deeply] Thank you.

Thank you so much.

My whole life is in this thing.

Yeah, I could
tell by the weight.

[both chuckling]

Bob Danvers.

Beatrice Gardener.

Hello.

It's a pleasure.

Block off all the
roads within a 50-mile

radius of that facility.

It's already been done.

I've had their
airport sealed off

and the police were
already on their way

to the railway station.
- Good.

Contact our exalted superiors.

Tell them we've got a
situation on our hands.

And have Sean come up
with an appropriate cover

story for the press.

I don't want anybody
starting a panic.

ANNOUNCER [ON SPEAKERS]:
The train from Broken Hill

to Sydney will depart.

All aboard, please.

Oh, I'm sorry.

Are you OK?

Yeah, I'm fine.

I just-- I wasn't--

I wasn't watching
what I was, um--

[chuckles softly]
where I was going.

It's all right.

Thanks.

STEWARD: All aboard!

Well, thanks, yeah.

Oh, oh.

Have a safe trip.

Thanks.

[exhales deeply]
I'm such a klutz.

Thanks.

Bye.

ANNOUNCER [ON SPEAKERS]:
The train to Sydney

now departing from platform 2.

[train hoots]

[dramatic music]

Larkin.

Your ticket, sir?

How far are we going?

All the way to Sydney.

Can you give me a one way
ticket and keep the change?

First class is this way, sir.

Thanks.

KRISTIN: The local
police got there too late

to search the train to Sydney.

HAGGARTY: All right,
have them meet

it at the next scheduled stop.

KRISTIN: That's not
for four hours, sir.

HAGGARTY: No, no, let's see if
we can stop them before that.

Contact the rail authority.

Tell them what we want.

Well, you seem pretty sure.

Well, they didn't
show up at the airport.

Nothing turned up at
any of the roadblocks.

Unless they went underground,
they're on that train.

Put the critical
response team on alert.

Who's the duty
officer this week?

It's Captain Moran, sir.

Oh.

How is the captain?

He's fine, sir.

Good.

Get him to call me.

Sir.

Anything you want,
you just ask Old Jack

and I'll get it for you.

I've worked this
run for five years.

Dad knows where they keep the
best steaks and the good wines.

My kind of guy.

Listen, Jack, what kind
of car do you drive?

The reason I'm asking
is I could put you

in a striking powder
blue Jag for about half

of what it's worth.

So you sell cars, Bob?

This is my card.

There's my email.

Just tell me what
you're looking for

and I'll deliver a car to
you in a matter of hours.

I'm impressed.

I think you'll find
this satisfactory.

Oh.

Oh, I beg your pardon, miss.

Huh, hello again.

Hi.

I guess I'm in the
wrong place, huh?

Oh, I'm so sorry.

You're at the other end
of the carriage, sir.

Oh.

Well, welcome to
the neighborhood.

Thanks.

Sorry.

I'm really very sorry.

Yes.

Don't Let that happen again.

No, ma'am.

[tense music]

Excuse me.

Here we go, sir.

[beep]

OK.

We've got no apparent
contamination at this stage.

Damage assessment?

Seven people dead.

No detectable aboveground
leakage of toxic chemicals.

What about the inventory?

Oh, it's impossible to
determine whether or not

anything was taken.

You almost done?

Yeah.

I'm just checking the
automatic transfer.

As soon as we have the
money in the main account,

we can start sending
it out to Green Planet

Defense and all the others.

What do you say we
have a little fun too?

Do we have to give it all away?

I got a lot of mouths to feed.

Your team is expensive.

My team is worth it.

We use this money properly, we
can raise holy hell out there.

You know, there's some
pretty powerful people who are

going to be coming after us?

Yeah, well, my father died
because powerful people decided

to save their money by
dumping their chemical

waste into our groundwater.

We'll make them pay for that.

[beep]

I've been working for
this since I was 17,

and now all I can think about
is what my father would say.

He meant a lot to you, huh?

Yeah.

And he took such a long
time to die, you know?

The cancer ate him,
like, a piece at a time.

But even when he was just lying
there, unable to move or speak,

he was still fighting.

I owe it to him to
see this through.

That's what we're here
for, make them bleed.

Cars and people are alike.

I look at someone, I know what
kind of car they belong in.

Really?

So what kind of
car would I drive?

Not some old bum, I hope.

[chuckling]

You?

If price were no object?

Yeah, I wish.

Ah, but it won't be for long.

She's got a head on her
shoulders, this one.

Trust me.

Yeah, but dad, I
doubt I'm ever going

to be able to afford a Jag.

I'd put you in a classic,
a '65 Ford Mustang,

fire engine red, white
leather interior, a car that

says that this girl has style.

She knows where she's going
and she knows how to get there.

Cheers.

I'll drink to that.

Wow.

Cool.

Hi.

How are you doing?

Can I show you
to a table, sir?

Uh, thanks but I see a nice
little corner right over there.

Very good, sir.

Thank you.

Hey, honey.

How are you?

Have you ordered yet?

You just kissed me.

Listen, I'm sorry.

This sounds a
little crazy, but I

need those people over there--

don't look, please.

I just need those people over
there to believe that you

and I are traveling together.

[chuckles] OK, this is--
this is some kind of joke

that you're playing here?

Don't look, please, please.

Are you serious?

Yep.

Oh, are you a
cop or something?

[gasps] What's going on?

May I take your order?

Um, yes, I'll have the fish.

And what about you, darling?

Oh, I'll have the same.
WAITRESS: The fish as well?

Thank you.

OK.

[music playing]

That one worries me.

Forget about him.

He's only got one
thing on his mind.

I can't say I blame him.

[intriguing music]

I'd really like to know
what this is all about.

Hmm, it's a long story.

Oh, I have time.

Mm.

Actually, um, what,
um, made you choose

me out of all these people?

You know, I figured you
for someone who wouldn't

be afraid to take a chance.

Really?

Huh.

Well, should I be
flattered or will you be

kissing other people as well?

[chuckles] Just the
ones who signed up.

So are we are
we married or are

we just having a torrid affair?

We're in two separate
compartments, so--

Ah.

How exciting.

We're lovers and I don't
even know your name.

Paul Blake.

Oh.

Rhonda Newcombe.

It's nice to meet you.

[intriguing music]

Moran here, sir.

We've reached Menindee Crossing
and we're ready to deploy.

Just give us the word.

I don't want to
frighten the passengers

half to death, captain.

Block the tracks
and you stand easy.

You let the police take a very
polite look inside that train.

You provide support in
case anything goes wrong.

Is that clear?

Yes, sir.

[chatter]

No offense to the
locals, but they couldn't

find a cow in a phone booth.

Why not let us handle this?

At ease.

You'll get your chance.

Hopefully, you'll be back
in time for your weekend

with Ms. Jensen.

[chuckles softly] She's
rather upset with me

for giving you this assignment.

Tell Kristin I'll see her
bright and early tomorrow

morning.

I will do.

Out.

So do you live in
Sydney or did you

just come from another planet?

Close.

Miami.

[chuckles]

And you?

I was born in Sydney but
I've been away for a while.

Just going back
to see my family.

[exhales sharply] Won't
they be surprised when

they see how naughty I've been.

[chuckles]

Are you married?

Um, I was, yeah, but he
left me for our dentist.

Ouch.

Yep.

All the time she was doing my
root canal, my husband was--

well, you get the picture.

Um, are you married?

Me?
Nah.

I'll probably meet
the wrong woman

and screw my life up
like everyone else.

[both chuckling]

Ah, that's the spirit.

[intriguing music]

What do you do for
a living anyway?

I'm sort of between
jobs right now.

[chuckles] You see everything
in the room, don't you?

Somebody stands
up, you see them.

Somebody turns their
head, you see it.

Well, you seemed
to notice things too.

Mm-hmm.

Ladies and gentlemen, I'm
sorry to disturb your lunch,

but I must inform you
that we will be stopping

at the Menindee Crossing.

It seems that a vehicle
has stalled on the tracks

and we will have to
wait until it is moved.

I'm sure it won't take long.

Thank you.

Where's everyone going?

Do we have to go somewhere?

Listen to me.

When the train stops, you're
going to have to get off, OK?

What?

Let's go get
your bag, come on.

OK, yeah, I don't know if I
want to play this game anymore.

PAUL: Come on.

I can't just
get off the train.

My family is waiting
for me in Sydney.

Look, tell me what is going on.

I'll understand then.

Key, please.

Pack your bag.

OK, wait, wait, hold on.

Game over.

I'm not getting off the train.

I need you to trust me.

[scoffs] Trust you?

Come on, I don't even know you.

Please trust me.

Why?

I can't give you a reason that
makes any sense but the best

thing I can do is this,
you are a good person,

I could tell the first
second I met you.

Call it professional instinct.

Now there are some really
bad people on this train.

And when I sat down at
your table, I involved you.

OK, now I'm scared.

You're putting
us off schedule.

Well, how long will it
take to clear the track?

What the-- [groans]

Get him out of here.

Sweetheart, the train is yours.

We're taking over that train!

Move!

Put bags on the table!

Everybody, do as you're told
and you'll not get hurt.

Sit!

You, stick!

As soon as they slow
down, you're getting off.

Just drop and hug the ground
until the train moves on.

Do you understand?

What about you?

There's something
I have to do.

To the corner!

Stand still!

You, behind the bar
into the center.

You two, get down there.

Sit here and stay down.

[tense music]

Sarge, that's it.

[train whirring]

[whirring intensifies]

What are you doing?

Relax.

I used to run guns
by rail in Nicaragua.

I'd do all kinds of
things on the tracks,

cars, cattle, even
an airplane once.

Doesn't matter what they put
out there because this train

has nothing but power, baby.

You are a
policeman, aren't you?

Come on, at least,
tell me that much.

Just get ready.

You better watch out.

Truck is gonna fly.

[engine turns and stalls]

Yee!

MORAN: Go!

Haa!

Damn.

I love my work.

Right, they're
taking over the train.

This way.

This way.

OK.

Listen, lock the door.

Don't let anybody
else in, except me.

OK, but what do I do--

Listen, until this is
over, I'm going to look

out for you, whatever it takes.

OK.

Be careful.

EVE: What's that?

That is a global
positioning system.

Once we let them know we
got this little sucker,

they won't be able to
divert the train into a spur

without us knowing about it.

[gps beeps]

[chopper whirring]

Eagle Eye in position.

We have the train in sight.

HAGGARTY [ON RADIO]:
Get in close.

See if you can get pictures of
whoever is running that thing.

Will do.

We'll try to contact
them by radio.

Find out who they
are and what they want.

We'll keep you advised.

Out.

[sighs] Well, there goes
your weekend, I'm afraid.

Contact the rail authority.

I want to find out everything
we can about that train.

If they get any
closer, I'm going to have

to put them on the ground.

[beeping]

Well, I'll be damned.

Eve Lambert, point
man for the EDL.

Earth Defense League?

The eco terrorists?

Remember that fire at
the Murphy Island Resort?

That was the EDL protecting
the ecological balance

of The Barrier Reef.

A bunch of tree
huggers with matches.

I don't see them
killing anybody.

Do you?

No.

It doesn't make sense.

[dramatic music]

We need to pull the
blinds down, every carriage.

Get your hands off her.

Hey, that's enough.

Sit down.

[gasps]

[chuckles]

Move.

OK.

[moans and groans]

[groans]

Happy trails.

It's OK.

It's all right.

It's OK.

Come on, it's OK, trust me.

Come on.

Come on.

Please tell me you're
a policeman or something.

Once upon a time, I was
DEA, Drug Enforcement Agency.

They're drug dealers?

Is that what these people are?

If I find out,
I'll let you know.

Is this all of them?

They sold 28
tickets, including us,

but I could only find 25.

The guy is not here, the one
with the blue shirt, the one

I said to watch out for.

I don't see his
girlfriend anywhere either.

No.

Come in, number 1.

Are you there?

What's up?

I've got a government
official on the line.

He wants to speak to you.

Give him my
satellite phone number.

Have him call me direct.

Check.

OK, everybody listen up.

If everybody stays
quiet, I promise you,

no one will get hurt.

[intriguing music]

Here.

i want you to stay
here and hide.

See if you can get in
touch with the police.

That's OK.
I've got my own.

Why don't you stay with me?

Better I stay mobile.

I'll be back.
- Yeah.

But what if--

Hey, I will be
back, all right?

You just stay out of sight, OK?

What do you intend
to do with us?

We intend delivering
you to Sydney unharmed.

That's provided your
government cooperates.

If anything goes wrong,
we'll have them to blame.

[phone rings]

Patched in?

Yeah?

This is tactical Commander
Haggarty from ACIA.

Would you connect me
with whoever's in charge?

Haggarty, you're speaking
to Earth Defense League.

Oh, Ms. Lambert.

May I call you Eve?

You can call me
whatever you like,

as long as you give
me what I want.

May I assume that you're
responsible for the destruction

of a certain mining facility?

What are you talking about?

You know damn well
what I'm talking about.

Seven people died.

He's lying.

Don't let him throw you.

Are you there?
EVE [ON PHONE]: Yeah, I'm here.

HAGGARTY [ON PHONE]:
Did you take anything

with you from that facility?

Well, that's for me
to know and you to fear.

What do you people want?

Our demands are simple.

We want $25 million
transferred to a bank

account in the Cayman Islands.

That's a lot of money.

That's just the beginning.

Well, nobody's going
to give you $25 million,

I can promise you
that right now.

Well, it's either that
or we start killing people.

Who's your friend?

Never mind him.

You're dealing with me.

And I will not
tolerate any attempt

to keep us from our objective.

We have a global
positioning system on board

and we will know
immediately if you

divert this train off course.

Do you understand me?

Yeah, yeah, I read
you loud and clear.

Now I'm going to need
something from you up front

just so I know I can trust you.

OK, you've hooked him.

Now just reel him in.

All right, what do you want?

Release the women
and children on board.

I'll need something in return.

HAGGARTY [ON PHONE]:
I'm listening.

I want a live news conference
with a single camera feed

to the local networks and CNN.

[scoffs] I can't do that.

That's out of the question.

Nice talking to
you, commander.

You can start picking up
the bodies along the tracks.

[beep]

What the hell are you doing?

That's not how we negotiate.

Lesson number one,
you never negotiate when

you're holding all the cards.

And this just in from
the news desk, folks,

your government doesn't
care what happens to you.

We're the only
friends you've got.

Do you think they're bluffing?

[sighs] If it was just
her, I would say yes.

But she's obviously picked
up a partner somewhere.

They've already
killed seven people.

Let's assume they won't have
a problem killing a few more.

[phone rings]

[beep]

Are you there?

Yeah, talk to me.

HAGGARTY [ON PHONE]: When
you reach Park Station,

I can have a network news
team waiting for you there.

Agreed, but I
don't want to see

any more people than necessary.

No games.

Now what about the money?

One step at a time.

Keep it clean, Haggarty,
and nobody here will get hurt.

I promise you that.

Yeah, I'll get back to you
once I get everything arranged.

We'll be here.

[beeping]

What the hell are you doing?

We agreed to hold
the press conference

in Sydney, not in some
rat hole in the boonies.

It occurred to me that
we'd better get our case out

there in front of the
people before something

else goes wrong.

[tense music]

And what's that
supposed to mean?

That means I'm in charge here.

I make the decisions.

They want to play?

We'll play.

What gives you
people the right

to risk our lives like this?

All right, listen
to me, all of you,

this planet is under attack.

In fact, it is being
killed and the killers

have names and addresses, so
we are going to stop them.

You want to change
things, do it legally

through the democratic process.

There is no
democratic process.

Democracy is dead.

Governments are owned
by corporations,

so everything you see
and hear in the media

is controlled by them.

We have no choice but to force
them to give you the truth.

[gunfire]

Eagle One taking
fire from the train,

taking fire from the train.

Copy that, Eagle One.

Are you all right?

We're OK.

Got my heart started though.

Eagle One proceeding
on to Park Station.

Out.

Well, that ought
to show them we're

not afraid to stir things up.

And was that necessary?

I can't find Walters.

He's supposed to
be in second class.

Walters.

Walters?

Maybe there's something
wrong with his radio.

Go find him.

O'dell, Laslo, go with him.

And watch yourselves, we're
still missing some passengers.

RHONDA: Yes.

No, we're on a train
and it's been hijacked.

WOMAN [ON PHONE]:
You're on a plane?

No, no, no, not a plane.
A train.

WOMAN [ON PHONE]: I--
I don't--

A train.

[groans]

Hello?

WOMAN [ON PHONE]:
[discordant speech]

No, I'm sorry,
I can't hear you.

Can you-- can you speak up?

You're breaking up.

Clear!

Hello?

Damn it.

[suspenseful music]

Wait a minute--

Just shut up
and move this way.

I haven't done anything wrong.

[grunts]

Whoever you are, thank you.

Get in there.

This carriage is clear.

Moving further down.

O'DELL: Let's search again.

What the hell is going on?

Shh.

Listen, there's two of them.

I can take both of them out, OK?

But I need your help.

Mate, no, no, mate.
Are you crazy?

Look, I'm not well.

You'd just get us killed.

Maybe we should
give ourselves up

and maybe they wouldn't hurt us.

Listen, I want you
to make a run for it

toward the rear of the train.

They'll come after you
and I'll take both of them

out from behind, all right?

What if they shoot at me?

Duck.

Now go.

Go.

He's in here.

Please, don't shoot.

Don't shoot, please.
He's right in here.

Look he just went in.

He just went in.

He's right there.

[gunfire]

He went up on top.

Move.

[beep]

Please, I'm not well.

EVE [ON RADIO]: Talk to me.

I'm at the back
end of the train.

I'm checking the
vehicle carriage.

O'dell, wait till I
send someone to help you.

I think I've got him cornered.
Out.

EVE [ON RADIO]: I said wait.

It's too dangerous--

Wait.

O'dell, are you there?

Morgan, are you in here?

Stay.

Hello, lovely lady.

[breathing heavily]

[groans and moans]

That's a very pretty
perfume you're wearing.

Move.

O'dell, are you there?

Stay where you are.

Laszlo is on his way down.

Do you hear me?

[gunfire]

O'dell, answer me.

O'DELL [ON RADIO]: I lost him.

Can't find him.

What the hell is
wrong with you guys?

All right, listen
up, we're going

to stop at the next station.

Guard the rear access
and be ready in case

they try to rush the train.

- Got it.
- Hey.

[dramatic music]

[scuffling]

[moans]

[yells]

End table.

Repeat, sit.

End table.

Sit there.

Find a good defensive
position further down.

Keep an eye on things here.

Come on.

With this tape
and these documents,

we are going to bring
the government down.

Poisoned groundwater,
environmental impact statement

suppressed by the government.

Who cares, Eve?

Those bozos out there,
they've heard it all before.

Besides which, the government
will deny everything.

Yeah?

Well, let them deny this.

This is reality.

You can see it and touch it.

The people will rise up
when they know the truth.

People spend their
lives avoiding the truth.

You want them to rise
up, you've got to show

them a little hell on Earth.

What are you saying?

I'm saying this is how
you get what you want.

Do what we say or we kill you.

[scoffs] Is that what
you really believe?

I want to know.
Is it?

Is that what you believe?

Time to grow up, Eve.

[radio chatter]

Maybe a couple formations.

As soon as the women and
children are off the train,

we'll make our move.

Civilian casualties must
be avoided at all costs.

Is that understood?

Understood.

Standard rules of
engagement apply.

You fire only when you have
clearly identified targets.

All right, the women will
be allowed to leave this train

as a gesture of our good faith.

But you have to obey
our instructions.

Is that clear?

Women stand, move to
rear of compartment.

Move.

Men, stay where you are.

Move.

Come on, hurry.

Where's the boyfriend?

I didn't hear you.

What?

Let her go.

Where is he?

I don't know where he is.

[moans]

All right, get
back with the others.

Listen, that guy
you're looking for,

I was the one who
tipped your men off.

You know, without me, he
would have killed them.

And your name is?

Danvers.

Danvers?

What's your claim to
fame, Mr. Danvers?

Oh, I sell cars.

[chuckling]

Well, I ought to shoot
this guy right now.

Hey, hey, hey, wait,
wait, wait, wait, wait.

It's, uh, not all bad, you know?

I make an honest deal.

You want off this
train, Danvers?

Let's be fair.

I helped you out.

The least you can do
is just let me off.

All right, all right, tell
you what I'm going to do.

You go on up the back there
and you pick one of those women

to take your place.

What?

[chuckles]

You go, one of
them stays behind.

I can't do that.

Choice is yours.

What are you doing?

Hang on a minute, honey,
Mr. Danvers is thinking.

You got 15 seconds to
make up your mind, sport.

And your time starts now.

OK, that's decision
time, Mr. Danvers.

Who's it going to be?

[tense music]

[breathing heavily]

Her.

Good choice.

You gutless coward.

It's all right,
I want to stay.

Let me get my hands on him.

You bastard!

No Jack, wait--

They won't hurt a woman.

They wouldn't dare.

She'll be safe here, you'll see.

I've gotta get off!

I'm not well.

Forget it.

He stays.

He made his choice.

Danvers, think
what you're doing.

Get back over here
with the rest of us.

No, I can't.

OK, Danvers, take her down.

Don't you dare touch her.

I am warning you.

You should learn
something about the people

you're fighting for.

They wouldn't
hurt you, I promise.

Don't touch me.

Let me stay.

Beatrice, no.

No.

She stays, we all stay.

- Yes.
- Yes.

Yes.

Not what you wanted
to hear, is it?

He wants you to believe
we're all like him.

It's the only way he can justify
his own twisted behavior.

But we all know
better, don't we?

Stop.

What has happened to you?

What are you doing?

That one stays here.

All right, whatever you say.

Just don't hurt anybody, please.

[intriguing music]

Hey, boss.

Hey.

Get back there and keep
your eyes open, OK?

OK.

If anything looks out
of place, let me know.

We're actually going
to pull this off.

We are so close.

Please promise me
that you won't let

things get out of hand, if I
mean anything at all to you.

You mean the world
to me, sweetheart.

Without you, I
wouldn't even be here.

[intriguing music]

Are you receiving signal?

Visual and audio are clear.

Watch yourself, Tony.

Copy that.

We are good to go.

LARKIN: We have a sniper.

Where?

Top of the station roof.

OK, everybody into
firing positions.

They're going to
try and take us.

Shoot at anything that moves.

OK.

That lying son of a bitch.

He heard you on the phone,
he knew you were soft.

Now we got to earn their
respect and the only way

to do that is to hurt them.

Take cover.

This could get kind of messy.

[glass shatters]

Sir, we've got a problem.

I don't think they're
going to stop.

Hello, boys!

[explosion]

[shrieks]

Mac.

[gunshots]

[screams]

[gunfire]

Everybody down!

Down!

Cover us.

Moran?

Moran, come in.

Target the freight carrier!

[groans]

[moans]

[moans]

[groans]

[glass shatters]

[moans]

[screams]

[chuckles]

[moans]

[grunts]

Squad latest, casualty report.

SOLDIER 1 [ON RADIO]:
Squad one, two wounded.

One fatality.

SOLDIER 2 [ON RADIO]: Squad two,
three wounded, one seriously.

Branyan.

BRANYAN [ON RADIO]: Right here.

Are the hostages all right?

BRANYAN [ON RADIO]:
One-- one wounded.

And what about our team?

BRANYAN [ON RADIO]: Walters,
O'dell and Morgan are missing.

I'll handle it.

He's bleeding quite badly.

Don't let me die, please.

You're not going to
die, though I doubt

if anybody would miss you.

Let me see.

Move!

Boss, listen up,
we've got trouble.

Are you there, Haggarty?

Come on, pick up,
you lying son of a--

You didn't leave
me any choice.

We had a deal.

All right, what kind of a deal
did you make with those people

you killed at the facility?

I don't know what the
hell you're talking about.

Well, I'm guessing
you didn't go there

just to destroy the facility.

That was probably
your friend's idea.

Hang on, you broke
your word, Haggarty.

I can't trust you.

What did you take with you
when you left that facility?

Something that should never
have been developed, Sarius 4.

Look it up.

I'll wait.

[breathing heavily]
I'm sorry for what I did.

I'm not worth a damn.

I never was.

Please forgive me.

[music playing]

LARKIN: Let's focus on the job.

Nobody gets distracted.

We're too close for
us to stuff this.

I don't know who this guy
is, where he comes from,

or what he wants.

We wait for him
to come to us now.

Nobody goes after him.
Is that clear?

We need more towels.

Not dead yet?

No.

He's still bleeding though.

He needs a doctor.

Well, Dr. Uzi would
be happy to fix him up.

You're really enjoying
this, aren't you?

You know me.

Two things I love
most in the world,

money and inflicting pain.

You put them together,
I'm in heaven.

Love a woman who
knows how to flirt.

You're pathetic.

ROBOTIC VOICE: Accessing file.

File downloading.

What is the bottom
line with this stuff?

Sarius 4 is a
fine nerve agent.

Released into the
atmosphere, one canister

will kill everything
within a five mile radius.

Once inhaled, death
occurs within minutes.

We can't let them take
that stuff into Sydney.

Reconnect me.

All right, you win.

We're going to
transfer the money.

It'll take a couple of hours
but you're going to get it.

Thank you.

[phone beeps]

[clears throat]

[phone beeps]

Tactical center.

Stand by.

Sir, police have a man
on the emergency line

claiming to be on our train.

Commander Haggarty here.

Who is this?

My name is Blake.

I'm on board a train
headed for Sydney.

I'm listening.

We've been hijacked.

I'm assuming you
already know that.

How many hijackers?

I'm only guessing but I'd
say maybe five or six of them

are left.

You're American?

Is that a problem?

Not yet.

You got a first name, Mr. Blake?

Listen, you can
check me out later.

For now, we have to find
a way to stop this train.

Who are you?

Paul Thomas Blake,
former DEA agent.

[WHISPERS] Check him man.

I've been tracking
a guy on this train.

His name is Larkin,
Emmett Larkin.

American.

Worked for the CIA.

Well, I'll have
him checked out.

But in the meantime,
if I call the DEA,

what will they
tell me about you?

They'll tell you
I've been in prison.

I was set up by Larkin
and my former partner.

They were using drug money to
fund CIA covert operations.

Tried to shut them
down but I ended up

taking the fall for it.

[beep]

What do you think?

Well, he could be one of
them on a fishing expedition,

trying to find out
what we're up to.

[beep]

I'll have your
story checked out.

In the meantime, can
you tell me where

to keep the gas canisters?

What are you talking about?

They're carrying
canisters of nerve gas,

enough to wipe out a major city.

You didn't know that?

No, I didn't.

If that is true,
you got no choice,

you got to hit this train.

Just let me know when and I'll
help you in any way I can.

We'll call you back.

Listen, you have
to trust me, man.

I've been in these
situations before.

I can give you an edge.

We'll call you right back.

[beep]

[beep]

Get Moran and his
team in the air.

It's a go.

Sir, perhaps it would be
better if we used a fresh team.

You heard my orders, Kristin.

Will you carry them out?

I'm on it.

[chopper whirring]

We're running into
heavy crosswinds.

Makes our landing
zone even smaller.

I don't know if we can
do this, commander.

Stay with them, captain.

We may not get
another opportunity.

MORAN [ON RADIO]: Will do.

You establish a fail
safe point 10 miles

from Sydney's outer suburbs.

KRISTIN: Penrith
Marshaling Yards, sir.

[intriguing music]

Chopper coming.

What direction?

From the north, but
I can't see it anymore.

All right, they're
going to try and drop

a team on the last carriage.

You get back down there
and you shoot them down.

And remember, we still
got a wise guy out there.

Take care of him too, will you?

For me.

What's going on up there?

They're coming in.

Send Branyan back
to join the others.

I need him here.

[sighs]

[gunfire]

He's killed Yates and
I'm pinned down here.

Right, stay there.

Hold the line.

Do not let him get past you.

MORAN [ON RADIO]: Is
that your inside man?

Yeah, Blake.

Looks like he's the real deal.

Everybody stand by!

[gunshot]

[explosion]

[discordant radio chatter]

No.

[explosion]

No!

[sobbing]

[somber music]

No, no, we lost our team.

Well, I don't have any choice.

You got to get that $25
million in place now.

I don't care how you do it.

Just do it.

I'm so sorry.

I really liked him too.

You're relieved.

You let me know when
you're ready to come back.

No, sir.

Kristin, go home.

He did his duty.

I want to do mine, sir.

All right.

Sir.

I took them out.

It had to be 10 of them
inside that chopper.

And we took out
that other bastard's

being given us a hard time.

That's how you deal
with these people.

Body count is something
they understand.

All those brave
men dying for us.

They didn't die for you.

This is what they're
after, nerve gas.

You?

You don't mean a
damn thing to them.

Laslo, it's time to show
them the error of their ways.

EVE: What are you doing?

We'll be passing
through Lithgow shortly.

I'm going to show
Haggarty what happens

when he doesn't keep his word.

No, we agreed we would
never, under any circumstances,

use that stuff.

Shut up.

I am so sick of
Joan of Arc routine.

I try to educate you but you
don't learn a damn thing.

I'm still in charge here.

No, you aren't.

You were never in charge.

If they don't come up with
the money, I'll let you know.

Set the timer.

Toss it.

I won't let you do this.

[chuckles]

Hey.

Do you mind?

Help yourself.

Stop right there.

Go on.

Kill him.

You might like it.

Come on.

[scoffs]

Make yourself useful.

Go back to our cabin.

Get the other three
canisters and take them

to the locomotive.

Move.

You, come with me, hmm?

[moans]

Leave her alone.

Surprise, surprise.

Mr. Danvers grows a spine.

You're not taking her.

Is that so, huh?

This is what you call
a life-defining moment.

You have a choice here.

You can sit down and shut up
or you and I can take a walk

and discuss your
problem with Dr. Uzi.

Leave him alone.

He's wounded.

Seems you have a
fan club, Mr. Danvers.

Now a moment ago, they all
thought you were a worm.

Now you're a hero.

Bet that feels good.

If you sit down, you go
back to being a worm again.

What's he going to do?

Please, Danvers.

[ominous music]

[groans]

RHONDA: No!

Please don't!

No!

[gunshot]

[screaming and sobbing]

Anyone else have a problem?

You are truly evil.

Me?

No, I'm just misunderstood.

I'm a nice guy when
you get to know me.

My friend here on the other
hand, he really is evil.

And he's all yours.

Branyan, anyone else steps
over the line, kill them.

[dramatic music]

You used me right
from the beginning.

I took you to the
next level, babe.

Come on, get through this
thing, you'll be one of us.

We can really raise some hell.

I will never be
like you, ever.

We'll see.

[beep]

Haggarty.

Yeah, I'm here.

You have to be punished.

We're transferring
your money, Larkin.

Yeah, that's right, we know
who you are and what you are.

There won't be any
place for you to hide.

Just get the money, OK?

If we don't have it by the
time we pass through Lithgow,

there won't be a Lithgow.

Damn.

[dramatic music]

[moans]

[chuckles]

[groans]

[beep]

Have you made the transfer?

Transaction KNR--

[discordant speech]

You're breaking up.

I can't hear you.

Here, let me do this.

Get some air.

Go ahead.

Your money's been transferred
to the account number

that you gave us.

LARKIN: I'll need
to verify that.

[dramatic music]

- Branyan.
- Here.

You need to stop Laslovic.

I can't.

Look, you have to do this.

We can still pull this off,
but you have to take control.

You're all I've got, Branyan.

Please don't let me down.

Damn it, boy, you heard her.

Get him.

Go.

Well, what are we waiting for?

Let's get off the
train while we can.

No, no, we're moving too fast!

Besides, we can't leave that
poison gas with these thugs,

can we?

Now, we can do
this one of two ways.

You can relax and
enjoy yourself, hmm?

Or you can fight me and
make it better for me, hmm?

[moans]

Come on, you can do
better than that, huh?

[sobbing]

Did you get confirmation?

No, I'm still waiting.

RHONDA: Get off me.

LASLO: I can't.

[moans]

Leave her alone.

I'm taking this back to Eve.

Really?

[gunshot]

RHONDA: [screams]

Rhonda, get out of here.

[gunfire]

[scuffling]

[chuckles] Come on.

[scuffling]

[gunshots]

[groans]

[chatter]

Sarius 4 disperse and become
harmless within 12 hours.

But the only way
to neutralize it

is to incinerate it
with high explosives,

which is pretty much what
happened at the mining site.

Why don't you contact
Colonel Wallace?

Tell him our situation.

I want to know if that
train and everything on it

can be incinerated.

We have 30 people on board.

Kristin, there are 5
million people in Sydney.

Captain Moran and
his men died trying

to save those passengers.

Was that all for nothing?

[sighs] We're
living in a new world.

Terrorists have to see
that taking hostages

is no longer an option.

It's a hard choice.

It's one I hope you
never have to make,

but I'll make it to
save 5 million people.

[train whirring]

I have to call someone.

Who?

A friend, I hope.

Put me through to
Commander Haggarty, please.

Blake, you're still with us.

Yeah, I'm hanging in there.

HAGGARTY [ON PHONE]:
I'm glad to hear it.

Can you bring me up to date
on the situation there?

I took out two
more of their men

and we neutralized
one of the canisters.

How many canisters
did they have?

I'm told they have three
more in the locomotive.

We cannot let that
train reach Sydney.

You understand what
that means, don't you?

It means we're in
a rolling coffin.

HAGGARTY [ON PHONE]: We have
to incinerate the train.

It's the only way we
can neutralize the gas,

unless you can get your
hands on the canisters.

What is our time frame here?

At your current
speed, 20 minutes.

Well, maybe we can
separate the locomotive.

I'll do what I can.

Good luck.

[beep]

The military is going to
hit this train in 20 minutes.

Oh, my god.

[beeping]

That's it, we are
officially rich.

OK, tell him, tell
Laslo to leave her.

[chuckles]

Laslo, you having fun yet?

Laslo, what are you doing?

Laslo has left the building.

Who the hell are you?

Think about it, Larkin.

[chopper whirring]

If you're going to
just kill everybody,

what's the difference
between us and them?

The difference lies
with what's in your heart.

We're trying to save lives.

30 people may die
because of my actions,

but millions more will live.

The extremists, they're on the
opposite side of that equation.

They're so self deluded,
that they want to destroy

everything they can't control.

They've lost touch
with their hearts,

with their souls, the part
that defines us as human.

Whoa!

What are you doing?

I'm rigging a detonator wire.

Now why don't you go back
and guard the prisoners?

It's over.

Step back.

You stupid, little girl.

You just never learn, do you?

This thing is kind of
sensitive right now.

Anybody who goes
near it, it goes off.

So I'm just going
to jam the throttle

forward and run this
train into Sydney

and nature takes its course.

But you'll die along
with everybody else.

Oh, I'll be getting off
a little ahead of schedule.

I'll be well clear.

You will never
get away with this.

[chuckles] You think in
all this chaos, they're going

to have time to look for me?

[gunshot]

Damn!

I will never understand women.

Hurry.

Go all the way to the
rear of the train.

BEATRICE: Quickly.

Come on this way.

We need to separate
the rest of the cars

from the locomotive.

There is a Mando wheel
underneath the coupling

assembly.

That's pretty hard to
do while it's moving.

I've heard of it being
done a few years back.

All right, you'll couple it
and I'll try to stop the train.

OK, be careful.

Yeah.

You look after the
other passengers, love.

I'll be back, don't worry.

Dad.

[beeping]

Money in the bank.

Don't touch that.

Eve, don't talk.

He took the last one.

[groans]

[dramatic music]

[gunshot]

There's a small
wheel under there.

if we can turn it, the
locomotives will separate.

The brakes will kick
in automatically.

That's going to
take some doing.

[gunshots]

It's no good!

I can't fit in there!

OK, let me try!

No way!

No, look, I'm
smaller than you.

I can get further in there.

OK.

[chopper whirring]

I have target vision.

Easy.

You fire at that locomotive
when it reaches the middle

of the marshaling yard.

Sir, it's a passenger train.

That's why I'm telling you
to target the locomotive.

I repeat, target the
leading locomotive.

[gunshot]

[moaning]

[explosion]

PILOT [ON RADIO]: I have visual
confirmation, target destroyed.

Rest of train is intact.

[cheering]

I can see the
passengers getting out.

[chuckles]

Dad.

[sobbing]

JACK: I'm sorry love.

He was a brave man.

[suspenseful music]

[gunfire]

You counting your
rounds, Larkin?

How many you got left?

All I need is one.

Hey, who the hell
are you anyway?

Paul Thomas Blake, DEA.

Remember me?

[chuckles]

Well, now I get it.

I've always wanted
to meet you, Blake.

Well, I've been waiting
a long time for this.

Careful what
you wish for, pal.

Listen, Blake, you
know this is stupid?

We shouldn't be fighting.

We're cut from the same cloth.

You and me, we
should be partners.

I don't mind sharing.

And I feel I owe you one.

Now I got a lot of money in
an offshore bank account.

I'm happy to go halves with you.

I mean, if you wise up.

This is an airtight room.

It's about the safest
place in the city tonight.

Tomorrow, we walk out
of here, we're rich men.

[beeping]

And you get your life back.

[metallic clanking]

Hey.

[dramatic music]

- Kill the timer.
- No.

You got 30 seconds.

25.

[groans]

Do you know what's
going to happen?

You're going to die screaming.

You'd die too.

Yeah, if I have to.

Think what you're doing.

Think what you've done.

Switch it off!

Please.

You switch it off.

[beeping intensifies]

[screams]

[news theme on radio]

REPORTER [ON RADIO]:
More news on the train

hijacking two days ago.

It's now known the
terrorist group responsible

was the Earth Defense
League, a radical element

of the anti-globalization
movement.

The action was to publicize
environmental issues.

A full report--

Liars.

Excuse me, are you
waiting for a Mr. Haggarty?

Yes.

He said to say he's
going to be delayed

but to give you this.

Oh, OK, thanks.

[soft music]

Have you ordered yet?

Oh, my god.

Oh, I thought you were dead.

Ms. Newcombe, I'm
Commander Haggarty.

Oh, hello.

Sorry to have stood
you up for lunch.

I figured Mr. Blake would
keep you entertained.

Yes, we, uh-- we
managed to pass the time.

[chuckles]

You thought about
my proposition?

To work for you?

Yeah.

I could use some help
tidying up around the office.

I'm sure we'll find
something for you to do.

I'll think about it.

You do that.

[captivating music]

It's beautiful, isn't it?

It's paradise.

We have to keep it that way.

Thanks, commander.

Thank you.

You don't really want
to work for him, do you?

No, I'll just retire and find
myself a nice, rich divorcée.

Oh.

Well, I got $500 in the bank.

That's close enough.

Let's get out of here.

[theme music]

[audio logo]