All language subtitles for Monk S02E12 Mr. Monk and the T.V. Star (1080p x265 10bit Joy)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,846 --> 00:00:16,184 WHAT ARE YOU DOING? I LIKE IT OPEN. 2 00:00:16,216 --> 00:00:18,419 SOMEBODY MIGHT SEE ME. 3 00:00:18,452 --> 00:00:20,454 WELL, I GOT TO GET GOING. 4 00:00:20,487 --> 00:00:22,556 THANK YOU SO MUCH FOR LETTING ME STAY. 5 00:00:22,589 --> 00:00:25,559 YOU ARE THE BEST EX-WIFE A GUY EVER HAD. 6 00:00:25,593 --> 00:00:28,329 SPEAKING OF WHICH, I BELIEVE I HAVE SOME MONEY COMING. 7 00:00:28,361 --> 00:00:30,364 YEAH, I KNOW, SUSAN. 8 00:00:30,397 --> 00:00:31,832 I DON'T WANT TO GET THE LAWYERS INVOLVED AGAIN. 9 00:00:31,864 --> 00:00:34,167 YOU'RE GOING TO SEE EVERY NICKEL, I PROMISE. 10 00:00:34,201 --> 00:00:36,337 IT'S A LOT OF NICKELS, BRAD. 11 00:00:36,369 --> 00:00:38,838 $10 MILLION WORTH. 12 00:00:38,871 --> 00:00:41,575 MY BUSINESS MANAGER WILL CALL YOU THIS AFTERNOON, OKAY? 13 00:00:41,609 --> 00:00:44,311 THANK YOU AGAIN. 14 00:00:49,317 --> 00:00:51,484 SUSAN. 15 00:00:51,518 --> 00:00:53,521 CAN YOU COME HERE A SEC? 16 00:00:53,554 --> 00:00:55,722 I'M BUSY. I ALREADY STARTED. 17 00:00:55,756 --> 00:00:58,558 PLEASE, JUST COME HERE FOR A SECOND. 18 00:00:58,591 --> 00:01:00,661 HOW DID THEY FIND YOU? 19 00:01:00,694 --> 00:01:02,662 IF THEY SET FOOT ON YOUR PROPERTY, 20 00:01:02,695 --> 00:01:04,665 JUST CALL THE POLICE, OKAY? 21 00:01:04,698 --> 00:01:06,167 OKAY. THANK YOU. 22 00:01:08,501 --> 00:01:10,370 LISTEN, GUYS -- 23 00:01:10,403 --> 00:01:12,373 HEY, GINA, HOW ARE YOU? 24 00:01:12,406 --> 00:01:14,341 LISTEN, JUST LEAVE MY EX-WIFE OUT OF THIS, OKAY? 25 00:01:14,375 --> 00:01:16,343 SHE HAD NOTHING TO DO WITH IT. 26 00:01:16,376 --> 00:01:18,346 I WILL ANSWER A COUPLE OF QUESTIONS 27 00:01:18,379 --> 00:01:20,513 IF YOU JUST LEAVE HER ALONE, PLEASE. 28 00:01:20,548 --> 00:01:22,582 BRAD, WHY DID YOU BEAT UP THAT BARTENDER? 29 00:01:22,615 --> 00:01:25,286 I DIDN'T BEAT ANYBODY UP. WE HAD A MISUNDERSTANDING. 30 00:01:25,319 --> 00:01:26,754 WERE YOU DRINKING? 31 00:01:26,787 --> 00:01:29,656 I WAS AT A BAR, ERIC. YEAH, I HAD A DRINK...OR TWO. 32 00:01:29,689 --> 00:01:31,359 AND SOME PEANUTS. 33 00:01:31,391 --> 00:01:33,860 LISTEN, I GOT TO GET TO WORK, BUT, UH, 34 00:01:33,894 --> 00:01:35,896 JUST, PLEASE, STAY OFF THE PROPERTY, 35 00:01:35,929 --> 00:01:37,897 AND LEAVE SUSAN ALONE. THAT WOULD BE GREAT. 36 00:01:37,930 --> 00:01:39,799 Susan: AAH! 37 00:01:39,832 --> 00:01:41,301 WHAT ARE YOU DOING?! 38 00:01:41,335 --> 00:01:42,469 SUSAN? 39 00:01:42,503 --> 00:01:45,472 AAH! 40 00:01:51,344 --> 00:01:53,347 UH, SOMEBODY CALL THE POLICE! 41 00:01:53,381 --> 00:01:55,448 SHE'S BEEN STABBED! 42 00:02:02,555 --> 00:02:05,793 DOES ANYBODY KNOW CPR OR FIRST AID OR SOMETHING? 43 00:02:05,825 --> 00:02:08,396 ANYTHING? CAN ANYBODY HELP ME? 44 00:02:08,429 --> 00:02:10,264 SHE'S BLEEDING REALLY, REALLY BAD. 45 00:02:10,298 --> 00:02:13,700 HELLO, THIS IS BRAD TERRY. I NEED AN AMBULANCE. 46 00:02:13,734 --> 00:02:15,502 YES, THANK-- 47 00:02:15,536 --> 00:02:18,438 2245 HADLEY LANE. MY EX-WIFE. 48 00:02:18,472 --> 00:02:20,707 SHE'S BEEN STABBED. SHE'S BLEEDING REALLY BAD. 49 00:02:20,740 --> 00:02:22,776 I THINK SHE'S DEAD. 50 00:02:22,810 --> 00:02:25,612 YES, I'LL STAY ON THE LINE. 51 00:02:31,218 --> 00:02:33,486 * IT'S A JUNGLE OUT THERE 52 00:02:33,521 --> 00:02:38,359 * DISORDER AND CONFUSION EVERYWHERE * 53 00:02:38,391 --> 00:02:39,826 * NO ONE SEEMS TO CARE 54 00:02:39,860 --> 00:02:41,461 * WELL, I DO 55 00:02:41,495 --> 00:02:44,432 * HEY, WHO'S IN CHARGE HERE? 56 00:02:44,465 --> 00:02:48,468 * IT'S A JUNGLE OUT THERE 57 00:02:48,502 --> 00:02:52,305 * POISON IN THE VERY AIR WE BREATHE * 58 00:02:52,340 --> 00:02:53,941 * DO YOU KNOW WHAT'S IN THE WATER THAT YOU DRINK? * 59 00:02:53,973 --> 00:02:58,778 * WELL, I DO, AND IT'S AMAZING * 60 00:02:58,812 --> 00:03:01,215 * PEOPLE THINK I'M CRAZY 'CAUSE I WORRY ALL THE TIME * 61 00:03:01,248 --> 00:03:05,286 * IF YOU PAID ATTENTION, YOU'D BE WORRIED, TOO * 62 00:03:05,318 --> 00:03:09,456 * YOU BETTER PAY ATTENTION, ALL THIS WORLD WE LOVE SO MUCH * 63 00:03:09,490 --> 00:03:13,461 * MIGHT JUST KILL YOU 64 00:03:13,493 --> 00:03:15,396 * I COULD BE WRONG NOW 65 00:03:15,429 --> 00:03:17,465 * BUT I DON'T THINK SO 66 00:03:17,497 --> 00:03:19,766 * 'CAUSE IT'S A JUNGLE OUT THERE * 67 00:03:19,800 --> 00:03:22,536 * IT'S A JUNGLE OUT THERE 68 00:03:30,009 --> 00:03:31,478 THIS IS BROOKE BURKE 69 00:03:31,512 --> 00:03:33,546 WITH BREAKING NEWS FROM SAN FRANCISCO. 70 00:03:33,581 --> 00:03:35,716 IT'S BEEN A TERRIBLE WEEK FOR BRAD TERRY, 71 00:03:35,748 --> 00:03:38,651 STAR OF TV's HIT SERIES "CRIME LAB S.F." 72 00:03:38,686 --> 00:03:41,989 TWO DAYS AGO, BRAD WAS ARRESTED FOR ASSAULTING A BARTENDER. 73 00:03:42,021 --> 00:03:46,293 THIS MORNING, HIS EX-WIFE, FORMER ACTRESS SUSAN MALLOY, 74 00:03:46,326 --> 00:03:48,829 WAS SLAIN WHILE BRAD WAS STANDING RIGHT OVER THERE 75 00:03:48,861 --> 00:03:50,364 TALKING TO REPORTERS, 76 00:03:50,397 --> 00:03:52,533 JUST 100 FEET AWAY FROM THE SCENE OF THE CRIME. 77 00:03:52,566 --> 00:03:54,001 HOW DO I LOOK? 78 00:03:54,033 --> 00:03:56,002 SHARONA, THIS IS A MURDER SCENE, NOT A HIGH SCHOOL PROM. 79 00:03:56,036 --> 00:03:58,004 YES, BUT IT WAS BRAD TERRY'S EX-WIFE. 80 00:03:58,038 --> 00:04:01,040 BRAD TERRY COULD BE IN THERE. DO I HAVE ANYTHING IN MY TEETH? 81 00:04:01,074 --> 00:04:03,811 HUH? 82 00:04:08,549 --> 00:04:12,019 OH, FORGET IT, COME ON, COME ON! 83 00:04:12,051 --> 00:04:14,555 THIS MORNING, PAPARAZZI GATHERED TO GET THE SCOOP 84 00:04:14,587 --> 00:04:17,557 ON BRAD AND SUSAN, AND WE WERE HERE LIVE, COVERING... 85 00:04:17,591 --> 00:04:19,860 HEY, HEY! OH, EXCUSE ME, ARE YOU GOING TO GO SEE BRAD? 86 00:04:19,893 --> 00:04:21,295 YEAH. 87 00:04:21,329 --> 00:04:23,430 OH, COME HERE. YOU CAN DO THIS FOR ME. 88 00:04:23,463 --> 00:04:24,997 SORRY. 89 00:04:25,031 --> 00:04:28,336 NO, NO, THIS IS A PETITION TO GET THE OLD THEME SONG BACK. 90 00:04:28,369 --> 00:04:30,338 THEY CHANGED THE THEME SONG. 91 00:04:30,370 --> 00:04:32,473 OH, MY GOD, I HATE THAT NEW THEME SONG. 92 00:04:32,505 --> 00:04:34,007 ME TOO. GOD, THE SHOW WAS PERFECT. 93 00:04:34,040 --> 00:04:35,608 IT WAS PERFECTION, RIGHT? 94 00:04:35,643 --> 00:04:37,478 IT WAS. IT WAS PERFECT. 95 00:04:37,511 --> 00:04:39,312 WHY CAN'T THEY JUST LEAVE SHOWS ALONE? 96 00:04:39,346 --> 00:04:40,581 I DON'T KNOW. 97 00:04:40,613 --> 00:04:42,350 BUT, UM, TELL BRAD THIS IS FROM MARCI. 98 00:04:42,382 --> 00:04:44,351 THAT IS ME -- "M" FOR MARCI. 99 00:04:44,384 --> 00:04:45,519 MARCI. OKAY. 100 00:04:45,552 --> 00:04:48,021 YEAH, HE -- HE KNOWS ME, SO... 101 00:04:48,055 --> 00:04:49,689 OKAY, I'LL TELL HIM THAT. OKAY. 102 00:04:49,723 --> 00:04:51,692 DON'T BEND IT. 103 00:04:51,725 --> 00:04:54,427 DON'T FORGET THE UPSTAIRS. I WANT PICTURES OF EVERYTHING. 104 00:04:54,461 --> 00:04:57,029 DILLON, GRAB A COUPLE UNIFORMS AND GO DOOR TO DOOR. 105 00:04:57,064 --> 00:04:59,399 AND DO NOT SEND ANYTHING UPSTREAM 106 00:04:59,432 --> 00:05:01,601 UNTIL I GET A CHANCE TO READ IT. 107 00:05:01,634 --> 00:05:03,836 I'M GLAD YOU'RE ON THE CASE, CAPTAIN. 108 00:05:03,870 --> 00:05:05,838 I FEEL PRETTY SILLY DOING WHAT I DO, 109 00:05:05,872 --> 00:05:07,841 WATCHING YOU DO IT FOR REAL. 110 00:05:07,875 --> 00:05:10,644 YEAH, I'VE SEEN YOUR SHOW. 111 00:05:10,677 --> 00:05:12,512 IT'S PRETTY GOOD. 112 00:05:12,545 --> 00:05:13,880 REALLY? 113 00:05:13,913 --> 00:05:16,449 THAT'S A BIG COMPLIMENT COMING FROM YOU, THANKS. 114 00:05:16,483 --> 00:05:18,819 OOH, OOH, THERE HE IS. 115 00:05:18,851 --> 00:05:20,387 THERE HE IS. 116 00:05:20,420 --> 00:05:24,124 THE GREATEST DETECTIVE IN SAN FRANCISCO. 117 00:05:24,156 --> 00:05:27,093 OKAY, YOU UNDERSTAND HE'S NOT A REAL DETECTIVE. 118 00:05:27,127 --> 00:05:29,529 IT'S WHAT THEY CALL A SHOW. 119 00:05:31,098 --> 00:05:35,536 I'M GOING TO TALK TO HIM. 120 00:05:38,471 --> 00:05:40,941 Sharona: [ COUGHS ] 121 00:05:44,978 --> 00:05:47,146 MR. TERRY? HI. 122 00:05:47,180 --> 00:05:50,050 I'M REALLY SORRY ABOUT YOUR LOSS. 123 00:05:50,082 --> 00:05:53,920 I'M SHARONA FLEMING. I'M WITH ADRIAN MONK. 124 00:05:55,656 --> 00:05:57,725 UH, THE CONSULTANT, RIGHT? 125 00:05:57,757 --> 00:05:59,459 YEAH. 126 00:05:59,492 --> 00:06:01,829 IS THERE ANYTHING I CAN DO FOR YOU? 127 00:06:01,862 --> 00:06:06,567 NAH, I DON'T THINK IT'S REALLY HIT ME YET. 128 00:06:06,600 --> 00:06:09,536 UM, WELL, 129 00:06:09,569 --> 00:06:11,538 THIS IS FOR YOU. 130 00:06:11,572 --> 00:06:13,641 SOMEBODY OUTSIDE GAVE IT TO ME. 131 00:06:13,673 --> 00:06:18,110 IT'S A PETITION ABOUT THAT NEW THEME SONG. 132 00:06:18,144 --> 00:06:21,682 OH, YEAH, I KNOW. EVERYBODY HATES IT. 133 00:06:21,714 --> 00:06:23,684 AM I THE ONLY ONE WHO LIKES THIS? 134 00:06:23,716 --> 00:06:27,120 OH, NO, NO, I LIKE IT, TOO. I CAN'T GET IT OUT OF MY MIND. 135 00:06:27,153 --> 00:06:28,889 IT'S A GOOD SONG. 136 00:06:28,922 --> 00:06:30,557 MARCI, RIGHT? MARCI MAVEN. 137 00:06:30,591 --> 00:06:33,994 YEAH, SHE FOLLOWS ME EVERYWHERE. SHE'S... 138 00:06:34,026 --> 00:06:37,997 SO, THEY WERE -- THEY WERE DIVORCED? 139 00:06:38,031 --> 00:06:39,567 WOULD YOU EXCUSE ME? 140 00:06:39,600 --> 00:06:41,668 WHO WERE? BRAD TERRY AND THE VICTIM. 141 00:06:41,701 --> 00:06:43,771 OH. YEAH, RIGHT. 142 00:06:43,803 --> 00:06:45,773 FOR, UH, THREE YEARS. 143 00:06:45,805 --> 00:06:47,975 BUT THEY WERE STILL FRIENDLY -- 144 00:06:48,007 --> 00:06:49,976 YOU KNOW, SHOW PEOPLE. 145 00:06:50,009 --> 00:06:53,213 HE'S BEEN, UH, HIDING OUT HERE FOR THE LAST COUPLE OF DAYS. 146 00:06:53,245 --> 00:06:55,081 HIDING FROM... 147 00:06:55,115 --> 00:06:57,183 PAPARAZZI. SLUGGED A BARTENDER ON FRIDAY NIGHT -- 148 00:06:57,216 --> 00:06:58,586 BIG NEWS. 149 00:06:58,619 --> 00:07:01,454 WHY IS THIS THING STILL RUNNING? 150 00:07:04,223 --> 00:07:06,994 [ TV BLARES LOUDLY ] AAH! 151 00:07:07,026 --> 00:07:10,598 SORRY. 152 00:07:10,630 --> 00:07:12,699 SORRY. SORRY. 153 00:07:12,733 --> 00:07:16,470 SHE WAS WORKING OUT. 154 00:07:16,504 --> 00:07:19,473 YEAH, SHE'S WORKING OUT HERE, KILLER OPENS THE BACK DOOR, 155 00:07:19,507 --> 00:07:22,975 SNEAKS UP BEHIND HER, AND STABS HER THREE TIMES -- 156 00:07:23,009 --> 00:07:28,516 NECK, BACK, AND CHEST. 157 00:07:28,548 --> 00:07:30,250 THE MURDER WEAPON'S NOTHING SPECIAL, EITHER. 158 00:07:30,283 --> 00:07:32,252 IT'S JUST A CAMPING KNIFE. 159 00:07:32,284 --> 00:07:34,721 COME HERE, LOOK AT THIS. 160 00:07:34,754 --> 00:07:39,560 POINT OF ENTRY. HOW, UH, HOW IS HE? 161 00:07:39,593 --> 00:07:42,529 HE'S OKAY. I LIKE HIM. 162 00:07:42,562 --> 00:07:44,264 LIKE A REGULAR GUY, LIKE ME. 163 00:07:44,297 --> 00:07:46,199 OR YOU. 164 00:07:46,233 --> 00:07:47,800 OR ME. 165 00:07:50,103 --> 00:07:52,540 YOU THINK HE COULD'VE HAD A MOTIVE? 166 00:07:52,572 --> 00:07:53,606 WHO? 167 00:07:53,641 --> 00:07:55,108 BRAD TERRY? 168 00:07:55,141 --> 00:07:57,110 NAH, I DON'T THINK SO. 169 00:07:57,144 --> 00:07:59,547 NO KIDS, NO ALIMONY. BESIDES, HE CAN'T BE THE GUY. 170 00:07:59,579 --> 00:08:01,213 HE WAS OUT FRONT WHEN IT WENT DOWN. 171 00:08:01,247 --> 00:08:03,250 10 WITNESSES WITH CAMERAS. 172 00:08:03,283 --> 00:08:05,685 THE KILLER BROKE THE GLASS, OPENED THE DOOR, 173 00:08:05,718 --> 00:08:07,220 REACHED IN, WENT OUT THE SAME WAY. 174 00:08:07,254 --> 00:08:09,956 THERE'S GLASS IN THE TRACK, 175 00:08:09,990 --> 00:08:12,259 DIRECTLY UNDER THE DOOR. 176 00:08:12,291 --> 00:08:13,860 YEAH, SO? 177 00:08:13,894 --> 00:08:16,997 I THINK THE DOOR WAS OPEN WHEN THE GLASS WAS BROKEN. 178 00:08:17,029 --> 00:08:19,298 OR THE KILLER KICKED THE GLASS AROUND 179 00:08:19,331 --> 00:08:21,300 WHEN HE RAN OUT. 180 00:08:21,334 --> 00:08:24,605 THIS DRIVEWAY CURVES AROUND THE BACK OF THE HOUSE. 181 00:08:24,637 --> 00:08:26,105 HEY, BRAD. 182 00:08:26,139 --> 00:08:28,975 BRAD TERRY, THIS IS ADRIAN MONK. 183 00:08:29,009 --> 00:08:31,110 THIS IS THE GUY THAT'S WORKING WITH US. 184 00:08:31,144 --> 00:08:34,181 I'M SORRY FOR YOUR LOSS. THANK YOU. 185 00:08:34,213 --> 00:08:36,316 I UNDERSTAND YOU'RE AN ACTOR... 186 00:08:36,349 --> 00:08:38,619 OH, NO, NO, NO, DON'T BE INSULTED BY HIM. 187 00:08:38,652 --> 00:08:41,187 HE'S NEVER HEARD OF ANYBODY, SO... 188 00:08:41,221 --> 00:08:43,289 NO, HE DOESN'T HAVE TO WATCH MY SHOW. 189 00:08:43,322 --> 00:08:45,625 HE LIVES IT, RIGHT? 190 00:08:45,658 --> 00:08:47,695 WELL, NOT REALLY. 191 00:08:47,727 --> 00:08:49,261 WELL, MAYBE. HA HA. 192 00:08:49,296 --> 00:08:50,963 YES. 193 00:08:50,998 --> 00:08:52,331 YEAH, I GUESS SO. 194 00:08:52,365 --> 00:08:54,802 I JUST HAVE A COUPLE OF QUESTIONS. 195 00:08:54,835 --> 00:08:57,571 UH, IS THAT YOUR CAR PARKED AT THE BOTTOM OF THE DRIVEWAY? 196 00:08:57,605 --> 00:08:58,871 YEAH. 197 00:08:58,905 --> 00:09:00,640 I WAS JUST WONDERING 198 00:09:00,673 --> 00:09:02,676 WHY YOU PARKED OUT FRONT 199 00:09:02,710 --> 00:09:05,278 IF YOU DIDN'T WANT ANYONE TO KNOW WHERE YOU WERE. 200 00:09:05,312 --> 00:09:07,780 WOW, THAT'S, UH, THAT'S A GOOD QUESTION. 201 00:09:07,815 --> 00:09:09,883 UM, SUSAN DROVE IT LAST. 202 00:09:09,917 --> 00:09:12,284 I GUESS SHE JUST FORGOT TO PULL IT UP. 203 00:09:12,318 --> 00:09:15,121 OH, MAKES SENSE TO ME. 204 00:09:15,154 --> 00:09:16,322 YEAH. 205 00:09:18,258 --> 00:09:20,259 Man: WHAT CAN I GET YOU TWO? 206 00:09:20,293 --> 00:09:22,361 UH, NOTHING FOR ME. 207 00:09:22,394 --> 00:09:24,297 JUST SOME WATER. 208 00:09:24,331 --> 00:09:26,332 ARE YOU DUSTIN SHEERS? 209 00:09:26,365 --> 00:09:27,967 YEAH. 210 00:09:28,000 --> 00:09:30,604 WE'RE WORKING WITH THE POLICE ON THE BRAD TERRY CASE. 211 00:09:30,638 --> 00:09:32,639 WHAT DO I OWE YOU? 212 00:09:32,673 --> 00:09:34,642 DON'T WORRY ABOUT IT. THANKS. 213 00:09:34,674 --> 00:09:36,076 I UNDERSTAND MR. TERRY WAS IN HERE LAST WEEK, 214 00:09:36,109 --> 00:09:37,376 AND THERE WAS A FIGHT. 215 00:09:37,409 --> 00:09:38,912 MY BRUSH WITH FAME. 216 00:09:38,946 --> 00:09:41,615 WELL, ACTUALLY, IT WAS MORE THAN A BRUSH, REALLY. 217 00:09:41,649 --> 00:09:42,649 WHAT WAS THE FIGHT ABOUT? 218 00:09:42,682 --> 00:09:44,051 NOTHING. 219 00:09:44,084 --> 00:09:46,620 I SAID I'D NEVER SEEN HIS SHOW, AND HE FLIPPED OUT. 220 00:09:46,653 --> 00:09:50,157 HE JUMPS OVER THE BAR, HE STARTS GOING POSTAL ON ME. 221 00:09:50,190 --> 00:09:53,693 EXCUSE ME. I'LL HAVE SOME OF THAT SCOTCH. 222 00:09:53,726 --> 00:09:55,361 IT'S 20 BUCKS. 223 00:09:55,394 --> 00:09:57,630 NO. NO, NO, NOT THE WHOLE BOTTLE. 224 00:09:57,664 --> 00:09:59,365 JUST A GLASS. YEAH, 20 BUCKS. 225 00:09:59,399 --> 00:10:01,234 IT'S THE BEST IN THE HOUSE. 226 00:10:01,268 --> 00:10:04,171 WHAT ARE YOU DOING? YOU DON'T DRINK. 227 00:10:04,203 --> 00:10:07,274 OH...I GET IT. 228 00:10:07,307 --> 00:10:10,177 YOU'RE GOING TO WASTE 20 BUCKS TO MAKE 'EM EVEN. 229 00:10:10,210 --> 00:10:11,410 GREAT. 230 00:10:11,443 --> 00:10:13,113 OH, MY GOD. 231 00:10:13,145 --> 00:10:14,413 YOU WANT THIS? 232 00:10:14,447 --> 00:10:18,118 SURE. 233 00:10:18,150 --> 00:10:20,687 WAS MR. TERRY INTOXICATED? 234 00:10:20,721 --> 00:10:22,990 HAD TO BE. HOW ELSE DO YOU EXPLAIN THAT? 235 00:10:23,023 --> 00:10:25,225 I'LL HAVE A GLASS OF WATER, PLEASE. 236 00:10:25,258 --> 00:10:28,427 YOU'RE NOT GOING TO SUE HIM, ARE YOU? 237 00:10:28,461 --> 00:10:30,663 I CONSIDERED IT. 238 00:10:30,697 --> 00:10:32,298 BUT I FIGURE, 239 00:10:32,331 --> 00:10:34,301 AFTER WHAT HAPPENED WITH HIS EX-WIFE, 240 00:10:34,334 --> 00:10:36,803 THAT GUY'S SUFFERED ENOUGH. 241 00:10:36,836 --> 00:10:40,407 I'LL HAVE ANOTHER SCOTCH. 242 00:10:46,479 --> 00:10:49,682 DON'T MIND IF I DO. 243 00:10:49,716 --> 00:10:52,418 BESIDES, HE FELT PRETTY BAD ABOUT IT. 244 00:10:52,451 --> 00:10:54,788 BEFORE THE COPS SHOWED UP, HE WROTE ME A CHECK FOR TWO GRAND. 245 00:10:54,822 --> 00:10:56,423 HE WROTE HIM A CHECK. 246 00:10:56,456 --> 00:10:58,725 THAT'S THE CHECK? THAT'S IT. 247 00:10:58,759 --> 00:11:00,994 I DON'T KNOW WHETHER TO CASH IT OR FRAME IT. 248 00:11:02,830 --> 00:11:05,765 WHAT'S WRONG? THE HANDWRITING. 249 00:11:05,798 --> 00:11:07,067 LOOKS OKAY TO ME. 250 00:11:07,100 --> 00:11:09,068 IT'S NOT JUST OKAY. IT'S PERFECT. 251 00:11:09,101 --> 00:11:11,071 HE STAYED RIGHT ON THE LINE. 252 00:11:11,104 --> 00:11:13,774 I DON'T THINK HE WAS DRUNK WHEN HE WROTE THIS. 253 00:11:13,807 --> 00:11:16,408 WHY WOULD A STAR LIKE BRAD TERRY PRETEND TO BE DRUNK? 254 00:11:16,442 --> 00:11:18,211 PLEASE. 255 00:11:18,245 --> 00:11:20,413 I'LL HAVE SOME MORE WATER, PLEASE. 256 00:11:20,447 --> 00:11:22,750 CAN YOU MAKE IT A DOUBLE? 257 00:11:24,250 --> 00:11:25,085 OH, THERE'S THE EDITING ROOMS OVER THERE. 258 00:11:26,352 --> 00:11:28,388 AND THAT'S THE COSTUME DEPARTMENT. 259 00:11:28,421 --> 00:11:30,057 ARE THEY ALLOWED TO KEEP ALL THE CLOTHES? 260 00:11:30,090 --> 00:11:32,058 WELL, YOU KNOW, THEY'RE NOT SUPPOSED TO, 261 00:11:32,091 --> 00:11:34,126 BUT, UH, SOMETIMES THEY DO. 262 00:11:34,161 --> 00:11:36,028 COULD YOU SLOW IT DOWN A LITTLE, PLEASE? 263 00:11:36,062 --> 00:11:38,798 UH, I DON'T THINK I CAN GO ANY SLOWER. 264 00:11:38,831 --> 00:11:40,167 I'M SURPRISED BRAD TERRY IS WORKING TODAY 265 00:11:40,200 --> 00:11:42,101 AFTER WHAT HAPPENED. 266 00:11:42,134 --> 00:11:44,471 OH, YEAH, YOU KNOW, THEY JUST KEEP WORKING, NO MATTER WHAT. 267 00:11:44,504 --> 00:11:46,472 YOU KNOW, THEY HAVE TO DO 26 EPISODES A YEAR. 268 00:11:46,505 --> 00:11:49,076 BRAD WOULDN'T SHUT US DOWN. HE'S GREAT. 269 00:11:49,109 --> 00:11:51,110 OH, HE IS GREAT. 270 00:11:51,144 --> 00:11:53,813 YEAH, HE'S GREAT. I CAN'T SEEM TO FIND MY SEATBELT. 271 00:11:53,846 --> 00:11:55,816 YOU DON'T NEED A SEATBELT. 272 00:11:55,849 --> 00:11:57,817 I DON'T NEED A SEATBELT. 273 00:11:57,850 --> 00:12:00,153 OH, OVER THERE'S THE DUBBING STAGE. 274 00:12:00,187 --> 00:12:03,289 THAT'S WHERE WE DO ALL THE SOUND WORK FOR THE SHOW. 275 00:12:03,322 --> 00:12:04,991 IS HE ANYBODY? 276 00:12:05,024 --> 00:12:07,094 NO, HE'S JUST A WRITER. 277 00:12:07,126 --> 00:12:09,196 100th -- 100th WHAT? 278 00:12:09,229 --> 00:12:11,063 WE'RE SHOOTING OUR 100th EPISODE THIS WEEK. 279 00:12:11,097 --> 00:12:12,932 YES, IT'S A REALLY BIG DEAL. 280 00:12:12,966 --> 00:12:14,234 WHY IS THAT? 281 00:12:14,267 --> 00:12:16,068 BECAUSE THEY CAN SYNDICATE THE SHOW. 282 00:12:16,102 --> 00:12:18,071 THAT'S WHERE THEY MAKE THE BIG MONEY. 283 00:12:18,105 --> 00:12:20,106 MM-HMM. OKAY, WELL, 284 00:12:20,139 --> 00:12:21,975 HERE WE ARE. 285 00:12:22,009 --> 00:12:23,275 WE MADE IT. 286 00:12:23,309 --> 00:12:25,278 YEAH, IT'S THE BIG DOOR ON THE LEFT. 287 00:12:25,312 --> 00:12:28,148 THANK YOU SO MUCH. THANK YOU. 288 00:12:28,181 --> 00:12:29,515 BYE. 289 00:12:29,548 --> 00:12:31,051 A CAMERA, SHARONA? 290 00:12:31,083 --> 00:12:33,352 HE'S A MURDER SUSPECT. 291 00:12:33,385 --> 00:12:35,822 BRAD TERRY DIDN'T KILL ANYBODY. 292 00:12:35,855 --> 00:12:38,457 HOW DO YOU KNOW? BECAUSE HE PLAYS A NICE GUY ON TV? 293 00:12:38,490 --> 00:12:40,527 TONY DANZA NEVER KILLED ANYBODY. 294 00:12:40,559 --> 00:12:42,562 MISTER ROGERS NEVER KILLED ANYBODY. 295 00:12:42,595 --> 00:12:44,831 I'M NOT SAYING EVERY ACTOR IS A MURDERER. 296 00:12:44,865 --> 00:12:47,433 I'M SAYING THIS ACTOR MIGHT BE A MURDERER. 297 00:12:47,466 --> 00:12:50,037 DO I HAVE TO AGREE WITH YOU ON EVERY CASE? 298 00:12:50,070 --> 00:12:52,038 IS THAT, LIKE, A RULE? NO. 299 00:12:52,072 --> 00:12:54,040 WELL, YOU'RE WRONG. 300 00:12:54,073 --> 00:12:57,777 HE DIDN'T DO IT. 301 00:13:03,149 --> 00:13:05,552 THE DOOR WAS LOCKED FROM THE INSIDE. 302 00:13:05,585 --> 00:13:09,889 THE HOOKER MUST HAVE COME IN THROUGH THE FIRE ESCAPE. 303 00:13:09,923 --> 00:13:12,558 MINUTE TRACES OF BLOOD OVER HERE. 304 00:13:12,591 --> 00:13:15,461 RUSTY. OVER HERE. 305 00:13:15,495 --> 00:13:17,463 WHAT DO YOU GOT, J.? 306 00:13:17,496 --> 00:13:19,466 IT LOOKS LIKE A FIBER. 307 00:13:19,499 --> 00:13:22,568 WHAT PLANET ARE THEY SUPPOSED TO BE ON? 308 00:13:22,601 --> 00:13:24,004 SHH! 309 00:13:24,037 --> 00:13:27,274 J., DON'T TOUCH IT. 310 00:13:27,307 --> 00:13:30,309 LEE, GET THE SPECTROSCOPE. 311 00:13:36,884 --> 00:13:39,152 WHAT THE HELL IS THAT? 312 00:13:39,186 --> 00:13:41,321 A SPECTROSCOPE. 313 00:13:41,354 --> 00:13:43,322 IT'S HOW THEY SOLVE THE CRIMES. 314 00:13:43,355 --> 00:13:45,024 WE SHOULD GET ONE. 315 00:13:45,057 --> 00:13:46,493 WHY DON'T WE GET TWO? 316 00:13:46,525 --> 00:13:49,528 THEN WE CAN SOLVE THEM TWICE AS FAST. 317 00:13:52,231 --> 00:13:54,934 IT'S A FIBER, ALL RIGHT. 318 00:13:54,967 --> 00:13:57,336 SOME SORT OF STRANGE SYNTHETIC POLYMER. 319 00:13:57,370 --> 00:14:02,174 LEE, SPEAK ENGLISH, PLEASE. 320 00:14:02,208 --> 00:14:03,576 IT'S NOT DOMESTIC. 321 00:14:03,610 --> 00:14:06,312 IT WAS MADE IN BOLIVIA. 322 00:14:06,346 --> 00:14:10,383 THE SANTORINI CARTEL. 323 00:14:10,417 --> 00:14:12,485 SANTORINI? 324 00:14:12,519 --> 00:14:14,486 THAT'S IN GREECE. 325 00:14:14,520 --> 00:14:16,889 WHAT CAN I HELP YOU WITH, MR. MONK? 326 00:14:16,923 --> 00:14:18,424 UH... 327 00:14:18,457 --> 00:14:20,592 WELL, THIS IS YOUR 100th EPISODE... 328 00:14:20,626 --> 00:14:22,461 IS THAT RIGHT? 329 00:14:22,495 --> 00:14:24,397 CONGRATULATIONS. 330 00:14:24,431 --> 00:14:26,399 I UNDERSTAND THAT'S A BIG DAY FOR YOU. 331 00:14:26,432 --> 00:14:28,936 THANK YOU. I'VE BEEN WORKING A LONG TIME FOR IT. 332 00:14:28,969 --> 00:14:30,570 MY WHOLE LIFE, ACTUALLY. 333 00:14:30,602 --> 00:14:32,272 HOW DOES THAT WORK? 334 00:14:32,304 --> 00:14:36,243 I KNOW THAT YOU WEREN'T PAYING SUSAN ALIMONY, BUT, UH, 335 00:14:36,275 --> 00:14:40,179 WHEN THE SHOW STARTED, YOU WERE STILL MARRIED. 336 00:14:40,212 --> 00:14:41,514 YES, I WAS. 337 00:14:41,548 --> 00:14:43,350 UNDER CALIFORNIA LAW, 338 00:14:43,383 --> 00:14:47,153 SHE WOULD'VE BEEN ENTITLED TO HALF OF ANY SYNDICATION MONEY. 339 00:14:47,187 --> 00:14:51,057 YOU THINK YOU FOUND A MOTIVE, DON'T YOU, MR. MONK? 340 00:14:51,091 --> 00:14:53,326 WOULD YOU LIKE ME TO TAKE A LIE DETECTOR TEST? 341 00:14:53,360 --> 00:14:55,361 WOULD THAT MAKE YOU HAPPY? 342 00:14:55,394 --> 00:14:57,663 YES, IT WOULD. ANYTIME. ANYWHERE. 343 00:14:57,697 --> 00:14:59,665 EXCUSE ME. UM, DO YOU MIND? 344 00:14:59,698 --> 00:15:01,934 OH, NO, NO, NO. COME ON. 345 00:15:01,969 --> 00:15:04,636 OKAY. PRESS THAT BUTTON OVER THERE. 346 00:15:04,671 --> 00:15:07,440 THANK YOU. UH-HUH. 347 00:15:13,745 --> 00:15:16,482 I WAS AT A BAR, ERIC. YEAH, I HAD A DRINK...OR TWO. 348 00:15:16,515 --> 00:15:17,583 AND SOME PEANUTS... 349 00:15:17,616 --> 00:15:21,453 THE LOCAL NEWS HAS BEEN RUNNING THIS ALL DAY LONG. 350 00:15:21,488 --> 00:15:22,990 Susan: AAH! 351 00:15:23,023 --> 00:15:24,024 SUSAN? 352 00:15:24,057 --> 00:15:26,359 NOW, I HAD THE LAB RUN A VOICE PRINT ANALYSIS. 353 00:15:26,393 --> 00:15:28,394 THAT WAS DEFINITELY SUSAN. 354 00:15:28,427 --> 00:15:30,330 WE THINK THE KILLER WAS A DERANGED FAN. 355 00:15:30,363 --> 00:15:32,365 YEAH, IT MAKES SENSE TO ME. 356 00:15:32,399 --> 00:15:34,567 HAVE YOU TALKED TO THE WOMAN WE MET -- MARCI MAVEN? 357 00:15:34,600 --> 00:15:37,070 NO, NOT YET. WE'RE STILL TRYING TO TRACK HER DOWN. 358 00:15:37,104 --> 00:15:38,370 I ASKED AROUND. 359 00:15:38,404 --> 00:15:40,539 YOU REALIZE WHEN THIS SHOW GOES INTO SYNDICATION, 360 00:15:40,572 --> 00:15:44,043 BRAD TERRY STANDS TO MAKE OVER $20 MILLION. 361 00:15:44,076 --> 00:15:46,212 THERE'S YOUR MOTIVE RIGHT THERE. 362 00:15:46,245 --> 00:15:48,280 HE DID NOT WANT TO SHARE IT WITH HIS EX-WIFE. 363 00:15:48,315 --> 00:15:49,682 GENTLEMEN. 364 00:15:49,716 --> 00:15:51,350 MAX GREEN, THE TRUTH MACHINE. 365 00:15:51,384 --> 00:15:53,052 WHAT DO YOU GOT? 366 00:15:53,086 --> 00:15:55,422 WELL, ACCORDING TO THIS, HE'S CLEAN. 367 00:15:55,455 --> 00:15:57,724 HE'S MR. CLEAN -- ZERO DECEPTION. 368 00:15:57,756 --> 00:16:00,427 YOU SEE? 369 00:16:00,460 --> 00:16:03,663 WHAT MORE DO YOU NEED? 370 00:16:03,696 --> 00:16:05,597 COME ON. 371 00:16:05,631 --> 00:16:08,467 I THINK YOU ENJOY BEING ALONE. 372 00:16:08,500 --> 00:16:10,602 SO, DID WE PASS? 373 00:16:10,636 --> 00:16:12,471 YES, WE DID. 374 00:16:12,504 --> 00:16:14,341 WITH FLYING COLORS. 375 00:16:14,374 --> 00:16:16,609 I WAS UP ALL NIGHT STUDYING. 376 00:16:16,643 --> 00:16:18,644 MR. MONK, ARE YOU SATISFIED? 377 00:16:18,677 --> 00:16:21,313 THE MACHINE IS NOT INFALLIBLE. 378 00:16:21,347 --> 00:16:23,350 WELL, NEITHER ARE YOU. 379 00:16:23,383 --> 00:16:26,318 I'VE BEEN WATCHING YOU, MR. MONK. 380 00:16:26,352 --> 00:16:28,620 THAT'S WHAT ACTORS DO. WE SOAK PEOPLE IN. 381 00:16:28,654 --> 00:16:32,259 I THINK I GOT YOU. UH, IT'S SOMETHING LIKE... 382 00:16:33,725 --> 00:16:35,794 I DON'T KNOW WHAT THIS THING IS, BUT... 383 00:16:35,827 --> 00:16:40,133 TIDINESS...EVERYTHING HAS TO BE TIDY, DON'T YOU? 384 00:16:40,167 --> 00:16:42,701 OH, I'M SORRY. 385 00:16:42,735 --> 00:16:45,705 THE LAMP THING, I DON'T KNOW WHAT... 386 00:16:45,738 --> 00:16:47,506 THAT'S -- THAT'S NOTHING -- 387 00:16:47,539 --> 00:16:51,278 NOTHING LIKE ME, NOTHING AT ALL, REALLY. 388 00:16:51,311 --> 00:16:55,615 HEY, THERE'S A BIG 100th EPISODE CAST PARTY TONIGHT. 389 00:16:55,648 --> 00:16:58,217 YOU'RE COMING. I'LL BE THERE. 390 00:16:58,250 --> 00:17:00,720 OKAY, GOOD. SHARONA, YOU HAVE TO COME, 391 00:17:00,753 --> 00:17:02,788 BECAUSE THESE PARTIES GET A LITTLE WILD. 392 00:17:02,822 --> 00:17:04,790 I MIGHT NEED A NURSE, YOU KNOW? 393 00:17:04,824 --> 00:17:06,526 SURE, SURE. DO YOU MIND? 394 00:17:06,558 --> 00:17:08,795 DON'T WAIT UP, MR. MONK. 395 00:17:08,827 --> 00:17:11,763 NO, NO, YOU GO AHEAD. 396 00:17:11,798 --> 00:17:14,166 I GUESS IT'S JUST YOU AND ME. 397 00:17:14,201 --> 00:17:15,468 YEP. 398 00:17:15,501 --> 00:17:17,136 [ Scoffs ] BRAD TERRY. 399 00:17:17,170 --> 00:17:19,338 OH, UH, WHAT'S YOUR NAME AGAIN? 400 00:17:19,372 --> 00:17:20,573 RANDY. RANDY. 401 00:17:20,606 --> 00:17:22,375 RANDY, YOU EVER DONE ANY ACTING? 402 00:17:22,409 --> 00:17:24,477 NO. 403 00:17:24,510 --> 00:17:26,645 BECAUSE YOU GOT A GREAT ENERGY. I THINK YOU MIGHT REALLY POP. 404 00:17:26,679 --> 00:17:28,480 POP? 405 00:17:28,515 --> 00:17:29,781 COME TO THE PARTY. 406 00:17:29,816 --> 00:17:31,784 I WANT YOU TO MEET THE CASTING DIRECTOR, OKAY? 407 00:17:31,817 --> 00:17:33,119 OKAY. 408 00:18:02,382 --> 00:18:03,750 WOW. 409 00:18:03,782 --> 00:18:05,551 100 SHOWS. 410 00:18:05,585 --> 00:18:07,186 UH, TO BE HONEST WITH YOU, 411 00:18:07,220 --> 00:18:09,189 I DIDN'T THINK WE'D MAKE IT PAST 10. 412 00:18:09,221 --> 00:18:11,824 [ LAUGHTER ] 413 00:18:11,857 --> 00:18:14,161 LISTEN, I WANT TO THANK EVERYBODY 414 00:18:14,193 --> 00:18:16,163 FOR YOUR SUPPORT THIS WEEK. 415 00:18:16,195 --> 00:18:18,397 SUSAN'S MURDER WAS, UH, 416 00:18:18,431 --> 00:18:20,567 WAS... 417 00:18:20,599 --> 00:18:22,801 WAS A TERRIBLE TRAGEDY, 418 00:18:22,835 --> 00:18:26,772 AND I WANT TO THANK EVERYBODY FOR STICKING BY ME THIS WEEK. 419 00:18:26,806 --> 00:18:29,142 I REALLY APPRECIATE IT. YOU GUYS WERE THERE FOR ME. 420 00:18:29,175 --> 00:18:32,144 I WILL NEVER FORGET IT. 421 00:18:32,179 --> 00:18:34,447 WE REALLY ARE A FAMILY. 422 00:18:34,480 --> 00:18:37,517 EXCEPT, UNLIKE MOST FAMILIES, WE ACTUALLY LIKE EACH OTHER. 423 00:18:37,549 --> 00:18:39,852 [ LAUGHTER ] 424 00:18:39,885 --> 00:18:42,221 LISTEN, CONGRATULATIONS, EVERYBODY. 425 00:18:42,255 --> 00:18:43,890 LET'S GET DRUNK. 426 00:18:47,527 --> 00:18:50,297 [ DANCE MUSIC PLAYING ] 427 00:19:33,705 --> 00:19:36,308 ON TV, YOU'LL ALWAYS SEE ONE COP 428 00:19:36,343 --> 00:19:39,311 IN ONE CAR, HOT-RODDING AFTER SOME SUSPECT. 429 00:19:39,346 --> 00:19:41,480 IT DOESN'T HAPPEN LIKE THAT. 430 00:19:41,513 --> 00:19:43,316 BELIEVE IT OR NOT, 431 00:19:43,349 --> 00:19:46,519 WE'RE OUT THERE TRYING TO SERVE AND PROTECT. 432 00:19:49,655 --> 00:19:51,624 IT'S A GREAT PARTY, HUH? 433 00:19:51,657 --> 00:19:53,625 YOU'RE IN THE PICTURE. MOVE, MOVE! 434 00:19:53,660 --> 00:19:55,528 OH, SORRY, SORRY. 435 00:19:55,561 --> 00:19:58,397 YOU, UH, YOU WANT TO DANCE? 436 00:20:01,367 --> 00:20:04,336 UH, WELL, I'M NOT MUCH OF A DANCER. 437 00:20:04,371 --> 00:20:05,771 OH. 438 00:20:05,805 --> 00:20:07,673 HEY, HEY. 439 00:20:07,707 --> 00:20:09,741 THERE SHE IS. SHARONA, HI. HI. 440 00:20:09,776 --> 00:20:11,009 HI. 441 00:20:11,042 --> 00:20:13,313 HOW ARE YA? UM, YOU WANNA DANCE? 442 00:20:13,346 --> 00:20:15,615 OH, SHE'S, UH, NOT MUCH OF A DANCER. 443 00:20:15,647 --> 00:20:17,717 OH, THAT'S OKAY. I CAN TEACH HER. 444 00:20:17,750 --> 00:20:20,219 COME ON, LET'S DANCE. 445 00:20:23,722 --> 00:20:26,558 WOW, THAT WAS A GOOD LINE. 446 00:21:01,760 --> 00:21:04,763 BRAD, HI, BRAD, HEY. BRAD. 447 00:21:04,797 --> 00:21:06,732 HEY, MARCI, WHAT ARE YOU DOING HERE? 448 00:21:06,766 --> 00:21:09,902 I HID IN THE LADIES' ROOM UPSTAIRS. 449 00:21:09,935 --> 00:21:11,903 WELL, GOOD TO SEE YOU. 450 00:21:11,938 --> 00:21:14,773 BRAD, NO, HEY, BRAD. I HAVE TO TELL YOU SOMETHING. 451 00:21:14,807 --> 00:21:16,776 IT'S REALLY IMPORTANT. 452 00:21:16,808 --> 00:21:18,810 YEAH, MAYBE THAT -- 453 00:21:18,845 --> 00:21:22,315 HEY, MARCI, HOW ARE YOU? WE'VE BEEN LOOKING FOR YOU. 454 00:21:22,348 --> 00:21:24,317 OH, NO, I'VE GOT TO TALK TO BRAD! 455 00:21:24,351 --> 00:21:26,318 NO, NO, MARCI, YOU HAVE TO TALK TO US. 456 00:21:26,353 --> 00:21:28,387 OKAY, LOOK OUT. COMING THROUGH. 457 00:21:28,421 --> 00:21:30,557 EXCUSE ME, PARDON ME. 458 00:21:32,124 --> 00:21:34,760 Monk: HE'S SEDUCING THEM ALL, 459 00:21:34,794 --> 00:21:36,462 ONE BY ONE. 460 00:21:36,496 --> 00:21:39,432 IT'S EASY FOR HIM. HE'S AN ACTOR. 461 00:21:39,465 --> 00:21:42,535 HE LIES FOR A LIVING. 462 00:21:42,568 --> 00:21:44,636 YEAH, BUT YOU COULD SAY 463 00:21:44,671 --> 00:21:47,073 THAT HE TELLS THE TRUTH FOR A LIVING. 464 00:21:47,105 --> 00:21:49,476 MM. 465 00:21:49,509 --> 00:21:51,778 THERE WAS A CAST PARTY LAST NIGHT. 466 00:21:51,810 --> 00:21:53,480 EVERYBODY WENT. 467 00:21:53,512 --> 00:21:54,513 EXCEPT YOU. 468 00:21:56,048 --> 00:21:57,717 HOW DID THAT MAKE YOU FEEL? 469 00:21:59,951 --> 00:22:04,490 LIKE I WAS BACK IN THE SIXTH GRADE. 470 00:22:04,523 --> 00:22:06,759 THERE WAS THIS KID -- ROBBIE WALOVER. 471 00:22:06,792 --> 00:22:08,827 [ SIGHS ] 472 00:22:08,861 --> 00:22:10,829 HE WAS A GREAT ATHLETE. 473 00:22:10,863 --> 00:22:13,700 HE WAS FUNNY. EVERYBODY LIKED HIM. 474 00:22:13,732 --> 00:22:18,770 THAT YEAR, HE INVITED EVERYONE TO HIS BIRTHDAY PARTY... 475 00:22:18,805 --> 00:22:20,740 EXCEPT ME. 476 00:22:22,642 --> 00:22:27,380 HERE I AM -- 477 00:22:27,413 --> 00:22:29,848 STILL IN THE SIXTH GRADE. 478 00:22:34,052 --> 00:22:35,454 ROBBIE WALOVER -- 479 00:22:35,488 --> 00:22:37,523 DID -- DID HE LIVE OVER ON HILLSIDE AVENUE? 480 00:22:40,159 --> 00:22:41,394 YES. 481 00:22:41,427 --> 00:22:42,994 I KNEW HIM. 482 00:22:43,028 --> 00:22:46,532 MY MOTHER WAS FRIENDLY WITH HIS MOTHER. 483 00:22:46,566 --> 00:22:49,602 WERE YOU... 484 00:22:49,635 --> 00:22:50,869 AT THE PARTY? 485 00:22:50,903 --> 00:22:52,939 YEAH. 486 00:22:52,971 --> 00:22:55,040 WAS IT GREAT? 487 00:22:55,074 --> 00:22:57,943 OH, ADRIAN -- HA HA -- YOU DON'T WANT TO KNOW. 488 00:22:57,977 --> 00:22:59,679 NO, NO. 489 00:22:59,711 --> 00:23:03,583 OKAY, YES, OKAY, FINE. IT WAS -- YES, IT WAS, UM... 490 00:23:03,615 --> 00:23:04,983 IT WAS PRETTY GREAT. 491 00:23:05,017 --> 00:23:06,685 YEAH. 492 00:23:06,719 --> 00:23:09,821 IT WAS GREAT. WE -- WE WENT TO CANDLESTICK PARK. 493 00:23:13,025 --> 00:23:15,561 I MET WILLIE MAYS. 494 00:23:24,671 --> 00:23:26,905 Stottlemeyer: WHERE HAVE YOU BEEN? 495 00:23:26,939 --> 00:23:28,007 WE HAD TO PARALLEL PARK. 496 00:23:28,039 --> 00:23:29,174 WHAT, FOR 20 MINUTES? 497 00:23:29,208 --> 00:23:32,578 PARALLEL MEANS PARALLEL, RIGHT? THAT'S ALL I'M SAYING. 498 00:23:32,612 --> 00:23:34,547 WHATEVER. COME ON. I WANT YOU TO HEAR SOMETHING. 499 00:23:34,580 --> 00:23:35,981 WHAT IS IT? YOU SAID IT WAS BIG. 500 00:23:36,015 --> 00:23:38,017 MONK, YOU'RE A GREAT DETECTIVE, 501 00:23:38,049 --> 00:23:40,086 BUT NOBODY BATS A THOUSAND. 502 00:23:42,755 --> 00:23:44,923 MARCI MAVEN, THIS IS ADRIAN MONK. 503 00:23:44,957 --> 00:23:46,925 HE'S WORKING ON THE CASE WITH US. 504 00:23:46,959 --> 00:23:48,193 YEAH, I REMEMBER YOU. 505 00:23:48,227 --> 00:23:49,996 NOW, MARCI, 506 00:23:50,028 --> 00:23:50,863 I WANT YOU TO TELL HIM 507 00:23:50,896 --> 00:23:52,765 EXACTLY WHAT YOU'VE BEEN TELLING US. 508 00:23:54,901 --> 00:23:57,068 I DID IT. 509 00:23:59,905 --> 00:24:04,977 I KILLED BRAD'S EX SUSAN MALLOY. 510 00:24:06,979 --> 00:24:07,480 I DID THE WORLD A FAVOR. 511 00:24:09,147 --> 00:24:10,916 SHE WAS A TERRIBLE ACTRESS. 512 00:24:10,950 --> 00:24:12,884 WHO WAS? 513 00:24:12,919 --> 00:24:17,490 SUSAN MALLOY -- THE BITCH I KILLED. 514 00:24:17,523 --> 00:24:19,125 SHE ONLY MADE ONE MOVIE. 515 00:24:19,157 --> 00:24:21,192 WHAT KIND OF ACTRESS ONLY MAKES ONE MOVIE? 516 00:24:21,227 --> 00:24:23,630 "FRAT PARTY MASSACRE" -- DID YOU SEE IT? 517 00:24:23,663 --> 00:24:25,163 UH, NO. 518 00:24:25,196 --> 00:24:27,199 I DID, LIKE, 20 TIMES. 519 00:24:27,232 --> 00:24:29,969 AND HOW DID YOU DO IT, MARCI? 520 00:24:30,001 --> 00:24:30,903 IT WAS EASY. 521 00:24:30,936 --> 00:24:32,872 I SNUCK IN THE GLASS WINDOW IN THE BACK, 522 00:24:32,904 --> 00:24:35,106 I HID, SHE CAME IN. 523 00:24:35,141 --> 00:24:37,844 SHE WAS, UH, DOING AN EXERCISE TAPE. 524 00:24:37,876 --> 00:24:39,546 SHE DIDN'T EVEN SEE ME. 525 00:24:39,578 --> 00:24:40,712 AND I PULLED OUT THE KNIFE, 526 00:24:40,747 --> 00:24:44,282 AND SHE STARTED SCREAMING, AND I STARTED STABBING, AND... 527 00:24:44,316 --> 00:24:45,817 I STABBED HER. 528 00:24:46,885 --> 00:24:48,054 HOW MANY TIMES? 529 00:24:48,086 --> 00:24:49,888 THREE OR FOUR. 530 00:24:49,922 --> 00:24:51,891 WHY DID YOU DO IT, MARCI? 531 00:24:51,923 --> 00:24:56,295 I DID IT FOR BRAD. 532 00:24:56,327 --> 00:24:57,997 HELLO. HA HA. 533 00:24:58,029 --> 00:24:59,999 I LOVE HIM, YOU KNOW? 534 00:25:00,031 --> 00:25:02,868 I -- THAT BITCH BROKE HIS HEART. 535 00:25:05,938 --> 00:25:10,142 SHE WON'T BE HURTING HIM ANYMORE, RIGHT? 536 00:25:10,175 --> 00:25:11,711 I DON'T KNOW. 537 00:25:11,743 --> 00:25:12,944 SHARONA AND I SAW HER A HALF AN HOUR AFTER THE MURDER. 538 00:25:12,979 --> 00:25:14,614 THERE WAS NO BLOOD ON HER SHIRT. 539 00:25:14,646 --> 00:25:15,981 SHE EXPLAINED THAT. 540 00:25:16,015 --> 00:25:17,249 SHE SAID SHE WENT BACK TO HER CAR AND CHANGED. 541 00:25:17,282 --> 00:25:18,651 WHAT HAPPENED TO THE BLOODY CLOTHES? 542 00:25:18,684 --> 00:25:19,719 WHERE ARE THEY? 543 00:25:19,751 --> 00:25:20,586 MONK, WE HAVE A CONFESSION. 544 00:25:20,619 --> 00:25:21,988 A CONFESSION TRUMPS A MISSING BLOUSE. 545 00:25:22,020 --> 00:25:23,690 PLUS, THE VIDEOTAPE PUTS BRAD TERRY 546 00:25:23,722 --> 00:25:25,657 IN THE FRONT YARD DURING THE ATTACK. 547 00:25:25,692 --> 00:25:27,626 AND ALSO, WE HAVE A CONFESSION. 548 00:25:27,660 --> 00:25:29,161 AND HE PASSED THE POLYGRAPH TEST. 549 00:25:29,194 --> 00:25:31,663 AND DID I MENTION WE HAVE A CONFESSION? 550 00:25:40,239 --> 00:25:41,708 OKAY. 551 00:25:41,740 --> 00:25:42,875 OKAY. 552 00:25:42,909 --> 00:25:45,044 OKAY, YOU WIN. 553 00:25:45,076 --> 00:25:46,645 I'M CONVINCED. 554 00:25:46,679 --> 00:25:48,279 HE'S INNOCENT. 555 00:25:48,314 --> 00:25:49,280 YES! 556 00:25:49,315 --> 00:25:50,750 WE HAVE A VERDICT. 557 00:25:50,782 --> 00:25:52,183 ALL RIGHT, AS FAR AS I'M CONCERNED, 558 00:25:52,218 --> 00:25:54,052 THIS CASE IS CLOSED. CALL THE D.A. 559 00:25:54,086 --> 00:25:56,154 I WANT TO FILE THIS FIRST THING IN THE MORNING. YES, SIR. 560 00:25:56,188 --> 00:25:57,990 MONK... 561 00:25:58,023 --> 00:25:59,025 HA HA. 562 00:25:59,057 --> 00:26:00,692 THANK YOU. THANK YOU. 563 00:26:00,727 --> 00:26:01,961 NOW I CAN TAKE THAT JOB. 564 00:26:01,993 --> 00:26:03,863 I'M GOING TO BE A POLICE CONSULTANT ON THE SHOW. 565 00:26:03,895 --> 00:26:04,864 NO WAY. 566 00:26:04,896 --> 00:26:06,031 $1,000 FOR HALF A DAY'S WORK. 567 00:26:06,065 --> 00:26:08,034 I COULDN'T HAVE TAKEN THE GIG 568 00:26:08,067 --> 00:26:09,367 UNTIL YOU AGREED THE GUY WAS INNOCENT. 569 00:26:09,401 --> 00:26:10,970 I APPRECIATE THAT. 570 00:26:11,002 --> 00:26:13,673 AND, UH, I CAN TAKE THE PART THEY OFFERED ME. 571 00:26:13,705 --> 00:26:15,807 I GOT A LINE IN THE NEXT EPISODE. 572 00:26:15,842 --> 00:26:17,777 OH, MY GOD. HEY, HEY, HEY. 573 00:26:17,809 --> 00:26:19,645 I CAN BRING BENJY TO THE SET! 574 00:26:19,679 --> 00:26:20,880 THIS IS GREAT. 575 00:26:20,913 --> 00:26:22,648 OH, $1,000 FOR A HALF A DAY'S WORK? 576 00:26:22,682 --> 00:26:24,349 HEY, YOU GUYS CAN COME TO MY TRAILER IF YOU WANT. 577 00:26:24,383 --> 00:26:26,051 OKAY. HA HA HA. 578 00:26:26,085 --> 00:26:27,886 WAIT, YOU COULD CONSULT ME, TOO. 579 00:26:30,656 --> 00:26:31,958 HEY, MONK... 580 00:26:31,990 --> 00:26:32,991 THANKS. 581 00:26:35,827 --> 00:26:39,632 I THINK I'M FINALLY GETTING THE HANG OF SIXTH GRADE. 582 00:26:43,001 --> 00:26:44,269 IT'S ALL ONE MOTION. 583 00:26:44,302 --> 00:26:46,939 CUFFS ARE OUT, RIGHT HAND DOWN, 584 00:26:46,972 --> 00:26:49,808 CUFFS ARE ON... 585 00:26:49,842 --> 00:26:51,143 LIKE YOU'RE DANCING. 586 00:26:51,176 --> 00:26:52,211 SCREW THE BACKUP, I'M GOING -- 587 00:26:52,243 --> 00:26:53,378 SCREW THE BACKUP, I'M GOING IN. 588 00:26:53,412 --> 00:26:54,947 SCREW THE BACK-- I'M GOING IN. 589 00:26:54,980 --> 00:26:57,016 DO I SOUND LIKE A REAL COP? 590 00:26:57,048 --> 00:26:59,218 YOU'LL NEVER SOUND LIKE A REAL COP. 591 00:26:59,250 --> 00:27:01,220 DON'T BE AFRAID TO PUSH HIM AROUND. 592 00:27:01,252 --> 00:27:04,056 HE'S A BAD GUY. THERE YOU GO. 593 00:27:04,089 --> 00:27:05,958 YEAH. 594 00:27:05,991 --> 00:27:07,292 [ CHUCKLES ] 595 00:27:07,326 --> 00:27:10,096 SCREW THE BACKUP, I'M GOING IN. 596 00:27:10,128 --> 00:27:12,097 OOH. 597 00:27:15,067 --> 00:27:16,935 SO, MOM, ARE WE REALLY GOING TO SEE BRAD TERRY? 598 00:27:16,969 --> 00:27:18,269 YEAH. 599 00:27:18,304 --> 00:27:19,905 WHERE IS HE? 600 00:27:19,939 --> 00:27:22,040 HE'S IN HIS TRAILER WITH MR. MONK. 601 00:27:22,074 --> 00:27:23,809 SORRY. 602 00:27:23,843 --> 00:27:24,876 SORRY. 603 00:27:24,911 --> 00:27:26,712 YOU CAN STOP APOLOGIZING, MR. MONK. 604 00:27:26,746 --> 00:27:27,913 YOU WERE JUST DOING YOUR JOB. 605 00:27:27,946 --> 00:27:29,048 NO. NO, NO, NO. 606 00:27:29,080 --> 00:27:31,683 I-I WASN'T THINKING STRAIGHT. 607 00:27:31,718 --> 00:27:33,853 YOU REMINDED ME OF THIS KID 608 00:27:33,885 --> 00:27:36,221 I KNEW IN SIXTH GRADE. 609 00:27:36,255 --> 00:27:37,723 IT'S COMPLICATED. 610 00:27:37,757 --> 00:27:39,125 WE ALL HAVE OUR DEMONS, RIGHT? 611 00:27:39,157 --> 00:27:42,260 SO THE CASE IS OFFICIALLY CLOSED? 612 00:27:42,294 --> 00:27:43,394 MARCI CONFESSED? 613 00:27:43,429 --> 00:27:44,896 THAT'S RIGHT. 614 00:27:44,931 --> 00:27:45,998 I ALWAYS KNEW SHE WAS UNSTABLE. 615 00:27:46,031 --> 00:27:47,199 [ KNOCK ON DOOR ] 616 00:27:47,232 --> 00:27:49,067 COME IN. SHE'S BEEN HARASSING ME FOR YEARS. 617 00:27:49,101 --> 00:27:50,402 HI. HEY, LAURIE, HOW ARE YOU? 618 00:27:50,435 --> 00:27:51,403 I GOT YOUR WATER. 619 00:27:51,436 --> 00:27:53,038 THANKS. 620 00:27:53,072 --> 00:27:54,807 SIERRA SPRINGS. 621 00:27:54,840 --> 00:27:56,976 I-I DRINK THAT, TOO. 622 00:27:57,009 --> 00:27:58,344 YEAH? HERE. 623 00:27:58,376 --> 00:28:00,211 WE GET 'EM FOR FREE 'CAUSE I DRINK IT ON THE SHOW. 624 00:28:00,246 --> 00:28:02,114 GOT TO LOVE THEM PERKS. 625 00:28:02,147 --> 00:28:04,182 I LOVE THEM PERKS. 626 00:28:04,215 --> 00:28:05,917 UH, BRAD... 627 00:28:05,951 --> 00:28:07,819 UH, DID YOU GET A CHANCE TO READ MY SCRIPT? 628 00:28:07,854 --> 00:28:09,255 YES. OH, YEAH, I'M SORRY. 629 00:28:09,288 --> 00:28:11,022 I WAS GOING TO CALL YOU. IT WAS GREAT. 630 00:28:11,057 --> 00:28:12,991 REALLY? YOU LIKED IT? 631 00:28:13,025 --> 00:28:15,126 YEAH, IT WAS THE BEST SCRIPT I'VE READ ALL YEAR. 632 00:28:15,161 --> 00:28:17,028 I LOVED THE -- THE CRAZY UNCLE 633 00:28:17,063 --> 00:28:20,499 AND THE, UM, ROAD TRIP. THAT'S EXCELLENT, YEAH. 634 00:28:20,531 --> 00:28:22,067 THAT ACTUALLY HAPPENED. 635 00:28:22,101 --> 00:28:24,336 REALLY? YEAH. 636 00:28:24,369 --> 00:28:26,038 LISTEN, IF YOU DON'T MIND, AND FEEL FREE TO SAY NO, 637 00:28:26,071 --> 00:28:29,008 I WAS GOING TO PASS IT ON TO MY AGENT, SEE WHAT HE THINKS. 638 00:28:29,040 --> 00:28:32,044 SURE, YEAH. MY GOD, THAT WOULD BE AWESOME. 639 00:28:32,077 --> 00:28:33,779 THANK YOU SO MUCH. 640 00:28:33,813 --> 00:28:35,047 OH. 641 00:28:35,080 --> 00:28:37,215 UH, BREAK'S OVER. WE NEED YOU ON SET. 642 00:28:37,249 --> 00:28:38,517 OKAY. 643 00:28:38,549 --> 00:28:41,386 WELL, I'M GOING TO GO SOLVE A COUPLE OF HOMICIDES. 644 00:28:41,420 --> 00:28:42,922 YOU WANT TO WATCH? 645 00:28:42,954 --> 00:28:44,522 SURE. 646 00:28:44,556 --> 00:28:46,192 OKAY, EVERYBODY, PLACES! 647 00:28:46,224 --> 00:28:48,795 AND...RAIN! 648 00:28:50,429 --> 00:28:52,530 AND...ACTION! 649 00:28:52,564 --> 00:28:56,167 WHERE YOU GOING TO, FRANKIE, HUH? 650 00:28:56,201 --> 00:28:57,970 YOU GOING TO CHURCH? 651 00:29:01,874 --> 00:29:05,144 COCAINE? 652 00:29:09,147 --> 00:29:10,348 [ SPITS ] 653 00:29:10,382 --> 00:29:11,784 IT'S PURE. 654 00:29:11,817 --> 00:29:13,419 AND CUT! 655 00:29:13,451 --> 00:29:15,186 OKAY, LET'S GO AGAIN. 656 00:29:15,221 --> 00:29:18,124 Laurie: OKAY, QUICKLY, QUICKLY, RESET! 657 00:29:18,156 --> 00:29:20,058 THAT'S GOOD -- I NEED TWO MORE GUYS COMING IN HERE QUICK. 658 00:29:20,092 --> 00:29:22,795 OKAY, WE'RE DOING IT AGAIN! EVERYBODY BACK TO ONE! 659 00:29:22,828 --> 00:29:24,130 THEY'RE DOING IT AGAIN? 660 00:29:24,163 --> 00:29:25,263 YEAH, THEY DO THE SAME SCENE OVER AND OVER, 661 00:29:25,297 --> 00:29:27,232 AND THEN LATER ON, THEY PUT ALL THE PIECES TOGETHER. 662 00:29:27,266 --> 00:29:28,534 IT'S CALLED EDITING. 663 00:29:28,567 --> 00:29:31,170 LISTEN TO MR. HOLLYWOOD. 664 00:29:31,202 --> 00:29:34,874 AND...ACTION! 665 00:29:34,906 --> 00:29:37,442 WHERE YOU GOING TO, FRANKIE, HUH? 666 00:29:37,476 --> 00:29:39,111 YOU GOING TO CHURCH? 667 00:29:40,445 --> 00:29:43,249 COCAINE? 668 00:29:48,153 --> 00:29:49,320 [ SPITS ] 669 00:29:49,355 --> 00:29:50,489 IT'S PURE. 670 00:29:50,521 --> 00:29:52,124 CUT! CUT! 671 00:29:52,157 --> 00:29:54,326 HE USED A DIFFERENT FINGER. IT WON'T CUT TOGETHER. 672 00:29:54,359 --> 00:29:56,162 OH, YOU'RE RIGHT. 673 00:29:56,194 --> 00:29:59,131 UH, BRAD, BRAD, 674 00:29:59,164 --> 00:30:02,067 LISTEN, MAKE SURE YOU USE YOUR RIGHT PINKY, OKAY? 675 00:30:02,101 --> 00:30:04,536 YEAH. SORRY. 676 00:30:04,569 --> 00:30:06,005 NO PROBLEM. 677 00:30:06,038 --> 00:30:08,240 EXCUSE ME, I NOTICED SOMETHING ELSE. 678 00:30:08,273 --> 00:30:09,407 THE SECOND TIME, 679 00:30:09,441 --> 00:30:12,111 THE LIGHTS ON THE VAN WERE OFF. 680 00:30:12,144 --> 00:30:14,180 OH, HE'S RIGHT. I MISSED THAT ONE. 681 00:30:14,212 --> 00:30:16,548 CARL, YOUR LIGHTS? 682 00:30:16,582 --> 00:30:19,117 AND, UH... 683 00:30:19,151 --> 00:30:22,855 THIS -- THIS -- THIS GENTLEMAN IN THE BROWN SHIRT 684 00:30:22,888 --> 00:30:25,156 BY THE PIZZA PLACE -- HE, UH... 685 00:30:25,191 --> 00:30:29,295 THE FIRST TIME, BOTH HIS SOCKS WERE PULLED ALL THE WAY UP, 686 00:30:29,327 --> 00:30:31,329 BUT THE SECOND TIME, ONE WAS DOWN. 687 00:30:31,363 --> 00:30:33,298 AND, UH, YOU, SIR -- 688 00:30:33,332 --> 00:30:38,237 SIR, YOUR UMBRELLA HANDLE WAS TURNED, UH, THIS WAY. 689 00:30:38,269 --> 00:30:41,173 AND -- AND YOU, SIR, YOU -- YOUR COFFEE -- 690 00:30:41,207 --> 00:30:42,909 YOU WERE HOLDING YOUR COFFEE CUP 691 00:30:42,942 --> 00:30:44,242 WITH YOUR PINKY EXTENDED THERE. 692 00:30:44,276 --> 00:30:45,576 NOT -- NOT -- NOT THAT MUCH. 693 00:30:45,611 --> 00:30:48,180 NOT THAT MUCH. AND HER SWEATER -- 694 00:30:48,213 --> 00:30:51,282 HER SWEATER WASN'T BUTTONED UP ALL THE WAY. 695 00:30:51,317 --> 00:30:56,055 AND, UH, SHE LOOKED AT HER WATCH LIKE THIS THE FIRST TIME. 696 00:30:56,087 --> 00:30:58,356 AND HIS -- HE SCRATCHED HIS ELBOW, 697 00:30:58,390 --> 00:31:00,291 AND HER STRAW WAS BENT A LITTLE MORE. 698 00:31:00,326 --> 00:31:01,527 THANK YOU, MR. MONK. YOU'RE A -- 699 00:31:01,559 --> 00:31:04,596 HER ZIPPER WAS -- ON HER BAG WAS ALL THE WAY UP. 700 00:31:04,630 --> 00:31:06,898 YOU'RE A VERY OBSERVANT MAN, MR. MONK. 701 00:31:06,932 --> 00:31:08,134 I DON'T THINK THERE'S ANYTHING 702 00:31:08,166 --> 00:31:09,268 YOU CAN REALLY DO ABOUT THE BIRD, 703 00:31:09,300 --> 00:31:10,336 BUT ON THE FIRST TAKE, THERE WAS A BIRD FLYING OVER. 704 00:31:10,368 --> 00:31:11,369 IT'S OKAY. IT DOESN'T HAVE TO BE PERFECT, MR. MONK. 705 00:31:11,403 --> 00:31:12,304 YOU WAIT A WHILE, IT'LL PROBABLY COME AROUND. 706 00:31:12,337 --> 00:31:15,240 COULD WE TAKE A BREAK? LET'S TAKE A BREAK. 707 00:31:15,273 --> 00:31:18,509 Man: OKAY, BREAK! EVERYBODY BACK IN 10. 708 00:31:23,382 --> 00:31:25,384 Stottlemeyer: HE'S KIND OF A PERFECTIONIST. 709 00:31:25,416 --> 00:31:26,352 Brad: HEY. 710 00:31:26,384 --> 00:31:28,253 HEY. 711 00:31:35,961 --> 00:31:36,929 HI. 712 00:31:36,962 --> 00:31:37,997 HEY, LAURIE. 713 00:31:38,029 --> 00:31:39,530 DID YOU, UH... 714 00:31:39,565 --> 00:31:42,233 CAPTAIN, DO YOU THINK THEY -- 715 00:31:42,268 --> 00:31:44,536 I THINK THEY NEED TO SHOVE THE CRIMINAL HARDER, DON'T YOU? 716 00:31:44,569 --> 00:31:47,138 YEAH, YOU'RE RIGHT. YEP, YEP, THAT WAS LAME. 717 00:31:47,173 --> 00:31:48,640 I GOT YOU COVERED. THANK YOU. 718 00:31:50,977 --> 00:31:52,411 HAVE YOU READ LAURIE'S SCRIPT? 719 00:31:52,443 --> 00:31:54,346 NO. IS IT ANY GOOD? 720 00:31:54,380 --> 00:31:56,481 IT IS THE WORST SCRIPT I HAVE EVER READ. 721 00:31:56,515 --> 00:32:00,086 I FIGURED. 722 00:32:00,118 --> 00:32:01,086 SHARONA... 723 00:32:01,119 --> 00:32:02,087 WHAT? 724 00:32:02,121 --> 00:32:03,422 BRAD. 725 00:32:03,454 --> 00:32:05,991 HE LIED TO THAT GIRL ABOUT HER SCRIPT. 726 00:32:06,025 --> 00:32:07,558 I WAS THERE. 727 00:32:07,593 --> 00:32:09,560 SO WHAT? HE WAS BEING POLITE. 728 00:32:09,595 --> 00:32:12,364 NO. NO, NO, NO, NO, NO. 729 00:32:12,397 --> 00:32:15,233 HE WAS WEARING ONE OF THOSE PULSE MONITORS. 730 00:32:15,267 --> 00:32:17,368 HIS HEARTBEAT DIDN'T CHANGE -- NOT A FRACTION. 731 00:32:17,403 --> 00:32:19,038 HE'S A SOCIOPATH. 732 00:32:19,070 --> 00:32:21,272 THAT'S HOW HE BEAT THE POLYGRAPH TEST. 733 00:32:21,307 --> 00:32:24,276 HE DID IT. 734 00:32:24,309 --> 00:32:25,443 HE'S THE GUY. 735 00:32:25,477 --> 00:32:27,746 HE CAN'T BE THE GUY. HE'S THE GUY. 736 00:32:27,778 --> 00:32:30,082 HE'S THE GUY. 737 00:32:30,115 --> 00:32:32,117 [ SIGHS ] 738 00:32:35,753 --> 00:32:38,289 HOW DO YOU FEEL, MARCI? 739 00:32:38,324 --> 00:32:40,358 HOW DO I FEEL? 740 00:32:40,392 --> 00:32:41,593 THAT'S FUNNY, 741 00:32:41,626 --> 00:32:43,761 BECAUSE I'VE TALKED TO FIVE PSYCHIATRISTS 742 00:32:43,795 --> 00:32:47,365 AND THREE PSYCHOLOGISTS AND ONE THERAPIST, 743 00:32:47,398 --> 00:32:51,103 AND, UH, THEY ALL WANTED TO KNOW THE SAME THING -- 744 00:32:51,136 --> 00:32:52,770 "HOW YOU FEELING, MARCI?" 745 00:32:52,804 --> 00:32:54,373 "HOW YOU FEELING, MARCI?" 746 00:32:54,405 --> 00:32:58,210 I-I HEARD THAT YOU GOT INTO SOME TROUBLE LAST NIGHT. 747 00:32:58,243 --> 00:33:01,346 I SMASHED THE TV IN THE REC ROOM. 748 00:33:01,380 --> 00:33:03,449 WHAT WAS I SUPPOSED TO DO? 749 00:33:03,481 --> 00:33:04,682 "CRIME LAB S.F." WAS ON, 750 00:33:04,715 --> 00:33:09,288 WITH THAT NEW THEME SONG THAT I HATE, AND -- 751 00:33:09,320 --> 00:33:11,123 WELL, WHY DO THEY NEED A NEW THEME SONG? 752 00:33:11,156 --> 00:33:13,325 MARCI... 753 00:33:13,358 --> 00:33:15,527 I KNOW YOU DIDN'T KILL SUSAN MALLOY. 754 00:33:15,560 --> 00:33:17,429 UH, NO -- SURE I DID. 755 00:33:17,462 --> 00:33:18,396 NO. 756 00:33:18,430 --> 00:33:21,099 YOU COULDN'T KILL ANYONE. 757 00:33:21,133 --> 00:33:24,536 WHY DID YOU CONFESS? 758 00:33:24,569 --> 00:33:28,539 THERE'S ONLY ONE REASON WHY YOU WOULD CONFESS -- 759 00:33:28,574 --> 00:33:33,412 BECAUSE YOU KNOW BRAD TERRY IS GUILTY. 760 00:33:33,444 --> 00:33:35,346 YOU LOVE HIM. 761 00:33:35,381 --> 00:33:37,415 YOU'RE PROTECTING HIM. 762 00:33:37,449 --> 00:33:41,653 BUT HOW DO YOU KNOW HE'S GUILTY? 763 00:33:41,686 --> 00:33:44,256 THAT'S THE QUESTION. 764 00:33:44,289 --> 00:33:47,292 HOW DO YOU KNOW 765 00:33:47,326 --> 00:33:50,395 HE KILLED HIS EX-WIFE? 766 00:33:50,429 --> 00:33:51,430 HMM? 767 00:33:56,535 --> 00:33:58,170 MARCI. 768 00:33:58,203 --> 00:34:00,105 MARCI. 769 00:34:04,476 --> 00:34:07,278 WHAT REALLY HAPPENED HERE? 770 00:34:07,313 --> 00:34:10,081 THEY WENT OUTSIDE TOGETHER FOR A MINUTE, 771 00:34:10,115 --> 00:34:11,782 SHE COMES BACK IN ALONE. 772 00:34:11,817 --> 00:34:13,452 YOU BE SUSAN. 773 00:34:13,485 --> 00:34:15,221 GREAT, SO I'M THE VICTIM AGAIN? 774 00:34:15,253 --> 00:34:17,422 [ SIGHS ] 775 00:34:17,456 --> 00:34:20,458 I THINK YOU ENJOY STABBING AND SHOOTING ME. 776 00:34:20,492 --> 00:34:23,695 NO, I DON'T ENJOY IT, BUT IT'S MY JOB. 777 00:34:23,728 --> 00:34:27,266 OKAY, SO SHE COMES BACK IN TO START HER WORKOUT, 778 00:34:27,298 --> 00:34:30,302 AND YOU PUT IN YOUR FAVORITE EXERCISE VIDEO... 779 00:34:32,304 --> 00:34:33,304 [ LOUD ROCK MUSIC PLAYING ] 780 00:34:33,338 --> 00:34:35,606 OH, MY GOD! WAIT A MINUTE. 781 00:34:35,641 --> 00:34:38,744 I'M SORRY. IT WAS TURNED ALL THE WAY UP. 782 00:34:38,777 --> 00:34:40,811 OKAY. 783 00:34:40,846 --> 00:34:43,548 OKAY. 784 00:34:43,581 --> 00:34:46,418 OKAY, WAIT A MINUTE. 785 00:34:46,452 --> 00:34:48,320 IT WAS TURNED ALL THE WAY UP 786 00:34:48,353 --> 00:34:50,289 THE DAY SHE WAS KILLED, TOO. 787 00:34:50,322 --> 00:34:53,425 WELL, WHAT DOES THAT MEAN? 788 00:34:53,458 --> 00:34:55,126 I DON'T KNOW. 789 00:34:58,664 --> 00:35:01,333 LET ME SEE THAT YOGA TAPE. 790 00:35:06,405 --> 00:35:07,639 IT'S NOT HERE. 791 00:35:07,672 --> 00:35:10,376 IT'S RIGHT THERE. I SAW DISHER TAKE IT OUT. 792 00:35:10,409 --> 00:35:13,612 IT'S NOT HERE. 793 00:35:13,644 --> 00:35:15,313 DID SOMEBODY STEAL IT? 794 00:35:15,347 --> 00:35:17,615 WELL, WHO WOULD STEAL A WORKOUT TAPE? 795 00:35:17,648 --> 00:35:19,351 IT'S NOT HERE. 796 00:35:23,255 --> 00:35:25,623 WHAT? 797 00:35:29,760 --> 00:35:32,697 I KNOW WHAT HAPPENED HERE. 798 00:35:36,534 --> 00:35:39,471 YOU'RE NOT GOING TO LIKE IT. 799 00:35:39,505 --> 00:35:41,672 JUST -- JUST HEAR ME OUT. 800 00:35:41,706 --> 00:35:43,541 JUST KEEP AN OPEN MIND. 801 00:35:43,574 --> 00:35:45,311 HE DID IT, DIDN'T HE? 802 00:35:48,880 --> 00:35:50,315 THERE'S A REASON 803 00:35:50,349 --> 00:35:52,351 THE CORONER COULDN'T FIND A BULLET IN HER BODY. 804 00:35:52,384 --> 00:35:53,784 THERE WAS NO BULLET TO FIND. 805 00:35:53,818 --> 00:35:55,686 AT LEAST NO ORDINARY BULLET. 806 00:35:55,721 --> 00:35:57,389 YOU KILLED THE HOOKER WITH A BULLET 807 00:35:57,422 --> 00:35:58,657 MADE FROM YOUR OWN FROZEN BLOOD. 808 00:35:58,690 --> 00:36:00,358 ISN'T THAT RIGHT, SENATOR? 809 00:36:00,391 --> 00:36:01,527 HERE'S WHAT HAPPENED -- 810 00:36:01,559 --> 00:36:03,295 ALL YOU NEEDED WAS AN OUNCE OF YOUR BLOOD. 811 00:36:03,329 --> 00:36:05,664 YOU POURED IT INTO A .38-CALIBER MOLD, 812 00:36:05,697 --> 00:36:08,333 THEN FROZE IT. THE REST WAS EASY. 813 00:36:08,367 --> 00:36:09,735 YOU LEFT THE FUNDRAISER AT 7:00... 814 00:36:11,836 --> 00:36:13,639 YOU SHOT THE HOOKER... 815 00:36:16,007 --> 00:36:18,677 THEN YOU WAITED FOR THE BLOOD BULLET TO DISSOLVE. 816 00:36:18,710 --> 00:36:20,911 YOU CAN'T PROVE ANY OF THIS. 817 00:36:20,945 --> 00:36:23,282 OH, I THINK WE CAN. 818 00:36:23,315 --> 00:36:25,550 I THINK IT'S FINE. I THINK THE GUNSHOT COULD BE LOUDER. 819 00:36:25,583 --> 00:36:27,552 I CAN DO LOUDER. 820 00:36:27,585 --> 00:36:30,822 THIS IS MY FAVORITE PART -- 821 00:36:30,856 --> 00:36:34,293 WHERE EVERYBODY STANDS AROUND AND YOU SUM UP THE CASE. 822 00:36:34,326 --> 00:36:35,393 YEAH, ME TOO. THANKS. 823 00:36:35,427 --> 00:36:39,664 I WASN'T TALKING TO YOU. I WAS TALKING TO MR. MONK. 824 00:36:39,697 --> 00:36:41,833 WHY DON'T YOU, UH, TAKE A BREAK? 825 00:36:44,001 --> 00:36:46,804 BRAD TERRY, YOU'RE UNDER ARREST FOR THE MURDER OF YOUR EX-WIFE. 826 00:36:46,838 --> 00:36:48,574 YOU CAN'T BE SERIOUS. 827 00:36:48,606 --> 00:36:50,275 I WAS OUT ON THE FRONT LAWN THE WHOLE TIME. 828 00:36:50,309 --> 00:36:51,476 EVERYBODY SAW ME. 829 00:36:51,510 --> 00:36:52,710 YOU MADE SURE EVERYBODY SAW YOU 830 00:36:52,744 --> 00:36:54,512 BY PRETENDING TO BE DRUNK 831 00:36:54,545 --> 00:36:56,782 AND STAGING THAT FIGHT A FEW DAYS EARLIER. 832 00:36:56,815 --> 00:36:58,849 AFTER AN INCIDENT LIKE THAT, 833 00:36:58,884 --> 00:37:00,652 YOU KNEW THE PRESS WOULD FOLLOW YOU ANYWHERE. 834 00:37:00,686 --> 00:37:01,719 THAT WAS THE WHOLE IDEA -- 835 00:37:01,753 --> 00:37:03,554 YOU NEEDED WITNESSES. 836 00:37:11,530 --> 00:37:14,632 Brad: I WAS AT A BAR, ERIC. YEAH, I HAD A DRINK...OR TWO. 837 00:37:14,666 --> 00:37:16,735 AND SOME PEANUTS. 838 00:37:16,768 --> 00:37:18,469 LISTEN, STAY OFF THE PROPERTY, PLEASE. 839 00:37:18,503 --> 00:37:19,605 AND LEAVE SUSAN OUT OF IT... 840 00:37:19,637 --> 00:37:21,039 OKAY, FREEZE IT RIGHT THERE. 841 00:37:21,072 --> 00:37:24,510 THAT PROVES IT. I WAS OUTSIDE WHEN SHE SCREAMED. 842 00:37:24,543 --> 00:37:26,411 OH, YEAH, SHE SCREAMED, 843 00:37:26,445 --> 00:37:29,414 BUT THAT SCREAM WAS 15 YEARS OLD. 844 00:37:29,447 --> 00:37:30,748 YOU RECOGNIZE THIS? 845 00:37:30,782 --> 00:37:34,686 THIS IS THE FIRST MOVIE YOUR WIFE EVER MADE. 846 00:37:34,719 --> 00:37:35,954 TOOK US FOREVER TO TRACK IT DOWN. 847 00:37:35,987 --> 00:37:37,822 THE MOVIE'S BEEN OUT OF PRINT FOR YEARS. 848 00:37:40,626 --> 00:37:42,827 AAH! 849 00:37:42,860 --> 00:37:45,630 WHAT ARE YOU DOING?! 850 00:37:45,664 --> 00:37:47,333 AAH! 851 00:37:47,365 --> 00:37:49,900 WHAT ARE YOU DOING?! 852 00:37:49,934 --> 00:37:51,001 SUSAN?! 853 00:37:51,036 --> 00:37:52,538 MARCI MAVEN RECOGNIZED THE SCREAM 854 00:37:52,570 --> 00:37:55,641 'CAUSE SHE'S SEEN THE MOVIE 100 TIMES. 855 00:37:55,673 --> 00:37:58,076 AS SPECIAL AGENT RUSTY CLARK WOULD SAY, 856 00:37:58,108 --> 00:37:59,710 HERE'S WHAT HAPPENED -- 857 00:37:59,744 --> 00:38:02,079 LAST WEEK YOU CAME IN HERE ALONE AFTER HOURS. 858 00:38:02,112 --> 00:38:03,514 AAH! 859 00:38:03,548 --> 00:38:05,483 WHAT ARE YOU DOING?! 860 00:38:05,516 --> 00:38:07,052 NO! AAH! 861 00:38:07,085 --> 00:38:08,686 IT WAS EASY TO TRANSFER SUSAN'S SCREAM 862 00:38:08,719 --> 00:38:12,858 FROM THE SLASHER FILM ONTO THE EXERCISE VIDEO. 863 00:38:13,925 --> 00:38:15,092 AAH! 864 00:38:15,126 --> 00:38:16,927 WHAT ARE YOU DOING?! 865 00:38:16,961 --> 00:38:18,630 [ BLENDER WHIRRING ] 866 00:38:18,664 --> 00:38:19,797 THE MORNING OF THE MURDER, 867 00:38:19,831 --> 00:38:21,766 YOU SMASHED SOME GLASS ON THE REAR DOOR 868 00:38:21,800 --> 00:38:24,369 TO MAKE IT LOOK LIKE SOMEBODY BROKE IN. 869 00:38:24,402 --> 00:38:26,704 YOU HID A KNIFE NEAR THE FRONT DOOR 870 00:38:26,737 --> 00:38:29,007 WHERE YOU COULD GRAB IT QUICKLY. 871 00:38:31,108 --> 00:38:33,778 THEN YOU REPLACED HER EXERCISE VIDEO 872 00:38:33,811 --> 00:38:37,081 WITH THE ONE YOU DOCTORED, AND THE STAGE WAS SET. 873 00:38:38,817 --> 00:38:40,952 AS YOU PLANNED, THE PRESS WAS OUT FRONT, 874 00:38:40,985 --> 00:38:43,588 AND YOU MADE SURE THEY SAW SUSAN ALIVE 875 00:38:43,621 --> 00:38:46,391 AS YOU LEFT THE HOUSE. 876 00:38:46,425 --> 00:38:48,760 YOU RECORDED THE AUDIO LOW INTENTIONALLY, 877 00:38:48,793 --> 00:38:51,797 BECAUSE YOU NEEDED HER TO TURN THE VOLUME ALL THE WAY UP. 878 00:38:51,829 --> 00:38:53,130 PUT YOUR ARMS UP OVER YOUR HEAD. 879 00:38:53,164 --> 00:38:54,632 RIGHT FOOT 880 00:38:54,666 --> 00:38:56,568 TAKES A NICE BIG STEP TO THE RIGHT, 881 00:38:56,601 --> 00:38:58,936 AND ARMS DOWN. 882 00:38:58,969 --> 00:39:00,606 TURN YOUR -- 883 00:39:00,639 --> 00:39:02,807 Susan's voice: AAH! WHAT ARE YOU DOING?! 884 00:39:02,840 --> 00:39:04,943 SUSAN? 885 00:39:04,976 --> 00:39:06,512 Sharona: THE PRESS THOUGHT YOU WERE GOING IN TO HELP HER, 886 00:39:06,545 --> 00:39:08,146 BUT YOU WERE GOING IN TO KILL HER. 887 00:39:08,179 --> 00:39:09,715 Monk: YOU ONLY HAD A FEW SECONDS. 888 00:39:09,748 --> 00:39:11,949 THAT WAS ALL YOU NEEDED. 889 00:39:32,871 --> 00:39:35,474 SOMEBODY CALL THE POLICE! SHE'S BEEN STABBED! 890 00:39:36,641 --> 00:39:38,009 GOOD WORK, MR. MONK. 891 00:39:38,043 --> 00:39:40,646 AND HE DID IT WITHOUT A SPECTROSCOPE. 892 00:39:40,679 --> 00:39:42,713 COULD YOU STAND UP, PLEASE, MR. TERRY? 893 00:39:42,748 --> 00:39:44,715 YOU'RE UNDER ARREST. 894 00:39:44,750 --> 00:39:46,985 IT'S ONE EASY MOTION -- 895 00:39:47,018 --> 00:39:49,788 CUFFS COME OUT, RIGHT ARM DOWN, 896 00:39:49,820 --> 00:39:51,623 SLAP 'EM ON. 897 00:39:51,657 --> 00:39:53,759 YOU'RE GOING DOWN, CLOWN. 898 00:39:53,791 --> 00:39:55,893 IT'S JUST LIKE YOU'RE DANCING. 899 00:39:55,927 --> 00:39:57,929 HOW WAS THAT? THAT WAS PERFECT. 900 00:39:57,963 --> 00:39:59,498 NOW DON'T BE AFRAID TO ROUGH HIM UP. 901 00:39:59,530 --> 00:40:00,798 THAT'S A BAD GUY. 902 00:40:04,802 --> 00:40:07,204 COME ON. 903 00:40:14,480 --> 00:40:17,949 [ KNOCKING CONTINUES ] 904 00:40:29,561 --> 00:40:30,528 HEY! 905 00:40:30,561 --> 00:40:31,630 HA HA HA. 906 00:40:31,663 --> 00:40:32,831 MARCI. 907 00:40:32,864 --> 00:40:34,599 W-WHAT ARE YOU DOING HERE? 908 00:40:34,632 --> 00:40:36,601 I JUST CAME BY TO THANK YOU. 909 00:40:36,635 --> 00:40:38,670 GOD, THAT WAS SO CRAZY OF ME 910 00:40:38,704 --> 00:40:40,070 TO CONFESS TO MURDER. 911 00:40:40,105 --> 00:40:42,139 OH. 912 00:40:42,172 --> 00:40:43,742 WHAT -- 913 00:40:43,775 --> 00:40:44,976 WHAT -- WHAT TIME IS IT? 914 00:40:45,010 --> 00:40:46,844 OH, UH, MIDNIGHT. 915 00:40:46,878 --> 00:40:47,978 MIDNIGHT. 916 00:40:48,012 --> 00:40:50,815 WELL, I-I'D INVITE YOU IN, BUT, UH... 917 00:40:50,849 --> 00:40:52,684 I MAKE YOU UNCOMFORTABLE, DON'T I? 918 00:40:52,717 --> 00:40:54,052 OH. 919 00:40:54,085 --> 00:40:55,186 THAT'S OKAY. 920 00:40:55,219 --> 00:40:59,690 YOU KNOW, LISTEN, I'M -- I'M SORRY ABOUT BRAD, AND, UM... 921 00:40:59,724 --> 00:41:02,260 OH, I DON'T EVEN LIKE BRAD ANYMORE. 922 00:41:02,293 --> 00:41:03,193 UGH. 923 00:41:03,228 --> 00:41:05,597 I'M NEVER SEEING HIS SHOW AGAIN, NO WAY. 924 00:41:05,630 --> 00:41:07,032 WHICH IS EASY TO SAY ANYWAY, 925 00:41:07,065 --> 00:41:09,735 'CAUSE, YOU KNOW, THEY CANCELED IT. 926 00:41:09,768 --> 00:41:12,237 WELL, OKAY, GOOD FOR YOU. I'M -- I'M HAPPY FOR YOU. 927 00:41:12,269 --> 00:41:14,039 REALLY? 928 00:41:14,072 --> 00:41:16,007 YOU KNOW, THEY TOLD ME HOW YOU SOLVED THE CASE 929 00:41:16,041 --> 00:41:17,742 AND EVERYTHING, ADRIAN, 930 00:41:17,775 --> 00:41:20,878 AND I JUST THINK YOU'RE WONDERFUL. 931 00:41:20,911 --> 00:41:22,179 NAH, NOT -- NOT REALLY. 932 00:41:22,213 --> 00:41:23,748 YEAH, REALLY. 933 00:41:23,782 --> 00:41:25,951 I STARTED A WHOLE WEB SITE ABOUT YOU 934 00:41:25,983 --> 00:41:27,552 AND A NEWSLETTER. 935 00:41:27,585 --> 00:41:30,255 OH, GOD. DON'T -- DON'T DO THAT. 936 00:41:30,288 --> 00:41:32,523 OH, YOU ARE THE GREATEST DETECTIVE IN THE WORLD. 937 00:41:32,557 --> 00:41:33,824 YOU'RE THE -- 938 00:41:33,858 --> 00:41:35,726 YOU ARE THE GREATEST DETECTIVE IN THE UNIVERSE. 939 00:41:35,760 --> 00:41:37,228 HA HA HA. 940 00:41:37,262 --> 00:41:38,896 YOU SHOULD HAVE YOUR OWN SHOW. 941 00:41:38,929 --> 00:41:39,898 NO, NO, I-I -- 942 00:41:39,931 --> 00:41:41,567 YOU SHOULD. 943 00:41:41,599 --> 00:41:43,902 YOU HAVE TO PROMISE ME SOMETHING. 944 00:41:43,934 --> 00:41:47,905 WILL YOU PROMISE ME SOMETHING? 945 00:41:47,938 --> 00:41:51,208 IF YOU EVER DO GET YOUR OWN SHOW... 946 00:41:51,242 --> 00:41:53,878 YOU HAVE TO PROMISE ME 947 00:41:53,911 --> 00:41:56,581 THAT YOU WILL NEVER CHANGE THE THEME SONG. 948 00:41:56,614 --> 00:41:59,117 OKAY? 949 00:42:02,119 --> 00:42:03,789 UM, I PROMISE. 950 00:42:03,822 --> 00:42:05,791 YOU PROMISE. HA HA. 951 00:42:05,824 --> 00:42:06,858 YOU PROMISE. 952 00:42:06,891 --> 00:42:07,958 I PROMISE. 953 00:42:07,992 --> 00:42:08,994 YOU PROMISE? 954 00:42:09,027 --> 00:42:10,128 YEAH. 955 00:42:10,161 --> 00:42:12,697 HA HA. 956 00:42:12,731 --> 00:42:14,833 -- Captions by VITAC -- www.vitac.com 957 00:42:14,865 --> 00:42:17,202 CAPTIONS PAID FOR BY O.C.P.I. PRODUCTIONS, INC. 65419

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