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1
00:00:01,300 --> 00:00:02,367
♪ ...AND WAIT FOR THE BELL ♪
2
00:00:02,367 --> 00:00:04,734
♪ IF IT DOESN'T RING SOON,
I'M GONNA YELL ♪
3
00:00:04,734 --> 00:00:05,967
♪ SCHOOL'S OUT ♪
4
00:00:05,967 --> 00:00:07,133
♪ LET'S ROCK AND ROLL ♪
5
00:00:07,133 --> 00:00:08,100
♪ SCHOOL'S OUT ♪
6
00:00:08,100 --> 00:00:10,000
♪ GONNA LOSE CONTROL ♪
GUYS!
7
00:00:10,000 --> 00:00:11,867
♪ RECESS NEVER ENDS ♪
8
00:00:11,867 --> 00:00:13,300
♪ SCHOOL'S OUT... ♪
9
00:00:13,300 --> 00:00:15,233
HELLO!
10
00:00:15,233 --> 00:00:16,500
♪ ...AND I GOT IN TROUBLE ♪
11
00:00:16,500 --> 00:00:19,300
♪ TOO MUCH HOMEWORK,
I'M SEEING DOUBLE ♪
12
00:00:19,300 --> 00:00:22,000
♪ MY MOM-- ♪
13
00:00:25,000 --> 00:00:28,033
TAPEWORM!
14
00:00:28,033 --> 00:00:28,900
HEY, WHAT'S THE BIG IDEA?
15
00:00:28,900 --> 00:00:30,600
WE NEED TO PRACTICE
FOR BATTLE OF THE BANDS.
16
00:00:30,600 --> 00:00:33,500
YEAH, THEY'RE HOLDING IT
HERE AT THE TIPTON.
AND THE WINNER...
17
00:00:33,500 --> 00:00:34,800
WHICH IS GONNA BE US.
18
00:00:34,800 --> 00:00:37,100
GETS TO CUT
A DEMO CD.
19
00:00:37,100 --> 00:00:37,734
LISTEN--
20
00:00:37,734 --> 00:00:38,767
WE'RE GONNA
BECOME ROCK STARS.
21
00:00:38,767 --> 00:00:40,600
AND PERFORM
ALL OVER THE WORLD.
YEAH!
22
00:00:40,600 --> 00:00:44,133
GUYS, YOU'RE GONNA HAVE TO
PRACTICE SOMEPLACE ELSE.
23
00:00:44,133 --> 00:00:46,300
THERE HAVE BEEN
SOME COMPLAINTS.
24
00:00:46,300 --> 00:00:47,033
WHO?
25
00:00:47,033 --> 00:00:50,600
EVERYBODY IN BOSTON.
26
00:00:50,600 --> 00:00:53,900
BUT DON'T WORRY.
I HAVE THE PERFECT PLACE
FOR YOU TO REHEARSE.
27
00:00:53,900 --> 00:00:54,934
♪ SCHOOL'S OUT ♪
28
00:00:54,934 --> 00:00:56,200
♪ LET'S ROCK AND ROLL ♪
29
00:00:56,200 --> 00:00:57,133
♪ SCHOOL'S OUT ♪
30
00:00:57,133 --> 00:01:00,066
♪ GONNA LOSE CONTROL-- ♪
31
00:01:00,066 --> 00:01:01,867
AW, NOT AGAIN.
32
00:01:01,867 --> 00:01:06,000
I CAN'T WORK
WITH THESE CONSTANT
INTERRUPTIONS.
33
00:01:06,000 --> 00:01:07,867
SORRY, BOYS.
I'M A GIRL.
34
00:01:07,867 --> 00:01:09,000
WHATEVER.
35
00:01:09,000 --> 00:01:11,400
WE'VE HAD SOME COMPLAINTS
ABOUT THE NOISE.
36
00:01:11,400 --> 00:01:13,967
BUT WORRY NOT, I HAVE
A PLACE WHERE YOUR BAND
37
00:01:13,967 --> 00:01:16,133
CAN JAM IT TO THE MAX.
38
00:01:16,133 --> 00:01:17,100
♪ SCHOOL'S OUT ♪
39
00:01:17,100 --> 00:01:18,600
♪ LET'S ROCK AND ROLL ♪
40
00:01:18,600 --> 00:01:19,667
♪ SCHOOL'S OUT ♪
41
00:01:19,667 --> 00:01:20,734
♪ GONNA LOSE CONTROL ♪
42
00:01:20,734 --> 00:01:21,734
♪ SCHOOL'S OUT ♪
43
00:01:21,734 --> 00:01:23,567
♪ RECESS NEVER ENDS ♪
44
00:01:23,567 --> 00:01:24,233
♪ SCHOOL'S OUT ♪
45
00:01:24,233 --> 00:01:27,100
♪ PARTY WITH MY FRIENDS,
SCHOOL'S OUT ♪
46
00:01:27,100 --> 00:01:29,667
WHOO!
47
00:01:29,667 --> 00:01:31,467
AWESOME!
48
00:01:31,467 --> 00:01:32,834
ONE MORE TIME!
49
00:01:32,834 --> 00:01:34,500
2, 3, 4!
50
00:01:35,600 --> 00:01:39,100
♪ 1, 2, 3,
I MISSED THE BUS ♪
51
00:01:39,100 --> 00:01:40,500
♪ AS IT CAME AROUND ♪
52
00:01:40,500 --> 00:01:41,767
♪ AND DURING GYM CLASS ♪
53
00:01:41,767 --> 00:01:43,900
♪ MY PANTS FELL DOWN ♪
54
00:01:44,367 --> 00:01:46,500
♪ HERE I AM IN YOUR LIFE ♪
55
00:01:46,500 --> 00:01:48,367
♪ HERE YOU ARE IN MINE ♪
56
00:01:48,367 --> 00:01:51,200
♪ YES, WE HAVE
A SUITE LIFE ♪
57
00:01:51,200 --> 00:01:53,700
♪ MOST OF THE TIME ♪
58
00:01:53,700 --> 00:01:56,233
♪ YOU AND ME,
WE GOT THE WORLD TO SEE ♪
59
00:01:56,233 --> 00:01:58,000
♪ SO COME ON DOWN ♪
60
00:01:58,000 --> 00:02:01,000
♪ JUST ME AND YOU
KNOW WHAT TO DO ♪
61
00:02:01,000 --> 00:02:02,734
♪ SO COME ON DOWN ♪
62
00:02:02,734 --> 00:02:04,400
♪ JUST YOU AND ME
AND ME AND YOU ♪
63
00:02:04,400 --> 00:02:07,867
♪ WE GOT THE WHOLE PLACE
TO OURSELVES ♪
64
00:02:07,867 --> 00:02:10,400
♪ YOU AND ME,
WE GOT IT ALL FOR FREE ♪
65
00:02:10,400 --> 00:02:13,200
♪ SO COME ON DOWN ♪
66
00:02:13,200 --> 00:02:16,367
♪ THIS IS THE SUITE LIFE ♪
67
00:02:17,233 --> 00:02:25,900
♪ WE'VE GOT A SUITE LIFE ♪
68
00:02:25,900 --> 00:02:28,000
HIT ME WITH SOME SUGAR,
SWEET THING.
69
00:02:28,000 --> 00:02:30,467
I'D RATHER HIT YOU
WITH SOME DEODORANT.
70
00:02:30,467 --> 00:02:31,500
WHAT IS THAT SMELL?
71
00:02:31,500 --> 00:02:34,367
MY BAND HAS TO PRACTICE
IN THE LAUNDRY ROOM.
72
00:02:34,367 --> 00:02:36,133
THE PLACE REEKS
LIKE OLD UNDERWEAR,
73
00:02:36,133 --> 00:02:38,367
BUT THE ACOUSTICS
ARE GREAT!
74
00:02:38,367 --> 00:02:40,300
YOU GUYS HAVE A BAND?
75
00:02:40,300 --> 00:02:41,400
YEAH.
THE CODESTER AND I
76
00:02:41,400 --> 00:02:42,867
HAVE PUT TOGETHER
A LITTLE GROUP
77
00:02:42,867 --> 00:02:45,767
WE LIKE TO CALL
ROCK SQUARED.
78
00:02:45,767 --> 00:02:48,367
WE'RE GONNA WIN
THE BATTLE OF THE BANDS.
79
00:02:48,367 --> 00:02:49,700
YEAH? OR COME IN SECOND
80
00:02:49,700 --> 00:02:52,934
SINCE WE'RE GONNA
BE IN THE BATTLE
OF THE BANDS, TOO.
81
00:02:52,934 --> 00:02:54,367
WE?
82
00:02:54,367 --> 00:02:56,233
WHAT'S WE? WHO'S WE?
83
00:02:56,233 --> 00:02:57,000
LANCE AND I.
84
00:02:57,000 --> 00:03:00,200
THAT DOPEY LIFEGUARD
WHO WORKS HERE?
85
00:03:00,200 --> 00:03:02,934
HE HAPPENS TO BE
A REALLY GOOD MUSICIAN.
86
00:03:02,934 --> 00:03:03,734
PLEASE.
87
00:03:03,734 --> 00:03:05,000
IT TOOK HIM 3 HOURS
88
00:03:05,000 --> 00:03:07,400
TO LEARN HOW TO BLOW
HIS WHISTLE.
89
00:03:07,400 --> 00:03:09,734
WHATEVER. HE HAS A BAND
CALLED WATERWORKS,
90
00:03:09,734 --> 00:03:11,300
AND I'M THE LEAD SINGER.
91
00:03:11,300 --> 00:03:14,133
SO YOU'RE GOING
TO COMPETE AGAINST US?
92
00:03:14,133 --> 00:03:15,100
LOOKS LIKE IT.
93
00:03:15,100 --> 00:03:17,133
GEE, I KIND OF
FEEL BAD FOR YOU.
94
00:03:17,133 --> 00:03:18,934
OUR BAND HAS GREAT MUSIC,
95
00:03:18,934 --> 00:03:20,133
A KILLER WARDROBE,
96
00:03:20,133 --> 00:03:23,734
AND WE'RE
ALSO 12 AND CUTE.
97
00:03:23,734 --> 00:03:26,600
YEAH, WELL,
I'M 15 AND HOT.
98
00:03:27,767 --> 00:03:29,800
OOH. YOU ARE GOOD.
99
00:03:29,800 --> 00:03:31,200
THERE YOU ARE.
100
00:03:31,200 --> 00:03:33,800
WE'VE BEEN REHEARSING
FOR HALF AN HOUR.
101
00:03:33,800 --> 00:03:35,133
HOW WAS I?
102
00:03:35,133 --> 00:03:38,667
DON'T YOU KNOW
THE MEANING OF
THE WORD "PUNCTUAL"?
103
00:03:38,667 --> 00:03:39,233
NO.
104
00:03:39,233 --> 00:03:41,133
THAT EXPLAINS IT.
COME ON.
105
00:03:41,133 --> 00:03:43,000
HEY, LANCE.
106
00:03:43,000 --> 00:03:45,400
OUR BAND IS GONNA POUND
YOU GUYS INTO DUST.
107
00:03:45,400 --> 00:03:48,700
ALL THAT WILL BE
LEFT OF YOU WILL BE
YOUR GUITAR PICKS.
108
00:03:48,700 --> 00:03:52,667
OK. WELL, GOOD LUCK
WITH THAT.
109
00:03:54,300 --> 00:03:55,000
HI.
110
00:03:55,000 --> 00:03:56,800
WE STILL REHEARSING
TONIGHT?
111
00:03:56,800 --> 00:03:57,500
I DON'T THINK SO.
112
00:03:57,500 --> 00:03:59,300
LARS SPILLED SOME WATER
ON 2 OF OUR AMPS
113
00:03:59,300 --> 00:04:01,500
AND ALL
OUR INSTRUMENTS.
114
00:04:03,100 --> 00:04:04,367
OH, NO.
115
00:04:04,367 --> 00:04:05,967
EVERYTHING'S, LIKE, WET
116
00:04:05,967 --> 00:04:07,934
AND, LIKE, NOT WORKING.
117
00:04:07,934 --> 00:04:09,000
I THOUGHT
WATER WAS GOOD,
118
00:04:09,000 --> 00:04:11,567
BUT I GUESS IT HAS
A DARK SIDE, TOO.
119
00:04:11,567 --> 00:04:14,834
WELL, HOW MUCH DO YOU NEED
TO REPLACE EVERYTHING?
120
00:04:14,834 --> 00:04:16,000
ABOUT $5,000.
121
00:04:16,000 --> 00:04:19,133
WITHOUT IT, WATERWORKS
IS DOWN THE TOILET.
122
00:04:19,133 --> 00:04:20,200
WOW. 5 GRAND?
123
00:04:20,200 --> 00:04:22,500
NOBODY'S GOT
THAT KIND OF MONEY.
124
00:04:22,500 --> 00:04:25,000
[LAUGHS]
125
00:04:25,000 --> 00:04:27,600
"NOBODY'S GOT
THAT KIND OF MONEY."
126
00:04:27,600 --> 00:04:29,967
THAT'S CUTE.
127
00:04:29,967 --> 00:04:30,667
HA HA!
128
00:04:30,667 --> 00:04:33,300
OH, YOU
WERE SERIOUS?
129
00:04:33,300 --> 00:04:34,667
YEAH. WITHOUT EQUIPMENT,
130
00:04:34,667 --> 00:04:36,600
WE CAN'T COMPETE
IN THE BATTLE OF THE BANDS.
131
00:04:36,600 --> 00:04:39,300
WELL, IF THAT'S ALL
YOU NEED TO GET YOUR
BAND UP AND RUNNING,
132
00:04:39,300 --> 00:04:41,367
I COULD
TAKE CARE OF IT.
133
00:04:41,367 --> 00:04:41,934
AWESOME.
134
00:04:41,934 --> 00:04:44,000
AND WHAT WOULD YOU
WANT IN RETURN?
135
00:04:44,000 --> 00:04:45,367
OH, NOTHING REALLY.
136
00:04:45,367 --> 00:04:46,834
JUST PUT ME
IN YOUR BAND.
137
00:04:46,834 --> 00:04:49,400
ABSOLUTELY NOT.
YOU'RE IN.
138
00:04:52,033 --> 00:04:55,200
♪ 1, 2, 3,
I MISSED THE BUS ♪
139
00:04:55,200 --> 00:04:56,600
♪ AS IT CAME AROUND ♪
140
00:04:56,600 --> 00:04:58,000
♪ AND DURING GYM CLASS... ♪
141
00:04:58,000 --> 00:04:59,133
[BLOWS WHISTLE]
142
00:04:59,133 --> 00:05:01,967
[SIGHS]
NOW WHAT?
143
00:05:01,967 --> 00:05:04,400
I CAN'T UNDERSTAND
THE WORDS.
144
00:05:04,400 --> 00:05:05,900
WHAT I WROTE IS
145
00:05:05,900 --> 00:05:10,033
"I MISSED THE BUS
AS IT CAME AROUND."
146
00:05:10,033 --> 00:05:10,600
WHO CARES?
147
00:05:10,600 --> 00:05:11,467
I DO.
148
00:05:11,467 --> 00:05:12,767
SCHOOL'S OUT
IS AN EXPOSÉ
149
00:05:12,767 --> 00:05:13,767
OF THE TRIALS
AND TRIBULATIONS
150
00:05:13,767 --> 00:05:16,600
ENDEMIC
TO THE PUBLIC SCHOOL
EXPERIENCE.
151
00:05:16,600 --> 00:05:19,200
DO YOU KNOW WHAT
HE JUST SAID?
152
00:05:19,200 --> 00:05:22,400
YEAH. HE NEVER
GETS GIRLS.
153
00:05:22,400 --> 00:05:24,300
DUH. WHAT DO YOU
THINK OF MY DANCE?
154
00:05:24,300 --> 00:05:26,300
Tapeworm:
HA HA! AWESOME.
155
00:05:26,300 --> 00:05:30,100
I THINK LESS FLAILING
AND MORE ENUNCIATING.
156
00:05:31,467 --> 00:05:33,200
[OVERENUNCIATING]
SCHOOL IS OUT.
157
00:05:33,200 --> 00:05:35,400
LET US ROCK AND ROLL.
158
00:05:35,400 --> 00:05:37,767
HA HA!
[BLOWS WHISTLE]
159
00:05:37,767 --> 00:05:41,467
AND THERE GOES THE WHISTLE.
160
00:05:47,400 --> 00:05:52,100
♪ THE ONLY ONE, YEAH ♪
161
00:05:53,200 --> 00:05:58,300
♪ THE ONLY ONE ♪
162
00:06:02,200 --> 00:06:03,300
WHAT HAPPENED?
163
00:06:03,300 --> 00:06:05,100
WE'RE KIND OF DONE,
164
00:06:05,100 --> 00:06:06,367
YOU KNOW, WITH THE SONG.
165
00:06:06,367 --> 00:06:08,934
WELL, HOW WAS I
SUPPOSED TO KNOW?
166
00:06:08,934 --> 00:06:10,967
EVERYONE ELSE STOPPED?
167
00:06:10,967 --> 00:06:13,900
I DON'T LIKE
THIS TANGERINE.
168
00:06:13,900 --> 00:06:16,200
NO, THAT IS
A TAMBOURINE.
169
00:06:16,200 --> 00:06:20,300
A TANGERINE
IS WHAT THE AUDIENCE
IS GONNA THROW AT YOU.
170
00:06:20,300 --> 00:06:22,600
I WANT TO DO
SOMETHING ELSE.
171
00:06:22,600 --> 00:06:23,600
LIKE WHAT?
172
00:06:23,600 --> 00:06:25,400
I WANT TO SING.
173
00:06:28,100 --> 00:06:29,700
I THINK WE SHOULD
LET HER DO IT.
174
00:06:29,700 --> 00:06:33,567
HA HA!
HAVE YOU SWALLOWED
TOO MUCH CHLORINE?
175
00:06:33,567 --> 00:06:34,100
WELL, YEAH,
176
00:06:34,100 --> 00:06:36,400
BUT I STILL THINK
WE SHOULD LET HER TRY.
177
00:06:36,400 --> 00:06:38,967
SHE COULD SING BACKUP.
178
00:06:39,400 --> 00:06:42,500
LONDON,
LET'S HEAR YOU SING.
179
00:06:43,300 --> 00:06:44,600
AHEM.
180
00:06:44,600 --> 00:06:47,300
[OFF-KEY]
♪ YOU'RE THE ONE
I WANT ♪
181
00:06:47,300 --> 00:06:49,734
♪ THE ONLY ONE
I NEED ♪
182
00:06:49,734 --> 00:06:51,967
♪ THE ONLY ONE
FOR ME... ♪
183
00:06:51,967 --> 00:06:55,033
I THINK I'VE LOST SIGHT
IN MY RIGHT EYE.
184
00:06:55,033 --> 00:06:58,500
IS SOMETHING
DYING IN HERE?
185
00:06:58,500 --> 00:06:59,300
YES...
186
00:06:59,300 --> 00:07:03,033
OUR CHANCES
OF WINNING.
187
00:07:03,033 --> 00:07:05,000
YO, PEEPS, WHAT'S UP?
188
00:07:05,000 --> 00:07:07,000
REHEARSAL.
WHERE HAVE YOU BEEN?
189
00:07:07,000 --> 00:07:07,567
SHOPPING.
190
00:07:07,567 --> 00:07:09,133
WHAT DO YOU THINK
OF MY NEW OUTFIT?
191
00:07:09,133 --> 00:07:11,367
I THINK HALLOWEEN
WAS LAST MONTH.
192
00:07:11,367 --> 00:07:13,233
DUDE, THIS IS
MY ROCK STAR LOOK.
193
00:07:13,233 --> 00:07:15,600
THERE ARE OTHER THINGS
IMPORTANT TO A BAND
194
00:07:15,600 --> 00:07:16,600
BESIDES THE MUSIC.
195
00:07:16,600 --> 00:07:20,200
IS ONE OF THEM
DRESSING LIKE
A CIRCUS MONKEY?
196
00:07:20,200 --> 00:07:21,900
I THINK
ZACK LOOKS COOL.
197
00:07:21,900 --> 00:07:22,834
THANK YOU.
198
00:07:22,834 --> 00:07:23,900
IT DOESN'T MATTER
HOW HE LOOKS
199
00:07:23,900 --> 00:07:25,600
IF MY SONG
DOESN'T SOUND GOOD.
200
00:07:25,600 --> 00:07:28,233
[SCOFFS] WHO CARES
ABOUT YOUR SILLY SONG?
201
00:07:28,233 --> 00:07:29,367
SILLY SONG?!
202
00:07:29,367 --> 00:07:31,500
JOHN JACOB JINGLEHEIMER SCHMIDT
203
00:07:31,500 --> 00:07:32,667
IS A SILLY SONG.
204
00:07:32,667 --> 00:07:33,867
SCHOOL'S OUT
IS AN ANTHEM
205
00:07:33,867 --> 00:07:36,467
THAT SPEAKS
TO GENERATIONS
OF OUTCASTS--
206
00:07:36,467 --> 00:07:37,900
GIVE IT A REST.
207
00:07:37,900 --> 00:07:39,367
YOU REST ENOUGH
FOR EVERYONE.
208
00:07:39,367 --> 00:07:41,367
WOULD YOU TWO
STOP FIGHTING?
209
00:07:41,367 --> 00:07:41,967
WE ARE NOT FIGHTING,
210
00:07:41,967 --> 00:07:44,400
WE'RE HAVING
A CREATIVE DISCUSSION.
211
00:07:44,400 --> 00:07:45,767
WE ARE TOO FIGHTING!
212
00:07:45,767 --> 00:07:47,100
CREATIVE DISCUSSION.
213
00:07:47,100 --> 00:07:48,000
FIGHT.
DISCUSSION.
214
00:07:48,000 --> 00:07:48,867
FIGHT.
215
00:07:48,867 --> 00:07:50,567
I CAN'T BELIEVE YOU'RE
ACTUALLY HAVING A FIGHT
216
00:07:50,567 --> 00:07:53,300
ABOUT IF YOU'RE HAVING
A FIGHT.
217
00:07:53,300 --> 00:07:55,100
TAPEWORM, HELP ME HERE.
218
00:07:55,100 --> 00:07:56,900
I'M ON MY PUDDING BREAK.
219
00:07:56,900 --> 00:07:58,867
BREAK OVER.
220
00:08:00,233 --> 00:08:03,000
YOU GOT PUDDING
IN MY WHISTLE!
221
00:08:03,000 --> 00:08:05,800
AND YOU GOT WHISTLE
IN MY PUDDING.
222
00:08:05,800 --> 00:08:08,600
I'M SICK OF YOU PEOPLE
AND YOUR LACK OF DISCIPLINE.
223
00:08:08,600 --> 00:08:10,700
WELL, WE'RE SICK
OF YOUR BOSSY ATTITUDE.
224
00:08:10,700 --> 00:08:13,734
FINE! THEN I'M GONNA TAKE
MY BOSSY ATTITUDE AND MY SONG
225
00:08:13,734 --> 00:08:16,133
AND FIND A BAND
WHO APPRECIATES ME.
226
00:08:16,133 --> 00:08:18,600
FINE! TAKE
YOUR STUPID SONG.
227
00:08:18,600 --> 00:08:22,867
WHAT'S STUPID
IS YOUR OUTFIT!
228
00:08:25,033 --> 00:08:28,100
HEY, THAT'S
PRETTY COOL.
229
00:08:31,767 --> 00:08:33,800
OK, 1, 2,
1, 2, 3.
230
00:08:33,800 --> 00:08:34,967
I HATE ZACK!
231
00:08:34,967 --> 00:08:38,600
I DON'T KNOW THAT ONE.
232
00:08:38,600 --> 00:08:39,667
OK, WHAT HAPPENED?
233
00:08:39,667 --> 00:08:40,934
I QUIT THE BAND.
234
00:08:40,934 --> 00:08:41,867
NO ONE
WAS LISTENING TO ME,
235
00:08:41,867 --> 00:08:44,500
AND ALL ZACK CARED ABOUT
WAS HOW HE LOOKED.
236
00:08:44,500 --> 00:08:46,233
DID I MENTION
I HATE HIM?
237
00:08:46,233 --> 00:08:48,467
IT MIGHT HAVE SLIPPED OUT.
238
00:08:48,467 --> 00:08:51,834
HONEY, WHEN YOU'RE
IN A BAND WITH
OTHER PEOPLE,
239
00:08:51,834 --> 00:08:52,867
YOU HAVE TO
WORK TOGETHER.
240
00:08:52,867 --> 00:08:54,934
I AM. THEY'RE JUST
NOT WORKING WITH ME.
241
00:08:54,934 --> 00:08:56,400
THEY ALL SAY
I'M TOO BOSSY.
242
00:08:56,400 --> 00:08:59,900
DID I EVER TELL YOU
WHEN I WAS IN BAND...
YES.
243
00:08:59,900 --> 00:09:01,000
AND HOW WE COULDN'T
WORK TOGETHER
244
00:09:01,000 --> 00:09:02,200
AND EVENTUALLY
BROKE UP?
245
00:09:02,200 --> 00:09:04,734
YES. AND THEN YOUR BOYFRIEND
STOLE YOUR CAR
246
00:09:04,734 --> 00:09:06,667
AND RAN OFF
WITH YOUR BEST FRIEND.
247
00:09:06,667 --> 00:09:10,000
WE DON'T NEED
TO RELIVE THAT PART.
248
00:09:10,000 --> 00:09:11,300
THE POINT IS
YOU CAN'T ALWAYS QUIT
249
00:09:11,300 --> 00:09:13,500
JUST 'CAUSE PEOPLE
DON'T AGREE WITH YOU.
250
00:09:13,500 --> 00:09:14,934
QUITTERS NEVER PROSPER.
251
00:09:14,934 --> 00:09:17,667
I THOUGHT CHEATERS
NEVER PROSPER.
252
00:09:17,667 --> 00:09:19,033
WHAT HAPPENS
TO QUITTERS?
253
00:09:19,033 --> 00:09:21,800
QUITTERS NEVER WIN
AND WINNERS NEVER QUIT.
254
00:09:21,800 --> 00:09:22,900
WELL, THERE YOU GO.
255
00:09:22,900 --> 00:09:23,867
SO YOU AGREE.
256
00:09:23,867 --> 00:09:24,600
NO.
257
00:09:24,600 --> 00:09:27,233
I'M RIGHT AND IT'S
ALL ZACK'S FAULT.
THANKS, MOM!
258
00:09:27,233 --> 00:09:28,000
I--ACTUALLY...
259
00:09:28,000 --> 00:09:31,000
WELL, I'LL
TRY AGAIN LATER.
260
00:09:31,000 --> 00:09:34,133
OK. FROM THE TOP.
261
00:09:34,133 --> 00:09:36,900
1, 2,
1, 2, 3.
262
00:09:36,900 --> 00:09:37,834
I HATE CODY!
263
00:09:37,834 --> 00:09:39,200
AND WE'RE OFF.
264
00:09:39,200 --> 00:09:42,100
LET ME GUESS.
CODY'S ANNOYING YOU.
265
00:09:42,100 --> 00:09:44,767
I CAN'T BELIEVE
HE SAW MY NEW CLOTHES
266
00:09:44,767 --> 00:09:46,300
AND DIDN'T FEEL
THE MAGIC.
267
00:09:46,300 --> 00:09:48,500
ALL HE CARED ABOUT
WAS HIS SONG.
268
00:09:48,500 --> 00:09:49,867
HONEY, AS A SINGER,
I HAVE TO SAY
269
00:09:49,867 --> 00:09:51,000
THAT WHEN IT COMES
TO MUSIC,
270
00:09:51,000 --> 00:09:52,934
THE SONG
IS KIND OF IMPORTANT.
271
00:09:52,934 --> 00:09:53,567
REALLY?
272
00:09:53,567 --> 00:09:54,667
AND HOW MANY
DIFFERENT OUTFITS
273
00:09:54,667 --> 00:09:56,767
HAVE YOU TRIED ON
FOR YOUR SHOW TONIGHT?
274
00:09:56,767 --> 00:09:58,567
[SIGHS]
DID I EVER TELL YOU
275
00:09:58,567 --> 00:10:00,800
ABOUT WHEN I WAS
IN MY FIRST BAND?
276
00:10:00,800 --> 00:10:01,367
YES.
277
00:10:01,367 --> 00:10:02,567
AND HOW WE COULDN'T
WORK TOGETHER
278
00:10:02,567 --> 00:10:03,900
AND EVENTUALLY
WE BROKE UP?
279
00:10:03,900 --> 00:10:05,700
YES. AND THEN
YOUR BOYFRIEND
280
00:10:05,700 --> 00:10:07,567
STOLE YOUR CAR AND--
281
00:10:07,567 --> 00:10:09,033
YEAH, OK.
282
00:10:09,033 --> 00:10:11,500
AND WHAT CAN YOU
TAKE AWAY FROM THAT STORY?
283
00:10:11,500 --> 00:10:14,500
YOU NEED TO PICK
BETTER MEN?
284
00:10:14,500 --> 00:10:16,700
AND?
285
00:10:16,700 --> 00:10:21,367
THAT I WAS RIGHT AND
IT'S ALL CODY'S FAULT!
286
00:10:21,367 --> 00:10:22,000
THANKS, MOM.
287
00:10:22,000 --> 00:10:25,500
YOU KNOW,
I FEEL BETTER NOW.
288
00:10:25,500 --> 00:10:28,667
I GOTTA GET
BETTER STORIES.
289
00:10:29,800 --> 00:10:33,600
Maddie and London:
♪ THE ONLY ONE, YEAH ♪
290
00:10:33,600 --> 00:10:36,734
♪ STARING OUT THE WINDOW,
THE RAIN FALLS HARD ♪
291
00:10:36,734 --> 00:10:38,834
♪ I CAN'T ESCAPE
THE FEELING ♪
292
00:10:38,834 --> 00:10:40,734
♪ OF DROWNING NOW ♪
293
00:10:40,734 --> 00:10:41,867
♪ BENEATH THE RIVER-- ♪
294
00:10:41,867 --> 00:10:43,900
♪ CAUGHT IN
THE POURING RAIN ♪
295
00:10:43,900 --> 00:10:47,667
♪ OF TRUE-- ♪
296
00:10:47,667 --> 00:10:51,233
LONDON, YOU'RE
A BACKGROUND SINGER.
297
00:10:51,233 --> 00:10:53,800
BUT I DON'T LIKE
BEING IN THE BACK.
298
00:10:53,800 --> 00:10:55,200
IT'S JUST SO...
299
00:10:55,200 --> 00:10:56,567
NOT THE FRONT.
300
00:10:56,567 --> 00:10:59,400
YOU KNOW, THIS REALLY
ISN'T WORKING FOR ME.
301
00:10:59,400 --> 00:11:00,767
AWW.
302
00:11:00,767 --> 00:11:01,600
WELL, THANKS
FOR GIVING IT A TRY.
303
00:11:01,600 --> 00:11:03,100
WE'LL LET YOU KNOW
WHAT WE DO AT THE CONTEST.
304
00:11:03,100 --> 00:11:06,100
NO, NO, NO. I WANT
TO SING UP FRONT...
305
00:11:06,100 --> 00:11:06,734
WITH YOU
306
00:11:06,734 --> 00:11:08,467
WHERE EVERYONE
CAN SEE ME.
307
00:11:08,467 --> 00:11:10,767
AFTER ALL, I SING GOOD.
308
00:11:10,767 --> 00:11:13,200
NO, IT'S YOU SING WELL.
309
00:11:13,200 --> 00:11:14,300
THANK YOU, MADDIE.
310
00:11:14,300 --> 00:11:15,500
THEN IT'S SETTLED.
311
00:11:15,500 --> 00:11:16,867
NO, IT'S NOT.
312
00:11:16,867 --> 00:11:19,767
LET ME TELL YOU
SOMETHING, SISTER.
313
00:11:19,767 --> 00:11:20,967
YOU GOTTA KEEP
LONDON HAPPY,
314
00:11:20,967 --> 00:11:24,700
LIKE THE DOLPHIN
WHO MERRILY SWIMS
THROUGH THE OCEAN
315
00:11:24,700 --> 00:11:27,200
AND BUYS THE OTHER DOLPHINS
INSTRUMENTS.
316
00:11:27,200 --> 00:11:30,133
I WILL NOT LET HER RUIN
OUR CHANCES TO WIN.
317
00:11:30,133 --> 00:11:34,400
DUDETTE, YOU'RE
PINCHING MY SKIN.
318
00:11:34,400 --> 00:11:35,834
SORRY.
319
00:11:35,834 --> 00:11:37,934
BUT THIS
IS IMPORTANT TO ME.
320
00:11:37,934 --> 00:11:39,700
WITH THIS DEMO,
321
00:11:39,700 --> 00:11:42,100
I CAN BECOME A STAR
322
00:11:42,100 --> 00:11:43,900
AND ONCE I'M A STAR,
323
00:11:43,900 --> 00:11:47,233
I CAN PAY
FOR LAW SCHOOL.
324
00:11:49,967 --> 00:11:50,667
OK.
325
00:11:50,667 --> 00:11:52,300
WELL, HOW ABOUT THIS?
326
00:11:52,300 --> 00:11:53,600
WE LET LONDON
STAND UP FRONT,
327
00:11:53,600 --> 00:11:56,600
BUT WE TURN OFF HER MIKE
SO NO ONE CAN HEAR HER.
328
00:11:56,600 --> 00:11:57,934
WOW, I'M IMPRESSED.
329
00:11:57,934 --> 00:12:01,300
I CAN'T BELIEVE
YOU CAME UP WITH
THAT IDEA, LANCE.
330
00:12:01,300 --> 00:12:03,233
YOU KNOW WHAT THEY SAY.
331
00:12:03,233 --> 00:12:04,133
NO, WHAT?
332
00:12:04,133 --> 00:12:07,367
I DON'T KNOW,
I WAS HOPING YOU WOULD.
333
00:12:13,867 --> 00:12:16,100
HOW HARD CAN IT BE
TO WRITE A SONG?
334
00:12:16,100 --> 00:12:17,467
I'M ALMOST THERE.
335
00:12:17,467 --> 00:12:20,233
WHAT RHYMES
WITH "ORANGE"?
336
00:12:20,233 --> 00:12:20,867
NOTHING.
337
00:12:20,867 --> 00:12:23,834
EVERYBODY KNOWS NOTHING
RHYMES WITH "ORANGE."
338
00:12:23,834 --> 00:12:26,033
OH, YEAH? WHAT ABOUT...
339
00:12:26,033 --> 00:12:28,033
NORANGE?
340
00:12:28,033 --> 00:12:31,400
THANK YOU,
DR. SEUSS.
341
00:12:33,300 --> 00:12:34,300
ZACHARY.
342
00:12:34,300 --> 00:12:37,000
CODERY.
343
00:12:37,000 --> 00:12:37,900
WHAT ARE YOU DOING HERE?
344
00:12:37,900 --> 00:12:40,033
GETTING MY SHEET MUSIC
FOR MY BAND.
345
00:12:40,033 --> 00:12:41,467
OH, YOU FINALLY
FOUND SOMEBODY
346
00:12:41,467 --> 00:12:43,200
WHO RESPONDS TO A WHISTLE?
347
00:12:43,200 --> 00:12:45,567
YES,
AND THEY'RE AWESOME.
348
00:12:45,567 --> 00:12:47,100
HURRY UP, CODY.
349
00:12:47,100 --> 00:12:50,200
I'M READY
TO ROCK OUT!
350
00:12:50,200 --> 00:12:52,033
WHAT IN THE WORLD
IS THAT?
351
00:12:52,033 --> 00:12:54,200
YOU LIKE IT? USED TO
BE A LEAF BLOWER.
352
00:12:54,200 --> 00:12:57,233
I CALL IT
A SAX-A-BLOWER.
353
00:12:57,233 --> 00:12:58,400
9, 10, 11!
354
00:12:58,400 --> 00:13:01,600
[PLAYS OFF-KEY]
355
00:13:02,467 --> 00:13:06,834
[LEAF BLOWER
TURNS ON]
356
00:13:07,700 --> 00:13:09,300
[TURNS OFF]
357
00:13:09,300 --> 00:13:10,767
[COUGHS]
358
00:13:10,767 --> 00:13:13,900
YOUR BAND
IS ARWIN AND MURIEL?
359
00:13:13,900 --> 00:13:16,500
DO YOU SEE HOW INSANE
THIS WHOLE THING IS?
360
00:13:16,500 --> 00:13:17,100
IT'S HIS FAULT!
361
00:13:17,100 --> 00:13:18,834
NO, IT'S NOT!
IT'S HIS FAULT!
362
00:13:18,834 --> 00:13:20,967
IT'S BOTH YOUR FAULTS.
THIS IS ONE BAND,
363
00:13:20,967 --> 00:13:22,700
AND IT NEEDS ZACK'S STYLE
364
00:13:22,700 --> 00:13:23,400
AND CODY'S SONG.
365
00:13:23,400 --> 00:13:26,133
SO YOU TWO HURRY UP
AND WORK IT OUT
366
00:13:26,133 --> 00:13:29,100
OR I'LL BEAT YOU
LIKE A PINATA.
367
00:13:29,100 --> 00:13:32,100
BUT WHAT ABOUT OUR BAND?
368
00:13:32,100 --> 00:13:33,467
IT'S BROKEN UP.
369
00:13:33,467 --> 00:13:34,000
[SIGHS]
370
00:13:34,000 --> 00:13:36,500
FIRST MOTHER AND THE BUTCHER
AND NOW THIS.
371
00:13:36,500 --> 00:13:41,400
[PLAYS TAPS]
372
00:13:41,400 --> 00:13:43,867
[LEAF BLOWER TURNS ON]
373
00:13:45,467 --> 00:13:46,867
[CRASH]
374
00:13:46,867 --> 00:13:49,100
MAX, WE HAVE TO GO
DOWNSTAIRS AND SET UP.
375
00:13:49,100 --> 00:13:52,600
MURIEL, LET ZACK AND CODY
OUT OF THE CLOSET
376
00:13:52,600 --> 00:13:53,300
IN 10 MINUTES.
377
00:13:53,300 --> 00:13:59,867
BUT I REALLY WANTED
TO GET MY GROOVE THANG ON.
378
00:14:02,867 --> 00:14:05,967
♪ LA LA LA LA LA LA
LA LA LA LA LA LA LA ♪
379
00:14:05,967 --> 00:14:11,600
[HIGH-PITCHED, OFF-KEY]
♪ LA ♪
380
00:14:11,600 --> 00:14:14,200
BETTER AND BETTER
EVERY DAY, LONDON.
381
00:14:14,200 --> 00:14:15,300
THANK YOU.
382
00:14:15,300 --> 00:14:16,900
BREAK A LEG...
383
00:14:16,900 --> 00:14:21,900
THAT WAY SHE WON'T BE ABLE
TO GET UP ONSTAGE.
384
00:14:22,500 --> 00:14:25,000
OK, DID YOU TURN
LONDON'S MICROPHONE OFF?
385
00:14:25,000 --> 00:14:27,900
HEY, GREAT IDEA.
386
00:14:27,900 --> 00:14:30,900
COULDN'T HAVE DONE IT
WITHOUT YOU.
387
00:14:30,900 --> 00:14:31,834
DONE WHAT?
388
00:14:31,834 --> 00:14:35,934
IT'S A GOOD THING
YOU'RE CUTE.
389
00:14:37,300 --> 00:14:38,967
Zack: YOU KNOW,
THIS STINKS.
390
00:14:38,967 --> 00:14:40,100
WE COULD'VE WON
THAT CONTEST
391
00:14:40,100 --> 00:14:42,500
IF YOU HADN'T BEEN
A JERK AND QUIT.
392
00:14:42,500 --> 00:14:44,100
I QUIT BECAUSE
YOU WERE BEING A JERK.
393
00:14:44,100 --> 00:14:46,834
YOU'RE THE JERK!
NO, YOU'RE THE JERK!
394
00:14:46,834 --> 00:14:48,200
MOM SAID I WAS RIGHT.
395
00:14:48,200 --> 00:14:49,934
SHE SAID I WAS RIGHT.
396
00:14:49,934 --> 00:14:53,233
MOM'S LOSING IT.
397
00:14:53,233 --> 00:14:56,500
AT LEAST WE AGREE
ON SOMETHING.
398
00:14:56,500 --> 00:14:57,767
LOOK, YOU HAVE TO ADMIT
399
00:14:57,767 --> 00:14:59,600
YOU WERE ACTING
A LITTLE BOSSY.
400
00:14:59,600 --> 00:15:02,867
I HAD TO BE BOSSY BECAUSE
YOU WERE GOOFING OFF!
401
00:15:02,867 --> 00:15:04,100
I WASN'T GOOFING OFF.
402
00:15:04,100 --> 00:15:06,033
I WAS JUST TRYING
TO FIND OUR LOOK.
403
00:15:06,033 --> 00:15:09,367
I WANTED US TO BE
THE BEST BAND EVER.
404
00:15:09,367 --> 00:15:10,600
SO DID I.
405
00:15:10,600 --> 00:15:13,800
WELL, AT LEAST THAT'S
2 THINGS WE AGREE ON.
406
00:15:13,800 --> 00:15:14,567
HERE'S ANOTHER ONE:
407
00:15:14,567 --> 00:15:15,600
IF WE DON'T GET OUT
OF THIS CLOSET,
408
00:15:15,600 --> 00:15:17,600
WE'RE NEVER GONNA
WIN THE CONTEST.
409
00:15:17,600 --> 00:15:19,567
I AGREE. LET'S
GET OUT OF HERE.
410
00:15:19,567 --> 00:15:20,200
I AGREE.
411
00:15:20,200 --> 00:15:23,000
OK, STOP AGREEING.
YOU'RE ANNOYING ME NOW.
412
00:15:23,000 --> 00:15:24,900
WANT TO GET
REALLY ANNOYED?
413
00:15:24,900 --> 00:15:26,300
THE DOOR'S LOCKED!
414
00:15:26,300 --> 00:15:28,600
Both: LET ME OUT!
LET ME OUT!
415
00:15:28,600 --> 00:15:30,867
[SNORES]
416
00:15:35,300 --> 00:15:39,667
[ROCK AND ROLL SONG ENDS]
417
00:15:40,400 --> 00:15:43,600
Announcer: THAT WAS
LAST YEAR'S RUNNER-UP,
SCARLET SPIDER.
418
00:15:43,600 --> 00:15:45,834
AND NOW, THE BATTLE
OF THE BANDS CONTINUES
419
00:15:45,834 --> 00:15:49,667
WITH THE TIPTON'S OWN
WATERWORKS.
420
00:15:49,834 --> 00:15:54,667
♪ THE ONLY ONE, YEAH ♪
421
00:15:55,967 --> 00:16:00,200
♪ THE ONLY ONE, YEAH ♪
422
00:16:00,200 --> 00:16:03,133
[MOANING]
423
00:16:03,133 --> 00:16:04,900
[SNORES]
424
00:16:07,834 --> 00:16:08,967
OH, NO!
425
00:16:08,967 --> 00:16:09,967
THEY'RE GONE!
426
00:16:09,967 --> 00:16:12,300
THEY'VE BEEN SUCKED
INTO A BLACK HOLE,
427
00:16:12,300 --> 00:16:15,900
AND THEY'RE HURTLING
THROUGH TIME AND SPACE.
428
00:16:17,100 --> 00:16:20,700
OR THEY CRAWLED
THROUGH THAT VENT.
429
00:16:20,700 --> 00:16:25,033
NOW LET'S NOT GET
CARRIED AWAY.
430
00:16:25,033 --> 00:16:28,500
[PLAYS SWING LOW, SWEET CHARIOT]
431
00:16:33,834 --> 00:16:37,200
[USES LEAF BLOWER]
432
00:16:42,200 --> 00:16:43,967
AAH!
433
00:16:43,967 --> 00:16:45,100
AAH!
434
00:16:45,100 --> 00:16:47,934
AAH!
435
00:16:47,934 --> 00:16:49,600
WHOA.
436
00:16:49,600 --> 00:16:50,967
GOOD THING
I LANDED ON YOU
437
00:16:50,967 --> 00:16:53,967
OR THAT COULD'VE HURT.
438
00:16:53,967 --> 00:16:57,667
YEAH. LUCKY YOU.
439
00:16:57,667 --> 00:16:59,734
SO...YOU'RE BACK.
440
00:16:59,734 --> 00:17:00,600
WELL, YOU CAN BEG
ALL YOU WANT,
441
00:17:00,600 --> 00:17:03,767
BUT I DON'T WANT TO BE
IN YOUR LOUSY BAND.
442
00:17:03,767 --> 00:17:06,600
PLEASE, PLEASE, PLEASE
LET ME BE IN YOUR BAND!
443
00:17:06,600 --> 00:17:09,834
SORRY, ARWIN,
WE'RE ROCK SQUARED.
444
00:17:09,834 --> 00:17:11,200
WE ALWAYS WILL BE.
445
00:17:11,200 --> 00:17:13,800
AHH! I WISH I HAD A TWIN.
446
00:17:13,800 --> 00:17:17,800
MAYBE I CAN MAKE ONE
OUT OF THAT LEAF BLOWER.
447
00:17:17,800 --> 00:17:19,500
IT DOESN'T
MAKE ANY DIFFERENCE
448
00:17:19,500 --> 00:17:21,967
BECAUSE WE'RE GONNA
MISS THE CONTEST.
449
00:17:21,967 --> 00:17:24,600
MAYBE NOT.
YOU'RE IN LUCK.
450
00:17:24,600 --> 00:17:26,500
I WAS JUST ABOUT TO DO
A TEST RUN
451
00:17:26,500 --> 00:17:30,800
ON MY NEW JET-PROPELLED
IN-LINE SKATES.
452
00:17:30,800 --> 00:17:32,800
WOW, THAT IS LUCKY!
453
00:17:32,800 --> 00:17:34,700
YEAH. OK.
454
00:17:34,700 --> 00:17:36,033
I'M ALL RIGHT.
455
00:17:36,033 --> 00:17:38,367
INCOMING!
456
00:17:39,867 --> 00:17:42,600
3, 2, 1!
457
00:17:42,600 --> 00:17:46,400
All: AAH!
458
00:17:46,400 --> 00:17:50,300
♪ I'M THE ONE YOU WANT,
THE ONLY ONE YOU NEED ♪
459
00:17:50,300 --> 00:17:52,500
♪ WON'T YOU TAKE CHANCES? ♪
460
00:17:52,500 --> 00:17:57,000
♪ YOU'RE THE ONE I WANT,
ONLY ONE FOR ME ♪
461
00:17:57,000 --> 00:17:58,600
♪ THE ONLY ONE ♪
462
00:17:58,600 --> 00:18:03,100
♪ I'M THE ONE YOU WANT,
ONLY ONE YOU NEED... ♪
463
00:18:03,100 --> 00:18:04,600
[NO AUDIO]
464
00:18:04,600 --> 00:18:09,300
♪ YOU'RE THE ONE I WANT,
ONLY ONE FOR ME ♪
465
00:18:09,300 --> 00:18:13,400
♪ THE ONLY ONE ♪
466
00:18:14,300 --> 00:18:15,500
I NEED TO USE
YOUR MIKE.
467
00:18:15,500 --> 00:18:16,300
USE YOUR OWN MIKE.
468
00:18:16,300 --> 00:18:17,767
MINE'S ISN'T WORKING.
TOO BAD.
469
00:18:17,767 --> 00:18:21,233
♪ THE ONLY ONE,
YEAH ♪
470
00:18:21,233 --> 00:18:23,000
BUT I'M SUPPOSED TO
SING, TOO.
471
00:18:23,000 --> 00:18:23,967
NOT NOW.
YES.
472
00:18:23,967 --> 00:18:27,667
NO.
♪ ONLY ONE, YEAH ♪
473
00:18:27,667 --> 00:18:29,200
WHY NOT?
474
00:18:29,200 --> 00:18:33,100
♪ THE ONLY ONE, YEAH ♪
475
00:18:33,100 --> 00:18:34,834
'CAUSE YOU'RE
A LOUSY SINGER!
476
00:18:34,834 --> 00:18:37,734
[CROWD GASPS]
477
00:18:42,200 --> 00:18:43,800
LONDON!
478
00:18:45,100 --> 00:18:46,934
WHAT DO WE DO?
WE'RE NEXT
479
00:18:46,934 --> 00:18:48,667
AND ZACK AND CODY
STILL AREN'T HERE.
480
00:18:48,667 --> 00:18:51,834
WE'LL DO WHAT ALL
GREAT ROCK STARS DO.
481
00:18:51,834 --> 00:18:54,767
TRASH OUR HOTEL ROOM?
482
00:18:54,767 --> 00:18:57,033
WE STALL.
483
00:18:57,600 --> 00:18:59,367
LONDON.
484
00:18:59,367 --> 00:19:00,967
LONDON.
485
00:19:00,967 --> 00:19:03,000
I'M SORRY
I EMBARRASSED YOU UP THERE.
486
00:19:03,000 --> 00:19:04,934
LOOK, IF YOU DIDN'T
WANT ME IN THE BAND,
487
00:19:04,934 --> 00:19:06,200
WHY DIDN'T YOU
JUST TELL ME
488
00:19:06,200 --> 00:19:07,300
INSTEAD
OF HUMILIATING ME
489
00:19:07,300 --> 00:19:08,600
IN FRONT
OF ALL THOSE PEOPLE?
490
00:19:08,600 --> 00:19:12,100
BECAUSE WE THOUGHT YOU WOULD
TAKE YOUR EQUIPMENT AWAY.
491
00:19:12,100 --> 00:19:13,567
WELL, I WOULDN'T HAVE.
492
00:19:13,567 --> 00:19:14,400
REALLY?
493
00:19:14,400 --> 00:19:17,200
OK, MAYBE I WOULD HAVE.
494
00:19:17,200 --> 00:19:17,700
SEE?
495
00:19:17,700 --> 00:19:20,567
BUT THEN YOU
WOULD'VE COME TO ME
WITH SOME SOB STORY
496
00:19:20,567 --> 00:19:21,934
ABOUT HOW YOU
NEEDED THE MONEY
497
00:19:21,934 --> 00:19:26,300
FOR SOMETHING STUPID
LIKE...FOOD.
498
00:19:26,300 --> 00:19:27,700
I SHOULD HAVE TOLD YOU
FROM THE BEGINNING
499
00:19:27,700 --> 00:19:29,734
THAT YOU'RE NOT
A VERY GOOD SINGER.
500
00:19:29,734 --> 00:19:32,100
A VERY WELL SINGER.
501
00:19:32,100 --> 00:19:32,667
RIGHT.
502
00:19:32,667 --> 00:19:34,900
AND THEN JUST DEALT
WITH THE CONSEQUENCES,
503
00:19:34,900 --> 00:19:39,000
WHICH WOULD NOT
HAVE BEEN AS
PAINFUL AS THIS.
504
00:19:39,000 --> 00:19:41,100
I'M SORRY, LONDON.
505
00:19:41,100 --> 00:19:44,033
APOLOGY ACCEPTED.
506
00:19:44,033 --> 00:19:45,834
YOU KNOW WHAT'S FUNNY?
507
00:19:45,834 --> 00:19:47,600
DADDY OWNS A COUPLE
RECORD COMPANIES
508
00:19:47,600 --> 00:19:49,233
AND WE COULD'VE
MADE A CD ANYTIME.
509
00:19:49,233 --> 00:19:52,500
BUT NOW THAT YOU'VE TOLD ME
WHAT A LOUSY SINGER I AM,
510
00:19:52,500 --> 00:19:53,367
WHAT'S THE POINT?
511
00:19:53,367 --> 00:19:58,467
BUT YOU WERE SO GOOD
ON THE TANGERINE!
512
00:19:58,467 --> 00:19:59,200
YEAH.
513
00:19:59,200 --> 00:20:03,500
WHY IS IT THAT YOU DRIVE
ON THE PARKWAY
514
00:20:03,500 --> 00:20:06,700
BUT YOU
PARK IN THE DRIVEWAY?
515
00:20:06,700 --> 00:20:07,734
[RIMSHOT]
516
00:20:07,734 --> 00:20:08,767
[CROWD GROANS]
517
00:20:08,767 --> 00:20:11,500
WHAT IS THIS,
AN AUDIENCE OR A JURY?
518
00:20:11,500 --> 00:20:12,734
EXCUSE ME,
EXCUSE ME.
519
00:20:12,734 --> 00:20:13,500
SORRY. EXCUSE ME.
520
00:20:13,500 --> 00:20:15,233
MAX, WHERE
ARE ZACK AND CODY?
521
00:20:15,233 --> 00:20:19,700
SOMEWHERE
IN THE VENT SYSTEM.
522
00:20:19,700 --> 00:20:20,600
GREAT.
523
00:20:20,600 --> 00:20:24,233
'CAUSE A MOTHER NEEDS
TO KNOW THESE THINGS.
524
00:20:24,600 --> 00:20:25,700
I DON'T KNOW
WHERE THEY ARE.
525
00:20:25,700 --> 00:20:28,300
THEY'RE SOMEWHERE
IN THE VENTS.
526
00:20:28,300 --> 00:20:29,133
LOOK OUT!
527
00:20:29,133 --> 00:20:30,700
I WOULD IF I COULD!
528
00:20:30,700 --> 00:20:32,300
I SAID IT WAS
A TEST RUN!
529
00:20:32,300 --> 00:20:34,967
AAH!
AAH!
530
00:20:34,967 --> 00:20:38,600
I THINK
I FOUND THEM.
531
00:20:40,500 --> 00:20:44,000
ZACK AND CODY
IN THE HOUSE!
532
00:20:45,000 --> 00:20:47,233
[APPLAUSE]
533
00:20:51,567 --> 00:20:54,033
HELLO, BOSTON!
534
00:20:54,033 --> 00:20:56,400
[CHEERING]
535
00:20:56,400 --> 00:20:58,467
YEAH!
536
00:21:04,767 --> 00:21:06,467
♪ 1, 2, 3 ♪
537
00:21:06,467 --> 00:21:08,934
♪ I MISSED THE BUS
AS IT CAME AROUND ♪
538
00:21:08,934 --> 00:21:11,200
♪ AND DURING GYM CLASS,
MY PANTS FELL DOWN ♪
539
00:21:11,200 --> 00:21:13,467
♪ LOOKED IN MY LOCKER,
COULDN'T FIND MY BOOKS ♪
540
00:21:13,467 --> 00:21:15,967
♪ AND NOW ALL THE TEACHERS
GAVE ME DIRTY LOOKS ♪
541
00:21:15,967 --> 00:21:18,500
♪ CAME AROUND
WITH MY BACKPACK ON ♪
542
00:21:18,500 --> 00:21:20,600
♪ THEN HITTIN'
THE BOOKS... ♪
543
00:21:20,600 --> 00:21:23,033
♪ I STARE AT THE CLOCK
AND WAIT FOR THE BELL ♪
544
00:21:23,033 --> 00:21:25,367
♪ IF IT DOESN'T RING SOON,
I'M GONNA YELL ♪
545
00:21:25,367 --> 00:21:27,967
♪ SCHOOL'S OUT,
LET'S ROCK AND ROLL ♪
546
00:21:27,967 --> 00:21:29,567
♪ SCHOOL'S OUT... ♪
547
00:21:29,567 --> 00:21:32,200
AAH! WHOO!
548
00:21:32,967 --> 00:21:35,367
♪ SCHOOL'S OUT,
PARTY WITH MY FRIENDS ♪
549
00:21:35,367 --> 00:21:36,367
♪ SCHOOL'S OUT ♪
550
00:21:36,367 --> 00:21:38,033
♪ LET'S ROCK AND ROLL ♪
551
00:21:38,033 --> 00:21:40,000
♪ SCHOOL'S OUT,
GONNA LOSE CONTROL ♪
552
00:21:40,000 --> 00:21:42,300
♪ SCHOOL'S OUT,
RECESS NEVER ENDS ♪
553
00:21:42,300 --> 00:21:45,000
♪ SCHOOL'S OUT,
PARTY WITH MY FRIENDS ♪
554
00:21:45,000 --> 00:21:46,600
♪ SCHOOL'S OUT! ♪
555
00:21:46,600 --> 00:21:49,600
[CHEERING]
556
00:21:50,100 --> 00:21:52,300
Announcer:
BY AUDIENCE REACTION,
557
00:21:52,300 --> 00:21:53,967
THE WINNER IS...
558
00:21:53,967 --> 00:21:55,233
ROCK SCARED!
559
00:21:55,233 --> 00:21:58,600
THANK YOU, BOSTON!
37507
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