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These are the user uploaded subtitles that are being translated: 1 00:00:06,745 --> 00:00:07,007 . 2 00:00:07,050 --> 00:00:09,748 male narrator: IN THE CRIMINAL JUSTICE SYSTEM, 3 00:00:09,792 --> 00:00:12,577 SEXUALLY BASED OFFENSES ARE CONSIDERED ESPECIALLY HEINOUS. 4 00:00:12,621 --> 00:00:15,102 IN NEW YORK CITY, THE DEDICATED DETECTIVES 5 00:00:15,145 --> 00:00:17,452 WHO INVESTIGATE THESE VICIOUS FELONIES ARE MEMBERS 6 00:00:17,495 --> 00:00:20,150 OF AN ELITE SQUAD KNOWN AS THE SPECIAL VICTIMS UNIT. 7 00:00:20,194 --> 00:00:22,239 THESE ARE THEIR STORIES. 8 00:00:25,373 --> 00:00:28,941 - [Thai accent] HELLO, MY NAME IS LUCKY. 9 00:00:31,988 --> 00:00:34,730 I'M 14 YEARS OLD, 10 00:00:34,773 --> 00:00:38,168 AND I LIVE IN THAILAND. 11 00:00:38,212 --> 00:00:40,997 I'M ALL ALONE, 12 00:00:41,041 --> 00:00:44,435 AND I'M WAITING TO PLAY WITH YOU. 13 00:00:44,479 --> 00:00:46,698 [computer beeping] 14 00:00:46,742 --> 00:00:48,744 - 30 RESPONSES AND COUNTING. 15 00:00:48,787 --> 00:00:51,225 - SO FAR NONE IN OUR JURISDICTION. 16 00:00:51,268 --> 00:00:52,443 - FEED HER A FEW MORE LINES. 17 00:00:52,487 --> 00:00:54,271 - 30 JUST DOUBLED TO 60. 18 00:00:54,315 --> 00:00:56,273 [computer beeping] 19 00:00:59,320 --> 00:01:02,236 - JUST TELL ME WHAT YOU WANT ME TO DO. 20 00:01:04,542 --> 00:01:06,022 [computer beeping] 21 00:01:06,066 --> 00:01:07,284 - 95. 22 00:01:07,328 --> 00:01:08,503 - CAN WE KEEP UP? 23 00:01:08,546 --> 00:01:10,026 - TARU'S ALL OVER THIS. 24 00:01:10,070 --> 00:01:11,201 - MAKE SURE YOU GET THEM ALL ON RECORD 25 00:01:11,245 --> 00:01:14,291 ASKING FOR SPECIFIC ILLEGAL ACTS. 26 00:01:15,684 --> 00:01:18,078 - I'D LIKE TO DO THAT. 27 00:01:19,427 --> 00:01:22,560 WITH MY SHIRT OFF? 28 00:01:22,604 --> 00:01:24,606 IT IS HOT IN HERE. 29 00:01:26,608 --> 00:01:28,566 - IT'S BEEN 30 MINUTES. WHAT'S THE SCORE SO FAR? 30 00:01:28,610 --> 00:01:30,786 - JUST UNDER 800 RESPONSES. 31 00:01:30,829 --> 00:01:33,441 - SO HOW ARE YOU HOLDING UP? - [American accent] OKAY. 32 00:01:33,484 --> 00:01:35,530 IT'S A DIRTY JOB, BUT I LIKE GETTING THESE GUYS. 33 00:01:35,573 --> 00:01:39,099 - HEAVY IN THE EASTERN BLOC, CHINA, AND THE AMERICAN SOUTH. 34 00:01:39,142 --> 00:01:40,578 - NO COMMENT. 35 00:01:40,622 --> 00:01:42,972 - TURN THOSE IPs OVER TO THE FBI AND INTERPOL. 36 00:01:43,015 --> 00:01:44,365 ANY IN OUR BACKYARD? 37 00:01:44,408 --> 00:01:46,018 - FOUR IN BROOKLYN, THREE IN QUEENS. 38 00:01:46,062 --> 00:01:47,803 - ANY IN MANHATTAN? 39 00:01:51,415 --> 00:01:52,851 - ONE CONFIRMED SO FAR. 40 00:01:52,895 --> 00:01:55,289 MUNICIPAL IP ADDRESS, CALLS HIMSELF "FLASH." 41 00:01:55,332 --> 00:01:57,334 - THAT MUST BE THE GUY WHO TOLD LUCKY THAT HE WANTED 42 00:01:57,378 --> 00:02:00,337 TO MEET HER IN BANGKOK AND BRING HER TO NEW YORK. 43 00:02:00,381 --> 00:02:02,252 - IS HE STILL AT WORK? - YEAH. 44 00:02:02,296 --> 00:02:05,081 - FIN, AMARO, GO PICK HIM UP. 45 00:02:10,913 --> 00:02:13,872 - GORDON MONTLIEFF? 46 00:02:13,916 --> 00:02:16,310 - CAN I HELP YOU? - NYPD. 47 00:02:16,353 --> 00:02:18,355 - ALL PAYROLL INQUIRIES MUST BE SUBMITTED 48 00:02:18,399 --> 00:02:20,444 BY FAX OR REGULAR MAIL. 49 00:02:20,488 --> 00:02:21,967 - IT'S NOT ABOUT PAYROLL. 50 00:02:22,011 --> 00:02:23,534 - OKAY, WELL, THEN, MAYBE MY SUPERVISOR CAN HELP YOU. 51 00:02:23,578 --> 00:02:26,058 - I DON'T THINK YOU WANT YOUR SUPERVISOR INVOLVED. 52 00:02:26,102 --> 00:02:28,844 - REMEMBER ME? 53 00:02:28,887 --> 00:02:31,412 [Thai accent] MY NAME IS LUCKY. 54 00:02:31,455 --> 00:02:34,415 - OH, MAN. SERIOUSLY? 55 00:02:34,458 --> 00:02:37,635 - HOW ABOUT THAT, STUD? SAVED YOU A TRIP TO BANGKOK. 56 00:02:37,679 --> 00:02:39,246 - ON YOUR FEET. 57 00:02:39,289 --> 00:02:41,422 LET'S GO, FLASH. 58 00:02:42,945 --> 00:02:45,904 [dramatic music] 59 00:02:45,948 --> 00:02:53,956 ♪ 60 00:03:30,297 --> 00:03:30,558 . 61 00:03:30,601 --> 00:03:32,429 - THAT GIRL AND I WERE JUST TALKING. 62 00:03:32,473 --> 00:03:33,952 - ABOUT SEX WITH A 14-YEAR-OLD. 63 00:03:33,996 --> 00:03:35,171 - NO, I SAW HER. 64 00:03:35,215 --> 00:03:36,259 SHE IS NOT 14. 65 00:03:36,303 --> 00:03:38,174 - THAT DOESN'T MATTER. 66 00:03:38,218 --> 00:03:39,958 YOU THOUGHT SHE WAS. 67 00:03:40,002 --> 00:03:43,353 - WAIT, SO I'M ARRESTED FOR THINKING? 68 00:03:43,397 --> 00:03:44,615 - WHY ARE WE TALKING TO THIS GUY? 69 00:03:44,659 --> 00:03:46,356 JUST CHARGE HIM AND LOCK HIM UP. 70 00:03:46,400 --> 00:03:49,272 - THIS SQUAD NEEDS TO EVOLVE. LITTLE CASES MAKE BIG CASES. 71 00:03:49,316 --> 00:03:50,926 - OH, SO WE'RE CUTTING PLEAS WITH PEDOPHILES? 72 00:03:50,969 --> 00:03:53,407 - LOOK, LIEUTENANT, WE'RE NOT DEALING WITH A MASTERMIND HERE. 73 00:03:53,450 --> 00:03:55,147 - WE DON'T KNOW WHAT WE'RE DEALING WITH. 74 00:03:55,191 --> 00:03:56,801 TARU STILL WORKING ON HIS COMPUTER? 75 00:03:56,845 --> 00:03:58,412 FIND OUT WHERE THEY ARE. 76 00:03:58,455 --> 00:04:00,588 MEANWHILE, FIN AND ROLLINS WILL WALK HIM UP THE LADDER, 77 00:04:00,631 --> 00:04:01,589 SEE WHERE HE LEADS US. 78 00:04:01,632 --> 00:04:03,591 - YOU'RE THE BOSS. 79 00:04:03,634 --> 00:04:05,419 [door closes] - HE'S A RAY OF SUNSHINE. 80 00:04:05,462 --> 00:04:07,812 - LOOK, HE'S DEALING WITH SOME STUFF RIGHT NOW. 81 00:04:07,856 --> 00:04:09,336 - YEAH, WE ALL ARE. 82 00:04:09,379 --> 00:04:12,904 THAT'S WHY WE GO TO WORK, TO GET OUT OF OUR OWN HEADS. 83 00:04:12,948 --> 00:04:15,255 - WELL, FLASH, 84 00:04:15,298 --> 00:04:17,082 WE KNOW THAT YOU TALKED TO YOUR FRIENDS 85 00:04:17,126 --> 00:04:18,475 IN CHAT ROOMS, ON WEBSITES. 86 00:04:18,519 --> 00:04:19,520 NOW, DID YOU EVER TAKE THE NEXT STEP? 87 00:04:19,563 --> 00:04:23,088 DID YOU EVER MEET THEM? 88 00:04:23,132 --> 00:04:27,310 - SOME OF THOSE GUYS, THEY'RE SICK. 89 00:04:27,354 --> 00:04:30,400 IF I TURN THEM IN, THEY'LL COME AFTER ME. 90 00:04:30,444 --> 00:04:32,141 - AS IF THE INMATES AREN'T GONNA 91 00:04:32,184 --> 00:04:34,361 COME AFTER A PEDOPHILE LIKE YOU IN PRISON. 92 00:04:34,404 --> 00:04:36,841 - GOD! 93 00:04:39,453 --> 00:04:41,672 - HE MENTIONED SOME FRIENDS, BUT IT'S ALL PRETTY VAGUE. 94 00:04:41,716 --> 00:04:43,326 - STILL FIGHTING THE HOOK. 95 00:04:43,370 --> 00:04:44,893 - IF HE WAS DONE, HE WOULD'VE LAWYERED UP. 96 00:04:44,936 --> 00:04:46,590 LET HIM STEW IN HOLDING FOR A WHILE. 97 00:04:46,634 --> 00:04:49,811 - HE DOESN'T STRIKE ME AS THE REFLECTIVE TYPE. 98 00:04:49,854 --> 00:04:52,814 - MAYBE HE NEEDS A SHOULDER TO CRY ON. 99 00:04:55,425 --> 00:04:57,340 - MAKE YOURSELF AT HOME, CHOMO. 100 00:04:57,384 --> 00:05:02,345 YOU TWO GOT A LOT IN COMMON. 101 00:05:02,389 --> 00:05:03,477 - I WANT MY LAWYER. 102 00:05:03,520 --> 00:05:05,653 - FOR WHAT? YOU'RE GONE, HOWARD. 103 00:05:13,400 --> 00:05:15,880 - I'M NOT A CHOMO. 104 00:05:15,924 --> 00:05:17,578 THEY TRICKED ME. 105 00:05:17,621 --> 00:05:21,756 THEY USED A GIRL CALLED "LUCKY." 106 00:05:21,799 --> 00:05:24,802 YOU TOO? 107 00:05:24,846 --> 00:05:28,197 DOESN'T MATTER ANYWAY. I'M DEAD. 108 00:05:28,240 --> 00:05:29,677 THEY ALREADY GOT ME ON THE REGISTRY 109 00:05:29,720 --> 00:05:34,377 FOR SOMETHING ELSE I DIDN'T DO! 110 00:05:34,421 --> 00:05:37,424 I DIDN'T. 111 00:05:37,467 --> 00:05:40,035 I'M NEVER GETTING OUT OF HERE. 112 00:05:40,078 --> 00:05:42,167 MY LIFE IS OVER. I CAN'T GO BACK. 113 00:05:42,211 --> 00:05:45,257 'CAUSE YOU KNOW WHAT THEY DO TO US IN PRISON? 114 00:05:45,301 --> 00:05:48,348 I CAN'T GO BACK. 115 00:05:50,393 --> 00:05:53,918 - HEY, MAN, WHAT ARE YOU DOING? YOU CAN'T PEE IN HERE. 116 00:05:53,962 --> 00:05:55,093 - I'M SORRY. 117 00:05:55,137 --> 00:05:57,357 I'M SORRY, I-I'M SORRY. 118 00:05:57,400 --> 00:05:58,488 I'M SORRY. 119 00:05:58,532 --> 00:05:59,881 - HEY, COME ON. A LITTLE HELP IN HERE? 120 00:05:59,924 --> 00:06:01,404 THIS GUY'S MAKING A MESS. 121 00:06:01,448 --> 00:06:02,710 - YEAH, I'LL GET RIGHT ON THAT. 122 00:06:02,753 --> 00:06:05,016 - COME ON. - I'M SORRY, I DIDN'T MEAN TO. 123 00:06:05,060 --> 00:06:08,324 - PLEASE? 124 00:06:08,368 --> 00:06:10,108 - DADDY, CAN I GET AN ICE CREAM? 125 00:06:10,152 --> 00:06:12,067 - A LEMON ICE, SMALL. 126 00:06:12,110 --> 00:06:15,113 - EH, BUT BRING ME THE CHANGE, HUH? 127 00:06:15,157 --> 00:06:17,377 AH, CHANGE. - OH. 128 00:06:19,379 --> 00:06:21,206 [sighs] SHE MISSES YOU. 129 00:06:21,250 --> 00:06:23,992 - I MISS HER TOO. SO YOU SAID YOU WANTED TO TALK? 130 00:06:24,035 --> 00:06:28,779 - YEAH, I GOT A JOB OFFER IN L.A. 131 00:06:28,823 --> 00:06:29,998 - L.A.? 132 00:06:30,041 --> 00:06:31,521 YOU HATE L.A. [both laugh] 133 00:06:31,565 --> 00:06:35,090 - IT'S IN CORPORATE COMMUNICATIONS FOR NORTHROP. 134 00:06:35,133 --> 00:06:37,440 IT PAYS MORE THAN BOTH OF US MAKE COMBINED. 135 00:06:37,484 --> 00:06:39,616 - YOU'RE CONSIDERING TAKING ZARA ACROSS THE COUNTRY FROM ME? 136 00:06:39,660 --> 00:06:42,053 - NO. 137 00:06:42,097 --> 00:06:43,664 I DON'T KNOW, MAYBE YOU CAN COME TOO. 138 00:06:43,707 --> 00:06:45,056 - [chuckles] COME ON. 139 00:06:45,100 --> 00:06:48,930 - I SEE WHAT THIS JOB IS DOING TO YOU. 140 00:06:48,973 --> 00:06:49,931 COULD BE A FRESH START. 141 00:06:49,974 --> 00:06:51,193 THERE ARE A LOT OF OPTIONS 142 00:06:51,236 --> 00:06:53,108 FOR A FORMER NEW YORK DETECTIVE OUT THERE. 143 00:06:53,151 --> 00:06:56,024 - YEAH? 144 00:06:56,067 --> 00:07:01,203 MARIA, ARE YOU ASKING ME TO MOVE WITH YOU? 145 00:07:01,246 --> 00:07:06,208 - CAN WE TAKE IT ONE STEP AT A TIME? 146 00:07:06,251 --> 00:07:10,865 - IT'S 3,000 MILES AWAY. THAT'S NOT ONE STEP. 147 00:07:10,908 --> 00:07:14,869 I-I DON'T EVEN KNOW WHAT TO THINK. 148 00:07:14,912 --> 00:07:16,348 I HAVE TO GET BACK TO WORK. 149 00:07:16,392 --> 00:07:18,481 - OKAY. 150 00:07:18,525 --> 00:07:20,614 - HEY, WHERE'S MY CHANGE? 151 00:07:20,657 --> 00:07:22,616 THAT'S MY GIRL. 152 00:07:22,659 --> 00:07:25,183 - WE'RE STILL GOING THROUGH GORDON'S HOME COMPUTER, 153 00:07:25,227 --> 00:07:27,490 BUT HE DID GIVE UP THIS MINI-TABLET 154 00:07:27,534 --> 00:07:28,926 FOUND HIDDEN IN THE BOOK. 155 00:07:28,970 --> 00:07:30,624 - IT'S LIKE A TRAVEL DIARY FOR THE DARK NET. 156 00:07:30,667 --> 00:07:32,060 - AND HE VOLUNTEERED THIS? 157 00:07:32,103 --> 00:07:33,322 - WE HAD A HEART-TO-HEART. 158 00:07:33,365 --> 00:07:34,628 HE'S HOPING FOR A LITTLE HELP. 159 00:07:34,671 --> 00:07:36,586 - WELL, HE THINKS OF HIMSELF AS A VOYEUR, 160 00:07:36,630 --> 00:07:41,112 BUT HE KNOWS GUYS WHO MAY GO FURTHER. 161 00:07:41,156 --> 00:07:42,331 - "KIDS WITHOUT SHAME"? 162 00:07:42,374 --> 00:07:44,159 - IT'S A CHAT ROOM FOR PEDOPHILES. 163 00:07:44,202 --> 00:07:46,291 - SO HERE'S THE GUY THAT GORDON TIPPED US OFF TO. 164 00:07:46,335 --> 00:07:49,120 HE CALLS HIMSELF "ERASTES." 165 00:07:49,164 --> 00:07:50,470 - "I SEE HIM FROM MY WINDOW PLAYING 166 00:07:50,513 --> 00:07:52,515 "IN THE P.S. 27 SCHOOL YARD. 167 00:07:52,559 --> 00:07:53,864 "SWEET FACED, CHUBBY. 168 00:07:53,908 --> 00:07:57,738 "I IMAGINE STRINGING HIM UP, HEARING HIM SQUEAL. 169 00:07:57,781 --> 00:07:59,348 "HOW LONG DO YOU THINK IT WOULD TAKE 170 00:07:59,391 --> 00:08:03,918 FOR THE BLOOD TO RUN OUT IF I HUNG HIM UPSIDE DOWN?" 171 00:08:08,009 --> 00:08:11,491 THAT'S HORRIFYING, BUT... 172 00:08:11,534 --> 00:08:13,623 BUT IT IS ON A SITE 173 00:08:13,667 --> 00:08:15,495 THAT EXPLICITLY SAYS IT'S FANTASY. 174 00:08:15,538 --> 00:08:17,671 - HE'S TALKING ABOUT A REAL BOY THAT HE'S SEEN. 175 00:08:17,714 --> 00:08:18,976 - AND YOU KNOW THIS HOW? 176 00:08:19,020 --> 00:08:20,500 - WE'RE GIVING YOU A HEADS-UP, COUNSELOR, 177 00:08:20,543 --> 00:08:22,502 NOT ASKING FOR YOUR BLESSING. 178 00:08:22,545 --> 00:08:24,286 I'M TALKING ABOUT ONE UNDERCOVER MEET. 179 00:08:24,329 --> 00:08:26,244 IF IT'S JUST FANTASY, WE WALK AWAY. 180 00:08:26,288 --> 00:08:28,333 - AND IF IT'S NOT, 181 00:08:28,377 --> 00:08:31,293 DO YOU WANT TO BE RESPONSIBLE FOR MISSING THIS? 182 00:08:39,040 --> 00:08:42,304 - OH, HONEY, I LOVE THIS ONE. 183 00:08:42,347 --> 00:08:43,740 - THIS IS MY FAVORITE IN THE WHOLE SHOW. 184 00:08:43,784 --> 00:08:45,176 - IT IS STRIKING. 185 00:08:45,220 --> 00:08:46,613 IS THIS YOUR GALLERY? 186 00:08:46,656 --> 00:08:48,919 - NO, THE PHOTOGRAPHER'S MY HUSBAND. 187 00:08:48,963 --> 00:08:50,834 - YOU'RE MARRIED TO SIMON WILKES? 188 00:08:50,878 --> 00:08:52,401 IS HE HERE? I'D LOVE TO MEET HIM. 189 00:08:52,444 --> 00:08:56,057 - OH, THAT'S GREAT. HE'S RIGHT OVER THERE. 190 00:08:56,100 --> 00:08:58,233 - YOU KNOW WHAT, DO YOU HAVE A CATALOG I CAN LOOK AT? 191 00:08:58,276 --> 00:09:01,758 - WHATEVER YOU WANT, BABY, JUST GET A PRICE. 192 00:09:01,802 --> 00:09:04,021 - THIS WAY. - OKAY. 193 00:09:04,065 --> 00:09:07,111 - AND I WILL SEE YOU IN A LITTLE BIT. 194 00:09:07,155 --> 00:09:09,549 - SIMON WILKES? 195 00:09:09,592 --> 00:09:13,465 GOOD-LOOKING BOY. 196 00:09:13,509 --> 00:09:15,032 IT'S AMAZING. SOMEONE MIGHT LOOK 197 00:09:15,076 --> 00:09:17,121 AT THAT PHOTOGRAPH AND THINK INNOCENCE, BUT... 198 00:09:17,165 --> 00:09:18,732 - IT'S ALL ABOUT WHAT YOU BRING TO IT. 199 00:09:18,775 --> 00:09:20,734 - YES. 200 00:09:20,777 --> 00:09:21,952 HOWARD JEFFRIES. 201 00:09:21,996 --> 00:09:24,389 - SIMON WILKES. 202 00:09:25,390 --> 00:09:28,132 - FLASH WASN'T WRONG. 203 00:09:28,176 --> 00:09:30,526 - FLASH? 204 00:09:30,570 --> 00:09:35,444 - A FRIEND, HE SAID YOU MIGHT HAVE SOME OTHER WORK 205 00:09:35,487 --> 00:09:39,448 THAT WOULD APPEAL TO ME... 206 00:09:39,491 --> 00:09:42,103 STUDIES OF A SCHOOL YARD? 207 00:09:42,146 --> 00:09:44,888 - I SEE. 208 00:09:44,932 --> 00:09:46,934 - CAN WE DISCUSS PRICES? 209 00:09:51,503 --> 00:09:54,724 SOMEWHERE WE CAN MEET LATER? 210 00:09:54,768 --> 00:09:58,032 MAYBE NOT HERE. 211 00:09:58,075 --> 00:09:59,294 - PETER JAY'S. 212 00:09:59,337 --> 00:10:02,602 IT'S A BAR AROUND THE CORNER FROM P.S. 27. 213 00:10:02,645 --> 00:10:05,039 - I'LL NEED AN HOUR. 214 00:10:13,177 --> 00:10:13,438 . 215 00:10:13,482 --> 00:10:15,397 - NOT THAT I DON'T APPRECIATE YOUR SAFER PIECES-- 216 00:10:15,440 --> 00:10:17,138 MY WIFE'S A FAN. 217 00:10:17,181 --> 00:10:20,794 BUT FLASH TOLD ME YOU'RE EDGIER. 218 00:10:20,837 --> 00:10:23,971 - YOU NEVER TOLD ME HOW YOU KNOW FLASH. 219 00:10:24,014 --> 00:10:27,888 - WE MET ONLINE, CORRESPONDED, CHATTED A FEW TIMES. 220 00:10:27,931 --> 00:10:32,544 HE TOLD ME ABOUT YOUR SCHOOL YARD SERIES. 221 00:10:32,588 --> 00:10:36,418 I WAS INTRIGUED. 222 00:10:36,461 --> 00:10:37,854 - THE ANCIENT GREEKS APPRECIATED THE BEAUTY 223 00:10:37,898 --> 00:10:43,077 OF THE YOUNG MALE BODY, UNSHAVEN AND UNSPOILED. 224 00:10:43,120 --> 00:10:47,081 - I THINK WE BOTH HAVE MOVED BEYOND MERE APPRECIATION, 225 00:10:47,124 --> 00:10:48,996 HAVE WE NOT? 226 00:10:49,039 --> 00:10:52,652 - IT'S ALL JUST FANTASY. 227 00:10:52,695 --> 00:10:56,699 - WHAT IF IT WASN'T? 228 00:10:58,179 --> 00:11:02,226 - FORGIVE ME, WHAT BUSINESS DID YOU SAY YOU WERE IN? 229 00:11:02,270 --> 00:11:04,794 - I OWN A FURNITURE DESIGN COMPANY. 230 00:11:04,838 --> 00:11:06,753 I DO VERY WELL. 231 00:11:06,796 --> 00:11:09,712 WHATEVER IT IS WE'RE DISCUSSING, 232 00:11:09,756 --> 00:11:12,236 I CAN AFFORD IT. 233 00:11:12,280 --> 00:11:14,064 - SO YOU'RE SERIOUS ABOUT THIS? 234 00:11:14,108 --> 00:11:15,326 - EXTREMELY. 235 00:11:15,370 --> 00:11:17,894 IN FACT, I SUGGEST WE BOTH 236 00:11:17,938 --> 00:11:20,505 TURN OFF OUR CELL PHONES... [phone beeps] 237 00:11:20,549 --> 00:11:23,813 SO WE KNOW THIS CONVERSATION ISN'T BEING RECORDED. 238 00:11:23,857 --> 00:11:25,685 - GOOD TO BE CAUTIOUS. 239 00:11:25,728 --> 00:11:26,729 WHERE WERE WE? 240 00:11:26,773 --> 00:11:30,472 - WE WERE TALKING ABOUT MONEY... 241 00:11:30,515 --> 00:11:33,127 AND BOYS. 242 00:11:33,170 --> 00:11:37,087 - [whispers] AND NOT JUST SEX WITH THEM. 243 00:11:37,131 --> 00:11:40,090 YOU'RE WITH ME ON THAT, RIGHT? 244 00:11:42,789 --> 00:11:44,616 - YES. 245 00:11:44,660 --> 00:11:46,967 WE UNDERSTAND EACH OTHER. 246 00:11:47,010 --> 00:11:49,317 - WHAT WE'RE TALKING ABOUT TAKES MEANS, 247 00:11:49,360 --> 00:11:52,494 THE RIGHT SUBJECT, VENUE. 248 00:11:52,537 --> 00:11:56,150 IT'S A COMMITMENT. 249 00:11:56,193 --> 00:11:58,892 ARE YOU WILLING TO COMMIT? 250 00:12:03,810 --> 00:12:05,159 [over recording] IT'S A COMMITMENT. 251 00:12:05,202 --> 00:12:07,770 ARE YOU WILLING TO COMMIT? 252 00:12:07,814 --> 00:12:09,772 - THAT'S IT? 253 00:12:09,816 --> 00:12:11,643 SOUNDS TO ME LIKE YOU'RE FLIRTING WITH ENTRAPMENT. 254 00:12:11,687 --> 00:12:13,471 YOU BROUGHT UP PROCURING A BOY. 255 00:12:13,515 --> 00:12:14,472 - HE DIDN'T SHY AWAY. 256 00:12:14,516 --> 00:12:15,560 HE WAS THE ONE THAT BROUGHT UP 257 00:12:15,604 --> 00:12:17,649 USING BOYS FOR MORE THAN JUST SEX. 258 00:12:17,693 --> 00:12:18,694 DID YOU GET ANYWHERE WITH THE WIFE? 259 00:12:18,738 --> 00:12:20,740 - BIG BLIND SPOT, SHE ADORES HIM. 260 00:12:20,783 --> 00:12:22,089 - SHE'S A SICKO TOO. 261 00:12:22,132 --> 00:12:24,308 - TELL ME THAT AT LEAST WILKES HAS A RECORD. 262 00:12:24,352 --> 00:12:25,657 - HE STAYS UNDER THE RADAR. 263 00:12:25,701 --> 00:12:26,876 - EXCEPT WHEN HE CHATS ABOUT BOYS 264 00:12:26,920 --> 00:12:28,399 IN THE SCHOOL YARD HE WANTS TO TORTURE. 265 00:12:28,443 --> 00:12:31,054 - WE DO NOT INDICT PEOPLE FOR JUST IMAGINING THINGS. 266 00:12:31,098 --> 00:12:32,664 SHOW ME A SUBSTANTIAL STEP, 267 00:12:32,708 --> 00:12:35,798 WE'LL HAVE A DIFFERENT CONVERSATION. 268 00:12:35,842 --> 00:12:39,497 - LAWYERS THINK TOO MUCH. THIS WILKES IS BAD NEWS. 269 00:12:39,541 --> 00:12:44,024 GO BACK TO GORDON. GET US SOMETHING MORE. 270 00:12:46,678 --> 00:12:49,725 - CAN YOU GET ME INTO SOLITARY? 271 00:12:49,769 --> 00:12:51,858 EVERYBODY'S LOOKING AT ME ALL THE TIME. 272 00:12:51,901 --> 00:12:54,425 - MIGHT BE ABLE TO DO THAT, 273 00:12:54,469 --> 00:12:56,123 BUT YOU GOT TO STOP HOLDING OUT ON US. 274 00:12:56,166 --> 00:12:59,779 - YOUR PAL ERASTES, HE EVER TALK ABOUT ACTUALLY HURTING BOYS? 275 00:12:59,822 --> 00:13:02,520 - NO, I'M NOT A PART OF THAT, OKAY? 276 00:13:02,564 --> 00:13:04,696 I-I-I JUST LIKE TO WATCH. 277 00:13:04,740 --> 00:13:07,830 HE IS INTO THINGS THAT I WOULD NEVER DO. 278 00:13:07,874 --> 00:13:10,267 - LIKE WHAT? 279 00:13:10,311 --> 00:13:13,749 - WELL, THERE WAS THIS LIVE-STREAMING WEBCAST 280 00:13:13,793 --> 00:13:16,839 FROM ESTONIA A FEW MONTHS AGO. 281 00:13:16,883 --> 00:13:20,277 ERASTES KEPT SENDING MESSAGES TO THE MASTER 282 00:13:20,321 --> 00:13:23,324 ASKING HIM TO HURT THE BOY... 283 00:13:23,367 --> 00:13:27,371 MAKE HIM BLEED. 284 00:13:27,415 --> 00:13:31,723 NOW, I-I TURNED IT OFF, BUT THEN LATER, 285 00:13:31,767 --> 00:13:34,988 ERASTES BRAGGED THAT 286 00:13:35,031 --> 00:13:37,729 HE HAD WATCHED THE BOY DIE. 287 00:13:37,773 --> 00:13:39,383 AND THEN HE SAID TO ME 288 00:13:39,427 --> 00:13:43,431 THAT WE SHOULD FIND A BOY THAT NOBODY WOULD MISS. 289 00:13:48,828 --> 00:13:50,612 - GORDON TOLD US ABOUT A WEBCAST 290 00:13:50,655 --> 00:13:52,396 FOR SOMETHING CALLED "DAMAGE GROUPS." 291 00:13:52,440 --> 00:13:54,790 THEY TAKE LIVE REQUESTS TO TORTURE YOUNG KIDS. 292 00:13:54,834 --> 00:13:56,836 - THE DARKER THE SKIN, THE WORSE THEY GET IT. 293 00:13:56,879 --> 00:13:58,141 BRUISES DON'T SHOW. 294 00:13:58,185 --> 00:13:59,751 - OKAY, ANY WAY TO ACCESS IT? 295 00:13:59,795 --> 00:14:01,362 - IT STREAMED LIVE THREE MONTHS AGO. 296 00:14:01,405 --> 00:14:02,929 WE TURNED OVER WHAT WE HAD TO INTERPOL. 297 00:14:02,972 --> 00:14:04,582 - THAT WON'T HELP. 298 00:14:04,626 --> 00:14:06,149 TAKE OVER GORDON'S CHAT ROOM ACCOUNTS. 299 00:14:06,193 --> 00:14:08,456 KEEP FISHING. 300 00:14:08,499 --> 00:14:11,328 FIN, YOU GOT A MINUTE? 301 00:14:11,372 --> 00:14:13,809 - SOMETHING WRONG, LIEUTENANT? 302 00:14:13,853 --> 00:14:16,290 - DAMAGE GROUPS, TORTURING YOUNG KIDS? 303 00:14:16,333 --> 00:14:17,813 HOW LONG YOU BEEN DEALING WITH THIS? 304 00:14:17,857 --> 00:14:20,903 - 14 YEARS, 8 IN NARCOTICS BEFORE THAT. 305 00:14:20,947 --> 00:14:23,732 THAT WAS WORSE. - WORSE, HOW IS THAT POSSIBLE? 306 00:14:23,775 --> 00:14:26,517 - DEALERS HAD SO MUCH CASH, THEY TURNED EVERYBODY. 307 00:14:26,561 --> 00:14:29,129 JUDGES, PROSECUTORS-- EVERYONE'S CROOKED. 308 00:14:29,172 --> 00:14:32,001 - THERE ARE GRAY AREAS IN SVU. - NOT FOR ME. 309 00:14:32,045 --> 00:14:34,961 YOU TOUCH A WOMAN OR A KID, YOU'RE SCUM. 310 00:14:35,004 --> 00:14:38,225 WILKES--I WANT TO SLAM HIM IN A CAGE. 311 00:14:38,268 --> 00:14:40,618 - HOW ABOUT TONIGHT? 312 00:14:40,662 --> 00:14:42,925 - TELL ME WHERE. 313 00:14:42,969 --> 00:14:46,537 - NOW I GOT TO HEAD UPTOWN, GOING TO A MEETING. 314 00:14:46,581 --> 00:14:48,061 - OKAY. - SAFE HOME. 315 00:14:48,104 --> 00:14:50,715 - ALL RIGHT. 316 00:14:50,759 --> 00:14:51,847 - SHE'S REALLY WORKING HER PROGRAM. 317 00:14:51,891 --> 00:14:54,284 - YEAH, HOPE SO. HOW YOU DOING? 318 00:14:54,328 --> 00:14:56,852 YOU WERE A LITTLE HOT IN THERE WITH MURPHY. 319 00:14:56,896 --> 00:14:59,811 - YOU SHOULD BE C.O. NOW, HE COMES IN AND-- 320 00:14:59,855 --> 00:15:01,639 - MARIA AND ZARA ARE IN TOWN, RIGHT? 321 00:15:01,683 --> 00:15:03,903 - YEAH. - HOW'S THAT GOING? 322 00:15:03,946 --> 00:15:06,688 - I'M NOT CROSSING THE LINE. MARIA ASKED TO SEE ME. 323 00:15:06,731 --> 00:15:08,255 SHE GOT A JOB OFFER IN CALIFORNIA 324 00:15:08,298 --> 00:15:11,693 AND WANTS TO TAKE ZARA WITH HER. - WOW. 325 00:15:11,736 --> 00:15:14,870 - YEAH, SHE BROUGHT UP THE IDEA OF ME GOING WITH THEM. 326 00:15:14,914 --> 00:15:16,916 - WHAT? - YEAH, I KNOW. 327 00:15:16,959 --> 00:15:18,874 I MEAN, A MONTH AGO, SHE'S CALLING YOU, 328 00:15:18,918 --> 00:15:19,962 TELLING ME TO BACK OFF. 329 00:15:20,006 --> 00:15:21,485 I DO, AND THEN-- 330 00:15:21,529 --> 00:15:23,313 - YOU THINKING OF GOING? 331 00:15:23,357 --> 00:15:27,230 - UH...MY LIFE IS HERE, LIV. 332 00:15:27,274 --> 00:15:28,666 I DON'T WANT TO FIGHT, 333 00:15:28,710 --> 00:15:31,452 BUT MARIA'S NOT TAKING MY DAUGHTER AWAY FROM ME. 334 00:15:38,067 --> 00:15:39,677 - I KNOW YOU'VE BEEN VOUCHED FOR, 335 00:15:39,721 --> 00:15:41,549 BUT I GOT TO TAKE CARE OF MYSELF. 336 00:15:41,592 --> 00:15:43,246 - WE'RE JUST HERE TO TALK BUSINESS. 337 00:15:43,290 --> 00:15:45,422 - OKAY, WHAT KIND? 338 00:15:45,466 --> 00:15:48,817 OXY, HEROIN, WOMEN, GIRLS... 339 00:15:48,860 --> 00:15:52,690 NO GUNS, BUT ANYTHING ELSE, WHATEVER YOU'RE INTO. 340 00:15:52,734 --> 00:15:53,909 I DON'T JUDGE. 341 00:15:53,953 --> 00:15:56,564 - HOW ABOUT BOYS? - TEENS? 342 00:15:56,607 --> 00:15:57,869 - MAYBE YOUNGER. 343 00:15:57,913 --> 00:16:01,438 - [chuckles] NO GRASS ON THE INFIELD? 344 00:16:01,482 --> 00:16:05,312 - SOMEONE NO ONE WILL COME LOOKING FOR. 345 00:16:05,355 --> 00:16:09,794 - FROM EL SALVADOR OR MEXICO, IT COULD BE DONE. 346 00:16:09,838 --> 00:16:11,492 I NEED 40K ALL-IN. 347 00:16:11,535 --> 00:16:12,754 - ONLY IF WE SEE THE BOY FIRST. 348 00:16:12,797 --> 00:16:15,844 - WAIT, I DON'T HAVE THAT KIND OF CASH. 349 00:16:15,887 --> 00:16:17,019 - [scoffs] THIS GUY GOT NO SKIN IN THE GAME. 350 00:16:17,063 --> 00:16:18,847 I'M GONE. 351 00:16:18,890 --> 00:16:22,111 - I CAN DO BETTER. 352 00:16:22,155 --> 00:16:23,460 - BETTER? KEEP TALKING. 353 00:16:23,504 --> 00:16:26,246 - A VENUE, SOUNDPROOFED, HIDDEN. 354 00:16:26,289 --> 00:16:27,290 - WHAT'S THAT GONNA DO FOR ME? 355 00:16:27,334 --> 00:16:32,165 - LIVE-STREAM IT. PEOPLE WILL PAY. 356 00:16:38,388 --> 00:16:40,564 - MY FRIEND HERE IS A PHOTOGRAPHER. 357 00:16:40,608 --> 00:16:43,045 - I GOT THAT. IT'S NOT MY STYLE. 358 00:16:43,089 --> 00:16:45,743 - HIS WIFE LIKES THEM. BOUGHT A COUPLE. 359 00:16:45,787 --> 00:16:47,745 - WHATEVER SHE WANTS, MAKES IT EASIER. 360 00:16:47,789 --> 00:16:49,486 - OKAY, I SEEN THE FRONT. WHERE'S THE BACK? 361 00:16:49,530 --> 00:16:51,271 - GETTING THERE. 362 00:16:51,314 --> 00:16:53,795 GIVE YOU THE FULL TOUR. 363 00:16:58,017 --> 00:17:00,497 I'VE SOUNDPROOFED EVERYTHING. 364 00:17:00,541 --> 00:17:03,413 NO ONE CAN HEAR THE SCREAMS. 365 00:17:14,337 --> 00:17:16,078 - [chuckles] 366 00:17:16,122 --> 00:17:18,733 - STATE OF THE ART. 367 00:17:18,776 --> 00:17:21,736 WHAT DO YOU THINK? - ALL THIS STUFF WORKS? 368 00:17:21,779 --> 00:17:24,521 - THE BOYS I BRING IN HERE 369 00:17:24,565 --> 00:17:28,569 ARE HENCEFORTH NEVER THE SAME. 370 00:17:28,612 --> 00:17:30,788 - YOU'RE A SICK FREAK. 371 00:17:30,832 --> 00:17:32,660 I LIKE YOU. 372 00:17:32,703 --> 00:17:35,532 - YOU WANT SOME SKIN IN THE GAME? 373 00:17:35,576 --> 00:17:37,186 LET'S PEEL IT OFF THAT BOY. 374 00:17:37,230 --> 00:17:39,580 [saw buzzing] 375 00:17:49,329 --> 00:17:49,503 . 376 00:17:49,546 --> 00:17:51,548 - WELL, THAT'S THE VIEW HE TALKED ABOUT. 377 00:17:51,592 --> 00:17:52,549 - RIGHT OUT ONTO THE SCHOOL YARD. 378 00:17:52,593 --> 00:17:53,637 - LUMINOL EVERY INCH. 379 00:17:53,681 --> 00:17:55,639 CHECK ALL FILM AND STORAGE SPACES. 380 00:17:55,683 --> 00:17:57,163 PULL UP THE FLOORS. KNOCK OUT THE WALLS. 381 00:17:57,206 --> 00:17:59,121 - THIS PLACE IS PRISTINE. HE BROUGHT BOYS HERE? 382 00:17:59,165 --> 00:18:00,731 - SO HE SCRUBBED IT CLEAN. HE'S CAREFUL. 383 00:18:00,775 --> 00:18:03,256 - SO WHAT DOES HE DO WITH THE BODIES? 384 00:18:03,299 --> 00:18:05,432 - OPEN UP THE DRAINS AND TEST FOR CHEMICALS. 385 00:18:05,475 --> 00:18:08,217 I WANT A DROP OF BLOOD, A SHARD OF BONE, SOMETHING, ANYTHING. 386 00:18:08,261 --> 00:18:10,654 - LIEUTENANT, COUNSELOR, 387 00:18:10,698 --> 00:18:14,484 CSU FOUND THESE HIDING BEHIND A FAKE WALL. 388 00:18:14,528 --> 00:18:17,226 - SICK SON OF A BITCH. 389 00:18:18,532 --> 00:18:20,882 - IT WAS ALL FANTASY. NOTHING HAPPENED. 390 00:18:20,925 --> 00:18:22,492 - NOTHING? 391 00:18:22,536 --> 00:18:26,061 FOUND YOUR LITTLE... HIDEY-HOLE. 392 00:18:26,105 --> 00:18:28,237 PHOTOS OF BOYS BEING TORTURED IN THAT ROOM? 393 00:18:28,281 --> 00:18:30,631 WHO ARE THEY? - WHAT? 394 00:18:30,674 --> 00:18:32,633 NO, I PHOTOSHOPPED THOSE. 395 00:18:32,676 --> 00:18:34,287 I'M AN ART PHOTOGRAPHER. 396 00:18:34,330 --> 00:18:36,158 YOU WERE AT MY OPENING. - YEAH, I WAS. 397 00:18:36,202 --> 00:18:37,638 - SO YOU KNOW I TOOK PHOTOS OFF THE INTERNET 398 00:18:37,681 --> 00:18:39,161 AND MANIPULATED THE IMAGES. 399 00:18:39,205 --> 00:18:40,554 - YEAH, STOP LYING NOW. 400 00:18:40,597 --> 00:18:42,382 - LET'S HEAR HIS SIDE. 401 00:18:42,425 --> 00:18:44,906 - HIS SIDE? 402 00:18:44,949 --> 00:18:46,429 WE HAVE HIM ON TAPE, 403 00:18:46,473 --> 00:18:50,694 NEGOTIATING TO BUY A BOY THAT NO ONE WOULD MISS 404 00:18:50,738 --> 00:18:53,393 FROM MEXICO, EL SALVADOR. DOES THAT RING A BELL? 405 00:18:53,436 --> 00:18:55,786 - THAT WAS JUST A GAME. - A GAME? 406 00:18:55,830 --> 00:18:56,787 - I THOUGHT WE ALL UNDERSTOOD THAT. 407 00:18:56,831 --> 00:18:58,441 - DO YOU THINK IT'S A GAME 408 00:18:58,485 --> 00:19:02,097 TO TORTURE YOUNG BOYS, HUH? 409 00:19:02,141 --> 00:19:04,230 YOU LIKE TO BE IN CONTROL? 410 00:19:04,273 --> 00:19:07,102 WELL, GUESS WHAT, THAT GAME'S OVER. 411 00:19:07,146 --> 00:19:09,104 NEW GAME, MY RULES, NOT YOURS. 412 00:19:09,148 --> 00:19:11,106 - SERGEANT... - HOW ABOUT WE PLAY THIS GAME? 413 00:19:11,150 --> 00:19:12,281 YOU START TALKING NOW, 414 00:19:12,325 --> 00:19:14,892 OR I'M GONNA TAKE YOU BACK INTO THAT ROOM, 415 00:19:14,936 --> 00:19:17,286 AND I'M GONNA STRAP YOU INTO THAT CHAIR, 416 00:19:17,330 --> 00:19:19,810 AND I'M GONNA SLICE YOU OPEN UNTIL YOUR BLOOD RUNS OUT. 417 00:19:19,854 --> 00:19:21,290 - SERGEANT! - HOW ABOUT THAT GAME? 418 00:19:21,334 --> 00:19:22,248 - HEY! - I NEED A MINUTE. 419 00:19:22,291 --> 00:19:25,338 - TAKE A BREAK! 420 00:19:25,381 --> 00:19:27,470 - [sighs] 421 00:19:28,950 --> 00:19:30,734 - [sighs] 422 00:19:30,778 --> 00:19:32,171 WE GOTTA TAKE A BREAK. 423 00:19:37,872 --> 00:19:39,221 I'VE BEEN HERE FOR 15 YEARS. 424 00:19:39,265 --> 00:19:40,527 AND YOU'VE BEEN HERE FOR TWO MINUTES, 425 00:19:40,570 --> 00:19:41,919 AND YOU'RE PULLING ME OUT OF AN INTERROGATION? 426 00:19:41,963 --> 00:19:43,225 - YOU WEREN'T ASKING HIM QUESTIONS. 427 00:19:43,269 --> 00:19:44,444 YOU WERE YELLING AT HIM. 428 00:19:44,487 --> 00:19:46,054 YOU DO KNOW THE GOAL IS TO ALIGN YOURSELF 429 00:19:46,097 --> 00:19:47,490 WITH THE SUSPECT, NOT TO JUDGE HIM? 430 00:19:47,534 --> 00:19:48,796 - YEAH. 431 00:19:48,839 --> 00:19:51,538 - THEN WHAT THE HELL WAS THAT? ANGER AT LEWIS? 432 00:19:56,238 --> 00:19:58,240 - I GOT THE MESSAGE. 433 00:19:58,284 --> 00:20:00,808 AND BY THE WAY, I HAVE A SHRINK. 434 00:20:04,290 --> 00:20:07,075 - GO IN THERE AND ALIGN YOURSELF. 435 00:20:07,118 --> 00:20:08,294 - WHAT, ME, WITH THAT GUY? 436 00:20:08,337 --> 00:20:10,209 - YEAH, NOW. 437 00:20:15,736 --> 00:20:18,478 - I'M SORRY ABOUT THAT, UH, SIMON. 438 00:20:18,521 --> 00:20:23,265 I'M DETECTIVE AMARO. NICK. 439 00:20:23,309 --> 00:20:25,093 ARE YOU OKAY? 440 00:20:25,136 --> 00:20:29,228 - IS SHE CRAZY? PHOTOGRAPHY'S MY ART. 441 00:20:29,271 --> 00:20:30,446 - YOU WANT TO TELL ME ABOUT THAT? 442 00:20:30,490 --> 00:20:32,535 - THEY'RE MEANT TO SHOCK, PROVOKE. 443 00:20:32,579 --> 00:20:35,234 THAT'S WHAT GOOD ART DOES, BUT IT'S NOT REAL. 444 00:20:35,277 --> 00:20:37,236 - WELL, IF LIKE YOU SAY, IT'S ALL FAKE, 445 00:20:37,279 --> 00:20:39,281 OUR FORENSIC GUYS WILL BACK THAT UP. 446 00:20:39,325 --> 00:20:41,588 - RIGHT, BUT HE'S-- HE'S AN ARTIST, NICK. 447 00:20:41,631 --> 00:20:44,373 HE--THE WAY HE SEES IT, HE'S JUST PUSHING BOUNDARIES. 448 00:20:44,417 --> 00:20:45,853 - IT'S TRUE-- I HAVE IMAGES IN MY HEAD, 449 00:20:45,896 --> 00:20:47,289 AND I TRY TO RE-CREATE THEM, 450 00:20:47,333 --> 00:20:50,379 BUT IT'S DIGITAL TROMPE L'OEIL. 451 00:20:50,423 --> 00:20:53,121 I DON'T EXPECT YOU TO UNDERSTAND. 452 00:20:53,164 --> 00:20:57,212 - NO, I THINK I DO. 453 00:20:57,256 --> 00:21:02,304 THE THINGS I LOOK AT ALL DAY ON THIS JOB, 454 00:21:02,348 --> 00:21:05,351 THEY PUT IMAGES IN MY HEAD TOO. 455 00:21:05,394 --> 00:21:09,224 I WATCH VIDEOS AT NIGHT... 456 00:21:09,268 --> 00:21:10,878 [stammers] AS AN OUTLET. 457 00:21:10,921 --> 00:21:12,227 THAT'S WHAT YOU'RE SAYING THIS IS, A RELEASE? 458 00:21:12,271 --> 00:21:14,534 - YES, I SWEAR. 459 00:21:14,577 --> 00:21:18,233 - BUT YOU CROSSED OVER WHEN YOU STARTED TALKING 460 00:21:18,277 --> 00:21:19,669 ABOUT BUYING A BOY. 461 00:21:19,713 --> 00:21:21,323 - YOUR GUYS WERE TALKING ABOUT THAT. 462 00:21:21,367 --> 00:21:22,977 THERE WAS NO BOY. THERE NEVER HAS BEEN ONE. 463 00:21:23,020 --> 00:21:24,326 I DIDN'T GIVE ANY MONEY. 464 00:21:24,370 --> 00:21:26,372 - YEAH, BUT, SIMON, THAT CHAMBER... 465 00:21:26,415 --> 00:21:29,200 - THAT'S...MY MEDITATION ROOM. 466 00:21:29,244 --> 00:21:31,159 I'M THE ONLY ONE WHO'S BEEN IN THERE. 467 00:21:31,202 --> 00:21:34,075 TEAR THE PLACE APART. YOU WON'T FIND ANYTHING. 468 00:21:34,118 --> 00:21:37,165 - IT'S A MEDITATION ROOM. 469 00:21:37,208 --> 00:21:38,993 - MR. WILKES, I'M MINONNA EFRON. 470 00:21:39,036 --> 00:21:40,168 YOUR WIFE'S WAITING RIGHT OUTSIDE. 471 00:21:40,211 --> 00:21:43,171 SHE'S RETAINED ME AS YOUR ATTORNEY. 472 00:21:43,214 --> 00:21:46,305 DETECTIVES, GIVE US THE ROOM. 473 00:21:52,136 --> 00:21:54,182 - WE WERE GETTING SOMEWHERE. 474 00:21:54,225 --> 00:21:55,314 - ALL RIGHT, I DID WHAT YOU WANTED, 475 00:21:55,357 --> 00:21:57,098 BUT THAT STUFF I SAID MAKES ME SICK. 476 00:21:57,141 --> 00:21:58,142 - IT'S CALLED DOING YOUR JOB. 477 00:21:58,186 --> 00:21:59,840 - I'VE GOT TWO KIDS, ALL RIGHT? 478 00:21:59,883 --> 00:22:01,320 A TEN-YEAR-OLD SON. 479 00:22:01,363 --> 00:22:05,106 I WANT HIM GONE. 480 00:22:07,369 --> 00:22:09,284 - PEOPLE VERSUS SIMON WILKES. 481 00:22:09,328 --> 00:22:10,503 THE CHARGES ARE ATTEMPTED KIDNAPPING 482 00:22:10,546 --> 00:22:13,157 AND ATTEMPTED SEXUAL ABUSE OF A CHILD. 483 00:22:13,201 --> 00:22:14,289 MR. WILKES, HOW DO YOU PLEAD? 484 00:22:14,333 --> 00:22:16,944 - NOT GUILTY, YOUR HONOR. - BAIL? 485 00:22:16,987 --> 00:22:19,338 - THE CHARGES AGAINST MR. WILKES ARE ESPECIALLY HEINOUS. 486 00:22:19,381 --> 00:22:21,644 HE BUILT A TORTURE CHAMBER ACROSS FROM A SCHOOL. 487 00:22:21,688 --> 00:22:24,212 HE HAS GONE ONLINE DESCRIBING SPECIFIC HORRIFYING ACTS 488 00:22:24,255 --> 00:22:26,257 OF TORTURE HE IMAGINES INFLICTING ON BOYS 489 00:22:26,301 --> 00:22:28,738 HE LOOKS OUT ON FROM HIS WINDOW EVERY DAY. 490 00:22:28,782 --> 00:22:30,610 WE CONSIDER HIM AN ONGOING THREAT TO THOSE CHILDREN, 491 00:22:30,653 --> 00:22:32,002 AND WE REQUEST THAT HE BE DENIED BAIL. 492 00:22:32,046 --> 00:22:34,701 - YOUR HONOR, MR. WILKES IS A WELL-REGARDED ARTIST 493 00:22:34,744 --> 00:22:36,355 WITH TIES TO THE COMMUNITY. 494 00:22:36,398 --> 00:22:38,269 MY CLIENT HAS A FANTASY LIFE, 495 00:22:38,313 --> 00:22:41,316 BUT THE D.A. IS USING HIS OWN OVERACTIVE IMAGINATION 496 00:22:41,360 --> 00:22:42,926 TO INFLAME THE SITUATION. 497 00:22:42,970 --> 00:22:44,667 THERE IS NOT ONE SHRED 498 00:22:44,711 --> 00:22:46,713 OF FORENSIC EVIDENCE OF CRIMINAL BEHAVIOR. 499 00:22:46,756 --> 00:22:48,671 - A GRENADE WITH THE PIN PULLED HASN'T BLOWN UP YET, 500 00:22:48,715 --> 00:22:50,412 BUT IT'S STILL A DANGER TO THOSE AROUND IT. 501 00:22:50,456 --> 00:22:51,979 - I UNDERSTAND. 502 00:22:52,022 --> 00:22:54,198 I'M SETTING BAIL AT $5 MILLION CASH. 503 00:22:54,242 --> 00:22:55,199 - YOUR HONOR, THAT AMOUNT IS PUNITIVE-- 504 00:22:55,243 --> 00:22:58,028 - [bangs gavel] NEXT CASE. 505 00:23:00,161 --> 00:23:03,077 - I GET IT, COUNSELOR. AS SOON I KNOW, YOU'LL KNOW. 506 00:23:03,120 --> 00:23:05,253 THAT WAS BARBA. GOOD NEWS. 507 00:23:05,296 --> 00:23:07,777 WILKES HAS BEEN REMANDED AND SLATED FOR A PSYCH EVAL. 508 00:23:07,821 --> 00:23:10,258 BAD NEWS: IT'S TOUGH TO TRY A CASE WITH NO VICTIMS. 509 00:23:10,301 --> 00:23:11,477 WHERE ARE WE? - I GOT MORE BAD NEWS. 510 00:23:11,520 --> 00:23:13,740 JUST GOT OFF THE PHONE WITH TARU. 511 00:23:13,783 --> 00:23:15,219 WILKES WAS TELLING THE TRUTH 512 00:23:15,263 --> 00:23:19,702 ABOUT THOSE TORTURE PICTURES-- PHOTOSHOPPED. 513 00:23:19,746 --> 00:23:21,487 - I MIGHT HAVE SOMETHING. 514 00:23:21,530 --> 00:23:23,924 THERE WAS A NINE-YEAR-OLD FROM P.S. 27 515 00:23:23,967 --> 00:23:25,186 WHO WENT MISSING LAST YEAR. 516 00:23:25,229 --> 00:23:26,753 - THAT'S THE SPECIAL NEEDS BOY. 517 00:23:26,796 --> 00:23:28,450 HE TURNED UP SIX DAYS LATER, 518 00:23:28,494 --> 00:23:30,147 COULDN'T TELL THE POLICE WHERE HE'D BEEN. 519 00:23:30,191 --> 00:23:32,236 - SHOW THE FAMILY WILKES' PHOTO. GO BACK TO THE SCHOOL. 520 00:23:32,280 --> 00:23:34,064 SEE IF ANYONE HAS SEEN WILKES WITH KIDS, 521 00:23:34,108 --> 00:23:35,239 AND WHILE YOU'RE AT IT, 522 00:23:35,283 --> 00:23:37,241 CHECK OUT ANY OPEN MOLESTATION CASES. 523 00:23:40,854 --> 00:23:43,639 - SO? - NO, SORRY. 524 00:23:43,683 --> 00:23:46,555 - HAVE YOU SEEN THIS MAN? 525 00:24:01,048 --> 00:24:03,529 - WHAT ABOUT HIM? 526 00:24:06,314 --> 00:24:09,578 WELL, HEY, THANK YOU FOR YOUR TIME, ALL RIGHT? 527 00:24:09,622 --> 00:24:11,624 THANK YOU. - THANKS. 528 00:24:13,234 --> 00:24:14,975 - I FIND MYSELF IN THE TERRIBLE POSITION 529 00:24:15,018 --> 00:24:16,324 OF HOPING WE FOUND A VICTIM. 530 00:24:16,367 --> 00:24:17,891 - THAT WAS THE BOY WHO WENT MISSING. 531 00:24:17,934 --> 00:24:19,370 HE COULDN'T I.D. WILKES. 532 00:24:19,414 --> 00:24:21,503 - A FEW KIDS AND MOMS AT THE SCHOOL RECOGNIZED HIM. 533 00:24:21,547 --> 00:24:24,593 HE TAKES PICTURES, BUT HE HASN'T BOTHERED ANYONE. 534 00:24:24,637 --> 00:24:26,334 - WHAT ABOUT THE MOLESTATION CASES? 535 00:24:26,377 --> 00:24:27,988 - FIVE LINEUPS, FIVE STRIKEOUTS. 536 00:24:28,031 --> 00:24:30,773 WE'VE CHECKED EVERY SINGLE FILE ON WILKES' COMPUTER. 537 00:24:30,817 --> 00:24:33,254 WE'VE CHECKED EVERY SINGLE PHOTO ON HIS CLOUD ACCOUNT. 538 00:24:33,297 --> 00:24:34,734 NOTHING. - GO FURTHER. 539 00:24:34,777 --> 00:24:38,041 LOOK INTO, UH, FORMER ADDRESSES CLOSE TO SCHOOL YARDS. 540 00:24:38,085 --> 00:24:39,565 WHAT DO WE KNOW ABOUT HIS HISTORY? 541 00:24:39,608 --> 00:24:42,306 - WELL, HE HAS AN EX-WIFE AND A SON LIVING IN TORONTO. 542 00:24:42,350 --> 00:24:44,352 THEY'RE DUCKING OUR CALLS. - HEY, THAT WAS CSU. 543 00:24:44,395 --> 00:24:47,311 THEY FOUND BODY FLUIDS, HAIR FIBERS, 544 00:24:47,355 --> 00:24:49,052 FINGERPRINTS ALL OVER THE DUNGEON. 545 00:24:49,096 --> 00:24:50,924 THEY'RE EVEN ON THE BOY'S CLOTHING IN THE HAMPER. 546 00:24:50,967 --> 00:24:52,491 - GOOD, AND THEY'RE RUNNING DNA? - YEAH, THEY ALREADY DID THAT. 547 00:24:52,534 --> 00:24:57,104 ONLY ONE HIT: WILKES. 548 00:24:57,147 --> 00:24:59,236 - NO TRACE OF ANYONE ELSE? 549 00:24:59,280 --> 00:25:02,109 - HE MUST HAVE CLEANED THE PLACE UP. 550 00:25:02,152 --> 00:25:03,589 - THE PLACE ISN'T CLEAN. 551 00:25:03,632 --> 00:25:05,721 THERE'S NO SIGN OF BLEACH THERE, 552 00:25:05,765 --> 00:25:06,722 AND HE CAN'T JUST WIPE UP EVERYBODY ELSE'S DNA 553 00:25:06,766 --> 00:25:08,115 AND LEAVE HIS OWN. 554 00:25:08,158 --> 00:25:10,465 - BUT HE TOLD US WHAT HE'D DONE TO KIDS IN THERE. 555 00:25:10,509 --> 00:25:14,904 I MEAN, WHY IN GOD'S NAME WOULD ANYONE MAKE THAT UP? 556 00:25:17,124 --> 00:25:19,082 [buzzer] 557 00:25:19,126 --> 00:25:20,127 - GOOD AFTERNOON, MR. WILKES. 558 00:25:20,170 --> 00:25:24,392 I'M DR. GEORGE HUANG. 559 00:25:24,435 --> 00:25:27,134 DO YOU UNDERSTAND THE PURPOSE OF THIS INTERVIEW? 560 00:25:27,177 --> 00:25:29,092 - YOU'RE THE ONE PSYCHIATRIST BOTH SIDES 561 00:25:29,136 --> 00:25:31,094 COULD AGREE ON AS AN EXPERT. 562 00:25:31,138 --> 00:25:33,227 - AND JUST TO BE CLEAR, I'M NOT HERE TO JUDGE. 563 00:25:33,270 --> 00:25:36,186 I'M HERE TO EVALUATE. 564 00:25:36,230 --> 00:25:38,101 HAVE YOU EVER BEEN IN THERAPY? 565 00:25:38,145 --> 00:25:39,755 - NO, I'VE NEVER HAD THE NEED. 566 00:25:39,799 --> 00:25:44,064 - REALLY? 567 00:25:44,107 --> 00:25:47,850 SO HOW DO YOU THINK THAT YOU GOT HERE? 568 00:25:47,894 --> 00:25:50,592 - LIKE EVERYONE ELSE, I HAVE A FANTASY LIFE. 569 00:25:50,636 --> 00:25:52,202 I JUST MADE THE MISTAKE OF TALKING 570 00:25:52,246 --> 00:25:54,596 TO THE WRONG PEOPLE ABOUT IT. 571 00:25:54,640 --> 00:25:57,468 - AND THAT'S ALL THAT THEY WERE, FANTASIES? 572 00:25:57,512 --> 00:26:01,777 - THAT'S RIGHT. I THINK VISUALLY. 573 00:26:03,257 --> 00:26:07,348 - SO YOU HAVE VERY GRAPHIC FANTASIES? 574 00:26:11,221 --> 00:26:14,747 LET'S EXPLORE THAT. 575 00:26:14,790 --> 00:26:17,227 YOU KNOW THERE'S NO GUARANTEE WHEN IT COMES TO THE HUMAN MIND. 576 00:26:17,271 --> 00:26:19,186 - NO ONE EXPECTS A CRYSTAL BALL, DOCTOR, 577 00:26:19,229 --> 00:26:20,361 JUST THE BEST RISK ASSESSMENT. 578 00:26:20,404 --> 00:26:23,799 - WELL, TO BE HONEST, 579 00:26:23,843 --> 00:26:25,322 HE SCARES ME. 580 00:26:25,366 --> 00:26:27,586 - WHY? WHAT DID HE DO? 581 00:26:27,629 --> 00:26:30,327 - IT'S MORE WHAT HE DIDN'T DO AND WHAT HE'S STILL NOT DOING. 582 00:26:30,371 --> 00:26:32,678 HE'S NEVER SOUGHT TREATMENT FROM A PSYCHIATRIST, 583 00:26:32,721 --> 00:26:35,245 EVEN THOUGH HE'S HAD THESE FANTASIES SINCE HE WAS A CHILD. 584 00:26:35,289 --> 00:26:36,203 - SO HE HASN'T BEEN FIGHTING THEM? 585 00:26:36,246 --> 00:26:38,248 - NO, THEY'VE ACTUALLY BECOME 586 00:26:38,292 --> 00:26:40,642 PROGRESSIVELY MORE GRAPHIC OVER TIME. 587 00:26:40,686 --> 00:26:42,339 AND THEN, A FEW YEARS AGO, 588 00:26:42,383 --> 00:26:45,429 IT REACHED THE POINT WHERE THINKING WASN'T ENOUGH. 589 00:26:45,473 --> 00:26:47,170 THAT'S WHY HE PHOTOSHOPPED THOSE IMAGES 590 00:26:47,214 --> 00:26:48,563 AND BUILT THAT CHAMBER. 591 00:26:48,607 --> 00:26:50,696 - HE'S ESCALATING. - LIKE AN ADDICT. 592 00:26:50,739 --> 00:26:52,175 THE REWARD CENTERS OF THE BRAIN 593 00:26:52,219 --> 00:26:54,569 ARE ACTIVATED BY SEQUENTIALLY STRONGER STIMULI. 594 00:26:54,613 --> 00:26:56,136 - WILL HE ACT ON THESE IMPULSES? 595 00:26:56,179 --> 00:26:58,138 - WELL, HERE'S ANOTHER ANALOGY. 596 00:26:58,181 --> 00:27:00,531 SOME PEOPLE JUST TALK ABOUT SUICIDE, 597 00:27:00,575 --> 00:27:03,186 BUT WE WORRY ABOUT THEM WHEN THEY GO OUT AND THEY BUY A GUN. 598 00:27:03,230 --> 00:27:04,361 - AND WILKES? 599 00:27:04,405 --> 00:27:07,843 - THAT CHAMBER... 600 00:27:07,887 --> 00:27:11,455 IT'S AN ARSENAL. 601 00:27:14,197 --> 00:27:16,112 - IF YOU HAD HARD EVIDENCE OF ANY CRIMINAL ACTS, 602 00:27:16,156 --> 00:27:17,810 WE WOULDN'T BE HERE TO TALK ABOUT A DEAL. 603 00:27:17,853 --> 00:27:19,202 WHAT'S YOUR OFFER? 604 00:27:19,246 --> 00:27:21,117 - INTENSIVE SUPERVISION, 605 00:27:21,161 --> 00:27:23,467 HE MOVES OUT OF THE SCHOOL ZONE, 606 00:27:23,511 --> 00:27:25,034 AND HE GOES IN THE REGISTRY. 607 00:27:25,078 --> 00:27:26,035 - SO NO JAIL TIME? 608 00:27:26,079 --> 00:27:28,124 - SIMON, QUIET. 609 00:27:28,168 --> 00:27:30,300 NO CHARGES. MR. WILKES HASN'T DONE ANYTHING WRONG. 610 00:27:30,344 --> 00:27:32,825 - NOTHING WRONG? 611 00:27:32,868 --> 00:27:36,785 IF A JURY TAKES ONE LOOK AT THAT TORTURE CHAIR, 612 00:27:36,829 --> 00:27:39,527 THOSE SAWS, THE PHOTOS... 613 00:27:39,570 --> 00:27:41,703 - IS THAT YOUR PLAN, COUNSELOR? 614 00:27:41,747 --> 00:27:43,400 YOU DON'T HAVE A VICTIM, SO YOU'RE JUST GONNA 615 00:27:43,444 --> 00:27:45,185 TAR MR. WILKES FOR HIS THOUGHTS? 616 00:27:45,228 --> 00:27:47,317 IT'S AN EGREGIOUS CIVIL LIBERTIES VIOLATION. 617 00:27:47,361 --> 00:27:48,623 - WHO ARE YOU REPRESENTING HERE? 618 00:27:48,667 --> 00:27:50,756 YOUR ACTIVIST FRIENDS LOOKING FOR A TEST CASE 619 00:27:50,799 --> 00:27:55,151 THEY CAN USE FOR FUND-RAISING OR YOUR CLIENT? 620 00:27:55,195 --> 00:27:59,416 - SIMON, MR. BARBA IS TRYING TO SHAKE YOUR CONFIDENCE IN ME. 621 00:27:59,460 --> 00:28:02,506 I'M YOUR LAWYER. I ONLY CARE ABOUT YOU HERE. 622 00:28:02,550 --> 00:28:03,812 WE'RE DONE. 623 00:28:03,856 --> 00:28:06,946 I DARE YOU TO TAKE THIS TO TRIAL. 624 00:28:15,389 --> 00:28:15,650 . 625 00:28:15,694 --> 00:28:18,522 - WHAT CAN YOU TELL US ABOUT THESE PROSECUTION EXHIBITS? 626 00:28:18,566 --> 00:28:20,786 - THE KNIFE, THE SAW, THE BLOOD FUNNEL, LIGATION TUBES 627 00:28:20,829 --> 00:28:24,790 WERE ALL REMOVED BY CSU FROM THAT ROOM AFTER BEING EXAMINED. 628 00:28:24,833 --> 00:28:27,880 - BASED ON YOUR CONVERSATION WITH MR. WILKES, 629 00:28:27,923 --> 00:28:30,796 WHAT IS YOUR UNDERSTANDING OF THE PURPOSE OF THIS ROOM? 630 00:28:30,839 --> 00:28:33,059 - HE TOLD ME HE WANTED TO TORTURE A YOUNG BOY 631 00:28:33,102 --> 00:28:34,756 TO DEATH IN THERE. 632 00:28:34,800 --> 00:28:36,976 - NO FURTHER QUESTIONS. 633 00:28:42,329 --> 00:28:44,592 - DETECTIVE... 634 00:28:44,635 --> 00:28:47,203 HOW LONG HAVE YOU BEEN WITH SPECIAL VICTIMS? 635 00:28:47,247 --> 00:28:48,727 - 14 YEARS. 636 00:28:48,770 --> 00:28:50,380 - HOW MANY PEDOPHILES HAVE YOU ARRESTED? 637 00:28:50,424 --> 00:28:51,860 - HUNDREDS. 638 00:28:51,904 --> 00:28:53,601 - YOU'VE PROCESSED HUNDREDS OF CRIME SCENES. 639 00:28:53,644 --> 00:28:56,647 HOW UNUSUAL IS IT TO COME ACROSS ONE 640 00:28:56,691 --> 00:28:58,693 WHERE THERE'S NO EVIDENCE OF AN ACTUAL CRIME? 641 00:28:58,737 --> 00:29:00,739 - IT HAPPENS. 642 00:29:00,782 --> 00:29:03,002 - DIDN'T CSU FIND DNA AND FINGERPRINTS FROM MY CLIENT 643 00:29:03,045 --> 00:29:06,788 YET NOT ONE SHRED OF FORENSIC EVIDENCE FROM ANYONE ELSE? 644 00:29:06,832 --> 00:29:08,094 - YES. 645 00:29:08,137 --> 00:29:11,401 - SO THERE'S NO PROOF THAT HE TORTURED ANYONE 646 00:29:11,445 --> 00:29:14,709 OR EVEN BROUGHT ANYONE INTO THAT ROOM OR ANYWHERE ELSE. 647 00:29:14,753 --> 00:29:16,798 - MAYBE NOT, BUT HE WAS PLANNING TO. 648 00:29:16,842 --> 00:29:21,629 - WELL, WE CAN'T KNOW THAT FOR SURE, CAN WE? 649 00:29:23,631 --> 00:29:26,808 DETECTIVE, WHEN YOU INTERROGATED MY CLIENT, YOU TOLD HIM 650 00:29:26,852 --> 00:29:30,159 YOU ALSO NEEDED AN OUTLET DUE TO THE STRAINS OF YOUR JOB. 651 00:29:30,203 --> 00:29:32,858 WAS THAT TRUE? - NO. 652 00:29:32,901 --> 00:29:36,557 - SO YOU WERE LYING, SHARING A FANTASY TO GET A REACTION. 653 00:29:36,600 --> 00:29:40,517 HOW DO YOU KNOW MR. WILKES WASN'T DOING THE SAME THING? 654 00:29:40,561 --> 00:29:42,171 - HE BUILT A ROOM. 655 00:29:42,215 --> 00:29:44,434 - WHICH NO ONE ELSE WAS EVER IN. 656 00:29:44,478 --> 00:29:45,653 - BUT HE WANTED TO BRING A BOY THERE. 657 00:29:45,696 --> 00:29:47,698 - WELL, CAN YOU PREDICT SOMEONE'S BEHAVIOR 658 00:29:47,742 --> 00:29:49,135 BASED ON PAST STATEMENTS? 659 00:29:49,178 --> 00:29:51,137 - WELL, NOT ALWAYS, BUT IN THIS CASE, ABSOLUTELY. 660 00:29:51,180 --> 00:29:52,703 - OH, REALLY? COULD ANYONE HAVE PREDICTED 661 00:29:52,747 --> 00:29:54,183 THAT YOU WOULD HAVE SNAPPED ONE NIGHT 662 00:29:54,227 --> 00:29:55,794 AND GONE AFTER THREE BOYS WITH A BASEBALL BAT? 663 00:29:55,837 --> 00:29:57,578 - OBJECTION, RELEVANCE. - THEY CAME AFTER ME. 664 00:29:57,621 --> 00:29:58,840 ALL RIGHT, THEY SPRAYED MY HOUSE WITH BULLETS. 665 00:29:58,884 --> 00:30:00,363 - OBJECTION! 666 00:30:00,407 --> 00:30:03,105 - WITHDRAWN. 667 00:30:05,716 --> 00:30:07,544 - IN MY WORK AS A FORENSIC PSYCHIATRIST, 668 00:30:07,588 --> 00:30:10,809 I EVALUATE VICTIMS AND SEX OFFENDERS. 669 00:30:10,852 --> 00:30:13,855 - BY "OFFENDERS," YOU MEAN VIOLENT, SADISTIC CRIMINALS 670 00:30:13,899 --> 00:30:17,728 WHO INFLICT LASTING DAMAGE ON HELPLESS VICTIMS, RIGHT? 671 00:30:17,772 --> 00:30:19,165 - SOMETIMES. 672 00:30:19,208 --> 00:30:21,515 - AND YOU WOULD PUT MY CLIENT IN THAT CATEGORY? 673 00:30:21,558 --> 00:30:23,430 - IN TERMS OF HIS INTENTIONS, YES. 674 00:30:23,473 --> 00:30:26,607 - IN TERMS OF HIS INTENTIONS. 675 00:30:26,650 --> 00:30:28,304 DOCTOR, ISN'T THE DIFFERENCE 676 00:30:28,348 --> 00:30:30,829 THAT MY CLIENT HASN'T ACTUALLY COMMITTED A CRIME? 677 00:30:30,872 --> 00:30:32,656 - OBJECTION, YOUR HONOR. - SUSTAINED. 678 00:30:32,700 --> 00:30:36,486 PLEASE LIMIT YOUR QUESTIONS TO THE WITNESS' AREA OF EXPERTISE. 679 00:30:36,530 --> 00:30:37,487 - OF COURSE. 680 00:30:37,531 --> 00:30:38,880 DOCTOR, ARE YOU TELLING THE JURY 681 00:30:38,924 --> 00:30:42,231 THAT YOU CAN PREDICT BEYOND A REASONABLE DOUBT 682 00:30:42,275 --> 00:30:44,407 WHEN SOMEONE IS GOING TO COMMIT A CRIME? 683 00:30:44,451 --> 00:30:46,105 - I'M MAKING AN EVALUATION. 684 00:30:46,148 --> 00:30:47,671 - AH, YES, 'CAUSE YOU'RE NOT JUST A PSYCHIATRIST, 685 00:30:47,715 --> 00:30:50,109 YOU'RE ALSO A PSYCHIC? - OBJECTION. 686 00:30:50,152 --> 00:30:52,459 - WITHDRAWN. NOTHING FURTHER. 687 00:30:55,375 --> 00:30:56,767 - DID YOU GET A READ ON THE JURY? 688 00:30:56,811 --> 00:30:58,421 - THEY'RE SICKENED BY THE DETAILS, 689 00:30:58,465 --> 00:31:00,336 BUT OUR EMOTIONAL CASE IS STRONGER THAN OUR LEGAL ONE IS. 690 00:31:00,380 --> 00:31:01,337 - SIMON'S TAKING THE STAND TOMORROW? 691 00:31:01,381 --> 00:31:02,730 [cell phone chimes] 692 00:31:02,773 --> 00:31:03,818 - JURY'S GONNA SEE HIM FOR WHO HE REALLY IS. 693 00:31:03,862 --> 00:31:05,689 - I HOPE SO. HE'S COMPARTMENTALIZED 694 00:31:05,733 --> 00:31:07,256 THIS PART OF HIS LIFE FOR ALL THOSE YEARS. 695 00:31:07,300 --> 00:31:08,692 HE MAY BE ABLE TO HIDE IT FROM THEM. 696 00:31:08,736 --> 00:31:13,567 - NOT FROM HIS EX-WIFE. SHE'S WILLING TO TALK TO US. 697 00:31:15,917 --> 00:31:19,225 - I DON'T KNOW HOW YOU FOUND ME. 698 00:31:19,268 --> 00:31:22,837 I CHANGED MY NAME, GOT OFF THE INTERNET. 699 00:31:22,881 --> 00:31:26,493 I DON'T THINK SIMON EVEN KNOWS WHERE I MOVED AFTER I REMARRIED. 700 00:31:26,536 --> 00:31:30,366 - SOUNDS LIKE YOU NEEDED A CLEAN BREAK. 701 00:31:30,410 --> 00:31:33,935 - WHEN WE MET, I FOUND SIMON MAGNETIC. 702 00:31:33,979 --> 00:31:36,285 BUT HE HAS A DARKNESS INSIDE OF HIM. 703 00:31:36,329 --> 00:31:38,505 - YOU KNEW ABOUT THESE FANTASIES? 704 00:31:38,548 --> 00:31:42,204 - NOT THE EXTENT OF THEM, NOT AT FIRST, 705 00:31:42,248 --> 00:31:45,729 BUT THEN I STARTED TO NOTICE HOW HE WOULD SHUT THE LAPTOP 706 00:31:45,773 --> 00:31:48,645 WHENEVER I CAME INTO THE ROOM. 707 00:31:48,689 --> 00:31:50,082 ONE TIME, HE LEFT IT OPEN. 708 00:31:50,125 --> 00:31:54,347 - AND WHAT DID YOU SEE, MS. WALKER? 709 00:31:54,390 --> 00:31:57,741 - HE WAS MESSAGING WITH THESE OTHER PEOPLE, 710 00:31:57,785 --> 00:32:00,222 TALKING ABOUT BOBBY AND ME, 711 00:32:00,266 --> 00:32:05,010 ABOUT THINGS HE'D LET THEM DO TO US. 712 00:32:05,053 --> 00:32:08,796 OUR CHILD WAS SIX. 713 00:32:08,839 --> 00:32:10,929 HE SAID IT WAS JUST A GAME, 714 00:32:10,972 --> 00:32:14,106 BUT HE KNEW, HE KNEW HE HAD TO GO. 715 00:32:14,149 --> 00:32:18,588 I TOLD BOBBY, "DADDY HAS A SICKNESS. 716 00:32:18,632 --> 00:32:23,202 HE CAN'T BE AROUND OTHER PEOPLE." 717 00:32:23,245 --> 00:32:25,682 I MADE A DEAL WITH SIMON. 718 00:32:25,726 --> 00:32:28,555 AS LONG AS HE PROMISED TO NEVER SEE BOBBY AGAIN 719 00:32:28,598 --> 00:32:33,690 OR BE AROUND OTHER CHILDREN, I WOULD KEEP QUIET. 720 00:32:33,734 --> 00:32:36,693 THIS ROOM OF HIS... 721 00:32:36,737 --> 00:32:39,740 IT'S ACROSS FROM A GRADE SCHOOL? 722 00:32:42,830 --> 00:32:46,355 - FINALLY, MR. WILKES, YOU CHOSE TO TAKE THE STAND TODAY, 723 00:32:46,399 --> 00:32:48,575 EVEN THOUGH I ADVISED YOU NOT TO. 724 00:32:48,618 --> 00:32:50,359 CAN YOU TELL THE JURY WHY? 725 00:32:50,403 --> 00:32:52,971 - I WANTED THEM TO KNOW WHO I AM, 726 00:32:53,014 --> 00:32:55,625 A MAN WITH A NORMAL LIFE. 727 00:32:55,669 --> 00:32:57,627 I'M MARRIED. 728 00:32:57,671 --> 00:32:59,673 MY WIFE IS HERE. 729 00:32:59,716 --> 00:33:02,328 I TAKE PHOTOGRAPHS OF WEDDINGS AND BAR MITZVAHS. 730 00:33:02,371 --> 00:33:05,157 WHAT HAPPENED TO ME COULD HAPPEN TO THEM. 731 00:33:05,200 --> 00:33:08,073 - THANK YOU. NOTHING FURTHER. 732 00:33:12,294 --> 00:33:15,167 - MR. WILKES... 733 00:33:15,210 --> 00:33:17,038 YOU TESTIFIED EARLIER 734 00:33:17,082 --> 00:33:20,389 THAT YOUR FANTASIES HAVE NOTHING TO DO WITH REAL LIFE. 735 00:33:20,433 --> 00:33:22,565 CORRECT? - THERE'S NO CROSSOVER. 736 00:33:22,609 --> 00:33:26,265 - MM-HMM. YOU MENTIONED YOUR WIFE IS HERE. 737 00:33:26,308 --> 00:33:27,266 DO YOU HAVE ANY OTHER FAMILY? 738 00:33:27,309 --> 00:33:29,224 - OBJECTION, RELEVANCE. 739 00:33:29,268 --> 00:33:30,660 - A LITTLE LATITUDE, YOUR HONOR. 740 00:33:30,704 --> 00:33:32,097 THIS WILL SPEAK TO STATE OF MIND. 741 00:33:32,140 --> 00:33:34,664 - I'LL ALLOW FOR NOW. 742 00:33:34,708 --> 00:33:37,624 - YOUR WIFE, IS SHE YOUR FIRST WIFE? 743 00:33:37,667 --> 00:33:39,278 - I WAS MARRIED BEFORE. 744 00:33:39,321 --> 00:33:41,410 I'M DIVORCED, LIKE A LOT OF PEOPLE. 745 00:33:41,454 --> 00:33:43,804 - AND YOU ALSO HAVE A SON. 746 00:33:43,847 --> 00:33:47,112 DO YOU SEE YOUR EX-WIFE AND YOUR SON OFTEN? 747 00:33:47,155 --> 00:33:48,635 - NO, I DON'T THINK THAT HAS ANY-- 748 00:33:48,678 --> 00:33:51,899 - YOU DON'T? CAN YOU THINK HARDER? 749 00:34:12,311 --> 00:34:13,529 LET ME ASK YOU AGAIN, MR. WILKES, 750 00:34:13,573 --> 00:34:15,618 AND REMEMBER, YOU ARE UNDER OATH. 751 00:34:15,662 --> 00:34:19,144 WHY HAVE YOU NOT BEEN IN CONTACT 752 00:34:19,187 --> 00:34:23,409 WITH YOUR EX-WIFE OR YOUR SON? 753 00:34:31,721 --> 00:34:35,160 - BECAUSE I KNEW I COULDN'T BE AROUND THEM. 754 00:34:35,203 --> 00:34:37,336 - WHY IS THAT? 755 00:34:39,338 --> 00:34:42,210 - BECAUSE OF THE PICTURES IN MY HEAD. 756 00:34:42,254 --> 00:34:43,211 - WHICH YOU CAN'T CONTROL? 757 00:34:43,255 --> 00:34:45,822 - OBJECTION. - SUSTAINED. 758 00:34:45,866 --> 00:34:47,781 - ISN'T IT TRUE THAT YOUR FIRST WIFE ASKED YOU TO LEAVE 759 00:34:47,824 --> 00:34:49,087 WHEN YOU ADMITTED THAT YOU WERE AFRAID 760 00:34:49,130 --> 00:34:50,392 YOU WOULD ACT ON YOUR URGES? 761 00:34:50,436 --> 00:34:51,959 - OBJECTION! 762 00:34:52,002 --> 00:34:54,266 - I MADE--I MADE THE DECISION TO LEAVE. 763 00:34:54,309 --> 00:34:58,705 I DIDN'T HURT HIM. 764 00:34:58,748 --> 00:35:02,012 HE'S MY SON. I DIDN'T HURT HIM. 765 00:35:02,056 --> 00:35:04,798 I WOULD NEVER. [cries] 766 00:35:26,515 --> 00:35:26,689 . 767 00:35:26,733 --> 00:35:30,954 - LADIES AND GENTLEMEN, MR. WILKES. 768 00:35:30,998 --> 00:35:34,828 MR. WILKES WENT BEYOND JUST THOUGHT. 769 00:35:34,871 --> 00:35:39,093 HE WATCHED STREAMING VIDEOS OF BOYS BEING TORTURED. 770 00:35:39,137 --> 00:35:44,490 HE BUILT A DISSECTION CHAMBER, FULLY FUNCTIONING, 771 00:35:44,533 --> 00:35:49,147 WITH ELECTRIC SAWS, AND A DRAIN IN THE FLOOR FOR BLOOD. 772 00:35:49,190 --> 00:35:52,541 HIS OWN HIDDEN ART PHOTOS 773 00:35:52,585 --> 00:35:54,500 PROVIDE GRAPHIC EVIDENCE OF EXACTLY WHAT HE INTENDED 774 00:35:54,543 --> 00:35:56,502 TO DO IN THAT CHAMBER. 775 00:35:56,545 --> 00:36:01,289 SIMON WILKES LEFT HIS ONLY SON... 776 00:36:01,333 --> 00:36:02,682 AND NEVER SAW HIM AGAIN 777 00:36:02,725 --> 00:36:06,425 BECAUSE HE WAS THAT AFRAID OF HIS OWN FANTASIES. 778 00:36:06,468 --> 00:36:08,209 AND IF THE DEFENDANT 779 00:36:08,253 --> 00:36:10,690 WAS THAT CONVINCED THAT HE WOULD EVENTUALLY ACT, 780 00:36:10,733 --> 00:36:14,389 THAT HE WOULD TORTURE HIS OWN SON, 781 00:36:14,433 --> 00:36:20,003 TORTURE HIM OR EVEN KILL HIM... 782 00:36:20,047 --> 00:36:22,223 SHOULDN'T WE BE? 783 00:36:32,015 --> 00:36:34,496 - LADIES AND GENTLEMEN, 784 00:36:34,540 --> 00:36:37,760 MR. BARBA HAS BROUGHT A CASE 785 00:36:37,804 --> 00:36:41,416 WITH NO EVIDENCE, NO VICTIM, 786 00:36:41,460 --> 00:36:43,984 NO CRIME. 787 00:36:44,027 --> 00:36:48,989 WHAT HE HAS IS A DEFENDANT HE DOESN'T LIKE... 788 00:36:50,033 --> 00:36:51,296 AN ARTIST. 789 00:36:51,339 --> 00:36:53,950 HAS MR. WILKES PUSHED BOUNDARIES? 790 00:36:53,994 --> 00:36:55,038 YES. 791 00:36:55,082 --> 00:36:58,477 BUT HAS HE EVER HARMED ANYONE? 792 00:36:58,520 --> 00:37:00,914 NO. 793 00:37:00,957 --> 00:37:04,309 THE PICTURES YOU SAW WERE PHOTOSHOPPED. 794 00:37:04,352 --> 00:37:07,355 THE IDEA OF PROCURING A BOY 795 00:37:07,399 --> 00:37:09,966 CAME FROM THE UNDERCOVER OFFICER. 796 00:37:10,010 --> 00:37:12,752 THE SCENE OF THE "CRIME" 797 00:37:12,795 --> 00:37:18,192 CONTAINED MR. WILKES' DNA ONLY. 798 00:37:18,236 --> 00:37:21,674 I'D LIKE YOU TO ASK YOURSELVES, 799 00:37:21,717 --> 00:37:24,154 HAVE YOU EVER HAD THOUGHTS 800 00:37:24,198 --> 00:37:28,071 YOU KNEW YOU WOULD NEVER ACT ON? 801 00:37:28,115 --> 00:37:29,377 I KNOW I HAVE. 802 00:37:29,421 --> 00:37:32,293 I'M SURE THE D.A. HAS. 803 00:37:32,337 --> 00:37:34,382 CHEATING ON YOUR SPOUSE? 804 00:37:38,343 --> 00:37:42,651 KILLING YOUR BOSS, MAYBE AN IN-LAW? 805 00:37:42,695 --> 00:37:44,392 THINK ABOUT IT. 806 00:37:44,436 --> 00:37:48,788 BETTER YET, DON'T THINK ABOUT IT. 807 00:37:48,831 --> 00:37:51,094 DON'T. 808 00:37:51,138 --> 00:37:55,490 OTHERWISE YOU'LL BE WHERE MR. WILKES IS NOW. 809 00:38:17,947 --> 00:38:21,690 - NICE SUMMATION. 810 00:38:21,734 --> 00:38:23,823 - NICE MOVE SNEAKING HIS EX-WIFE AND SON 811 00:38:23,866 --> 00:38:25,172 INTO THE COURTROOM TO RATTLE HIM. 812 00:38:25,215 --> 00:38:26,826 EVEN FOR YOU, THAT WAS A LOW BLOW. 813 00:38:26,869 --> 00:38:29,916 - YOU EVER ASK YOURSELF WHY IT RATTLED HIM SO MUCH? 814 00:38:29,959 --> 00:38:31,570 WHAT THE HELL KIND OF THOUGHTS DOES HE HAVE IN HIS HEAD 815 00:38:31,613 --> 00:38:34,007 ABOUT HIS OWN SON? 816 00:38:34,050 --> 00:38:35,617 - YOU REALLY WANT TO LIVE IN A WORLD 817 00:38:35,661 --> 00:38:40,318 WHERE YOU CAN BE PUT IN PRISON FOR WHAT'S INSIDE YOUR HEAD? 818 00:38:55,463 --> 00:38:58,205 - HAS THE JURY REACHED A VERDICT? 819 00:38:58,248 --> 00:39:01,861 - WE HAVE, YOUR HONOR. 820 00:39:01,904 --> 00:39:04,037 ON THE CHARGE OF ATTEMPTED KIDNAPPING, 821 00:39:04,080 --> 00:39:07,127 WE FIND THE DEFENDANT NOT GUILTY. 822 00:39:07,170 --> 00:39:10,652 ON THE CHARGE OF ATTEMPTED SEXUAL ABUSE OF A CHILD, 823 00:39:10,696 --> 00:39:13,394 WE FIND THE DEFENDANT NOT GUILTY. 824 00:39:16,963 --> 00:39:19,008 - LADIES AND GENTLEMEN, I THANK YOU FOR YOUR SERVICE. 825 00:39:19,052 --> 00:39:20,053 [bangs gavel] 826 00:39:35,808 --> 00:39:37,505 - JURY DELIBERATED LESS THAN THREE HOURS. 827 00:39:37,549 --> 00:39:39,725 - I WOULDN'T TAKE IT PERSONALLY. 828 00:39:39,768 --> 00:39:42,423 YOU PUT UP A GOOD FIGHT. 829 00:39:42,467 --> 00:39:45,383 - RIGHT THIS WAY. ENJOY. 830 00:39:55,218 --> 00:39:57,917 - LET IT GO, NICK. 831 00:39:57,960 --> 00:40:00,267 WE GAVE IT OUR BEST SHOT. 832 00:40:00,310 --> 00:40:01,921 - RIGHT, AND THAT'S IT, RIGHT? 833 00:40:01,964 --> 00:40:05,881 WE JUST WAIT FOR SIMON TO DO SOMETHING? 834 00:40:05,925 --> 00:40:07,187 HE'S NOT GONNA STOP. 835 00:40:07,230 --> 00:40:10,364 - YOU CAN'T LET IT GET IN YOUR HEAD, DETECTIVE. 836 00:40:16,979 --> 00:40:20,548 - SO I GOT YOU A SNACK FOR THE RIDE HOME. 837 00:40:20,592 --> 00:40:22,115 - I'LL MISS YOU, DADDY. 838 00:40:22,158 --> 00:40:24,552 - I'LL MISS YOU TOO, MI AMOR. [speaking Spanish] 839 00:40:26,946 --> 00:40:29,470 OKAY, SO WE'LL KEEP TALKING, HUH? 840 00:40:29,514 --> 00:40:32,908 - ACTUALLY, NICK, UM, I TOLD THEM I'M GONNA TAKE THE JOB. 841 00:40:32,952 --> 00:40:34,823 THEY NEEDED AN ANSWER RIGHT AWAY, 842 00:40:34,867 --> 00:40:36,346 AND IT'S TOO GOOD AN OFFER. 843 00:40:36,390 --> 00:40:37,522 - HEY, JUST LIKE THAT, YOU'RE GONNA TAKE 844 00:40:37,565 --> 00:40:39,175 MY DAUGHTER OUT OF MY LIFE? 845 00:40:39,219 --> 00:40:40,742 - NO, YOU CAN COME OUT AND LIVE NEARBY. 846 00:40:40,786 --> 00:40:41,830 - YEAH, AND DO WHAT? 847 00:40:41,874 --> 00:40:43,658 CHECK I.D.s AT A MOVIE STUDIO GATE? 848 00:40:43,702 --> 00:40:45,486 WHAT, YOU WANT ME TO LEAVE MY MOTHER, MY SON? 849 00:40:45,530 --> 00:40:47,357 HEY, YOU WANT ME TO FIGHT? 850 00:40:47,401 --> 00:40:48,663 I COULD FIGHT YOU. WANT ME TO TAKE YOU TO COURT? 851 00:40:48,707 --> 00:40:50,230 IS THAT WHAT-- - NICK, I CARE ABOUT YOU, 852 00:40:50,273 --> 00:40:51,971 AND I CAN SEE THAT YOU'RE UNDER A LOT OF PRESSURE. 853 00:40:52,014 --> 00:40:53,407 - NO, HEY, DON'T, DON'T DO THAT. - YOU KNOW WHAT? 854 00:40:53,451 --> 00:40:54,800 IF YOU TAKE THIS TO COURT, YOU'RE GONNA FORCE ME 855 00:40:54,843 --> 00:40:56,192 TO BRING UP THINGS THAT YOU DON'T WANT ON RECORD. 856 00:40:56,236 --> 00:40:57,759 SO FOR YOUR SAKE AND FOR ZARA'S, 857 00:40:57,803 --> 00:41:01,241 YOU BETTER LET THIS GO. 858 00:41:10,903 --> 00:41:15,255 [camera shutter clicks] 859 00:41:22,175 --> 00:41:25,352 - YOU GOT FIVE SECONDS TO PUT THAT DOWN. 860 00:41:25,395 --> 00:41:26,962 - IT'S A PUBLIC SIDEWALK, DETECTIVE. 861 00:41:27,006 --> 00:41:29,530 YOU CAN'T CONTROL ME. 862 00:41:29,574 --> 00:41:31,401 SMILE. 863 00:41:31,445 --> 00:41:33,186 HEY! HEY! HEY! 864 00:41:33,229 --> 00:41:37,407 LEAVE ME ALONE! 865 00:41:37,451 --> 00:41:38,844 [both grunting] 866 00:41:38,887 --> 00:41:41,194 HELP! SOMEONE CALL THE POLICE! 867 00:41:42,412 --> 00:41:44,893 [siren wails] PLEASE! PLEASE STOP! 868 00:41:48,201 --> 00:41:49,158 - HANDS UP WHERE WE CAN SEE THEM. 869 00:41:49,202 --> 00:41:51,378 - HANDS IN THE AIR. 870 00:41:51,421 --> 00:41:53,249 - I'M ON THE JOB. I'M ON THE JOB. 871 00:41:53,293 --> 00:41:55,861 - COME ON, KIDS. - KEEP 'EM UP. KEEP 'EM UP. 872 00:41:55,904 --> 00:41:57,166 - I'M ON THE JOB, MAN! 873 00:41:57,210 --> 00:41:58,472 - YOU'RE UNDER ARREST. - [grunts] 874 00:41:58,516 --> 00:42:01,214 - WE NEED AN AMBULANCE. 875 00:42:04,870 --> 00:42:07,394 SIR, CAN YOU FEEL YOUR LEGS? 876 00:42:07,437 --> 00:42:08,395 [siren wails] 877 00:42:08,438 --> 00:42:11,006 - COME ON. 878 00:42:48,566 --> 00:42:51,525 [wolf howls] 63923

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