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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:03,160 (rocket blasts off) 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:05,960 --> 00:00:08,960 - Okay, Venus. - Okay, Steve. 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:08,960 --> 00:00:11,000 - Right, let's go. 6 00:00:11,000 --> 00:00:13,000 Stand by for action. 7 00:00:13,000 --> 00:00:15,960 (bomb explodes) (water splashes) 8 00:00:15,960 --> 00:00:19,960 (audience cheers and applauds) 9 00:00:29,960 --> 00:00:32,000 Five... ("Thunderbirds" theme) 10 00:00:32,000 --> 00:00:33,960 Four. 11 00:00:33,960 --> 00:00:35,960 Three. 12 00:00:35,960 --> 00:00:37,960 Two. 13 00:00:37,960 --> 00:00:41,800 One. (rocket blasts off) 14 00:00:43,960 --> 00:00:45,960 Thunderbirds are go. 15 00:00:45,960 --> 00:00:47,960 ("Thunderbirds" theme) 16 00:01:16,960 --> 00:01:21,000 ("Thunderbirds" theme continues) 17 00:01:51,960 --> 00:01:55,960 ("Thunderbirds" theme continues) 18 00:02:01,960 --> 00:02:04,960 (audience applauds) 19 00:02:20,960 --> 00:02:23,960 (audience cheers and applauds) 20 00:02:31,960 --> 00:02:34,960 - I love that these guys have just done the most astounding 21 00:02:34,960 --> 00:02:37,000 Thunderbirds march and then you applaud me for walking on. 22 00:02:37,000 --> 00:02:40,960 (audience laughs) I really do appreciate that. 23 00:02:40,960 --> 00:02:43,960 Ladies and gents, thank you so much for coming along 24 00:02:43,960 --> 00:02:45,960 to a very special night, 25 00:02:45,960 --> 00:02:47,960 Standby for Action, Gerry Anderson in concert. 26 00:02:47,960 --> 00:02:49,960 For those of you who don't know, 27 00:02:49,960 --> 00:02:52,960 my name is Jamie Anderson and I am the proud son 28 00:02:52,960 --> 00:02:54,960 of the legendary Gerry Anderson. 29 00:02:54,960 --> 00:02:56,960 (audience applauds) 30 00:03:05,960 --> 00:03:08,960 I think it's a testament to the quality and the timelessness 31 00:03:08,960 --> 00:03:12,960 of all the shows that there are almost 2,000 of you here. 32 00:03:12,960 --> 00:03:15,960 You've all come together tonight and it's because of you, 33 00:03:15,960 --> 00:03:18,640 all of you, that we are doing this. 34 00:03:18,640 --> 00:03:20,960 The Anderson legacy really does live on 35 00:03:20,960 --> 00:03:22,960 in the hearts and minds of generations of fans 36 00:03:22,960 --> 00:03:24,960 all over the world, and that's all of you. 37 00:03:24,960 --> 00:03:27,960 And actually I know that quite a few of you have travelled 38 00:03:27,960 --> 00:03:29,960 from overseas and I think that is an effort 39 00:03:29,960 --> 00:03:31,960 worthy of international rescue. 40 00:03:31,960 --> 00:03:33,960 I know, yeah, it's amazing. (audience applauds) 41 00:03:33,960 --> 00:03:34,960 Well done. 42 00:03:40,960 --> 00:03:43,480 What I can tell you is that a huge team has worked 43 00:03:43,480 --> 00:03:47,960 together tirelessly and we will do our very best to give you 44 00:03:47,960 --> 00:03:49,960 an evening's entertainment that is worthy 45 00:03:49,960 --> 00:03:50,960 of the Anderson name. 46 00:03:50,960 --> 00:03:53,960 Now, you've already met George, George Morton, 47 00:03:53,960 --> 00:03:57,000 our fantastic conductor who's already done an amazing job. 48 00:03:57,000 --> 00:03:59,960 (audience applauds) 49 00:04:02,960 --> 00:04:04,960 Later on this evening we'll also be welcoming 50 00:04:04,960 --> 00:04:08,960 our special guest conductor, Richard Harvey. 51 00:04:08,960 --> 00:04:11,960 (audience applauds) 52 00:04:13,960 --> 00:04:16,960 And over there at the piano dressed as Captain Black, 53 00:04:16,960 --> 00:04:19,960 another Anderson alumnus, Crispin Merrell. 54 00:04:19,960 --> 00:04:22,960 (audience applauds) 55 00:04:26,640 --> 00:04:31,960 So this is it, Anderson Entertainment and Carrot Productions 56 00:04:31,960 --> 00:04:35,160 are very, very proud to present Stand by for Action. 57 00:04:35,160 --> 00:04:38,960 Please put your hands together for your incredible host, 58 00:04:38,960 --> 00:04:41,960 the inimitable Jon Culshaw. 59 00:04:41,960 --> 00:04:44,960 (audience applauds) 60 00:04:47,960 --> 00:04:50,960 - Ah, thank you. 61 00:04:50,960 --> 00:04:52,960 Thank you so much, thank you. 62 00:04:54,960 --> 00:04:56,000 Ah. 63 00:04:56,000 --> 00:04:58,960 Thank you for that very, very glorious welcome, 64 00:04:58,960 --> 00:05:00,480 what a wonderful, wonderful occasion, 65 00:05:00,480 --> 00:05:01,960 so wonderful to be here. 66 00:05:01,960 --> 00:05:03,960 We saw on the screen, filmed in video colour, 67 00:05:03,960 --> 00:05:06,960 our orchestra also in video colour tonight. 68 00:05:06,960 --> 00:05:10,480 Let's hear it for, so many of you. (audience applauds) 69 00:05:10,480 --> 00:05:12,960 So many of us in video colour. 70 00:05:15,960 --> 00:05:18,480 AS PERTWEE: I got the wrong memo and I've come here as Jon Pertwee, 71 00:05:18,480 --> 00:05:20,960 but never mind, yes. (audience laughs) 72 00:05:20,960 --> 00:05:22,960 I'll tell you the anecdote of when Parker 73 00:05:22,960 --> 00:05:23,960 drove the Whomobile. 74 00:05:23,960 --> 00:05:27,960 Quite frankly, he was superb. 75 00:05:27,960 --> 00:05:29,960 But it's an absolute joy to be with you tonight. 76 00:05:29,960 --> 00:05:33,160 It truly is a great, great honour to be invited 77 00:05:33,160 --> 00:05:36,960 to host this event and just to the joyful homework 78 00:05:36,960 --> 00:05:39,960 of watching so many of those Anderson shows 79 00:05:39,960 --> 00:05:43,960 to refresh one's knowledge and you just see 80 00:05:43,960 --> 00:05:46,960 and you're amazed even more at the great diversity 81 00:05:46,960 --> 00:05:49,160 and the history of these wonderful shows 82 00:05:49,160 --> 00:05:51,960 that brought so much joy to us, 83 00:05:51,960 --> 00:05:54,960 that sense of Saturday-ness whenever we saw them. 84 00:05:54,960 --> 00:05:56,960 And in a packed show tonight, 85 00:05:56,960 --> 00:05:58,960 this is how packed the show is, 86 00:05:58,960 --> 00:06:01,320 look at that, look at that. 87 00:06:01,320 --> 00:06:04,960 This is my Anderson Bible for the night and there they are, 88 00:06:04,960 --> 00:06:09,960 the music stand is taking the volume of them. 89 00:06:09,960 --> 00:06:10,960 So are you ready? 90 00:06:10,960 --> 00:06:12,960 (audience responds) 91 00:06:12,960 --> 00:06:16,960 As that wonderful saying goes, stand by for action. 92 00:06:16,960 --> 00:06:18,960 (audience applauds) 93 00:06:18,960 --> 00:06:22,960 Yes, indeed. 94 00:06:22,960 --> 00:06:24,960 A very warm good evening to you, ladies and gentlemen, 95 00:06:24,960 --> 00:06:29,960 welcome here to Stand by for Action, Gerry Anderson in Concert. 96 00:06:29,960 --> 00:06:32,480 As I've said, I'm Jon Culshaw, enormously excited to be your host 97 00:06:32,480 --> 00:06:34,960 for this evening's musical retrospective 98 00:06:34,960 --> 00:06:37,960 of the major Gerry Anderson television shows, 99 00:06:37,960 --> 00:06:41,960 a journey that will take us from 1957 100 00:06:41,960 --> 00:06:46,640 all the way through to 2005, a remarkable span. 101 00:06:46,640 --> 00:06:49,000 And along the way, we'll be enjoying the theme music 102 00:06:49,000 --> 00:06:52,960 to such classic shows as "Stingray, "Captain Scarlet," 103 00:06:52,960 --> 00:06:57,160 "Joe 90, "UFO, "Space 1999," 104 00:06:57,160 --> 00:06:59,800 and not forgetting "Thunderbirds." 105 00:06:59,800 --> 00:07:02,960 All brought to life by our amazing orchestra right here. 106 00:07:02,960 --> 00:07:05,960 (audience applauds) 107 00:07:09,160 --> 00:07:11,960 Tonight, of course, we're here to celebrate the musical side 108 00:07:11,960 --> 00:07:14,160 of the Gerry Anderson legacy, 109 00:07:14,160 --> 00:07:16,960 but important, too, to honour not only Gerry and those 110 00:07:16,960 --> 00:07:18,960 who created the music for his shows, 111 00:07:18,960 --> 00:07:23,960 but also the many other great talented artists and creatives 112 00:07:23,960 --> 00:07:26,640 who brought these shows to life for us. 113 00:07:26,640 --> 00:07:28,960 So it's very appropriate then that our programme begins 114 00:07:28,960 --> 00:07:32,800 with music from two very early television shows 115 00:07:32,800 --> 00:07:35,960 that were devised not by Gerry, 116 00:07:35,960 --> 00:07:38,160 but by the author Roberta Leigh, 117 00:07:38,160 --> 00:07:41,960 "The Adventures of Twizzle" and "Torchy, the Battery Boy," 118 00:07:41,960 --> 00:07:44,960 what familiar names, wonderful familiar names. 119 00:07:44,960 --> 00:07:48,960 Produced by Gerry's fledgling production company, AP Films, 120 00:07:48,960 --> 00:07:53,960 in the late 1950s, these shows featured magical worlds 121 00:07:53,960 --> 00:07:57,800 filled with living toys, talking animals, 122 00:07:57,800 --> 00:08:00,640 and a legion of annoying small children who usually had to 123 00:08:00,640 --> 00:08:04,960 be taught a lesson by those said toys and animals. 124 00:08:04,960 --> 00:08:07,960 Let's send them to the cabinet office as soon as possible. 125 00:08:07,960 --> 00:08:11,960 (audience laughs and applauds) 126 00:08:13,960 --> 00:08:15,960 Depending on how old you were when you first 127 00:08:15,960 --> 00:08:17,960 saw these shows, you'll either remember them 128 00:08:17,960 --> 00:08:19,960 with warm fuzzy feelings of nostalgia 129 00:08:19,960 --> 00:08:22,960 or perhaps fodder for some of the very worst 130 00:08:22,960 --> 00:08:24,960 nightmares you ever experienced. 131 00:08:24,960 --> 00:08:27,960 We'll leave that to you to decide as we enjoy 132 00:08:27,960 --> 00:08:31,960 the wonderful theme songs to both 133 00:08:31,960 --> 00:08:36,960 "The Adventures of Twizzle" and "Torchy, the Battery Boy." 134 00:08:37,960 --> 00:08:39,960 (audience applauds) 135 00:08:40,960 --> 00:08:43,960 - [Narrator] Have you heard of a twizzle toy? 136 00:08:43,960 --> 00:08:44,960 You haven't. 137 00:08:44,960 --> 00:08:47,960 Well that's because there's only one of them, 138 00:08:47,960 --> 00:08:50,960 but perhaps we better begin at the best place for stories, 139 00:08:50,960 --> 00:08:51,960 at the beginning. 140 00:08:54,960 --> 00:08:58,960 ("The Adventures of Twizzle") 141 00:09:21,960 --> 00:09:22,960 ("Torchy the Battery Boy") 142 00:09:22,960 --> 00:09:26,960 ♪ Torchy ♪ 143 00:09:30,960 --> 00:09:34,000 (rocket blasts off) 144 00:09:39,640 --> 00:09:41,960 ♪ Torchy, Torchy, the battery Boy ♪ 145 00:09:41,960 --> 00:09:44,960 ♪ I'm a walky, talky toy ♪ 146 00:09:44,960 --> 00:09:47,800 ♪ Press my switch, see my bulb start to gleam ♪ 147 00:09:47,800 --> 00:09:51,960 ♪ I'm the most magic light you have seen ♪ 148 00:09:53,960 --> 00:09:57,160 (rocket blasts) 149 00:09:57,160 --> 00:10:01,960 ("Torchy the Battery Boy" continues) 150 00:10:14,960 --> 00:10:17,960 ("Pongo the Pirate") 151 00:10:18,960 --> 00:10:21,960 ♪ I'm Pongo the pirate ♪ 152 00:10:21,960 --> 00:10:24,800 ♪ I live in a grapefruit sloop ♪ 153 00:10:24,800 --> 00:10:29,320 ♪ And with my spyglass, I spy, and I peer, and snoop ♪ 154 00:10:29,320 --> 00:10:31,960 ♪ I'm Pongo, ha ha, the pirate ♪ 155 00:10:31,960 --> 00:10:34,960 ♪ I love to pinch and spank ♪ 156 00:10:34,960 --> 00:10:37,000 ♪ And if I should catch you ♪ 157 00:10:37,000 --> 00:10:39,960 ♪ I'll make you walk the plank ♪ 158 00:10:39,960 --> 00:10:42,960 ♪ Pongo, bad, Pongo, bold ♪ 159 00:10:42,960 --> 00:10:45,960 ♪ Pongo always looks for gold ♪ 160 00:10:45,960 --> 00:10:48,960 ♪ Pongo, bad, Pongo, bold ♪ 161 00:10:48,960 --> 00:10:53,480 ♪ Pongo always looks for gold, ha ha ha ha ha ♪ 162 00:10:55,960 --> 00:10:58,960 ♪ I'm Pongo the pirate ♪ 163 00:10:58,960 --> 00:11:01,960 ♪ I live in a grapefruit sloop ♪ 164 00:11:01,960 --> 00:11:06,960 ♪ And with my spyglass, I spy, and I peer, and I snoop ♪ 165 00:11:06,960 --> 00:11:09,960 ♪ I'm Pongo the pirate ♪ 166 00:11:09,960 --> 00:11:12,800 ♪ I love to pinch and spank, ah ha ♪ 167 00:11:12,800 --> 00:11:16,960 ♪ And if I catch you, I'll make you walk the plank ♪ 168 00:11:16,960 --> 00:11:20,480 ♪ Pongo, bad, Pongo, bold ♪ 169 00:11:20,480 --> 00:11:22,960 ♪ Pongo always looks for gold ♪ 170 00:11:22,960 --> 00:11:25,960 ♪ Pongo, bad, Pongo, bold ♪ 171 00:11:25,960 --> 00:11:30,960 ♪ Pongo always looks for gold, ha ha ha ha ha ha ♪ 172 00:11:32,960 --> 00:11:35,960 (audience applauds) 173 00:11:44,480 --> 00:11:46,960 - Well that gets us into the right frame of mind, 174 00:11:46,960 --> 00:11:48,320 right from the off, straight away. 175 00:11:48,320 --> 00:11:49,960 What about another round of applause again 176 00:11:49,960 --> 00:11:52,800 for that wonderful beginning, there, fantastic, yes. 177 00:11:52,800 --> 00:11:54,960 (audience applauds) 178 00:11:55,960 --> 00:11:57,960 Gets it into the right frame of mind, 179 00:11:57,960 --> 00:12:01,960 the frame of mind it's given me is Ozzy Osbourne. 180 00:12:01,960 --> 00:12:05,960 AS OZZY: Some of the finest hallucinations I've ever seen there. 181 00:12:05,960 --> 00:12:08,960 Now, the Andersons wouldn't be sticking 182 00:12:08,960 --> 00:12:10,960 with Roberta Leigh for too long. 183 00:12:10,960 --> 00:12:13,960 Soon after Torchy began airing on British television, 184 00:12:13,960 --> 00:12:18,160 so did another puppet show from AP Films. 185 00:12:18,160 --> 00:12:21,960 And this one was entirely their own creation. 186 00:12:21,960 --> 00:12:23,960 And it was the idea of somebody that we'll be hearing 187 00:12:23,960 --> 00:12:29,000 a great deal about this evening, the composer Barry Grey. 188 00:12:29,000 --> 00:12:32,160 (audience applauds) 189 00:12:37,960 --> 00:12:39,960 And it was Barry Grey who pitched them his idea 190 00:12:39,960 --> 00:12:42,960 for a puppet western, ever inventive. 191 00:12:42,960 --> 00:12:46,960 This would eventually become "Four Feather Falls" 192 00:12:46,960 --> 00:12:48,960 and it chronicled the adventures of the residents 193 00:12:48,960 --> 00:12:52,960 of the western frontier town of that same name. 194 00:12:52,960 --> 00:12:55,160 Now, there can't be many television law enforcers 195 00:12:55,160 --> 00:12:57,960 who can also carry a tune. 196 00:12:57,960 --> 00:12:59,640 Let's hope there should be a few more of them 197 00:12:59,640 --> 00:13:00,960 in the years to come. 198 00:13:00,960 --> 00:13:03,960 But Sheriff Tex Tucker, oh, yes, Tex Tucker, 199 00:13:03,960 --> 00:13:06,960 he had a repertoire of half a dozen songs 200 00:13:06,960 --> 00:13:09,960 that were heard repeatedly over the course of the series. 201 00:13:09,960 --> 00:13:12,960 Again, all written by the great Barry Grey. 202 00:13:12,960 --> 00:13:15,960 We're gonna be hearing two of Tex's songs shortly 203 00:13:15,960 --> 00:13:18,960 sung beautifully by Edward Price, 204 00:13:18,960 --> 00:13:23,960 one of which also doubled as the show's closing title song. 205 00:13:23,960 --> 00:13:26,960 But first we shall have the opening titles, 206 00:13:26,960 --> 00:13:30,960 the song with this wonderful name, "Kalla Ma Kooya." 207 00:13:35,800 --> 00:13:38,960 - [Narrator] The four feathers on this hat are magic. 208 00:13:38,960 --> 00:13:41,960 They enable Tex Tucker's dog and horse to speak 209 00:13:41,960 --> 00:13:45,960 and his guns to fire without him even touching them. 210 00:13:45,960 --> 00:13:51,960 And now, another exciting adventure from Four Feather Falls. 211 00:13:51,960 --> 00:13:54,960 ("Kalla Ma Kooya") 212 00:13:57,640 --> 00:14:00,160 (thunder crashes) 213 00:14:07,960 --> 00:14:10,960 (thunder crashes) 214 00:14:18,960 --> 00:14:20,960 (guns shoot) 215 00:14:20,960 --> 00:14:25,960 ♪ Kaya, kalla ma kooya, kalla kaya ♪ 216 00:14:26,960 --> 00:14:31,960 ♪ Kaya, kalla ma kooya, kalla kaya ♪ 217 00:14:31,960 --> 00:14:34,960 ♪ Through magic of his strange effects ♪ 218 00:14:34,960 --> 00:14:37,960 ♪ Big Chief friend of Two Gun Tex ♪ 219 00:14:37,960 --> 00:14:42,960 ♪ Kalla ma kooya, kalla kalla ma kooya, kalla kaya ♪ 220 00:14:42,960 --> 00:14:45,640 (audience applauds) 221 00:14:45,640 --> 00:14:47,640 ("Four Feather Falls") 222 00:14:47,640 --> 00:14:52,960 ♪ In Four Feather Falls, Four Feather Falls ♪ 223 00:14:52,960 --> 00:14:58,640 ♪ There's always magic in the air ♪ 224 00:14:58,640 --> 00:15:02,960 ♪ In Four Feather Falls, Four Feather Falls ♪ 225 00:15:02,960 --> 00:15:07,960 ♪ You always find a vacant chair ♪ 226 00:15:07,960 --> 00:15:12,160 ♪ In Four Feather Falls, Four Feather Falls ♪ 227 00:15:12,160 --> 00:15:16,960 ♪ Where every heart is kind and true ♪ 228 00:15:16,960 --> 00:15:20,960 ♪ If ever you're in town, they'll never let you down ♪ 229 00:15:20,960 --> 00:15:25,320 ♪ And stranger, there's a welcome for you ♪ 230 00:15:25,320 --> 00:15:29,960 ♪ But anything can happen, anything at all. ♪ 231 00:15:29,960 --> 00:15:34,960 ♪ You may hear a dog meow ♪ 232 00:15:34,960 --> 00:15:38,480 ♪ But stranger than that, why any stray cat ♪ 233 00:15:38,480 --> 00:15:42,320 ♪ May suddenly remark bow wow, woof woof ♪ 234 00:15:42,320 --> 00:15:47,160 ♪ Oh Four Feather Falls, I said Four Feather Falls ♪ 235 00:15:47,160 --> 00:15:50,960 ♪ The only place on earth to be ♪ 236 00:15:50,960 --> 00:15:56,000 ♪ Cos Four Feather Falls, yes, Four Feather Falls ♪ 237 00:15:56,000 --> 00:15:59,960 ♪ Means heaven on the range to me ♪ 238 00:15:59,960 --> 00:16:04,640 ("Four Feather Falls" continues) 239 00:16:08,960 --> 00:16:12,960 ♪ Four Feather Falls, Four Feather Falls ♪ 240 00:16:12,960 --> 00:16:17,960 ♪ Means heaven on the range to me ♪ 241 00:16:17,960 --> 00:16:21,320 ♪ Heaven on the range to me ♪ 242 00:16:22,960 --> 00:16:25,000 ("audience applauds) 243 00:16:25,000 --> 00:16:28,960 ("Two Gun Tex of Texas") 244 00:16:30,160 --> 00:16:34,960 ♪ Two Gun Tex of Texas, he's a guy with the straightest deal ♪ 245 00:16:34,960 --> 00:16:37,960 ♪ But he keeps the law with the fastest draw ♪ 246 00:16:37,960 --> 00:16:41,960 ♪ And a nerve as strong as steel ♪ 247 00:16:41,960 --> 00:16:47,960 ♪ Two Gun Tex of Texas is a friend who would never fail ♪ 248 00:16:47,960 --> 00:16:49,960 ♪ But if you did wrong, wouldn't take him long ♪ 249 00:16:49,960 --> 00:16:53,960 ♪ To clap you right in jail ♪ 250 00:16:53,960 --> 00:16:56,960 ♪ He's known throughout all Kansas ♪ 251 00:16:56,960 --> 00:16:59,000 ♪ Through every single mile ♪ 252 00:16:59,000 --> 00:17:04,160 ♪ As a rootin'-tootin', highfalutin sheriff with a smile ♪ 253 00:17:04,160 --> 00:17:09,320 ♪ Two Gun Tex of Texas will never let you down ♪ 254 00:17:09,320 --> 00:17:12,640 ♪ But play it bad and he'll get mad ♪ 255 00:17:12,640 --> 00:17:14,960 ♪ So cover your tracks from Two Gun Tex ♪ 256 00:17:14,960 --> 00:17:22,960 ♪ The smartest guy in town ♪ 257 00:17:22,960 --> 00:17:25,960 ("Two Gun Tex of Texas" continues) 258 00:17:28,960 --> 00:17:30,960 (audience applauds) 259 00:17:40,960 --> 00:17:42,960 - I think he was having a bit too much fun 260 00:17:42,960 --> 00:17:45,960 in that bath, don't you? (audience laughs) 261 00:17:45,960 --> 00:17:48,960 Absolutely wonderful, marvellous stuff. 262 00:17:48,960 --> 00:17:52,480 In fact, "Four Feather Falls" was the first series to use 263 00:17:52,480 --> 00:17:54,960 the lip-syncing technique that became known 264 00:17:54,960 --> 00:17:59,960 as supermarionation, another very, very familiar term to us. 265 00:17:59,960 --> 00:18:02,960 And having created this futuristic technology to bring 266 00:18:02,960 --> 00:18:05,960 their puppet characters to such glorious life, 267 00:18:05,960 --> 00:18:08,800 it was now time for AP Films to create a series 268 00:18:08,800 --> 00:18:11,960 that although it wasn't set in the future, 269 00:18:11,960 --> 00:18:14,960 it certainly incorporated futuristic elements, 270 00:18:14,960 --> 00:18:19,800 the most obvious of which was the show's star vehicle. 271 00:18:19,800 --> 00:18:21,960 As the title song told us every week it could travel 272 00:18:21,960 --> 00:18:26,960 on land, through the air, under water, and even into space. 273 00:18:26,960 --> 00:18:29,960 And I know you will know this, that vehicle's name. 274 00:18:29,960 --> 00:18:30,960 - [Audience] Supercar. 275 00:18:30,960 --> 00:18:34,960 - Supercar, absolutely, we've got many, many fans 276 00:18:34,960 --> 00:18:37,960 of the Supercar Fan Club here in the auditorium 277 00:18:37,960 --> 00:18:39,640 with us tonight. 278 00:18:39,640 --> 00:18:41,960 Of course, "Supercar" followed the adventures 279 00:18:41,960 --> 00:18:43,480 of the whole supercar team 280 00:18:43,480 --> 00:18:46,960 as they put this fantastic machine through its paces. 281 00:18:46,960 --> 00:18:49,320 We're gonna be hearing two tracks from "Supercar" 282 00:18:49,320 --> 00:18:50,960 in just a moment. 283 00:18:50,960 --> 00:18:54,000 The second one will be a selection of jazz tracks 284 00:18:54,000 --> 00:18:57,960 from the show's final episode, "King Kool," 285 00:18:57,960 --> 00:19:00,480 this is the famous one where Mitch the monkey 286 00:19:00,480 --> 00:19:01,960 takes up the drums of course. 287 00:19:01,960 --> 00:19:03,960 I think we can hear a little example just now. 288 00:19:03,960 --> 00:19:05,480 (drums play) 289 00:19:05,480 --> 00:19:08,960 (audience laughs and applauds) 290 00:19:09,960 --> 00:19:11,640 Ah, fantastic. 291 00:19:12,960 --> 00:19:14,960 You must come to some of my gigs, do that after every joke, 292 00:19:14,960 --> 00:19:17,960 I'll be so grateful to you, thank you. 293 00:19:17,960 --> 00:19:22,960 But before we hear that particular piece, 294 00:19:22,960 --> 00:19:24,960 we have the show's theme song, 295 00:19:24,960 --> 00:19:27,960 and this will get us into a suitably super mood 296 00:19:27,960 --> 00:19:30,960 with their rendition of the show's main theme. 297 00:19:30,960 --> 00:19:32,960 Please welcome our wonderful singers, 298 00:19:32,960 --> 00:19:35,960 we've heard from them already, give them a big welcome now, 299 00:19:35,960 --> 00:19:38,800 Emma Brain-Gabbott, William Purefoy, Michael Dore, 300 00:19:38,800 --> 00:19:40,000 and Edward Price. (audience applauds) 301 00:19:40,000 --> 00:19:42,960 Ladies and gentlemen, keep your applause going 302 00:19:42,960 --> 00:19:46,960 as they perform the theme song from "Supercar." 303 00:19:51,960 --> 00:19:54,960 ("Supercar" theme) 304 00:19:56,960 --> 00:20:02,960 ♪ Supercar, supercar ♪ 305 00:20:02,960 --> 00:20:05,960 ♪ With beauty and grace, fast as can be ♪ 306 00:20:05,960 --> 00:20:08,960 ♪ Watch it flying through the air ♪ 307 00:20:08,960 --> 00:20:11,960 ♪ It travels in space, or under the sea ♪ 308 00:20:11,960 --> 00:20:14,960 ♪ And it can journey anywhere ♪ 309 00:20:14,960 --> 00:20:20,800 ♪ Supercar ♪ 310 00:20:20,800 --> 00:20:23,160 ♪ It travels on land, or roams the skies ♪ 311 00:20:23,160 --> 00:20:26,960 ♪ Through the heavens' mighty rage ♪ 312 00:20:26,960 --> 00:20:28,000 ♪ It's Mercury-manned ♪ 313 00:20:28,000 --> 00:20:32,160 ♪ And everyone cries, it's the marvel of the age ♪ 314 00:20:32,160 --> 00:20:40,960 ♪ Supercar ♪ 315 00:20:42,960 --> 00:20:45,960 (audience applauds) 316 00:20:48,960 --> 00:20:52,640 - This is APF TV, your local television station. 317 00:20:52,640 --> 00:20:55,960 And now we present to you the show you've all been 318 00:20:55,960 --> 00:21:01,480 waiting for, folks, the Bud Hamburger Super Soap Show. 319 00:21:01,480 --> 00:21:02,960 - Bravo, bravo. 320 00:21:02,960 --> 00:21:07,480 - And this week we have a very special surprise for you all. 321 00:21:07,480 --> 00:21:11,960 First, your favourite and mine, King Kool... 322 00:21:11,960 --> 00:21:13,960 (drums plays) 323 00:21:13,960 --> 00:21:17,640 ..together with Musical Mitch. 324 00:21:17,640 --> 00:21:20,640 (drums plays) 325 00:21:20,640 --> 00:21:24,480 And finally, I am very proud to present 326 00:21:24,480 --> 00:21:28,960 the world-famous Supercar team and all that jazz. 327 00:21:28,960 --> 00:21:31,960 ("King Kool") 328 00:21:59,960 --> 00:22:02,960 ("King Kool" continues) 329 00:22:31,960 --> 00:22:35,480 ("King Kool" continues) 330 00:22:58,960 --> 00:23:01,960 (audience applauds) 331 00:23:09,480 --> 00:23:11,960 - I can't help but dance a little walking back out 332 00:23:11,960 --> 00:23:12,960 after all that. 333 00:23:12,960 --> 00:23:14,960 When we think of all of the performances that have 334 00:23:14,960 --> 00:23:16,960 taken place in this wonderful auditorium, 335 00:23:16,960 --> 00:23:19,960 Rachmaninoff, now we've got King Kool 336 00:23:19,960 --> 00:23:21,960 to add to that, as well. 337 00:23:21,960 --> 00:23:26,960 So after "Supercar," AP Films turned their attention 338 00:23:26,960 --> 00:23:30,160 to the stars for their next series, which you will know, 339 00:23:30,160 --> 00:23:33,960 this of course was, - "Fireball XL5." 340 00:23:33,960 --> 00:23:38,640 - "Fireball XL5," you know it, you know it, "Fireball XL5." 341 00:23:38,640 --> 00:23:41,960 Now we are well and truly into the realm of science fiction 342 00:23:41,960 --> 00:23:45,960 as the series was set a hundred years in the future 343 00:23:45,960 --> 00:23:48,960 aboard the flagship of the World Space Patrol. 344 00:23:48,960 --> 00:23:53,320 Barry Grey once again produced a completely different style 345 00:23:53,320 --> 00:23:56,960 for the XL5 score, and the opening title theme, 346 00:23:56,960 --> 00:23:58,960 which we shall hear very shortly, 347 00:23:58,960 --> 00:24:02,960 is very reflective of that sound, building great drama 348 00:24:02,960 --> 00:24:05,960 and blending it with 1960s cool. 349 00:24:05,960 --> 00:24:09,960 And by far the show's most popular piece of music, 350 00:24:09,960 --> 00:24:11,960 probably its end title song, 351 00:24:11,960 --> 00:24:16,960 "Fireball," smoothly sung by Michael Dore this evening 352 00:24:16,960 --> 00:24:19,960 and it spent 12 weeks in the UK charts, 353 00:24:19,960 --> 00:24:23,000 and of course no concert of Gerry Anderson's music 354 00:24:23,000 --> 00:24:26,960 could be complete without either of these two tracks. 355 00:24:26,960 --> 00:24:31,960 So let's now enjoy the opening theme and the closing song 356 00:24:31,960 --> 00:24:34,960 from "Fireball XL5," you're a great prompt. 357 00:24:34,960 --> 00:24:38,320 (audience laughs and applauds) 358 00:24:39,960 --> 00:24:42,960 ("Fireball XL5" theme) 359 00:24:50,960 --> 00:24:53,800 - OK, Venus. - OK, Steve. 360 00:24:53,800 --> 00:24:55,960 - Right, let's go. 361 00:24:55,960 --> 00:24:59,960 ("Fireball XL5" theme continues) 362 00:25:22,960 --> 00:25:25,480 (ship blasts) 363 00:25:36,960 --> 00:25:40,960 ("Fireball XL5" theme continues) 364 00:26:11,480 --> 00:26:14,960 (audience applauds) ("Wish I Was a Spaceman") 365 00:26:14,960 --> 00:26:19,960 ♪ I wish I was a spaceman, the fastest guy alive ♪ 366 00:26:20,960 --> 00:26:26,960 ♪ I'd fly you around the universe in Fireball XL5 ♪ 367 00:26:26,960 --> 00:26:31,960 ♪ Way out in space together, conquerors of the sky ♪ 368 00:26:33,960 --> 00:26:38,960 ♪ My heart would be a fireball, a fireball ♪ 369 00:26:40,640 --> 00:26:45,960 ♪ Every time I gaze into your starry eyes ♪ 370 00:26:46,960 --> 00:26:51,960 ♪ We'd take the path to Jupiter and maybe very soon ♪ 371 00:26:52,960 --> 00:26:58,960 ♪ We'd cruise along the Milky Way and land upon the moon ♪ 372 00:26:58,960 --> 00:27:01,960 ♪ To a wonderland of stardust ♪ 373 00:27:01,960 --> 00:27:06,000 ♪ We'd zoom our way to Mars ♪ 374 00:27:06,000 --> 00:27:11,000 ♪ My heart would be a fireball, a fireball ♪ 375 00:27:12,960 --> 00:27:18,960 ♪ Cos you would be my Venus of the stars ♪ 376 00:27:21,160 --> 00:27:24,960 (audience applauds) 377 00:27:34,480 --> 00:27:35,960 - Quite, quite wonderful taking us 378 00:27:35,960 --> 00:27:38,960 into that real familiar Gerry Anderson field there. 379 00:27:38,960 --> 00:27:41,960 From the limitless frontiers of outer space, 380 00:27:41,960 --> 00:27:44,960 AP Films then brought us into the mysterious 381 00:27:44,960 --> 00:27:47,960 underwater world of "Stingray." 382 00:27:48,960 --> 00:27:51,960 (audience cheers and applauds) 383 00:27:51,960 --> 00:27:55,960 They introduced another assortment of memorable characters 384 00:27:55,960 --> 00:27:57,960 in the crew of the Stingray submarine 385 00:27:57,960 --> 00:27:59,960 and their Marineville colleagues, 386 00:27:59,960 --> 00:28:03,960 including one particular character who was the focus 387 00:28:03,960 --> 00:28:06,960 of the show's closing title song, 388 00:28:06,960 --> 00:28:08,960 that of course was Marina. 389 00:28:08,960 --> 00:28:11,960 The song "Aqua Marina" performed by Gary Miller, 390 00:28:11,960 --> 00:28:14,960 tonight shall be performed by Michael Dore. 391 00:28:14,960 --> 00:28:18,960 As with Fireball, it ended each episode on an upbeat note 392 00:28:18,960 --> 00:28:21,960 and while also reminding viewers of the on and off again, 393 00:28:21,960 --> 00:28:24,960 on and off again love triangle situation 394 00:28:24,960 --> 00:28:27,960 between Troy, Marina, and Atlanta. 395 00:28:27,960 --> 00:28:30,960 But of course the show wasn't just all about 396 00:28:30,960 --> 00:28:33,960 the romantic dalliances of Troy Tempest, 397 00:28:33,960 --> 00:28:37,960 as much as he probably wished it had have been. 398 00:28:37,960 --> 00:28:41,480 Stingray's opening title sequence not only set the tone 399 00:28:41,480 --> 00:28:44,960 for the show's increased focus on action, 400 00:28:44,960 --> 00:28:47,960 but also the shift of the music 401 00:28:47,960 --> 00:28:50,960 towards that grander, more militaristic air 402 00:28:50,960 --> 00:28:53,960 that would carry over into the later productions 403 00:28:53,960 --> 00:28:55,960 that we love so well. 404 00:28:55,960 --> 00:28:57,960 We shall be hearing the opening and closing themes 405 00:28:57,960 --> 00:29:00,960 to "Stingray" tonight, but between that, 406 00:29:00,960 --> 00:29:03,960 we also have one of the show's most popular pieces 407 00:29:03,960 --> 00:29:07,960 of incidental music, "March of the Oysters." 408 00:29:08,960 --> 00:29:10,960 (audience applauds) 409 00:29:12,960 --> 00:29:14,320 Such an epic dramatic piece, 410 00:29:14,320 --> 00:29:17,320 it was even reused in "Thunderbirds" later. 411 00:29:17,320 --> 00:29:19,960 We shall hear "March of the Oysters" in just a moment 412 00:29:19,960 --> 00:29:23,960 but until then I get to say that familiar phrase, 413 00:29:23,960 --> 00:29:25,640 stand by for action. 414 00:29:25,640 --> 00:29:28,960 (audience applauds) 415 00:29:31,640 --> 00:29:34,960 - Stand by for action. (rocket blasts) 416 00:29:34,960 --> 00:29:37,960 ("Stingray" theme) 417 00:29:45,960 --> 00:29:47,960 We are about to launch Stingray 418 00:29:50,960 --> 00:29:57,960 ♪ Stingray, Stingray ♪ 419 00:29:59,800 --> 00:30:02,960 ("Stingray" theme continues) 420 00:30:07,960 --> 00:30:10,960 (sub launches) 421 00:30:10,960 --> 00:30:13,960 ("Stingray" theme continues) 422 00:30:16,960 --> 00:30:18,960 - Anything can happen in the next half hour. 423 00:30:18,960 --> 00:30:21,960 (tower explodes) 424 00:30:24,800 --> 00:30:28,000 ("Stingray" theme continues) 425 00:30:37,800 --> 00:30:42,320 ♪ Stingray, Stingray ♪ 426 00:30:43,960 --> 00:30:47,960 ♪ Stingray, Stingray, Stingray ♪ 427 00:30:50,960 --> 00:30:53,800 (audience applauds) 428 00:30:55,960 --> 00:30:58,960 ("March of the Oysters") 429 00:31:25,960 --> 00:31:29,960 ("March of the Oysters" continues) 430 00:31:55,640 --> 00:31:59,800 ("March of the Oysters" continues) 431 00:32:25,960 --> 00:32:30,960 ("March of the Oysters" continues) 432 00:32:39,640 --> 00:32:44,960 (audience applauds) (bomb explodes) 433 00:32:49,960 --> 00:32:52,960 ("Aqua Marina") 434 00:32:58,000 --> 00:33:02,960 ♪ Marina, Aqua Marina ♪ 435 00:33:06,800 --> 00:33:09,960 ♪ What are these strange enchantments that start ♪ 436 00:33:09,960 --> 00:33:15,640 ♪ Whenever you're near ♪ 437 00:33:15,640 --> 00:33:19,960 ♪ Marina, Aqua Marina ♪ 438 00:33:22,960 --> 00:33:26,960 ♪ Why can't you whisper the word that my heart ♪ 439 00:33:26,960 --> 00:33:32,160 ♪ Is longing to hear ♪ 440 00:33:32,160 --> 00:33:37,320 ♪ Your magic to me, a beautiful mystery ♪ 441 00:33:39,960 --> 00:33:43,960 ♪ I'm certain to fall, I know ♪ 442 00:33:43,960 --> 00:33:49,480 ♪ Because you enthral me so ♪ 443 00:33:49,480 --> 00:33:54,640 ♪ Marina, Aqua Marina ♪ 444 00:33:56,960 --> 00:34:01,960 ♪ Why don't you say that you'll always stay ♪ 445 00:34:01,960 --> 00:34:04,960 ♪ Close to my heart ♪ 446 00:34:19,320 --> 00:34:21,960 (audience applauds) 447 00:34:38,960 --> 00:34:43,960 - Ah, Aqua Marina, she was my first crush, that's for sure. 448 00:34:43,960 --> 00:34:45,960 All the memories flooding back tonight, 449 00:34:45,960 --> 00:34:47,160 lovely to share it with you. 450 00:34:47,160 --> 00:34:49,960 Now this is the point in the night where you might 451 00:34:49,960 --> 00:34:52,960 just be expecting to hear some music from "Thunderbirds," 452 00:34:52,960 --> 00:34:54,160 well we're just gonna hold off on that 453 00:34:54,160 --> 00:34:57,960 just for a moment or two, just for a little while later. 454 00:34:57,960 --> 00:34:59,960 We know you're very clearly raring to get 455 00:34:59,960 --> 00:35:01,960 into "Thunderbirds" a little more, 456 00:35:01,960 --> 00:35:04,960 so we thought you might just like to try a little bit 457 00:35:04,960 --> 00:35:06,960 of audience participation. 458 00:35:06,960 --> 00:35:10,000 Oh good, yes, exactly, exactly. 459 00:35:10,000 --> 00:35:14,960 Two words everybody loves and you've proven it tonight. 460 00:35:14,960 --> 00:35:18,160 Now as you know, I'm very, very lucky to currently play 461 00:35:18,160 --> 00:35:20,640 the role of Jeff Tracy in the new range 462 00:35:20,640 --> 00:35:22,960 of classic "Thunderbirds" audio stories 463 00:35:22,960 --> 00:35:25,640 being released by Anderson Entertainment. 464 00:35:25,640 --> 00:35:28,960 And I actually have the great honour of being able to say 465 00:35:28,960 --> 00:35:31,960 Jeff's classic intro narration. 466 00:35:31,960 --> 00:35:35,960 But I thought tonight it might be fun if you were to join in 467 00:35:35,960 --> 00:35:39,960 with me and if that makes you nervous or unsure, 468 00:35:39,960 --> 00:35:42,960 don't, just remember what Jeff himself would say, 469 00:35:42,960 --> 00:35:45,960 remember, the code of international rescue, 470 00:35:45,960 --> 00:35:48,960 not to give up at any cost. 471 00:35:48,960 --> 00:35:49,960 Remember that. 472 00:35:51,960 --> 00:35:57,960 (audience applauds) You're very kind, thank you. 473 00:35:57,960 --> 00:36:00,000 So what we would like to do just now at this very moment, 474 00:36:00,000 --> 00:36:01,960 whenever you are ready, 475 00:36:01,960 --> 00:36:05,160 I shall say five and then the orchestra 476 00:36:05,160 --> 00:36:07,480 will play that first chord 477 00:36:07,480 --> 00:36:10,960 and then I would like to rely on all of you to provide 478 00:36:10,960 --> 00:36:13,960 for us the four, the three, the two, 479 00:36:13,960 --> 00:36:19,960 and so on leading to a rousing cry of "Thunderbirds are go" 480 00:36:19,960 --> 00:36:22,960 just as you see the wonderful launch. 481 00:36:22,960 --> 00:36:25,960 Okay, so I hope you're feeling ready with this. 482 00:36:25,960 --> 00:36:28,960 It's one of the most familiar motifs 483 00:36:28,960 --> 00:36:31,320 in all the Gerry Anderson world of music. 484 00:36:31,320 --> 00:36:33,160 What could possibly go wrong? 485 00:36:33,160 --> 00:36:35,960 (audience laughs) 486 00:36:35,960 --> 00:36:39,320 So no excuse for scrubs, boys, are you ready? 487 00:36:40,000 --> 00:36:41,960 Okay, here we go. 488 00:36:46,960 --> 00:36:48,960 Five, 489 00:36:48,960 --> 00:36:51,960 (orchestra plays) 490 00:36:51,960 --> 00:36:52,960 - [Audience] Four, 491 00:36:52,960 --> 00:36:55,160 three, 492 00:36:55,160 --> 00:36:57,960 two, 493 00:36:57,960 --> 00:36:58,960 one. 494 00:36:58,960 --> 00:37:01,160 (rocket launches) 495 00:37:03,960 --> 00:37:06,960 ("Thunderbirds" theme) 496 00:37:24,640 --> 00:37:26,960 (audience applauds) 497 00:37:31,960 --> 00:37:36,000 - You did us proud there, five, four, three, two, one. 498 00:37:37,640 --> 00:37:39,960 Once more. - Thunderbirds are go. 499 00:37:42,960 --> 00:37:45,960 - Mr. Tracy would be proud, he would be proud. 500 00:37:45,960 --> 00:37:47,960 As Parker himself might say, 501 00:37:47,960 --> 00:37:49,960 luvvies, stone the crows, 502 00:37:49,960 --> 00:37:52,960 you've done amazing there, proper amazing. 503 00:37:52,960 --> 00:37:55,960 (audience applauds) 504 00:37:58,960 --> 00:38:00,480 It's my great honour to play Parker, too. 505 00:38:00,480 --> 00:38:04,800 In fact, Parker is one of those voices I'm quite tempted 506 00:38:04,800 --> 00:38:06,960 to just keep and talk like for the whole time. 507 00:38:06,960 --> 00:38:08,960 (audience laughs) 508 00:38:08,960 --> 00:38:10,800 I think life would be a whole lot happier 509 00:38:10,800 --> 00:38:12,640 if I was to do that. 510 00:38:12,640 --> 00:38:14,960 Yes, taking on the mantle from the wonderful David Graham. 511 00:38:14,960 --> 00:38:17,960 Let's have a round of applause for the wonderful David Graham. 512 00:38:17,960 --> 00:38:20,960 (audience applauds) David Graham, we love you lots. 513 00:38:24,960 --> 00:38:27,960 Showing how it should be done. 514 00:38:27,960 --> 00:38:30,960 Now, I appreciate that by asking you to wait a little longer 515 00:38:30,960 --> 00:38:32,960 for some more music from "Thunderbirds," 516 00:38:32,960 --> 00:38:36,800 I am playing a bit of a dangerous game. 517 00:38:36,800 --> 00:38:37,960 (audience laughs) 518 00:38:37,960 --> 00:38:39,160 You see, we've planned this, 519 00:38:39,160 --> 00:38:41,960 this has all been meticulously. 520 00:38:41,960 --> 00:38:44,960 So to tide you over, what we're going to do next 521 00:38:44,960 --> 00:38:46,960 is play "That Dangerous Game," 522 00:38:46,960 --> 00:38:50,960 a jazz track from the episode "The Cham-Cham," 523 00:38:50,960 --> 00:38:53,960 brought to life by our amazing orchestra. 524 00:38:53,960 --> 00:38:57,000 (audience applauds) 525 00:38:58,960 --> 00:39:02,960 ("That Dangerous Game") 526 00:39:30,160 --> 00:39:34,960 ("That Dangerous Game" continues) 527 00:40:00,960 --> 00:40:04,960 ("That Dangerous Game" continues) 528 00:40:30,960 --> 00:40:34,960 ("That Dangerous Game" continues) 529 00:41:00,160 --> 00:41:04,800 ("That Dangerous Game" continues) 530 00:41:34,960 --> 00:41:38,960 ("That Dangerous Game" continues) 531 00:42:09,960 --> 00:42:13,960 ("That Dangerous Game" continues) 532 00:42:20,160 --> 00:42:23,800 (audience applauds) 533 00:42:40,640 --> 00:42:43,960 Oh wonderful, I think nevermind Bond, James Bond, 534 00:42:43,960 --> 00:42:46,960 the name's Parker, Aloysius Parker. 535 00:42:46,960 --> 00:42:48,480 That would work for me. 536 00:42:48,480 --> 00:42:51,960 There's something about seeing m'lady there to the music 537 00:42:51,960 --> 00:42:54,320 of a saxophone, it's a very unique effect, 538 00:42:54,320 --> 00:42:55,960 isn't it, it really is. 539 00:42:55,960 --> 00:42:59,960 From dangerous games we move to dangerous adversaries 540 00:42:59,960 --> 00:43:03,960 with 1967's "Captain Scarlet and the Mysterons." 541 00:43:04,960 --> 00:43:08,000 (audience applauds) Yes, a little frisson 542 00:43:08,000 --> 00:43:10,960 of danger there in your reaction, we love that. 543 00:43:10,960 --> 00:43:12,960 Plunging us into a war of nerves 544 00:43:12,960 --> 00:43:14,960 between the Mysterons on Mars 545 00:43:14,960 --> 00:43:18,800 and the Earth's Security Organisation Spectrum. 546 00:43:18,800 --> 00:43:19,960 The series introduced, as well, 547 00:43:19,960 --> 00:43:22,960 the indestructible Captain Scarlet, 548 00:43:22,960 --> 00:43:24,960 let us hear it for the great fellow, yes. 549 00:43:24,960 --> 00:43:27,960 (audience applauds) 550 00:43:29,320 --> 00:43:31,960 As well as his cloud-based colleagues 551 00:43:31,960 --> 00:43:35,960 and the sinister Mysteron agent Captain Black. 552 00:43:37,960 --> 00:43:40,960 (audience laughs) 553 00:43:40,960 --> 00:43:43,960 It'll be a good pantomime season this year, won't it? 554 00:43:43,960 --> 00:43:46,320 Right back into the spirit of it. 555 00:43:46,320 --> 00:43:48,800 Perhaps the show's most famous piece of music 556 00:43:48,800 --> 00:43:52,960 was not composed to accompany any specific scene 557 00:43:52,960 --> 00:43:56,960 but instead to serve as a transition between them. 558 00:43:56,960 --> 00:43:58,960 I think we can have an example of this in a moment, 559 00:43:58,960 --> 00:44:02,960 that seven note tympani drumbeat that most people 560 00:44:02,960 --> 00:44:05,320 instantly think of whenever they hear 561 00:44:05,320 --> 00:44:07,960 the name Captain Scarlet. 562 00:44:07,960 --> 00:44:10,960 Can we have a little preview of that right now? 563 00:44:10,960 --> 00:44:13,960 (tympani plays) 564 00:44:13,960 --> 00:44:16,640 (audience applauds) 565 00:44:19,960 --> 00:44:21,960 Thank you, 566 00:44:21,960 --> 00:44:24,480 thank you, thank you, thank you. 567 00:44:24,480 --> 00:44:26,800 Impetus, there we are, 568 00:44:26,800 --> 00:44:28,960 that sound was incorporated into the show's 569 00:44:28,960 --> 00:44:29,960 opening and closing titles, 570 00:44:29,960 --> 00:44:31,960 both of which we shall be hearing very shortly tonight. 571 00:44:31,960 --> 00:44:35,960 But between those, we also have the Mysterons theme 572 00:44:35,960 --> 00:44:39,960 based on the rising four-note motif that signified 573 00:44:39,960 --> 00:44:43,000 the presence of the Mysterons. 574 00:44:43,000 --> 00:44:47,960 This features possibly the most unusual and rare instrument 575 00:44:47,960 --> 00:44:49,960 on our stage this evening. 576 00:44:49,960 --> 00:44:51,960 Let me get the pronunciation correct here, 577 00:44:51,960 --> 00:44:55,800 the ondes martenot, the ondes martenot, yes, 578 00:44:56,480 --> 00:44:57,960 (audience applauds) 579 00:44:57,960 --> 00:44:59,960 played tonight by Francois Evans. 580 00:44:59,960 --> 00:45:02,800 Let's hear it for Francois on the ondes martenot. 581 00:45:02,800 --> 00:45:05,960 (audience applauds) 582 00:45:07,960 --> 00:45:09,960 Oh, that's what, would you do that again for us, sir? 583 00:45:09,960 --> 00:45:10,960 That's wonderful there. 584 00:45:10,960 --> 00:45:11,960 Can we have that again? 585 00:45:11,960 --> 00:45:14,960 I'd love to hear that just once more exclusively 586 00:45:14,960 --> 00:45:16,800 on its own, its own right. 587 00:45:16,800 --> 00:45:19,480 (ondes martenot plays) 588 00:45:21,960 --> 00:45:25,480 One more time, unmistakable. (audience applauds) 589 00:45:25,480 --> 00:45:26,960 Unmistakable. 590 00:45:28,960 --> 00:45:31,960 You can just imagine Gerry and Barry Grey hearing that 591 00:45:31,960 --> 00:45:34,960 and going, we need that sound, we need that sound, 592 00:45:34,960 --> 00:45:36,960 weave it through the show. 593 00:45:36,960 --> 00:45:38,640 All of that coming up very shortly. 594 00:45:38,640 --> 00:45:40,960 But first, let's have a walk down the alley 595 00:45:40,960 --> 00:45:44,960 for a fatal meeting with Captain Scarlet. 596 00:45:52,960 --> 00:45:55,960 ("Captain Scarlet" theme) 597 00:45:59,960 --> 00:46:03,960 (footsteps echo) 598 00:46:03,960 --> 00:46:07,800 - [Narrator] The finger is on the trigger 599 00:46:07,800 --> 00:46:10,960 about to unleash a force with terrible powers 600 00:46:10,960 --> 00:46:13,000 beyond the comprehension of man. 601 00:46:14,960 --> 00:46:18,000 This force we shall know as the Mysterons. 602 00:46:20,960 --> 00:46:23,960 (bottle rattles) 603 00:46:26,960 --> 00:46:29,960 (guns shoot) 604 00:46:33,800 --> 00:46:36,000 (tympany plays) 605 00:46:36,000 --> 00:46:37,960 This man will be our hero, 606 00:46:37,960 --> 00:46:40,800 for fate will make him indestructible. 607 00:46:40,800 --> 00:46:42,000 His name, Captain Scarlet. 608 00:46:48,960 --> 00:46:52,960 ("The Mysterons Theme") 609 00:47:20,160 --> 00:47:24,160 ("The Mysterons Theme" continues) 610 00:47:50,640 --> 00:47:54,960 ("The Mysterons Theme" continues) 611 00:48:20,960 --> 00:48:24,960 ("The Mysterons Theme" continues) 612 00:48:50,800 --> 00:48:54,960 ("The Mysterons Theme" continues) 613 00:49:09,960 --> 00:49:12,960 ("Captain Scarlet" closing theme) 614 00:49:12,960 --> 00:49:15,960 ♪ Captain Scarlet ♪ 615 00:49:15,960 --> 00:49:20,960 ♪ He's the one who knows the Mysterons' game ♪ 616 00:49:20,960 --> 00:49:24,960 ♪ And things they plan ♪ 617 00:49:24,960 --> 00:49:27,960 ♪ Captain Scarlet ♪ 618 00:49:27,960 --> 00:49:33,160 ♪ To his Martian foes, a dangerous name ♪ 619 00:49:33,160 --> 00:49:35,960 ♪ A superman ♪ 620 00:49:35,960 --> 00:49:40,960 ♪ They crash him and his body may burn ♪ 621 00:49:42,960 --> 00:49:46,960 ♪ They smash him but they know he'll return ♪ 622 00:49:46,960 --> 00:49:48,960 ♪ To live again ♪ 623 00:49:48,960 --> 00:49:51,960 ♪ Captain Scarlet ♪ 624 00:49:51,960 --> 00:49:56,960 ♪ As the angels are flying wing to wing ♪ 625 00:49:57,960 --> 00:50:02,960 ♪ Into the scene, spectrum is green ♪ 626 00:50:03,960 --> 00:50:06,960 ♪ Captain Scarlet ♪ 627 00:50:06,960 --> 00:50:12,960 ♪ Though the Mysterons plan to conquer the Earth ♪ 628 00:50:12,960 --> 00:50:17,480 ♪ This indestructible man will show what he's worth ♪ 629 00:50:18,960 --> 00:50:21,960 ♪ Captain Scarlet ♪ 630 00:50:21,960 --> 00:50:26,000 ♪ Indestructible Captain Scarlet. ♪ 631 00:50:29,960 --> 00:50:32,960 (audience applauds) 632 00:50:45,640 --> 00:50:47,960 - Yes, the heroic anthem of a Captain Scarlet there 633 00:50:47,960 --> 00:50:50,960 and before that the haunting sound 634 00:50:50,960 --> 00:50:55,160 of that wonderful, wonderful ondes martenot. 635 00:50:55,160 --> 00:50:57,960 The ondes martenot, it was very haunting. 636 00:50:57,960 --> 00:51:01,320 It's made me turn into Tom Baker just temporarily. 637 00:51:01,320 --> 00:51:04,960 I was very haunted by that sound, very haunted, 638 00:51:04,960 --> 00:51:06,960 but in the most marvellous, glorious way, 639 00:51:06,960 --> 00:51:08,960 in the most beautiful way, yes. 640 00:51:08,960 --> 00:51:09,960 I think the Mysterons have pulled me 641 00:51:09,960 --> 00:51:12,960 into the wrong franchise, I like it here. 642 00:51:12,960 --> 00:51:16,960 (audience laughs and applauds) 643 00:51:19,960 --> 00:51:23,960 Now from the alien menace of Captain Scarlet, 644 00:51:23,960 --> 00:51:27,960 the Andersons entered the world of international espionage 645 00:51:27,960 --> 00:51:31,320 with their next series, of course, "Joe 90." 646 00:51:31,320 --> 00:51:34,960 Revolving, yes, indeed, indeed, one of my early favourites. 647 00:51:34,960 --> 00:51:36,640 I wanted to be Joe 90. 648 00:51:36,640 --> 00:51:38,800 I wanted to be Joe 90 when I was young. 649 00:51:38,800 --> 00:51:39,960 Revolving around the adventures 650 00:51:39,960 --> 00:51:42,960 of a nine-year-old super spy. 651 00:51:42,960 --> 00:51:44,960 And musically the show largely moved away 652 00:51:44,960 --> 00:51:47,960 from the militaristic sound of Captain Scarlet 653 00:51:47,960 --> 00:51:51,960 and towards a score that reflected youthful innocence 654 00:51:51,960 --> 00:51:55,960 and the adventurous nature of the show's main character. 655 00:51:55,960 --> 00:51:58,960 In just a moment you'll be enjoying four tracks 656 00:51:58,960 --> 00:51:59,960 from "Joe 90." 657 00:51:59,960 --> 00:52:02,960 Following the show's opening title theme, we'll have 658 00:52:02,960 --> 00:52:05,960 a piece from the episode "International Concerto," 659 00:52:05,960 --> 00:52:10,160 which follows concert pianist Igor Sladek on his world tour, 660 00:52:10,160 --> 00:52:13,480 that followed by "Hi-Jacked," a popular piece 661 00:52:13,480 --> 00:52:14,960 from the episode of the same name, 662 00:52:14,960 --> 00:52:17,960 and lastly, we shall round out with the "Joe 90" section 663 00:52:17,960 --> 00:52:21,160 of this evening with the show's joyful end title, 664 00:52:21,160 --> 00:52:25,960 combining '60s pop and those beautiful orchestral swells. 665 00:52:25,960 --> 00:52:27,960 But before we get to that point, 666 00:52:27,960 --> 00:52:30,960 let us begin things unmistakably 667 00:52:30,960 --> 00:52:33,320 with the opening theme, "Joe 90." 668 00:52:34,480 --> 00:52:35,960 (audience applauds) 669 00:52:35,960 --> 00:52:39,960 (electronics whir) 670 00:52:49,480 --> 00:52:51,960 - There she is, Sam, the big rat. 671 00:52:51,960 --> 00:52:53,640 - The big rat? 672 00:52:53,640 --> 00:52:57,960 - The brain impulse galvanoscope, record and transfer. 673 00:52:57,960 --> 00:52:59,960 - With respect Mac, I find it hard to believe 674 00:52:59,960 --> 00:53:01,960 that it has the capability you've described. 675 00:53:01,960 --> 00:53:03,960 - It has Sam, you'll see. 676 00:53:03,960 --> 00:53:07,480 Ah, Joe, good, now we can begin. 677 00:53:07,480 --> 00:53:08,960 - Is this it, Dad? 678 00:53:08,960 --> 00:53:09,960 - This is it. 679 00:53:09,960 --> 00:53:11,960 You know what to do. 680 00:53:11,960 --> 00:53:15,960 Now, Sam, I have recorded my brain patterns 681 00:53:15,960 --> 00:53:17,960 on that reel of tape, 682 00:53:17,960 --> 00:53:19,960 so electronically it now stores 683 00:53:19,960 --> 00:53:22,800 my knowledge and my experience. 684 00:53:22,800 --> 00:53:24,960 In a moment, I'm going to transfer that knowledge 685 00:53:24,960 --> 00:53:26,960 and experience to little Joe. 686 00:53:26,960 --> 00:53:29,960 (chair whirs) 687 00:53:35,960 --> 00:53:37,960 - Okay, Dad, I'm ready. 688 00:53:37,960 --> 00:53:41,960 - Relax, Joe, don't answer me, just relax. 689 00:53:41,960 --> 00:53:43,960 Relax completely. 690 00:53:47,000 --> 00:53:50,960 (electronics whir and beep) 691 00:54:16,960 --> 00:54:19,960 ("Joe 90" theme) 692 00:54:47,800 --> 00:54:50,960 ("Joe 90" theme continues) 693 00:55:16,960 --> 00:55:20,960 ("Joe 90" theme continues) 694 00:55:36,960 --> 00:55:40,800 (audience applauds) 695 00:55:41,960 --> 00:55:45,960 ("International Concerto") 696 00:56:12,960 --> 00:56:16,960 ("International Concerto" continues) 697 00:56:40,960 --> 00:56:45,960 ("International Concerto" continues) 698 00:57:13,640 --> 00:57:15,960 ("Hi-Jacked") 699 00:57:42,960 --> 00:57:46,960 ("Hi-Jacked" continues) 700 00:58:12,960 --> 00:58:16,960 ("Hi-Jacked" continues) 701 00:58:43,000 --> 00:58:46,960 ("Hi-Jacked" continues) 702 00:58:54,960 --> 00:58:58,960 (audience applauds) 703 00:59:04,000 --> 00:59:07,960 ("Joe 90" closing credits) 704 00:59:33,960 --> 00:59:37,960 ("Joe 90" closing credits continue) 705 00:59:59,480 --> 01:00:04,000 ("Joe 90" closing credits continue) 706 01:00:25,960 --> 01:00:28,960 (audience applauds) 707 01:00:37,800 --> 01:00:39,960 - Absolutely wonderful, we are immersed in magic tonight, 708 01:00:39,960 --> 01:00:41,480 ladies and gentlemen. 709 01:00:41,480 --> 01:00:43,960 Do you remember that famous clip of Oliver Reed 710 01:00:43,960 --> 01:00:45,960 being interviewed by Michael Aspel 711 01:00:45,960 --> 01:00:47,960 and he was dancing drunk like that? 712 01:00:47,960 --> 01:00:51,960 That theme would've suited that absolutely beautifully. 713 01:00:51,960 --> 01:00:53,960 Somebody should superimpose those two clips together 714 01:00:53,960 --> 01:00:55,960 and make it work. 715 01:00:55,960 --> 01:00:58,960 "Joe 90," I wonder if that was showing 716 01:00:58,960 --> 01:01:00,960 a young Joe Biden, somehow. 717 01:01:03,960 --> 01:01:06,960 (audience applauds) 718 01:01:06,960 --> 01:01:08,960 Just goes to show how ahead of their time 719 01:01:08,960 --> 01:01:10,960 these Gerry Anderson shows were. 720 01:01:10,960 --> 01:01:13,960 That was 1968, '69, something like that, 721 01:01:13,960 --> 01:01:16,960 in the opening moments there in the globe, 722 01:01:16,960 --> 01:01:19,960 as Joe goes in, I'm sure you could hear the sound 723 01:01:19,960 --> 01:01:24,960 of sort of 1998 internet dial-up sound mixed in there, 724 01:01:24,960 --> 01:01:27,000 ahead of their time. 725 01:01:27,000 --> 01:01:28,960 I'm sure it was there. 726 01:01:28,960 --> 01:01:29,960 Okay, "Joe 90." 727 01:01:30,960 --> 01:01:33,960 Now of course, Gerry and Sylvia Anderson were best known 728 01:01:33,960 --> 01:01:35,960 for their TV productions, 729 01:01:35,960 --> 01:01:39,960 but they also produced several feature films 730 01:01:39,960 --> 01:01:41,960 and the film score that we have chosen to include 731 01:01:41,960 --> 01:01:43,960 this evening is the opening theme 732 01:01:43,960 --> 01:01:47,960 to their fourth and final film, "Doppelganger." 733 01:01:47,960 --> 01:01:50,320 Also, yes, indeed, indeed, indeed, "Doppelganger., 734 01:01:50,320 --> 01:01:51,960 (audience applauds) 735 01:01:51,960 --> 01:01:53,960 Also known by its American title 736 01:01:53,960 --> 01:01:56,960 of "Journey to the Far Side of the Sun." 737 01:01:58,960 --> 01:02:01,960 (audience applauds) 738 01:02:01,960 --> 01:02:04,960 Patrick Moore would've got over that much more quickly, 739 01:02:04,960 --> 01:02:06,000 a journey to the far side of the sun, 740 01:02:06,000 --> 01:02:07,960 very, very fascinating. 741 01:02:07,960 --> 01:02:11,960 (audience laughs and applauds) 742 01:02:14,960 --> 01:02:16,320 This was released in 1969. 743 01:02:16,320 --> 01:02:18,960 The film dealt with the discovery of a new planet 744 01:02:18,960 --> 01:02:22,000 on the opposite side of the sun from the Earth. 745 01:02:22,000 --> 01:02:24,320 Frankly, we can't prove that it's not there. 746 01:02:24,320 --> 01:02:28,160 This could very well be a reality, fascinating. 747 01:02:28,960 --> 01:02:31,960 It's true, this could be discovered. 748 01:02:31,960 --> 01:02:34,960 And the story of one of the expeditions 749 01:02:34,960 --> 01:02:37,800 sent to investigate all this. 750 01:02:37,800 --> 01:02:42,000 Not only did the film deliver suitable cinematic spectacle, 751 01:02:42,000 --> 01:02:46,960 but Barry Grey produced for it some of his greatest work 752 01:02:46,960 --> 01:02:49,960 with Doppelganger's grandest musical moments 753 01:02:49,960 --> 01:02:52,960 being performed by a 55-piece orchestra. 754 01:02:52,960 --> 01:02:54,960 We shall echo and emulate that 755 01:02:54,960 --> 01:02:56,960 here tonight in just a moment. 756 01:02:56,960 --> 01:03:00,480 Now as our last theme before the interval, 757 01:03:00,480 --> 01:03:05,480 let's all now enjoy the main theme for "Doppelganger," 758 01:03:05,480 --> 01:03:08,960 "Journey to the Far Side of the Sun." 759 01:03:08,960 --> 01:03:11,960 (audience applauds) 760 01:03:15,960 --> 01:03:18,960 ("Doppelganger") 761 01:03:46,640 --> 01:03:49,960 ("Doppelganger" continues) 762 01:04:15,000 --> 01:04:18,960 ("Doppelganger" continues) 763 01:04:40,960 --> 01:04:43,960 (vehicle launches) 764 01:04:50,160 --> 01:04:53,960 ("Doppelganger" continues) 765 01:05:19,960 --> 01:05:23,960 ("Doppelganger" continues) 766 01:05:49,960 --> 01:05:52,960 (audience applauds) 767 01:06:13,960 --> 01:06:18,960 Wow, uplifting, hypnotising, absolutely magnificent. 768 01:06:19,960 --> 01:06:22,960 So marvellous, marvellous stuff there, really makes you want 769 01:06:22,960 --> 01:06:25,800 to go off and have an exciting adventure all your own. 770 01:06:25,800 --> 01:06:28,160 Although since we are just about to have the interval now, 771 01:06:28,160 --> 01:06:29,960 please don't go too far. 772 01:06:29,960 --> 01:06:32,960 Act two is to come with more magnificence. 773 01:06:32,960 --> 01:06:36,960 Now, I have to say, don't go shooting your mouths off 774 01:06:36,960 --> 01:06:39,960 about this, but her Ladyship had promised 775 01:06:39,960 --> 01:06:44,960 to make an appearance, although I heard the last thing 776 01:06:44,960 --> 01:06:46,960 she was having a little bit of bother 777 01:06:46,960 --> 01:06:48,960 and probably my lady wouldn't make it. 778 01:06:48,960 --> 01:06:50,320 Engel, what's going on on the screen here? 779 01:06:50,320 --> 01:06:51,960 What do we have here? 780 01:06:51,960 --> 01:06:53,960 We have a situation. 781 01:06:55,960 --> 01:06:59,640 (bell rings) 782 01:06:59,640 --> 01:07:00,960 You rang, my lady. 783 01:07:00,960 --> 01:07:02,800 - Yes. Parker. 784 01:07:02,800 --> 01:07:04,320 (playful music) 785 01:07:04,320 --> 01:07:07,160 ♪ Oh, Parker. ♪ 786 01:07:07,160 --> 01:07:08,960 ♪ Yes, my lady. ♪ 787 01:07:08,960 --> 01:07:12,960 ♪ I think I'd like to take a little ride ♪ 788 01:07:12,960 --> 01:07:14,960 ♪ And Parker ♪ 789 01:07:14,960 --> 01:07:17,960 ♪ Yes, my lady. ♪ 790 01:07:17,960 --> 01:07:21,960 ♪ Somewhere just around the countryside ♪ 791 01:07:21,960 --> 01:07:23,960 ♪ Have you prepared the Rolls Royce ♪ 792 01:07:23,960 --> 01:07:26,480 ♪ Is it ready for a run ♪ 793 01:07:26,480 --> 01:07:30,960 ♪ Yes, my lady, quite alright, everything's been done. ♪ 794 01:07:30,960 --> 01:07:32,960 ♪ I've lubricated all the cannons ♪ 795 01:07:32,960 --> 01:07:34,960 ♪ And I've polished up the gun ♪ 796 01:07:34,960 --> 01:07:38,160 ♪ Oh Parker, well done ♪ 797 01:07:43,960 --> 01:07:45,960 - Lady Penelope speaking. 798 01:07:45,960 --> 01:07:48,960 - Hi Penny, it's Jeff. 799 01:07:48,960 --> 01:07:50,960 Put your ride on hold, 800 01:07:50,960 --> 01:07:53,320 I've received information, it's the interval. 801 01:07:53,320 --> 01:07:55,960 - Goodness, how thrilling. 802 01:07:55,960 --> 01:07:57,960 FAB, Jeff. - FAB, Penny. 803 01:08:01,800 --> 01:08:03,960 ♪ Oh, Parker ♪ 804 01:08:03,960 --> 01:08:05,960 ♪ Yes, my lady ♪ 805 01:08:05,960 --> 01:08:10,480 ♪ It's time to have the interval, I hear ♪ 806 01:08:10,480 --> 01:08:11,960 ♪ And Parker ♪ 807 01:08:11,960 --> 01:08:14,960 ♪ Yes, my lady ♪ 808 01:08:14,960 --> 01:08:19,160 ♪ Put your feet up, have an ice cold beer ♪ 809 01:08:19,160 --> 01:08:23,960 ♪ That's oh so kind, my lady, a tipple does sound fun ♪ 810 01:08:23,960 --> 01:08:25,000 ♪ I'll get your Pernot, my lady ♪ 811 01:08:25,000 --> 01:08:27,960 ♪ And then put away the gun ♪ 812 01:08:27,960 --> 01:08:31,960 ♪ Do join us ladies and gents, the party's just begun ♪ 813 01:08:31,960 --> 01:08:33,160 ♪ Oh, Parker ♪ 814 01:08:33,160 --> 01:08:34,160 ♪ Yes, my lady ♪ 815 01:08:34,160 --> 01:08:36,000 ♪ Well done ♪ 816 01:08:36,000 --> 01:08:37,640 ♪ Oh, Parker ♪ 817 01:08:37,640 --> 01:08:40,640 ♪ Yes, my lady ♪ 818 01:08:40,640 --> 01:08:42,960 ♪ Well done ♪ 819 01:08:42,960 --> 01:08:44,960 ♪ Thank you, my lady ♪ 820 01:08:44,960 --> 01:08:46,960 (audience applauds) 821 01:08:49,960 --> 01:08:51,960 - Let's hear it for the wonderful Genevieve Gaunt, 822 01:08:51,960 --> 01:08:53,960 our voice of Lady Penelope. 823 01:08:53,960 --> 01:08:55,320 Thank you, my lady. 824 01:08:55,320 --> 01:08:58,480 (audience applauds) 825 01:09:01,960 --> 01:09:02,960 Let's have another round of applause 826 01:09:02,960 --> 01:09:06,960 for our wonderful orchestra here, thank you so much. 827 01:09:06,960 --> 01:09:08,960 Thank you. 828 01:09:08,960 --> 01:09:11,960 And we shall see you for more in part two. 829 01:09:11,960 --> 01:09:13,960 Stand by for more action. 830 01:09:13,960 --> 01:09:16,960 (audience applauds) 831 01:09:31,960 --> 01:09:34,960 (audience applauds) 832 01:09:54,960 --> 01:09:56,960 (dramatic music) 833 01:10:08,640 --> 01:10:10,960 ("Legacy") 834 01:10:38,960 --> 01:10:41,960 ("Legacy" continues) 835 01:11:08,960 --> 01:11:11,960 ("Legacy" continues) 836 01:11:39,320 --> 01:11:42,800 ("Legacy" continues) 837 01:12:05,960 --> 01:12:08,960 ("Legacy" continues) 838 01:12:10,960 --> 01:12:14,640 (audience applauds) 839 01:12:24,960 --> 01:12:26,960 Welcome back to our wonderful orchestra. 840 01:12:26,960 --> 01:12:30,320 Welcome back to you, are you ready for more action? 841 01:12:30,320 --> 01:12:32,800 (audience exclaims) 842 01:12:32,800 --> 01:12:34,800 You are magnificent, you are truly magnificent. 843 01:12:34,800 --> 01:12:36,960 Thank you so much to our wonderful orchestra once again 844 01:12:36,960 --> 01:12:38,000 and that fascinating film, 845 01:12:38,000 --> 01:12:40,960 the wonderful insight into how the Anderson shows, 846 01:12:40,960 --> 01:12:43,960 in the background, and the making of, how they come to life 847 01:12:43,960 --> 01:12:46,160 so majestically and magically. 848 01:12:46,960 --> 01:12:49,960 A world premiere of that arrangement, as well, wonderful. 849 01:12:49,960 --> 01:12:51,960 A round of applause once again for that world, 850 01:12:51,960 --> 01:12:56,960 wasn't that fantastic to hear? (audience applauds) 851 01:13:00,960 --> 01:13:02,960 And as we get into the second half, 852 01:13:02,960 --> 01:13:04,960 we have not quite finished with the world 853 01:13:04,960 --> 01:13:06,000 of supermarionation just yet, 854 01:13:06,000 --> 01:13:09,160 it is time for "The Secret Service." 855 01:13:10,960 --> 01:13:13,960 Yes, "The Secret Service," a true one for fans, 856 01:13:13,960 --> 01:13:17,960 one of the stranger Anderson shows, we can say, 857 01:13:17,960 --> 01:13:23,960 centering around a parish priest named Father Stanley Unwin, 858 01:13:23,960 --> 01:13:27,320 played oddly enough by the comedian of the same name, 859 01:13:27,320 --> 01:13:30,960 well known for his nonsense style of speaking, 860 01:13:30,960 --> 01:13:33,000 no one else, on with ease, I think someone else 861 01:13:33,000 --> 01:13:34,960 has stolen it, but no, 862 01:13:36,000 --> 01:13:38,480 (audience applauds) 863 01:13:38,480 --> 01:13:41,960 taking it to right-off levels, far, far, far. 864 01:13:45,960 --> 01:13:47,960 I need the brigadier to call order, 865 01:13:47,960 --> 01:13:49,960 that's quite enough of that. 866 01:13:49,960 --> 01:13:52,320 Yes, Lethbridge Stewart will not have him in the house. 867 01:13:52,320 --> 01:13:53,960 No, certainly not. 868 01:13:54,960 --> 01:13:56,960 I've had a very interesting conversation 869 01:13:56,960 --> 01:13:58,960 with a wonderful fellow called Jeff Tracy. 870 01:13:58,960 --> 01:14:00,960 I hope that Eunice and he can collaborate, 871 01:14:00,960 --> 01:14:03,960 yes, marvellous development. 872 01:14:03,960 --> 01:14:06,960 Now then, where was I, yes? 873 01:14:06,960 --> 01:14:11,960 You see, Boris has thrown it totally out of fe, fa, fa, fa. 874 01:14:11,960 --> 01:14:14,320 So armed with his Unwinese 875 01:14:15,320 --> 01:14:18,960 and a shrinking ray known as the minimizer, 876 01:14:18,960 --> 01:14:22,960 Father Unwin and the Secret Service and his gardener Matthew 877 01:14:22,960 --> 01:14:26,960 were deployed on various missions for British intelligence. 878 01:14:26,960 --> 01:14:29,960 Sadly, only 13 episodes were filmed, 879 01:14:29,960 --> 01:14:31,960 but by Jove, they made their mark. 880 01:14:31,960 --> 01:14:33,960 Once again, Barry Grey took inspiration 881 01:14:33,960 --> 01:14:37,960 from the show's concept in composing its score, 882 01:14:37,960 --> 01:14:41,960 giving the main theme a distinctly choral sound, 883 01:14:41,960 --> 01:14:44,960 hiring the Mike Sammes Singers to perform it 884 01:14:44,960 --> 01:14:48,960 and a beautiful sound, so evocative of that time, 885 01:14:48,960 --> 01:14:51,960 brings all the memories flooding back so uniquely. 886 01:14:51,960 --> 01:14:53,960 To get us into this heavenly mood, 887 01:14:53,960 --> 01:14:56,960 it is time now for you to enjoy the main title theme 888 01:14:56,960 --> 01:14:59,160 for "The Secret Service." 889 01:15:00,960 --> 01:15:03,960 (audience applauds) 890 01:15:03,960 --> 01:15:06,960 (dramatic music) 891 01:15:28,960 --> 01:15:31,160 (glass breaks) 892 01:15:31,160 --> 01:15:33,960 (gun shoots) 893 01:15:36,960 --> 01:15:39,800 - Hello, this is Healey Automation. 894 01:15:45,960 --> 01:15:46,960 There's been, 895 01:15:49,960 --> 01:15:54,320 - [Phone] Hello, hello, hello, are you there? 896 01:15:54,320 --> 01:15:56,960 (dramatic music) 897 01:15:59,960 --> 01:16:02,960 (device clicks) 898 01:16:02,960 --> 01:16:06,640 (explosive discharges) 899 01:16:20,960 --> 01:16:22,960 (case seals) 900 01:16:22,960 --> 01:16:24,960 (bell rings) 901 01:16:24,960 --> 01:16:28,960 ("The Secret Service" theme) 902 01:16:55,960 --> 01:16:59,960 ("The Secret Service" theme continues) 903 01:17:25,960 --> 01:17:30,000 ("The Secret Service" theme continues) 904 01:17:41,960 --> 01:17:44,960 (audience applauds) 905 01:17:54,640 --> 01:17:57,960 - I love that wonderful vocal style, so alive, 906 01:17:57,960 --> 01:18:00,960 darting around the place, you can imagine a character 907 01:18:00,960 --> 01:18:02,960 in a comedy looking for something, 908 01:18:02,960 --> 01:18:05,960 mysteriously like that, it's so evocative, so brilliant. 909 01:18:05,960 --> 01:18:07,960 Let's have a wonderful round of applause 910 01:18:07,960 --> 01:18:09,960 for our fantastic singers, those heavenly vocals. 911 01:18:09,960 --> 01:18:12,320 (audience applauds) 912 01:18:13,960 --> 01:18:15,960 Emma, William, Michael, and Edwards, 913 01:18:15,960 --> 01:18:18,960 thank you so much indeed. 914 01:18:18,960 --> 01:18:22,000 I've adored listening to them in our rehearsals today. 915 01:18:22,000 --> 01:18:25,960 Well, as Father Stanley Unwin himself might have said 916 01:18:25,960 --> 01:18:27,960 that was quite a finely composing 917 01:18:27,960 --> 01:18:29,960 and beauty sung performance of deep joy 918 01:18:29,960 --> 01:18:32,960 to the ear load, oh yes. 919 01:18:32,960 --> 01:18:34,640 (audience applauds) Well, that's 920 01:18:34,640 --> 01:18:37,960 the most sensible thing I've said all night. 921 01:18:37,960 --> 01:18:41,960 But now we enter the universe of live action 922 01:18:42,960 --> 01:18:46,960 for three opening title themes from the 1970s. 923 01:18:46,960 --> 01:18:49,960 Kicking things off with "UFO." 924 01:18:49,960 --> 01:18:52,160 (audience cheers) Exactly. 925 01:18:52,160 --> 01:18:54,960 As you prove, just the title of the show makes you think 926 01:18:54,960 --> 01:18:58,960 of string vests, purple wigs, sinister aliens 927 01:18:58,960 --> 01:19:00,960 all set in 1980. 928 01:19:00,960 --> 01:19:03,640 I wish it had, 1980 should have been like that. 929 01:19:03,640 --> 01:19:05,960 (audience laughs) It should have been. 930 01:19:05,960 --> 01:19:07,800 Instead, it was sort of Barbara Dixon, 931 01:19:07,800 --> 01:19:09,960 the two Ronnies, and Madness. 932 01:19:09,960 --> 01:19:13,960 I prefer the "UFO" version, although ours was lovely, too. 933 01:19:13,960 --> 01:19:16,960 The show's opening title sequence, so, so memorable, 934 01:19:16,960 --> 01:19:17,960 kicked things off in style 935 01:19:17,960 --> 01:19:20,640 with that absurdly catchy main theme 936 01:19:20,640 --> 01:19:22,160 which got us viewers hyped 937 01:19:22,160 --> 01:19:25,960 for some exciting outer space thrills. 938 01:19:25,960 --> 01:19:28,960 And outer space thrills were just what were offered 939 01:19:28,960 --> 01:19:30,960 in the second of our next three offerings 940 01:19:30,960 --> 01:19:31,960 we're about to hear. 941 01:19:31,960 --> 01:19:33,960 As following the theme to "UFO," 942 01:19:33,960 --> 01:19:37,960 we shall be blasting off into the unknown 943 01:19:37,960 --> 01:19:40,960 with the crew of Moon Base Alpha for the theme 944 01:19:40,960 --> 01:19:44,960 from the very first season of "Space: 1999." 945 01:19:45,960 --> 01:19:48,960 (audience applauds) 946 01:19:50,480 --> 01:19:52,960 This main theme reflected the grandeur 947 01:19:52,960 --> 01:19:56,960 of the Andersons' vision for their new space series, 948 01:19:56,960 --> 01:19:58,960 as well as incorporating a wonderful bit 949 01:19:58,960 --> 01:20:00,960 of very '70s disco funk. 950 01:20:00,960 --> 01:20:02,960 Somehow these two worlds, 951 01:20:02,960 --> 01:20:05,960 they all worked so beautifully together. 952 01:20:05,960 --> 01:20:08,960 The first season of "Space: 1999" was to be 953 01:20:08,960 --> 01:20:12,960 the final Anderson production to be scored by Barry Grey 954 01:20:12,960 --> 01:20:14,960 as when the show returned for its second season, 955 01:20:14,960 --> 01:20:16,960 its soundtrack was instead composed 956 01:20:16,960 --> 01:20:19,960 and conducted by Derek Wadsworth. 957 01:20:19,960 --> 01:20:22,960 Derek who, like Barry, is sadly no longer with us, 958 01:20:22,960 --> 01:20:24,960 he's on record as saying that Gerry wanted 959 01:20:24,960 --> 01:20:28,960 Space: 1999's new main title theme to sound 960 01:20:29,960 --> 01:20:32,960 something like "Hawaii Five-0," 961 01:20:32,960 --> 01:20:35,960 very interesting and innovative choice. 962 01:20:35,960 --> 01:20:37,960 Two very different versions we shall offer you 963 01:20:37,960 --> 01:20:41,640 of "Space: 1999" in a very short while, 964 01:20:41,640 --> 01:20:43,960 but first, as promised, "UFO." 965 01:20:45,960 --> 01:20:48,960 (audience applauds) 966 01:20:52,960 --> 01:20:55,960 ("UFO" theme) 967 01:21:22,960 --> 01:21:25,960 ("UFO" theme continues) 968 01:21:53,320 --> 01:21:56,960 ("UFO" theme continues) 969 01:22:04,000 --> 01:22:05,960 (audience applauds) 970 01:22:05,960 --> 01:22:09,160 ("Space: 1999" theme) 971 01:22:35,960 --> 01:22:39,960 ("Space: 1999" theme continues) 972 01:23:09,960 --> 01:23:12,960 (audience applauds) 973 01:23:17,960 --> 01:23:20,960 ("Space: 1999" theme) 974 01:23:52,480 --> 01:23:56,960 ("Space: 1999" theme continues) 975 01:24:05,960 --> 01:24:08,960 (audience applauds) 976 01:24:14,960 --> 01:24:17,960 So energising, so brilliant, the memories all coming back. 977 01:24:17,960 --> 01:24:19,960 I can remember watching these programmes when I was young, 978 01:24:19,960 --> 01:24:22,000 10 or 11, in the days before catch-up TV 979 01:24:22,000 --> 01:24:24,800 and straight after watching an episode, 980 01:24:24,800 --> 01:24:27,000 you'd be so en energised, you'd go and draw the planets, 981 01:24:27,000 --> 01:24:28,960 you'd draw the spaceships, 982 01:24:28,960 --> 01:24:30,960 you would try to build them out of plastic cups. 983 01:24:30,960 --> 01:24:33,960 And this is how you, the memories are just coming back 984 01:24:33,960 --> 01:24:36,960 about how these shows just enriched our lives. 985 01:24:36,960 --> 01:24:38,000 It's wonderful. 986 01:24:38,000 --> 01:24:40,960 Let us move on now, let us continue. 987 01:24:40,960 --> 01:24:41,960 We're now just over halfway 988 01:24:41,960 --> 01:24:45,480 through this evening's proceedings, time now for George, 989 01:24:45,480 --> 01:24:47,480 our wonderful conductor, to take a short 990 01:24:47,480 --> 01:24:48,960 but well-earned break. 991 01:24:48,960 --> 01:24:51,960 George, we shall bid you a temporary farewell. 992 01:24:51,960 --> 01:24:54,000 Thank you so much, a round of applause for George. 993 01:24:54,000 --> 01:24:56,160 We shall see you later. (audience applauds) 994 01:24:56,160 --> 01:25:00,320 Thank you so much, thank you so much, thank you. 995 01:25:02,960 --> 01:25:06,000 And now we welcome our very special guest conductor 996 01:25:06,000 --> 01:25:09,000 as the next section of our programme delves 997 01:25:09,000 --> 01:25:12,960 into the 1980s and "Terrahawks," yes. 998 01:25:12,960 --> 01:25:14,960 (audience cheers) 999 01:25:14,960 --> 01:25:16,960 And the man who composed all the music 1000 01:25:16,960 --> 01:25:19,960 for that wonderful show is joining us now, none other. 1001 01:25:19,960 --> 01:25:21,960 Please give a wonderful, huge welcome 1002 01:25:21,960 --> 01:25:24,960 to the magnificent Mr. Richard Harvey. 1003 01:25:24,960 --> 01:25:27,960 (audience applauds) 1004 01:25:47,640 --> 01:25:49,960 Thank you, Richard, and welcome amongst us here. 1005 01:25:49,960 --> 01:25:52,960 Yes, Richard was the man who in 1983 was tasked 1006 01:25:52,960 --> 01:25:55,960 with composing the main theme and score 1007 01:25:55,960 --> 01:25:58,960 to the latest Gerry Anderson series, "Terrahawks." 1008 01:25:58,960 --> 01:26:02,800 Synthesised music had come a long way since Barry Grey 1009 01:26:02,800 --> 01:26:04,960 had experimented with it on shows such as "Supercar" 1010 01:26:04,960 --> 01:26:08,960 and "Fireball XL5" back in the 1960s. 1011 01:26:08,960 --> 01:26:11,480 And the technology now existed to allow musicians to create 1012 01:26:11,480 --> 01:26:14,320 compositions that previously would not have been possible 1013 01:26:14,320 --> 01:26:15,960 without a full orchestra. 1014 01:26:15,960 --> 01:26:18,960 And that suited Gerry Anderson just fine since "Terrahawks" 1015 01:26:18,960 --> 01:26:22,960 didn't have the budget to pay for a full orchestra. 1016 01:26:22,960 --> 01:26:26,960 Instead, Richard used his technological expertise 1017 01:26:29,800 --> 01:26:31,960 precisely to create an electronic score for "Terrahawks" 1018 01:26:31,960 --> 01:26:36,960 that spotlights the heroics of the Terrahawks organisation 1019 01:26:36,960 --> 01:26:39,000 to the evil machinations of Zelda herself 1020 01:26:39,000 --> 01:26:41,640 and all the action in between. 1021 01:26:41,640 --> 01:26:42,960 Now, Richard, as we've just heard, 1022 01:26:42,960 --> 01:26:46,320 you originally produced this music without an orchestra, 1023 01:26:46,320 --> 01:26:49,320 so we can't wait to hear our wonderful orchestra tonight 1024 01:26:49,320 --> 01:26:51,960 rise to the wonderful challenge and occasion of bringing 1025 01:26:51,960 --> 01:26:52,960 all of this music to life. 1026 01:26:52,960 --> 01:26:55,960 If you are happy to go, sir, thank you so much. 1027 01:26:55,960 --> 01:26:58,960 We are all ready, ladies and gentlemen, 1028 01:26:58,960 --> 01:27:00,480 thank you to Richard and some music 1029 01:27:00,480 --> 01:27:02,960 from the fantastic "Terrahawks." 1030 01:27:02,960 --> 01:27:06,000 (audience applauds) 1031 01:27:08,960 --> 01:27:11,960 ("Terrahawks Suite") 1032 01:27:20,960 --> 01:27:24,960 - Terrahawks, stay on this channel, this is an emergency. 1033 01:27:24,960 --> 01:27:28,960 ("Terrahawks Suite" continues) 1034 01:27:54,800 --> 01:27:57,960 ("Terrahawks Suite" continues) 1035 01:28:24,960 --> 01:28:28,960 ("Terrahawks Suite" continues) 1036 01:28:54,960 --> 01:28:58,960 ("Terrahawks Suite" continues) 1037 01:29:24,960 --> 01:29:29,960 ("Terrahawks Suite" continues) 1038 01:29:54,960 --> 01:29:59,960 ("Terrahawks Suite" continues) 1039 01:30:26,960 --> 01:30:30,000 ("Terrahawks Suite" continues) 1040 01:30:56,960 --> 01:31:00,960 ("Terrahawks Suite" continues) 1041 01:31:25,320 --> 01:31:29,160 ("Terrahawks Suite" continues) 1042 01:31:54,960 --> 01:31:58,960 ("Terrahawks Suite" continues) 1043 01:32:25,960 --> 01:32:29,960 ("Terrahawks Suite" continues) 1044 01:32:56,960 --> 01:33:00,960 ("Terrahawks Suite" continues) 1045 01:33:25,960 --> 01:33:29,960 ("Terrahawks Suite" continues) 1046 01:33:56,320 --> 01:33:59,960 ("Terrahawks Suite" continues) 1047 01:34:25,960 --> 01:34:29,960 ("Terrahawks Suite" continues) 1048 01:34:56,960 --> 01:35:00,960 ("Terrahawks Suite" continues) 1049 01:35:26,960 --> 01:35:30,960 ("Terrahawks Suite" continues) 1050 01:35:55,960 --> 01:35:59,960 ("Terrahawks Suite" continues) 1051 01:36:24,000 --> 01:36:27,960 - Fantastic, Katie, just fantastic. 1052 01:36:27,960 --> 01:36:31,960 ("Terrahawks Suite" continues) 1053 01:36:33,960 --> 01:36:36,960 (audience applauds) 1054 01:37:02,960 --> 01:37:05,960 (applause continues) 1055 01:37:09,960 --> 01:37:11,320 - Ah, the talent and magnificence, 1056 01:37:11,320 --> 01:37:12,960 thank you, Richard Harvey. 1057 01:37:12,960 --> 01:37:15,480 A round of applause once again, and for our wonderful orchestra, 1058 01:37:15,480 --> 01:37:16,960 keep your appreciation going. 1059 01:37:16,960 --> 01:37:21,480 Thank you so much. (audience applauds) 1060 01:37:23,960 --> 01:37:24,960 Absolutely incredible, and we see, 1061 01:37:24,960 --> 01:37:27,640 I always say nobody predicted the future 1062 01:37:27,640 --> 01:37:28,960 better than Gerry Anderson. 1063 01:37:28,960 --> 01:37:32,960 Whenever you see an Elon Musk launch now, 1064 01:37:32,960 --> 01:37:34,960 it's pure Gerry Anderson. 1065 01:37:34,960 --> 01:37:38,960 We can see where Mr. Musk got his inspiration from 1066 01:37:38,960 --> 01:37:40,960 and we saw there on the screen 1067 01:37:40,960 --> 01:37:44,960 Mars 2020 and we think of Mars with spirit and opportunity, 1068 01:37:44,960 --> 01:37:48,960 the Curiosity rovers and so on, not far away here, 1069 01:37:48,960 --> 01:37:51,960 Gerry Anderson, the greatest futurologist, 1070 01:37:51,960 --> 01:37:53,960 absolutely magnificent. 1071 01:37:53,960 --> 01:37:55,960 So that, ladies and gentlemen, 1072 01:37:55,960 --> 01:37:57,960 it's sadly the last number this evening 1073 01:37:57,960 --> 01:37:58,960 for our wonderful singers. 1074 01:37:58,960 --> 01:38:01,480 Can you please give a wonderful round of applause 1075 01:38:01,480 --> 01:38:06,640 of appreciation, Emma Brain-Gabbott, William Purefoy, 1076 01:38:06,640 --> 01:38:09,640 Michael Dore, and Edward Price. 1077 01:38:09,640 --> 01:38:12,960 Thank you so much for your magnificence this evening. 1078 01:38:12,960 --> 01:38:17,160 Thank you so much. (audience applauds) 1079 01:38:19,960 --> 01:38:21,960 Emma Brain-Gabbott, William Purefoy, Michael Dore, 1080 01:38:21,960 --> 01:38:24,960 and Edward Price, thank you so very much indeed. 1081 01:38:24,960 --> 01:38:27,960 Now, marvellous stuff, thank you to Richard, as well, 1082 01:38:27,960 --> 01:38:30,160 for the incredible music, it's resonating still. 1083 01:38:30,160 --> 01:38:34,800 Richard will join us later in the programme tonight 1084 01:38:34,800 --> 01:38:38,800 and we look forward to that as we hand the baton back now 1085 01:38:38,800 --> 01:38:39,960 to George Morton. 1086 01:38:39,960 --> 01:38:42,960 George Morton, welcome back, sir. 1087 01:38:42,960 --> 01:38:44,960 (audience applauds) 1088 01:38:44,960 --> 01:38:47,160 Ah (laughs). 1089 01:38:53,960 --> 01:38:56,960 Change of costume for Mr. Morton. 1090 01:38:57,960 --> 01:39:00,960 Absolutely wonderful, okay, to our next series 1091 01:39:00,960 --> 01:39:02,960 we take you now and we're continuing the theme 1092 01:39:02,960 --> 01:39:05,960 of introductions, we're about to hear 1093 01:39:05,960 --> 01:39:09,160 three opening title themes from someone else 1094 01:39:09,160 --> 01:39:12,960 you haven't yet been introduced to. 1095 01:39:12,960 --> 01:39:15,960 Gerry Anderson's final three television series, 1096 01:39:15,960 --> 01:39:20,960 they shared a consistent musical sound thanks to all 1097 01:39:20,960 --> 01:39:23,960 of that music being composed by the same man. 1098 01:39:23,960 --> 01:39:26,160 That man played the piano for us earlier this evening 1099 01:39:26,160 --> 01:39:30,640 for "King Kool," ladies and gentlemen, Mr. Crispin Merrell, 1100 01:39:30,640 --> 01:39:31,960 now in the audience, Crispin. 1101 01:39:31,960 --> 01:39:35,960 (audience applauds) 1102 01:39:35,960 --> 01:39:37,960 Let us hear it for Crispin, thank you so much. 1103 01:39:37,960 --> 01:39:41,480 Wonderful to have you with us tonight. 1104 01:39:42,960 --> 01:39:43,960 We're now going to hear three 1105 01:39:43,960 --> 01:39:46,960 of Crispin's main title themes now, 1106 01:39:46,960 --> 01:39:50,960 beginning with the 1994 series "Space Precinct," 1107 01:39:50,960 --> 01:39:53,960 (audience cheers) 1108 01:39:53,960 --> 01:39:57,160 starring Ted Shackelford as a human police officer 1109 01:39:57,160 --> 01:40:01,960 keeping the mean streets of Demeter City on the planet Altor 1110 01:40:01,960 --> 01:40:04,960 safe for both human and alien alike. 1111 01:40:04,960 --> 01:40:08,000 Crispin's score emphasised the danger of this new world 1112 01:40:08,000 --> 01:40:11,320 and the threats it contained, as well as the wonder 1113 01:40:11,320 --> 01:40:14,960 and the majesty of the new frontier of space technology 1114 01:40:14,960 --> 01:40:18,960 and exploration, once again, chiming with where we are now. 1115 01:40:18,960 --> 01:40:21,960 That sense of wonder was at the forefront of his score 1116 01:40:21,960 --> 01:40:26,960 for Anderson's next series, 1999's "Lavender Castle," 1117 01:40:26,960 --> 01:40:30,320 yes, "Lavender Castle," (audience applauds) 1118 01:40:30,320 --> 01:40:33,800 a stop-motion animated series which told the story 1119 01:40:33,800 --> 01:40:36,320 of the crew of the spaceship Paradox, 1120 01:40:36,320 --> 01:40:40,960 the search for the mythical city of Lavender Castle 1121 01:40:40,960 --> 01:40:44,960 and the tangles with the sinister Dr. Agon. 1122 01:40:44,960 --> 01:40:46,960 He sounds very sinister. 1123 01:40:46,960 --> 01:40:48,960 The final Anderson series that Crispin composed 1124 01:40:48,960 --> 01:40:51,960 the music for was also Gerry's last. 1125 01:40:51,960 --> 01:40:54,960 This was 2005's "New Captain Scarlet," 1126 01:40:54,960 --> 01:40:58,800 a CGI re-imagining of the 1967 original 1127 01:40:59,640 --> 01:41:03,960 for which Crispin honoured Barry Gray's sound with the 1960s, 1128 01:41:03,960 --> 01:41:06,960 that unique sound, the heroic music of the spectrum, 1129 01:41:06,960 --> 01:41:08,960 and also the more sinister themes 1130 01:41:08,960 --> 01:41:11,960 for the activities of the Mysterons. 1131 01:41:11,960 --> 01:41:15,960 Just like Richard's work on "Terrahawks," 1132 01:41:15,960 --> 01:41:19,960 Crispin's Anderson scores stand tall and proud 1133 01:41:19,960 --> 01:41:22,960 alongside the work of the legendary Barry Grey 1134 01:41:22,960 --> 01:41:27,960 and coming up for you now are three themes that prove that, 1135 01:41:27,960 --> 01:41:31,960 "New Captain Scarlet," "Lavender Castle, and first, 1136 01:41:31,960 --> 01:41:35,800 enjoy "Space Precinct," thank you. 1137 01:41:35,800 --> 01:41:38,960 (audience applauds) 1138 01:41:40,960 --> 01:41:43,960 ("Space Precinct" theme) 1139 01:42:10,960 --> 01:42:15,960 ("Space Precinct" theme continues) 1140 01:42:41,960 --> 01:42:45,960 ("Space Precinct" theme continues) 1141 01:42:57,960 --> 01:43:00,960 (audience applauds) 1142 01:43:03,960 --> 01:43:06,960 ("Lavender Castle" theme) 1143 01:43:32,960 --> 01:43:37,480 ("Lavender Castle" theme continues) 1144 01:44:05,000 --> 01:44:08,160 (audience applauds) 1145 01:44:14,960 --> 01:44:18,960 ("New Captain Scarlet" theme) 1146 01:44:44,960 --> 01:44:49,800 ("New Captain Scarlet" theme continues) 1147 01:45:14,960 --> 01:45:19,960 ("New Captain Scarlet" theme continues) 1148 01:45:34,960 --> 01:45:37,960 (audience applauds) 1149 01:45:47,960 --> 01:45:49,960 Fantastic to see all the new technology, 1150 01:45:49,960 --> 01:45:51,960 all the innovation embraced there, 1151 01:45:51,960 --> 01:45:53,800 as well as the wonderful stop motion, 1152 01:45:53,800 --> 01:45:55,960 one of my particular favourites, wonderful to see that too. 1153 01:45:55,960 --> 01:45:57,800 Well, ladies and gentlemen, 1154 01:45:57,800 --> 01:45:59,800 it's a glorious evening to share with you. 1155 01:45:59,800 --> 01:46:01,800 We're very nearly at the end of our programme. 1156 01:46:01,800 --> 01:46:02,960 Yes, I know, I know. 1157 01:46:02,960 --> 01:46:05,160 But first though, not quite there, 1158 01:46:05,160 --> 01:46:07,480 I did promise you that we would be 1159 01:46:07,480 --> 01:46:09,960 coming back to "Thunderbirds." 1160 01:46:09,960 --> 01:46:11,960 (audience cheers) 1161 01:46:11,960 --> 01:46:15,960 Might you be ready to do that right now at this very moment? 1162 01:46:15,960 --> 01:46:18,480 Of course you are, of course. 1163 01:46:18,480 --> 01:46:21,960 In fact, we are going back to the very beginning 1164 01:46:21,960 --> 01:46:24,960 of "Thunderbirds" itself with the score of the show's 1165 01:46:24,960 --> 01:46:29,960 first ever episode, the popular "Trapped in the Sky." 1166 01:46:29,960 --> 01:46:32,960 It's a score that encompasses many of the memorable motifs 1167 01:46:32,960 --> 01:46:35,480 that Barry Grey brought to the series 1168 01:46:35,480 --> 01:46:38,800 from the hood plotting in his jungle temple 1169 01:46:38,800 --> 01:46:42,960 to a ladyship and myself making sure he comes 1170 01:46:42,960 --> 01:46:44,320 a cropper in the end, 1171 01:46:46,960 --> 01:46:50,000 to the iconic drama of international rescue, 1172 01:46:50,000 --> 01:46:53,960 racing against time to save the fire flash itself, 1173 01:46:53,960 --> 01:46:57,640 and even a little bit of Virgil Tracy himself on the piano. 1174 01:46:57,640 --> 01:47:01,960 Well, we might not have Virgil, but we do have Gemma Beeson. 1175 01:47:01,960 --> 01:47:03,960 Welcome Gemma, let's have a round applause for Gemma. 1176 01:47:03,960 --> 01:47:06,960 (audience applauds) 1177 01:47:10,960 --> 01:47:13,960 And George Morton with his baton, it Looks like we are 1178 01:47:13,960 --> 01:47:16,960 just about ready to wrap this up, FAB style, 1179 01:47:16,960 --> 01:47:21,640 this FAB evening of Gerry Anderson in wonderful style, 1180 01:47:21,640 --> 01:47:23,960 any opportunity I just take on the voice of Jeff, 1181 01:47:23,960 --> 01:47:27,960 I walk a little taller when I talk this way. 1182 01:47:27,960 --> 01:47:29,960 Take it away, boys. 1183 01:47:31,160 --> 01:47:34,320 (audience applauds) 1184 01:47:40,960 --> 01:47:43,960 ("Trapped in the Sky") 1185 01:48:11,640 --> 01:48:15,960 ("Trapped in the Sky" continues) 1186 01:48:41,800 --> 01:48:44,960 ("Trapped in the Sky" continues) 1187 01:49:10,960 --> 01:49:14,960 ("Trapped in the Sky" continues) 1188 01:49:40,960 --> 01:49:45,000 ("Trapped in the Sky" continues) 1189 01:50:10,960 --> 01:50:14,960 ("Trapped in the Sky" continues) 1190 01:50:40,960 --> 01:50:44,960 ("Trapped in the Sky" continues) 1191 01:51:10,960 --> 01:51:14,960 ("Trapped in the Sky" continues) 1192 01:51:40,960 --> 01:51:44,960 ("Trapped in the Sky" continues) 1193 01:52:10,960 --> 01:52:14,960 ("Trapped in the Sky" continues) 1194 01:52:40,960 --> 01:52:44,960 ("Trapped in the Sky" continues) 1195 01:53:10,960 --> 01:53:14,960 ("Trapped in the Sky" continues) 1196 01:53:42,960 --> 01:53:46,960 ("Trapped in the Sky" continues) 1197 01:54:12,960 --> 01:54:17,320 ("Trapped in the Sky" continues) 1198 01:54:43,640 --> 01:54:47,960 ("Trapped in the Sky" continues) 1199 01:55:12,960 --> 01:55:16,960 ("Trapped in the Sky" continues) 1200 01:55:44,800 --> 01:55:47,960 (audience applauds) 1201 01:56:13,960 --> 01:56:16,960 (applause continues) 1202 01:56:25,960 --> 01:56:28,800 Very, very special indeed. 1203 01:56:28,800 --> 01:56:31,960 Now what better way to end this evening than with what is 1204 01:56:31,960 --> 01:56:35,960 probably the very best known Anderson theme composed 1205 01:56:35,960 --> 01:56:38,800 by that utter genius, Barry Grey. 1206 01:56:38,800 --> 01:56:40,960 A toe-tapping call to action that has become 1207 01:56:40,960 --> 01:56:43,960 culturally ingrained in all of us. 1208 01:56:43,960 --> 01:56:45,960 To bring this final piece to life, 1209 01:56:45,960 --> 01:56:47,960 I would like to welcome back to the stage 1210 01:56:47,960 --> 01:56:50,160 the truly FAB Richard Harvey. 1211 01:56:51,960 --> 01:56:54,960 (audience applauds) 1212 01:57:07,960 --> 01:57:10,960 Now, as you may well have guessed, ladies and gentlemen, 1213 01:57:10,960 --> 01:57:13,800 our finale this evening will be 1214 01:57:13,800 --> 01:57:14,960 that very special piece of music, 1215 01:57:14,960 --> 01:57:16,960 and I truly believe had it been written 1216 01:57:16,960 --> 01:57:18,320 just a few hundred years earlier, 1217 01:57:18,320 --> 01:57:21,960 it would probably have ended up as the national anthem, 1218 01:57:21,960 --> 01:57:25,960 (audience laughs and applauds) 1219 01:57:28,960 --> 01:57:31,960 of course it is the "Thunderbirds March." 1220 01:57:31,960 --> 01:57:34,960 Richard and our glorious orchestra, are you ready? 1221 01:57:34,960 --> 01:57:36,960 FAB, take it away. 1222 01:57:44,160 --> 01:57:47,800 ("Thunderbirds March") 1223 01:58:13,960 --> 01:58:17,960 ("Thunderbirds March" continues) 1224 01:58:43,320 --> 01:58:47,960 ("Thunderbirds March" continues) 1225 01:59:13,960 --> 01:59:17,960 ("Thunderbirds March" continues) 1226 01:59:43,960 --> 01:59:47,960 ("Thunderbirds March" continues) 1227 02:00:10,960 --> 02:00:13,960 (audience applauds) 1228 02:00:43,960 --> 02:00:46,960 And the crowd are on their feet. 1229 02:00:46,960 --> 02:00:49,960 I have run out of superlatives. 1230 02:00:51,000 --> 02:00:52,960 Will you thank Richard Harvey once again 1231 02:00:52,960 --> 02:00:56,960 and will you welcome back to the stage George Morton 1232 02:00:56,960 --> 02:00:59,960 and your appreciation for our wonderful singers, please, 1233 02:00:59,960 --> 02:01:02,960 Emma Brain-Gabbott, William Purefoy, 1234 02:01:02,960 --> 02:01:04,960 Michael Dore, and Edward Price. 1235 02:01:04,960 --> 02:01:08,000 (audience applauds) 1236 02:01:10,960 --> 02:01:12,640 Thank you, all of you. 1237 02:01:23,960 --> 02:01:26,960 (applause continues) 1238 02:01:53,960 --> 02:01:56,960 Oh, thank you for your wonderful appreciation. 1239 02:01:56,960 --> 02:01:59,960 You are the greatest fans in the universe, you truly are. 1240 02:01:59,960 --> 02:02:02,960 There is one person who hasn't just yet received 1241 02:02:02,960 --> 02:02:04,960 the credit they are due. 1242 02:02:04,960 --> 02:02:06,960 She's somebody who has worked tirelessly 1243 02:02:06,960 --> 02:02:08,640 to make this event happen, 1244 02:02:08,640 --> 02:02:12,960 working hundreds of hours, enduring many sleepless nights 1245 02:02:12,960 --> 02:02:15,960 to bring together this amazingly joyous event. 1246 02:02:15,960 --> 02:02:19,960 Would you please put your hands together for our producer 1247 02:02:19,960 --> 02:02:21,800 of this wonderful night, 1248 02:02:21,800 --> 02:02:23,960 Carrot Productions's Rachel Whibley, 1249 02:02:23,960 --> 02:02:27,960 congratulations and thank you to Rachel Whibley. 1250 02:02:27,960 --> 02:02:31,960 (audience applauds) You made it all happen. 1251 02:02:31,960 --> 02:02:34,960 We're so grateful to, ah, thank you, Jamie. 1252 02:02:37,960 --> 02:02:40,960 Rachel Whibley, where are you? 1253 02:02:42,960 --> 02:02:44,960 Keep your applause going. 1254 02:02:44,960 --> 02:02:46,960 Rachel did not know this was going to happen. 1255 02:02:46,960 --> 02:02:49,000 This is a, ah, Rachel. 1256 02:02:49,000 --> 02:02:50,960 Ah, thanks to you 1257 02:02:50,960 --> 02:02:53,960 (audience applauds) 1258 02:02:54,960 --> 02:02:56,960 Your appreciation for Rachel Whibley, 1259 02:02:56,960 --> 02:02:59,960 ladies and gentlemen, thank you so much. 1260 02:03:08,960 --> 02:03:10,960 More presentations to come, 1261 02:03:10,960 --> 02:03:12,960 this time of a rather fizzy variety. 1262 02:03:12,960 --> 02:03:13,960 Keep your applause going, 1263 02:03:13,960 --> 02:03:15,960 we've not finished with the presentations yet. 1264 02:03:15,960 --> 02:03:18,960 (audience applauds) 1265 02:03:22,960 --> 02:03:24,960 Ah, there we are, the champagne awards, 1266 02:03:24,960 --> 02:03:26,480 the champagne awards. 1267 02:03:30,960 --> 02:03:31,960 Yes, there we are. 1268 02:03:34,960 --> 02:03:36,960 Really, oh, thank you. 1269 02:03:36,960 --> 02:03:38,960 Oh, thank you. 1270 02:03:40,960 --> 02:03:45,000 George Morton, will you join us please, George Morton? 1271 02:03:47,960 --> 02:03:49,960 We have both of our conductors on the stage 1272 02:03:49,960 --> 02:03:51,960 with us at the moment. 1273 02:03:53,000 --> 02:03:54,960 Thank you, Jamie. 1274 02:03:54,960 --> 02:03:57,960 (applause continues) 1275 02:04:00,960 --> 02:04:02,960 Just one more set of thanks from me. 1276 02:04:02,960 --> 02:04:05,960 And that's to the wonderful team of people that work so hard 1277 02:04:05,960 --> 02:04:08,960 to continue the great legacy of Gerry Anderson, 1278 02:04:08,960 --> 02:04:11,800 from podcasts to live streams, 1279 02:04:11,800 --> 02:04:13,960 merchandising to publishing, everything in between, 1280 02:04:13,960 --> 02:04:16,960 every bit of technology that we have at our hands now. 1281 02:04:16,960 --> 02:04:18,960 Could the team from Anderson Entertainment 1282 02:04:18,960 --> 02:04:20,960 please stand for us and give a round of applause 1283 02:04:20,960 --> 02:04:22,800 for all of these wonderful folks. 1284 02:04:22,800 --> 02:04:24,480 That is Tim Collins, 1285 02:04:24,480 --> 02:04:28,640 Steph and Nicholas Briggs, Ben Page, Chris Dale, 1286 02:04:29,960 --> 02:04:34,160 Chris Thompson, Andrew Clements, Ross Arrowsmith, 1287 02:04:36,320 --> 02:04:39,960 Tim Langus-Griffin, and Louise Everson. 1288 02:04:41,960 --> 02:04:44,960 Your appreciation for the Anderson Entertainment team 1289 02:04:44,960 --> 02:04:48,320 keeping this wonderful legacy going, keeping the joy going, 1290 02:04:48,320 --> 02:04:52,960 our thanks to you. (audience applauds) 1291 02:04:54,960 --> 02:04:55,960 Thank you so much for joining us. 1292 02:04:55,960 --> 02:04:58,160 Give yourselves a round of applause for being 1293 02:04:58,160 --> 02:04:59,960 the greatest of fans, 1294 02:04:59,960 --> 02:05:02,960 for your wonderful enthusiasm and warmth. 1295 02:05:03,960 --> 02:05:06,960 You've done us proud, you really have done us proud. 1296 02:05:06,960 --> 02:05:08,960 With that, ladies and gentlemen, would you like some more? 1297 02:05:08,960 --> 02:05:12,160 I think they deserve some more, I think so. 1298 02:05:12,160 --> 02:05:14,960 Come back, come back, come back. 1299 02:05:14,960 --> 02:05:16,960 It is encore time, ladies and gentlemen, 1300 02:05:16,960 --> 02:05:18,960 rejoin us, it is encore time. 1301 02:05:26,160 --> 02:05:29,960 (epic orchestral music) 1302 02:06:42,960 --> 02:06:45,800 (audience applauds) 1303 02:07:11,960 --> 02:07:13,960 Ah, keep your appreciation going, 1304 02:07:13,960 --> 02:07:15,960 thank you so much, your applause, we are addicted to it. 1305 02:07:15,960 --> 02:07:19,960 (audience applauds) 1306 02:07:30,000 --> 02:07:33,960 (epic orchestral music) 1307 02:07:38,640 --> 02:07:42,960 ♪ Knows the Mysterons' game ♪ 1308 02:07:42,960 --> 02:07:46,800 ♪ And things they plan ♪ 1309 02:07:46,800 --> 02:07:49,960 ♪ Captain Scarlet ♪ 1310 02:07:49,960 --> 02:07:54,640 ♪ To his Martian foes, a dangerous name ♪ 1311 02:07:55,960 --> 02:07:58,960 ♪ A superman ♪ 1312 02:07:58,960 --> 02:08:03,960 ♪ They crash him and his body may burn ♪ 1313 02:08:05,480 --> 02:08:09,960 ♪ They smash him but they know he'll return ♪ 1314 02:08:09,960 --> 02:08:12,960 ♪ To live again ♪ 1315 02:08:12,960 --> 02:08:15,800 ♪ Captain Scarlet ♪ 1316 02:08:15,800 --> 02:08:19,960 ♪ As the angels are flying wing to wing ♪ 1317 02:08:22,480 --> 02:08:26,960 ♪ Into the scene, spectrum is green ♪ 1318 02:08:28,960 --> 02:08:32,640 ♪ Captain Scarlet ♪ 1319 02:08:32,640 --> 02:08:36,960 ♪ Though the Mysterons plan to conquer the Earth ♪ 1320 02:08:38,480 --> 02:08:43,640 ♪ This indestructible man will show what he's worth ♪ 1321 02:08:44,960 --> 02:08:48,960 ♪ Captain Scarlet ♪ 1322 02:08:48,960 --> 02:08:52,960 ♪ Indestructible Captain Scarlet ♪ 1323 02:08:56,960 --> 02:08:59,960 (audience applauds) 1324 02:09:27,640 --> 02:09:30,960 (applause continues) 1325 02:09:56,960 --> 02:09:59,960 (applause continues) 1326 02:10:01,960 --> 02:10:04,960 (dramatic theme music) 1327 02:10:32,960 --> 02:10:36,960 (dramatic theme music continues) 1328 02:11:03,960 --> 02:11:07,960 (dramatic theme music continues) 1329 02:11:35,960 --> 02:11:39,960 (dramatic theme music continues) 97277