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These are the user uploaded subtitles that are being translated: 1 00:00:05,539 --> 00:00:07,375 announcer: IN THE CRIMINAL JUSTICE SYSTEM, 2 00:00:07,375 --> 00:00:10,811 SEXUALLY BASED OFFENSES ARE CONSIDERED ESPECIALLY HEINOUS. 3 00:00:10,811 --> 00:00:13,547 IN NEW YORK CITY, THE DEDICATED DETECTIVES 4 00:00:13,547 --> 00:00:15,416 WHO INVESTIGATE THESE VICIOUS FELONIES 5 00:00:15,416 --> 00:00:16,817 ARE MEMBERS OF AN ELITE SQUAD 6 00:00:16,817 --> 00:00:18,686 KNOWN AS THE SPECIAL VICTIMS UNIT. 7 00:00:18,686 --> 00:00:22,123 THESE ARE THEIR STORIES. 8 00:00:22,123 --> 00:00:25,126 [Waiting by Norah Jones] 9 00:00:25,126 --> 00:00:27,161 * 10 00:00:27,161 --> 00:00:29,197 - * HUSH NOW 11 00:00:29,197 --> 00:00:32,333 * WATCH THE STARS FALL 12 00:00:32,333 --> 00:00:36,570 * INTO A FIRE WALL 13 00:00:36,570 --> 00:00:39,840 * I AM WAITING HERE 14 00:00:39,840 --> 00:00:44,278 * WAITING FOR YOU TO COME HOME * 15 00:00:44,278 --> 00:00:47,315 * 16 00:00:47,315 --> 00:00:53,087 * SINKING EMBERS GLOW 17 00:00:53,087 --> 00:00:57,558 * MELTING ICY SNOW 18 00:00:57,558 --> 00:01:00,394 * AND I AM WAITING HERE 19 00:01:00,394 --> 00:01:05,333 * WAITING FOR YOU TO COME HOME * 20 00:01:05,333 --> 00:01:08,102 * 21 00:01:08,102 --> 00:01:09,337 * AND I WAIT 22 00:01:09,337 --> 00:01:11,639 * IT DOESN'T MEAN 23 00:01:11,639 --> 00:01:15,643 * YOU WILL RETURN 24 00:01:15,643 --> 00:01:17,345 - COME ON, MOM. COME ON, DAD. 25 00:01:17,345 --> 00:01:25,419 * 26 00:01:29,890 --> 00:01:31,759 - YEAH, I CAN'T TALK RIGHT NOW. 27 00:01:31,759 --> 00:01:35,629 I'M LATE TO PICK UP MY SON. 28 00:01:35,629 --> 00:01:37,198 [pounding on door] 29 00:01:37,198 --> 00:01:38,699 - YOU SEE YOUR SON ONE DAY A WEEK, 30 00:01:38,699 --> 00:01:40,334 AND YOU CAN'T BE ON TIME! 31 00:01:40,334 --> 00:01:42,170 - HEY, I GOTTA CALL YOU LATER. 32 00:01:42,170 --> 00:01:43,671 - DADDY! DADDY! - HEY, BUDDY. 33 00:01:43,671 --> 00:01:45,173 YOU READY FOR THE GAME? HMM? [cell phone rings] 34 00:01:45,173 --> 00:01:46,740 - I'M DEFINITELY GONNA CATCH A BALL. 35 00:01:46,740 --> 00:01:49,443 - YEAH, JEB. - DAD, WE'RE GONNA BE LATE. 36 00:01:49,443 --> 00:01:50,811 - YEAH, I'M TAKING WYATT TO THE GAME. 37 00:01:50,811 --> 00:01:53,281 CAN I CALL YOU LATER? YOU READY, BUDDY? 38 00:01:53,281 --> 00:01:54,882 - ALL RIGHT, OUR HOME NUMBER'S ON SPEED DIAL. 39 00:01:54,882 --> 00:01:57,918 ALL RIGHT. EASY ON THE JUNK FOOD. 40 00:01:57,918 --> 00:02:00,321 HE STILL GETS THOSE STOMACHACHES. 41 00:02:02,390 --> 00:02:05,259 - MOM SEEMS A LITTLE GROUCHY, HUH? 42 00:02:05,259 --> 00:02:08,329 - WHEN ARE YOU COMING HOME, DADDY? 43 00:02:11,565 --> 00:02:13,434 - HOW 'BOUT A TREAT? 44 00:02:13,434 --> 00:02:15,169 LET'S GO. LET'S GO. 45 00:02:15,169 --> 00:02:16,637 COME ON, RUN, KID! 46 00:02:16,637 --> 00:02:18,639 LAST ONE ON IS A ROTTEN EGG. 47 00:02:21,942 --> 00:02:25,413 THANK YOU. 48 00:02:25,413 --> 00:02:27,548 - DAD! DAD! 49 00:02:27,548 --> 00:02:30,184 - WYATT! HEY! 50 00:02:30,184 --> 00:02:32,486 HEY! WYATT! 51 00:02:32,486 --> 00:02:35,256 OPEN THE DOOR! 52 00:02:35,256 --> 00:02:37,558 WAIT! STOP THE TRAIN! 53 00:02:37,558 --> 00:02:39,927 MY KID'S ON THE TRAIN! 54 00:02:39,927 --> 00:02:42,763 HEY! HELP! 55 00:02:46,800 --> 00:02:50,338 [alarm blaring] 56 00:02:52,806 --> 00:02:57,445 YEAH, MY SON! MY SON! HE'S BEEN TAKEN. 57 00:02:59,847 --> 00:03:05,519 HELP! HELP! 58 00:03:05,519 --> 00:03:06,887 - CAPTAIN. 59 00:03:06,887 --> 00:03:08,989 A LOT OF WHITE SHIRTS. WHAT'S GOING ON? 60 00:03:08,989 --> 00:03:11,359 - SEVEN-YEAR-OLD, WYATT MORRIS. 61 00:03:11,359 --> 00:03:13,727 SNATCHED FROM HIS FATHER ON A SUBWAY PLATFORM. 62 00:03:13,727 --> 00:03:15,663 TRANSIT IS STOPPING ALL THE TRAINS ON THAT LINE 63 00:03:15,663 --> 00:03:17,731 EN ROUTE TO THE GAME. 64 00:03:17,731 --> 00:03:19,300 - WHO IS THIS KID? 65 00:03:19,300 --> 00:03:20,934 - THE MAYOR'S OFFICE CALLED. 66 00:03:20,934 --> 00:03:22,570 THE FATHER IS DAVID MORRIS, 67 00:03:22,570 --> 00:03:24,838 OF THE MORRIS BROTHERS REAL ESTATE FAMILY. 68 00:03:24,838 --> 00:03:26,507 - THEY OWN HALF THE WEST SIDE. 69 00:03:26,507 --> 00:03:28,409 ANY RANSOM DEMANDS YET? 70 00:03:28,409 --> 00:03:29,810 - IT'S A LITTLE EARLY FOR THAT. 71 00:03:29,810 --> 00:03:32,946 - THIS NEIGHBORHOOD'S CHANGED. 72 00:03:32,946 --> 00:03:34,948 - WHERE'S THE MOTHER? - WE'RE STILL LOOKING. 73 00:03:34,948 --> 00:03:37,518 MR. MORRIS THINKS SHE MIGHT BE OUT FOR A RUN. 74 00:03:37,518 --> 00:03:39,353 THEY'RE DIVORCED. 75 00:03:39,353 --> 00:03:43,357 - THE DAD HAS HIS SON FOR THE DAY AND LOSES HIM? 76 00:03:43,357 --> 00:03:44,992 [background chatter fades out] 77 00:03:44,992 --> 00:03:47,995 [somber music] 78 00:03:47,995 --> 00:03:56,270 * 79 00:04:03,844 --> 00:04:06,914 - LIV? 80 00:04:06,914 --> 00:04:10,751 LIV, YOU WITH US? 81 00:04:10,751 --> 00:04:12,953 - THIS NEIGHBORHOOD. 82 00:04:12,953 --> 00:04:14,788 HECTOR RODRIGUEZ, THE DOMINICAN KID... 83 00:04:14,788 --> 00:04:16,324 HE WAS THE EXACT SAME AGE. 84 00:04:16,324 --> 00:04:17,791 - MISSING BOY, '99. 85 00:04:17,791 --> 00:04:19,993 DAD LOST CUSTODY, TOOK THE KID BACK TO THE D.R. 86 00:04:19,993 --> 00:04:21,629 - WE DON'T KNOW THAT. 87 00:04:21,629 --> 00:04:24,565 THE MOTHER NEVER SAW HER SON AGAIN. 88 00:04:24,565 --> 00:04:27,568 - LIV...HEY. 89 00:04:27,568 --> 00:04:31,505 THIS KID'S MISSING NOW. 90 00:05:24,091 --> 00:05:25,359 - HEY, WE'VE GOT THREE TRAINS STOPPED 91 00:05:25,359 --> 00:05:26,560 BETWEEN HERE AND THE STADIUM, 92 00:05:26,560 --> 00:05:27,761 A HALF DOZEN BOTTLED UP BEHIND THEM. 93 00:05:27,761 --> 00:05:29,062 - ANY SIGN OF THE BOY? - NOT YET. 94 00:05:29,062 --> 00:05:30,364 WE'RE HOLDING PASSENGERS ON THE PLATFORM 95 00:05:30,364 --> 00:05:31,665 FOR QUESTIONING. 96 00:05:31,665 --> 00:05:32,733 IF THEY DON'T MAKE IT TO THE GAME, 97 00:05:32,733 --> 00:05:33,934 WE MIGHT HAVE A RIOT. 98 00:05:33,934 --> 00:05:35,102 - WELL, THAT'S TOO BAD 99 00:05:35,102 --> 00:05:36,770 BECAUSE NOBODY'S GOING ANYWHERE. 100 00:05:36,770 --> 00:05:38,839 THAT KID COULD STILL BE ON ANY ONE OF THESE TRAINS. 101 00:05:38,839 --> 00:05:42,376 SEARCH EVERY CAR, TALK TO EVERY PASSENGER. 102 00:05:42,376 --> 00:05:43,844 - HEY, CAPTAIN, THE FATHER WANTS TO GO UPTOWN 103 00:05:43,844 --> 00:05:45,379 AND JOIN THE SEARCH. 104 00:05:45,379 --> 00:05:47,080 - NO, YOU TALK TO HIM HERE. BOTH OF YOU. 105 00:05:47,080 --> 00:05:49,049 AND WHATEVER WENT ON BETWEEN THE TWO OF YOU, 106 00:05:49,049 --> 00:05:50,784 GET OVER IT-- WE DON'T HAVE TIME. 107 00:05:50,784 --> 00:05:53,754 - DAVID! WHERE'S WYATT? 108 00:05:53,754 --> 00:05:55,022 WHAT DID YOU DO? WHAT DID YOU DO? 109 00:05:55,022 --> 00:05:56,390 - WHOA, WHOA, MS. MORRIS. MS. MORRIS. 110 00:05:56,390 --> 00:05:58,392 - WHERE IS HE? WHAT DID YOU DO? 111 00:05:58,392 --> 00:06:00,628 - MS. MORRIS, LISTEN-- - MS. COLFAX--LAURIE. 112 00:06:00,628 --> 00:06:02,996 - OKAY. - WHERE'S WYATT? WHAT HAPPENED? 113 00:06:02,996 --> 00:06:04,798 - WE'RE TRYING TO FIGURE THAT OUT NOW. 114 00:06:04,798 --> 00:06:07,435 - SLOW DOWN. SLOW DOWN, MR. MORRIS. 115 00:06:07,435 --> 00:06:09,537 SO THIS GUY TAPPED YOU ON THE SHOULDER. 116 00:06:09,537 --> 00:06:10,871 CAN YOU DESCRIBE HIM? 117 00:06:10,871 --> 00:06:13,741 WHITE, BLACK, AGE? 118 00:06:13,741 --> 00:06:17,545 - WHITE, 40s. CAP, GLASSES. 119 00:06:17,545 --> 00:06:18,846 I'M BAD AT FACES. 120 00:06:18,846 --> 00:06:20,748 - DAVID HAS VISITATION ON SUNDAY? 121 00:06:20,748 --> 00:06:22,816 - HE WAS SUPPOSED TO BE THERE AT 9:00. 122 00:06:22,816 --> 00:06:24,485 HE WAS HIS USUAL TWO HOURS LATE. 123 00:06:24,485 --> 00:06:26,820 - AND HE ONLY SEES WYATT ONE DAY A WEEK? 124 00:06:26,820 --> 00:06:30,491 DOES THAT MAKE DAVID UPSET? - HE'S ALWAYS UPSET. 125 00:06:30,491 --> 00:06:32,526 EVERYTHING ABOUT HIM IS A NEGOTIATION. 126 00:06:32,526 --> 00:06:33,994 - OKAY, SO, MS. COLFAX, 127 00:06:33,994 --> 00:06:35,996 YOUR HUSBAND'S FAMILY IS VERY WEALTHY. 128 00:06:35,996 --> 00:06:38,732 HAVE YOU NOTICED ANYONE SUSPICIOUS 129 00:06:38,732 --> 00:06:41,669 TRYING TO TALK TO WYATT, OR FOLLOWING YOU? 130 00:06:41,669 --> 00:06:43,103 ANYTHING LIKE THAT? 131 00:06:43,103 --> 00:06:46,073 - NO. 132 00:06:46,073 --> 00:06:47,841 YOU THINK THIS IS ABOUT RANSOM? 133 00:06:47,841 --> 00:06:51,044 WE'LL PAY. WE'LL POST A REWARD. 134 00:06:51,044 --> 00:06:52,613 - OKAY, LET'S HOLD OFF ON THAT. 135 00:06:52,613 --> 00:06:54,915 IT'S JUST GONNA BRING OUT CON ARTISTS. 136 00:06:54,915 --> 00:06:56,717 SO IF SOMEBODY WANTS TO GET IN TOUCH WITH YOU, 137 00:06:56,717 --> 00:06:57,851 I PROMISE YOU THEY WILL. 138 00:06:57,851 --> 00:07:00,120 - BUT WHAT IF NO ONE CALLS? 139 00:07:00,120 --> 00:07:02,422 - WELL, WE'LL CROSS THAT BRIDGE WHEN WE GET TO IT. 140 00:07:06,594 --> 00:07:08,028 - [gasps] OH, GOD. - HEY, LAURIE. 141 00:07:08,028 --> 00:07:09,897 LAURIE, I NEED YOU TO STAY FOCUSED. 142 00:07:09,897 --> 00:07:12,866 I NEED YOU TO STAY FOCUSED. WHOA, WHOA. 143 00:07:12,866 --> 00:07:14,635 - FIND MY SON. - OKAY. 144 00:07:14,635 --> 00:07:16,203 WE'RE GONNA DO THE BEST WE CAN. 145 00:07:16,203 --> 00:07:18,706 - FIND MY SON. - OKAY. 146 00:07:18,706 --> 00:07:20,908 OKAY. - FIND MY SON. 147 00:07:23,544 --> 00:07:25,245 - THIS IS A FULL-ON AMBER ALERT. 148 00:07:25,245 --> 00:07:28,181 THESE GO UP IN EVERY STREET, IN EVERY BOROUGH 149 00:07:28,181 --> 00:07:30,484 WITHIN THE HOUR. 150 00:07:30,484 --> 00:07:32,620 - TARU CAN'T TRACE THE KID'S CELL PHONE. 151 00:07:32,620 --> 00:07:35,556 - SO ONE WITNESS SAW A BLACK MAN 152 00:07:35,556 --> 00:07:36,924 PULL WYATT ONTO THE TRAIN. 153 00:07:36,924 --> 00:07:39,092 ANOTHER SAW AN OLDER WHITE MALE. 154 00:07:39,092 --> 00:07:40,994 AND ONE PUT HIM WITH A WOMAN. 155 00:07:40,994 --> 00:07:43,597 THERE WERE A LOT OF KIDS IN CAPS ON THOSE TRAINS. 156 00:07:43,597 --> 00:07:45,065 - AND NO VIDEO FROM THAT STATION. 157 00:07:45,065 --> 00:07:47,000 - WELL, 110TH STREET? 158 00:07:47,000 --> 00:07:48,902 THE HOI POLLOI DON'T GET THOSE UPGRADES. 159 00:07:48,902 --> 00:07:50,137 - MORNINGSIDE HEIGHTS HAS CHANGED. 160 00:07:50,137 --> 00:07:51,939 IT'S NOT LIKE IT WAS IN '99. 161 00:07:51,939 --> 00:07:52,940 - YOU'RE THINKING ABOUT HECTOR RODRIGUEZ. 162 00:07:52,940 --> 00:07:54,174 IT WAS A WAR ZONE THEN. 163 00:07:54,174 --> 00:07:55,909 - THERE HE GOES WITH THE BAD OLD DAYS. 164 00:07:55,909 --> 00:07:58,045 - IT'S STILL MIXED. I CAN'T BELIEVE MORRIS 165 00:07:58,045 --> 00:08:00,247 AND HIS FAMILY LIVE UP THERE. - WELL, HE OWNS THE BUILDING. 166 00:08:00,247 --> 00:08:01,882 AND HE'S RENOVATED HALF THE BLOCK, 167 00:08:01,882 --> 00:08:03,283 AND IT'S HIS EX-WIFE. 168 00:08:03,283 --> 00:08:04,852 - ARE THEY STILL IN COURT? 169 00:08:04,852 --> 00:08:06,887 - ON A CUSTODY ISSUE, EVERY THREE MONTHS. 170 00:08:06,887 --> 00:08:08,255 - MAYBE DAVID MORRIS GOT TIRED OF PAYING 171 00:08:08,255 --> 00:08:10,591 FOR TWO SETS OF LEGAL FEES. 172 00:08:10,591 --> 00:08:12,192 - AND HAS HIS OWN SON KIDNAPPED? 173 00:08:12,192 --> 00:08:14,728 - OR THE WIFE WANTS TO MAKE HIM LOOK BAD. 174 00:08:14,728 --> 00:08:16,029 - NOTHING'S FAIR IN LOVE AND WAR. 175 00:08:16,029 --> 00:08:17,598 - SHE DOES WANT TO MAKE HIM LOOK BAD. 176 00:08:17,598 --> 00:08:19,032 SHE MADE A POINT OF TELLING ME 177 00:08:19,032 --> 00:08:21,869 THAT HE GOT THERE AT 11:00 TODAY, TWO HOURS LATE. 178 00:08:21,869 --> 00:08:23,203 - 11:00? 179 00:08:23,203 --> 00:08:24,972 THE TRAIN DIDN'T LEAVE UNTIL 12:15. 180 00:08:24,972 --> 00:08:26,840 - DID DAVID TELL YOU HE STOPPED ANYWHERE? 181 00:08:26,840 --> 00:08:29,276 - NO. AND I ASKED. 182 00:08:29,276 --> 00:08:30,811 - WELL, I DIDN'T TELL YOU 183 00:08:30,811 --> 00:08:31,812 BECAUSE I DIDN'T THINK IT MATTERED. 184 00:08:31,812 --> 00:08:33,213 WE WENT TO A PASTRY SHOP. 185 00:08:33,213 --> 00:08:34,314 - AND YOU DIDN'T WANT YOUR WIFE TO KNOW 186 00:08:34,314 --> 00:08:36,183 YOU WERE GIVING HIM SWEETS? 187 00:08:36,183 --> 00:08:38,085 - I JUST WANTED WYATT TO HAVE A FUN DAY. 188 00:08:38,085 --> 00:08:40,153 THE DIVORCE HAS BEEN REALLY HARD ON HIM. 189 00:08:40,153 --> 00:08:43,924 - CAN ANYONE CONFIRM THAT? 190 00:08:43,924 --> 00:08:45,893 - YEAH. THE HOSTESS. 191 00:08:45,893 --> 00:08:48,195 I'VE BEEN SEEING HER. 192 00:08:48,195 --> 00:08:50,564 SHE ALSO USED TO BABYSIT FOR WYATT. 193 00:08:53,266 --> 00:08:56,804 GUESS I DIDN'T WANT LAURIE TO KNOW THAT EITHER. 194 00:08:59,006 --> 00:09:02,309 - THE MISSING BOY. GOD, THAT'S HORRIBLE. 195 00:09:02,309 --> 00:09:04,244 YEAH, I THINK I SAW THEM. 196 00:09:04,244 --> 00:09:05,846 - YOU THINK? HONEY, WE KNOW THAT YOU'RE INVOLVED 197 00:09:05,846 --> 00:09:07,280 WITH DAVID, OKAY? 198 00:09:07,280 --> 00:09:08,982 - DOES LAURIE KNOW? 199 00:09:08,982 --> 00:09:11,284 - THAT'S ON YOU. WERE THEY HERE? 200 00:09:11,284 --> 00:09:13,787 - EATING MUFFINS. 201 00:09:13,787 --> 00:09:15,923 WYATT HAD MILK, SKIM. 202 00:09:15,923 --> 00:09:18,058 - YOU AND THE DAD EVER GO ANYWHERE PRIVATE, 203 00:09:18,058 --> 00:09:19,793 MAYBE LEAVE THE BOY ALONE? 204 00:09:19,793 --> 00:09:21,094 - NO, NO. 205 00:09:21,094 --> 00:09:23,897 - DID YOU NOTICE ANYONE LOOKING AT WYATT? 206 00:09:23,897 --> 00:09:27,768 LIKE, DARK SUNGLASSES, OR A BASEBALL CAP? 207 00:09:27,768 --> 00:09:28,936 - THE PLACE IS FULL OF DADS LIKE THAT. 208 00:09:28,936 --> 00:09:30,170 IT'S THE PLAYOFFS. 209 00:09:30,170 --> 00:09:31,972 - THIS GUY WOULD HAVE BEEN BY HIMSELF. 210 00:09:31,972 --> 00:09:34,875 - WAIT, THERE WAS ONE. 211 00:09:34,875 --> 00:09:38,011 A SINGLETON. HE ORDERED TEA IN A GLASS... 212 00:09:38,011 --> 00:09:41,782 GOT UP WHEN THEY DID AND JUST LEFT $2. 213 00:09:41,782 --> 00:09:43,784 - GOT THIS FROM A BOUTIQUE NEAR THE CAFE. 214 00:09:43,784 --> 00:09:46,386 - NOT ENOUGH OF AN IMAGE FOR FACIAL RECOGNITION SOFTWARE. 215 00:09:46,386 --> 00:09:47,821 - ANY OTHER ANGLES? 216 00:09:47,821 --> 00:09:49,957 ANYTHING FROM TRAFFIC CAMS, ATMs? 217 00:09:49,957 --> 00:09:51,692 - TARU'S STILL CHECKING. 218 00:09:51,692 --> 00:09:53,360 - WHAT ARE WE, THREE HOURS IN, AND NO RANSOM DEMAND? 219 00:09:53,360 --> 00:09:56,029 THIS GUY'S A PREDATOR. ARE YOU GETTING DEJA VU? 220 00:09:56,029 --> 00:09:58,365 - DON'T HAVE HER START UP AGAIN. 221 00:09:58,365 --> 00:10:00,634 - IT'S THE SAME NEIGHBORHOOD. 222 00:10:00,634 --> 00:10:03,771 HECTOR DISAPPEARED ON A BUS, WYATT ON A SUBWAY. 223 00:10:03,771 --> 00:10:06,339 - GUYS, IT'S 13 YEARS, TWO DIFFERENT WORLDS. 224 00:10:06,339 --> 00:10:08,275 HECTOR WAS FROM A WORKING-CLASS FAMILY. 225 00:10:08,275 --> 00:10:10,778 - YEAH, WHICH IS WHY WE HAD ABOUT 1/10 OF THE RESOURCES 226 00:10:10,778 --> 00:10:12,345 TO FIND HIM. - WAIT, BACK UP. 227 00:10:12,345 --> 00:10:14,648 YOU SAID HECTOR WAS TAKEN OFF A BUS AND NEVER SEEN AGAIN? 228 00:10:14,648 --> 00:10:17,150 - A WITNESS THOUGHT THAT SHE SAW HIM A FEW HOURS LATER 229 00:10:17,150 --> 00:10:18,852 WITH HIS HAIR DYED BLOND. 230 00:10:18,852 --> 00:10:20,353 - HIS FATHER CHANGED THE BOY'S APPEARANCE 231 00:10:20,353 --> 00:10:21,421 TO GET HIM OUT OF THE COUNTRY. 232 00:10:21,421 --> 00:10:23,924 HECTOR'S CASE IS CLOSED. 233 00:10:23,924 --> 00:10:26,660 WE HAVE A LEAD ON WYATT. FOLLOW IT UP. 234 00:10:26,660 --> 00:10:28,696 - THAT COULD BE HIM. 235 00:10:28,696 --> 00:10:31,431 I DIDN'T NOTICE ANYBODY AT THE PASTRY SHOP, THOUGH. 236 00:10:31,431 --> 00:10:33,366 - DAVID, WYATT HAD BREAKFAST! - OH, GOD. 237 00:10:33,366 --> 00:10:34,902 - WHAT WERE YOU DOING THERE? 238 00:10:34,902 --> 00:10:37,037 - LAURIE, WE THINK THAT WHOEVER TOOK WYATT 239 00:10:37,037 --> 00:10:38,405 MAY HAVE FOLLOWED HIM. 240 00:10:38,405 --> 00:10:40,040 THEY KNEW YOUR FAMILY'S ROUTINE. 241 00:10:40,040 --> 00:10:41,441 - I HAVEN'T SEEN ANYONE WATCHING US, 242 00:10:41,441 --> 00:10:43,911 AND I'M WITH HIM ALL THE TIME, EXCEPT FOR SCHOOL. 243 00:10:43,911 --> 00:10:45,345 AND SUNDAYS. 244 00:10:45,345 --> 00:10:47,881 - SUNDAY. THAT'S YOUR DAY, RIGHT, DAVID? 245 00:10:47,881 --> 00:10:49,449 - YEAH. I HAVEN'T NOTICED ANYBODY. 246 00:10:49,449 --> 00:10:52,185 - YOU WOULDN'T. 247 00:10:52,185 --> 00:10:53,787 HALF THE NEIGHBORHOOD'S PISSED OFF AT HIM. 248 00:10:53,787 --> 00:10:55,455 HE'S CLUELESS. - NO, THEY'RE NOT. 249 00:10:55,455 --> 00:10:57,758 - LAURIE, DAVID, WE NEED YOU TO BE ON THE SAME SIDE NOW. 250 00:10:57,758 --> 00:11:00,360 - EASY. PISSED OFF ABOUT WHAT? - THIS BUILDING. 251 00:11:00,360 --> 00:11:02,362 ALL HIS RENOVATIONS, CONDOS. 252 00:11:02,362 --> 00:11:04,264 WHEN HE GOES TO THOSE COMMUNITY BOARD MEETINGS, 253 00:11:04,264 --> 00:11:05,899 THE WHOLE ROOM WANTS TO KILL HIM. 254 00:11:05,899 --> 00:11:08,268 - COME ON! I MEAN, THIS IS MORNINGSIDE HEIGHTS! 255 00:11:08,268 --> 00:11:10,871 YOU SHOULD SEE THESE PEOPLE. IT'S LIKE THE '60s NEVER ENDED! 256 00:11:10,871 --> 00:11:13,473 - DAVID, LOOK AGAIN. YOU EVER SEEN THIS GUY 257 00:11:13,473 --> 00:11:15,776 AT ONE OF THE COMMUNITY BOARD MEETINGS? 258 00:11:15,776 --> 00:11:16,910 - I DON'T SEE ANYBODY AT THOSE MEETINGS. 259 00:11:16,910 --> 00:11:18,912 I TUNE 'EM OUT. [cell vibrating] 260 00:11:18,912 --> 00:11:20,748 - YOU TUNE OUT A ROOM FULL OF PEOPLE 261 00:11:20,748 --> 00:11:22,883 WHO ARE ACCUSING YOU OF PRICING THEM OUT 262 00:11:22,883 --> 00:11:24,284 OF THEIR OWN HOMES? 263 00:11:24,284 --> 00:11:25,452 - IF I LET THEM CONTROL THE AGENDA, 264 00:11:25,452 --> 00:11:27,054 NOTHING GETS BUILT, ALL RIGHT? 265 00:11:27,054 --> 00:11:28,756 THIS NEIGHBORHOOD, IT WOULD STILL BE A SLUM. 266 00:11:28,756 --> 00:11:32,993 - LIV. - WHAT IS IT? 267 00:11:32,993 --> 00:11:34,394 - WHEN ARE YOU GOING TO LEAVE? 268 00:11:34,394 --> 00:11:36,129 YOU PEOPLE, YOU'RE COSTING ME BUSINESS. 269 00:11:36,129 --> 00:11:38,198 - IT'S SIMPLE. A COUPLE SAID THEY SAW THIS BOY 270 00:11:38,198 --> 00:11:39,199 COME OUT OF YOUR STORE. 271 00:11:39,199 --> 00:11:40,233 NOW, DID YOU SEE HIM? 272 00:11:40,233 --> 00:11:41,401 - THERE ARE A LOT OF KIDS 273 00:11:41,401 --> 00:11:42,870 THAT COME INTO MY STORE. 274 00:11:42,870 --> 00:11:45,773 I'M SORRY, I CAN'T PLACE HIM. 275 00:11:45,773 --> 00:11:47,440 HOW MUCH LONGER ARE YOU GOING TO BE OUT THERE? 276 00:11:47,440 --> 00:11:49,276 - YOU MIGHT WANT TO THINK HARDER. 277 00:11:49,276 --> 00:11:52,279 JUST FOUND THE BOY'S CELL PHONE OUTSIDE IN YOUR DUMPSTER. 278 00:11:52,279 --> 00:11:54,314 NOW, WE CAN SHUT YOUR STORE DOWN ALL DAY 279 00:11:54,314 --> 00:11:55,415 AND GO THROUGH IT WITH A FINE-TOOTH COMB. 280 00:11:55,415 --> 00:11:56,850 - YOU WANT TO TRY AGAIN? 281 00:11:56,850 --> 00:11:59,086 HE WOULD HAVE COME IN WITH A MAN. 282 00:12:01,388 --> 00:12:03,824 - YES, I REMEMBER HIM. 283 00:12:03,824 --> 00:12:07,194 THE MAN HAD GLASSES AND A CAP AND BLACK HAIR. 284 00:12:07,194 --> 00:12:09,496 - IS THIS HIM? 285 00:12:09,496 --> 00:12:11,031 - I CAN'T TELL FROM THAT. 286 00:12:11,031 --> 00:12:13,166 I REMEMBER, BECAUSE WHEN HIS SON ACTED UP, 287 00:12:13,166 --> 00:12:16,269 HE BOUGHT HIM CANDY, AND THEN HE BOUGHT SOME HAIR DYE. 288 00:12:16,269 --> 00:12:18,005 - HAIR DYE? WHAT COLOR? 289 00:12:18,005 --> 00:12:20,908 - UH...BLOND. 290 00:12:20,908 --> 00:12:22,509 - GET SOMEBODY TO WATCH YOUR STORE. 291 00:12:22,509 --> 00:12:24,377 WE'RE GONNA NEED YOU TO COME DOWN TO THE STATION 292 00:12:24,377 --> 00:12:27,414 AND MEET WITH A SKETCH ARTIST. 293 00:12:27,414 --> 00:12:30,183 - ARE WE LOOKING AT A COPYCAT FROM THE HECTOR RODRIGUEZ CASE? 294 00:12:30,183 --> 00:12:32,953 - THE BLOND HAIR DYE WAS NEVER RELEASED TO THE PRESS. 295 00:12:32,953 --> 00:12:35,422 - DON'T EVEN WASTE YOUR TIME WITH "I TOLD YOU SO." 296 00:12:51,004 --> 00:12:53,073 - IT'S BEEN OVER A WEEK NOW, AND STILL NO SIGN... 297 00:12:53,073 --> 00:12:55,508 - YOU STILL HERE? - OF YOUNG HECTOR RODRIGUEZ. 298 00:12:55,508 --> 00:12:58,912 - YEAH. - CAN YOU SLEEP? 299 00:12:58,912 --> 00:13:02,049 - I CLOSE MY EYES, I SEE HECTOR'S FACE. 300 00:13:02,049 --> 00:13:06,153 - GO HOME, JOHN. 301 00:13:06,153 --> 00:13:09,489 - I GOT TWO MORE TAPES TO WATCH. 302 00:13:09,489 --> 00:13:13,861 - JOHN? YOU'RE STILL HERE? 303 00:13:13,861 --> 00:13:15,495 - NEVER LEFT. 304 00:13:15,495 --> 00:13:16,997 - ANY OTHER CASES WHERE AN ABDUCTED KID 305 00:13:16,997 --> 00:13:18,365 HAD HIS HAIR DYED BLOND? 306 00:13:18,365 --> 00:13:20,100 - YEAH, I'VE CHECKED THROUGH 15 YEARS, 307 00:13:20,100 --> 00:13:23,003 AND THE ONLY OTHER ONE I FOUND WAS HECTOR RODRIGUEZ. 308 00:13:23,003 --> 00:13:24,437 - ALL RIGHT, LOOK, HANG ON. 309 00:13:24,437 --> 00:13:27,374 I'M NOT READY TO START CHASING GHOSTS JUST YET. 310 00:13:27,374 --> 00:13:29,176 WHERE ARE WE ON SECURITY FOOTAGE 311 00:13:29,176 --> 00:13:31,144 NEAR THE CONVENIENCE STORE? 312 00:13:31,144 --> 00:13:32,980 - TARU JUST SENT THIS OVER. 313 00:13:32,980 --> 00:13:35,548 IT'S FROM THE OLD TUNNELS BENEATH COLUMBIA UNIVERSITY. 314 00:13:37,918 --> 00:13:40,353 - WELL, HIS HAIR'S DYED BLOND. 315 00:13:40,353 --> 00:13:42,455 - THIS THE LAST SIGHTING? - SO FAR. 316 00:13:42,455 --> 00:13:44,457 - WE'VE GOT NO LEADS FROM THE TIP LINE. 317 00:13:44,457 --> 00:13:47,394 NOTHING FROM THE OTHER BOROUGHS, THE FBI. 318 00:13:47,394 --> 00:13:49,829 - WE HAVE TO TAKE ANOTHER LOOK AT HECTOR RODRIGUEZ. 319 00:14:07,915 --> 00:14:09,516 - HE'S RIGHT, CAPTAIN. 320 00:14:09,516 --> 00:14:11,351 WE COULD HAVE BEEN WRONG 13 YEARS AGO. 321 00:14:11,351 --> 00:14:13,486 - ALL RIGHT, LOOK, COULD WE ALL JUST FOCUS HERE? 322 00:14:13,486 --> 00:14:15,488 - ANYONE IN TOUCH WITH HECTOR'S FAMILY? 323 00:14:15,488 --> 00:14:17,991 - I'VE SPOKEN TO THE MOTHER A FEW TIMES. 324 00:14:17,991 --> 00:14:19,259 SHE STILL LIVES UP IN THE NEIGHBORHOOD. 325 00:14:19,259 --> 00:14:20,627 - I CAN GO UP THERE WITH YOU, LIV. 326 00:14:20,627 --> 00:14:22,395 - ALL RIGHT, ALL RIGHT, YOU STAY HERE. 327 00:14:22,395 --> 00:14:23,496 GO THROUGH THE FILES. 328 00:14:23,496 --> 00:14:25,565 TAKE AMARO. FRESH EYES. 329 00:14:28,601 --> 00:14:30,237 - I'M GETTING THE SENSE CRAGEN WANTS US 330 00:14:30,237 --> 00:14:32,505 PARTNERING UP AGAIN. 331 00:14:32,505 --> 00:14:35,909 - MAYBE HE JUST WANTS THINGS THE WAY THEY WERE. 332 00:14:35,909 --> 00:14:38,511 YOU OKAY WITH THAT? 333 00:14:38,511 --> 00:14:43,283 - YEAH. I'VE GOT ENOUGH SEPARATIONS IN MY LIFE. 334 00:14:43,283 --> 00:14:45,552 SO HECTOR RODRIGUEZ. 335 00:14:45,552 --> 00:14:48,588 YOU AND MUNCH WERE PARTNERS ON THAT? 336 00:14:48,588 --> 00:14:51,591 - EVERYBODY ON THE SQUAD JUMPED IN. 337 00:14:51,591 --> 00:14:53,493 I DIDN'T THINK THAT HECTOR'S FATHER TOOK HIM, 338 00:14:53,493 --> 00:14:56,129 BUT I WAS A NEWBIE BACK THEN, 339 00:14:56,129 --> 00:14:59,299 SO I GUESS I LET MYSELF GET A LITTLE STAMPEDED. 340 00:14:59,299 --> 00:15:01,634 - HECTOR'S MOTHER-- 341 00:15:01,634 --> 00:15:04,004 ALL THESE YEARS, SHE NEVER MOVED? 342 00:15:04,004 --> 00:15:05,973 - SHE COULDN'T. 343 00:15:05,973 --> 00:15:11,611 SHE STILL THINKS THAT HECTOR MIGHT COME HOME. 344 00:15:13,413 --> 00:15:15,248 - COME ON. 345 00:15:15,248 --> 00:15:19,052 - READ IT, PLEASE. READ IT. 346 00:15:19,052 --> 00:15:24,224 - "MY NAME IS HECTOR RODRIGUEZ. I AM SEVEN YEARS OLD. 347 00:15:24,224 --> 00:15:28,595 "I HAVE ASTHMA, BUT I LIKE TO PLAY TEE BALL WITH PAPA. 348 00:15:28,595 --> 00:15:33,967 I ALSO LIKE TO PLAY CHESS WITH MOMMY." 349 00:15:33,967 --> 00:15:36,970 - I WANTED TO REMIND YOU WHO HE WAS. 350 00:15:36,970 --> 00:15:39,072 HECTOR WAS A GOOD BOY. 351 00:15:39,072 --> 00:15:41,074 IS A GOOD BOY. 352 00:15:41,074 --> 00:15:43,343 - MS. RODRIGUEZ, I UNDERSTAND 353 00:15:43,343 --> 00:15:46,413 YOU HAD A CUSTODY DISPUTE WITH HECTOR'S FATHER? 354 00:15:46,413 --> 00:15:51,051 - HE WANTED TO RAISE HECTOR IN THE PENTECOSTAL CHURCH. 355 00:15:51,051 --> 00:15:54,354 MY FAMILY IS CATHOLIC. IT BROKE US UP. 356 00:15:54,354 --> 00:15:56,189 BUT HE DIDN'T TAKE HECTOR. 357 00:15:56,189 --> 00:15:58,191 - YOU'RE IN TOUCH WITH HIM? 358 00:15:58,191 --> 00:16:00,293 - HIS FAMILY. 359 00:16:00,293 --> 00:16:05,232 HE DOESN'T HAVE MY SON. SOMEBODY ELSE DOES. 360 00:16:05,232 --> 00:16:07,634 THIS IS ABOUT THAT MISSING RICH BOY 361 00:16:07,634 --> 00:16:09,502 THAT'S BEEN ALL OVER THE NEWS. 362 00:16:09,502 --> 00:16:11,371 HE WAS THE SAME AGE AS HECTOR. 363 00:16:11,371 --> 00:16:16,343 - DO YOU, UH... RECOGNIZE THIS MAN? 364 00:16:16,343 --> 00:16:19,079 - [sighs] NO. 365 00:16:19,079 --> 00:16:21,714 DO YOU THINK HE'S THE ONE WHO MAY HAVE TAKEN MY HECTOR TOO? 366 00:16:21,714 --> 00:16:23,483 - WE DON'T KNOW THAT. 367 00:16:23,483 --> 00:16:26,253 - SO...YOU CAME HERE TO TORTURE ME? 368 00:16:26,253 --> 00:16:27,620 - DELORES... 369 00:16:27,620 --> 00:16:29,789 - DO YOU HOW MANY PEOPLE I GET LETTERS FROM 370 00:16:29,789 --> 00:16:32,525 SAYING THEY'VE SEEN HECTOR? 371 00:16:32,525 --> 00:16:35,295 PSYCHICS CLAIMING THEY HAD A VISION OF HECTOR 372 00:16:35,295 --> 00:16:37,497 WITH HIS CHECKERBOARD BACKPACK-- PENDEJOS! 373 00:16:37,497 --> 00:16:43,336 - DID THESE LETTERS CONTAIN ANY REAL INFORMATION? 374 00:16:43,336 --> 00:16:44,604 COULD WE TAKE A LOOK AT 'EM? 375 00:16:44,604 --> 00:16:46,306 - I THROW THEM ALL OUT. 376 00:16:46,306 --> 00:16:50,277 EXCEPT FOR THE ONE I SENT YOU. 377 00:16:50,277 --> 00:16:52,545 - I NEVER GOT A LETTER FROM YOU. 378 00:16:54,347 --> 00:16:55,682 - THAT'S RIGHT. 379 00:16:55,682 --> 00:16:58,351 HE TOLD ME TO SEND IT TO COLD CASE. 380 00:16:58,351 --> 00:17:00,720 - WHO? THE LETTER WRITER? 381 00:17:00,720 --> 00:17:03,556 - YEAH. HE SAID HE WAS A COP. 382 00:17:03,556 --> 00:17:05,792 HE DIDN'T SIGN HIS NAME, BUT HE SAID 383 00:17:05,792 --> 00:17:08,828 TO KEEP PRESSURING HIS BOSSES ABOUT HECTOR, 384 00:17:08,828 --> 00:17:11,531 OR IT WOULD HAPPEN AGAIN. 385 00:17:11,531 --> 00:17:14,634 - SENORA, WHEN DID YOU GET THIS LETTER? 386 00:17:14,634 --> 00:17:16,569 - ON HECTOR'S 13TH BIRTHDAY. 387 00:17:16,569 --> 00:17:19,672 COLD CASE GAVE UP... 388 00:17:19,672 --> 00:17:21,574 JUST LIKE YOU DID. 389 00:17:27,180 --> 00:17:29,116 - YOU'RE FROM SPECIAL VICTIMS? 390 00:17:29,116 --> 00:17:30,350 I'D LOVE TO GET OVER TO YOUR UNIT 391 00:17:30,350 --> 00:17:33,253 AND SEE SOME LIVE BODIES FOR A CHANGE. 392 00:17:33,253 --> 00:17:36,456 - THERE'S SOMETHING TO BE SAID FOR WORKING COLD CASE, THOUGH. 393 00:17:36,456 --> 00:17:38,691 THE JOB DOESN'T HAUNT YOU THE SAME WAY. 394 00:17:38,691 --> 00:17:40,260 - IT HAUNTS YOU IN A DIFFERENT WAY. 395 00:17:40,260 --> 00:17:43,096 OKAY, HERE IT IS. 396 00:17:45,798 --> 00:17:47,467 - "STAY ON THEM, DELORES. 397 00:17:47,467 --> 00:17:49,236 "NYPD SHOULD GO TO BED EVERY NIGHT 398 00:17:49,236 --> 00:17:52,539 "WITH THE CRIES OF YOUR MISSING CHILD IN THEIR EARS... 399 00:17:52,539 --> 00:17:55,342 - LEST MORE FLAMES BURN THE INNOCENT." 400 00:17:55,342 --> 00:17:57,410 THIS READS LIKE A CRAZY. - YEP. 401 00:17:57,410 --> 00:17:58,778 THE DETECTIVE GAVE IT A QUICK FOLLOW-UP. 402 00:17:58,778 --> 00:18:00,780 TRACED A PRINT BACK TO AN AUXILIARY COP. 403 00:18:00,780 --> 00:18:02,815 SAID HE WAS OFF HIS MEDS. 404 00:18:02,815 --> 00:18:05,218 - STEPHEN LOMATIN? 405 00:18:05,218 --> 00:18:08,855 HE WAS ON HECTOR'S SEARCH TEAM. HE'S A BEDBUG. 406 00:18:08,855 --> 00:18:10,557 - DID YOU EVER THINK HE COULD HAVE DONE IT? 407 00:18:10,557 --> 00:18:12,259 - I QUESTIONED HIM. 408 00:18:12,259 --> 00:18:15,162 A REAL BOO RADLEY. HE DOESN'T HAVE IT IN HIM. 409 00:18:15,162 --> 00:18:16,729 - ANY IDEA WHERE HE IS NOW? - IF I HAD TO GUESS, 410 00:18:16,729 --> 00:18:19,699 HE'S OUT LOOKING FOR WYATT, TRYING TO BE THE HERO. 411 00:18:24,671 --> 00:18:27,274 - STEPHEN LOMATIN. HEARD YOU FOUND SOMETHING. 412 00:18:27,274 --> 00:18:28,875 - FOUND IT RIGHT THERE BY THAT TREE. 413 00:18:28,875 --> 00:18:30,543 COULD BE THE CAP WYATT WAS WEARING. 414 00:18:30,543 --> 00:18:33,246 - NICE CATCH. 415 00:18:33,246 --> 00:18:34,647 DETECTIVE AMANDA ROLLINS, SPECIAL VICTIMS. 416 00:18:34,647 --> 00:18:37,284 WE WERE HOPING YOU COULD COME IN AND HELP US OUT. 417 00:18:37,284 --> 00:18:40,587 - GENTLEMEN, YOU GOT THIS? 418 00:18:40,587 --> 00:18:44,224 LADIES, I'M ALL YOURS. YOU NEED A RIDE? 419 00:18:47,627 --> 00:18:48,928 - HE'S A LITTLE YOUNG FOR THE DESCRIPTION. 420 00:18:48,928 --> 00:18:51,331 - FUZZY VIDEO, THE DAD'S BAD AT FACES. 421 00:18:51,331 --> 00:18:53,566 LOMATIN'S BEEN AUXILIARY IN MORNINGSIDE HEIGHTS 422 00:18:53,566 --> 00:18:54,801 FOR 15 YEARS. 423 00:18:54,801 --> 00:18:56,303 - EVEN THOUGH HE LIVES IN BROOKLYN 424 00:18:56,303 --> 00:18:57,837 AND WORKS MALL SECURITY THERE. 425 00:18:57,837 --> 00:18:59,406 - SO HE LIKES THE NEIGHBORHOOD. 426 00:18:59,406 --> 00:19:01,408 ANYTHING ELSE TO TIE HIM TO EITHER KIDNAPPING? 427 00:19:01,408 --> 00:19:02,875 - YOU MEAN BESIDES THE ANONYMOUS LETTER 428 00:19:02,875 --> 00:19:04,544 HE SENT TO HECTOR'S MOM, 429 00:19:04,544 --> 00:19:06,379 AND THE KEY PIECE OF EVIDENCE HE FOUND TONIGHT? 430 00:19:06,379 --> 00:19:09,316 - THE BASEBALL CAP. DO WE KNOW IF IT'S WYATT'S? 431 00:19:09,316 --> 00:19:10,817 - IT HAS A NUMBER TWO PIN ON IT. 432 00:19:10,817 --> 00:19:12,485 THE LAB'S CHECKING THE HAIR STRAND TO CONFIRM. 433 00:19:12,485 --> 00:19:13,553 - HE WAS ALL OVER HECTOR'S CASE. 434 00:19:13,553 --> 00:19:15,355 MAYBE I UNDERESTIMATED HIM. 435 00:19:15,355 --> 00:19:18,391 - CAPTAIN, YOU GUYS, I JUST FOUND THIS ON THE INTERNET. 436 00:19:18,391 --> 00:19:21,494 IT'S A NEWSCAST FROM THE WEEK HECTOR RODRIGUEZ DISAPPEARED. 437 00:19:21,494 --> 00:19:25,598 - IT WAS STEPHEN LOMATIN, A YOUNG AUXILIARY OFFICER 438 00:19:25,598 --> 00:19:28,235 WHO FIRST DISCOVERED THE MISSING BOY'S LUNCH BOX. 439 00:19:28,235 --> 00:19:30,270 STEPHEN, HOW EMOTIONAL WAS IT FOR YOU 440 00:19:30,270 --> 00:19:32,439 WHEN YOU MADE THAT DISCOVERY? 441 00:19:32,439 --> 00:19:34,441 - IT WAS VERY EMOTIONAL. THIS JOB CAN BE VERY EMOTIONAL. 442 00:19:34,441 --> 00:19:35,942 - HELL OF A COINCIDENCE. 443 00:19:35,942 --> 00:19:38,611 THIS GUY IS THE ZELIG OF MISSING CHILD CASES. 444 00:19:38,611 --> 00:19:40,313 - I MEAN, IF HE'S OUR GUY, 445 00:19:40,313 --> 00:19:42,782 HE'S BEEN CARRYING THIS SECRET FOR 13 YEARS. 446 00:19:42,782 --> 00:19:45,218 - WELL, Y'ALL INTERVIEWED HIM BACK IN '99--HOW'D IT GO? 447 00:19:45,218 --> 00:19:46,553 - WELL, HE WAS MAD AT ME BECAUSE I DIDN'T TREAT HIM 448 00:19:46,553 --> 00:19:47,987 AS A BROTHER OFFICER. 449 00:19:47,987 --> 00:19:49,922 - GOOD. DO IT AGAIN. 450 00:19:49,922 --> 00:19:53,660 - WITH PLEASURE. 451 00:19:53,660 --> 00:19:56,396 HEY, LOMATIN, LONG TIME NO SEE. 452 00:19:56,396 --> 00:19:59,266 - WHAT ARE YOU DOING HERE? 453 00:19:59,266 --> 00:20:01,968 - I WAS ABOUT TO ASK YOU THE SAME THING. 454 00:20:01,968 --> 00:20:03,836 - LIKE LAST TIME? 455 00:20:03,836 --> 00:20:06,273 YOU TREATED ME LIKE A SKELL INSTEAD OF A COP. 456 00:20:06,273 --> 00:20:08,408 NOW IT'S HAPPENED AGAIN, JUST LIKE I SAID IT WOULD. 457 00:20:08,408 --> 00:20:10,877 - EVERY TIME A BOY GOES MISSING IN MORNINGSIDE HEIGHTS, 458 00:20:10,877 --> 00:20:12,779 YOU'RE JOHNNY ON THE SPOT, AREN'T YOU? 459 00:20:12,779 --> 00:20:14,013 - I'M HERE TO HELP, OKAY? 460 00:20:14,013 --> 00:20:15,415 YOU CAN'T TALK TO ME LIKE THIS. 461 00:20:15,415 --> 00:20:18,017 I'M GOING BACK UP THERE. 462 00:20:18,017 --> 00:20:19,919 - MUNCH, WHAT ARE YOU DOING HERE? 463 00:20:19,919 --> 00:20:21,288 - WHAT DO YOU MEAN, CAPTAIN? 464 00:20:21,288 --> 00:20:24,391 - OFFICER LOMATIN, I APOLOGIZE. 465 00:20:24,391 --> 00:20:25,725 THE SERGEANT ISN'T RUNNING THIS INVESTIGATION. 466 00:20:25,725 --> 00:20:26,959 THESE DETECTIVES ARE. 467 00:20:26,959 --> 00:20:28,961 AND WE APPRECIATE YOUR ASSISTANCE. 468 00:20:28,961 --> 00:20:30,563 MY OFFICE, NOW! 469 00:20:30,563 --> 00:20:31,964 - THANK YOU, CAPTAIN. 470 00:20:31,964 --> 00:20:34,301 - OKAY. - THAT GUY'S A SERGEANT NOW? 471 00:20:34,301 --> 00:20:35,635 AND THEY WON'T LET ME ON THE JOB? 472 00:20:35,635 --> 00:20:37,370 - YOU FINDING THAT CAP, NICE WORK. 473 00:20:37,370 --> 00:20:39,639 ALL THE OTHER OFFICERS WALKED RIGHT BY IT. 474 00:20:39,639 --> 00:20:41,874 - YEAH, WELL, THAT'S JUST THE WAY IT IS. 475 00:20:41,874 --> 00:20:43,042 YOU'LL BE LOOKING AT SOMETHING AND NOT SEE IT 476 00:20:43,042 --> 00:20:44,744 TILL SOMEONE ELSE COMES ALONG. 477 00:20:44,744 --> 00:20:46,913 - WELL, THEY SHOULD HAVE LISTENED TO YOU 13 YEARS AGO. 478 00:20:46,913 --> 00:20:49,682 - THEY? YOU WERE THERE. 479 00:20:49,682 --> 00:20:51,984 I REMEMBER. 480 00:20:51,984 --> 00:20:54,387 - I WASN'T. 481 00:20:54,387 --> 00:20:57,424 I MEAN, STEPHEN, TALK TO ME. 482 00:20:57,424 --> 00:20:59,592 - STEVE, NOT STEPHEN. 483 00:20:59,592 --> 00:21:00,927 AND THESE CASES, THEY'RE ALL CONNECTED. 484 00:21:00,927 --> 00:21:03,896 - "THESE CASES." YOU MEAN WYATT AND HECTOR. 485 00:21:03,896 --> 00:21:07,400 - YOU DON'T GET IT, DO YOU? 486 00:21:07,400 --> 00:21:10,937 YOU GET IT. 487 00:21:10,937 --> 00:21:13,440 I CAN SHOW YOU, DETECTIVE ROLLINS. 488 00:21:13,440 --> 00:21:15,842 IT'S ALL IN MY ARCHIVE. 489 00:21:18,945 --> 00:21:20,380 - STEVIE, I THOUGHT YOU WERE OUT LOOKING 490 00:21:20,380 --> 00:21:21,714 FOR THAT MISSING BOY. 491 00:21:21,714 --> 00:21:23,383 - THE DETECTIVES NEED TO SEE MY RESEARCH. 492 00:21:23,383 --> 00:21:25,918 IT'S IN THE ATTIC. COME ON, I'LL SHOW YOU. 493 00:21:25,918 --> 00:21:29,789 - EXCUSE US, MA'AM. 494 00:21:57,684 --> 00:22:01,754 WHAT THE HELL IS THIS, A MUSEUM OF LOST BOYS? 495 00:22:01,754 --> 00:22:03,423 - YOU DON'T GET IT. 496 00:22:03,423 --> 00:22:05,124 BUT SHE DOES. 497 00:22:05,124 --> 00:22:07,427 YOU SEE WHAT'S GOING ON, DON'T YOU? 498 00:22:07,427 --> 00:22:11,764 - YEAH, STEVE, I THINK I DO. 499 00:22:18,938 --> 00:22:20,640 - GUYS, CAN YOU GIVE US THE ROOM? 500 00:22:20,640 --> 00:22:23,376 - SURE. - THANK YOU. 501 00:22:23,376 --> 00:22:25,745 NOW, JUST WALK ME THROUGH A FEW THINGS. 502 00:22:25,745 --> 00:22:28,147 YOU KNOW, WHEN HECTOR DISAPPEARED, 503 00:22:28,147 --> 00:22:30,883 HE WAS LAST SEEN WITH HIS HAIR DYED BLOND. 504 00:22:30,883 --> 00:22:32,619 - I KNOW. THAT'S WHY I BOUGHT THAT DYE. 505 00:22:32,619 --> 00:22:33,853 I WAS TRYING TO FIND THE RIGHT SHADE 506 00:22:33,853 --> 00:22:35,021 TO FIGURE OUT WHERE IT CAME FROM. 507 00:22:35,021 --> 00:22:37,624 - DID YOU GET ANY LEADS OFF THAT? 508 00:22:37,624 --> 00:22:38,891 - NO. IT'S A COMMON BRAND. 509 00:22:38,891 --> 00:22:40,159 EVERY DRUGSTORE IN THE CITY SELLS IT. 510 00:22:40,159 --> 00:22:41,761 - WHAT ABOUT THESE GLASSES? 511 00:22:41,761 --> 00:22:43,430 - SAME THING. THE OTHER BOYS WERE ALL TAKEN 512 00:22:43,430 --> 00:22:44,764 BY MEN WEARING THOSE TYPE OF SUNGLASSES. 513 00:22:44,764 --> 00:22:46,098 - AND YOU KEEP SAYING THESE OTHER BOYS. 514 00:22:46,098 --> 00:22:49,502 AND THOSE PICTURES IN YOUR ROOM... 515 00:22:49,502 --> 00:22:51,404 TELL ME ABOUT THEM. 516 00:22:51,404 --> 00:22:53,406 - I HAVE SEVEN UNSOLVED DISAPPEARANCES 517 00:22:53,406 --> 00:22:55,408 OVER 13 YEARS IN THREE COUNTIES. 518 00:22:55,408 --> 00:22:56,776 FOUR OF THE BOYS, AGES SIX TO NINE, 519 00:22:56,776 --> 00:22:58,778 WERE ALL TAKEN BY MEN WEARING A DISGUISE. 520 00:22:58,778 --> 00:23:00,179 - OKAY, SO YOU'RE ONTO A LARGER PATTERN HERE. 521 00:23:00,179 --> 00:23:01,881 THAT'S GOOD. 522 00:23:01,881 --> 00:23:03,149 - CAPTAIN, HE'S GOT CHILDREN'S CLOTHES, 523 00:23:03,149 --> 00:23:05,518 SURVEILLANCE PHOTOS, BLOND HAIR DYE, 524 00:23:05,518 --> 00:23:07,487 AND DISGUISES. 525 00:23:07,487 --> 00:23:09,722 SEE IF ANYONE I.D.s HIM. 526 00:23:11,891 --> 00:23:15,695 - YEAH, I KNOW HIM FROM THE NEIGHBORHOOD. 527 00:23:15,695 --> 00:23:17,096 HE AND HECTOR WERE FRIENDS. 528 00:23:17,096 --> 00:23:19,566 - SO HE KNEW HECTOR? - YEAH. 529 00:23:19,566 --> 00:23:22,935 THERE WERE NO REAL POLICEMEN WALKING THE BEAT UP HERE. 530 00:23:22,935 --> 00:23:25,104 I TOLD HECTOR IF HE GOT IN TROUBLE, 531 00:23:25,104 --> 00:23:28,441 HE SHOULD GO TO OFFICER LOMATIN. 532 00:23:28,441 --> 00:23:30,209 WHY ARE YOU ASKING ABOUT HIM? 533 00:23:30,209 --> 00:23:32,712 - BECAUSE HE'S THE ONE WHO SENT YOU THAT LETTER 534 00:23:32,712 --> 00:23:34,180 SEVEN YEARS AGO. 535 00:23:34,180 --> 00:23:37,950 - YOU'RE WRONG. WHY WOULD HE SEND THE LETTER? 536 00:23:37,950 --> 00:23:39,652 WE NEVER LOST TOUCH. 537 00:23:39,652 --> 00:23:44,190 HE LIGHTS A CANDLE AT HECTOR'S MEMORIAL EVERY YEAR. 538 00:23:44,190 --> 00:23:46,993 HE NEVER GAVE UP ON FINDING HIM. 539 00:23:46,993 --> 00:23:50,129 - DELORES... 540 00:23:50,129 --> 00:23:51,798 I JUST WISH YOU WOULD HAVE TOLD ME 541 00:23:51,798 --> 00:23:53,933 ABOUT OFFICER LOMATIN BEING SO HELPFUL. 542 00:23:53,933 --> 00:23:55,802 - WHY? 543 00:23:55,802 --> 00:24:00,439 BECAUSE HE KEPT LOOKING WHEN YOU STOPPED? 544 00:24:03,075 --> 00:24:06,613 - LOOK, HAVE YOU EVER SEEN THIS MAN BEFORE? 545 00:24:06,613 --> 00:24:08,615 - UH, I DON'T THINK SO. WHO IS HE? 546 00:24:08,615 --> 00:24:09,916 - WHY ARE YOU GONNA ASK HIM? 547 00:24:09,916 --> 00:24:12,785 HE WOULDN'T RECOGNIZE HIS OWN FATHER. 548 00:24:12,785 --> 00:24:15,855 IT'S THAT PRETEND COP. - YOU KNOW HIM? 549 00:24:15,855 --> 00:24:18,057 - FROM THE PLAYGROUND. - HAS HE EVER TALKED TO YOU 550 00:24:18,057 --> 00:24:20,059 OR TO WYATT? - HE TALKED TO ALL THE KIDS. 551 00:24:20,059 --> 00:24:22,962 HAVE YOU SEEN HIM TODAY? IS THIS HIM? 552 00:24:22,962 --> 00:24:24,030 - I DON'T KNOW. I THOUGHT HE WAS OLDER-- 553 00:24:24,030 --> 00:24:25,798 - DAMN IT, DAVID! 554 00:24:25,798 --> 00:24:28,000 YOU BENT DOWN TO PICK UP A 20 AND YOU LOST OUR CHILD? 555 00:24:28,000 --> 00:24:30,937 - SHUT UP! I LOVE WYATT, ALL RIGHT? 556 00:24:30,937 --> 00:24:33,640 [both shouting at once] - HEY! HEY! HOLD ON! 557 00:24:33,640 --> 00:24:35,742 ALL RIGHT, THAT'S ENOUGH. THAT'S ENOUGH. 558 00:24:35,742 --> 00:24:39,912 BOTH OF YOU! 559 00:24:39,912 --> 00:24:42,148 - [sobbing] 560 00:24:42,148 --> 00:24:44,884 - LOOK, I KNOW WHERE YOU ARE RIGHT NOW. 561 00:24:44,884 --> 00:24:48,020 BUT YOU NEED TO GET PAST IT. 562 00:24:55,962 --> 00:24:58,931 - LOOK, I'M SORRY. I'M-- 563 00:24:58,931 --> 00:25:02,869 - [sobbing] 564 00:25:02,869 --> 00:25:05,572 - I'M SO SORRY. 565 00:25:05,572 --> 00:25:08,808 JUST BRING HIM BACK TO US, PLEASE. 566 00:25:15,815 --> 00:25:18,184 - HECTOR RODRIGUEZ DISAPPEARS AUGUST 9, 1999. 567 00:25:18,184 --> 00:25:20,152 TWO DAYS LATER, FIRE AT A BUILDING AROUND THE CORNER. 568 00:25:20,152 --> 00:25:21,954 - OKAY. - JORGE DIAZ, BROOKLYN. 569 00:25:21,954 --> 00:25:24,624 JULY, 2001. FIRE NEXT DAY. 570 00:25:24,624 --> 00:25:27,026 DANTE BORRELLI, YONKERS, 2006. 571 00:25:27,026 --> 00:25:29,796 A WEEK LATER, FOUR-ALARMER AT A SUGAR FACTORY. 572 00:25:29,796 --> 00:25:32,899 - OKAY, AND YOUR THEORY ON THE CONNECTION IS? 573 00:25:32,899 --> 00:25:34,300 - IT'S OBVIOUS. SOMEBODY'S SNATCHING THE KIDS 574 00:25:34,300 --> 00:25:36,168 AND SETTING FIRES TO GET RID OF THE BODIES. 575 00:25:36,168 --> 00:25:37,670 IF WE DON'T FIND WYATT SOON, 576 00:25:37,670 --> 00:25:39,606 ANOTHER BUILDING WILL BURN DOWN. 577 00:25:39,606 --> 00:25:40,840 - OKAY, YOU KNOW WHAT, STEVE? THIS IS GOOD. 578 00:25:40,840 --> 00:25:42,842 THIS--IT'S GREAT. 579 00:25:42,842 --> 00:25:44,977 AND I WANT TO SHOW MY CAPTAIN ALL YOUR WORK, 580 00:25:44,977 --> 00:25:47,146 BUT I KNOW HE'S GONNA INSIST THAT YOU TELL US 581 00:25:47,146 --> 00:25:49,582 WHERE YOU WERE TODAY. 582 00:25:49,582 --> 00:25:51,918 - I'LL TELL YOU. YOU CAN VERIFY IT... 583 00:25:51,918 --> 00:25:53,920 BUT YOU CAN'T TELL ANYBODY. 584 00:25:53,920 --> 00:25:57,023 - OKAY, STEVE, I PROMISE. 585 00:25:57,023 --> 00:25:58,791 - SO HIS ALIBI IS LEGIT? 586 00:25:58,791 --> 00:26:01,027 - YEAH. DRUGSTORE IN BROOKLYN 587 00:26:01,027 --> 00:26:03,362 HAS HIM ON VIDEO AT THE PHARMACY WINDOW 588 00:26:03,362 --> 00:26:05,264 WHEN WYATT WAS SNATCHED. 589 00:26:05,264 --> 00:26:08,901 - SO WHY WOULDN'T LOMATIN JUST TELL US THAT RIGHT OFF THE BAT? 590 00:26:08,901 --> 00:26:10,136 - HE WAS PICKING UP PRESCRIPTIONS 591 00:26:10,136 --> 00:26:12,004 FOR AN ANTIDEPRESSANT, ANTIANXIETY, 592 00:26:12,004 --> 00:26:13,305 AND ANTIPSYCHOTIC. 593 00:26:13,305 --> 00:26:14,707 HE WAS AFRAID IT WILL KILL HIS CHANCES 594 00:26:14,707 --> 00:26:16,175 OF MAKING NYPD. 595 00:26:16,175 --> 00:26:17,877 - GOOD LUCK WITH THAT. - AND THAT'S NOT ALL. 596 00:26:17,877 --> 00:26:20,212 AN HOUR LATER, HE WAS BACK AT THE DRUGSTORE 597 00:26:20,212 --> 00:26:22,949 PICKING UP A CHILD-SIZE BASEBALL CAP-- 598 00:26:22,949 --> 00:26:24,817 THE ONE HE FOUND ON THE STREET. 599 00:26:24,817 --> 00:26:27,920 GIRL REMEMBERS BECAUSE HE PAID IN CHANGE. 600 00:26:27,920 --> 00:26:31,223 - GREAT, SO ALL OF THIS IS JUST THE OBSESSIVE SCRAWL 601 00:26:31,223 --> 00:26:34,193 OF A WANNABE HERO TAKING ANTIPSYCHOTICS? 602 00:26:34,193 --> 00:26:35,695 - MAYBE NOT. JUST BECAUSE HE'S CRAZY 603 00:26:35,695 --> 00:26:37,964 DOESN'T MEAN HE'S WRONG. 604 00:26:37,964 --> 00:26:39,231 - THERE DOES SEEM TO BE SOME CONNECTION 605 00:26:39,231 --> 00:26:41,033 BETWEEN THESE MISSING KIDS AND ARSON. 606 00:26:41,033 --> 00:26:42,735 LOMATIN MAY HAVE BEEN ONTO SOMETHING 607 00:26:42,735 --> 00:26:44,370 WITH THOSE PATTERNS OF HIS. 608 00:26:44,370 --> 00:26:46,405 - I'M LOOKING AT THIS, AND I DON'T SEE A PATTERN. 609 00:26:46,405 --> 00:26:48,040 I SEE CHAOS. 610 00:26:48,040 --> 00:26:50,109 - SOME OF THEM ARE RIGHT. BROOKLYN AND YONKERS 611 00:26:50,109 --> 00:26:51,377 HAD FIRES AFTER THOSE ABDUCTIONS. 612 00:26:51,377 --> 00:26:53,012 - BUT NOT MORNINGSIDE HEIGHTS. 613 00:26:53,012 --> 00:26:55,682 THAT FIRE WAS THREE DAYS BEFORE HECTOR DISAPPEARED. 614 00:26:55,682 --> 00:26:57,183 I REMEMBER THAT BECAUSE WE WERE ALWAYS WALKING BY 615 00:26:57,183 --> 00:26:58,785 THAT BURNT-OUT LOT. 616 00:26:58,785 --> 00:27:00,352 - I'M CHECKING NEARBY BUILDING RECORDS. 617 00:27:00,352 --> 00:27:03,255 - I DON'T REMEMBER ANY FIRES AFTER THAT ABDUCTION. 618 00:27:03,255 --> 00:27:05,191 - NO, BUT HERE'S SOMETHING. 619 00:27:05,191 --> 00:27:07,727 OKAY, FOUR DAYS LATER, A BUILDING AROUND THE CORNER 620 00:27:07,727 --> 00:27:10,096 CLAIMED WATER DAMAGE FROM THAT FIRE. 621 00:27:10,096 --> 00:27:12,832 THEY GOT A RUSH PERMIT FOR CONCRETE WORK 622 00:27:12,832 --> 00:27:14,366 IN THEIR BASEMENT. 623 00:27:16,335 --> 00:27:20,840 - OKAY, I'LL CALL THE D.A., 624 00:27:20,840 --> 00:27:24,010 GET AN EMERGENCY ORDER TO CRACK THE SLAB. 625 00:27:26,312 --> 00:27:28,647 [jackhammers pounding] 626 00:27:41,193 --> 00:27:44,130 - THAT'S GOOD. 627 00:27:55,341 --> 00:27:57,844 - I GOT SOMETHING. 628 00:28:13,392 --> 00:28:16,328 [doorbell buzzes] 629 00:28:16,328 --> 00:28:18,097 - THE WORST PART ABOUT BEING A COP? 630 00:28:18,097 --> 00:28:19,465 - YEAH. 631 00:28:19,465 --> 00:28:22,935 [door unlocks] 632 00:28:22,935 --> 00:28:24,503 - WHAT IS IT? 633 00:28:24,503 --> 00:28:27,840 - DELORES, CAN WE COME IN? 634 00:28:43,489 --> 00:28:45,758 - YES? 635 00:28:45,758 --> 00:28:49,028 - DELORES, WE MAY HAVE FOUND-- 636 00:28:49,028 --> 00:28:52,899 - STOP. PLEASE. 637 00:28:52,899 --> 00:28:56,803 I JUST WANT ONE MORE SECOND TO BELIEVE 638 00:28:56,803 --> 00:28:59,371 THAT HECTOR'S COMING BACK. 639 00:29:02,541 --> 00:29:04,176 - SIENTO. 640 00:29:07,346 --> 00:29:09,381 HIS BACKPACK. 641 00:29:09,381 --> 00:29:11,350 - THIS IS HIS. 642 00:29:11,350 --> 00:29:15,822 OH, MY GOD, WHERE DID YOU-- 643 00:29:24,530 --> 00:29:28,868 [sobbing] OH, MY BABY! 644 00:29:28,868 --> 00:29:31,370 OH, MY BABY! 645 00:29:31,370 --> 00:29:33,405 MY BABY! 646 00:29:33,405 --> 00:29:35,007 [sobbing] 647 00:29:35,007 --> 00:29:38,544 MY BABY! 648 00:29:38,544 --> 00:29:41,981 HECTOR! 649 00:29:41,981 --> 00:29:45,251 - SO WARNER LOOKED AT THE DENTAL RECORDS 650 00:29:45,251 --> 00:29:47,286 AND THE DYED HAIR. 651 00:29:47,286 --> 00:29:49,488 FINALLY FOUND HECTOR. 652 00:29:49,488 --> 00:29:51,557 - ALL THESE YEARS WE BLAMED HIS FATHER. 653 00:29:51,557 --> 00:29:53,359 - WARNER HAVE THE CAUSE OF DEATH? 654 00:29:53,359 --> 00:29:57,096 - YEAH, SHE FOUND A FRACTURED HYOID BONE IN THE NECK. 655 00:29:57,096 --> 00:29:59,431 HE WAS STRANGLED. 656 00:29:59,431 --> 00:30:01,567 - ANY LEADS ON WHO POURED THAT SLAB? 657 00:30:01,567 --> 00:30:05,271 - IN '99, THE BUILDING BELONGED TO DAVIDSON LLC. 658 00:30:05,271 --> 00:30:07,306 IT'S AN OVERSEAS-OWNED HOLDING COMPANY. 659 00:30:07,306 --> 00:30:09,208 THAT WAS THEIR ONLY PROPERTY. 660 00:30:09,208 --> 00:30:11,878 THEY SOLD IT OFF FIVE YEARS LATER AND DISSOLVED THE LLC. 661 00:30:11,878 --> 00:30:14,280 THIS IS INTERESTING. 662 00:30:14,280 --> 00:30:17,616 THEY SELL TO MORNINGSIDE LLC, 663 00:30:17,616 --> 00:30:21,453 WHO GO ON TO ACQUIRE THREE ADJACENT PARCELS ON THE BLOCK. 664 00:30:21,453 --> 00:30:25,391 - THAT BLOCK, THAT WAS ALL SRO HOTELS, TENEMENTS. 665 00:30:25,391 --> 00:30:29,929 THEY GOT EMPTIED OUT AND CONVERTED INTO EASTMORN CONDOS. 666 00:30:29,929 --> 00:30:31,430 - THESE ARE ALL FRONTS. THE BUYER DOESN'T WANT 667 00:30:31,430 --> 00:30:33,199 THE SELLERS TO KNOW THAT THE BLOCK IS IN PLAY. 668 00:30:33,199 --> 00:30:36,235 - OKAY, SO MORNINGSIDE WAS BEHIND THE FRONT ALL ALONG. 669 00:30:36,235 --> 00:30:37,636 WHO ARE THEY? 670 00:30:37,636 --> 00:30:41,941 - ANOTHER LLC, BUT THE CONDO MANAGING AGENTS? 671 00:30:41,941 --> 00:30:45,344 SAM AND FRANK MORRIS. 672 00:30:45,344 --> 00:30:47,579 - DAVID'S FATHER AND UNCLE? 673 00:30:47,579 --> 00:30:49,381 - WAIT, HECTOR WAS BURIED IN A BUILDING OWNED 674 00:30:49,381 --> 00:30:51,483 BY WYATT'S GRANDFATHER? 675 00:30:51,483 --> 00:30:53,585 - LOMATIN WAS RIGHT. 676 00:30:53,585 --> 00:30:57,389 THERE ARE NO COINCIDENCES. 677 00:30:57,389 --> 00:31:00,626 - THE BOY IN THAT MURAL? 678 00:31:00,626 --> 00:31:02,094 OH, MY GOD. 679 00:31:02,094 --> 00:31:04,196 - SO MY FAMILY OWNED THE BUILDING 680 00:31:04,196 --> 00:31:05,497 WHERE THEY FOUND HECTOR. 681 00:31:05,497 --> 00:31:07,599 THERE'S GOTTA BE A COINCIDENCE. 682 00:31:07,599 --> 00:31:10,536 - HE WAS BURIED BENEATH A CONCRETE FLOOR 683 00:31:10,536 --> 00:31:13,572 THAT WAS POURED FOUR DAYS AFTER HE WAS ABDUCTED. 684 00:31:13,572 --> 00:31:15,908 - I FEEL SORRY FOR THIS BOY, 685 00:31:15,908 --> 00:31:17,543 BUT WHAT DOES THIS HAVE TO DO WITH WYATT? 686 00:31:17,543 --> 00:31:19,345 - WE JUST NEED TO KNOW WHO WOULD HAVE PUT THAT FLOOR IN. 687 00:31:19,345 --> 00:31:21,247 WAS THERE A BUILDING MANAGER, A SUPER? 688 00:31:21,247 --> 00:31:23,082 - IN '99? I HAVE NO IDEA. 689 00:31:23,082 --> 00:31:25,684 I WASN'T IN THE BUSINESS THEN. IT WAS A GHETTO. 690 00:31:25,684 --> 00:31:28,454 - AND YOUR FATHER'S GONE? 691 00:31:28,454 --> 00:31:31,991 SO WE'RE GONNA NEED YOU TO TRACK IT DOWN. 692 00:31:31,991 --> 00:31:33,325 - MY DAD KEPT HANDWRITTEN RECORDS 693 00:31:33,325 --> 00:31:34,660 OF THE FIRST BUILDING HIS FATHER BOUGHT 694 00:31:34,660 --> 00:31:36,595 DURING THE DEPRESSION-- NOTHING ON COMPUTER. 695 00:31:36,595 --> 00:31:38,064 - DON'T WORRY ABOUT THE TENANTS. 696 00:31:38,064 --> 00:31:39,565 WE JUST NEED THE SUPER OF THE BUILDING. 697 00:31:39,565 --> 00:31:45,137 - I HAVE INSPECTION CERTIFICATES FROM '98. 698 00:31:45,137 --> 00:31:48,440 MANAGING AGENT IS LISTED AS AN L. HODDA. 699 00:31:48,440 --> 00:31:50,642 HODDA... 700 00:31:50,642 --> 00:31:53,312 I HAD A MEETING WITH A LEWIS HODDA FOUR MONTHS AGO. 701 00:31:53,312 --> 00:31:55,081 - ABOUT WHAT? 702 00:31:55,081 --> 00:31:57,316 - HE WAS HAVING MONEY PROBLEMS, 703 00:31:57,316 --> 00:31:59,051 AND HE SAID MY FATHER OWED HIM. 704 00:31:59,051 --> 00:32:00,586 - HE SAY WHAT HE DID FOR YOUR FATHER? 705 00:32:00,586 --> 00:32:02,521 - HE'S A TROUBLESHOOTER. YOU KNOW, RENT STRIKES, 706 00:32:02,521 --> 00:32:03,722 ILLEGAL TENANTS, DRUG DEALERS. 707 00:32:03,722 --> 00:32:05,257 DAD HIRED SOME ROUGH CHARACTERS. 708 00:32:05,257 --> 00:32:08,160 - THIS LEWIS HODDA, 709 00:32:08,160 --> 00:32:09,561 YOU REMEMBER WHAT HE LOOKED LIKE? 710 00:32:09,561 --> 00:32:11,663 - HE'S A TOUGH GUY. A LOT OF MILEAGE. 711 00:32:11,663 --> 00:32:12,999 I TOLD YOU, I'M NOT VERY VISUAL. 712 00:32:12,999 --> 00:32:14,200 - DAVID, DO YOU HAVE ANY IDEA 713 00:32:14,200 --> 00:32:16,402 HOW WE CAN GET IN TOUCH WITH HIM? 714 00:32:16,402 --> 00:32:19,371 - HE COMPLAINED ABOUT A BASEMENT APARTMENT HE HAD 715 00:32:19,371 --> 00:32:22,174 IN ONE OF MY FATHER'S OLD BUILDINGS. 716 00:32:22,174 --> 00:32:25,444 - POLICE! SEARCH WARRANT! 717 00:32:25,444 --> 00:32:28,580 LET ME SEE YOUR HANDS! LET ME SEE YOUR HANDS! 718 00:32:28,580 --> 00:32:30,482 GET UP! COME ON! 719 00:32:30,482 --> 00:32:32,451 - HEY, WHAT THE HELL? [groans] 720 00:32:32,451 --> 00:32:34,453 - LEWIS HODDA. - WHERE'S THE BOY, LEWIS? 721 00:32:34,453 --> 00:32:35,654 - THERE'S NOBODY HERE. 722 00:32:35,654 --> 00:32:38,590 - WYATT? WYATT? 723 00:32:38,590 --> 00:32:40,492 - WE'RE LOOKING FOR A MISSING SEVEN-YEAR-OLD BOY 724 00:32:40,492 --> 00:32:42,228 NAMED WYATT MORRIS. 725 00:32:42,228 --> 00:32:44,730 WHERE IS HE? - NEVER HEARD OF HIM. 726 00:32:44,730 --> 00:32:46,298 - MAYBE THIS WILL JAR YOUR MEMORY. 727 00:32:46,298 --> 00:32:48,034 YOU WORKED FOR HIS GRANDFATHER. 728 00:32:48,034 --> 00:32:49,735 - HE'S NOT HERE. 729 00:32:49,735 --> 00:32:52,304 - WHAT'D YOU DO WITH THE BOY? 730 00:32:52,304 --> 00:32:54,373 WHAT'D YOU DO WITH THE BOY? - GET OUT. 731 00:32:54,373 --> 00:32:56,242 YOU GOT NOTHIN'. 732 00:32:56,242 --> 00:32:58,077 - WELL, WE GOT A LITTLE SOMETHING HERE. 733 00:32:58,077 --> 00:33:01,413 PRESCRIPTIONS FOR VICODIN AND OXYCODONE 734 00:33:01,413 --> 00:33:03,249 FOR AN AMY ROSENTHAL. 735 00:33:03,249 --> 00:33:05,017 THAT'S GOOD ENOUGH FOR ME. - [chuckles] 736 00:33:05,017 --> 00:33:07,019 YOU BUST MY DOOR DOWN OVER A COUPLE LOUSY 737 00:33:07,019 --> 00:33:08,454 BOOTLEG SCRIPS? WOW! 738 00:33:08,454 --> 00:33:10,656 - NOW YOU'RE TALKING. GET HIS ASS OUT OF HERE! 739 00:33:10,656 --> 00:33:12,724 - LET'S GO. 740 00:33:17,396 --> 00:33:18,630 - IS LEWIS HODDA OUR GUY? 741 00:33:18,630 --> 00:33:19,731 - THE WAITRESS FROM THE PASTRY SHOP 742 00:33:19,731 --> 00:33:21,367 PICKED HIM OUT OF A FLIP BOOK. 743 00:33:21,367 --> 00:33:23,535 - YEAH, BUT THE WITNESS FROM THE CONVENIENCE STORE 744 00:33:23,535 --> 00:33:25,304 AND THE SUBWAY ARE SHAKY. 745 00:33:25,304 --> 00:33:28,040 - DAVID MORRIS SAID HE WAS A TROUBLESHOOTER FOR THE FAMILY. 746 00:33:28,040 --> 00:33:29,441 DO WE KNOW WHAT THAT MEANS? 747 00:33:29,441 --> 00:33:32,044 - I CALLED THE PRECINCT, AND HODDA WAS QUESTIONED 748 00:33:32,044 --> 00:33:33,379 FOUR TIMES IN THE '90s 749 00:33:33,379 --> 00:33:35,614 BY MARSHALS INVESTIGATING ARSONS ON SROs, 750 00:33:35,614 --> 00:33:38,250 TENEMENTS, AND OTHER BUILDINGS THE MORRISES WANTED GONE. 751 00:33:38,250 --> 00:33:40,752 - HANG ON, I JUST FOUND TWO POLICE CONTACTS FOR LEWIS 752 00:33:40,752 --> 00:33:43,555 IN THE NCIC OFFLINE DATABASE. 753 00:33:43,555 --> 00:33:45,424 HE WAS QUESTIONED TWICE... 754 00:33:45,424 --> 00:33:48,427 NEAR PLAYGROUNDS IN BROOKLYN AND YONKERS 755 00:33:48,427 --> 00:33:50,796 IN '01 AND '06. 756 00:33:50,796 --> 00:33:53,132 - THOSE ARE THE SAME YEARS THAT JORGE DIAZ 757 00:33:53,132 --> 00:33:54,700 AND DANTE BORRELLI WENT MISSING. 758 00:33:54,700 --> 00:33:57,369 - AND ON LOMATIN'S TIMELINE, THERE WAS A FIRE 759 00:33:57,369 --> 00:33:59,705 WITHIN A WEEK AFTER THESE BOYS' DISAPPEARANCE. 760 00:33:59,705 --> 00:34:03,142 - PEDOPHILE/ARSONIST. HE WOULDN'T BE THE FIRST. 761 00:34:03,142 --> 00:34:04,543 - WE'RE GETTING AHEAD OF OURSELVES HERE. 762 00:34:04,543 --> 00:34:06,378 DO WE EVEN KNOW WHO OWNED THOSE BUILDINGS 763 00:34:06,378 --> 00:34:08,114 IN BROOKLYN AND YONKERS? 764 00:34:08,114 --> 00:34:09,648 - CAPTAIN, WITH ALL DUE RESPECT, WE DON'T HAVE TIME. 765 00:34:09,648 --> 00:34:11,117 WE'LL MAKE THE CASE LATER. 766 00:34:11,117 --> 00:34:14,553 - LET'S GO. - JUST STOP. 767 00:34:14,553 --> 00:34:17,556 HE'S GONNA BE PISSED AT YOU TWO FOR BRINGING HIM IN. 768 00:34:17,556 --> 00:34:21,560 BENSON, AMARO, GO. 769 00:34:27,799 --> 00:34:29,768 - WOW. 770 00:34:29,768 --> 00:34:34,506 THOSE SCARS ON YOUR ARM, I CAN SEE WHERE THEY COME FROM. 771 00:34:34,506 --> 00:34:35,774 YOU DID THESE, RIGHT? 772 00:34:35,774 --> 00:34:37,143 YOU WORKED FOR DAVID MORRIS' FATHER 773 00:34:37,143 --> 00:34:38,544 AS A TORCH. 774 00:34:38,544 --> 00:34:41,347 - YOU'RE GOOD. MAYBE THE BEST. 775 00:34:41,347 --> 00:34:43,249 THE MARSHALS NEVER LAID A GLOVE ON YOU. 776 00:34:43,249 --> 00:34:44,616 - EXCUSE ME, DETECTIVES, 777 00:34:44,616 --> 00:34:46,385 BUT THIS HAPPENED A LONG TIME AGO. 778 00:34:46,385 --> 00:34:49,455 NO ONE DIED IN THESE FIRES. 779 00:34:49,455 --> 00:34:51,523 NOTHING TO DISCUSS. 780 00:34:51,523 --> 00:34:54,560 - SAM MORRIS MADE A FORTUNE OFF YOUR WORK. 781 00:34:54,560 --> 00:34:56,162 WHAT'D YOU GET OUT OF IT? 782 00:34:56,162 --> 00:34:58,397 - THAT'S THE WAY IT WORKS. 783 00:34:58,397 --> 00:35:02,434 THE PIONEERS GET THE ARROWS, SETTLERS GET THE LAND. 784 00:35:02,434 --> 00:35:05,904 - TELL US ABOUT 376 MANHATTAN AVE. 785 00:35:05,904 --> 00:35:09,341 - I THINK THAT STARTED AS A GREASE FIRE 786 00:35:09,341 --> 00:35:10,709 AT A CHINESE RESTAURANT NEXT DOOR. 787 00:35:10,709 --> 00:35:12,411 UH...YEAH. 788 00:35:12,411 --> 00:35:14,713 - NO, IT ACTUALLY STARTED IN A COMIC BOOK STORE 789 00:35:14,713 --> 00:35:16,415 ON THE GROUND FLOOR OF THAT BUILDING. 790 00:35:16,415 --> 00:35:18,550 THE TENANTS WERE ON RENT STRIKE AT THE TIME. 791 00:35:18,550 --> 00:35:21,687 - OH, YEAH, YEAH, THE COMIC BOOK STORE. 792 00:35:21,687 --> 00:35:23,222 YEAH, YOU SHOULD HAVE SEEN THE KIDS CRYING. 793 00:35:23,222 --> 00:35:25,457 [mumbles] YEAH. 794 00:35:25,457 --> 00:35:29,361 - WAS, UH-- WAS HECTOR ONE OF 'EM? 795 00:35:29,361 --> 00:35:31,497 - NEVER HEARD OF HIM. I NEVER SEEN HIM BEFORE. 796 00:35:31,497 --> 00:35:33,365 - ARE YOU SURE ABOUT THAT, LEWIS? 797 00:35:33,365 --> 00:35:36,235 'CAUSE YOU WORKED AS THE MANAGING AGENT 798 00:35:36,235 --> 00:35:37,269 RIGHT AROUND THE BLOCK. 799 00:35:37,269 --> 00:35:38,870 - WAS I? - YEAH. 800 00:35:38,870 --> 00:35:41,407 YOU SIGNED FOR A CONCRETE DELIVERY 801 00:35:41,407 --> 00:35:45,944 AT YOUR BUILDING A WEEK AFTER THE FIRE. 802 00:35:45,944 --> 00:35:49,781 - UM, THE WATER FROM THE HOSES FLOODED THE BASEMENT. 803 00:35:49,781 --> 00:35:52,451 WE HAD TO PUT DOWN A NEW SLAB. 804 00:35:52,451 --> 00:35:54,253 - THE TROUBLE WITH THAT, LEWIS, 805 00:35:54,253 --> 00:35:56,455 IS THAT THAT BUILDING? 806 00:35:56,455 --> 00:35:58,724 OVER 100 YARDS FROM THE FIRE. 807 00:35:58,724 --> 00:36:02,628 WOULDN'T HAVE BEEN POSSIBLE FOR THE WATER TO REACH THAT FAR. 808 00:36:02,628 --> 00:36:04,630 - WELL, IT MUST HAVE BEEN A PIPE THAT BURST, YOU KNOW? 809 00:36:04,630 --> 00:36:06,298 - BUT YOU WERE THERE WHEN THE CONCRETE WAS POURED? 810 00:36:06,298 --> 00:36:07,499 - YEAH. 811 00:36:07,499 --> 00:36:09,901 - YOU WANT TO EXPLAIN HOW HECTOR 812 00:36:09,901 --> 00:36:11,470 ENDED UP BURIED THERE? 813 00:36:11,470 --> 00:36:15,307 - LOOK, THERE'S 40 RESIDENTS. 814 00:36:15,307 --> 00:36:18,877 HALF OF 'EM ON PAROLE, DONE TIME. 815 00:36:18,877 --> 00:36:20,479 CHECK WITH ANY OF THEM. 816 00:36:20,479 --> 00:36:21,647 - YOU'RE THE ONLY ONE WHO WAS QUESTIONED 817 00:36:21,647 --> 00:36:23,649 FOR HANGING AROUND PLAYGROUNDS 818 00:36:23,649 --> 00:36:26,752 IN BROOKLYN AND YONKERS. 819 00:36:28,854 --> 00:36:31,790 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 820 00:36:31,790 --> 00:36:34,293 - IN 2001... 821 00:36:34,293 --> 00:36:38,530 YOU WERE QUESTIONED FOR KIDDIE-PEEPING IN BUSHWICK, 822 00:36:38,530 --> 00:36:41,267 TWO DAYS BEFORE JORGE DIAZ DISAPPEARS. 823 00:36:41,267 --> 00:36:43,835 A WEEK LATER, A WAREHOUSE BURNED DOWN. 824 00:36:43,835 --> 00:36:46,472 - WHERE ARE YOU GETTING THIS STUFF, HUH, TWILIGHT ZONE? 825 00:36:46,472 --> 00:36:49,641 - 2006, DANTE BORRELLI DISAPPEARS IN YONKERS, 826 00:36:49,641 --> 00:36:53,879 RIGHT BEFORE THE SUGAR FACTORY FIRE. 827 00:36:53,879 --> 00:36:57,316 COME ON, LEWIS, JUST TELL ME WHAT HAPPENED. 828 00:36:57,316 --> 00:36:59,751 AFTER HECTOR, YOU REALIZED 829 00:36:59,751 --> 00:37:02,854 YOU'RE ALREADY STARTING THE FIRES. 830 00:37:02,854 --> 00:37:04,423 YOU MIGHT AS WELL USE THEM 831 00:37:04,423 --> 00:37:06,658 TO GET RID OF THE LITTLE BOYS' BODIES. 832 00:37:08,927 --> 00:37:10,496 WHOA! 833 00:37:10,496 --> 00:37:13,299 - WHY DON'T YOU GET OUT OF MY WAY, SISTER? 834 00:37:13,299 --> 00:37:15,634 - NO... - I'M DONE. I'M OUTTA HERE. 835 00:37:15,634 --> 00:37:16,768 I GOT NOTHING TO SAY TO YOU PEOPLE! 836 00:37:16,768 --> 00:37:17,936 - NO. NO, NO, LEWIS. 837 00:37:17,936 --> 00:37:19,571 - HEY, TAKE IT EASY, ALL RIGHT? 838 00:37:19,571 --> 00:37:21,573 SETTLE--SETTLE DOWN. 839 00:37:21,573 --> 00:37:23,609 - YOU'RE NOT GOING ANYWHERE THIS TIME, LEWIS. 840 00:37:23,609 --> 00:37:25,010 SEE, IT'S OVER. 841 00:37:25,010 --> 00:37:27,779 AND YOU WANNA KNOW WHY? 842 00:37:27,779 --> 00:37:29,581 BECAUSE WE HAVE WITNESSES PUTTING YOU 843 00:37:29,581 --> 00:37:33,585 AT ALL OF THOSE CRIME SCENES. 844 00:37:33,585 --> 00:37:35,954 NOBODY LIKES A CHOMO, LEWIS. 845 00:37:35,954 --> 00:37:38,590 ESPECIALLY NOT IN STATE PRISON. 846 00:37:40,826 --> 00:37:43,629 - I DIDN'T TOUCH THOSE KIDS. I DIDN'T. 847 00:37:43,629 --> 00:37:47,366 - THAT LABEL ON YOU, AT YOUR AGE? 848 00:37:47,366 --> 00:37:52,871 THAT MEANS HARD TIME. HARD TIME. 849 00:37:52,871 --> 00:37:55,774 - LOOK, I'M NOT A CHICKENHAWK. I'M NO CHICKENHAWK, I'M NOT. 850 00:37:55,774 --> 00:37:57,576 - ALL RIGHT, HEY, LOOK. - I'M NOT. 851 00:37:57,576 --> 00:37:59,411 - LISTEN TO ME. YOU'RE GOOD FOR THE FIRES. 852 00:37:59,411 --> 00:38:02,581 BUT THESE LITTLE BOYS, YOU NEVER TOUCHED 'EM? 853 00:38:02,581 --> 00:38:03,982 THAT WHAT YOU'RE SAYING? 854 00:38:03,982 --> 00:38:07,919 - THAT'S RIGHT. I'M A PROFESSIONAL. 855 00:38:07,919 --> 00:38:11,690 I WAS JUST, UH, YOU KNOW, DOING MY JOB. 856 00:38:11,690 --> 00:38:13,659 - I BELIEVE YOU, ALL RIGHT? 857 00:38:13,659 --> 00:38:15,727 BUT IF YOU DON'T WANT THE D.A. PUTTING THIS ON YOU, 858 00:38:15,727 --> 00:38:18,864 YOU NEED US TO HELP YOU. 859 00:38:22,000 --> 00:38:24,503 - YOU'RE GONNA HELP ME? YOU'RE GONNA HELP ME? 860 00:38:24,503 --> 00:38:26,004 - HEY, YOU WORKED HARD FOR OLD MAN MORRIS, RIGHT? 861 00:38:26,004 --> 00:38:28,907 RIGHT? TOOK A LOT OF RISKS. 862 00:38:28,907 --> 00:38:31,843 YOU MADE A LOT OF MONEY FOR HIS FAMILY. 863 00:38:31,843 --> 00:38:33,512 AND WHEN IT CAME TIME FOR HIS SON 864 00:38:33,512 --> 00:38:35,581 TO DO RIGHT BY YOU, THAT LITTLE SNOT ACTED LIKE 865 00:38:35,581 --> 00:38:37,583 HE DIDN'T EVEN KNOW YOU. - LOOK. 866 00:38:37,583 --> 00:38:39,017 AFTER WHAT I DID FOR THAT FAMILY, 867 00:38:39,017 --> 00:38:41,653 THEY SHOULD HAVE GIVEN ME THE PENTHOUSE. 868 00:38:41,653 --> 00:38:43,789 THE OLD MAN, HE HAD BALLS. 869 00:38:43,789 --> 00:38:48,627 DAVID MORRIS? HE DON'T HAVE NO IDEA-- 870 00:38:48,627 --> 00:38:52,598 NONE--WHAT IT TAKES TO EMPTY A BUILDING. 871 00:38:52,598 --> 00:38:55,834 YOU DON'T DO IT WITH BUYOUTS AND BS LAWSUITS. 872 00:38:55,834 --> 00:38:59,638 YOU DO IT WITH FIRE. 873 00:38:59,638 --> 00:39:00,872 - RIGHT. 874 00:39:00,872 --> 00:39:02,708 - AND LIKE YOU SAID, SISTER, 875 00:39:02,708 --> 00:39:05,611 I GOT THE SCARS TO PROVE IT. I'M IN THE HALL OF FAME, 876 00:39:05,611 --> 00:39:06,978 LIKE, YOU KNOW, PETE ROSE SHOULD BE. 877 00:39:06,978 --> 00:39:08,547 - SO YOU TOOK WYATT. 878 00:39:08,547 --> 00:39:11,850 NOT BECAUSE YOU WANTED TO DO ANYTHING UNCLEAN, 879 00:39:11,850 --> 00:39:15,387 BUT BECAUSE YOU WANTED THEM TO SHOW YOU RESPECT. 880 00:39:15,387 --> 00:39:18,890 - ALL RIGHT, SO MORRIS OWED YOU. 881 00:39:18,890 --> 00:39:21,727 - RIGHT. - WE CAN PUT THAT OUT THERE. 882 00:39:21,727 --> 00:39:24,863 WE CAN SAY THAT THERE WAS A RANSOM DEMAND. 883 00:39:24,863 --> 00:39:26,598 - AND WITH HECTOR, EVERYBODY KNOWS 884 00:39:26,598 --> 00:39:28,967 THAT BOY HAD ASTHMA. 885 00:39:28,967 --> 00:39:32,471 HE MUST HAVE JUST... STOPPED BREATHING 886 00:39:32,471 --> 00:39:33,805 WHEN HE WAS WITH YOU. 887 00:39:33,805 --> 00:39:35,841 - YEAH, WE CAN PUT ALL OF THAT OUT THERE. 888 00:39:35,841 --> 00:39:37,676 BUT IF YOU WANT US TO DO THAT, 889 00:39:37,676 --> 00:39:40,779 YOU'VE GOTTA GIVE US SOMETHING, LEWIS. 890 00:39:40,779 --> 00:39:42,881 - HMM? 891 00:39:42,881 --> 00:39:47,719 - YOU HAVE TO TELL US WHERE WYATT IS RIGHT NOW. 892 00:39:51,189 --> 00:39:55,093 [siren blares, stops] 893 00:39:55,093 --> 00:39:57,596 - ALL RIGHT, LET'S GO. MOVING OUT. 894 00:40:01,099 --> 00:40:04,836 - OKAY, WE'RE IN! - ONE MORE. 895 00:40:04,836 --> 00:40:06,838 BOTH IN. 896 00:40:06,838 --> 00:40:10,476 - POLICE! SEARCH WARRANT! 897 00:40:10,476 --> 00:40:14,145 [overlapping chatter] 898 00:40:14,145 --> 00:40:16,648 - FIN, ROLLINS. 899 00:40:18,850 --> 00:40:21,587 WYATT? 900 00:40:24,022 --> 00:40:25,691 - WYATT? 901 00:40:25,691 --> 00:40:27,493 IT'S OKAY, WE'RE HERE TO HELP YOU. 902 00:40:27,493 --> 00:40:29,160 - WYATT! 903 00:40:40,606 --> 00:40:43,008 - [faintly] MOMMY? 904 00:40:48,980 --> 00:40:51,817 MOMMY? 905 00:40:58,924 --> 00:41:03,028 - WYATT. WYATT, ARE YOU OKAY? 906 00:41:03,028 --> 00:41:04,863 HONEY, ARE YOU OKAY? 907 00:41:04,863 --> 00:41:09,501 OH...WYATT, YOU'RE OKAY. 908 00:41:09,501 --> 00:41:11,503 YOU'RE OKAY. 909 00:41:11,503 --> 00:41:13,639 YOU'RE GONNA BE OKAY, HONEY. 910 00:41:22,247 --> 00:41:25,617 - HEY, BUDDY. - WYATT! WYATT! 911 00:41:25,617 --> 00:41:28,219 [laughs] 912 00:41:32,658 --> 00:41:34,593 - HE'S A BRAVE BOY. 913 00:41:34,593 --> 00:41:37,162 AFTER ALL THIS, HE'S GONNA NEED BOTH HIS PARENTS. 914 00:41:37,162 --> 00:41:42,167 - WELL, I HOPE THEY CAN KEEP IT TOGETHER. 915 00:41:42,167 --> 00:41:45,170 [Waiting by Norah Jones] 916 00:41:45,170 --> 00:41:53,244 * 917 00:42:07,693 --> 00:42:12,831 - * NOW ALL THE STARS HAVE GONE * 918 00:42:12,831 --> 00:42:16,902 * FADED INTO CRACKS OF DAWN 919 00:42:16,902 --> 00:42:20,271 * AND I'M STILL WAITING HERE 920 00:42:20,271 --> 00:42:24,710 * WAITING FOR YOU TO COME HOME * 921 00:42:24,710 --> 00:42:31,182 * 67099

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