All language subtitles for Ilias Mylonakos - Erotiki yperentasi-The mark (1977) ENG

[motorbike rewing]

[music]

There's an island where you can't go,

Has plenty of things to show.

And there's a mark that you can't see,

Too many trees and a dark blue sea.

But my friend in that small world.

- Would you mind opening the back?
- Of course.

Not at all.

- Will you open that one?

- This?
Of course.

- And this one.

- Yes, I'll do it.

- That's okay.
- My pleasure.

[music]

I can walk beside you.

[car driving away]

[music]

- Okay. Thank you, sir.

- Not at all.

[music continues]

Christ the cops barracaded the highway.

We have to take the old mountain roads.
- What about Frances?

She'll lose it.

- No, she won't. She'll see it
and know where we've gone.

[music continues]
And there's a mark that you can't see,

Too many trees and a dark blue sea.

But my friend in that small world,

You can find a room full of gold.

Well, baby, I need you now,

I can't wonder how loving you,

Is a thought that's every day, yeah.

Every year I love you.

[gunshotsounds]

[footsteps]

[music continues]

Oh, there's an island but you can't go,

Has plenty of trees and a dark blue shore.

And there's a mark that you can't see,

Too many trees and a dark blue sea.

But my friend in that small world,

You may find a room full of gold.

Women be here and there beside you,

I can see them all watching you,
- Gone.

Look husband you're the bastard.

He thinks he's beaten us, Juana
but I'm not letting him.

[aircraft sound]

[sirens]

[aircraft sound]

- This is Athens Tower to Aircraft A-127.

Request immediate landing
at the nearest Air Facility.

This is Athens Tower to Aircraft A-127.

Request immediate landing
at the nearest Air Facility.

- They've got our position.
- What are we going to do with the gold?

If they catch us with it,
we're in trouble.

- If we lose it, we're in more trouble.

There's no need for that.

Take your proper altitude.

[background music]

- This is Athens Tower to Aircraft A-127.

You are requested to report
your destination

and follow our instructions.

If you don't respond,
we will intercept you.

- Come on, Lukar.
What are you waiting for?

- Take an exact fix on our present position
at this heading and altitude.

[aircraft sound]

[background noise]

- Peter's being sprung on Friday afternoon.

What do we do about it?

We have to get him out of the way
or give him a split.

-L'll leave that to you.

Frank should be in Amsterdam by now.

I already sent a man up there
to take care of that little problem.

Lukar, we're being watched.

[background noise]

[music]

- How was jail?

- How's any jail?

We got off easy, though.

If they caught us with the stuff on us,
we'd have been in a lot longer.

- I don't make mistakes like that.

- When is Frank coming?

- Today.

- Where are we going to meet him?

- My house.

- Are you sure nobody's following us?

- Relax.

Don't worry, Martha's taking care of it.

[music]

- Things are looking up.

You see, Martha,

Barbarossa has telephoned from Zurich.

It seems that Frank wants
his share sent to him.

We'd better get moving.

It's time to go to Skiathos.

-It's not as easy as that, Lukar.

We'd better be very careful.

I think I'm being followed.

-[laugh$]

You're a woman
who's never completely satisfied,

aren't you?

That's one of the things I like about you.

This time, however, just trust me.

Don't worry so much.

You didn't tell me when Katya was coming.

- She's planning to be here
by Saturday afternoon.

Now listen to me, Lukar,

I know all about
your little idiosyncrasies,

and I've never refused to help you
if you needed something from me.

I don't want Katya
to get mixed up in this business.

You keep her out of it.

- Beautiful, isn't she?

[birds chirping]

[water splashing]

-[laughs]
Here I come.

Catch me.

Here, I'll help you.

Flaughsl

- Oh.

Flaughsl

[moans]

- Whoops.

- Oh.
Haughs]

Mm.

[moans]

- You're beautiful.

You should never wear any clothes.
- Mm.

[background noise]

[moans]

Flaughsl

Oh.

- Mm. Don't go away.

Well, look who's here.

When did you get back?
- This morning?

- How did it go?

- Okay. Here's all the stuff for the yacht.

Everything we need.
-ls it ready to go?

- Yes.

It's in the little harbor.

- Any trouble?

- No.

I did just what you said

and nobody asked any questions.

- Bravo, my boy.

[heavy breathing]

[background noise]

- What are you doing in my room?

- I bought this.
- Why don't you give it to me?

[background noise]

[music]
- Darling. Clara,

it's been days since I've heard from you
and I'm worried

about you, my darling,

and our plan.

If it's going to succeed,
I've got to know as much as possible.

I know it's dangerous for us
to meet too often,

but now that everything is nearly ready,
it's absolutely necessary that I see you.

The only way we'll win is if we are faster
and smarter than they are.

Hurry, darling,

for our future,

Frances.

[music]

[heavy breathing]

[music]

- Why dQrft you Stop playing around?

Why don't you just fuck me?

[music]

Don'tjust play with it, use it.

[passionate moans]

Come on baby, put it in.

Come on.

Get it up and fuck me.

All right, freak.

If you can't do it, I'll do it myself.

[passionate moans]

Does that turn you on baby?

Watch close.

[moaning]

Oh, cum with me.

[passionate moans]

Come on me, baby.

Come on me.

[birds chirping]

[footsteps]

- You're up early, Martha.

Waiting for Katya.

You want to warn
her about what her father's been doing.

-L'd catch you before I knew Lukar.

She's my child, not his.

Anyway, neither of us gives
a damn who his mistress is.

Katya is used to Lukar by now.

That's not the problem.

What matters is
he's not thinking about the job.

It's a very complicated operation.

He should be working out a plan of action
with his mind on that and nothing else.

Instead, all he can think
about doing is getting inside

that little slut's pants.

Clara is doing everything
she can to keep it that way.

I don't know
why I'm telling you all this, Barbarossa.

You got enough problems
on your plate without mine too.

- Listen to me Martha,
you know I'll do anything to help.

You've been good to me.

You've given me everything.

I want to pay you back.

- All right, Barbarossa.

I may have to solve this problem alone.

If that happens, I'll want your help

and your loyalty.

- You have it.

- I think we should go
for a swim and then go look

for a nice little taverna.

Don't you?

- Please, can we have shrimp and squid?

- Yes, and Retsina.

- Retsina.

- I thought you'd like that.

[phone ringing]

- Hello.
- May, I speak to Frances, please?

- Here, it's for you.

- Hello.

- Frances.
- Oh, hello, Clara.

- Who was that just now?

- Don't ask, all right?

- I haven't seen you for a long time.

I miss you a lot.

I need you, Frances.

I need you, darling.

- Please not now.

I want to know about Lukar.

Is he ready? What's happening?
- We're leaving tomorrow on the yacht.

Take care of yourself.

I'll try and see you in Skiathos.

I really have missed you a lot.

So let's try, okay?

Promise?

Why aren't you saying anything?

Frances, please.

- Who else is going?

- Lukar's daughter, Martha, and Barbarossa.

Look, I have to go now someone's coming.

- Thank you for everything.

I want you to know I haven't forgotten.

- Goodbye then.

- For now.

Warner?

Warner?

[footsteps]

- Katya, baby.
- Hi, mom.

How are you?

Hey, you look great. How's Papa?

Hey, how are you?

Hi.

- I missed you, baby.

- I missed you too.

- This is Barbarossa.
- How are you doing?

- Nice to meet you.

Hi.
- Hi. I'm Clary.

We've been waiting for you.

I've heard so much about you.

I feel as if I know you already.

You must be glad to be home.

Would you like something to drink?

- Oh, no. Thanks.

All I want to do is get
out of these clothes and into the pool.

I'm all icky from the flight,
you know how it is.

- Sure.
-l'll just go get my things.

Okay.

See you.

- You seem very happy.

You didn't tell me about Skiathos.

When are we leaving?

- Saturday afternoon.

[moaning]

[heavy breathing]

[moaning]

Suck my cock, baby.

Oh, that's fantastic.

[heavy breathing]

- Terrific.

-[moan$]

- Give me your cunt.

- Lick it, baby.

[heavy breathing]

-[moans]
Oh, that's good.

[heavy breathing]

- Ride it.

[moaning]

- Yes.

[moaning]

- That's good.

- Fuck me.

Fuck me.

[moans]

- Yes, baby

- Fuck me.

[moans]

Fuck me.
Fuck me.

[moans]

- Oh, God.

- All right. Fuck me.
Fuck me.

[moans]

[screaming]

-L'm cumming.

Oh, I'm cumming now.

[moans]

- More.
Give me more.

More.

[moaning]

- Come on,

what's the matter?

What's the long face all about?

- You're hiding something from me.
- You know that's not true.

Ijust had to do things in my own way.

Trust me.

[background noise]

- I love you.

What say we drink and make up?

We don't want to see
such a sad look on that pretty face,

do we?

Cheers.
- Cheers.

[laughter]

[music]

[laughter]

- Thank you, ladies.
- Thank you.

[giggles]

[laughter]

[music]

- Goodbye, captain.
Thanks.

See you.
Have a good time.

[music]

- Stavro.

- Stavro.
-lts Stavro.

[laughter]

[music]

- Hello.

What're you doing here?
- Nothing.

I got bored over there.

Ijust thought I'd come
and see how you're doing.

- That was a stupid move Barbarossa.

It's dangerous.

- Did anybody see you come here?

- No, I don't think so.

- I ordered you not to come here
unless there was trouble.

We're supposed to be tourists here.

If they ask, that's what you tell them.

- That's the only reason
you're here Barbarossa,

to distract them.

You're to draw their attention
away from us in any way

that you possibly can.

Do you understand?

That's yourjob.

- Is that right?

- You heard what Martha said.

[children playing in the background]

Here, here.
- Hey Grandpa.

- Bah.

Here.

- Wow, look at that.
Yay.

They're prettY-

Hey, do you think
they're looking for a room?

- Yes.
- Hey, what do you want?

Do you speak English?

Want a room?
Dumb tourists.

Get down.
- I wish I had that swing in my backyard.

- Hi.
flaughs]

- Stavro.
- Frances.

- Hello.
- Sweetheart.

How are you?
- Fine.

I want you to meet Juana.

She's my friend.
- Hi.

We'll see what we can do about a room.

Vasuli.

Hey, man. How're you doing?

I got a favor to ask you.

These girls are good friends of mine,
and I don't have any room at my place

to put them up.

Maybe you can help.

- Sure.

No problem, here.

Come on.
I'll show you to your room.

- Thanks a lot.

- The yacht's arrived.

- When do they get in?

Never mind.

Wait for me at La Laria.

okay.

[giggles]

Come on, girls.

[crosstalk]

Let's go have some fun.
- Good idea.

- Oh, sure.

- Sure, why not?

[laughter]

- Here's some sheets for you.

If you need anything, help yourself.

I got to go now.

- Sure.
- See you.

Okay?
- Thanks.

- Bye.

[music]

- I don't know
why you're still angry with me.

What's the matter?
- Are you going out?

- L'm not going anywhere, baby.

I have to go out later
to see somebody about work.

[music]

[music]

[moaning]

[moaning]

- Where's Stavro got to?

- He got mixed up
with some girls from Athens.

He's putting him up at his place, even.

- That guy can't say no
when it comes to girls.

- Yes, and someday,
he's going to get burned.

- Business.

- See you later.

- What'll it be?
- Ouzo.

- Right. One Ouzo coming up.

[ominous music]

- Excuse me, you got a light?
- Sure.

Ah, sorry.

Here.

It's the wind.

- Thanks.

That your carriage over there?

- Yes.

You interested in renting it?

- Yes, maybe.

I got a couple of friends here.

If they want to go for a ride,
I'll let you know.

[ominous music]

- How can we be sure the gold's here?

- Simple.

If it isn't, what's Lukar doing here?

He never spends money without a reason.

What's he need with that yacht?

- That's the way the wind blows.

They must've dumped it here
before they landed.

- All we have to do is find
a way to get it from him.

- All we can do right now
is watch them and wait.

When they think it's safe,
they pick it up.

We'll be there.
- Ready and waiting.

- One more thing.

What about that girl you've got with you?

- Juana?

- Yes, her.

Is she in on it?

- No, she doesn't know anything.

She's just a friend.

- What if she gets curious?

- Well, if she gets in the way,
I'll just have to get rid of her,

won't l'?

- Fair enough.

- You just missed Vasuli.

Where you two been all this time?

-L've been around.
- I haven't seen you.

- We took the boat out.

- That's where you were.

The lady's girlfriend
was here looking for her.

I think she left.

[ominous music]

[music]

[jet skis sounds]

- Where's Katya?

- She's out somewhere playing
with her camera.

At least I think she is.

I don't know.
I never see her.

- What's the matter?

Why are you so jumpy?

You need coffee?

- Fuck off.

- Come off it, Clara.

He wouldn't have left you alone
without having a very good reason for it.

He's afraid.

He's got a lot at stake.

He's working on a big job.

Maybe the biggest one he's ever done.

- He shouldn't have brought me
if he wasn't going to spend

any time with me.

- He sleeps with you every night.

That's why he wanted you with him.

He needs you for that, Clara.

I know why.

You're the best there is.

Maybe I can help.

- Yes, you can.
You can fuck off.

- Okay.
ltfled.

Go ahead and make yourself miserable,
but don't screw up things for Lukar.

Where are you going?

- Out. I'm suffocating in here.

- Just watch it.

[ominous noise]

- Who is it?

-It's me.

- Clara, darling.

[music]

-L'm not supposed to be out.

I'm not even allowed
to leave my hotel room now.

- Why?

- I don't know, but I think Martha
knows that something's going on.

She might've gone through my drawers
and found that note you wrote to me.

It's a possibility.

She's even talked to Lukar.

He never comes
to see me anymore except late at night.

Then he gets up before dawn so he can get
back to the ark before she wakes up.

I've got to be careful
or they'll send me away.

I don't know when I'll be able
to see you again.

- Who's the dark-haired guy with the scarf?

- Oh, that's Barbarossa.
He works for Lukar.

- That's why he's been following you.

I'll put a stop to that.
- Oh,

please don't, Frances.
He's dangerous.

- Don't worry, baby.

Have a little faith in me.

Everything's going to be all right.

[ominous music]

- Wait, I'll help you.

Find anything?

- Beer cans.

[ominous music]

- So you went to take a walk.

You were suffocating in here.

What have you been up to?

What the hell have you been doing
behind my back?

- I heard.

You ran to her and told her everything.

- Who is she?
What did you tell her?

Talk, you bitch.

Come on, talk.

What did you tell about Lukar?

What does she know?

Talk or I'll kill you.

Talk.
- That's enough.

Leave her alone, Barbarossa.

I'll do it.

Maybe she would rather talk
to another woman.

You've been a very naughty girl,
haven't you, sweetheart?

If my papa finds out,
you'll be in a lot of trouble.

I wouldn't tell him anything,
but this Barbarossa,

maybe he will.

I have a good idea.

Barbarossa's freaky for you.

He wouldn't tell on you
if you let him fuck you,

and he'd like it better
if I was in on it too.

[music]

[moaning]

- I haven't taken my eyes off
of them all day.

- I saw Clara yesterday and she says
they haven't started anything yet.

We've got to do something
to speed things up.

- Why don't we just go straight
to the yacht and get it over with?

- Good idea. I'm tired
of this game of cat and mouse.

- Listen, what about Juana?

I hear she took off.
- So what?

What does that have to do with anything?

- You told me you'd get rid of her
if she started making trouble.

Is that what happened?

All I want to know is
if she's going to get in the way.

- Don't worry about it,
I didn't kick her out.

She left because she felt like it.

She's done it before
and she'll do it again.

She always comes back,
and she will this time too.

- You know best.

Listen, Frances, I think
we're going to need some help.

- Yes?
- I say we call in Vasuli.

- That's all right with me.

- We can trust him.

I'll be back in a second.

- Hey, no way.

You're not going anywhere
until we finish this bottle.

There you go.

Cheers to it.

- See you later.

- Hang loose.

[music]

- You better get that
through your head once and for all.

You're nothing.

You're shit.

You're my father's whore, and that's all.

You are merchandise.

You're here to be fucked,

not to go out and fuck
over the guy who's fucking you

and paying you for it.

You too dumb to understand that?

You ought to be grateful to him,
but you go out and run out there

for that fucking dyke.

[sobbing]

- Clary?

What happened? Did they hurt you?

- No.

I'm all right.
- Tell me what happened.

- They followed me
when I went to your house.

- Christ.

- They heard everything we said.

-It's my fault, baby.

They did this to you because of me.
-lt's all right.

They didn't really hurt me.

You better leave now
before they find you here with me.

Bitch

How the hell did she get in here?

- What the fuck?

It's that slimy dyke.

I'm going to kill her,
the shit-faced bitch.

Where the hell were you?

You're the fucking watchdog.

- No.
- Shut up, you bitch.

- Get some rope.

Shutup.

- We should've found it by now, Martha.

- We'll find it, don't worry.

We've just got to keep looking.

- I was positive that this is
where we dropped the marker.

- This is no time to panic.

- We've got Katya to worry about.

What if she cracks up again?

That'd be all we need.

- For pity's sake, get hold of yourself.

- Blood, blood.

Pretty blood.

Red.

Pretty blood. Pretty.

Pretty.

[moans]

Oh, it's beautiful.

It tastes so good.

I want some more.

I want some of their blood.

Your blood.
You want that all?

I'll do it for you.
There.

I took it all so that I can hear you
scream for me.

I want to hear you scream.

[screaming]

[boat engine]

- What is it? Has anything happened?
- No.

Unless you count
the blonde I met last night.

- Pretty with green eyes?
- Yes.

- That's what I thought.

- What'd you say?

- Never mind.

- I'll be back.

[sobs]

[ominous music]

- See, they changed Katya in that clinic.

They changed her.

She used to be different,
and they changed her.

She learned things about pain,
and now she needs it and loves it,

and red is the color of pain and blood.

Flaughsl

- Frances, are you here?

Jesus Christ.

[screaming]

- Jesus Christ. Frances, are you all right?

Frances.

- Please get us out of this place, Vasuli.

Please.
- Clara's dead.

- She comes with us.
- She's dead.

- We need her.
- For what?

- As bait to blackmail Lukar.

[rolling waves]

- What's the matter with you?
ls something wrong?

- No.
Should there be?

[music]

- Watch out, Barbarossa.

[music]

- Martha.

Martha, we found it.

The gold's down there.

We finally found it.

[music]

- Hurry up, we have to get out
of here before they see us.

[boat engine starting]

-L'll scream until you have to let me out.

- It wouldn't do you any good.

You scream and the police
will come and get you.

You're crazy.

They'll find the body in the trunk
and take you back to the clinic.

Everybody knows you're crazy.

It's obvious from everything you do.

You're a maniac.

That's why your father had you put away.

- I don't want to go there again.

- All right.
Then keep your mouth shut.

You killed Clara.

I'll remember that if you make trouble,

and make sure you pay for it.

What happened?

- We better get her out of her for a while.

We can go to the farm and stay
with Caterina for a few days.

_Qkay.

[car engine]

[music]

- Caterina.

Caterina.

Caterina.

Caterina.

- Oh, Vasuli, I'm so glad you're back.

Why did you bring them here?

-L'll explain later.

- This is Gregory, he's deaf and dumb,
he was born that way.

- He's my brother.

Are you okay?

We're going to do something
about your back,

we'll find you a good doctor.

- Come in, you must be tired.

[footsteps]

- All of it wasted, the work,
the time in jail,

the money.

What are we supposed to do now?

- I should think the answer
to that is relatively obvious.

We put in at the nearest harbor.

The longer we put off going,
the more dangerous it is.

As for Barbarossa,

he and the rest of them will just have
to look after themselves

as best as they can.

- Clara and Katya,
our beloved little daughter?

They should've been here
to take part in this farce.

- Lukar, will you please be quiet?

Well, Barbarossa, the time
has come to go our separate ways.

You're a killer and a menace
to everybody's safety.

I want you out and right now.

We're not going to sacrifice
ourselves for your sake.

We're headed for port,
but not until you're off this yacht.

It will be best for all of us that way.

You can take the speed boat.

Come on, Lukar.

- You're not going to get away with that.

- What do you mean?

-L'm not about to play Patsy for you.

You put me up to all of it.

I'm going to turn myself in to the police.

- You bastard.

Lukar, the gun.

[ominous music]

[groaning]

[utensils clanging]

- Where's he going?

Is he okay?

- Don't pay any attention to him.
He's all right.

Just leave him alone.

Even miracles can be done

with enough money.

- Don't worry about him.

You worry about him too much.

You're not responsible for it.

It's the way he was born.

You're doing the best you can.

Come in the house and lie down.

- All right.

[footsteps]

- So what's next?

- We just wait,

and when the right time comes,
we tell Lukar we've got you.

- Ask him to give you the gold, right?

- Yes.

- You think you'll get it from him?

- I don't see why not.

- He cares more about the money
he'll get than he does about me.

I feel like walking a little.

Don't worry, I won't run away.

- Go ahead.

- Thank you.

- Why did they have to come?

That there's something
about them that scares me.

I don't know what it is,
but they're strange.

[music]

[moaning]

- Oh, baby.

[moaning]

[moaning]

[moaning]

[music]

[music]

-[laugh$]

- We worked for that gold.

We found it, and we have every right
to keep it for ourselves.

We dragged it out of the sea

after it fell
from the airplane that night.

It belongs to us, doesn't it?

[ominous music]

[gunshots]

[ominous music]

[gunshots]

[footsteps]

- Hello, Frances.

- Juana.

No.

[gunshots]

[music]

[gunshots]

[music]