All language subtitles for Broken.English.2007.1080p.WEBRip.x264.AAC-[YTS.MX]

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YOU GUYS? SORRY.
UM, I JUST WANT TO TAKE A SECOND

TO THANK EVERYBODY
FOR COMING OUT TONIGHT

TO HELP US CELEBRATE
OUR FIFTH WEDDING ANNIVERSARY.

IT'’S NOT OFTEN THAT,
UM, YOU MEET THE GIRL OF YOUR DREAMS,

MUCH LESS GET A CHANCE
TO MARRY HER.

AW.

MARRIAGE THESE DAYS,
UM, IS--IS--

AS MOST OF YOU KNOW,
IS NOT ANY EASY THING TO GET RIGHT.

IT TAKES LOVE
AND HUMOR AND ATTRACTION

AND A REAL WILLINGNESS
TO REALLY, REALLY LET YOURSELF

BE SEEN BY SOMEONE.

I KNOW PEOPLE WHO
HAVE SEARCHED THEIR WHOLE LIVES

FOR WHAT WE HAVE,
AND I'’M JUST GLAD TO HAVE IT WITH YOU.

I LOVE YOU, AUDREY.

OH. AW.

HAPPY ANNIVERSARY.

OH, AND WAIT. SORRY.

I WANT TO ALSO THANK
OUR GOOD FRIEND NORA WILDER,

WHO INTRODUCED US,

AND WITHOUT HER
THERE WOULDN'’T BE AN "US."

MAY THERE BE MANY
YEARS OF CELEBRATION. CHEERS, EVERYBODY.

CHEERS.

WHEN ARE YOU GONNA
GIVE US SOME GRANDCHILDREN?

HI.

OH, HI, BABY.

HI, MOM.

YOU LOOK LOVELY.

OH, THANK YOU.
SO DO YOU.

GIVE ME A HUG.

HI, IRVING.
HI.

HOW ARE YOU?

I'’M GONNA GET
YOU A DRINK.

YOU WANT ONE?

UH, CHAMPAGNE.

3 COMING UP.

THANK YOU.

OH, I DIDN'’T MEAN
TO EMBARRASS YOU.

I WISH YOU
WOULD HAVE MARRIED MARK.

OH, MOM.

HE WAS ALWAYS SO
CRAZY ABOUT YOU. YOU KNOW THAT.

IT WOULD HAVE
BEEN PERFECT.

GOOD FAMILY
AND FRIENDS.

HE'’S SO HANDSOME,
AND HE'’S SUCCESSFUL.

HE HAS A TERRIFIC
TRUST FUND.

AUDREY'’S NEVER GONNA
HAVE TO WORK AGAIN IN HER LIFE

IF SHE DOESN'’T
FEEL LIKE IT.

YOU KNOW, I DON'’T
KNOW WHY THEY HAVEN'’T

STARTED A FAMILY YET,
THOUGH.

IT'’S REALLY ODD.

YOU SHOULD NEVER HAVE
INTRODUCED THEM.

AUDREY'’S MY BEST FRIEND.
MARK'’S MY FRIEND.

THEY'’RE REALLY
HAPPY TOGETHER.

YOU KNOW I LOVE
AUDREY.

SHE'’S PRACTICALLY
PART OF THE FAMILY.

I'’M ONLY SAYING
THAT, YOU KNOW,

SHE KNEW A GOOD THING
WHEN SHE SAW IT.

THE GOOD ONES GET
SNAPPED UP SO QUICKLY AT YOUR AGE.

GOOD AFTERNOON.
GUEST RELATIONS. THIS IS NORA.

OH, HI, MR. HARRIS.
HOW ARE YOU?

I'’M GOOD, THANKS.
HOW CAN I HELP YOU?

6 PEOPLE AT 8:00
TONIGHT AT NOUVEAU

MIGHT BE A LITTLE TRICKY.

IS THERE A BACKUP
YOU'’D LIKE?

NO? WELL, LET ME TRY
TO WORK SOME OF MY MAGIC,

AND I'’LL CALL YOU BACK
WITH AN ANSWER.

YOU'’RE WELCOME. BYE.

YOUR JOB
IS SO WEIRD.

NO KIDDING.

KNOCK, KNOCK, KNOCK.

HEY, GLEN. WHAT'’S UP?

YOU WEREN'’T ANSWERING
YOUR PHONE,

AND MR. GABLE
IS CHECKING IN,

AND HE'’S NOT HAPPY
WITH HIS ROOM,

AND HE'’S BEING REALLY
HIGH-MAINTENANCE ABOUT IT,

AND I DON'’T KNOW
WHAT TO DO WITH HIM.

I'’LL TAKE CARE OF IT.

OH, HEY, AUDREY.

SORRY. I COULD TRY
ANOTHER NAME.

TRY KURT VONNEGUT.

I'’M SORRY.
THERE'’S NOTHING.

WELL, WHAT OTHER NAME COULD
I HAVE CHECKED IN UNDER?

TRY WALT WHITMAN.

IT'’S NOT IN HERE.

MR. GABLE?
I'’M NORA WILDER,

MANAGER OF GUEST
RELATIONS AND SPECIAL SERVICES.

IS THERE A PROBLEM?

YEAH, THERE IS A PROBLEM.

I USUALLY GET A ROOM
ON THE FIFTH FLOOR.

MY ASSISTANT OR MY MANAGER
OR SOMEONE SCREWED UP,

AND NOW IT'’S APPARENTLY
NOT THERE,

AND IT'’S GOT, LIKE,
ARCHED WINDOWS, WOOD FLOORS.

DO YOU KNOW WHAT
I'’M TALKING ABOUT?

YEAH. I THOUGHT
THERE MIGHT HAVE BEEN SOME MIX-UP.

THE ROOM YOU USUALLY
STAY IN IS OCCUPIED RIGHT NOW,

BUT I CAN SHOW YOU
SOMETHING ON THE SEVENTH FLOOR

THAT'’S VERY SIMILAR.

ALL RIGHT.

YEAH?
YEAH.

GREAT.

I DON'’T WANT TO SEEM
LIKE A PAIN IN THE ASS OR ANYTHING, BUT...

NO. IT'’S NOT
A BIG DEAL.

YEAH, WELL, HE'’S MAKING
ME FEEL LIKE A NAZI.

YEAH. WE'’LL TAKE CARE
OF IT RIGHT NOW.

ANYWAY...

I HOPE THIS IS
GOOD FOR YOU.

YEAH. OK. THIS IS GOOD.
IT'’S COOL.

IT'’S BETTER LIGHT.
THIS ONE I CAN HAVE?

YEAH.
GOOD.

GREAT. LIFE IS SO
MUCH BETTER.

I'’LL JUST GET SOMEONE
TO BRING UP YOUR BAGS.

OH, THAT'’D BE RAD.

HEY, THANK YOU FOR
BEING SO SWEET.

NO PROBLEM.

WHAT DO YOU DO HERE?

YOU JUST DEAL WITH PROFESSIONAL
COMPLAINERS LIKE ME?

I DEAL WITH V.I.P.s
AND THEIR NEEDS AND WANTS.

SO I'’M A V.I.P.

OF COURSE YOU ARE.

SO IF I NEED ANYTHING,
I CAN JUST ASK YOU?

YOU CAN ASK AT
THE FRONT DESK OR THE CONCIERGE,

BUT I'’M IN CHARGE
OF ALL THAT STUFF.

HOW COME I'’VE NEVER
SEEN YOU HERE BEFORE?

I'’VE TAKEN CARE
OF THINGS FOR YOU IN THE PAST.

YOU JUST DIDN'’T KNOW
BECAUSE THERE'’S NEVER BEEN A PROBLEM.

OH. THANKS.

SURE.

OH, SHIT.

WHAT?

CAN I ASK YOU FOR
ONE LITTLE FAVOR?

SURE.

WILL YOU GO TO
DINNER WITH ME?

UH...

OR DO THEY NOT
LET YOU DO THAT HERE?

SURE. I GUESS SO.

GREAT.

HOW ABOUT TOMORROW NIGHT?

YEAH.

SWEET.

I'’LL JUST CALL DOWN
AND GET SOMEONE TO BRING UP YOUR BAGS.

OK.

GOOD AFTERNOON.
FRONT DESK. THIS IS GLEN.

HEY, GLEN.
COULD YOU BRING UP MR. GABLE'’S BAGS, PLEASE?

TAKE A BIG BREATH IN AND EXHALE A BIG SIGH.

AHH.

DID YOU HAVE A GOOD TIME THE OTHER NIGHT?

I GUESS. MARK DID.

THE WHOLE ANDREWS
FAMILY DID.

I'’M SO STUPID.

I THINK I'’M HAVING
A PERSONAL CRISIS.

...AS YOU EXHALE,
BEGIN TO BEND THE KNEES.

A LITTLE BIT OF SPACE BETWEEN
YOUR HANDS AND THUMB.

I HAVEN'’T SLEPT
WITHOUT A DRINK OR SLEEPING PILL

SINCE I CAN
REMEMBER.

JOIN THE CLUB.

NO, REALLY.

I THINK MY MARRIAGE
IS FALLING APART.

YOU DON'’T THINK
IT'’S JUST P.M.S.?

NO. HE'’S DRIVING
ME NUTS.

ALL HE CARES ABOUT
IS RECOGNITION

AND GOING TO PARTIES
AND WINNING AWARDS,

INSTEAD OF JUST
DOING IT BECAUSE IT MAKES HIM HAPPY.

I MEAN, WE USED TO
LAUGH ABOUT THAT STUFF.

I'’M SORRY.
IT'’S JUST SO DEPRESSING.

WHAT'’S GOING ON
WITH YOU?

I GOT ASKED OUT
ON A DATE.

YOU DID? BY WHO?

THIS GUY--NICK GABLE,
THAT ACTOR.

HE'’S THE HITMAN.
HE'’S IN THE HITMAN.

THAT MR. GABLE?

YOU'’RE GOING OUT
WITH A HOTEL GUEST.

ARE YOU ALLOWED TO
DATE HOTEL GUESTS?

I DON'’T KNOW.
DO YOU THINK THAT'’S CREEPY?

JUST DON'’T
SLEEP WITH HIM ON THE FIRST DATE.

OH, NO.

THAT WOULD BE
SO AVAILABLE.

I DON'’T THINK
IT'’S LIKE THAT.

ARIGATO.

DO YOU LIVE IN L.A.?

YEAH. I HATE IT.

OH.

IT'’S AWFUL.

I MEAN, IT'’S COOL
ONCE YOU FIND

YOUR LITTLE
COFFEE SPOTS, BLAH BLAH BLAH.

ANYWAY, I'’M GONNA
BE HERE FOR, LIKE, FOREVER.

WHAT ARE YOU
WORKING ON?

I AM WORKING ON
A MOVIE CALLED RAIN DANCER,

WHERE I PLAY
A MEDICINE MAN, ANWAHATU,

WHO'’S A MEMBER
OF THE CHOCTAW TRIBE.

THERE'’S ACTUALLY
A WHOLE TRIBE OF MEDICINE MEN

THAT USED TO
BASICALLY TRAVEL AROUND

SORT OF POISONING
THE EUROPEAN SETTLERS.

OH, MY GOD.

YEAH, I KNOW.

HE'’S KIND OF
A VILLAIN, I GUESS.

DO YOU LIKE
PLAYING BAD GUYS?

YEAH. YOU KNOW,
IT WOULD BE NICE

TO TAKE A SHOT
FOR LEADING MAN EVERY NOW AND AGAIN.

MM-HMM.

DON'’T WANT TO GET
PIGEONHOLED.

I MEAN, I'’M GRATEFUL
FOR WORKING.

THAT'’S SO COOL.

THANKS.

HOW ABOUT YOU?

ARE YOU INTERESTED
IN THE HOTEL BIZ?

YEAH. UH, I'’VE BEEN
WORKING AT THE HOTEL

FOR ABOUT 6 YEARS,
SINCE IT OPENED.

OH, MY GOD. 6 YEARS.
THAT'’S, LIKE, FOREVER.

IT'’S AWESOME.

SO IS THERE, LIKE,
A HOTEL SCHOOL FOR THAT

OR SOMETHING?

NO. UM, I WENT TO
SARAH LAWRENCE.

OH. SARAH LAWRENCE.

I GOT A LIBERAL
ARTS DEGREE,

AND I WAS AN ARTS
MAJOR THERE.

I THOUGHT I'’D DO
SOMETHING IN THE ART WORLD.

SO NOW YOU DO
JUST HOTEL STUFF,

WHICH IS COOL.

YEAH.
YEAH.

I MEAN, YOU CAN'’T
JUST SAY YOU'’RE GONNA BE AN ACTOR.

YOU KNOW, YOU'’VE
GOT TO, LIKE,

REALLY DEDICATE
YOURSELF TO IT.

YOU'’VE GOT TO, LIKE,
GO TO SCHOOL FOR IT.

YOU CAN'’T JUST
WALK IN AND DO IT.

YOU GOT TO STUDY,
YOU KNOW?

I STUDIED FOR...
6 MONTHS.

I DID, LIKE,
THIS INTENSIVE THING ON "MELROSE PLACE"

WHERE YOU JUST,
FROM 10:00 TO 3:00 EVERY DAY,

YOU'’RE IN THERE JUST
DOING MONOLOGUES

AND DOING SCENES
FROM TV SHOWS,

AND IT'’S UNBELIEVABLE.

IT'’S HARD WORK.

YEAH. OF COURSE,
I THINK I'’M GONNA JUST WALK

INTO SOME CASTING
DIRECTOR'’S OFFICE

WHEN I GRADUATE

AND, YOU KNOW,
JUST GET SOME BIG HUGE ROLE

AND BECOME
A BIG STAR.

OH, DEFINITELY.
I KNOW WHAT YOU MEAN.

HEY, WHEN I WAS
MUCH YOUNGER,

I THOUGHT THAT
I WOULD BE MARRIED,

I'’D HAVE KIDS, YOU KNOW,
BY THE TIME I WAS 30

AND I'’D HAVE THE EXACT
CAREER THAT I WANTED.

I STILL DON'’T KNOW
WHAT I WANT TO BE WHEN I GROW UP.

I'’M SO GLAD
I MET YOU.

ME, TOO.

NO, I'’M SERIOUS.
I THINK YOU'’RE TOTALLY REFRESHING.

YEAH.

WHAT DO YOU SAY
WE GET OUT OF HERE?

YOU KNOW WHAT SAYS ABOUT?

THAT 3 ARE TOO MANY
AND ONE IS NOT ENOUGH.

WHO SAYS THAT?

HEFNER. HUGH HEFNER.

THE GUY SHOULD TALK.

HE'’S ONLY GOT
19 GIRLFRIENDS.

DO YOU KNOW
HOW PRETTY YOU ARE?

THANK YOU. I THINK
THAT YOU'’RE REALLY CUTE

AND THAT YOU'’RE
A REALLY GOOD ACTOR

AND THAT YOU'’RE GONNA
BE REALLY SUCCESSFUL.

I THINK SO, TOO,

ABOUT YOU.

I'’M SORRY.

WHY? WHY?

I SHOULD HAVE
ASKED YOU IF I SHOULD KISS YOU.

OH, DON'’T WORRY ABOUT IT.

I'’M THE SPECIAL
SERVICES DIRECTOR,

AND I WANT YOU TO KNOW
THAT I DON'’T JUST GO AROUND KISSING GUESTS.

DO YOU KNOW YOU ARE
A V.I.P.?

THANK YOU.

MMM.

MMM.

Fuck.

LOOK WHO'’S
HERE--NORA.

OH, MY GOODNESS.

HEY, DARLING.
COME ON IN.

YOU REMEMBER
ELEANOR, DON'’T YOU?

NORA.

OF COURSE.
HOW ARE YOU?

SIT DOWN, NORA.
I'’LL GET YOU A DRINK.

WE'’VE JUST BEEN BRAGGING
ABOUT YOUR GLAMOROUS LIFE.

YOU REMEMBER BILL,
DON'’T YOU?

HELLO, NORA.
IT'’S GOOD TO SEE YOU.

YOU, TOO. YOU, TOO.

SO IS IT JUST EXCITING,
RUNNING THAT LITTLE CHIC HOTEL OF YOURS?

WELL, I DON'’T
ACTUALLY RUN IT, BUT--

OH, SURE, SHE DOES.

SHE DOES EVERYTHING
OVER THERE.

SHE PLANS ALL THEIR PARTIES,
ALL OF THE SPECIAL EVENTS.

THEY'’RE A PRETTY
SPOILED GROUP.

THAT'’S MY JOB.

NORA.

DO YOU HAVE
SOMEONE SPECIAL?

WELL, UH, ACTUALLY,
I HAVE STARTED TO SEE SOMEONE.

HE'’S, UM--HE'S AN ACTOR.

ANYONE WE KNOW?

HIS NAME IS NICK GABLE.
HE'’S IN THE HITMAN.

OH, WE JUST SAW THAT
LAST WEEK.

IT WAS TERRIFIC.

I LOVED THAT MOVIE.

REALLY? YEAH.
HE'’S THE HITMAN.

WELL, THAT'’S
WONDERFUL.

WELL, WHY DON'’T YOU
INVITE HIM OVER?

WE WOULD JUST LOVE
TO MEET HIM.

YOU KNOW, WE COULD
HAVE MAYBE A LITTLE DINNER PARTY.

THAT WOULD BE GREAT.

LET'’S HAVE A TOAST
TO CELEBRATE

NORA HAVING
A NEW BOYFRIEND.

HEY--NICK AND NORA.

OH, YOU'’RE
DATING YOURSELF.

A LITTLE BIT.

WHO'’S THAT?

I DON'’T KNOW.
LISA SOMEONE.

SOME TV ACTRESS.
SHE SCARES ME.

SHE'’S SO TACKY.
LOOK AT THOSE LIPS.

IT'’S THE ONLY PART
OF HER FACE THAT CAN MOVE.

WHAT AN IDIOT.

YOU TWO ARE THE MOST
JUDGMENTAL PEOPLE IN THE WORLD.

WHO WATCHES THESE
STUPID ENTERTAINMENT SHOWS?

IT'’S BETTER THAN
WATCHING THE NEWS.

PROPAGANDA NIGHTMARE.

OH, LOOK. TURN IT UP.

OH.

PEOPLE WONDER WHAT'’S
INSIDE THE MIND

OF A HITMAN.

YOU KNOW,
THESE GUYS ARE SICK, SICK GUYS.

YOU KNOW, AS
A RESULT, THEY SPEND A LOT OF TIME ALONE,

SO MOST OF MY SCENES
WERE SHOT VIRTUALLY BY MYSELF, YOU KNOW.

I THINK I'’M GONNA
BE OK, THOUGH.

OOH.

DON'’T
FEEL TOO SORRY FOR THIS GUY.

HE'’S BEEN DATING HIS
SEXY HITMANCOSTAR SERENA HILL.

SERENA. OH, GOD.

OH, SERENA--SHE'’S
A GREAT WOMAN.

SHE'’S TOTALLY
REFRESHING,

AND, UH, I'’M
CRAZY ABOUT HER.

WHAT ELSE CAN I SAY?

THAT'’S PROBABLY ALL
I SHOULD SAY,

YOU KNOW
WHAT I'’M SAYING?

WHAT IS WRONG WITH ME?

WHY CAN'’T I MEET
SOMEONE NICE?

THERE'’S NOTHING
WRONG WITH YOU, NORA.

YOU JUST GO OUT
WITH THE WRONG PEOPLE.

STOP DATING ACTORS.
THEY'’RE CRAZY.

NO, THAT'’S
ACTRESSES.

I SHOULDN'’T GO OUT
WITH ANYONE ANYMORE.

I'’M GOING HOME.

HEY, DON'’T FEEL BAD.
THAT GUY'’S A JERK.

I LOVE YOU.

ME, TOO.

OK, I'’LL CALL YOU.

OK.

OH, GOD.

POOR NORA.
SHE HAS THE WORST TIME WITH MEN.

YOU KNOW,
I LOVE NORA,

BUT SHE HAS NO
INSIGHT WHEN IT COMES TO MEN.

SHE DOESN'’T
UNDERSTAND THE HUNT.

MEN LIKE
A CHALLENGE.

LIKE A BITCH,
LIKE ME?

KINDA.

YOU THINK I'’M A BITCH?

COME ON, BABY.
DON'’T FIGHT ME ALL THE TIME.

I THINK YOU'’RE GREAT.
I WORSHIP YOU.

I PUT YOU
ON A PEDESTAL.

LIKE AN OBJECT.

SHUT UP.

HONEY, DO YOU FEEL
ALL RIGHT?

YOU LOOK PALE.

I'’M OK.

YOU DON'’T THINK
YOU SHOULD SEE THE DOCTOR?

NO. NO. I'’M FINE.
REALLY.

THANK YOU, THOUGH.

I'’VE JUST BEEN
WORKING TOO HARD

AND JUST DRINKING
TOO MUCH, SMOKING TOO MUCH.

YOU KNOW WHAT I HEARD
ABOUT YOUR LIVER?

YOU SHOULD NOT HAVE
ANYTHING TO DRINK

TWO DAYS A WEEK.

THEY DON'’T HAVE TO
BE CONSECUTIVE.

AND OF COURSE YOU KNOW
SMOKING IS SUICIDE.

MM-HMM.

HOW ARE THINGS
WITH YOUR BOYFRIEND?

OH, IT'’S OVER.

OH, IS THAT WHY
YOU'’RE DEPRESSED?

NO, THAT'’S NOT IT.

I JUST FEEL LIKE
I HAVE THE WORST LUCK IN THE WORLD

WHEN IT COMES
TO MEN.

I THINK I MUST BE
DOING SOMETHING HORRIBLY WRONG,

BUT I DON'’T KNOW
WHAT IT IS.

WHAT HAPPENED?

OH, HE HAS
A GIRLFRIEND.

OH.

YOU KNOW, I CAN'’T
QUIT THINKING ABOUT

HOW HARD IT MUST BE
FOR YOUNG WOMEN NOWADAYS.

I MEAN, ON THE ONE HAND,
THE WORLD IS WIDE OPEN TO YOU.

ALL THE CHOICES YOU WANT.

I THINK THERE ARE
TOO MANY CHOICES, REALLY.

IT JUST MUST BE
VERY CONFUSING

TO TRY TO FIND
A PATH THROUGH ALL OF THAT,

ESPECIALLY WITH MEN,

THOUGH YOU HAVE HAD
SOME VERY NICE BOYFRIENDS.

I KNOW...

BUT THAT WAS COLLEGE.

I DON'’T KNOW
WHAT HAPPENED.

I FEEL SO CLOSED OFF,

SO DESPERATE TO FIND
SOMEONE TO LOVE.

OH, HONEY.

EVEN I CAN'’T STAND
THE SIGHT OF MY OWN DESPERATION.

HONEY, HEY,
YOU KNOW WHAT?

YOU'’RE IN A FUNK,
THAT'’S ALL,

AND THERE'’S ONLY
ONE WAY TO GET OUT OF A FUNK,

AND THAT IS TO
ENGAGE.

EVEN IF YOU DON'’T
FEEL LIKE IT, JUST FAKE IT.

JUST GO OUT AND GET
THE HIGHEST HEELS IN TOWN

AND SOME NEW LIPSTICK
AND GO EVERYPLACE.

SMILE. ACT LIKE
YOU'’RE HAVING THE TIME OF YOUR LIFE.

BUT DON'’T ALWAYS GO
WITH MARRIED COUPLES.

YOU'’RE NEVER GONNA
MEET ANYONE THAT WAY.

SURE. I'’LL GIVE IT
A TRY, YOU KNOW.

YOU KNOW...

I COULD FIX YOU UP.

NO.

NOW, JUST LISTEN
TO ME FOR A MINUTE.

YOU KNOW MEGAN ROSS,
MY FRIEND.

SHE HAS A SON.
I DON'’T THINK YOU'VE EVER MET HIM.

NICE-LOOKING,
SUCCESSFUL,

AND I KNOW HE'’S NOT
SEEING ANYONE RIGHT NOW.

ARE YOU NORA?

YES.

I'’M CHARLIE ROSS.

HI.
HI.

NICE TO MEET YOU.
YOU, TOO.

IT'’S PRETTY FUNNY
THAT OUR MOMS SET US UP.

YOU DON'’T KNOW
THE IRONY BEHIND IT.

I'’M GLAD.

ME, TOO.

I HAVEN'’T SEEN THIS
MOVIE IN A REALLY LONG TIME.

IT'’S ONE OF
MY FAVORITE FILMS.

YEAH? NO, I LOVE
THIS FILM, TOO.

I'’VE NEVER SEEN IT
IN A THEATER, THOUGH.

REALLY?
YEAH.

UH, SHOULD WE GO IN
AND GET SEATS?

YEAH.

YESTERDAY,
ABOUT 3 P.M.

I WANTED YOU TO THINK
ABOUT IT TWICE, TOO.

I'’VE BEEN LOOKING
FOR SOMEONE FOR A LONG TIME.

I LOVE THAT MOVIE.

IT REALLY HOLDS UP.

BOGART REMINDS ME
OF MY DAD.

I MET YOUR DAD ONCE.

HE SEEMED LIKE
A GREAT GUY.

I'’M SORRY ABOUT HIM.

YEAH, ME, TOO.
I REALLY MISS HIM.

I FEEL LUCKY TO HAVE
HAD HIM AT ALL, REALLY.

NOW MY MOM HAS IRVING,
SO SHE'’S NOT ALONE.

YEAH. MY MOM DOESN'’T
REALLY DATE ANYONE ANYMORE.

SHE WENT THROUGH
A STRING OF THEM

AFTER MY PARENTS
DIVORCED,

BUT SHE ALWAYS
DRIVES THEM AWAY,

ON PURPOSE,
I THINK.

I WONDER IF WE ALWAYS
TURN INTO OUR PARENTS.

I LIKE TO THINK
OF IT AS WHERE MY PARENTS LEFT OFF.

THAT'’S A GREAT WAY
OF PUTTING IT.

OH, SHIT.

WHAT?

UH, NOTHING.
IT'’S JUST MY EX, JENNIFER.

SHE'’S TOTALLY CRAZY.

IS IT GONNA BE OK?

HI, JENNIFER.

HELLO, CHARLIE.

HOW ARE YOU?
THIS IS NORA.

"HOW ARE YOU?"
HOW AM I?

I'’M FUCKING
GREAT, CHARLIE. HOW ARE YOU?

AND NORA?

WE'’RE GOOD.
WE'’RE GOOD.

WE JUST WENT
TO THE MOVIES.

HE TOOK YOU TO SEE
AN OLD ROMANTIC MOVIE.

IT'’S HIS SIGNATURE
MOVE, YOU KNOW.

MY MOM WAS--

CAN I TALK TO YOU
FOR A MINUTE?

WILL YOU EXCUSE ME
FOR ONE SECOND?

I'’M SORRY.

WHY
ARE YOU DOING THIS?

WHAT
ARE YOU DOING HERE?

WHAT DO YOU MEAN--

I JUST TALKED TO YOU
THIS MORNING.

YOU SAID YOU WEREN'’T
DATING ANYBODY.

I'’M NOT
DATING ANYBODY.

SHE'’S THE DAUGHTER
OF MY MOM'’S FRIEND.

I THINK I BROUGHT
HER HERE BECAUSE I...

I WAS MISSING YOU,
AND THIS REMINDED ME OF OUR FIRST DATE.

DON'’T TOUCH ME.

HEY, WE'’RE LEAVING.

ARE YOU OK?

LOOK, I'’M SO SORRY
YOU HAD TO SEE THAT.

WHAT HAPPENED?

WE HAVEN'’T BEEN
BROKEN UP THAT LONG.

IT'’S--IT'S BEEN
REALLY HARD.

YOU'’RE ACTUALLY
THE FIRST PERSON I'’VE DATED SINCE JENNIFER.

I THINK I'’M STILL
IN LOVE WITH HER.

I'’M--I'M SO SORRY.
THIS WAS--IT WAS TOO SOON.

UM, YOU KNOW, I THINK
I'’M JUST GONNA GO.

I'’M JUST SO, YOU KNOW,
OUT OF IT.

IS IT OK IF I JUST
PUT YOU IN A CAB?

YEAH.

I'’M REALLY SORRY.
YOU'’RE SO NICE.

MEN HATE ME.

YOU HATE YOURSELF.

NO, I DON'’T.
WHY DO YOU SAY THAT?

YOU'’VE GOT TO STOP
PUNISHING YOURSELF ALL THE TIME

FOR NOT HAVING
A BOYFRIEND.

EVERYONE ELSE IS
IN A RELATIONSHIP.

WHY CAN'’T I
BE IN ONE?

YOU'’LL MEET SOMEONE.
JUST DON'’T GO NUTS NEXT TIME.

IT'’S LIKE THE ONLY
THING THAT MATTERS IS FINDING THIS GUY.

IT DOESN'’T EVEN MATTER
WHO IT IS.

NOT EVERY GUY YOU MEET
HAS TO BE YOUR FUTURE HUSBAND.

BELIEVE ME.
DO SOMETHING ELSE.

GO TO YOGA OR SOMETHING.

YOU'’RE RIGHT.
I'’M BEING A TOTAL FREAK.

I HAVE TO CALM DOWN.

I LOVE YOU.
I DON'’T LIKE TO SEE YOU LIKE THIS.

OH, GOD. ONE MINUTE.

YEAH. UH-HUH.

OK.

IT'’S MARK. HE'LL BE HERE
IN TWO MINUTES.

WHERE WAS HE?

MMM. HAVING A MEETING WITH
THAT ACTRESS CAITLIN FOX.

OH, NO.

YEAH. SHE WANTS HIM
TO DIRECT HER

IN A MOVIE
ABOUT FAIRIES.

BARF.

I KNOW.

I DON'’T WANT TO SOUND
LIKE A BROKEN RECORD.

I JUST FEEL LIKE
WE'’RE NOT BEST FRIENDS ANYMORE.

DO YOU TALK ABOUT IT?

YEAH, WE HAVE BEEN.

HE THINKS EVERYTHING
IS FINE AND THAT I'’M JUST FREAKING OUT.

I SWEAR, IF HE BLAMES IT
ON MY HORMONES ONE MORE TIME,

I'’M GONNA LOSE IT.

HE'’S THE ONE WHO'S
HESITANT ABOUT HAVING KIDS.

REALLY?

I DIDN'’T KNOW THAT.

YEAH, WHATEVER.
I DON'’T WANT TO TALK ABOUT IT.

LET'’S JUST DROP IT.

BUT I CAN'’T BELIEVE
YOU'’RE NOT COMING TO MIAMI WITH US.

PLEASE COME.
MARK WILL PAY.

I JUST DON'’T
FEEL LIKE IT.

I JUST WANT TO
STAY HERE.

LADIES. I'’M DOING
THE FAIRY MOVIE.

I'’M JILL SCOTT.

HAMBURGERS AND HOT DOGS
ARE A STANDARD FOR JULY FOURTH WEEKEND,

BUT IF YOU'’RE LOOKING
TO SPICE UP YOUR HOLIDAY...

JOINING ME NOW WITH
SOME NEW IDEAS OF THINGS

YOU CAN COOK ON THE GRILL
IS ANITA LOWE FROM ANITA'’S RESTAURANT.

HI, ANITA. HOW ARE YOU?

HI, IT'’S NORA. LEAVE A MESSAGE.

HEY, NORA, IT'’S
GLEN FROM WORK,

AND I GOT MY PARTY
SATURDAY NIGHT,

AND I WANT TO MAKE SURE
YOU KNOW ABOUT IT.

I LEFT A FLIER
IN YOUR MAILBOX

AND ALSO STUCK ONE
IN YOUR PURSE.

IT'’S GONNA BE GREAT,
SO HOPE TO SEE YOU.

BYE!

THIS IS
A JAPANESE VERSION OF BUFFALO CHICKEN WINGS.

THEY'’RE MARINATED WITH
A GOOD

WHICH IS A JAPANESE...

HEY, NORA. IT'’S GLEN.

I THINK I CALLED
YOU ALREADY. I'’M NOT SURE.

I'’M JUST TAKING
A HEAD COUNT--

NORA.

HI.

OH, MY GOD.
WHAT A SURPRISE.

WOW. YOU LOOK GREAT.

THANK YOU.

WOW. JEEZ.

I WAS BEGINNING TO
FEEL LIKE THE LAST PERSON ON EARTH,

SO I THOUGHT
I'’D COME BY.

WELL, THIS IS THE PLACE.

IT'’S A NICE PLACE,
GLEN.

OH, THANKS.
I JUST CAN'’T BELIEVE

THAT YOU'’RE NOT
OUT OF TOWN.

I JUST DIDN'’T
FEEL LIKE IT THIS YEAR.

OH. WELL, I'’M GLAD
THAT YOU'’RE HERE.

HEY, UH, I'’LL
GET YOU A DRINK,

AND I'’LL INTRODUCE
YOU TO SOME PEOPLE.

THIS IS, UM, UH...

CARL.

HI.

YOU'’RE KIND OF
PRETTY.

DO YOU, UH--DO YOU
WORK WITH GLEN?

YEAH.

HOTEL BUSINESS?

MM-HMM. I HAVE TO
GET MY DRINK.

HOT.

♪ IT'’S A FINE DAY ♪

♪ TO ESCAPE FROM
A BAD DREAM... ♪

HI. THERE YOU ARE.
ARE YOU HAVING A GOOD TIME?

YEAH. I'’M EXHAUSTED.

REALLY?

I'’M GONNA GO.

REALLY?

YEAH.

OH, COME ON. STAY.
HAVE ONE DRINK.

I'’M SO TIRED.

PLEASE? WITH ME.

YOU KNOW, WE NEVER
GET A CHANCE TO DO THIS.

I KNOW. THANK YOU
SO MUCH FOR INVITING ME.

I'’M SO GLAD
THAT YOU CAME.

ARE YOU SURE YOU
DON'’T WANT TO STAY?

COME ON.
IT'’LL BE FUN.

PLEASE? JUST ONE
LITTLE DRINK.

HEY.

JULIAN!

CÇA VA? SALUT!

HEY, NORA, NORA.

JULIAN, I WANT YOU
TO MEET SOMEONE.

NORA, THIS IS JULIAN.

HELLO, NORA.

HI.

IS THIS YOUR FIANCEE?

NO. WE WORK TOGETHER.

OH. COOL. WOULD YOU HAVE
ANOTHER DRINK WITH ME?

NORA HAS GOT
TO LEAVE.

NO! WHY? WHY ARE
YOU LEAVING?

I'’M TIRED.
I'’M EXHAUSTED.

IT WAS NICE
MEETING YOU, THOUGH.

WHAT ARE YOU
DOING?

CONVINCING YOU
TO STAY.

COME ON,
FOR JUST ONE DRINK.

PLEASE.

OK.

HA HA HA!
MON AMI.

HOW DO YOU KNOW
THIS GUY?

WELL, I LIVED
FOR A YEAR

WITH HIS FAMILY
IN FRANCE.

IT'’S A LONG STORY.

SO, UM, CAN I GET
YOU GUYS A DRINK?

YEAH. I'’LL HAVE
A VODKA STRAIGHT UP WITH A TWIST.

OOH. ET JULIAN?

YEAH, I'’LL HAVE
THE SAME.

OK.

CÇA VA?

YEAH, SAY VA.

YOU KNOW,
I SAW YOU BEFORE.

REALLY? WHERE?

IN A HOTEL.

YOU WERE WITH A MAN
WHO HAD A PILLOW.

OH, YEAH.

HI.

YOU DON'’T
SPEAK FRENCH?

NO.

A LITTLE
IN HIGH SCHOOL, BUT NO, NOT REALLY.

TU ES TREÈS JOLIE,
NORA.

THANKS.

YOU DON'’T BELIEVE ME?

NO, I BELIEVE YOU.

I JUST DON'’T THINK
YOU'’RE PROBABLY THAT PICKY.

I DON'’T UNDERSTAND.

FORGET IT.

I'’M GLAD YOU ARE HERE.

ONE MORE MINUTE,
AND WE WOULD HAVE MISSED EACH OTHER.

IT'’S FATE TO SEE YOU
AGAIN, DON'’T YOU THINK?

WHY DO YOU LAUGH?

YOU ARE AFRAID?

YOU KNOW, YOUR
APPROACH IS JUST REALLY INTENSE.

DO YOU WANT
ANOTHER DRINK?

YEAH.

OH.

SO, WHAT ARE YOU DOING
IN NEW YORK?

I CAME HERE
TO MEET YOU.

NO. REALLY.

NO, REALLY,
I CAME HERE TO DO SOME WORK

ON A PROJECT,
ON A FILM.

YOU'’RE NOT
AN ACTOR, ARE YOU?

NO.

GOOD.

YOU KNOW, ONCE
YOU'’RE CALM,

YOU'’RE NOT THAT BAD.

WHY?

WHY WHAT?

WHY WAS I BAD?

NO, I'’M SAYING THAT
YOU'’RE NOT BAD.

OH. COOL.

LET'’S GO SOMEWHERE.

I DON'’T THINK SO.

WHY NOT?

I'’M NOT LOOKING
FOR ANYTHING.

LIKE WHAT?

TROUBLE.

TROUBLE?
I'’M NO TROUBLE.

I'’M NOT LOOKING
FOR TROUBLE.

WHERE DO YOU
WANT TO GO?

SHOW ME SOMETHING.

LIKE WHAT?

I DON'’T KNOW.
SOMETHING...

VERY NEW YORK.

NO.

WHAT?

I DON'’T WANT YOU
TO KISS ME.

I TOLD YOU NO.

WHY?

OH.

BUT I JUST WANT
TO KISS YOU.

NO.

NO.

COME ON.

NO. I'’M SORRY.

EXCUSE ME.

OK, YOU DON'’T LIKE ME.

IT'’S MORE LIKE
I DON'’T WANT YOU TO KISS ME.

WHY NOT?

I DON'’T KNOW.
BECAUSE.

I DON'’T KNOW.
WE WERE HAVING SOME FUN,

AND YOU ARE
SO BEAUTIFUL.

I JUST WANTED
TO KISS YOU.

WELL...

LISTEN, I HAD
A GREAT NIGHT WITH YOU TONIGHT,

BUT I JUST
WANT TO GO HOME.

OH, NO.
COME ON, NORA.

I'’M EXCITING
TO BE WITH YOU.

IT'’S LATE.

THERE'’S NOTHING
TO DO.

I WOULDN'’T KNOW
WHAT TO DO.

BUT WE'’LL FIND
SOMETHING.

COME ON.
IT'’S A BEAUTIFUL NIGHT.

I PROMISE.

WHAT DO YOU WANT
TO DO?

WHERE DO YOU
WANT TO GO?

WE'’LL GO IN HERE.

HERE?

NORA, DANCE WITH ME.

OH, NO, NO.
BREAK. BREAK.

UH, TWO SHOTS
OF TEQUILA.

IS THAT OK WITH YOU?

YEAH.

OK.

ALL I NEED IS
SOMETHING TO DRINK.

BOBBY.

NORA.
HEY, BABY.

WHAT ARE YOU
DOING HERE?

I WAS ON TOUR
IN PHILLY. I HAD THE NIGHT OFF.

I CAME BACK.
I HAD TO DO A FEW THINGS.

WHAT ARE YOU DOING?

ACTUALLY, I HAVE
HIM WITH ME.

VERY NICE.

SO YOU WANT TO BE
ALONE, NO?

NO. YOU KNOW WHAT?
THIS IS PERFECT.

OH, MY GOD.
IT'’S SO CRAZY.

AY, AY, AY.

AND YOU, JULIAN.
WHAT ARE YOU DOING HERE?

ARE YOU ON VACATION?

HE'’S WORKING
ON A MOVIE.

HE'’S NOT AN ACTOR, THOUGH.

NO?

I CAME HERE
FOR A WOMAN.

AY, DIOS MIO.
NO, PLEASE. OK.

TELL ME. LET'’S GO.

SHE WAS MY GIRLFRIEND,
SHE'’S AN ACTRESS,

AND SHE CAME HERE
TO DO A MOVIE,

SO I TAKE A JOB
ON THE MOVIE SO I CAN BE CLOSE TO HER.

BUT THEN SHE LEAVES ME
FOR THE ACTOR IN THE MOVIE.

THAT'’S TERRIBLE.

SO YOU'’RE NO GOOD
AT LOVE, TOO, HUH?

NO. TREÈS MAUVAIS.

OK. KIDDIES,
I GOT TO GO.

IT'’S GETTING LATE.

IT'’S SO LATE,
IT'’S ALMOST EARLY.

IT WAS A PLEASURE
MEETING YOU.

I HOPE TO SEE YOU
AROUND MORE.

OK, AND THANK YOU
FOR THE SMOKE.

AH.

CIAO.

OH.

SHE'’S A VERY
GOOD GIRL, OK?

YES. I KNOW.

OK. CIAO BELLO.

HI.

WHAT ARE YOU DOING HERE?

I'’M MAKING YOU COFFEE?

I THOUGHT YOU LEFT.

NO. I'’M HERE.

YOU HAVE PLANS
FOR TODAY?

UH, NO. NO.
I GUESS NOT.

IT'’S OK, THEN?

YEAH. YEAH.

GOD.

SO, WHAT DO YOU
WANT TO DO?

I'’M ANGRY.

YEAH? ABOUT WHAT?

I DON'’T KNOW.
ANYTHING.

WHAT?

I'’M ANGRY.

OH, YOU'’RE HUNGRY. OH.

I THOUGHT YOU SAID
YOU WERE ANGRY.

OH, NO. NEVER.
NEVER.

SO WHERE DO YOU
WANT TO EAT?

FOOD. MANJA.

COME ON.

I HAD A NICE TIME
WITH YOU LAST NIGHT.

REALLY?

YEAH, SURE.

EVEN THOUGH
WE DIDN'’T HAVE SEX?

OF COURSE.

WHY NOT?

DO YOU THINK
IF YOU DON'’T HAVE SEX WITH A MAN,

HE DOES NOT
LIKE YOU?

NO.

I DON'’T KNOW. MAYBE.

I THINK IT JUST
DEPENDS ON THE GUY.

YOU DON'’T HAVE ANY
HANG-UPS, DO YOU?

WHAT IS HANG-UPS?

PROBLEMS, FEARS,
THINGS THAT SCARE YOU.

LIKE WHAT THINGS?

I DON'’T KNOW.

UH, HEART ATTACKS,
TERRORISM,

RANDOM
ACTS OF VIOLENCE,

WORRYING ABOUT
WHAT OTHER PEOPLE THINK,

NOT SUCCEEDING
IN LIFE.

WOW. THAT'’S A LOT.

NO. WHEN I WAS
8 YEARS OLD,

MY MOTHER DIED,
AND MY FATHER TOLD ME

THAT LIFE WAS
SOMETHING SHORT

AND TO ALWAYS MAKE
SOME VALUE IN IT.

WHEN MY FATHER DIED,
I THINK I DID THE OPPOSITE.

IS HE STILL ALIVE,
YOUR DAD?

YES. HE LIVES
IN THE SOUTH OF FRANCE.

MARSEILLES.

MARSEILLES?

COME ON, NORA.

YOU'’VE GOT TO
GO SOMEWHERE.

I KNOW. YOU'’RE RIGHT.

WE'’VE BEEN
WALKING A LOT.

ARE YOU TIRED
OF WALKING?

NO. IT'’S PERFECT.

YEAH?

I KNOW WHAT WE CAN DO.

I LOVE THESE PENGUINS.

SOMETIMES WHEN I'’M SAD,
I COME HERE

AND JUST WATCH THEM.

THEY MAKE ME FEEL BETTER.

COME HERE.

COME HERE.

I WANT TO KISS YOU.

LA PIROUETTE.

LA PIROUETTE.

BIEN. PIROUETTE.

PWE WET.

PWE WET?

WHAT WOULD YOU SAY
TO A FRENCH GIRL

IF YOU WERE HAVING
SEX WITH HER?

I WOULD SAY, "OH! OH!

C'’EST TREÈS BON!"

AH! HA HA HA!

ARE YOU STARTING
TO LOVE ME?

HA HA! I'’M NOT READY

TO GIVE OUT THAT
INFORMATION AT THIS TIME.

NORA, YOU ARE THE EXACT
GIRL THAT'’S ON MY MIND.

SHH. SHH. SHH.

WHAT ARE YOU THINKING?

HEY.

NOTHING.

I WAS JUST THINKING
ABOUT HOW I WAS TELLING MY FRIEND AUDREY

THAT I WASN'’T GONNA
SEE ANYONE.

AND I CHANGED
YOUR MIND?

ARE YOU SEEING
ANYONE RIGHT NOW?

NO, NOT NOW.
JUST YOU.

BUT YOU DO SEE
OTHER WOMEN.

IF I MEET SOMEONE
I LIKE, YES.

WHY? WHAT?

NOTHING.
OF COURSE YOU DO.

BUT YOU DON'’T?

WHAT IS THIS?
WHAT ARE WE DOING HERE?

WE TAKE A BATH.

WHY DO YOU TALK
ABOUT LOVE?

WHEN?

BEFORE.

I'’M JUST TRYING
TO FIGURE OUT

IF THIS IS SUPPOSED
TO MEAN SOMETHING.

I DON'’T KNOW, NORA.

WE HAVE NO CONTRACT.

WE ARE JUST MEETING
EACH OTHER.

YOU'’RE RIGHT.
I'’M SORRY, I'’M SORRY.

YOU STILL DIDN'’T
TELL ME WHAT YOU DO.

I START TO RECORD
SOUND ON MOVIES.

AH. MYSTERY SOLVED.

DO YOU LIKE IT?
IS IT FUN?

YES, I LIKE IT.

I LIKE TO LISTEN
TO PEOPLE,

TO HEAR THEIR VOICE,
HOW THEY FEEL,

AND I GET TO TRAVEL.

BUT THERE'’S
NOT ONLY WORK.

I ALSO PLAY
SOME MUSIC.

UGH. I'’M SO GLAD
I DON'’T HAVE AN ACOUSTIC GUITAR.

NORA?

GUY, HI.
HOW ARE YOU?

I'’M GREAT.
HOW ARE YOU?

GOOD. HOW ARE YOU?

I'’M GREAT.
I JUST GOT BACK

FROM A WEDDING
IN ROME LAST NIGHT.

YOU KNOW JIM, RIGHT?
YEAH.

YEAH. IT WAS
HIS WEDDING.

IT WAS TOTALLY
INSANE.

THAT SOUNDS GREAT.

YEAH. HEY.
UH, I'’M GUY.

SORRY.

HI. I'’M JULIAN.

YOU, UH, YOU
AROUND THIS SUMMER?

YEAH. YEAH.
I HAVE NO PLANS.

I'’M JUST WORKING,
YOU KNOW?

OK. WELL, COOL.

UM, I'’M HERE
AND AT THE BEACH,

SO I'’LL GIVE YOU
A CALL.

GREAT.
NICE TO MEET YOU, MAN.

NICE TO MEET YOU.

SEE YOU.
BYE.

I'’LL HAVE, UM,
HALF A DOZEN

OF THE WHITE COOKIES
WITH THE SPRINKLES

AND, UM--THEY'’RE
FAMOUS FOR THEIR CANNOLIS.

I'’LL HAVE A HALF
A DOZEN OF THOSE

AND, UM...

I'’M SO SORRY.
I WAS SO RUDE.

I DON'’T KNOW
WHAT HAPPENED.

I'’M JUST SO STUPID
SOMETIMES.

I JUST GOT CAUGHT
OFF GUARD.

I'’M JUST NOT USED
TO BEING WITH SOMEONE.

I MEAN, NOT THAT WE'’RE
TOGETHER OR ANYTHING,

BUT I'’M JUST NOT
THAT EXPERIENCED

IN HOW TO ACT
WITH A GUY.

IT'’S JUST SO WEIRD
YOU COME INTO MY LIFE,

AND--I DON'’T KNOW--
YOU'’VE...

I HAVE TO GO
TO THE BATHROOM.

What are you doing here?

I'’m such a freak.

I'’VE TURNED INTO
SUCH A BITCH.

ARE YOU OK?

YEAH.

I'’M NOT MAD AT YOU.

OH, GOOD.
I'’M RELIEVED.

SOMETHING WRONG?

I JUST WANT TO
GO HOME.

HEY. I DON'’T THINK
YOU'’RE OK.

I'’M OK. I JUST WANT
TO GO HOME.

DO YOU RUN FROM ME?
NO.

DO YOU FEEL SICK?

YES, I FEEL SICK.

I FEEL LIKE I'’M
GOING TO DIE.

WHAT ARE YOU DOING?

OH, COME ON, NO.
WHAT ARE YOU DOING?

NO, NO!
GIVE IT TO ME!

GIVE IT TO ME!
I'’M NOT GONNA KILL MYSELF!

I'’M JUST GONNA
TAKE ONE!

ARE YOU OK?

I WILL BE.

IS THERE SOMETHING
WRONG WITH YOU?

YEAH. I'’M A FREAK.

I HAD
AN ANXIETY ATTACK.

DO YOU WANT ME
TO STAY WITH YOU,

OR DO YOU WANT
TO BE ALONE?

YOU CAN STAY.

I'’M NOT GOOD FOR ANY
ACTION, THOUGH.

THAT HASN'’T HAPPENED
IN A REALLY LONG TIME.

IT'’S REALLY SCARY.

JULIAN?

JULIAN?

HI.

HEY. YOU CAME BACK.

I'’M--I'M VERY SORRY
FOR WHAT I DID.

NO. I'’M SORRY.
I'’M JUST AN IDIOT.

YOU DIDN'’T DO
ANYTHING.

I JUST BLEW THINGS
OUT OF PROPORTION.

WE WERE HAVING
SO MUCH FUN.

I'’M FINE NOW.

YOU KNOW, NORA,
I'’M LEAVING TOMORROW,

AND I THOUGHT MAYBE
WE COULD SPEND THIS NIGHT TOGETHER IF YOU WANT.

TOMORROW?

YES. VERY EARLY.

I HAD THE BEST TIME
WITH YOU, NORA.

ME, TOO.

COME WITH ME.
COME TO SEE PARIS.

COME ON THE PLANE
TOMORROW

AND RUN AWAY
WITH ME.

NO. I CAN'’T.

I CAN'’T.
WHY NOT?

A MILLION REASONS.

LIKE, I COULDN'’T
POSSIBLY BE READY TO DO THAT IN TIME.

I--I HAVE TO WORK.
I HAVE OBLIGATIONS.

THOSE ARE ONLY SOME
EXCUSES, ALL RIGHT?

I WANT YOU TO COME.

WHAT ARE YOU
GONNA DO?

STAY ALL YOUR LIFE,
DO THE SAME THING?

NO. I'’M--I'M JUST
BEING REALISTIC.

WE'’VE ONLY
KNOWN EACH OTHER FOR A COUPLE OF DAYS.

I CAN'’T JUST PRETEND
THAT EVERYTHING

WOULD JUST MAGICALLY
WORK ITSELF OUT.

I KNOW BETTER.

YOU SHOULDN'’T MAKE
PROMISES THAT YOU CAN'’T KEEP.

WHY NOT?

I DON'’T KNOW.
UH...

IT'’S JUST NOT WHAT
I IMAGINED FOR MYSELF.

I'’M NOT LIKE THAT.

WHY? BECAUSE
I'’M FRENCH,

BECAUSE I'’M YOUNGER
THAN YOU?

WHAT IS IT?

YEAH. YOU LIVE
IN ANOTHER COUNTRY.

WE'’VE HAD
A REALLY NICE WEEKEND.

YOU SHOULDN'’T FEEL
BAD ABOUT IT.

I DON'’T WANT TO
FIGHT ABOUT THIS NOW.

I'’LL COME TO PARIS
WITH YOU

AND WE'’LL JUST SEE
HOW IT GOES SOMETIME IN THE FUTURE.

YOU PROMISE?

YEAH.

OK, NORA.
I HAVE TO GO.

I HAD A GREAT TIME
WITH YOU.

DON'’T CRY.

I LEFT MY CELL PHONE
NUMBER NEXT TO YOUR BED.

COME HERE.

KISS ME.

WHAT?

YOU NEED TO GO
ON A DATE.

UGH. NO.
MM-HMM.

DUTY DATING.

WHAT'’S THAT?

THERE'’S A THEORY
THAT YOU SHOULD GO OUT

WITH GUYS
WHO ASK YOU OUT,

EVEN IF YOU KNOW
YOU DON'’T LIKE THEM IN THAT WAY.

FOR PRACTICE.

THAT IS THE SADDEST
THING I THINK I'’VE EVER HEARD.

NO, IT'’S NOT.

YOU NEED TO
GET OUT THERE AGAIN.

OTHERWISE, YOU'’RE
JUST GONNA RETREAT.

I KNOW YOU, NORA.

NOBODY'’S ASKING
ME OUT.

♪ UH-UH ♪

STEVE, YOU TELL NORA
YOU WERE AN ARCHITECT?

YEAH. I WAS DOING
PRIVATE HOMES AND OFFICE BUILDINGS.

I MOSTLY BUILD
BOUTIQUE HOTELS NOW.

I HAVE TO SAY,
IT'’S REALLY CHALLENGING, YOU KNOW...

MM-HMM.
MAKING EACH ONE DIFFERENT.

MM.

NORA WORKS
IN A HOTEL, SULLIVAN HOUSE.

IS THAT RIGHT?

YEAH.

DO YOU LIKE IT?

NO.

NOT REALLY.

HI, NORA.

YOU GOT A MINUTE?

YEAH.

I JUST WANTED TO TALK
TO YOU SERIOUSLY

JUST FOR A BIT.

OK.

I WAS WONDERING, UM,
HOW IT'’S GOING,

HOW YOU'’RE DOING
WITH THE PLANNING OF THE COMPANY PICNIC.

OH. THAT.

UM, I, UH, HAVEN'’T
REALLY GOTTEN AROUND TO IT YET.

WE'’VE BEEN
KIND OF SWAMPED.

HAVEN'’T GOT
AROUND TO IT YET?

UH, NORA, THERE'’S
ONLY 5 WEEKS LEFT.

I MEAN, THERE'’S
A LOT MORE TO IT

THAN--THAN JUST
LOCATIONS ALONE.

I MEAN, YOU'’VE GOT FOOD
AND INVITES, BUSES,

GAMES,
EMPLOYEE OF THE MONTH.

HAVE YOU EVEN VOTED
FOR THE EMPLOYEE OF THE MONTH YET?

NOT YET.

WELL, WHEN WERE YOU
PLANNING ON DOING ALL OF THIS?

I DON'’T KNOW.
I'’M SORRY. I FORGOT.

LOOK. YOU KNOW WHAT?
I DON'’T UNDERSTAND WHAT'’S WRONG

WITH YOU LATELY, NORA.

YOU WERE ALWAYS
SO RELIABLE,

AND NOW YOU DON'’T EVEN
COME AROUND ANYMORE.

NOBODY'’S SEEN YOU.
WHAT'’S WRONG WITH YOU?

IS EVERYTHING OK?

BECAUSE YOU CANNOT
GO ON LIKE THIS.

YOU KNOW
WHAT, PERRY? YOU'’RE RIGHT.

I CAN'’T GO ON
LIKE THIS.

I'’VE BEEN AWFUL.

I CAN'’T DO THIS
ANYMORE.

DO WHAT?

THIS! I CAN'’T
DO THIS ANYMORE!

I SEE SOMETHING
IN YOU.

HUH?

I CAN TELL YOU THINGS
ABOUT YOUR LIFE.

YOUR FATHER
MISSES YOU.

YOU WERE HIS FAVORITE
PERSON IN THE WORLD.

HE KNOWS HOW LONELY
YOU ARE,

AND HE WANTS ME
TO HELP YOU.

COME INSIDE.

SO WAIT A MINUTE.

YOU WENT TO
A PSYCHIC TO HAVE

A CURSE PUT ON YOU.

PLEASE. I'’M HUMILIATED
ENOUGH AS IT IS.

SHE DIDN'’T PUT
A CURSE ON ME.

SHE REMOVED A CURSE.

DID YOU PAY HER?

I DON'’T WANT TO
TALK ABOUT IT.

NO. PLEASE.
I HAVE TO KNOW

SO I CAN UNDERSTAND
YOUR INSANITY.

I DON'’T KNOW.

I'’M GOING
TOTALLY CRAZY.

YOU'’LL BE FINE.

NO, I WON'’T.
I QUIT MY JOB,

AND I WENT
TO A WITCHDOCTOR.

I CAN'’T BELIEVE
YOU QUIT YOUR JOB.

I KNOW.

DO YOU THINK THAT
WAS THE RIGHT THING TO DO?

MAYBE IT WAS.

MAYBE I SHOULD HAVE
GONE WITH JULIAN.

WHY DIDN'’T YOU?

I'’M A COWARD.

SO...WHAT ARE YOU
GONNA DO ABOUT IT?

IS THIS SAFE?

IT'’S FINE. RELAX.

WE DON'’T EVEN KNOW
WHAT'’S IN HERE.

WHAT IF IT'’S DRUGS?

IT IS NOT DRUGS.
MY PARENTS KNOW THE GUY.

I CAN'’T BELIEVE
WE'’RE DOING THIS.

LISTEN. IT WAS THE ONLY
CHEAP TICKET. I SWEAR.

OH! I HATE MARK.

HE'’S MAD THAT WE'RE
DOING THIS COURIER SHIT,

RIDING COACH. OY.

UH, HI.
WE'’RE NOT SURE WHERE TO GO.

UM, WE NEED A SMALL,
LITTLE HOTEL

IN THE MIDDLE
OF TOWN THAT'’S NOT VERY EXPENSIVE.

I DON'’T THINK HE
UNDERSTANDS YOU.

OH, NO.
I THINK HE DOES.

THEY JUST PRETEND
NOT TO UNDERSTAND.

WATCH THIS.

EXCUSEZ-MOI.
VOUS COMPRENDRE?

OUI, OUI.
I UNDERSTAND.

HMM?

MERCI BEAUCOUP.

THANK YOU
VERY MUCH.

I HOPE YOU FIND
HAPPINESS.

A PENIS?

YES.

OH...

SKANKY.

WELL, AT LEAST IT
HAS A BATHROOM.

THIS REALLY SUCKS.
I'’M SORRY, AUDREY.

DON'’T BE RIDICULOUS.
WE'’RE IN PARIS.

WE'’RE GONNA FIND
JULIAN.

LET'’S DELIVER THESE
PACKAGES FIRST,

GET IT OUT
OF THE WAY.

WE'’RE SO CRAZY
FOR DOING THIS.

I KNOW.
IT'’S TOTALLY CRAZY.

YOU KNOW, WE COULD
PROBABLY GET A MAP DOWNSTAIRS.

OH, YOU'’RE SO ON IT.

WELL, IT'’S PROBABLY
JUST EASIER FOR ME

TO BE OBJECTIVE
RIGHT NOW.

WHEN SHOULD WE MEET
BACK HERE?

I DON'’T KNOW.
LIKE AN HOUR, AN HOUR AND A HALF?

BUT IF WE GET
HELD UP, LET'’S JUST CALL THE HOTEL

AND TOUCH BASE, OK?
OK.

OK. NOW WHICH WAY
IS THE SEINE?

BECAUSE I AM GOING
THE OPPOSITE DIRECTION.

EXCUSEZ-MOI.
OUI?

DO YOU SPEAK ENGLISH?
A LITTLE.

COULD YOU TELL ME
WHERE THE HOTEL MEURICE IS?

UH, IT'’S JUST
OVER THERE.

OK. GREAT.

MADAME GRENELLE?

MADAME GRENELLE?

QUI EST LAÀ?

UH, I'’M SORRY.

JE NE PARLEZ FRANCÇAIS.

DO YOU SPEAK ENGLISH?

OF COURSE I SPEAK
ENGLISH.

WHAT DO YOU WANT?

MY NAME IS NORA.
I HAVE A PACKAGE FOR YOU.

THE DOOR WAS OPEN.

WELL, BRING IT
TO ME.

I HOPE I'’M NOT
BOTHERING YOU.

IT'’S BEEN
A LONG TIME.

EXCUSE ME?

MR. LARSON?

HI. I'’M AUDREY.

COME IN.

PLEASE SIT DOWN.

THANK YOU VERY MUCH.

I WOULDN'’T ENTRUST THIS
TO THE REGULAR MAIL.

BUT I HAVE TO SAY
I DIDN'’T IMAGINE SOMEONE LIKE YOU

DELIVERING IT TO ME.

ARE YOU SURPRISED?

YES.

ARE YOU HUNGRY?

UM, ACTUALLY,
YEAH, I AM.

LET'’S GO.

YOU TURNED OUT
VERY PRETTY.

THANK YOU.

YOU KNOW, YOUR MOTHER
NEVER LET ME SEE YOU MUCH.

I THINK SHE WAS
ASHAMED OF ME,

AND SHE MOVED
TO AMERICA.

SHE WAS ALWAYS TAKING
THESE WILD CHANCES,

AND YOUR FATHER
WAS QUITE HANDSOME.

WHERE DO YOU LIVE?

NEW YORK CITY.

ARE YOU MARRIED?

NO.

BUT YOU WANT TO BE.

YEAH. I GUESS SO.

WHY?

I DON'’T KNOW.

I, UM...

I GUESS THEN I WOULD
REALLY KNOW THAT SOMEONE LOVED ME.

MARRIAGE IS A CONTRACT,

BUT TO FEEL LOVE IS
SOMETHING ELSE ENTIRELY.

I DON'’T THINK I'VE
EVER REALLY BEEN IN LOVE.

YOU HAVE PROBABLY
BEEN IN LOVE LOTS OF TIMES.

BESIDES, YOU ARE YOUNG.
YOU HAVE TIME.

BUT I'’M GETTING
OLDER.

YOU WILL BE FINE.
YOU ARE FROM GOOD STOCK.

DON'’T LET ANYONE
TELL YOU OTHERWISE.

YOU WILL GET NOWHERE
IN THIS WORLD

BY FEELING SORRY
FOR YOURSELF.

SO WHAT WILL HAPPEN
TO YOU WHEN YOUR FRIEND FINDS THIS MAN?

DEPENDING ON HOW
HAPPY HE IS TO SEE HER,

EITHER I'’LL LEAVE
ON MY OWN,

OR I'’LL TAKE
NORA WITH ME.

I LOVE BEING
IN PARIS.

MY WIFE
LOVES IT HERE.

SOMETIMES COMES
WITH OUR CHILDREN.

AND SHE DOESN'’T MIND
YOU TAKING ANOTHER WOMAN TO LUNCH?

NOT AT ALL.

DOES YOUR FIANCEÉ MIND
YOU GOING TO LUNCH WITH ME?

YEAH. I DON'’T THINK
HE'’D BE TOO CRAZY

ABOUT ME HAVING
LUNCH

WITH A HANDSOME
STRANGER IN PARIS.

NO.

AND HE'’S MY HUSBAND.

I JUST FORGOT
TO WEAR MY RING.

IS THAT TERRIBLE?

YOU KNOW, I THINK
IN RELATIONSHIPS

THERE ARE THINGS
YOU ARE HONEST ABOUT

AND THINGS YOU CHOOSE
TO KEEP TO YOURSELF.

ARE YOU GOOD
AT KEEPING SECRETS, AUDREY?

I HAVE TO CALL
MY FRIEND.

CAN I BORROW YOUR
CELL PHONE, PLEASE?

SORRY I'’M LATE.

WHAT'’S GOING ON
HERE?

WHAT HAPPENED?

NORA, WHAT HAPPENED?

DID WE GET ROBBED
OR SOMETHING?

I LOST THE PIECE
OF PAPER

WITH JULIAN'’S
NUMBER ON IT.

WHAT?

I LOOKED EVERYWHERE.

LOOK AT THIS PLACE.

IT'’S GONE.

OK. WE'’LL FIND IT.

YOU DON'’T UNDERSTAND.

I LOOKED EVERYWHERE
20 TIMES.

WELL, I'’LL LOOK AGAIN
WITH FRESH EYES, OK?

WHAT ABOUT
THE PHONE BOOK OR INFORMATION?

HIS LAST NAME
IS DURAND.

IT'’S LIKE THE SMITH
OF FRANCE.

THEN I TALKED
TO THE CONCIERGE FOR, LIKE, AN HOUR.

I'’VE TRIED EVERYTHING.

I EVEN CALLED GLEN.
HE WASN'’T THERE.

ARE YOU OK?

WELL, I WANT TO
FEEL THAT WAY, TOO.

ALL RIGHT.

THIS.

I'’M GONNA GO TAKE
A SHOWER.

I'’LL BE BACK.

OK.

I'’M SORRY
ABOUT TODAY.

YOU CALLED.

TOMORROW
WILL BE FUN.

THANKS FOR COMING
WITH ME.

I LOVE YOU, NORA.

I LOVE YOU, TOO.

GOOD NIGHT.

GOOD MORNING.

WHOA. YOU'’RE
PRETTY CHIPPER TODAY.

YEAH. THIS IS
RIDICULOUS.

I CAME HERE TO
SURPRISE SOME GUY I HARDLY KNOW

THAT I CAN'’T FIND,
BUT SO WHAT?

WE'’RE IN PARIS.

YEAH. WE'’VE ALWAYS
WANTED TO DO THIS.

YEAH. SO LET'’S
JUST ENJOY IT.

IT'’S TIME I GOT MY
SENSE OF HUMOR BACK.

GOOD FOR YOU.

I THINK WE SHOULD
STILL LOOK AROUND TOWN

FOR YOUR MYSTERY MAN.

YOU NEVER KNOW.
WE MAY RUN INTO HIM.

YEAH. WHAT DO I
HAVE TO LOSE AT THIS POINT?

NOTHING.

PLUS WE CAN GO
SHOPPING.

RIGHT.

OHH.
I CAN'’T BELIEVE

IT'’S RAINING
IN PARIS.

I CAN'’T BELIEVE
I THOUGHT I'’D FIND JULIAN IN THESE PLACES

UNLESS HE'’S
INTO WOMEN'’S CLOTHES.

DO YOU WANT TO GET
A TEA OR SOMETHING?

A TEA?

THAT'’S FUNNY.

HA HA HA!

THANK YOU.
MERCI.

DID YOU SEE WHAT
WAS IN THE PACKAGE?

JUST SOME
BUSINESS PAPERS.

WHAT ABOUT YOU?

NO. NOTHING
TOO EXCITING.

THE OLD LADY WAS
REALLY COOL.

SHE THOUGHT I WAS
HER GRANDDAUGHTER.

GOD. THAT KIND OF THING
ONLY HAPPENS TO YOU, NORA.

HA HA!

AHH.

MARK CALLED
THIS MORNING.

HE SAID HE MISSED ME.

WANTED TO KNOW
IF I WANTED TO WORK ON OUR RELATIONSHIP.

DO YOU?

I SUPPOSE.

I MEAN, I GUESS
I JUST SHOULDN'’T THROW MY MARRIAGE AWAY

WITHOUT TRYING.

I MEAN, I DO
REALLY LOVE HIM.

MAYBE I JUST SHOULDN'’T
BE SO CRITICAL

JUST BECAUSE THINGS AREN'’T
IN THE GREATEST PLACE,

YOU KNOW?

I THINK THAT'’S
GREAT, AUDREY.

OK.

LET'’S DO IT.

AUDREY...

I KNOW I'’M CRAZY,

BUT I THINK I'’M
GONNA STAY.

NORA, I AM
YOUR FRIEND, AND I LOVE YOU,

BUT THIS JUST ISN'’T
WORKING OUT.

YOU GOT TO
GIVE THIS UP.

I CAN'’T.

YOU GO.

I KNOW MARK IS
WAITING FOR YOU.

NORA, YOU HAVE
NO SENSE OF DIRECTION,

AND YOU ARE
WAY TOO SHY.

DO YOU WANT ME TO
STAY WITH YOU?

BECAUSE I WILL.

NO. I HAVE TO DO
THIS FOR MYSELF.

I HAVE TO STOP RELYING
ON OTHER PEOPLE

TO MAKE DECISIONS
FOR ME.

YOU'’RE GONNA COME
HOME, AREN'’T YOU?

YEAH. I HAVE NO JOB
AND NO MONEY.

I HAVE TO COME BACK
TO REALITY SOON.

WHAT ARE YOU
GONNA DO?

I DON'’T KNOW.

SOMETHING I FEEL LIKE
DOING, I GUESS.

WELL, I'’M REALLY
PROUD OF YOU.

I GOT TO GO.

I KNOW.

OK.

I'’LL CALL YOU.

YOU WEIRDO.

I DON'’T SPEAK
FRENCH.

AH. I SAID,
"IT MAKES ME WANT TO CRY."

YOU ARE AMERICAN?

WHAT ARE YOU DOING
IN PARIS?

JUST LOOKING.
JUST LOOKING?

YOU LIKE ART.

AH. I GO
WITH MY FRIENDS.

WE GO HAVE
A COFFEE.

YOU WANT TO COME
WITH US?

NO, THANK YOU.

OK. WELL, IF YOU
CHANGE YOUR MIND,

WE'’LL BE JUST
ACROSS THE STREET, OK?

OK.
I'’LL SEE YOU THERE.

AH, SI, SI.
EH, COME, COME.

HI.
HI.

SIT DOWN,
SIT DOWN.

WHAT'’S YOUR NAME?

NORA.
NORA, HI.

I'’M GUILLAUME.
GUILLAUME.

THIS IS SEÉBASTIEN.

NICE TO MEET YOU.

AND THAT'’S KARIM.
ENCHANTEÉ.

WOULD YOU LIKE
A GLASS OF WINE?

YES?

LET'’S TOAST.

NO, NO, NO.
NO CROSSING.

GO FIRST.

AND THEN
THE OTHERS.

VOILAÀ!

IS THAT CROSSING
IF I DO THAT?

NO.
NO, NO. THAT'’S FINE.

IT'’S DIRECT LINE.

WE DRINK NOW.
HA HA HA!

SO WHAT ARE YOU
DOING IN PARIS, NORA?

I'’M LOOKING
FOR SOMEONE.

AND DID YOU
FIND HIM?

NO. NO.

WELL, YOU'’RE NOT
SO BAD RIGHT NOW.

NOT BAD.

ARE ALL FRENCH GUYS
LIKE THIS?

LIKE WHAT?

UM, PASSIONATE,
INTERESTED, UH...

MM-HMM.

ATTENTIVE

BUT KIND OF LIKE
DOGS, TOO?

NO, NO.
DOGS?

THE WOMEN--THE WOMEN
ARE THE ONES, YOU KNOW?

THE LAST TIME
I HAD A GIRLFRIEND,

ALL THE TIME
WE HAD SOME FIGHT.

SHE TRIED TO JUMP
OUT OF THE WINDOW ALL THE TIME.

YEAH. HA HA!
NO.

THAT WAS SUPER-SCARY.
IT WASN'’T FUNNY, YOU KNOW,

ESPECIALLY FOR ME.
SORRY.

THERE'’S ONE, SHE TRIED
TO STOP ME.

YEAH, BUT THAT WAS
CRAZY, YOU KNOW.

IT'’S TRUE.

DID YOU EVER THINK
THAT MAYBE YOU WERE THE ONES

DRIVING THEM CRAZY?

NO, NO, NO, NO.
I DON'’T THINK SO, NO.

NOT LIKE THIS.

BECAUSE I'’VE HEARD
DIFFERENTLY.

YEAH?
YEAH.

BECAUSE
OF THE FRENCH MOTHERS.

WHAT, UH--WHAT
ABOUT THE FRENCH MOTHERS?

THEY, UM, THEY'’RE
IN LOVE WITH THEIR SONS.

AND THE AMERICAN
MOTHERS ARE NOT?

NOT AS MUCH.

I THINK BECAUSE
OF THE FOOD.

HERE YOU GO.

MERCI.

BONSOIR, MONSIEUR.

BONSOIR,
MADEMOISELLE.

BONSOIR.

ARE YOU AMERICAN?

YES. WHY?

BECAUSE YOU LOOK
A VERY BEAUTIFUL AMERICAN WOMAN

SITTING ALONE
IN THIS BAR.

MAYBE I'’M WAITING
FOR SOMEONE.

WELL, BUT YOU
LOOK ALONE.

NO?

MY NAME IS
JEAN PAUL CLAREMONT.

WHAT'’S YOURS?

NORA WILDER.

NICE TO MEET YOU,
NORA.

NICE TO MEET YOU.

MAY I OFFER YOU
ANOTHER DRINK?

SURE. WELL,
AFTER THIS ONE.

CHEERS.

I MEAN, WHAT WERE
THE CHANCES THAT I WOULD FIND HIM?

BUT, YOU KNOW,
THE FUNNY THING IS

AFTER A WHILE
I WASN'’T EVEN LOOKING FOR JULIAN.

I WAS JUST DOING
MY OWN THING, AND IT FELT GOOD.

IT'’S NOT WRONG
TO WANT SOMEONE TO LOVE YOU.

MOST PEOPLE
ARE TOGETHER

JUST SO THEY
ARE NOT ALONE,

BUT SOME PEOPLE
WANT MAGIC.

I THINK YOU ARE ONE
OF THOSE PEOPLE.

NOTHING WRONG
WITH THAT?

NOTHING,
BUT IT DOESN'’T HAPPEN ALL THE TIME.

DOES IT EVER HAPPEN?

FIRST, NORA,
YOU MUST FIND LOVE

AND HAPPINESS
IN YOURSELF.

DO YOU UNDERSTAND?

I THINK SO.

OH. WE ARE
BOTH DRUNK.

I WILL PUT YOU
IN A TAXI TO YOUR HOTEL.

IT'’S TIME TO GO.

TOMORROW,
YOU WILL START YOUR LIFE AGAIN.

I DON'’T KNOW WHY,
BUT I WILL NEVER FORGET YOU.

I'’LL NEVER FORGET
YOU EITHER.

NEVER.

HELLO?

HEY, NORA.
IT'’S ME.

AUDREY, HI.

HOW'’S IT GOING?

EVERYTHING'’S OK.

I'’M JUST LEAVING
FOR THE AIRPORT IN A COUPLE OF MINUTES.

WELL, DID YOU
FIND HIM?

NO, I DIDN'’T,
BUT I'’M ALL RIGHT.

REALLY?
YEAH, I REALLY AM.

OK. GOOD.

LISTEN. I GOT TO GO,
BUT I'’LL CALL YOU

ON THE WAY
TO THE AIRPORT, OK?

OK. I MISS YOU.

OH, I MISS YOU, TOO.

FLY SAFE, OK?
OK.

ALL RIGHT. BYE.

BYE.

HI.

NORA.

I CAN'’T BELIEVE IT.

WHAT ARE YOU
DOING HERE?

WELL, I'’M--I'M GOING
TO A SOUND EXPO AT LE BOURGET,

BUT WHAT ARE YOU
DOING HERE?

I--I'’M GOING
TO THE AIRPORT.

WHAT TIME IS
YOUR FLIGHT?

IN 3 HOURS.

THEY MAKE YOU GET
TO THE AIRPORT SO EARLY NOW.

MERCI.

OK. I JUST WANT TO ASK
WHAT YOU ARE DOING HERE.

DID YOU COME
TO SEE ME?

BECAUSE I DON'’T
UNDERSTAND.

I LIKE YOU SO MUCH,

AND I NEVER HEAR
ANYTHING FROM YOU,

AND THEN YOU ARE
JUST HERE

IN FRONT OF ME NOW.

WHY?

IT'’S REALLY
COMPLICATED.

OK, BUT TRY
TO EXPLAIN.

I CAME HERE
TO FIND YOU.

THEN I LOST
YOUR NUMBER.

YOU CAME HERE
TO SEE ME?

AND YOU NEVER
FIND ME?

BUT THEN YOU
FIND ME?

AND NOW YOU LEAVE?

SO YOU LIKE ME?

YES.

WOULD YOU STAY WITH ME
FOR ANOTHER DRINK?

BUT YOU KNOW YOU'’RE
GONNA MISS YOUR FLIGHT?

I KNOW.

♪ COULD HAVE COME THROUGH

♪ ANYTIME

♪ COLD, LONELY

♪ PURITAN

♪ WHAT ARE YOU ♪

♪ FIGHTING FOR?

♪ IT'’S NOT MY ♪

♪ SECURITY

♪ IT'’S JUST AN OLD WAR ♪

♪ NOT EVEN A COLD WAR ♪

♪ DON'’T SAY IT IN RUSSIAN ♪

♪ DON'’T SAY IT IN GERMAN ♪

♪ SAY IT IN BROKEN ENGLISH ♪

♪ SAY IT IN BROKEN ENGLISH ♪

♪ LOSE YOUR FATHER

♪ YOUR HUSBAND

♪ YOUR MOTHER

♪ YOUR CHILDREN

♪ WHAT ARE YOU

♪ DYING FOR?

♪ IT'’S NOT MY ♪

♪ REALITY

♪ IT'’S JUST AN OLD WAR ♪

♪ NOT EVEN A COLD WAR ♪

♪ DON'’T SAY IT IN RUSSIAN ♪

♪ DON'’T SAY IT IN GERMAN ♪

♪ SAY IT IN BROKEN ENGLISH ♪

♪ SAY IT IN BROKEN ENGLISH ♪

♪ WHAT ARE YOU FIGHTING FOR?

♪ WHAT ARE YOU FIGHTING FOR? ♪

♪ WHAT ARE YOU FIGHTING FOR? ♪

♪ WHAT ARE YOU FIGHTING FOR? ♪

♪ COULD HAVE COME THROUGH

♪ ANYTIME

♪ COLD, LONELY

♪ PURITAN

♪ WHAT ARE YOU ♪

♪ FIGHTING FOR?

♪ IT'’S NOT MY ♪

♪ SECURITY

♪ IT'’S JUST AN OLD WAR ♪

♪ NOT EVEN A COLD WAR ♪

♪ DON'’T SAY IT IN RUSSIAN ♪

♪ DON'’T SAY IT IN GERMAN ♪

♪ SAY IT IN BROKEN ENGLISH ♪

♪ SAY IT IN BROKEN ENGLISH ♪

♪ WHAT ARE YOU FIGHTING FOR? ♪

♪ WHAT ARE YOU FIGHTING FOR? ♪

♪ WHAT ARE YOU FIGHTING FOR? ♪

♪ WHAT ARE YOU FIGHTING FOR? ♪

♪ WHAT ARE YOU FIGHTING FOR? ♪