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These are the user uploaded subtitles that are being translated: 1 00:00:01,200 --> 00:00:04,120 (SOPRANO HOLDS FINAL, GENTLE NOTE) 2 00:00:04,280 --> 00:00:06,359 (ORCHESTRA ENDS GENTLY) 3 00:00:06,360 --> 00:00:08,360 (RECORD PLAYER CLICKS) 4 00:00:09,640 --> 00:00:11,640 (DOOR SHUTS) 5 00:00:11,960 --> 00:00:17,560 - Your tap-dancing was good, but your Bobby lacked vulnerability. 6 00:00:18,680 --> 00:00:21,160 - Well, in my defence, I was 14. 7 00:00:21,680 --> 00:00:26,480 - Did age stop Sir Laurence Olivier from playing Othello? 8 00:00:27,520 --> 00:00:30,359 - Such a good point. - What do you want, Charlie? 9 00:00:30,360 --> 00:00:35,839 I've finished your mother's biscuits, so I'm not offering you tea. 10 00:00:35,840 --> 00:00:38,720 - I need you to come back � to Pizazz. 11 00:00:39,960 --> 00:00:41,879 I can't do it. 12 00:00:41,880 --> 00:00:45,280 - Yes, I heard about your little tantrum. 13 00:00:46,920 --> 00:00:51,319 As a director, it's very important to keep one's emotions under control. 14 00:00:51,320 --> 00:00:53,600 - Can you just do it, Adrian? 15 00:00:54,160 --> 00:00:57,159 - But... the show opens tonight. 16 00:00:57,160 --> 00:00:59,799 - If not for me, then... Mum. 17 00:00:59,800 --> 00:01:03,279 - Gaye has made her feelings about me very clear. 18 00:01:03,280 --> 00:01:05,760 - Adrian, if you need me to beg, 19 00:01:07,200 --> 00:01:08,679 I will do it. 20 00:01:08,680 --> 00:01:10,680 - Ave, geek. 21 00:01:11,600 --> 00:01:15,839 Well, I won't be part of your tragedy, Charlie Summers. 22 00:01:15,840 --> 00:01:17,840 You can stay kneeling! 23 00:01:19,640 --> 00:01:24,879 I have directed 113 productions at Pizazz, 24 00:01:24,880 --> 00:01:29,920 and never in my career have I been so badly treated. 25 00:01:30,520 --> 00:01:35,720 I gave everything to that musical, and what did I get in return? 26 00:01:35,880 --> 00:01:39,760 Jealousy and betrayal. I feel like J K Rowling. 27 00:01:45,080 --> 00:01:47,080 - Please. 28 00:01:48,280 --> 00:01:53,039 - Well, I can't be expected to make such a big decision on the spot. You've said your piece � 29 00:01:53,040 --> 00:01:57,559 I suggest you leave while you still have a sliver of dignity left, 30 00:01:57,560 --> 00:01:59,879 and you can put the record back on! 31 00:01:59,880 --> 00:02:03,080 Tosca's just about to murder Scarpia. 32 00:02:03,960 --> 00:02:06,840 WHISPERS: It's my favourite part. 33 00:02:06,841 --> 00:02:08,039 (CLICK!) 34 00:02:08,040 --> 00:02:11,799 (ARIA FROM 'TOSCA' SOARS) 35 00:02:11,800 --> 00:02:13,800 (DOOR SQUEAKS) 36 00:02:14,440 --> 00:02:17,520 (ARIA CONTINUES, ORCHESTRA SWELLS) 37 00:02:21,920 --> 00:02:23,839 (RECORD SCRATCH, WOODWIND TRILLS) 38 00:02:23,840 --> 00:02:25,039 (CREAK!) 39 00:02:25,040 --> 00:02:28,199 (LIGHT, MISCHIEVOUS WOODWIND MUSIC) 40 00:02:28,200 --> 00:02:30,200 (LIQUID SPLATTERS) 41 00:02:31,960 --> 00:02:34,360 (XYLOPHONE PICKS UP MELODY) 42 00:02:40,800 --> 00:02:42,800 (SEABIRDS CRY) 43 00:02:44,840 --> 00:02:46,799 - OK, well, I'll make a list. 44 00:02:46,800 --> 00:02:49,519 - Well, we need to space the choreo on the set. 45 00:02:49,520 --> 00:02:50,719 - Good idea. 46 00:02:50,720 --> 00:02:52,720 - We also need the set. 47 00:02:53,040 --> 00:02:54,799 - Uh... excellent point. 48 00:02:54,800 --> 00:02:56,800 Um� Connor? 49 00:02:57,000 --> 00:02:58,239 The horse? 50 00:02:58,240 --> 00:03:00,240 - Uh� it's a bit... 51 00:03:00,920 --> 00:03:02,119 lame. 52 00:03:02,120 --> 00:03:03,359 - Ah. 53 00:03:03,360 --> 00:03:07,359 - So I was thinking maybe Gloria and I could come up with a workaround. 54 00:03:07,360 --> 00:03:09,439 - STAMMERS: Oh� I-I've actually got to rehearse the band. 55 00:03:09,440 --> 00:03:12,079 - Oh! Absolutely. Oh, she's busy. 56 00:03:12,080 --> 00:03:12,959 Um... 57 00:03:12,960 --> 00:03:14,839 - Gaye? - Yes, sweetheart? 58 00:03:14,840 --> 00:03:16,799 - Ezra needs help. - Darling, what's wrong? 59 00:03:16,800 --> 00:03:19,519 - The costumes aren't ready. He's run out of time. - (SNIFFLES) 60 00:03:19,520 --> 00:03:21,519 - Oh. Oh well, you know � 61 00:03:21,520 --> 00:03:24,439 I mean, do we� do we even need costumes? (CHUCKLES) 62 00:03:24,440 --> 00:03:26,639 - OTHERS: Yes. - Yeah. - Yes, of course we do. 63 00:03:26,640 --> 00:03:29,759 - We're not at a funeral, ladies! (RAZZLE-DAZZLING MUSIC) 64 00:03:29,760 --> 00:03:32,440 This is show business! 65 00:03:33,040 --> 00:03:34,239 - Adrian. 66 00:03:34,240 --> 00:03:35,959 I didn't think you'd ever� - Gaye. 67 00:03:35,960 --> 00:03:38,719 There'll be plenty of time for apologising later. 68 00:03:38,720 --> 00:03:43,000 Right now, we have a show to put on! 69 00:03:43,160 --> 00:03:48,119 Gloria, you should be rehearsing the band, not fraternising with members of the cast. 70 00:03:48,120 --> 00:03:49,239 Now, the rest of you � 71 00:03:49,240 --> 00:03:50,759 clear the stage 72 00:03:50,760 --> 00:03:53,400 for my ladies! 73 00:03:53,640 --> 00:03:57,759 Margaret, pick up the pace. Don't waste their time, Ezra. 74 00:03:57,760 --> 00:03:59,680 You have two hours. 75 00:03:59,760 --> 00:04:01,239 - Thank you. 76 00:04:01,240 --> 00:04:05,120 - You can't stage a war without an army, can you? 77 00:04:05,920 --> 00:04:10,159 And you can't run an army without... a general. 78 00:04:10,160 --> 00:04:10,879 (MILITARY MUSIC) 79 00:04:10,880 --> 00:04:13,319 - CHUCKLES: Hey, Nicky! - Ah, no time for hugs. 80 00:04:13,320 --> 00:04:16,199 - Right! Let's get this show on the road! (DRUM ROLL) 81 00:04:16,200 --> 00:04:17,159 (CYMBALS CLASH) 82 00:04:17,160 --> 00:04:20,240 (ORCHESTRA PLAYS DETERMINED MUSIC) 83 00:04:25,680 --> 00:04:27,759 - ADAM: Five, six, seven, eight! 84 00:04:27,760 --> 00:04:28,719 One and two! 85 00:04:28,720 --> 00:04:30,279 Two and four! 86 00:04:30,280 --> 00:04:32,159 (DETERMINED MUSIC CONTINUES) 87 00:04:32,160 --> 00:04:34,119 (BUSY CHATTER) 88 00:04:34,120 --> 00:04:35,159 (MUSIC GENTLES, FADES) 89 00:04:35,160 --> 00:04:37,360 - Just show it to me, Nancy. 90 00:04:41,240 --> 00:04:44,640 - We've got a slight issue with the horse. 91 00:04:45,000 --> 00:04:46,839 - Looks like a Shetland pony. 92 00:04:46,840 --> 00:04:48,559 (WHEEZING ELECTRONIC WHINNY) 93 00:04:48,560 --> 00:04:50,640 (WHINNY DISTORTS, DIES) 94 00:04:51,080 --> 00:04:52,519 (DOG WHINES, YELPS) 95 00:04:52,520 --> 00:04:54,079 (SEAGULLS CRY) 96 00:04:54,080 --> 00:04:55,279 (DOG WHINES, YELPS) 97 00:04:55,280 --> 00:04:56,399 - Get out of it, Barbara! 98 00:04:56,400 --> 00:04:57,759 - Hello... (WHINES) 99 00:04:57,760 --> 00:04:58,959 ...fur thing. 100 00:04:58,960 --> 00:05:00,960 - It's Charlie, right? 101 00:05:01,280 --> 00:05:02,559 Steve. 102 00:05:02,560 --> 00:05:04,239 Married to Adam. 103 00:05:04,240 --> 00:05:06,079 - CHUCKLES: Oh, right, yes. 104 00:05:06,080 --> 00:05:08,440 Adam. 105 00:05:08,600 --> 00:05:10,439 Um, we... 106 00:05:10,440 --> 00:05:11,879 - Made out. 107 00:05:11,880 --> 00:05:13,679 I know. 108 00:05:13,680 --> 00:05:15,319 Hot. 109 00:05:15,320 --> 00:05:17,399 - Oh. (CHUCKLES AWKWARDLY) Oh. 110 00:05:17,400 --> 00:05:19,400 - You lost? 111 00:05:19,720 --> 00:05:23,759 - No, no. I often come to the beach to... work, or... 112 00:05:23,760 --> 00:05:25,239 you know, eat... 113 00:05:25,240 --> 00:05:26,559 pray, 114 00:05:26,560 --> 00:05:28,560 love. 115 00:05:29,000 --> 00:05:30,999 - Heard you were fired. 116 00:05:31,000 --> 00:05:33,839 - Yes, well, Catz is a very challenging project. 117 00:05:33,840 --> 00:05:35,840 - From Pizazz. 118 00:05:36,360 --> 00:05:37,959 - Yes, that's also true. 119 00:05:37,960 --> 00:05:40,719 - Adam's been buzzing about it all week. 120 00:05:40,720 --> 00:05:42,720 Loved it. 121 00:05:42,721 --> 00:05:47,279 - Excuse me? - Well, it's just drama, drama, drama at that place, eh? 122 00:05:47,280 --> 00:05:49,560 Suppose it's why you all go. 123 00:05:51,040 --> 00:05:53,320 You excited about tonight? 124 00:05:53,600 --> 00:05:55,639 - I wouldn't be welcome. 125 00:05:55,640 --> 00:05:57,639 - It's only music theatre, mate. 126 00:05:57,640 --> 00:05:59,919 Never had a bad night at Pizazz. 127 00:05:59,920 --> 00:06:01,679 You can be my date, 128 00:06:01,680 --> 00:06:03,839 unless you need to... 129 00:06:03,840 --> 00:06:05,719 you know, work. 130 00:06:05,720 --> 00:06:07,319 (QUIRKY WOODWIND MUSIC) 131 00:06:07,320 --> 00:06:08,370 (SEAGULL SQUAWKS) 132 00:06:10,400 --> 00:06:12,680 (QUIRKY ORCHESTRAL MUSIC) 133 00:06:13,680 --> 00:06:16,439 - All members of Pizazz � beginners on stage. 134 00:06:16,440 --> 00:06:18,840 Thanks. Beginners on stage. 135 00:06:20,240 --> 00:06:22,240 - Gloria. 136 00:06:23,880 --> 00:06:25,639 Gloria. 137 00:06:25,640 --> 00:06:27,840 (QUIRKY MUSIC CONTINUES) 138 00:06:29,480 --> 00:06:32,879 Look, it's all my fault. I shouldn't have run away. 139 00:06:32,880 --> 00:06:34,879 I'm sorry. 140 00:06:34,880 --> 00:06:37,560 (DRAMATIC STRING MUSIC SWELLS) 141 00:06:37,561 --> 00:06:38,199 (MUSIC STOPS) 142 00:06:38,200 --> 00:06:43,799 My family carries an intergenerational blood curse, and I don't want you to be maimed. 143 00:06:43,800 --> 00:06:47,759 For the last 27 years, every time my family marries someone, they get into a hand accident. 144 00:06:47,760 --> 00:06:51,040 You're a composer. You need your hands. 145 00:06:53,800 --> 00:06:55,880 (LOCK RATTLES, UNLOCKS) 146 00:06:56,560 --> 00:06:58,560 (DOOR CREAKS) 147 00:07:01,760 --> 00:07:04,679 Look, I can't let anything happen to you. 148 00:07:04,680 --> 00:07:06,319 Or your hands. 149 00:07:06,320 --> 00:07:08,839 The world needs to hear your music. 150 00:07:08,840 --> 00:07:10,079 (POIGNANT CELLO MUSIC) 151 00:07:10,080 --> 00:07:12,999 I just wish I could have given you the big horse you deserve. 152 00:07:13,000 --> 00:07:15,159 - Just makes so much sense. 153 00:07:15,160 --> 00:07:18,839 I could always feel there was this shadow following you, and now I know why. 154 00:07:18,840 --> 00:07:20,399 - Shadow. 155 00:07:20,400 --> 00:07:22,159 That's it. You're a genius! 156 00:07:22,160 --> 00:07:23,559 - I am? 157 00:07:23,560 --> 00:07:24,999 (DELICATE STRING MUSIC SWELLS) 158 00:07:25,000 --> 00:07:26,679 - Gloria! 159 00:07:26,680 --> 00:07:28,680 Hurry up! 160 00:07:32,920 --> 00:07:34,399 (CHATTER) - Hey, guys. 161 00:07:34,400 --> 00:07:36,039 I think we're just in� - Sorry. 162 00:07:36,040 --> 00:07:37,839 - ...just in here. - Sorry. Excuse me. 163 00:07:37,840 --> 00:07:39,519 I'm sorry. - So sorry. 164 00:07:39,520 --> 00:07:41,519 Hi, Reverend. (CHUCKLES AWKWARDLY) 165 00:07:41,520 --> 00:07:43,800 (HUSHED, GOSSIPY CHATTER) 166 00:07:48,200 --> 00:07:53,199 (GENTLE INTRODUCTION PLAYS) (APPLAUSE) 167 00:07:53,200 --> 00:07:55,119 - Come back in time, 168 00:07:55,120 --> 00:07:57,560 1100 BC, 169 00:07:57,720 --> 00:08:02,600 to the most exquisite kingdom that you ever did see. 170 00:08:02,800 --> 00:08:05,399 - The fall of an empire. 171 00:08:05,400 --> 00:08:08,480 - A city destroyed. 172 00:08:08,960 --> 00:08:11,079 - Our mythic musical � 173 00:08:11,080 --> 00:08:13,480 - ALL: Welcome to Troy. 174 00:08:15,400 --> 00:08:18,280 - An epic adventure, a tale of woe. 175 00:08:18,281 --> 00:08:21,679 - It's the Greeks against the Trojans, which you probably know. 176 00:08:21,680 --> 00:08:24,759 - WOMEN: There's plenty of women, it's not just the boys. 177 00:08:24,760 --> 00:08:27,119 - And of course, there is a horse. 178 00:08:27,120 --> 00:08:30,120 - Welcome to Troy. 179 00:08:31,480 --> 00:08:34,679 - Heroes and villains, kings and queens, 180 00:08:34,680 --> 00:08:37,560 tales of glory and glorious scenes. 181 00:08:37,840 --> 00:08:41,079 Acts of deception and torrid affairs� - Ah-ah-ah. 182 00:08:41,080 --> 00:08:46,439 - All in the service of those upstairs. 183 00:08:46,440 --> 00:08:49,640 (BIG BROADWAY-STYLE MUSICAL BRIDGE) 184 00:08:51,341 --> 00:08:54,319 (ELECTRIC GUITAR RIFF, DISCO INTRO) 185 00:08:54,320 --> 00:08:57,799 - We are the goddesses � we cause all this fuss. 186 00:08:57,800 --> 00:09:01,240 This is the danger of not listening to us. 187 00:09:01,400 --> 00:09:04,640 We need respect or disaster awaits � 188 00:09:04,880 --> 00:09:08,840 contempt for us is tempting fate. 189 00:09:09,120 --> 00:09:11,999 - Don't tempt fate... 190 00:09:12,000 --> 00:09:13,799 (ORCHESTRA SLOWS) 191 00:09:13,800 --> 00:09:17,200 - You're all in for an evening 192 00:09:17,440 --> 00:09:19,680 we hope you enjoy. 193 00:09:19,681 --> 00:09:21,319 Our show is all historical, 194 00:09:21,320 --> 00:09:22,799 the war is allegorical, 195 00:09:22,800 --> 00:09:24,319 the horse is metaphorical. 196 00:09:24,320 --> 00:09:25,919 - And me, I play an oracle! 197 00:09:25,920 --> 00:09:27,879 Oh, go on. 198 00:09:27,880 --> 00:09:32,199 Welcome to Troy. 199 00:09:32,200 --> 00:09:34,639 (BIG ORCHESTRAL FLOURISH) 200 00:09:34,640 --> 00:09:36,640 (CHEERING, APPLAUSE) 201 00:09:37,631 --> 00:09:39,439 - Stagehand! 202 00:09:39,440 --> 00:09:41,239 - I'm not fighting for Hector. 203 00:09:41,240 --> 00:09:44,719 - You're not fighting for him. - I'm not fighting for pride. 204 00:09:44,720 --> 00:09:50,799 - And if you lose a limb or two... - No, I am fighting for you. 205 00:09:50,800 --> 00:09:55,120 - I will wait for you. - (VOCALISES) 206 00:09:55,800 --> 00:09:59,600 I am fighting... 207 00:10:00,000 --> 00:10:07,439 - TOGETHER: For you. 208 00:10:07,440 --> 00:10:10,240 (GENTLE STRING AND PIANO FINALE) 209 00:10:10,920 --> 00:10:12,920 (APPLAUSE, CHEERING) 210 00:10:13,960 --> 00:10:16,720 - Paris, noble prince... 211 00:10:17,120 --> 00:10:18,799 the winds of war 212 00:10:18,800 --> 00:10:22,080 blow beyond our control. 213 00:10:22,440 --> 00:10:25,959 Your love has sparked a flame, 214 00:10:25,960 --> 00:10:28,760 and destiny fans its embers. 215 00:10:29,360 --> 00:10:31,440 - But at what cost, Helen? 216 00:10:31,441 --> 00:10:34,559 For the streets echo with the suffering of our kin. 217 00:10:34,560 --> 00:10:37,039 - Perhaps a sip of wine 218 00:10:37,040 --> 00:10:41,840 may lighten the burden that fate has cast upon us. 219 00:10:42,960 --> 00:10:44,960 (RATTLING, CLINKING) 220 00:10:48,600 --> 00:10:50,600 Some wine, perhaps? 221 00:10:51,800 --> 00:10:53,079 (RATTLING) Wine? 222 00:10:53,080 --> 00:10:55,080 (RUSTLING, COUGHING) 223 00:10:55,440 --> 00:10:57,440 Cassandra! 224 00:10:59,040 --> 00:11:00,519 HISSES: Sandra! 225 00:11:00,520 --> 00:11:02,520 - Uh. 226 00:11:02,640 --> 00:11:03,799 - Uh... 227 00:11:03,800 --> 00:11:05,439 Uh... 228 00:11:05,440 --> 00:11:07,119 Wine? 229 00:11:07,120 --> 00:11:10,319 - It seems my maid may have tasted the wine already. 230 00:11:10,320 --> 00:11:12,320 (LAUGHTER) 231 00:11:13,720 --> 00:11:15,679 (RATTLING) 232 00:11:15,680 --> 00:11:17,720 (CREAKING) 233 00:11:17,721 --> 00:11:18,439 (THUD!) 234 00:11:18,440 --> 00:11:19,959 - D'ooh! (SCATTERED LAUGHTER) 235 00:11:19,960 --> 00:11:20,759 - (SIGHS) 236 00:11:20,760 --> 00:11:22,599 (TEMPESTUOUS ORCHESTRAL MUSIC PLAYS) 237 00:11:22,600 --> 00:11:24,680 - CHOIR: Ah, ah! 238 00:11:25,400 --> 00:11:27,400 Ah, ah. 239 00:11:28,200 --> 00:11:30,200 Ah, ah... 240 00:11:30,720 --> 00:11:32,800 - (NOTE WOBBLES) Ah, ah. 241 00:11:33,600 --> 00:11:38,480 - We are the daughters of Lycomedes, 242 00:11:38,800 --> 00:11:43,079 here on the island of Skyros. 243 00:11:43,080 --> 00:11:44,439 (DRAMATIC BRASS MUSIC PLAYS) 244 00:11:44,440 --> 00:11:46,480 - I am Odysseus, 245 00:11:47,000 --> 00:11:49,840 and I'm here to find Achilles. 246 00:11:50,120 --> 00:11:51,480 Is he here? 247 00:11:52,120 --> 00:11:53,799 - FALSETTO: No. 248 00:11:53,800 --> 00:11:55,800 HIGH: No Achilles here. 249 00:11:55,801 --> 00:11:56,799 (LAUGHTER) 250 00:11:56,800 --> 00:11:58,159 - Really? 251 00:11:58,160 --> 00:11:59,879 No Achilles? 252 00:11:59,880 --> 00:12:03,640 The greatest warrior of all time? 253 00:12:03,641 --> 00:12:05,039 - HIGH: Nope. (LAUGHTER) 254 00:12:05,040 --> 00:12:07,359 - Really? Manly guy, very butch. 255 00:12:07,360 --> 00:12:09,279 - We are the daughters of... - Stand by for start. 256 00:12:09,280 --> 00:12:09,999 (DRAMATIC BRASS FLOURISH) 257 00:12:10,000 --> 00:12:11,439 - Enough! 258 00:12:11,440 --> 00:12:13,559 Thank you for your time... - WHISPERS: Hold. 259 00:12:13,560 --> 00:12:14,799 ...ladies. 260 00:12:14,800 --> 00:12:15,839 - Hold. 261 00:12:15,840 --> 00:12:16,879 (DRAMATIC STRING MUSIC) 262 00:12:16,880 --> 00:12:18,880 (BRASS FANFARE PLAYS) 263 00:12:19,160 --> 00:12:20,999 Charge! 264 00:12:21,000 --> 00:12:23,000 - CHOIR: Ah, ah! 265 00:12:23,360 --> 00:12:24,920 (RIP!) - Oh! 266 00:12:25,360 --> 00:12:27,360 (WAILS) (CHOIR GASPS) 267 00:12:27,520 --> 00:12:29,520 - Help! (CRIES OUT) 268 00:12:29,960 --> 00:12:31,279 Aargh! Aaaah! 269 00:12:31,280 --> 00:12:33,399 (CRIES OUT IN PANIC) - (STAMMERS, STRAINS) 270 00:12:33,400 --> 00:12:34,439 Oh! Oh... 271 00:12:34,440 --> 00:12:35,679 - (SCREAMS) (ALL GASP) 272 00:12:35,680 --> 00:12:38,599 (CRIES OUT) (AUDIENCE GASP, EXCLAIM IN HORROR) 273 00:12:38,600 --> 00:12:40,600 WAILS: Oh my God... 274 00:12:41,280 --> 00:12:42,420 - Code six! Actor down! 275 00:12:42,440 --> 00:12:44,359 - (GROANS) 276 00:12:44,360 --> 00:12:48,040 (CRIES) Oh... - Somebody help him! Help him! 277 00:12:48,041 --> 00:12:51,879 All right, you know what to do. Get the first aid kit. - Look at me. Adam. Adam. 278 00:12:51,880 --> 00:12:53,559 - Can you hear me? - Get me some ice! Take that hat. 279 00:12:53,560 --> 00:12:55,359 - Here's my hand. We've got you. - No, no, no. I said� 280 00:12:55,360 --> 00:12:56,239 - Charlie. 281 00:12:56,240 --> 00:12:57,479 - Adrian. 282 00:12:57,480 --> 00:12:58,599 Help me take his other shoe off. 283 00:12:58,600 --> 00:13:00,599 - Look. Look at me. - Sorry. - (ADAM GROANS) 284 00:13:00,600 --> 00:13:02,399 - It's worth it, I promise. - Here we go. 285 00:13:02,400 --> 00:13:03,319 - (GROANS) 286 00:13:03,320 --> 00:13:05,239 - (CRIES) - And breathe... 287 00:13:05,240 --> 00:13:06,239 CRIES: Aah... 288 00:13:06,240 --> 00:13:09,399 - What are we gonna do now? We can't stop the show. - Sorry. 289 00:13:09,400 --> 00:13:12,400 (SUBDUED, RESTLESS CONVERSATION) 290 00:13:13,120 --> 00:13:15,119 - (ADAM CRIES) 291 00:13:15,120 --> 00:13:16,719 - STEVE: I'm here. - (ADAM GASPS, CRIES) 292 00:13:16,720 --> 00:13:17,879 WHISPERS: 1964 � Hello, Dolly! (HEART BEATS) 293 00:13:17,880 --> 00:13:19,999 - 1965 � Fiddler on the Roof. (HEART BEATS FASTER) 294 00:13:20,000 --> 00:13:22,000 1966 � Man of La Mancha. 295 00:13:22,520 --> 00:13:25,120 (EXHALES) (HEARTBEAT POUNDS) 296 00:13:25,960 --> 00:13:28,560 - MAN: Is that Charlie Summers? 297 00:13:28,760 --> 00:13:30,760 - Shh-shh-shh. 298 00:13:35,400 --> 00:13:37,400 (TAPS OUT RHYTHM) 299 00:13:55,080 --> 00:13:56,160 - (GLORIA PLAYS NOTE) 300 00:13:57,480 --> 00:13:58,530 (PLAYS TWO NOTES) 301 00:14:00,080 --> 00:14:03,080 (PLAYS JAUNTY JAZZ ACCOMPANIMENT) 302 00:14:17,640 --> 00:14:20,479 (JAZZ PIANO ACCOMPANIMENT SPEEDS UP) 303 00:14:20,480 --> 00:14:22,559 - Whoo! Go, Charlie! - Yeah! 304 00:14:22,560 --> 00:14:24,960 - That's it! - Yeah, Charlie! 305 00:14:27,400 --> 00:14:29,239 - Still got it, mate! 306 00:14:29,240 --> 00:14:30,879 - Whoo-hoo! 307 00:14:30,880 --> 00:14:33,199 - Use those jazz hands! (LIVELY JAZZ PIANO CONTINUES) 308 00:14:33,200 --> 00:14:34,839 - Yeah! 309 00:14:34,840 --> 00:14:36,239 - NICKY: (HISSES) Charlie. 310 00:14:36,240 --> 00:14:38,919 Charlie! We're ready! - Whoo-hoo! 311 00:14:38,920 --> 00:14:40,519 - All right! 312 00:14:40,520 --> 00:14:43,600 (WHISTLING, CHEERING AND APPLAUSE) 313 00:14:46,280 --> 00:14:48,360 - Without further ado... 314 00:14:50,720 --> 00:14:51,919 - It is I � 315 00:14:51,920 --> 00:14:55,320 Achilles! (CHEERING, APPLAUSE) 316 00:14:56,521 --> 00:14:59,559 (DRAMATIC ORCHESTRAL FLOURISH) 317 00:14:59,560 --> 00:15:04,719 - So I scream into the void, 318 00:15:04,720 --> 00:15:07,799 even though it cannot hear me. 319 00:15:07,800 --> 00:15:09,919 - (RASPS) - I scream into the void... 320 00:15:09,920 --> 00:15:13,280 - Nice save with Mia before. 321 00:15:14,920 --> 00:15:18,399 - Happens every time a newbie gets on the big stage. 322 00:15:18,400 --> 00:15:23,000 - (MIA SINGS SWEETLY) - Seems to be on top of it now. 323 00:15:24,240 --> 00:15:27,320 - The audience adore you. (CHUCKLES) 324 00:15:28,800 --> 00:15:31,680 - What are you doing here, Charlie? 325 00:15:32,520 --> 00:15:34,439 - Apologising, I guess. 326 00:15:34,440 --> 00:15:36,440 - No. Here. 327 00:15:37,120 --> 00:15:39,359 (MUFFLED APPLAUSE) In Tauranga. 328 00:15:39,360 --> 00:15:42,479 Cos I... I can't quite work it out. 329 00:15:42,480 --> 00:15:45,159 - Well, obviously, I was fired from Catz. 330 00:15:45,160 --> 00:15:52,960 - So you thought you'd come home and ruin everything I've worked towards for the last 15 years? 331 00:15:55,240 --> 00:15:58,720 - Pizazz is all I've got, Charlie, OK? 332 00:15:59,160 --> 00:16:02,200 This is it. This is my limit. 333 00:16:04,960 --> 00:16:08,440 - They're saying I assaulted Sally Field. 334 00:16:08,441 --> 00:16:13,999 I mean� (SCOFFS) if you're personifying a cat, you don't even need a tail, you know? 335 00:16:14,000 --> 00:16:18,959 But apparently, the only reason Sally did the show was so that she could wear a cat costume. 336 00:16:18,960 --> 00:16:22,879 And then when I got rid of the cat costumes completely, she turned up the next day wearing 337 00:16:22,880 --> 00:16:25,879 a cat costume that she'd designed herself. 338 00:16:25,880 --> 00:16:29,679 And no, I wasn't chasing around the rehearsal room like the producers were saying � 339 00:16:29,680 --> 00:16:32,919 we just ended up on the same garbage can after a very brief argument. 340 00:16:32,920 --> 00:16:35,679 And OK, yes, maybe I pulled her tail off, 341 00:16:35,680 --> 00:16:38,599 but no, I did not ever try and push her off the garbage cans. 342 00:16:38,600 --> 00:16:41,919 I was holding on to it � if anything, to try and stop her from falling off. 343 00:16:41,920 --> 00:16:45,519 So, actually, if you think about it, it's her own substandard sewing skills 344 00:16:45,520 --> 00:16:51,799 that led to her tail detaching from the rest of her suit, which is how she fell off and broke her wrist. 345 00:16:51,800 --> 00:16:53,799 (GASPS) 346 00:16:53,800 --> 00:16:54,959 (HUMIDIFIER MASK HISSES) 347 00:16:54,960 --> 00:16:56,960 (INHALES, EXHALES) 348 00:16:58,200 --> 00:17:00,200 (INHALES, EXHALES) 349 00:17:01,000 --> 00:17:02,599 - Who else knows? 350 00:17:02,600 --> 00:17:04,600 - Officially, no one... 351 00:17:05,200 --> 00:17:07,480 except you. (LAUGHS WRYLY) 352 00:17:07,520 --> 00:17:11,839 They made everyone in production sign NDAs, so it's still a secret. 353 00:17:11,840 --> 00:17:14,120 (APPLAUSE) - SIGHS: Right. 354 00:17:14,121 --> 00:17:16,559 - NICKY OVER PA: Cast on stage for the horse sequence. 355 00:17:16,560 --> 00:17:19,360 That's... stand by for the horse. 356 00:17:21,880 --> 00:17:24,480 - Please... don't tell anyone. 357 00:17:25,000 --> 00:17:26,599 - Faith, 358 00:17:26,600 --> 00:17:27,999 (SOFTLY) trust... 359 00:17:28,000 --> 00:17:30,680 - ...and pixie dust. (CHUCKLES) 360 00:17:32,271 --> 00:17:34,319 (SASSY BRASS INTRO) 361 00:17:34,320 --> 00:17:37,880 - Just stop and wait a minute, please just think this through. 362 00:17:38,600 --> 00:17:41,960 You don't think that this might be too good to be true? 363 00:17:42,760 --> 00:17:46,240 Why would our enemies just disappear and run? 364 00:17:47,080 --> 00:17:50,160 Without a warning shot, they just decide they're done. 365 00:17:51,280 --> 00:17:55,319 Well, I'm not buying, so I'm gonna say this clear � 366 00:17:55,320 --> 00:17:58,679 this horse is just a source of fraudulence and fear. 367 00:17:58,680 --> 00:17:59,759 - CHORUS: Greeks bearing gifts. 368 00:17:59,760 --> 00:18:02,879 - You are not listening, I am sounding the alarm. - Excuse me. Sorry. 369 00:18:02,880 --> 00:18:03,919 - Greeks bearing gifts. 370 00:18:03,920 --> 00:18:07,079 - These Greeks aren't generous, they mean to cause us harm. 371 00:18:07,080 --> 00:18:08,159 - Greeks bearing gifts. 372 00:18:08,160 --> 00:18:11,399 They spent a decade getting here, why would they leave? 373 00:18:11,400 --> 00:18:12,719 - Greeks bearing gifts... 374 00:18:12,720 --> 00:18:16,039 - What are you doing? - Trust me. I'm an electrician. 375 00:18:16,040 --> 00:18:17,679 - Cassandra, no, you are no use, 376 00:18:17,680 --> 00:18:20,039 unlike the horse � thanks be to Zeus, 377 00:18:20,040 --> 00:18:22,440 for the Greeks 378 00:18:22,720 --> 00:18:24,720 bearing... 379 00:18:24,920 --> 00:18:26,920 - ...gifts! 380 00:18:27,200 --> 00:18:28,519 - Greeks bearing gifts. 381 00:18:28,520 --> 00:18:29,359 (FINAL MUSICAL FLOURISH) 382 00:18:29,360 --> 00:18:30,479 (APPLAUSE) 383 00:18:30,480 --> 00:18:32,039 (SPOTLIGHT CLINKS) 384 00:18:32,040 --> 00:18:32,919 (EXCLAMATIONS) 385 00:18:32,920 --> 00:18:34,880 (TROJANS MURMUR EXCITEDLY) 386 00:18:35,360 --> 00:18:37,879 (TROJANS MURMUR) CHEERING, APPLAUSE) 387 00:18:37,880 --> 00:18:39,319 (WHOOPING) 388 00:18:39,320 --> 00:18:41,320 (CHEERING) 389 00:18:42,120 --> 00:18:44,120 - NICKY: Stand by... 390 00:18:44,320 --> 00:18:45,759 and... 391 00:18:45,760 --> 00:18:46,439 go. 392 00:18:46,440 --> 00:18:49,679 (DRAMATIC MUSIC, BLADES SCRAPE) (GREEKS LAUGH CRUELLY) 393 00:18:49,680 --> 00:18:54,160 (DRAMATIC ORCHESTRAL MUSIC, (BATTLE CRIES, GRUNTS) 394 00:18:55,240 --> 00:18:57,440 (CRIES, GRUNTS CONTINUE) 395 00:19:01,440 --> 00:19:03,440 (GRUNTS, GROANS) 396 00:19:06,040 --> 00:19:08,520 (FINAL ORCHESTRAL FLOURISH) 397 00:19:10,360 --> 00:19:12,360 (APPLAUSE CONTINUES) 398 00:19:13,960 --> 00:19:16,840 (HOVERING, POIGNANT MUSIC PLAYS) 399 00:19:17,960 --> 00:19:20,240 - When you set sail 400 00:19:20,400 --> 00:19:22,640 across the sea, 401 00:19:22,760 --> 00:19:27,399 - you're heading home where you're meant to be. 402 00:19:27,400 --> 00:19:32,199 - You pray the winds and skies are calm. 403 00:19:32,200 --> 00:19:37,239 - And you hope the trip won't bring you harm. 404 00:19:37,240 --> 00:19:41,720 - But you can't control what danger awaits you. 405 00:19:42,080 --> 00:19:46,799 You don't like the odds� - Cos the gods, well, they hate you. 406 00:19:46,800 --> 00:19:48,960 So the weather turns, 407 00:19:49,240 --> 00:19:51,240 all your hope is gone. 408 00:19:51,600 --> 00:19:53,760 Do you turn back now 409 00:19:54,000 --> 00:19:58,080 or journey on? 410 00:19:58,200 --> 00:20:00,880 I'll go the long way home. 411 00:20:01,280 --> 00:20:03,639 The storm arrives, it's here to stay. 412 00:20:03,640 --> 00:20:05,640 The long way home. 413 00:20:06,280 --> 00:20:08,359 But at least I'm on my way. 414 00:20:08,360 --> 00:20:10,360 My fortune is falling, 415 00:20:10,440 --> 00:20:12,520 but home, it is calling, 416 00:20:12,960 --> 00:20:15,960 I know. 417 00:20:16,240 --> 00:20:19,799 I'll go the long way home. 418 00:20:19,800 --> 00:20:20,679 (APPLAUSE) 419 00:20:20,680 --> 00:20:22,799 I don't know how long it takes, 420 00:20:22,800 --> 00:20:25,040 the long way home. 421 00:20:25,520 --> 00:20:29,480 There's a chance the journey makes me tired and weary, 422 00:20:29,680 --> 00:20:31,960 might be lonely and scary, 423 00:20:32,080 --> 00:20:35,320 I know. 424 00:20:35,400 --> 00:20:37,400 - I'll go the long way 425 00:20:37,560 --> 00:20:39,679 home... - Long way home. 426 00:20:39,680 --> 00:20:40,359 - Cue confetti. 427 00:20:40,360 --> 00:20:42,279 Oh, way-oh, oh, way-oh. - (VOCALISES) 428 00:20:42,280 --> 00:20:44,280 - Long way home. 429 00:20:44,680 --> 00:20:47,039 - There's a chance the journey makes me 430 00:20:47,040 --> 00:20:48,879 - tired and weary, 431 00:20:48,880 --> 00:20:51,160 might be lonely and scary, 432 00:20:51,320 --> 00:20:52,599 I know. 433 00:20:52,600 --> 00:20:54,599 - I know. - I know. 434 00:20:54,600 --> 00:20:56,600 I'll go the long way 435 00:20:56,720 --> 00:21:02,519 home. - Long way, long way, long way, long way, long way, long way home. 436 00:21:02,520 --> 00:21:04,520 (CHEERING, WHISTLING) 437 00:21:04,640 --> 00:21:06,519 (CHEERING, APPLAUSE CONTINUES) 438 00:21:06,520 --> 00:21:08,520 (UPLIFTING MUSIC) 439 00:21:10,160 --> 00:21:12,160 (CAST EXCLAIM, LAUGH) 440 00:21:17,800 --> 00:21:19,800 (DELIGHTED CHATTER) 441 00:21:25,240 --> 00:21:27,240 (CHATTER CONTINUES) 442 00:21:27,320 --> 00:21:29,920 (GENTLE, UPBEAT GUITAR MUSIC) 443 00:21:38,000 --> 00:21:39,439 - Tauranga. - Oh. 444 00:21:39,440 --> 00:21:41,079 - (CHUCKLES) 445 00:21:41,080 --> 00:21:42,679 - Tauranga. 446 00:21:42,680 --> 00:21:44,319 (OMINOUS SYNTH MUSIC) 447 00:21:44,320 --> 00:21:45,480 (PHONE CHIMES) 448 00:21:45,680 --> 00:21:47,680 (PHONE CHIMES) 449 00:21:48,360 --> 00:21:50,360 (TURBULENT MUSIC) 450 00:21:52,280 --> 00:21:54,280 (HEARTBEAT THUDS) 451 00:21:54,281 --> 00:21:56,919 - (CLICKS TONGUE) - CAST: So the weather turns, 452 00:21:56,920 --> 00:21:59,040 all your hope is gone. 453 00:21:59,320 --> 00:22:01,159 Do you turn back now... 454 00:22:01,160 --> 00:22:04,360 (PHONE ALERTS POP, WHISTLE AND CHIME) 455 00:22:05,920 --> 00:22:08,640 I'll go the long way home. 456 00:22:08,840 --> 00:22:09,999 The storm arrives, 457 00:22:10,000 --> 00:22:13,480 it's here to stay � the long way home. 458 00:22:13,960 --> 00:22:16,039 But at least I'm on my way. 459 00:22:16,040 --> 00:22:18,079 My fortune is falling, 460 00:22:18,080 --> 00:22:20,559 but home, it is calling, 461 00:22:20,560 --> 00:22:23,600 I know. 462 00:22:23,800 --> 00:22:25,800 I'll go the long way 463 00:22:26,040 --> 00:22:28,040 Home. - Long way home. 464 00:22:28,600 --> 00:22:30,720 - Oh, way-oh, oh, way-oh. 465 00:22:30,760 --> 00:22:33,120 - Long way home. 466 00:22:33,440 --> 00:22:35,640 - Oh, way-oh, oh, way-oh. 467 00:22:35,641 --> 00:22:36,729 - Home. 468 00:22:36,730 --> 00:22:41,280 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 32471

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