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Narrator: WORLDWIDE, SIX BILLION
CAMERAS ARE WATCHING US...
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00:00:07,273 --> 00:00:12,479
ON OUR STREETS, AT WORK,
AND IN OUR HOMES.
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00:00:12,545 --> 00:00:15,815
THEY CAPTURE THINGS
THAT SEEM IMPOSSIBLE.
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00:00:15,882 --> 00:00:19,152
IT DEFIES THE LAWS OF PHYSICS.
5
00:00:19,219 --> 00:00:21,087
Man:
THIS IS UNBELIEVABLE, MAN.
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00:00:21,154 --> 00:00:22,822
Narrator: EXPERTS
CARRY OUT ANALYSIS
7
00:00:22,889 --> 00:00:24,724
OF THESE UNUSUAL EVENTS.
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00:00:24,791 --> 00:00:28,361
{\an8}♪♪
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00:00:28,428 --> 00:00:29,596
[ SCREAMING ]
10
00:00:29,662 --> 00:00:32,332
I WANNA KNOW
WHAT I'M LOOKING AT.
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00:00:32,399 --> 00:00:34,534
THERE HAS TO BE
SOME SORT OF EXPLANATION.
12
00:00:34,601 --> 00:00:37,670
WHAT ELSE IS GOING ON HERE?
13
00:00:37,737 --> 00:00:42,509
Narrator: COMING UP, IS AMERICA
BEING ATTACKED FROM SPACE?
14
00:00:42,575 --> 00:00:44,344
Oman:
DO YOU SEE THAT WEIRD LIGHT?
15
00:00:44,411 --> 00:00:46,413
IT'S LIKE THAT MOVIE
"INDEPENDENCE DAY."
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00:00:46,479 --> 00:00:48,982
A BEAM OF LIGHT SHOOTS DOWN
FROM THE SKY,
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00:00:49,049 --> 00:00:51,885
AND STUFF BLOWS UP.
18
00:00:51,951 --> 00:00:56,589
Narrator: AN INVISIBLE FORCE
THROWS A GIRL TO THE GROUND.
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00:00:56,656 --> 00:00:57,924
BAM!
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00:00:57,991 --> 00:01:02,929
IT'S LIKE SHE'S HIT
BY AN UNEARTHLY POWER.
21
00:01:02,996 --> 00:01:07,400
Narrator: AND A SLAB OF MEAT
LIVES ON FROM BEYOND THE GRAVE.
22
00:01:07,467 --> 00:01:09,736
IT LOOKS LIKE A --
SOME KIND OF HORROR MOVIE.
23
00:01:09,803 --> 00:01:10,770
I WOULD RUN.
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00:01:10,837 --> 00:01:14,040
I WOULD JUST RUN.
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Narrator: BIZARRE PHENOMENA...
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00:01:15,608 --> 00:01:16,743
WHOA.
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00:01:16,810 --> 00:01:18,711
Narrator:
...MYSTERIES CAUGHT ON CAMERA...
28
00:01:18,778 --> 00:01:20,613
NOW, THAT'S AN EXPLOSION.
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Narrator: WHAT'S THE TRUTH
BEHIND THIS STRANGE EVIDENCE?
30
00:01:25,351 --> 00:01:28,288
{\an8}-- Captions by VITAC --
www.vitac.com
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{\an8}CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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NOW, IN THE DEAD OF NIGHT,
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00:01:34,561 --> 00:01:37,297
A BLACKOUT
HITS AN AMERICAN TOWN.
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Oman:
OH, THE POWER JUST WENT OUT.
35
00:01:39,499 --> 00:01:42,602
Narrator: THEN, AN EXPLOSION.
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00:01:42,669 --> 00:01:46,039
STRANGEST OF ALL,
CAMERAS CAPTURE A BEAM OF LIGHT
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00:01:46,106 --> 00:01:48,541
THAT SEEMS TO STRIKE FROM ABOVE.
38
00:01:48,608 --> 00:01:51,311
IT DEFIES IMAGINATION.
39
00:01:51,377 --> 00:01:54,414
Narrator:
THE SKY PULSES WITH ENERGY.
40
00:01:54,481 --> 00:01:56,516
IT FELT LIKE AN ATTACK.
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00:01:56,583 --> 00:01:57,750
Narrator:
EXPERTS FEAR THIS COULD BE
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A NEW WEAPON OF MASS DESTRUCTION
43
00:02:00,220 --> 00:02:01,788
STRIKING FROM SPACE.
44
00:02:01,855 --> 00:02:04,057
IT LOOKS A LOT LIKE ARMAGEDDON.
45
00:02:04,124 --> 00:02:09,796
{\an8}♪♪
46
00:02:09,863 --> 00:02:13,266
Narrator: ESCANABA, ON THE BANKS
OF LAKE MICHIGAN --
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00:02:13,333 --> 00:02:17,070
A QUIET PORT TOWN
OF 12,000 RESIDENTS.
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ITS SANDY BEACHES
AND LARGE HARBOR
49
00:02:19,706 --> 00:02:21,141
DRAWS THOUSANDS OF TOURISTS
50
00:02:21,207 --> 00:02:24,210
AND FISHERMEN
TO THE TOWN EACH YEAR.
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00:02:24,277 --> 00:02:28,715
FEBRUARY 2, 2015 --
LATE EVENING.
52
00:02:28,781 --> 00:02:32,485
AS THE SUN GOES DOWN,
LOCALS RELAX AT HOME.
53
00:02:32,552 --> 00:02:35,855
ONE OF THEM, ARTIST KATE OMAN,
IS ABOUT TO GO TO BED.
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00:02:35,922 --> 00:02:37,757
Oman: WE WERE SETTLING IN
FOR THE NIGHT.
55
00:02:37,824 --> 00:02:38,958
I WAS HOME ALONE.
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00:02:39,025 --> 00:02:41,861
Narrator:
BUT THEN, ALL GOES DARK.
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00:02:41,928 --> 00:02:44,264
Oman: I DON'T KNOW
WHAT THE HECK'S GOING ON,
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00:02:44,330 --> 00:02:46,499
BUT ALL THE POWER
JUST WENT OUT.
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00:02:46,566 --> 00:02:49,302
Narrator: THE DARKNESS IS BROKEN
BY AN OMINOUS LIGHT
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00:02:49,369 --> 00:02:51,104
FLOODING IN FROM OUTSIDE.
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00:02:51,171 --> 00:02:53,573
Oman: THERE'S SOME WEIRD COLORS
GOING ON.
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00:02:53,640 --> 00:02:55,141
I THOUGHT, "WELL, MAYBE THERE'S
AN ELECTRIC STORM,"
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{\an8}BUT I DIDN'T HEAR ANY THUNDER.
THERE WAS NO RAIN.
64
00:02:56,976 --> 00:02:58,478
{\an8}THERE WAS NOTHING GOING ON.
65
00:02:58,545 --> 00:03:02,415
Narrator: OMAN VENTURES OUTSIDE
TO INVESTIGATE,
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00:03:02,482 --> 00:03:05,418
AND THAT'S WHEN SHE SEES IT.
67
00:03:05,485 --> 00:03:06,619
Oman:
DO YOU SEE THAT WEIRD LIGHT?
68
00:03:06,686 --> 00:03:11,057
-UH-HUH.
-LIKE, STRAIGHT BEAM?
69
00:03:11,124 --> 00:03:14,494
I DON'T KNOW WHAT'S GOING ON.
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00:03:14,561 --> 00:03:16,629
Narrator:
ESCANABA IS IN DARKNESS.
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00:03:16,696 --> 00:03:20,099
THE ONLY LIGHT IS THIS BLINDING
BEAM ON THE HORIZON
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00:03:20,166 --> 00:03:23,570
AND A DEVASTATING EXPLOSION
AT ITS BASE.
73
00:03:23,636 --> 00:03:26,906
THE PHENOMENON
BAFFLES SCIENTISTS.
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00:03:26,973 --> 00:03:28,942
{\an8}THIS VIDEO REALLY HAS ALL
THE HALLMARKS
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00:03:29,008 --> 00:03:31,344
{\an8}OF A SCI-FI ACTION MOVIE.
76
00:03:31,411 --> 00:03:33,546
YOU'VE GOT BEAMS OF LIGHT.
YOU'VE GOT EXPLOSIONS.
77
00:03:33,613 --> 00:03:35,248
YOU'VE GOT PEOPLE
RUNNING AROUND IN A PANIC.
78
00:03:35,315 --> 00:03:36,849
Oman: SO WEIRD.
79
00:03:36,916 --> 00:03:38,918
THIS IS REALLY FRIGHTENING.
80
00:03:38,985 --> 00:03:40,486
WHAT'S GOING ON?
81
00:03:40,553 --> 00:03:45,525
{\an8}♪♪
82
00:03:45,592 --> 00:03:47,694
Oman: I'M GOING OVER THERE.
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00:03:47,760 --> 00:03:48,795
Narrator: ON THE GROUND,
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00:03:48,861 --> 00:03:51,231
OMAN HEADS TOWARDS
THE BLINDING LIGHT.
85
00:03:51,297 --> 00:03:53,032
AND AS SHE NEARS...
86
00:03:53,099 --> 00:03:54,467
Oman: HOLY [BLEEP]
87
00:03:54,534 --> 00:03:56,869
Narrator: ...SHE REALIZES
THE CITY'S POWER STATION
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00:03:56,936 --> 00:03:59,739
LIES IMMEDIATELY
UNDER THE BEAM.
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00:03:59,806 --> 00:04:00,974
Oman: LOOK AT THAT.
90
00:04:01,040 --> 00:04:03,443
THE POWER STATION
HAD ACTUALLY BLOWN UP.
91
00:04:03,509 --> 00:04:05,311
IT JUST WAS ON FIRE.
92
00:04:05,378 --> 00:04:08,548
Narrator: OMAN CONTINUES TO FILM
AS SHE TRIES TO FIGURE OUT
93
00:04:08,615 --> 00:04:10,817
WHY THE POWER STATION
IS BURNING,
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00:04:10,883 --> 00:04:13,219
AND IF THE BEAM ABOVE
IS TO BLAME.
95
00:04:13,286 --> 00:04:16,055
HER MIND RACES
FOR AN EXPLANATION.
96
00:04:16,122 --> 00:04:17,690
I THOUGHT IT COULD BE ALIENS.
97
00:04:17,757 --> 00:04:21,928
{\an8}♪♪
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00:04:21,995 --> 00:04:23,630
Narrator:
IT'S A NIGHTMARE STRAIGHT OUT
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00:04:23,696 --> 00:04:26,666
OF A HOLLYWOOD
SCIENCE FICTION FILM.
100
00:04:26,733 --> 00:04:31,371
{\an8}♪♪
101
00:04:31,437 --> 00:04:33,439
{\an8}IT'S LIKE THAT MOVIE
"INDEPENDENCE DAY."
102
00:04:33,506 --> 00:04:36,009
{\an8}A BEAM OF LIGHT SHOOTS
DOWN FROM THE SKY,
103
00:04:36,075 --> 00:04:37,510
{\an8}AND STUFF BLOWS UP.
104
00:04:37,577 --> 00:04:38,745
{\an8}YOU'RE KIND OF LOOKING
IN THE CLIP
105
00:04:38,811 --> 00:04:42,649
{\an8}FOR ANY SORT OF SHIP ABOVE.
106
00:04:42,715 --> 00:04:44,317
Narrator:
THE FOOTAGE IS SENT TO RETIRED
107
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UNITED STATES ARMY COLONEL
DANIEL DAVIS.
108
00:04:48,054 --> 00:04:49,656
HE WONDERS IF THIS IS A WEAPON
109
00:04:49,722 --> 00:04:53,660
OF MASS DESTRUCTION
FIRING FROM ABOVE.
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00:04:53,726 --> 00:04:55,662
ALTHOUGH IT MAY SEEM
LIKE STUFF OF SCIENCE FICTION,
111
00:04:55,728 --> 00:04:57,330
IN THE 1980s
WE STARTED WHAT'S CALLED
112
00:04:57,397 --> 00:04:58,998
THE STRATEGIC
DEFENSE INITIATIVE --
113
00:04:59,065 --> 00:05:01,067
THE SDI,
OR THE STAR WARS PROGRAM
114
00:05:01,134 --> 00:05:02,368
AS IT'S COME TO BE KNOWN --
115
00:05:02,435 --> 00:05:04,637
{\an8}WHICH WAS BASICALLY WANTING
TO HAVE LASER WEAPONS,
116
00:05:04,704 --> 00:05:07,440
{\an8}WHETHER AIRBORNE OR IN SPACE.
117
00:05:07,507 --> 00:05:09,509
SDI WILL GO FORWARD.
118
00:05:09,575 --> 00:05:12,278
Narrator: DECLASSIFIED DOCUMENTS
REVEAL THAT AFTER THE U.S.
119
00:05:12,345 --> 00:05:14,847
KICK-STARTS
THE SPACE ARMS RACE,
120
00:05:14,914 --> 00:05:17,483
OTHER MILITARY
SUPERPOWERS FOLLOW.
121
00:05:17,550 --> 00:05:20,286
ALL THE MAJOR POWERS
ARE DOING RESEARCH
122
00:05:20,353 --> 00:05:22,155
TO TRY TO WEAPONIZE SPACE.
123
00:05:22,221 --> 00:05:23,890
CERTAINLY CHINA, RUSSIA ARE
124
00:05:23,956 --> 00:05:25,458
DOING LOTS OF RESEARCH
AND DEVELOPMENT
125
00:05:25,525 --> 00:05:27,960
TO TRY TO MAKE
SOMETHING LIKE THAT HAPPEN.
126
00:05:28,027 --> 00:05:29,329
Narrator: NEW EVIDENCE SUGGESTS
127
00:05:29,395 --> 00:05:32,465
RUSSIA COULD ALREADY HAVE
AN OPERATIONAL SPACE WEAPON.
128
00:05:32,532 --> 00:05:35,802
{\an8}♪♪
129
00:05:35,868 --> 00:05:37,670
IN AUGUST 2018,
130
00:05:37,737 --> 00:05:40,406
THE U.S. STATE DEPARTMENT
EXPRESSES CONCERNS
131
00:05:40,473 --> 00:05:44,077
ABOUT A RUSSIAN ORBITING OBJECT
BEHAVING ABNORMALLY.
132
00:05:44,143 --> 00:05:48,348
THEY DESCRIBE THE CRAFT'S
MOVEMENTS AS "VERY TROUBLING."
133
00:05:48,414 --> 00:05:52,118
RUSSIA DISMISSES THE CLAIMS
AS SLANDEROUS ACCUSATIONS.
134
00:05:52,185 --> 00:05:54,487
BUT MANY ARE CONCERNED IT
IS A WEAPON
135
00:05:54,554 --> 00:05:58,157
IN DISGUISE
ORBITING THE PLANET --
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00:05:58,224 --> 00:06:02,128
A POTENTIAL THREAT
TO AMERICA'S MILITARY DOMINANCE.
137
00:06:02,195 --> 00:06:05,998
{\an8}THE FIRST COUNTRY TO DEPLOY
A FULLY OPERATIONAL SPACE-BASED
138
00:06:06,065 --> 00:06:07,400
{\an8}WEAPON INTO ORBIT
139
00:06:07,467 --> 00:06:10,970
{\an8}WILL AUTOMATICALLY HAVE THE HIGH
GROUND IN ANY FUTURE WAR.
140
00:06:11,037 --> 00:06:12,505
Narrator: WITNESSING THIS BEAM,
141
00:06:12,572 --> 00:06:15,108
MUÑOZ PONDERS
IF AN ENEMY MILITARY
142
00:06:15,174 --> 00:06:17,310
IS SHOWING THEIR SPACE
LASER'S ABILITY
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00:06:17,377 --> 00:06:19,512
TO ATTACK
THE AMERICAN HEARTLAND.
144
00:06:19,579 --> 00:06:22,048
Muñoz: WORSE CASE SCENARIO,
WHAT WE'RE SEEING HERE
145
00:06:22,115 --> 00:06:24,751
IS AN OPERATIONALLY
WEAPONIZED SATELLITE
146
00:06:24,817 --> 00:06:27,420
BASICALLY DESTROYING
THIS POWER GRID.
147
00:06:27,487 --> 00:06:29,989
IT'S LITERALLY DEATH
FROM THE SKY.
148
00:06:30,056 --> 00:06:32,091
Narrator: SCIENCE JOURNALIST
JOE PAPPALARDO
149
00:06:32,158 --> 00:06:35,728
CONSIDERS THIS
TERRIFYING POSSIBILITY.
150
00:06:35,795 --> 00:06:38,931
IT'S AN ALMOST
JAMES BOND VILLAIN PLAN
151
00:06:38,998 --> 00:06:41,834
TO PUT A SATELLITE INTO ORBIT
THAT HAS A STRONG ENOUGH LASER
152
00:06:41,901 --> 00:06:43,536
THAT IT CAN STRIKE
ANYTHING BELOW.
153
00:06:43,603 --> 00:06:45,938
Narrator: LOOKING FOR
THE POTENTIAL SPACE LASER,
154
00:06:46,005 --> 00:06:49,242
PAPPALARDO CHECKS THE SPACE
SURVEILLANCE NETWORK --
155
00:06:49,308 --> 00:06:51,477
A SYSTEM CAPABLE
OF TRACKING THE TENS
156
00:06:51,544 --> 00:06:55,681
OF THOUSANDS OF OBJECTS
ORBITING THE EARTH.
157
00:06:55,748 --> 00:06:58,818
PAPPALARDO DISCOVERS NO SIGN
OF A KILLER SATELLITE
158
00:06:58,885 --> 00:07:01,521
ABOVE ESCANABA ON THAT DAY.
159
00:07:01,587 --> 00:07:03,623
YOU CAN'T HIDE THINGS
IN ORBIT VERY EASILY,
160
00:07:03,689 --> 00:07:05,792
NOT WHEN THEY'RE BIG AND NOT
WHEN THEY'RE SHOOTING DEATH RAYS
161
00:07:05,858 --> 00:07:07,593
DOWN ONTO THE PLANET BELOW.
162
00:07:07,660 --> 00:07:09,162
IT'S JUST NOT A VIABLE THEORY.
163
00:07:09,228 --> 00:07:16,235
{\an8}♪♪
164
00:07:16,602 --> 00:07:20,506
{\an8}Narrator: THE FOOTAGE ALERTS
GEOPHYSICIST SIAN PROCTOR.
165
00:07:20,573 --> 00:07:25,411
{\an8}AS A SCIENTIST, I WANT TO KNOW
WHAT EXACTLY IS GOING ON HERE.
166
00:07:25,478 --> 00:07:28,815
{\an8}THERE HAS TO BE AN EXPLANATION.
167
00:07:28,881 --> 00:07:31,784
{\an8}Narrator: THE BEAM IS MORE
INTENSE CLOSE TO THE GROUND.
168
00:07:31,851 --> 00:07:34,654
{\an8}IT MAKES PROCTOR BELIEVE
IT ISN'T FIRING DOWN
169
00:07:34,720 --> 00:07:36,189
{\an8}FROM THE SKIES --
170
00:07:36,255 --> 00:07:39,225
{\an8}IT'S SHOOTING UP FROM
WITHIN THE INFERNO.
171
00:07:39,292 --> 00:07:44,564
IT IS PROBABLY A REALLY HOT HEAT
SOURCE AT THE EARTH'S SURFACE.
172
00:07:44,630 --> 00:07:47,600
Narrator: ANALYSIS OF OTHER
POWER STATION FIRES
173
00:07:47,667 --> 00:07:51,504
REVEALS NONE PRODUCE A BEAM
LIKE THE ESCANABA EXPLOSION.
174
00:07:51,571 --> 00:07:53,906
IT MAKES PROCTOR SUSPECT
THERE MUST BE ANOTHER
175
00:07:53,973 --> 00:07:57,810
EXPLOSIVE INGREDIENT
IN THE BLAZE POWERING THE BEAM.
176
00:07:57,877 --> 00:07:59,378
Oman: I HAVE NO IDEA
WHAT THE HECK IT IS.
177
00:07:59,445 --> 00:08:04,484
{\an8}♪♪
178
00:08:04,550 --> 00:08:08,688
Narrator: COMING UP, STRANGE
POWERS ARE AT WORK IN MEXICO.
179
00:08:08,754 --> 00:08:12,458
WHAT FORCE THREW THIS GIRL
TO THE GROUND?
180
00:08:12,525 --> 00:08:15,628
Narrator: AND PROCTOR UNLEASHES
THE POWER OF A DEADLY CHEMICAL
181
00:08:15,695 --> 00:08:19,699
TO TRY AND EXPLAIN
ESCANABA'S BIZARRE BEAM.
182
00:08:19,765 --> 00:08:21,801
Proctor: YOU CAN SEE HOW BRIGHT
THAT'S BURNING.
183
00:08:21,868 --> 00:08:27,707
{\an8}♪♪
184
00:08:29,475 --> 00:08:31,744
{\an8}♪♪
185
00:08:31,811 --> 00:08:34,747
Narrator:
A BLACKOUT, AN EXPLOSION,
186
00:08:34,814 --> 00:08:38,017
AND A BIZARRE BEAM OF LIGHT
SHOOTING MILES INTO THE SKY
187
00:08:38,084 --> 00:08:42,355
FROM AN EXPLODING POWER STATION
IN ESCANABA, MICHIGAN.
188
00:08:42,421 --> 00:08:47,293
IF I LIVED IN THAT NEIGHBORHOOD,
I'D BE, UM, TERRIFIED.
189
00:08:47,360 --> 00:08:51,731
SO WHAT'S GOING ON?
190
00:08:51,797 --> 00:08:54,333
Narrator: GEOPHYSICIST
SIAN PROCTOR SEARCHES
191
00:08:54,400 --> 00:08:56,769
THE LOCAL AREA FOR CLUES,
192
00:08:56,836 --> 00:08:59,171
AND DISCOVERS THERE'S
A SHIP BUILDING YARD
193
00:08:59,238 --> 00:09:01,641
NEXT DOOR TO THE POWER PLANT.
194
00:09:01,707 --> 00:09:04,477
IT MAKES HER WONDER IF THE BEAM
COULD BE POWERED
195
00:09:04,544 --> 00:09:09,148
BY AN EXTREMELY DANGEROUS METAL
USED IN SHIPS -- MAGNESIUM.
196
00:09:09,215 --> 00:09:11,651
{\an8}♪♪
197
00:09:11,717 --> 00:09:13,986
{\an8}PROCTOR WANTS TO
TEST HER THEORY.
198
00:09:14,053 --> 00:09:15,655
{\an8}♪♪
199
00:09:40,179 --> 00:09:41,747
{\an8}WHOO!
200
00:09:48,354 --> 00:09:50,489
{\an8}WHOO!
201
00:10:01,133 --> 00:10:02,969
Narrator:
PROCTOR ANALYZES THE REACTION
202
00:10:03,035 --> 00:10:04,937
IN SUPER SLOW MOTION
203
00:10:05,004 --> 00:10:07,840
TO COMPARE IT
TO THE ESCANABA BEAM.
204
00:10:07,907 --> 00:10:09,408
IT REVEALS THE MAGNESIUM
205
00:10:09,475 --> 00:10:12,845
DOES CREATE A RISING CHANNEL
OF BURNING LIGHT,
206
00:10:12,912 --> 00:10:17,350
BUT IT'S NOT FOCUSED OR CONSTANT
LIKE THE BEAM OVER ESCANABA.
207
00:10:17,416 --> 00:10:19,752
WELL, IT'S PRETTY CLEAR
FROM THIS EXPERIMENT
208
00:10:19,819 --> 00:10:23,222
THAT MAGNESIUM AND WATER
BURNS REALLY BRIGHT.
209
00:10:23,289 --> 00:10:26,826
HOWEVER, IT DOESN'T PRODUCE
THAT BEAUTIFUL COLUMN OF LIGHT
210
00:10:26,892 --> 00:10:28,194
THAT WE SEE IN THE VIDEO.
211
00:10:28,260 --> 00:10:33,099
{\an8}♪♪
212
00:10:33,165 --> 00:10:36,869
Narrator: THE FOOTAGE IS SENT
TO METEOROLOGIST CHRIS WALCEK.
213
00:10:36,936 --> 00:10:38,771
HE ANALYZES THE VIDEO,
214
00:10:38,838 --> 00:10:41,507
LOOKING AT THE CONDITIONS
SURROUNDING THE BEAM,
215
00:10:41,574 --> 00:10:45,344
AND WONDERS IF THERE COULD BE
ANY NATURAL EXPLANATION
216
00:10:45,411 --> 00:10:50,082
AND NOTICES THE CLOUDS
APPEAR EXTREMELY LOW IN THE SKY.
217
00:10:50,149 --> 00:10:52,652
IT GIVES HIM A NEW IDEA --
218
00:10:52,718 --> 00:10:54,920
THE BEAM COULD BE
A RESULT OF WEIRD WEATHER
219
00:10:54,987 --> 00:10:58,090
FOCUSING THE POWER
PLANT'S LIGHT.
220
00:10:58,157 --> 00:11:00,559
{\an8}UNDER THE RIGHT CONDITIONS,
IF IT'S NOT TOO HEAVILY
221
00:11:00,626 --> 00:11:02,962
{\an8}SNOWING ABOVE EVEN STREET LAMPS,
222
00:11:03,029 --> 00:11:05,164
YOU'LL SEE WHAT LOOKS LIKE
A STRAIGHT BEAM OF LIGHT
223
00:11:05,231 --> 00:11:06,499
POINTING STRAIGHT UP.
224
00:11:06,565 --> 00:11:11,170
Narrator: THIS RARE PHENOMENA
IS CALLED A LIGHT PILLAR.
225
00:11:11,237 --> 00:11:12,972
THEY FORM WHENEVER YOU HAVE,
226
00:11:13,039 --> 00:11:14,874
SITUATIONS
THAT ARE VERY COLD WITH
227
00:11:14,940 --> 00:11:16,676
VERY LIGHT FALLING SNOWFLAKES.
228
00:11:16,742 --> 00:11:18,077
THEY ACT LIKE A MIRROR.
229
00:11:18,144 --> 00:11:19,245
THEY WILL REFLECT THAT LIGHT,
230
00:11:19,311 --> 00:11:21,280
AND IT'LL LOOK LIKE
A PERFECT COLUMN.
231
00:11:21,347 --> 00:11:24,150
Narrator: EXTREME WEATHER EXPERT
CHRIS BELL DISCOVERS
232
00:11:24,216 --> 00:11:27,753
SUPPORTING EVIDENCE
IN LOCAL WEATHER RECORDS.
233
00:11:27,820 --> 00:11:30,556
{\an8}SO, THIS IS MICHIGAN
IN THE MIDDLE OF FEBRUARY.
234
00:11:30,623 --> 00:11:32,425
YOUR HAD TEMPERATURES
BELOW FREEZING.
235
00:11:32,491 --> 00:11:35,428
IT LOOKS LIKE THERE'S A LITTLE
BIT OF MISTINESS OR HAZINESS.
236
00:11:35,494 --> 00:11:37,596
IT DOES SEEM LIKE THE KIND
OF CONDITIONS
237
00:11:37,663 --> 00:11:39,665
THAT YOU WOULD EXPECT
ICE PILLARS TO FORM.
238
00:11:39,732 --> 00:11:43,302
IT MAKES IT QUITE PLAUSIBLE
THAT THAT'S WHAT IT WAS.
239
00:11:43,369 --> 00:11:47,239
Narrator: FINALLY, AS EYEWITNESS
KATE OMAN GETS CLOSER,
240
00:11:47,306 --> 00:11:49,041
SUDDENLY THE SOURCE OF THE BEAM
241
00:11:49,108 --> 00:11:51,677
AND THE INFERNO VANISHES
AS QUICKLY
242
00:11:51,744 --> 00:11:54,780
AND MYSTERIOUSLY AS IT STARTED.
243
00:11:54,847 --> 00:11:59,552
Oman: NOW THE POWER
JUST WENT OUT OVER THERE.
244
00:11:59,618 --> 00:12:00,820
COMPLETELY DARK.
245
00:12:00,886 --> 00:12:03,422
Narrator: AND WHEN OMAN TRIES TO
GET OFFICIAL ANSWERS
246
00:12:03,489 --> 00:12:05,658
TO EXPLAIN
WHAT HAPPENED THAT NIGHT,
247
00:12:05,725 --> 00:12:10,029
SHE IS MET
WITH A WALL OF SILENCE.
248
00:12:10,096 --> 00:12:13,933
NO ONE ON A --
ON A CITY LEVEL TALKS ABOUT IT.
249
00:12:13,999 --> 00:12:15,735
AND THEY DON'T MENTION IT
TO THE PUBLIC.
250
00:12:15,801 --> 00:12:17,303
I STILL WOULD LIKE AN ANSWER.
251
00:12:17,369 --> 00:12:24,376
{\an8}♪♪
252
00:12:25,177 --> 00:12:30,316
Narrator: NOW, A DISH BEST
SERVED TWITCHING.
253
00:12:30,382 --> 00:12:32,885
IS IT DEAD?
LOOKS LIKE IT'S ALIVE.
254
00:12:32,952 --> 00:12:34,320
HOW IS THAT EVEN POSSIBLE?
255
00:12:34,386 --> 00:12:37,356
Narrator: SOME BELIEVE IT'S
PROOF OF LIFE AFTER DEATH.
256
00:12:37,423 --> 00:12:39,024
THE DOORS OF DEATH COULD OPEN.
257
00:12:39,091 --> 00:12:41,293
Narrator: OR IS THIS
THE DARKEST EXPERIMENT
258
00:12:41,360 --> 00:12:43,129
EVER ATTEMPTED BY SCIENCE?
259
00:12:43,195 --> 00:12:45,798
THIS LOOKS LIKE FRANKENSTEIN'S
OPENED A BUTCHER SHOP.
260
00:12:45,865 --> 00:12:52,671
{\an8}♪♪
261
00:12:52,738 --> 00:12:55,674
Narrator: LIAONING PROVINCE,
NORTHEAST CHINA --
262
00:12:55,741 --> 00:12:58,344
THIS ONCE-REMOTE REGION
HAS BEEN TRANSFORMED
263
00:12:58,410 --> 00:13:02,248
BY INDUSTRY AND TECHNOLOGY
INTO A VAST METROPOLIS
264
00:13:02,314 --> 00:13:04,950
WITH A TOTAL OF
OVER 43 MILLION RESIDENTS.
265
00:13:05,017 --> 00:13:07,653
{\an8}♪♪
266
00:13:07,720 --> 00:13:11,724
DECEMBER 10, 2017 --
LATE EVENING.
267
00:13:11,791 --> 00:13:15,127
STOVE TOPS TURN ON TO COOK
DINNER ACROSS THE CITY,
268
00:13:15,194 --> 00:13:17,163
BUT ONE RESIDENT DISCOVERS
269
00:13:17,229 --> 00:13:21,133
HER CUT OF BEEF IS ON THE MOVE.
270
00:13:21,200 --> 00:13:23,369
THAT IS THE GROSSEST THING
I'VE EVER SEEN.
271
00:13:23,435 --> 00:13:25,671
I WOULD RUN. I WOULD JUST RUN.
272
00:13:25,738 --> 00:13:29,508
Narrator: THIS TWITCHING MEAT
BAFFLES SCIENTISTS.
273
00:13:29,575 --> 00:13:32,178
{\an8}CLEARLY DEAD AND YET
IT'S STILL MOVING.
274
00:13:32,244 --> 00:13:34,580
{\an8}IT LOOKS LIKE A --
SOME KIND OF HORROR MOVIE.
275
00:13:34,647 --> 00:13:36,849
{\an8}WHAT'S CAUSING IT TO DO THAT?
276
00:13:36,916 --> 00:13:40,653
{\an8}♪♪
277
00:13:40,719 --> 00:13:42,188
Narrator:
FOLKLORIST DEBORAH HYDE
278
00:13:42,254 --> 00:13:43,989
ANALYZES THE FOOTAGE.
279
00:13:44,056 --> 00:13:47,259
FOR HER, THIS FLINCHING FLESH
REMINDS HER OF A LEGEND
280
00:13:47,326 --> 00:13:51,096
FOUND ALL OVER THE WORLD --
THE RISING OF THE UNDEAD.
281
00:13:51,163 --> 00:13:53,132
{\an8}THE IDEA THAT FLESH CAN HAVE
282
00:13:53,199 --> 00:13:56,168
{\an8}SOME KIND OF PECULIAR
SUPERNATURAL LIFE
283
00:13:56,235 --> 00:14:00,406
AFTER IT SHOULD BE DEAD
IS COMMON IN MOST FOLKLORE.
284
00:14:00,472 --> 00:14:01,974
THEY KEEP COMING BACK
EVEN THOUGH
285
00:14:02,041 --> 00:14:03,943
THEY SHOULD BE
STILL IN THEIR GRAVES.
286
00:14:04,009 --> 00:14:06,011
Narrator: WE COMFORT OURSELVES
WITH THE IDEA
287
00:14:06,078 --> 00:14:09,014
THERE'S A CLEAR BOUNDARY
BETWEEN LIFE AND DEATH.
288
00:14:09,081 --> 00:14:12,351
BUT RECORDS SHOW
THIS ISN'T ALWAYS THE TRUTH.
289
00:14:12,418 --> 00:14:15,955
EXHUMED COFFINS FROM
THE 18th AND 19th CENTURY
290
00:14:16,021 --> 00:14:19,692
HAVE BEEN DISCOVERED WITH
SCRATCH MARKS ON THE INSIDE.
291
00:14:19,758 --> 00:14:22,728
AND CASES OF PREMATURE
DECLARATIONS OF DEATH
292
00:14:22,795 --> 00:14:26,098
{\an8}ARE STILL RECORDED TODAY.
293
00:14:26,165 --> 00:14:28,601
{\an8}THE LINE BETWEEN LIFE AND DEATH
CAN BE REALLY FUZZY.
294
00:14:28,667 --> 00:14:30,636
AROUND THE WORLD,
PEOPLE HAVE BEEN DECLARED DEAD,
295
00:14:30,703 --> 00:14:35,140
AND MINUTES OR HOURS OR EVEN
DAYS LATER HAVE SORT OF WOKEN UP
296
00:14:35,207 --> 00:14:38,844
AND HAD THIS SORT OF
SCARY MIRACLE OF A REBIRTH.
297
00:14:38,911 --> 00:14:42,781
Narrator: MISSISSIPPI, 2014 --
A 78-YEAR-OLD MAN
298
00:14:42,848 --> 00:14:44,750
ARRIVES AT A FUNERAL PARLOR.
299
00:14:44,817 --> 00:14:46,652
THEN HIS BODY BAG MOVES.
300
00:14:46,719 --> 00:14:50,489
INSIDE, HE IS ALIVE
AND KICKING.
301
00:14:50,556 --> 00:14:54,827
JANUARY 2018 -- A SPANISH
PRISONER IS DECLARED DEAD
302
00:14:54,894 --> 00:14:56,695
AND TAKEN TO THE MORGUE.
303
00:14:56,762 --> 00:14:59,465
HOURS LATER,
MORTICIANS HEAR SNORING
304
00:14:59,531 --> 00:15:01,500
FROM ONE OF THE MORGUE FRIDGES.
305
00:15:01,567 --> 00:15:04,370
THEN THE DEAD MAN AWAKES
AS THOUGH NOTHING HAS HAPPENED.
306
00:15:04,436 --> 00:15:08,040
{\an8}♪♪
307
00:15:08,107 --> 00:15:10,876
IN THE PAST,
PEOPLE CALLED THIS MAGIC.
308
00:15:10,943 --> 00:15:13,479
BUT BIOLOGIST GREG SZULGIT
HAS STUDIED
309
00:15:13,545 --> 00:15:15,614
THE SCIENCE
BEHIND THE PHENOMENON.
310
00:15:15,681 --> 00:15:18,484
OFTEN, A PERSON CAN SEEM DEAD
BECAUSE THEIR HEART HAS STOPPED,
311
00:15:18,550 --> 00:15:20,953
FOR EXAMPLE,
SO THEIR BODY IS "DEAD."
312
00:15:21,020 --> 00:15:22,721
BUT AS LONG AS THEIR BRAIN
IS STILL GOING,
313
00:15:22,788 --> 00:15:25,224
THEY CAN GET THAT TO REENGAGE
AND GET THE HEART STARTED AGAIN.
314
00:15:25,291 --> 00:15:27,359
THEY COME BACK "ALIVE."
315
00:15:27,426 --> 00:15:30,229
Narrator: BUT EXPERTS ARE
BAFFLED AT HOW A HUNK OF BEEF
316
00:15:30,296 --> 00:15:34,300
COULD SEEMINGLY
SHOW SIGNS OF LIFE.
317
00:15:34,366 --> 00:15:37,770
WHAT MAKES THIS SO WEIRD
AND EERIE IS THAT WE --
318
00:15:37,836 --> 00:15:39,371
WE'RE NOT USED TO SEEING
A PIECE OF MEAT
319
00:15:39,438 --> 00:15:43,542
THAT DOESN'T HAVE ANY LUNGS,
ANY HEART, ANY BLOODSTREAM,
320
00:15:43,609 --> 00:15:46,645
ANY WAY OF SUSTAINING ITSELF
ATTACHED TO IT,
321
00:15:46,712 --> 00:15:48,013
AND STILL MOVING.
322
00:15:48,080 --> 00:15:51,717
{\an8}♪♪
323
00:15:51,784 --> 00:15:53,485
Narrator:
SCIENCE JOURNALIST JEFF WISE
324
00:15:53,552 --> 00:15:55,955
ANALYZES THE TWITCHING STEAK.
325
00:15:56,021 --> 00:15:58,223
HE THINKS SOMEONE COULD
BE USING TECHNOLOGY
326
00:15:58,290 --> 00:15:59,992
TO KEEP THIS FLESH MOVING.
327
00:16:00,059 --> 00:16:02,661
THERE'S SOMETHING ELSE
CAUSING THIS PULSING,
328
00:16:02,728 --> 00:16:08,400
{\an8}LIKE SOMEONE IS TRYING TO BRING
THIS STEAK BACK TO LIFE.
329
00:16:08,467 --> 00:16:10,469
Narrator:
REANIMATING DEAD FLESH SOUNDS
330
00:16:10,536 --> 00:16:13,706
LIKE SOMETHING OUT
OF "FRANKENSTEIN."
331
00:16:13,772 --> 00:16:15,441
"FRANKENSTEIN"
IS OBVIOUSLY FICTION,
332
00:16:15,507 --> 00:16:17,042
BUT IT WAS BASED
ON VERY GOOD SCIENCE
333
00:16:17,109 --> 00:16:19,345
THAT WAS GOING ON AT THE TIME
AND INSPIRED BY IT.
334
00:16:19,411 --> 00:16:21,914
PEOPLE WERE TAKING
SMALL BATTERIES
335
00:16:21,981 --> 00:16:23,882
AND SHOCKING THINGS
LIKE FROGS' LEGS
336
00:16:23,949 --> 00:16:26,452
THAT HAD BEEN REMOVED
FROM THE HEAD OF THE FROG,
337
00:16:26,518 --> 00:16:28,420
AND THEY WOULD TWITCH.
338
00:16:28,487 --> 00:16:29,888
THIS WAS THE CREATION
OF THE FIRST
339
00:16:29,955 --> 00:16:31,690
SORT OF
FRANKENSTEIN'S MONSTERS.
340
00:16:31,757 --> 00:16:33,692
IT WAS A REAL THING.
341
00:16:33,759 --> 00:16:35,294
Narrator:
AND EXPERIMENTS CONTINUED
342
00:16:35,361 --> 00:16:38,530
TO GIVE LIFE TO DEAD BODY PARTS.
343
00:16:38,597 --> 00:16:40,733
IN THE 1950s, SOVIET SCIENTIST
344
00:16:40,799 --> 00:16:43,335
VLADIMIR DEMIKHOV
GRUESOMELY TESTS
345
00:16:43,402 --> 00:16:46,138
IF HEAD TRANSPLANTS
ARE POSSIBLE,
346
00:16:46,205 --> 00:16:50,109
GRAFTING THE HEAD AND FORELEGS
OF A PUPPY ONTO ANOTHER DOG,
347
00:16:50,175 --> 00:16:54,279
CONNECTING THE TWO DOGS' BLOOD
SUPPLY TO KEEP THE PUPPY ALIVE.
348
00:16:54,346 --> 00:16:59,151
INCREDIBLY, SOME HEADS LIVE
ON THEIR NEW BODY FOR 29 DAYS.
349
00:16:59,218 --> 00:17:02,888
AND TODAY, SERGIO CANAVERO
IS DUBBED THE MODERN-DAY
350
00:17:02,955 --> 00:17:04,990
DR. FRANKENSTEIN.
351
00:17:05,057 --> 00:17:08,861
HIS EXPERIMENTS SUCCESSFULLY
REATTACH THE HEADS OF RATS,
352
00:17:08,927 --> 00:17:12,464
USING ELECTRIC SHOCKS
TO BRIEFLY REVIVE THE BRAIN.
353
00:17:12,531 --> 00:17:16,502
COULD SIMILAR SINISTER SCIENCE
BE MAKING THIS MEAT MOVE?
354
00:17:16,568 --> 00:17:17,569
THAT'S WHAT THIS LOOKS LIKE.
355
00:17:17,636 --> 00:17:19,371
THIS LOOKS LIKE A PIECE
OF DEAD MEAT
356
00:17:19,438 --> 00:17:24,109
THAT IS, LIKE, BEING ANIMATED
WITH ELECTRICITY.
357
00:17:24,176 --> 00:17:26,345
Narrator:
THE FOOTAGE IS SENT TO EX-NYPD
358
00:17:26,412 --> 00:17:28,981
VIDEO ANALYST CONOR McCOURT.
359
00:17:29,048 --> 00:17:32,184
{\an8}HE LOOKS FOR EVIDENCE
THAT ELECTRICITY IS STIMULATING
360
00:17:32,251 --> 00:17:34,686
{\an8}THIS UNEARTHLY-LOOKING
ACTIVITY.
361
00:17:34,753 --> 00:17:36,722
{\an8}WHAT WE'RE LOOKING FOR
IN THIS IMAGE
362
00:17:36,789 --> 00:17:39,892
{\an8}IS SOMETHING THAT WOULD BE ABLE
TO MOVE THIS PIECE OF MEAT.
363
00:17:39,958 --> 00:17:41,360
Narrator:
BUT CLOSE VIDEO ANALYSIS
364
00:17:41,427 --> 00:17:43,462
MAKES HIM DOUBT THE THEORY.
365
00:17:43,529 --> 00:17:46,065
THERE'S NO SIGN
OF ANY ELECTRICAL WIRES,
366
00:17:46,131 --> 00:17:50,502
AND THE MEAT IS ON WOOD THAT
DOESN'T CONDUCT ELECTRICITY.
367
00:17:50,569 --> 00:17:52,604
SO THE MEAT MUST BE
MOVING ON ITS OWN.
368
00:17:52,671 --> 00:17:59,144
{\an8}♪♪
369
00:17:59,211 --> 00:18:00,846
Narrator:
NEUROSCIENTIST JAYDE LOVELL
370
00:18:00,913 --> 00:18:02,748
EXAMINES THE FOOTAGE.
371
00:18:02,815 --> 00:18:05,417
LISTENING TO THE VOICES
IN THE CLIP FOR CLUES,
372
00:18:05,484 --> 00:18:08,620
SHE DISCOVERS
CRUCIAL NEW EVIDENCE.
373
00:18:12,324 --> 00:18:15,761
LOVELL SUSPECTS THAT IF THIS
MEAT HAS JUST BEEN BOUGHT,
374
00:18:15,828 --> 00:18:18,163
IT WOULD STILL BE
EXTREMELY FRESH.
375
00:18:18,230 --> 00:18:22,501
IT MAKES HER THINK THE SEEMINGLY
IMPOSSIBLE COULD BE TRUE --
376
00:18:22,568 --> 00:18:26,138
JUST LIKE A ZOMBIE,
THIS MEAT IS UNDEAD.
377
00:18:26,205 --> 00:18:28,774
IT'S POSSIBLE THAT THE ANIMAL
ITSELF IS DEAD
378
00:18:28,841 --> 00:18:31,577
{\an8}BUT TWITCHING AFTER DEATH.
379
00:18:34,780 --> 00:18:36,949
Narrator:
COMING UP, A SCHOOLGIRL VICTIM
380
00:18:37,015 --> 00:18:39,418
OF AN INVISIBLE ATTACKER.
381
00:18:39,485 --> 00:18:41,687
SHE LITERALLY GOES DOWN
LIKE A RAG DOLL.
382
00:18:41,753 --> 00:18:45,524
{\an8}♪♪
383
00:18:45,591 --> 00:18:48,060
Narrator:
A RIVER OF FIRE AND A WALL
384
00:18:48,127 --> 00:18:49,695
OF ICE COMBINE TO DESTROY.
385
00:18:49,761 --> 00:18:52,397
-[ SCREAMS ]
-YOU HEAR PEOPLE SCREAMING.
386
00:18:52,464 --> 00:18:54,233
THERE'S WRECKAGE EVERYWHERE.
387
00:18:54,299 --> 00:18:58,804
WHAT THE HECK IS GOING ON HERE?
388
00:18:58,871 --> 00:19:00,806
Narrator:
AND COULD THIS MYSTERIOUS MEAT
389
00:19:00,873 --> 00:19:03,976
HOLD THE SECRET TO IMMORTALITY?
390
00:19:04,042 --> 00:19:05,911
IT LOOKS LIKE LIFE AFTER DEATH,
391
00:19:05,978 --> 00:19:08,147
LIKE SOMEBODY COMING BACK
FROM THE OTHER SIDE.
392
00:19:08,213 --> 00:19:12,050
{\an8}♪♪
393
00:19:13,819 --> 00:19:16,088
{\an8}♪♪
394
00:19:16,155 --> 00:19:17,723
Narrator: IN A CHINESE KITCHEN,
395
00:19:17,789 --> 00:19:21,026
A SLAB OF MEAT FLINCHES
LIKE IT'S ALIVE.
396
00:19:21,093 --> 00:19:24,630
EXPERTS SUSPECT THAT THE FLESH
COULD BE LIVING ON ITS OWN,
397
00:19:24,696 --> 00:19:28,433
A TRUE CASE OF THE UNDEAD.
398
00:19:28,500 --> 00:19:30,869
{\an8}WHEN YOU KILL AN ANIMAL,
THE ANIMAL IS DEAD --
399
00:19:30,936 --> 00:19:32,771
{\an8}THERE'S NO MORE BRAIN FUNCTION.
400
00:19:32,838 --> 00:19:35,574
BUT THE CELLS WITHIN
THE ANIMAL'S MUSCLES
401
00:19:35,641 --> 00:19:37,843
ARE STILL ALIVE
FOR SEVERAL MINUTES.
402
00:19:37,910 --> 00:19:39,011
Narrator:
IT'S AN EFFECT REPORTED
403
00:19:39,077 --> 00:19:41,180
ACROSS THE NATURAL WORLD.
404
00:19:41,246 --> 00:19:45,050
THIS RATTLESNAKE MOVES AFTER
BEING DECAPITATED AND SKINNED.
405
00:19:45,117 --> 00:19:46,785
Man: AND HE IS GUTTED AND DEAD!
406
00:19:46,852 --> 00:19:48,187
Narrator: AND IN JAPAN,
407
00:19:48,253 --> 00:19:50,889
THE RECENTLY
DECEASED ENTERTAINS DINERS.
408
00:19:50,956 --> 00:19:53,559
FRESHLY KILLED SQUID DIPPED
IN SOY SAUCE
409
00:19:53,625 --> 00:19:55,394
MAKES THE MUSCLES SPASM.
410
00:19:55,460 --> 00:19:57,729
IT'S THE SODIUM CHLORIDE
IN THE SOY SAUCE
411
00:19:57,796 --> 00:20:00,732
{\an8}THAT THEY PUT ON IT
THAT ACTIVATES NERVE FIBERS
412
00:20:00,799 --> 00:20:04,002
{\an8}IN THE MUSCLES
THAT CONTRACT TO MAKE IT MOVE.
413
00:20:04,069 --> 00:20:06,405
Narrator: POST-MORTEM
REPORTS REVEAL HUMANS
414
00:20:06,471 --> 00:20:08,707
CAN ALSO MOVE AFTER DEATH.
415
00:20:08,774 --> 00:20:12,744
LEFTOVER ENERGY IN CELLS TRIGGER
MUSCLE NERVES TO ACTIVATE,
416
00:20:12,811 --> 00:20:16,114
MAKING A CORPSE TWITCH.
417
00:20:16,181 --> 00:20:17,849
IT'S CALLED CADAVERIC TWITCHING,
418
00:20:17,916 --> 00:20:22,187
OR POST-MORTEM SPASMS.
419
00:20:22,254 --> 00:20:23,822
Narrator:
EXPERTS SUSPECT THAT IF THIS
420
00:20:23,889 --> 00:20:26,325
STEAK IS ALSO FRESHLY KILLED,
421
00:20:26,391 --> 00:20:29,595
JUST LIKE A NEW CORPSE,
ITS POST-MORTEM TWINGES
422
00:20:29,661 --> 00:20:32,731
ARE THE LAST SPARKS OF LIFE
LEAVING THE BODY.
423
00:20:32,798 --> 00:20:37,069
THIS COULD BE JUST REALLY
RECENTLY BUTCHERED MEAT.
424
00:20:37,135 --> 00:20:40,872
Narrator: THIS MEAT SUGGESTS
THAT THERE IS LIFE AFTER DEATH,
425
00:20:40,939 --> 00:20:43,809
AT LEAST FOR
A FEW FREAKY MINUTES.
426
00:20:43,875 --> 00:20:47,279
I'VE HEARD OF RARE STEAK
AND I'VE HEARD OF BLUE STEAK,
427
00:20:47,346 --> 00:20:49,014
BUT STILL-ALIVE STEAK?
428
00:20:49,081 --> 00:20:50,349
THAT'S A STEP TOO FAR.
429
00:20:50,415 --> 00:20:51,917
{\an8}IT MIGHT LOOK A LITTLE BIT
DISTURBING,
430
00:20:51,984 --> 00:20:53,085
{\an8}BUT YOU KNOW IT'S FRESH.
431
00:20:53,151 --> 00:20:59,992
{\an8}♪♪
432
00:21:00,058 --> 00:21:02,294
Narrator:
NOW, IN TROUBLING FOOTAGE,
433
00:21:02,361 --> 00:21:05,297
A SCHOOLGIRL
WALKS OUT OF A SHOP
434
00:21:05,364 --> 00:21:08,800
AND IS SLAMMED HEAD-FIRST
INTO THE GROUND.
435
00:21:08,867 --> 00:21:09,968
BAM!
436
00:21:10,035 --> 00:21:12,337
Narrator: AN ATTACK
SEEMINGLY OUT OF NOWHERE.
437
00:21:12,404 --> 00:21:14,373
THERE MUST BE SOMETHING
THAT WE'RE NOT SEEING.
438
00:21:14,439 --> 00:21:18,043
Narrator: IN A COUNTRY WITH
A CULT THAT WORSHIPS THE DEAD,
439
00:21:18,110 --> 00:21:22,080
ARE EVIL SPIRITS
TAKING VICTIMS ON THE STREETS?
440
00:21:22,147 --> 00:21:26,718
IT'S LIKE SHE'S HIT
BY AN UNEARTHLY POWER.
441
00:21:26,785 --> 00:21:32,924
{\an8}♪♪
442
00:21:32,991 --> 00:21:38,163
Narrator: PUEBLA, MEXICO --
A DEVOUT CATHOLIC AREA.
443
00:21:38,230 --> 00:21:43,835
OVER 90% OF THE POPULATION
HERE ARE BELIEVERS.
444
00:21:43,902 --> 00:21:49,174
THEY PRAY TO GOD
AND FEAR THE DEVIL.
445
00:21:49,241 --> 00:21:52,878
TUESDAY, NOVEMBER 28, 2017,
446
00:21:52,944 --> 00:21:57,049
A CC-TV CAMERA KEEPS WATCH
ON THE CITY STREETS.
447
00:21:57,115 --> 00:21:59,785
LOCALS GO ABOUT
THEIR DAILY LIVES.
448
00:21:59,851 --> 00:22:05,724
A GIRL WALKS OUT OF A SHOP
THEN SHOCKINGLY...
449
00:22:05,791 --> 00:22:07,459
THAT'S CRAZY.
450
00:22:07,526 --> 00:22:12,464
Narrator: IT SEEMS LIKE THIS
VIOLENCE COMES OUT OF THIN AIR.
451
00:22:12,531 --> 00:22:17,302
THIS UNSEEN ATTACKER SHOCKS
AND CONFUSES SCIENTISTS.
452
00:22:17,369 --> 00:22:19,504
{\an8}SHE LITERALLY GOES DOWN
LIKE A RAG DOLL.
453
00:22:19,571 --> 00:22:21,873
OBVIOUSLY SOME FORCE
AT WORK HERE
454
00:22:21,940 --> 00:22:23,575
THERE'S SOMETHING
THAT WE'RE NOT SEEING.
455
00:22:23,642 --> 00:22:28,013
{\an8}WHAT FORCE THREW THIS GIRL
TO THE GROUND?
456
00:22:28,080 --> 00:22:32,751
WHERE DID IT COME FROM?
457
00:22:32,818 --> 00:22:35,620
Narrator: THE FOOTAGE IS SENT
TO BIOLOGIST GREG SZULGIT.
458
00:22:35,687 --> 00:22:38,156
WOW!
459
00:22:38,223 --> 00:22:40,225
{\an8}IT ALMOST SEEMS
SUPERNATURAL THE WAY
460
00:22:40,292 --> 00:22:43,895
{\an8}SHE JUST SUDDENLY FLIES,
SO SOME KIND OF POLTERGEIST
461
00:22:43,962 --> 00:22:46,164
GRABBING HER
AND FLIPPING HER OVER.
462
00:22:46,231 --> 00:22:49,301
THAT'S WORTH INVESTIGATING.
463
00:22:49,368 --> 00:22:50,802
Narrator:
FOLKLORIST DEBORAH HYDE
464
00:22:50,869 --> 00:22:53,004
HAS STUDIED BELIEF
AND SUPERSTITION
465
00:22:53,071 --> 00:22:55,374
IN THIS PART OF MEXICO.
466
00:22:55,440 --> 00:22:59,010
{\an8}SOME DO BELIEVE IN POSSESSION,
AND THEY DO BELIEVE
467
00:22:59,077 --> 00:23:02,347
{\an8}THAT DEMONIC ACTIVITY
HAPPENS IN THE CITY AND ACCOUNTS
468
00:23:02,414 --> 00:23:06,017
FOR AN AWFUL LOT OF THE DREADFUL
THINGS THAT HAPPEN THERE.
469
00:23:06,084 --> 00:23:08,854
Narrator: WITNESSING THIS
HORRIFYING SUCKER PUNCH,
470
00:23:08,920 --> 00:23:11,656
HYDE BELIEVES MANY
WILL FEAR THIS SCHOOLGIRL
471
00:23:11,723 --> 00:23:15,694
IS IN THE GRIP
472
00:23:15,761 --> 00:23:19,464
SOME PEOPLE WOULD WONDER
IF THAT WAS A DEMONIC EVENT,
473
00:23:19,531 --> 00:23:22,167
THIS GIRL BEING PULLED
BACKWARDS LIKE THAT.
474
00:23:22,234 --> 00:23:27,038
DARK FORCES AT PLAY.
475
00:23:27,105 --> 00:23:30,609
Narrator: EX-NYPD VIDEO ANALYST
CONOR McCOURT STUDIES
476
00:23:30,675 --> 00:23:34,379
THE FOOTAGE WATCHING
THE HORROR FRAME-BY-FRAME.
477
00:23:34,446 --> 00:23:36,882
HE WONDERS IF THE EVIL FORCE
INVOLVED HERE
478
00:23:36,948 --> 00:23:38,984
IS ACTUALLY A BULLET.
479
00:23:39,050 --> 00:23:41,386
AS A RETIRED POLICE SERGEANT
FROM THE NYPD
480
00:23:41,453 --> 00:23:44,823
{\an8}WHO HAS EXAMINED MANY THOUSANDS
OF VIDEOS OF SHOOTINGS,
481
00:23:44,890 --> 00:23:47,392
WHEN I LOOKED AT THIS,
I THOUGHT MAYBE SHE WAS HIT.
482
00:23:47,459 --> 00:23:48,727
[ GUNSHOT ]
483
00:23:48,794 --> 00:23:52,731
{\an8}♪♪
484
00:23:52,798 --> 00:23:54,866
Narrator: COMING UP,
SOMETHING IS STALKING
485
00:23:54,933 --> 00:23:57,302
THE SEWERS OF DENVER.
486
00:23:57,369 --> 00:24:01,173
WE WERE JUST WONDERING WHAT THIS
WAS AND HOW WE COULD STOP IT.
487
00:24:01,239 --> 00:24:03,375
{\an8}♪♪
488
00:24:03,442 --> 00:24:05,844
Narrator: AND A MYSTERIOUS FLASH
OFFERS A CLUE
489
00:24:05,911 --> 00:24:08,747
TO THE IDENTITY
OF THE VISIBLE ATTACKER.
490
00:24:08,814 --> 00:24:11,383
RIGHT HERE IN THIS AREA
RIGHT BEHIND THE TRUCK,
491
00:24:11,450 --> 00:24:14,252
JUST MOMENTARILY,
I WANTED TO SEE WHAT THAT WAS.
492
00:24:14,319 --> 00:24:17,122
{\an8}♪♪
493
00:24:18,723 --> 00:24:20,926
{\an8}♪♪
494
00:24:20,992 --> 00:24:23,094
Narrator:
IN PUEBLA CITY, MEXICO,
495
00:24:23,161 --> 00:24:25,664
A DISTURBING ATTACK
AS A SCHOOLGIRL
496
00:24:25,730 --> 00:24:29,034
IS SLAMMED TO THE GROUND
BY AN INVISIBLE FORCE.
497
00:24:29,100 --> 00:24:32,304
SOME WONDER IF SHE'S BEEN
ASSAULTED BY A DEMON,
498
00:24:32,370 --> 00:24:35,140
{\an8}OTHERS FEAR SHE'S BEEN SHOT.
499
00:24:35,207 --> 00:24:38,743
{\an8}LOOKING AT THIS, HER BEING
SWEPT OFF HER FEET LIKE THAT,
500
00:24:38,810 --> 00:24:41,279
IT COULD BE INDICATIVE
OF A HIGH-VELOCITY ROUND
501
00:24:41,346 --> 00:24:44,249
HITTING HER IN THE HEAD.
502
00:24:44,316 --> 00:24:46,685
Narrator: CRIMINAL GANGS
IN THE AREA CARRY OUT
503
00:24:46,751 --> 00:24:50,021
SHOOTINGS ON THE STREETS,
504
00:24:50,088 --> 00:24:54,359
WITH CIVILIANS OFTEN BECOMING
TRAGIC COLLATERAL DAMAGE.
505
00:24:54,426 --> 00:24:59,331
{\an8}GANG CULTURE IN MEXICO
IS INCREDIBLY BRUTAL.
506
00:24:59,397 --> 00:25:02,067
IT MAKES GANG ACTIVITIES
IN THE UNITED STATES
507
00:25:02,133 --> 00:25:04,336
ALMOST LOOK LIKE CHILD'S PLAY.
508
00:25:04,402 --> 00:25:09,241
Narrator: POLICE REPORTS REVEAL
SHOCKING LEVELS OF VIOLENCE.
509
00:25:09,307 --> 00:25:14,946
JULY 5, 2017, A LETHAL SHOOT OUT
BETWEEN RIVAL DRUG CARTELS
510
00:25:15,013 --> 00:25:16,815
ERUPTS IN THE STREETS
OF CHIHUAHUA,
511
00:25:16,882 --> 00:25:18,750
IN NORTHERN MEXICO.
512
00:25:18,817 --> 00:25:22,354
BOTH SIDES ARE ARMED
WITH HEAVY WEAPONRY.
513
00:25:22,420 --> 00:25:25,857
THE GUN BATTLE LASTS TWO HOURS,
LEAVING 14 DEAD.
514
00:25:25,924 --> 00:25:27,425
[ GUNSHOT ]
515
00:25:27,492 --> 00:25:29,561
IN MODERN MEXICO,
THIS DEATH COUNT
516
00:25:29,628 --> 00:25:32,564
IS NEARLY AN EVERYDAY EVENT.
517
00:25:32,631 --> 00:25:37,068
LAST YEAR ALONE, 30,000 PEOPLE
WERE KILLED IN MEXICO
518
00:25:37,135 --> 00:25:41,139
IN SOME KIND OF DRUG-RELATED
OR GANG-RELATED VIOLENCE.
519
00:25:41,206 --> 00:25:45,010
THAT'S THE OFFICIAL STATISTIC,
THE REAL NUMBER IS UNKNOWN.
520
00:25:45,076 --> 00:25:47,913
Narrator: MORAN FEARS THIS GIRL
IS THE LATEST VICTIM
521
00:25:47,979 --> 00:25:50,949
OF THE GANG SHOOTING EPIDEMIC.
522
00:25:51,016 --> 00:25:53,752
Moran: IS THIS AN INNOCENT
CATHOLIC SCHOOLGIRL
523
00:25:53,818 --> 00:25:55,987
WHO'S CAUGHT UP
IN THE RANDOM VIOLENCE
524
00:25:56,054 --> 00:26:00,725
THAT SURROUNDS
EVERY ORDINARY MEXICAN?
525
00:26:00,792 --> 00:26:02,961
Narrator: MILITARY EXPERT
CARLO MUÑOZ
526
00:26:03,028 --> 00:26:06,598
ANALYZES THE FOOTAGE
FOR EVIDENCE OF A SHOOTING.
527
00:26:06,665 --> 00:26:09,734
THAT -- I DID NOT
SEE THAT COMING.
528
00:26:09,801 --> 00:26:11,603
Narrator:
BUT ON CLOSER EXAMINATION,
529
00:26:11,670 --> 00:26:13,572
THERE'S SOMETHING MISSING.
530
00:26:13,638 --> 00:26:14,940
Muñoz: THERE'S NO BLOOD.
531
00:26:15,006 --> 00:26:17,742
{\an8}IF THIS WAS SOMEBODY WHO WAS
GUNNED DOWN IN THE STREET,
532
00:26:17,809 --> 00:26:20,812
{\an8}YOU'D EXPECT
A REALLY MESSY SITUATION.
533
00:26:20,879 --> 00:26:22,280
{\an8}YOU'RE NOT SEEING THAT HERE.
534
00:26:22,347 --> 00:26:25,016
{\an8}THIS ISN'T A GUNSHOT.
SOMETHING ELSE IS GOING ON HERE.
535
00:26:25,083 --> 00:26:28,753
{\an8}♪♪
536
00:26:28,820 --> 00:26:31,022
Narrator: ATTEMPTING TO
FORM A NEW THEORY,
537
00:26:31,089 --> 00:26:34,492
McCOURT RETURNS TO THE FOOTAGE
FOR FRESH CLUES.
538
00:26:34,559 --> 00:26:38,663
HE USES SOFTWARE
TO ENHANCE THE CC-TV IMAGE,
539
00:26:38,730 --> 00:26:42,834
AND WITHIN THE UPGRADED VIDEO,
HE MAKES A CRUCIAL BREAKTHROUGH.
540
00:26:42,901 --> 00:26:45,437
RIGHT HERE IN THIS AREA
RIGHT BEHIND THE TRUCK,
541
00:26:45,503 --> 00:26:49,174
JUST MOMENTARILY,
THERE'S A LITTLE REFLECTION.
542
00:26:49,240 --> 00:26:51,076
I WANTED TO SEE WHAT THAT WAS.
543
00:26:51,142 --> 00:26:53,945
IT HAPPENED RIGHT BEFORE
THE GIRL SMASHED TO THE GROUND.
544
00:26:54,012 --> 00:26:56,081
Narrator: McCOURT FOCUSES IN
ON THE REFLECTION.
545
00:26:56,147 --> 00:26:59,517
McCourt:
I REALIZED IT WAS A WIRE.
546
00:26:59,584 --> 00:27:02,053
I TRACED THE WIRE,
AND I TRACED THE PATH.
547
00:27:02,120 --> 00:27:04,089
Narrator: TRACING THE WIRE
THROUGH THE VIDEO,
548
00:27:04,155 --> 00:27:06,157
IT ENDS UP AROUND
THE GIRL'S THROAT.
549
00:27:06,224 --> 00:27:10,962
I COULD SEE THAT THE WIRE
WRAPPED AROUND THE GIRL'S THROAT
550
00:27:11,029 --> 00:27:13,465
AND SMASHED HER
TO THE GROUND.
551
00:27:13,531 --> 00:27:15,200
Narrator:
RE-ANALYZING THE VIDEO,
552
00:27:15,266 --> 00:27:18,303
McCOURT NOTICES
THE WIRE FALLS FROM ABOVE,
553
00:27:18,370 --> 00:27:21,272
AND THEN IS DRAGGED DOWN
THE STREET BY A TRUCK.
554
00:27:21,339 --> 00:27:25,910
IT MAKES THEM SUSPECT
THIS IS A HORRIFIC ACCIDENT.
555
00:27:25,977 --> 00:27:28,847
THE WIRES WERE DANGLING
ACROSS THE STREET,
556
00:27:28,913 --> 00:27:31,950
THE TRUCK GOT TANGLED UP
IN THE WIRE,
557
00:27:32,017 --> 00:27:33,685
DRAGGED IT DOWN THE STREET,
558
00:27:33,752 --> 00:27:36,755
IT GOT TANGLED UP
IN HER NECK AREA,
559
00:27:36,821 --> 00:27:41,760
AND THEN THREW HER TO THE GROUND
AS THE TRUCK EXITED OFF SCREEN.
560
00:27:41,826 --> 00:27:46,665
Narrator: THE GIRL IS UNLUCKY
TO BE CAUGHT UP IN THIS HORROR.
561
00:27:46,731 --> 00:27:49,000
BUT FORTUNATE THE OUTCOME
ISN'T WORSE,
562
00:27:49,067 --> 00:27:52,671
BECAUSE SHE WALKS AWAY
WITHOUT MAJOR INJURY.
563
00:27:52,737 --> 00:27:55,273
{\an8}HAD THAT SNAG GOT HER AND TAKEN
HER WITH IT, SHE'D BE DEAD.
564
00:27:55,340 --> 00:27:57,175
{\an8}I THINK
SHE'S LUCKY TO BE ALIVE.
565
00:27:57,242 --> 00:27:59,678
{\an8}THIS IS A REMINDER
THAT IN A BUSY CITY,
566
00:27:59,744 --> 00:28:01,980
{\an8}DANGER COULD BE AROUND
EVERY CORNER
567
00:28:02,047 --> 00:28:04,082
{\an8}AND COULD COME OUT OF NOWHERE.
568
00:28:04,149 --> 00:28:11,156
{\an8}♪♪
569
00:28:12,290 --> 00:28:15,493
Narrator: NOW, IN THE DENVER
CITY SEWER SYSTEM,
570
00:28:15,560 --> 00:28:18,697
A SLIME-COATED HORROR EMERGES.
571
00:28:18,763 --> 00:28:22,333
THIS IS A MONSTER
UNDER THE CITY.
572
00:28:22,400 --> 00:28:24,536
Narrator: EXPERTS ARE BAFFLED.
573
00:28:24,602 --> 00:28:28,173
IS THIS SOME KIND OF CREATURE,
UNIDENTIFIED YET TO SCIENCE?
574
00:28:28,239 --> 00:28:29,774
Narrator:
AND FEAR WHAT COULD HAPPEN
575
00:28:29,841 --> 00:28:31,876
IF IT EMERGES FROM THE DEPTHS.
576
00:28:31,943 --> 00:28:34,412
Wise:
THE SEWER CONNECTS ALL OF US.
577
00:28:34,479 --> 00:28:38,650
WHAT IS DOWN THERE, REALLY,
AND COULD IT COME BACK UP?
578
00:28:38,717 --> 00:28:44,756
{\an8}♪♪
579
00:28:44,823 --> 00:28:48,526
Narrator: MARCH 2008 --
DENVER, COLORADO.
580
00:28:48,593 --> 00:28:52,530
SURVEILLANCE CAMERAS KEEP WATCH
OF THE MILE-HIGH CITY.
581
00:28:52,597 --> 00:28:55,600
RESIDENTS BASK IN
THE SPRING SUNSHINE,
582
00:28:55,667 --> 00:29:01,306
UNAWARE OF A HORROR
JUST SEVEN FEET BENEATH THEM.
583
00:29:01,372 --> 00:29:02,741
ON A RESIDENTIAL STREET,
584
00:29:02,807 --> 00:29:05,477
SEWAGE CREWS SEND
A REMOTE-OPERATING CAMERA
585
00:29:05,543 --> 00:29:08,813
DOWN INTO THE DARKNESS
FOR A ROUTINE INSPECTION
586
00:29:08,880 --> 00:29:11,916
OF DENVER'S
1,900-MILE-LONG SEWER NETWORK.
587
00:29:11,983 --> 00:29:14,853
{\an8}♪♪
588
00:29:14,919 --> 00:29:18,456
THE CAMERA PUSHES FARTHER
INTO THE SEWER PIPES.
589
00:29:18,523 --> 00:29:20,959
AT FIRST,
EVERYTHING LOOKS CLEAR,
590
00:29:21,025 --> 00:29:26,798
BUT UP AHEAD, A SINISTER FORM
EMERGES IN THE DARK.
591
00:29:26,865 --> 00:29:29,267
SEWER ENGINEERS ALERT
DENVER CITY OFFICIAL
592
00:29:29,334 --> 00:29:31,870
HEATHER BURKE
TO THIS GRUESOME ENIGMA.
593
00:29:31,936 --> 00:29:34,105
{\an8}IT'S JUST KIND OF GROSS
AND CREEPY LOOKING,
594
00:29:34,172 --> 00:29:37,442
{\an8}KIND OF LIKE
SOME SORT OF SEA MONSTER.
595
00:29:37,509 --> 00:29:40,345
Narrator: INVESTIGATING CLOSER
REVEALS A DISGUSTING,
596
00:29:40,411 --> 00:29:46,284
MAGGOT-COATED HORROR SHOW,
AND THEN IT MOVES.
597
00:29:51,456 --> 00:29:56,361
THIS BLOB IS WHAT
MY NIGHTMARES ARE MADE OF.
598
00:29:56,427 --> 00:30:01,533
WE WERE JUST WONDERING WHAT THIS
WAS AND HOW WE COULD STOP IT.
599
00:30:01,599 --> 00:30:03,902
Narrator: BURKE SENDS
THE FOOTAGE TO SCIENTISTS
600
00:30:03,968 --> 00:30:07,572
HOPING TO DISCOVER
ITS IDENTITY.
601
00:30:07,639 --> 00:30:10,875
{\an8}IT'S DISGUSTING, IT'S MOVING,
602
00:30:10,942 --> 00:30:12,844
{\an8}AND IT'S UNDER THE CITY.
603
00:30:12,911 --> 00:30:14,913
{\an8}WHAT IS THIS MONSTER
604
00:30:14,979 --> 00:30:19,050
{\an8}THAT'S JUST LIVING
UNDER THE STREETS?
605
00:30:19,117 --> 00:30:23,321
Narrator: COMING UP, A FROZEN
RIVER MYSTERIOUSLY EXPLODES.
606
00:30:23,388 --> 00:30:26,424
ALL OF A SUDDEN, BOOM.
607
00:30:26,491 --> 00:30:28,193
Narrator:
AND EXPERTS UNCOVER EVIDENCE
608
00:30:28,259 --> 00:30:32,997
THE SEWERS COULD BE SUPER
SIZING A SUBTERRANEAN CREATURE.
609
00:30:33,064 --> 00:30:34,999
IN A LOT OF CASES,
YOU'LL HEAR THESE STORIES
610
00:30:35,066 --> 00:30:36,668
ABOUT ANIMALS BECOMING HUGE.
611
00:30:36,734 --> 00:30:43,041
{\an8}♪♪
612
00:30:44,742 --> 00:30:46,578
{\an8}♪♪
613
00:30:46,644 --> 00:30:48,947
Narrator: IN THE SEWERS OF
DENVER, COLORADO,
614
00:30:49,013 --> 00:30:53,051
A MAGGOT-COATED MONSTER
MOVES IN THE DEPTHS.
615
00:30:53,117 --> 00:30:56,621
{\an8}IN THE SEWER, WE HAVE
SOME WEIRD CONDITIONS.
616
00:30:56,688 --> 00:31:01,192
IT'S LIKE NOWHERE ELSE ON EARTH,
SO ARE WE SEEING SOMETHING HERE
617
00:31:01,259 --> 00:31:04,095
THAT WE HAVEN'T SEEN
ANYWHERE ELSE?
618
00:31:04,162 --> 00:31:05,463
Narrator:
THE BOWELS OF OUR CITIES
619
00:31:05,530 --> 00:31:07,498
OFTEN INSPIRE THE DARK SIDE
620
00:31:07,565 --> 00:31:10,668
OF HUMAN IMAGINATION.
621
00:31:10,735 --> 00:31:12,570
{\an8}HOLLYWOOD MOVIES
HAVE US BELIEVING
622
00:31:12,637 --> 00:31:15,240
{\an8}THAT THEY'RE SUPER SCARY,
LIKE IN THE MOVIE "IT,"
623
00:31:15,306 --> 00:31:19,244
WHERE THERE'S A CLOWN
LIVING DOWN THERE.
624
00:31:19,310 --> 00:31:22,847
Narrator: BUT THERE IS TRUTH
TO TALES OF SINISTER SEWERS.
625
00:31:22,914 --> 00:31:25,917
IN TEHRAN, IRAN, AFTER A FLOOD,
626
00:31:25,984 --> 00:31:28,987
RATS WEIGHING AS MUCH
AS SMALL DOGS EMERGE
627
00:31:29,053 --> 00:31:31,489
FROM THE SEWERS
AND TERRORIZE RESIDENTS.
628
00:31:31,556 --> 00:31:34,292
{\an8}THEY WERE SO TERRIFYING
AND MALEVOLENT
629
00:31:34,359 --> 00:31:37,896
{\an8}THAT THE ARMY HAD TO CALL OUT
ITS SNIPERS TO PICK THEM OFF.
630
00:31:37,962 --> 00:31:42,867
{\an8}♪♪
631
00:31:42,934 --> 00:31:46,037
Narrator:
VIDEO ANALYST CONOR McCOURT
SCOURS THE FOOTAGE
632
00:31:46,104 --> 00:31:49,974
FOR ANY CLUES THAT COULD REVEAL
WHAT THIS CREATURE COULD BE.
633
00:31:50,041 --> 00:31:51,476
BUT ON CLOSE INSPECTION,
634
00:31:51,542 --> 00:31:54,145
HE REALIZES
HE CAN'T SEE ANYTHING
635
00:31:54,212 --> 00:31:56,814
THAT IDENTIFIES
THIS BIZARRE BEAST.
636
00:31:56,881 --> 00:32:00,685
NO MOUTH, NO EARS, NO EYES.
637
00:32:00,752 --> 00:32:02,687
McCourt: WE'RE NOT REALLY
SEEING THAT HERE.
638
00:32:02,754 --> 00:32:04,289
{\an8}DOES THAT MEAN
IT'S NOT A CREATURE?
639
00:32:04,355 --> 00:32:10,328
{\an8}♪♪
640
00:32:10,395 --> 00:32:12,030
Narrator:
SCIENCE JOURNALIST JEFF WISE
641
00:32:12,096 --> 00:32:14,532
SEARCHES FOR REPORTS
OF SIMILAR DISCOVERIES
642
00:32:14,599 --> 00:32:17,702
IN OTHER SEWERS
AND UNCOVERS DESCRIPTIONS
643
00:32:17,769 --> 00:32:20,905
FROM ACROSS THE GLOBE
OF A DISGUSTING ENTITY
644
00:32:20,972 --> 00:32:25,476
THAT ISN'T JUST ONE CREATURE,
IT IS A MULTI-HEADED MONSTER
645
00:32:25,543 --> 00:32:28,179
CONTAINING HUNDREDS
OF ORGANISMS,
646
00:32:28,246 --> 00:32:31,449
A MASS OF MAGGOTS
AND DEADLY DISEASE
647
00:32:31,516 --> 00:32:36,521
ALL CONTAINED WITHIN A CHUNK
OF SLITHERING HAIR AND FAT.
648
00:32:36,587 --> 00:32:38,256
THERE HAVE BEEN REPORTS
FROM ALL AROUND THE WORLD
649
00:32:38,323 --> 00:32:40,625
OF SANITATION WORKERS
HAVING TO DEAL WITH THESE
650
00:32:40,692 --> 00:32:44,929
DISGUSTING ACCUMULATIONS
OF DISCARDED GREASE
651
00:32:44,996 --> 00:32:47,432
AND FAT, CALLED FATBERGS.
652
00:32:47,498 --> 00:32:50,468
{\an8}♪♪
653
00:32:50,535 --> 00:32:53,671
Narrator: NEW YORK, DUBLIN,
AND MELBOURNE ARE ALL FIGHTING
654
00:32:53,738 --> 00:32:56,541
THESE GROWING MASSES OF FAT.
655
00:32:56,607 --> 00:32:59,110
AND IN LONDON,
WISE FINDS REPORTS
656
00:32:59,177 --> 00:33:01,946
OF THE MOST MONSTROUS
OF THEM ALL.
657
00:33:02,013 --> 00:33:06,017
THERE WAS ONE STORY
OF AN EPIC FATBERG
658
00:33:06,084 --> 00:33:08,186
THAT WAS SO HUGE
IT COULD TAKE DOWN THE TITANIC.
659
00:33:08,252 --> 00:33:12,390
IT WEIGHED 130 TONS.
660
00:33:12,457 --> 00:33:14,859
Narrator: THAT'S HEAVIER
THAN A BLUE WHALE.
661
00:33:14,926 --> 00:33:19,030
AT 800 FEET, IT'S OVER
TWO FOOTBALL FIELDS LONG.
662
00:33:19,097 --> 00:33:23,201
THIS IS THE EMBODIMENT
OF EVERYTHING FOUL CONGEALED
663
00:33:23,267 --> 00:33:27,205
INTO ONE GLOOPY, VEINY THING.
664
00:33:27,271 --> 00:33:30,375
IT'S JUST THE MOST DISGUSTING
THING YOU CAN IMAGINE.
665
00:33:30,441 --> 00:33:31,676
Narrator: INSIDE THE FAT,
666
00:33:31,743 --> 00:33:34,579
INVESTIGATORS
FIND FLY EGGS, MAGGOTS,
667
00:33:34,645 --> 00:33:36,047
AND DEADLY DISEASES --
668
00:33:36,114 --> 00:33:39,751
E. COLI, SALMONELLA,
AND LEPTOSPIROSIS,
669
00:33:39,817 --> 00:33:44,188
AN INFECTION THAT CAN CAUSE
HEART AND KIDNEY FAILURE.
670
00:33:44,255 --> 00:33:46,157
THEY TRACK DOWN THE SOURCE
OF THE GREASE
671
00:33:46,224 --> 00:33:48,292
BACK UP ON THE SURFACE.
672
00:33:48,359 --> 00:33:52,430
IT TURNED OUT THAT THIS
HUGE FATBERG
673
00:33:52,497 --> 00:33:54,265
WAS LOCATED IN A PART OF TOWN
674
00:33:54,332 --> 00:33:55,633
WHERE THERE ARE
ALL THESE RESTAURANTS
675
00:33:55,700 --> 00:33:59,003
THAT WERE DUMPING THEIR WASTE
GREASE DOWN THE DRAIN,
676
00:33:59,070 --> 00:34:03,041
AND THAT'S WHY IT GOT SO HUGE.
677
00:34:03,107 --> 00:34:04,709
Narrator:
BURKE INVESTIGATES THE BUILDINGS
678
00:34:04,776 --> 00:34:07,311
THAT LIE ABOVE THIS SEWER
679
00:34:07,378 --> 00:34:12,283
AND, AMAZINGLY,
FINDS THE CULPRIT.
680
00:34:12,350 --> 00:34:15,119
THE HOMEOWNER WAS POURING
HOT GREASE
681
00:34:15,186 --> 00:34:17,722
DOWN HIS DRAIN FOR YEARS
AND YEARS AND YEARS
682
00:34:17,789 --> 00:34:20,058
AND THEN IT COOLED OFF
AND SOLIDIFIED
683
00:34:20,124 --> 00:34:24,028
AND KIND OF
BECAME THIS DISGUSTING BLOB.
684
00:34:24,095 --> 00:34:25,730
Narrator:
LIKE THE LONDON FATBERG,
685
00:34:25,797 --> 00:34:27,799
DENVER'S DISGUSTING DISCOVERY
686
00:34:27,865 --> 00:34:29,667
IS A MANY-HEADED BEAST,
687
00:34:29,734 --> 00:34:34,639
A LIVING MASS OF ORGANISMS
AND DEADLY BACTERIA.
688
00:34:34,705 --> 00:34:37,842
FATBERGS THAT ARE LEFT
UNCHECKED COULD GET MASSIVE.
689
00:34:37,909 --> 00:34:40,778
WE DON'T WANT TO SEE MORE OF
THESE FATBERGS
690
00:34:40,845 --> 00:34:43,181
POPPING UP
IN OUR SEWER SYSTEMS.
691
00:34:43,247 --> 00:34:46,050
Narrator: BUT WITH REPORTS OF
FATBERGS ON THE RISE,
692
00:34:46,117 --> 00:34:50,254
THIS MENACE FROM THE DEEP
IS BOUND TO STRIKE AGAIN.
693
00:34:50,321 --> 00:34:52,256
FATBERGS ARE A THREAT
694
00:34:52,323 --> 00:34:55,560
AND COULD TAKE OVER THE WORLD
BENEATH OUR FEET.
695
00:34:55,626 --> 00:35:02,433
{\an8}♪♪
696
00:35:02,500 --> 00:35:06,237
Narrator:
NOW, AN ATTACK OF FIRE,
697
00:35:06,304 --> 00:35:10,074
AND MOMENTS LATER,
AN INVASION OF ICE.
698
00:35:10,141 --> 00:35:12,143
IT'S LIKE A SLOW-MOTION TSUNAMI,
699
00:35:12,210 --> 00:35:15,880
AND IT CAN JUST STEAMROLL OVER
ANYTHING THAT IT ENCOUNTERS.
700
00:35:15,947 --> 00:35:17,515
Narrator:
ARE MILITARY FORCES TURNING
701
00:35:17,582 --> 00:35:20,284
ICEBERGS INTO BATTERING RAMS?
702
00:35:20,351 --> 00:35:24,989
COULD RUSSIA HAVE DELIBERATELY
CAUSED THIS EXPLOSION OF ICE?
703
00:35:25,056 --> 00:35:32,063
{\an8}♪♪
704
00:35:33,364 --> 00:35:35,066
Narrator: SEMEY, KAZAKHSTAN --
705
00:35:35,133 --> 00:35:37,635
A UNIVERSITY TOWN
ON THE IRTYSH RIVER
706
00:35:37,702 --> 00:35:40,171
CLOSE TO THE RUSSIAN BORDER.
707
00:35:40,238 --> 00:35:44,342
MARCH 29, 2018,
STUDENTS AND RESIDENTS
708
00:35:44,408 --> 00:35:47,678
TRY TO STAY WARM ON
THIS FREEZING SPRING DAY.
709
00:35:47,745 --> 00:35:52,183
STAYING INSIDE, THEY LEAVE
THE ROADS AND FIELDS EMPTY
710
00:35:52,250 --> 00:35:55,486
WHEN OUT OF NOWHERE...
711
00:35:55,553 --> 00:35:58,356
...A FROZEN RIVER EXPLODES.
712
00:35:58,422 --> 00:36:01,192
{\an8}AND THE SCALE OF THIS EXPLOSION
IS MASSIVE.
713
00:36:01,259 --> 00:36:04,295
Narrator: THE EXPLOSION FIRES
A DESTRUCTIVE SHOCK WAVE
714
00:36:04,362 --> 00:36:06,230
TOWARDS RESIDENTS' HOMES.
715
00:36:06,297 --> 00:36:09,133
YOU HEAR PEOPLE SCREAMING
AND YOU SEE PEOPLE INJURED,
716
00:36:09,200 --> 00:36:11,736
{\an8}AND THERE'S WRECKAGE
EVERYWHERE.
717
00:36:11,802 --> 00:36:14,071
{\an8}THERE'S GOT TO BE
A REASONABLE EXPLANATION
718
00:36:14,138 --> 00:36:16,040
{\an8}FOR WHAT WE'RE SEEING
IN THE VIDEO.
719
00:36:16,107 --> 00:36:19,844
{\an8}♪♪
720
00:36:21,779 --> 00:36:23,948
{\an8}♪♪
721
00:36:24,015 --> 00:36:26,083
Narrator:
IN A KAZAKHSTAN UNIVERSITY TOWN
722
00:36:26,150 --> 00:36:30,521
NEAR THE RUSSIAN BORDER...
723
00:36:30,588 --> 00:36:34,292
...A FROZEN RIVER ERUPTS.
724
00:36:34,358 --> 00:36:36,194
ALL OF A SUDDEN, BOOM.
725
00:36:36,260 --> 00:36:39,864
Narrator: THE EXPLOSION SHATTERS
WINDOWS AND SPARKS PANIC.
726
00:36:39,931 --> 00:36:42,233
Woman: [ SCREAMS ]
727
00:36:42,300 --> 00:36:45,970
Narrator: AND AFTER THE BLAST
COMES A FROZEN SHOCKWAVE.
728
00:36:46,037 --> 00:36:48,206
THE ICE BREAKS INTO GIANT SLABS
729
00:36:48,272 --> 00:36:51,209
THAT BREAK THE BANKS
OF THE RIVER.
730
00:36:51,275 --> 00:36:52,677
THIS IS TERRIFYING.
731
00:36:52,743 --> 00:36:56,747
Shapiro:
THIS EXPLOSION UNLEASHES
THIS MONSTROUS NATURAL FORCE
732
00:36:56,814 --> 00:37:01,385
{\an8}WHICH TAKES THIS WALL OF ICE
AND BRINGS IT UP ONTO THE SHORE.
733
00:37:01,452 --> 00:37:02,787
{\an8}WHAT THE HECK IS GOING ON HERE?
734
00:37:02,853 --> 00:37:09,860
{\an8}♪♪
735
00:37:10,061 --> 00:37:13,998
Narrator: THE FOOTAGE IS SENT TO
MILITARY EXPERTS FOR ANALYSIS.
736
00:37:14,065 --> 00:37:15,967
STUDYING THE POWER
OF THE EXPLOSION
737
00:37:16,033 --> 00:37:21,038
AND CARNAGE IT CREATES,
IT LOOKS LIKE A PLANNED ATTACK.
738
00:37:21,105 --> 00:37:25,176
{\an8}MY IMMEDIATE THOUGHT IS THIS IS
SOME KIND OF MILITARY EXERCISE
739
00:37:25,243 --> 00:37:26,577
{\an8}OR OPERATION.
740
00:37:26,644 --> 00:37:30,147
{\an8}THE DENSITY AND THE COLOR OF
THE CLOUD LOOKS LIKE EXPLOSIVES.
741
00:37:30,214 --> 00:37:33,050
{\an8}THIS IS LIKE SOMETHING YOU'D SEE
HANGING OVER A BATTLEFIELD.
742
00:37:33,117 --> 00:37:34,752
Narrator:
CONSIDERING THE LOCATION,
743
00:37:34,819 --> 00:37:36,320
THERE'S A PRIME SUSPECT
744
00:37:36,387 --> 00:37:41,459
THAT COULD BE SETTING OFF
MILITARY FIREPOWER -- RUSSIA.
745
00:37:41,525 --> 00:37:45,196
KAZAKHSTAN IS ONE OF THE FORMER
SOVIET REPUBLICS.
746
00:37:45,263 --> 00:37:49,333
IT CERTAINLY IS AN AREA
THAT RUSSIA WOULD LOVE
747
00:37:49,400 --> 00:37:52,837
TO STAKE ITS IMPERIALISTIC
CLAIMS ON AGAIN.
748
00:37:52,903 --> 00:37:54,572
Narrator:
THE RESIDENTS ARE NO STRANGERS
749
00:37:54,639 --> 00:37:57,174
TO RUSSIAN MILITARY MIGHT.
750
00:37:57,241 --> 00:38:01,279
SEMEY WAS ONCE A TEST SITE
FOR SOVIET NUCLEAR BOMBS.
751
00:38:01,345 --> 00:38:06,317
456 ATOMIC EXPLOSIONS
DETONATED OVER 40 YEARS,
752
00:38:06,384 --> 00:38:09,553
MAKING THIS THE MOST NUKED PLACE
ON THE PLANET.
753
00:38:09,620 --> 00:38:11,122
THE RADIATION FROM THE TESTS
754
00:38:11,188 --> 00:38:15,893
STILL AFFECT MANY
OF ITS 300,000 RESIDENTS.
755
00:38:15,960 --> 00:38:20,831
FOR LOCALS, THIS NEW EXPLOSION
MEANS A NEW FEAR.
756
00:38:20,898 --> 00:38:23,901
{\an8}YOU HAVE TO WONDER,
IS THIS MOSCOW
757
00:38:23,968 --> 00:38:28,105
{\an8}FLEXING ITS MILITARY MIGHT?
758
00:38:28,172 --> 00:38:31,142
Narrator: THE ICE TSUNAMI MAKES
EXPERTS WONDER IF RUSSIA
759
00:38:31,208 --> 00:38:36,247
COULD BE TESTING
AN ENTIRELY NEW KIND OF WARFARE.
760
00:38:36,314 --> 00:38:41,118
COULD RUSSIA HAVE DELIBERATELY
CAUSED THIS EXPLOSION OF ICE
761
00:38:41,185 --> 00:38:44,188
TO ESSENTIALLY WEAPONIZE NATURE
TO GO IN
762
00:38:44,255 --> 00:38:46,791
AND WREAK HAVOC AND DESTRUCTION
763
00:38:46,857 --> 00:38:52,596
WITHOUT YOUR MILITARY
EVER HAVING TO FIRE A SHOT?
764
00:38:52,663 --> 00:38:55,366
Narrator: NATURE'S DEVASTATING
ENERGY HAS BEEN HARNESSED
765
00:38:55,433 --> 00:38:58,569
BY MILITARY POWERS IN THE PAST.
766
00:38:58,636 --> 00:39:01,339
WORLD WAR I,
THE ALPS MOUNTAIN RANGE,
767
00:39:01,405 --> 00:39:05,109
THE ITALIAN MILITARY RELEASED
HUGE BOULDERS FROM THE CLIFFS
768
00:39:05,176 --> 00:39:09,914
WHICH CRASHED DOWN
ON AUSTRIAN TROOPS BELOW.
769
00:39:09,980 --> 00:39:11,982
WORLD WAR II, BRITISH BOMBERS
770
00:39:12,049 --> 00:39:15,953
NICKNAMED "THE DAM BUSTERS"
TARGET NAZI DAMS IN GERMANY,
771
00:39:16,020 --> 00:39:18,255
UNLEASHING A TORRENT
THAT FLOODS TOWNS
772
00:39:18,322 --> 00:39:22,560
AND AMMUNITION DEPOTS
DOWNSTREAM.
773
00:39:22,626 --> 00:39:26,330
AND IN 2012,
ON THE INDIAN-PAKISTAN BORDER,
774
00:39:26,397 --> 00:39:31,435
AN AVALANCHE BURIES A PAKISTANI
MILITARY BASE, KILLING 140.
775
00:39:31,502 --> 00:39:33,104
THE PAKISTANI MEDIA CLAIMS
776
00:39:33,170 --> 00:39:36,874
THAT INDIAN FORCES
TRIGGER IT WITH EXPLOSIVES.
777
00:39:36,941 --> 00:39:39,510
IF RUSSIA IS BLOWING UP
FROZEN RIVERS TO USE
778
00:39:39,577 --> 00:39:41,078
AS A NATURAL WEAPON,
779
00:39:41,145 --> 00:39:45,149
IT ADDS AN UNSTOPPABLE FORCE
TO THEIR ARSENAL.
780
00:39:45,216 --> 00:39:47,151
IT'S KIND OF
A BRILLIANT STRATEGY
781
00:39:47,218 --> 00:39:50,020
TO ESSENTIALLY
WEAPONIZE NATURE,
782
00:39:50,087 --> 00:39:54,792
TO USE THE ICE ITSELF
AS, LIKE, BATTERING ARMS.
783
00:39:54,859 --> 00:39:57,361
Narrator: BUT WHEN
MILITARY EXPERT CARLO MUÑOZ
784
00:39:57,428 --> 00:40:00,531
LOOKS FOR FURTHER
RUSSIAN MILITARY ACTION,
785
00:40:00,598 --> 00:40:05,669
HE DISCOVERS THIS IS SOMEHOW
A ONE-OFF EXPLOSIVE CATASTROPHE.
786
00:40:05,736 --> 00:40:07,405
THERE WERE NO ADDITIONAL
EXPLOSIONS,
787
00:40:07,471 --> 00:40:09,273
NO FURTHER MILITARY ACTION.
788
00:40:09,340 --> 00:40:11,575
EITHER THIS WAS A WARNING
FROM THE RUSSIANS
789
00:40:11,642 --> 00:40:16,280
OR SOMETHING ELSE ENTIRELY.
790
00:40:16,347 --> 00:40:18,215
Narrator:
SCIENCE JOURNALIST DAVE FARINA
791
00:40:18,282 --> 00:40:19,950
DISCOVERS LOCAL REPORTS
792
00:40:20,017 --> 00:40:22,019
REVEALING
THE KAZAKHSTAN GOVERNMENT
793
00:40:22,086 --> 00:40:26,457
ADMITS IT IS RESPONSIBLE
FOR THE DEVASTATING EXPLOSION.
794
00:40:26,524 --> 00:40:29,126
THE AUTHORITIES CLAIM
IT'S AN ATTEMPT TO CLEAR ICE
795
00:40:29,193 --> 00:40:30,928
THAT'S BLOCKING THE RIVER.
796
00:40:30,995 --> 00:40:33,898
{\an8}WHEN A VERY LARGE RIVER
FREEZES OVER COMPLETELY,
797
00:40:33,964 --> 00:40:36,367
THERE'S LITTLE ELSE TO DO OTHER
THAN JUST BLOW IT UP.
798
00:40:36,434 --> 00:40:38,135
Narrator:
MANY COUNTRIES WITH SUB-ZERO
799
00:40:38,202 --> 00:40:41,372
WINTERS DEPLOY THIS METHOD
FOR CLEARING WATERWAYS,
800
00:40:41,439 --> 00:40:43,808
BUT THERE'S NO EVIDENCE
OF SIMILAR EXPLOSIONS
801
00:40:43,874 --> 00:40:45,876
CAUSING THIS MUCH CARNAGE.
802
00:40:45,943 --> 00:40:48,245
IT MAKES CHEMIST
KISHORE HARI SUSPECT
803
00:40:48,312 --> 00:40:52,082
{\an8}THE FOOTAGE COULD BE EVIDENCE
OF A CATASTROPHIC MISTAKE.
804
00:40:52,149 --> 00:40:53,918
{\an8}ANY TIME YOU'RE WORKING
WITH EXPLOSIONS,
805
00:40:53,984 --> 00:40:56,620
{\an8}THERE IS A POTENTIAL FOR DANGER.
806
00:40:56,687 --> 00:40:59,557
THOSE EXPLOSIONS CAN GO ANYWHERE
IN TERMS OF
807
00:40:59,623 --> 00:41:03,394
HOW THEY BREAK UP THE ICE.
808
00:41:03,461 --> 00:41:05,162
Narrator:
ANALYZING THE EXPLOSION,
809
00:41:05,229 --> 00:41:07,531
HARI BELIEVES
THE KAZAKHS' MISTAKE
810
00:41:07,598 --> 00:41:10,668
IS PLACING THE EXPLOSIVES
ON THE SURFACE OF THE ICE
811
00:41:10,734 --> 00:41:13,003
INSTEAD OF UNDERNEATH IT.
812
00:41:13,070 --> 00:41:16,507
THIS SEEMS LIKE THE EXPLOSION
WAS ON TOP OF THE ICE
813
00:41:16,574 --> 00:41:19,944
IN THE WAY THAT IT SORT OF BLEW
THE ICE UP INTO THE AIR.
814
00:41:20,010 --> 00:41:23,747
INSTEAD OF THE EXPLOSIVE ENERGY
GOING INTO CRACKING THE ICE,
815
00:41:23,814 --> 00:41:26,317
THE EXPLOSIVE ENERGY
SEEMS TO HAVE PUSHED THE ICE
816
00:41:26,383 --> 00:41:27,952
OUTWARD ONTO LAND
817
00:41:28,018 --> 00:41:31,088
OR EVEN SOME OF THAT EXPLOSIVE
CONCUSSION EFFECTS
818
00:41:31,155 --> 00:41:33,891
{\an8}GOING INTO BUILDINGS
AND BREAKING GLASS.
819
00:41:33,958 --> 00:41:37,795
{\an8}♪♪
820
00:41:37,862 --> 00:41:40,197
{\an8}Narrator: EXPERTS AGREE THAT
THIS WAS A CLUMSY
821
00:41:40,264 --> 00:41:41,632
{\an8}AND CATASTROPHIC ATTEMPT
822
00:41:41,699 --> 00:41:45,269
{\an8}BY THE KAZAKHSTAN GOVERNMENT
TO CLEAR THE RIVER,
823
00:41:45,336 --> 00:41:47,872
{\an8}AND LOCALS HOPE NEXT YEAR
THE AUTHORITIES
824
00:41:47,938 --> 00:41:51,108
{\an8}WILL HAVE LEARNED THEIR LESSON.
825
00:41:51,175 --> 00:41:53,844
{\an8}LOOK AT THE DAMAGE INSIDE
THESE APARTMENT BUILDINGS.
826
00:41:53,911 --> 00:41:55,946
{\an8}THERE MUST BE SERIOUS
INJURIES INSIDE.
827
00:41:56,013 --> 00:41:57,848
{\an8}IT'S JUST SHOCKING.
828
00:41:57,915 --> 00:41:59,083
{\an8}Woman:
[ GASPS, SPEAKS RUSSIAN ]
829
00:41:59,149 --> 00:42:01,552
{\an8}[ SCREAMS ]
65686
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