All language subtitles for MobLand S01E05rab.Hi

♪ MTV ♪

Morning, sunshine.

- ♪ dramatic music - [grunts]

It's Archie.

They found him in a box with
a little old Scottish lady.

- Someone's a rat.
- [elevator dings]

[Conrad] You and me both have

something in common, Jan.

Ask me what it is. Go on.

Ask me.

We both love Harry.

Now, do me a favor,

never discuss
anything about Harry

outside the family.

Am I clear with this now?

Good work.

Think you can get closer to him?

Was it a mistake? What we did?

[Maeve] We've got
everyone exactly

where we want them.

When you cut Tommy up,
that sent a message,

and we're about to send another.

[Richie] I'd like you
to take care of this.

I'm gonna watch you,

I'm gonna listen to
only one thing: my gut.

And then whatever
my gut tells me,

well, that's the truth.

[grunting]

[Kevin] It's crazy,
mate. It's a trap.

It's a nailed on,
copper-bottomed, fucking ambush.

The minute we set
foot in that church...

- Crematorium.
- Whatever.

Us and them. Us and
the fucking Stevensons.

It gets better, mate.

Don't forget, he wants us
to go to the wake as well.

[scoffs] Fucking hell.

- Which is at his house.
- What?

And it's not just
you and me, right?

It's us, the whole family.

- Right? Jan, Bella.
- Amazing.

I know. Clever cunt.

Fucking hell.

It's great, innit?

Well, you want another cuppa?

Yeah, go on, mate.

Thanks.

Hey, what was the name of
that screw you mentioned?

- Rusby.
- That's it.

- Yeah.
- Fucking...

Why, you remember him?

Yeah, I do remember him.

- ♪ tense music - [wailing]

Why'd you bring him up?

I saw him, mate.

- Where?
- Um, the other day.

You know, when I went to,
um, the old people's home.

I had to get Maria's mum

a bed there, right? As I
was leaving, he was sat

in the common room. He was
just talking to someone.

If it's his wife or his
sister, I don't know.

- It was definitely him?
- Oh, yeah, hundred percent.

I haven't thought about
that cunt in years.

I know, mate. Brought you
right back, fucking hell.

- [phone vibrating]
- Here we go.

- Dad.
- [Conrad] Kevin,

I want you and Harry
here this morning.

Quick as you can.

Council of war.

All right, we'll be there.

It's Dad. He wants us up
at the house, soon as.

All right. Well, that's
Jan's Sunday fucked, innit?

♪ Lively, dramatic music ♪

[phone vibrates]

[Jan] Hello, Harry.

Um, hey, babe. I'm, uh, I'm
really sorry. I'm, uh...

I have to head up to
the Cotswolds now.

So no brunch then?

Ask him if he knows I
have an exam tomorrow.

Listen. Uh...
something's come up.

Tell him you found
my crack pipe.

This Friday, we need to be

at this, uh, there's
something we need to be at.

What?

Tommy Stevenson's funeral.

Are you fucking joking?

- I wish I was.
- What is it?

Mum?

Harry, why are you...

why are w... I've
never even met Tommy.

I couldn't pick Tommy Stevenson

out of a fucking lineup.

I know. I know, but, uh,

Richie has invited
the whole family.

It's a trap.

I know it sounds bad,

but I think it's
safe. Just trust me.

Is Bella going?

Yes.

Well, as it happens,

among my list of options,

I've been considering
suicide, so...

fuck it.

- Okay.
- All right.

See you later.

What was that about?

Mum?

So, what do I wear to
a Stevenson funeral?

♪ "Starburster" by
Fontaines D.C. ♪

A flak jacket?

♪ It may feel bad ♪

♪ It may feel bad ♪

♪ I wanna see you alone,
I wanna sharp the stone ♪

♪ I wanna bounce the bone,
I wanna mess with it ♪

♪ I wanna lay the Deville,
the whole crew on the sill ♪

♪ I want the preacher and
pill, I wanna bless with it ♪

♪ I wanna head to a mass
and get cast in it ♪

♪ That shit's funnier
than any A-class, innit? ♪

♪ I wanna talk with the clown
who has apologies down ♪

♪ Pay him 300 pounds
to take a class in it ♪

♪ I wanna bite the phone,
I wanna bleed the tone ♪

♪ I wanna see you alone,
alone, alone, lone ♪

♪ I wanna strait the shark and
find me somewhere to park ♪

♪ Like the light when it's dark,
it's dark, it's dark, dark ♪

♪ A few stars about make
it feel like peace ♪

♪ In a way ♪

♪ A complimentary round ♪

♪ Constellation
got a twist in it ♪

♪ For a GPO and all
the hits in it ♪

♪ I'm gonna hit your business
if it's momentary blissness ♪

♪ I'm gonna hit your business
if it's momentary blissness ♪

♪ I'm gonna hit your business
if it's momentary blissness ♪

[sizzling]

- Mum.
- Darling.

Wotcha, Harry.

Oh, hey.

[kisses]

- Harry.
- Morning.

- Hope you're hungry.
- That looks spectacular.

Go on, sit the fuck down.

- Thank you.
- Come on, bruv, sit down.

What did Jan say?

She's fucking livid, mate.

Yeah. Bella's not
exactly gagging to go

to the funeral of a bloke

she never met where
she might get shot.

Hmm.

Good morning, Brendan.

You're up early. What
can I do for you?

[Brendan] Yeah, Dad. I called,

uh, Kevin and, uh, Bella said

that everyone's up
in the Cotswolds.

A conflab, she said.

- That's correct.
- So, uh,

- what's-what's happening?
- We're having a conflab,

- Brendan.
- Why aren't I at the conflab?

Well, that's because

you're not invited to
the conflab, Brendan.

Eddie, come to the table
please, sweetheart.

I bet Seraphina's there, yeah?

No, Brendan,
Seraphina's not here.

- Who's that?
- Three guesses.

Oh, give it here.

There you go.

Brendan,

the Stevensons have invited

the Harrigans to
Tommy's funeral.

- Fucking hell.
- Yeah,

so we're here, working out
a way forward, as it were.

Whoa, whoa, wait.

He's invited the family?

- Yes, Brendan.
- What about me?

See you later.
Have a lovely day.

Mum? Mum? Hello?

[sighs] I do love
him. I mean, I do.

But, seriously, what
a big donkey's cock.

Fucking cunts, man.

[Conrad] You have
to give them credit.

A very canny move. So,

it would appear that
old Richie has thrown us

something of a
curveball. [sniffles]

Who wants to start?

It's obvious Richie wants us all

in the same place
so he can mop us up.

[Maeve] Oh, come on, Kev.

Don't you want to
look Richie in the eye

and tell him how sorry
you are for his loss?

I say we go.

I've always liked
a good funeral.

Free food and drink.

And I'd quite like to
see Vron's curtains.

Hmm. Harry?

What does your gut say?

I think it's genius.

It's not a word one would
normally associate with Richie,

but... the fact is,

we're damned if we go and
we're damned if we don't.

I don't believe
Richie wants a war.

It's bad for business.

And if he did, I mean,
he could've started

by killing me at Moody's, right?

I know that would...
that would count

- as an eye for an eye.
- But you're not a Harrigan,

so it's not an eye for an eye.

That's an eye for a toe.

[sighs] Eddie, please

shut the fuck up.
You're the reason

- that we're in this mess.
- It is true.

Eddie.

Go on, Harry.

Nothing is likely to
happen at the crematorium

or the wake, all right?

As the police and press
will be monitoring

who comes and goes.

Richie will know that.

It's too public.

The fact that it's all
such a public display

suggest to me that this is
set for theatrics rather than

a massacre. It's more
of a show of power.

He wants you to know
he knows something.

And he wants to humiliate you.

But this is Richie, you know?

And this is an angry,
vengeful, bereaved Richie,

so, frankly,
anything is possible.

And if we go,

we'd be walking unarmed
into enemy territory,

and this will make us feel
very fucking uncomfortable

and vulnerable.

So, if we go, we need
to make an agreement.

Like, I don't know,
let's not drink

14 glasses of champagne
and forget where we are.

Mum.

Killjoy, Kev.

It's Eddie, actually.

Right?

And then,

it'll be crucial that
we have some hardware

in Richie's house, should
it go south, for insurance.

How do we get the guns inside?

I'm not worried about
that. I've got a way in.

So, if we agree and
that's what you want,

then I say we gratefully
accept the invitation.

Or we don't play any of
this and pull the pin.

[dog panting]

[dog growling]

♪ tense, dramatic music ♪

[Seraphina] It's actually

Parisian.

It's mid-19th century.

If you look at the
prong work, it's sloppy.

And the table cut is off-center.

Make a note, price it
ten percent below market.

- [knock on door]
- Sure. Will do.

[clears throat]

Excuse me.

Of course.

[Brendan] Seraphina.

Brendan.

Yeah, oh, I, yeah,

I wondered if you had an
hour for a spot of lunch?

Your sandwich bar?

Tempting as that is, Brendan,

I've packed my own
sandwich today.

I-I need an hour of your time.

And I guarantee you,
it will be worth it.

One hour.

[Conrad] There you go, now.

Fucking hell, Conrad, we won't
get half of this in there.

Yes. Thank you.

Right, now, let me know what
happens, when it happens.

♪

[dog barking]

Do you think this
is a good idea?

- If you ask me, he's just...
- Yeah?

You see, the thing is, Eddie,

nobody asked you. Eh?

- Oh?
- Say what you like,

but I agree with Eddie.

Trying to smuggle guns inside is

a very perilous strategy.

However... if it works?

We'll see.

[clicks tongue] Come on, dogs.

- [cork pops]
- [cheering]

- [Brendan] Oh, Connor.
- The wine list, sir.

[Brendan] Thank you.
Let's have a look. Um...

Oh, yeah, we'll have the, um,

we'll have the
Chateau Lafitte '89.

- Excellent choice, sir.
- Well, thanks, Connor.

Why am I here, Brendan?

Well...

Is this your proposal?

Take a look.

Takes your breath
away, doesn't it?

[Seraphina] From Mozambique.

- Full marks.
- Where did you get it?

Let's just say I have a contact,

and my contact has a
contact in Antwerp.

And my contact's
contact happens to have

20 more uncut stones

between two and eight carats.

Well, it's exciting.

If this was anybody but
you, I'd be excited.

Oh, jokes. Connor.

The Chateau Lafitte '89.

Oh, that looks lovely,
yeah. Pour it well.

Love that sound.
[imitates pour]

[sniffing]

[slurps]

[swishes]

Mmm.

It's, um... It's-it's
unimprovable.

- Thank you, sir.
- Love the label.

[wine pouring]

♪ atmospheric music ♪

[stone splashes]

[grunts]

[splashing]

♪

[splashes]

[heavy door closes]

[splashes]

How's your arse, little bitch?

- [grunting]
- [splashing]

[panting]

♪ quiet, emotional music ♪

[sniffling]

[Brendan] We've been insulted.

Left out in the cold.

Enough's enough.

It's time we show those

smug fuckers... and yes, I'm
including our father in this...

that we can deliver.

So, for fun,

I'm gonna have to
ask how your contact

has Mozambican rubies to sell,

because Gemfields
has the monopoly.

Whoever your contact is
shouldn't have these stones.

- Technicalities.
- Which you know nothing about.

I have a buyer.

Is it some bloke
you met in a tent?

In Dubai, yeah, a Russian.

Very sorry, Brendan.
I'm not getting wet.

No, I regret that remark.

Can we just draw a line under
that whole sorry affair?

Look, I'll be frank.

You know, I'm not in a
position to finance this deal.

That's-that's why
I've come to you.

We have a product,

we have a seller,
we have a buyer.

It's a wallet in the street,
we just have to pick it up.

A whole new revenue stream.

Millions.

Signed, sealed and
delivered to Dad.

By you and me, together.

Not outcasts, the fucking NFI.

The Golden Children. Champions.

I want 75% of the commission.

- Fuck off.
- You said it yourself.

It's my field, it's my alley.

- Fifty.
- Seventy-five.

You're my half
sister. You get half.

You're my quarter
brother. [scoffs]

♪ tense music ♪

♪

[beeps]

♪

[beeps]

Can I get a sparkling
water, please?

- Sure.
- Thank you.

- What's in the bag, H?
- We'll get to that.

I'm here, Freddie,
for two reasons, okay?

Number one is I heard
on the grapevine

that you're not very happy

- with the Stevensons.
- [scoffs]

Is that right?

It's what I heard.

Do you really think I'd
roll over on Richie?

Are you that high, you cunt?

No, that's not what I'm saying.

- Take it easy, H.
- Do you honestly think

that I would bring you here,
to a pub, broad daylight,

- and shoot you?
- What's in your fucking pocket?

Well, that's reason number two.

Um... that

is your phone. You
lost that, Christmas.

- Do you remember losing that?
- Where'd you get it?

Never you mind where I
got it, but I have got it,

and I cracked your code,
really complex one.

One, two, three,
four, five, six.

[phone clicks]

That there, that's the
Dumont Hotel, innit?

That's a view from
one of the suites.

That is a photograph
of a minibar,

although I don't
know why anyone would

take a photograph of a
minibar. There you go,

three lines of bugle.

And that is you.

And she...

...she is Vron Stevenson.

[chuckles]

Naughty.

Before you, like,
try some Hail Mary

grab for your phone,
you can just have it

'cause I don't need it.

[phone clicks]

What do you want, H?

I need insurance. Now,

we get back to your original
question, "what's in my bag?"

In my bag, yeah,
I got two Glocks,

a couple hand grenades,

and 50,000 in cash for you.

Where's a good hiding
place in Richie's house?

No idea, mate.

Well, you're gonna have to
think about it, aren't you?

Because I need you
to put these guns

somewhere inside Richie
and Vron's house.

Somewhere accessible,
but where they won't

get stumbled upon, you know?

You are thoroughly without
options here, mate.

Like I said, you are
the weakest link.

I've got you by the
balls, son, like Vron,

you know, so say
it. Say it with me.

Say, "I am the weakest link."

I need to trust
you here, Freddie.

Say it.

I'm the weakest link.

Good. When you know

where you're going to put
them, you let me know.

Yeah?

I'd hate to be you.

♪ Quiet, dramatic music ♪

[phone vibrating]

Alice, hey.

Can I meet you for
a drink tomorrow?

Aw,

tomorrow's not good.
I'm at a funeral.

Funeral? I'm sorry to
hear that. Were you close?

Uh, no, not exactly.

Between us, it's...

it's some poor
bastard called Tommy

nobody except his
mum will ever miss.

I don't even want to be
there. It's Harry's idea.

Well, maybe early next week?

Yeah. Yeah, that'd be nice.

All right, babe.

- All right.
- See you.

Bye.

The Harrigans are going

to Tommy Stevenson's
funeral tomorrow.

What?

♪ Soaring, dramatic music ♪

It's been ages since
I went to a funeral.

I like my funerals.

Yes, you said.

You seem to, too.

You know, it's the pomp.

- The security.
- Right.

Makes me feel like a first lady.

- Hmm.
- Aren't I giving you

Jackie Kennedy just after
the first assassination?

That was the look
I was going for.

Mmm.

I don't know, there's
something about funerals,

I don't know what it is.

It's something, you know, regal.

They get the juices
flowing. Don't you find?

Firstly, no, I fucking don't.

Number two, just be
nice, now. All right?

And lay off the Lady Petrol.

♪

[Kevin] Look,

you say "take me home,"
and I'll take you home.

Take me home.

I was talking to your mother.

Nah, I'm looking
forward to this.

If it looks like it's
about to kick off,

I'll give you the signal.

You get Jan, go to our security

and tell them it's
about to go down.

Listen, if Harry says it's
safe, I... I trust him.

[scoffs]

But not me.

What?

You trust Harry, but
you don't trust me.

I didn't say I didn't trust you.

I just said I trust Harry.

Is everything all right
between you and Harry?

What does that mean?

[Eddie] No, it's just...

are you cool?

We're always cool.

[Bella] I trust

Harry, Kevin. Do
you trust him?

[Eddie] Do you, Dad?

Fuck off, Eddie.

♪

[Vron crying]

♪

[camera shutter clicks]

Jan, I'm going up front, okay?

[murmuring]

[Harry] Conrad.

- Make some space.
- Thank you.

[exhales sharply]

Sorry for your troubles, Richie.

Conrad, thank you.

Thanks.

My condolences, Vron.

Sincere condolences, Vron.

Harry, you know.

- Richie. Sorry for your loss.
- Thanks, Harry.

Vron, I-I'm Harry.

- I'm sorry for your loss.
- [Conrad] Kevin.

Sorry for you loss, Richie.

Kev.

Sorry for your loss.

[Conrad] Their better halves,

- Isabella...
- Hi.

...and Jan.

- [Jan] Sorry for your loss.
- Thanks.

[Conrad] And this is Edward.

♪ Tense music ♪

[crow cawing]

Hello, Edward.

Hello, Richard.

It's Richie.

Is it? Well, in that
case, call me Eddie.

I'm so sorry for
your loss of Tommy.

He was a right laugh.

I don't think we've met.

Fuck off.

What was that?

- What was what?
- Going in to kiss Vron.

I was being friendly.

Don't.

Go on, Eddie.

You do anything like that again,

and I will strangle you myself.

[camera shutter clicking]

[Henry Purcell's "Music for the
Funeral of Queen Mary" playing]

[heavy door closes]

♪

[people crying]

[both crying]

♪

[priest] Please be seated.

♪

[music ends]

[exhales shakily]

[Richie] "Do not let
your hearts be troubled.

If you believe in God...

...also believe in me.

For God so loved this world

that he gave us his
one and only Son.

And those that believe in him

shall not perish...

...but have eternal life."

He's staring you out.

- Shut it.
- He is.

"My Father's house
has many rooms."

[whispering] He's
mugging you off.

He's making you look like a
right cunt in front of everyone.

[quietly] Maeve,
shut the fuck up,

so help me God.

♪ Tense music ♪

[Richie] "If that were not so,

would I say that I'm going there

to prepare a place for you?

And if I prepare
a place for you...

...I will come back...

...and I will take
you there with me...

...so you may also be...

...where I am."

♪

[camera shutter clicking]

[guard] Arms out, please.

All right, thank you.

Your arms, please.

All right.

♪

[Vron] Oh, I just can't
believe he's not here.

[Conrad] So, uh,
your wife's okay?

Yeah, she's fine.

Well, I heard
about that, though.

That was a bit of
a... bit of an upset.

Look after yourself anyway.

[indistinct chatter]

Just smile.

If anyone talks to
you, just be polite.

Do you know anyone here?

One or two.

- Keep an eye on them. All right?
- Sure.

- Hi, Jan. You all right? Yeah.
- Yeah.

[kisses] You look lovely.

[Jan] Thanks, Kev.

Hi, Jan. [kisses]

Mm. Long time.

It has been.

How are you keeping?

Good.

Where's Eddie?

♪ Tense music ♪

Hmm. [sputters]

[chuckles]

[Eddie sniffs loudly]

Fuck off.

Hmm.

♪

Are you fucking serious?

Nail scissors?

Do your nails.

[scissors clatter]

Come downstairs and
at least pretend

to be a man.

Cunt.

♪ Tense string music ♪

[door closes]

♪

♪

Harry.

Go and ask Richie why
he's staring at me.

He's not staring at you.

Don't tell me when someone
is or isn't staring at me.

All right, he's staring at you.

[Conrad] Hmm.

I hope you're right about
this function, Harry.

Otherwise, you put the entire
family in the crosshairs.

It's all under control.

Fair play.

What's she fucking doing?

Vron, I can't tell you

how deeply, deeply sorry
I am for your loss.

I bet you can't.

What does that mean?

[Vron] You know what it means.

I never wanted none of you

cunts here. It
was Richie's idea.

Fuck knows why.

I just hope you
know where you are.

[scoffs]

How in God's name
does Conrad fuck that?

[woman] God knows.

[Vron scoffs]

♪

[people gasp]

- Here, mate.
- There you go.

Yeah, thanks.

[murmuring]

♪

Ah, bev, Kev.

Here, Mum.

The fuck are you doing?

Ah, fuck.

[Eddie] You were in my way.

[Charlie] Watch where you're
going, you little cunt.

Get out my fucking face, cunt.

It's all right, mate.
It's all right. Eddie,

go home.

[Richie] No, no, stay.

You've been invited, so stay.

It's all right, Richie.
You can go home.

- But Richie said I can stay.
- I don't give a fuck

what Richie said, mate.

Well, we can get Eddie a lift.

I mean, Freddie'll do it,

if that's all right with you, H.

No, y-you're all right. I
think we got this. Thank you.

I ain't going with
Freddie. I'll get an Uber.

You'll do as you're
fucking told.

[Conrad] What's this now, hmm?

[Harry] We were just working
out how to get Eddie home.

All right, Eddie. Off you trot.

I'm taking my son home.

Conrad, can we have a word?

Harry.

Kevin.

- Olie.
- Yeah.

Charlie.

[Richie] I've been
watching the news.

Those Arabs and the Jews, awful.

Don't you think it's awful?

[Conrad] I'm Irish.

I've had a gut full of that
bollocks since I was a kid.

And, to be honest,

I couldn't give a fuck
about another man's war.

Was you nervous?

When?

When I asked you to come here.

If I was, I wouldn't
be here now.

What, not even a little bit?

Thinking like,
"What's he up to?"

Not a jot, Richie.

We were extremely
honored and very touched.

See, that's odd.

Because, by nature,

you're quite a wily
old fox, Conrad.

You don't tend to
blunder around,

risking life and limb.

What's your fucking
point, Stevenson?

I know who done Tommy.

♪ Quiet, ominous music ♪

You must think I'm a right mug.

That patsy

that you set up
and then murdered.

I know it weren't him.

Now, I don't want a war.

I'm not saying I won't

wake up tomorrow feeling
completely different,

but right here now, I
don't want vengeance,

'cause I know what I
have, or what I have left.

Now, Conrad...

...I hate the bones of you,

every ounce of my soul.

I genuinely

wish you and yours
nothing but ill.

But I asked you here today

to see if you'd come,

and you came.

And I respect that.

So there'll be no war.

But if I see that little
cunt Eddie Harrigan

out anywhere,

in a pub, on a park bench,

he's fair game.

But he gets to live.

Unlike my boy...

...who's dead.

Now, do we have a deal?

- [fishing reel spins]
- [Conrad] Come on.

[groans]

Oh, no.

Come on, you fucker.

[fire crackling]

Ooh.

Oh, God.

[groans]

Are you all right there, now?

What happened?

You had a bit too much to drink.

Perhaps it was the nerves.

Hmm.

Bollocks. Someone roofied me.

Was it you?

Hmm?

Tell me the truth.

Don't go pointing your finger
at me like that now, Maeve.

Had nothing to do with
me. Nothing at all.

- [phone clicks]
- Ah, look at this beauty.

Now... [groans] Jesus, Maeve.

That's no way to treat
my trout. Really?

That fucking cunt
insulted me to my face.

To my face.

Calm down now. Just
calm down now, Maeve.

We'll have a nice cup of tea.

Just...

Fuck you, too.

♪ Quiet, tense music ♪

[line ringing]

Paul?

[Paul] Yes, Maeve?

♪ "People Ain't No Good" by
Nick Cave & The Bad Seeds ♪

♪ People just ain't no good ♪

♪ I think that's
well understood ♪

♪ You can see it
everywhere you look ♪

♪ People just ain't no good ♪

♪ We were married
under cherry trees ♪

♪ Under blossom
we made our vows ♪

♪ All the blossoms
come sailing down ♪

♪ Through the streets and
through the playground ♪

♪ The sun would stream
on the sheets... ♪

[Vron] Babe,

I'm going down the shops.

Do you want anything?

Babe?

♪ We'd buy the
Sunday newspapers ♪

♪ And never read a single word ♪

- ♪ People ♪
- [doors unlock]

♪ They ain't no good ♪

♪ People ♪

♪ They ain't no good ♪

♪ People ♪

♪ They ain't no good ♪

[engine starts]

♪ Seasons came, seasons went ♪

♪ The winter stripped
the blossoms bare ♪

♪ A different tree now
lines the streets ♪

♪ Shaking its fists in the air ♪

♪ The winter slammed
us like a fist ♪

♪ The windows rattling
in the gales ♪

♪ To which she drew
the curtains... ♪