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All right, so this is the space as
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you can see Super boring super challenging crappy
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light not a single window in the entire
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room.
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It's essentially a conference boardroom and It's adjacent
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the space where the ceremony is going to
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be happening as you're gonna see And so
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here we go.
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I mean it is what it is So
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I'm there before will I'm just me in
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this empty space So I'm gonna put one
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of my flashes on the light stand and
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you can see the little clamp.
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We've got on the top of our light
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stand there Wheels arriving But this isn't the
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first time that we saw each other today
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I saw him earlier in the morning Okay,
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my other flash I'm gonna mount it up
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on this light fixture here because that is
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literally the only mirror in the entire room
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and I positioned it here intentionally Because it
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felt like the least worst spot To have
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it and as well as because I had
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this light fixture right beside it, which allowed
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me to clamp my flash Okay, now I'm
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just trying to eyeball it Position it so
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that it's gonna hit people in there in
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front of the mirror Everyone's a little bit
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shorter than me.
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Of course, I have to crouch All right,
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so some of the guys are arriving and
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I'm just trying to Make compositions of whatever
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is happening So this would have been about
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two hours Start to finish in this room
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maybe hour and a half Those
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masks, of course hide the expression which makes
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it challenging and Often this is what we
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see people looking down Especially with with their
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phones these days and so often The best
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bet in those situations is to go down
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low with the camera shoot up through whatever
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they're looking at in towards their eyes Okay,
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so now I'm hearing voices There's possibly some
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moments about to happen But not really in
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this case.
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And of course, we've still got the masks
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Okay, so this is the ceremony spaces you're
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gonna see later But it's adjacent the room
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where the guys are getting ready And so
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we'll would be back and forth between this
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space and and the other room and so
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I would just follow him This is the
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case where?
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Will's dad arrived and I got to meet
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him for the first time Okay, we're
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back in the room You know moments are
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starting to happen there's laughter now some masks
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are coming off For
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the most part.
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I'm shooting natural light on the fly here
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Unless there Unless they're sitting somewhere where it
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looks like I've got the potential to bring
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in a flash You'll see I play around
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this little This little reflective mirror throughout the
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morning Here's a case where you know, okay,
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they're sitting down here having a conversation.
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I've got maybe a couple minutes Let's see
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if I can get some interesting light coming
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in from the side on will here Okay,
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and whenever I see this sort of thing
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I'm thinking shoot through potential layering potential Can
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I layer will through there and I've got
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that flash that I mounted I think the
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flash was in position here so I can
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light will yeah, you can see there I've
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got some light on will and The reason
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for shooting through and layering like this is
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obviously because I can layer in multiple stories,
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but it also fills the frame One of
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the one of the challenging things in a
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space like this is it's so open and
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there's so much Ugly wall space filling your
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frame unless you're getting really close or shooting
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through Something layering something in to fill the
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rest of the flame fill the rest of
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the frame.
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Okay, just adjusting that flash Anticipating that things
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are gonna start happening in front of that
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mirror soon I'm playing around with some wine
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glasses here.
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I just had the idea to maybe shoot
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through because I Got 15 or 20 minutes
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of nothing.
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They're sitting down having lunch, right?
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They're just eating I'm not gonna get any
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great shots of people eating.
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So it's an opportunity to try something a
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little bit different and To just keep working
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through it, right?
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You see I've got a I've got a
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flash Coming in on will there from this
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side and then I decided to try to
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get a light source on the wine glasses
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to light up the foreground and I actually
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put a Green gel in front of the
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flashlight on my phone.
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They're just just playing around Trying to fill
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the frame with something interesting something other than
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those ugly walls, okay wheels now on the
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phone here, you know So I've got time
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to position that light and then just get
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in close and fill the frame another
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chance to maybe shoot through Will's arms there
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and get her reaction through there Again,
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I'm often Flipping back and forth between the
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cameras with the different lenses and here I
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am trying again I don't think this worked
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in this case, but I'm trying to use
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that reflection to again fill the frame and
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layer stories Okay, so this is outside in
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the in the ceremony space again and they
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had this table with framed photos of important
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family members Okay,
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in this case I was seeing if I
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could use the reflective surface to Layer in
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more of them from where I was shooting
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into the same composition You know, I'm getting
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nothing awesome here But that's okay It is
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what it is.
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Now.
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They're all just sitting around a round table
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shooting the shit and So I'm just gonna
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do whatever I can to tell that story
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high low close far.
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Oh There's those hands up again now
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I find it's a better strategy to keep
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shooting and Working through all of this nothingness
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this boringness than to just sit back and
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wait for the interesting stuff because that way
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once We get into that interesting stuff.
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They're already just desensitized to me moving around
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doing my thing with the camera High low
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close far details with context Okay, so
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now I'm trying to go low, right?
145
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This is a little bit ridiculous But I
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felt like you know what let's just try
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it and of course people are gonna notice
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it and that's okay Right.
149
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They're gonna laugh But it gets it out
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of their system, right?
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So now of course, I'm in the worst
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place I could possibly be for when this
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happens, right?
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so, you know you try to stack the
155
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cards in your deck, but Sometimes you gamble
156
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wrong and that's what happened here.
157
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So as soon as I hear this, I'm
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like, oh crap.
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I'm in the wrong deck Totally worst place
160
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I could possibly be and so now I'm
161
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trying to move my way out of here
162
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and go get these moments Jesus Okay All
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right.
164
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So now will is in front of the
165
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mirror because now he's actually getting dressed, right?
166
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And so I've got my flash up there.
167
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I'm gonna start Trying to document this.
168
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Oh, I gotta fix my flash.
169
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It's all wrong Okay, now you see doing
170
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this though having just done what I just
171
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did before as ridiculous as it was they
172
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don't even notice this It's I've already done
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something more ridiculous.
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So so they don't care.
175
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They just do their thing and let me
176
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do mine Okay, and I'm just you know
177
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Fine-tuning that angle of that flash to
178
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try to get it right because I know
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that now things are starting to happen in
180
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front of The mirror, right?
181
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So now I can off-camera light Okay
182
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getting linked in there Okay using the mirror
183
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I've got the wrong lens.
184
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I want the other lens on my other
185
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camera Probably switching from the 35 to the
186
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28 here, I think Okay We're back.
187
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We're linked to the flash Okay, oh just
188
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tweak that flash setting Okay, I can take
189
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me out and post if I need Okay
190
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Okay trying to find an interesting angle Okay,
191
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and I'm realizing though I can't really use
192
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the From this angle.
193
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I can't see his reflection in the mirror.
194
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And so I brought in this little mirror
195
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positioned where it is Just looking through the
196
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viewfinder.
197
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I could see that it allowed me to
198
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reflect his reflection from the mirror in that
199
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little reflection So but really it just came
200
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from experimenting and trying it out and realizing
201
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oh, okay No that now I can get
202
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a more interesting composition, right?
203
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The angle of the off-camera flash was
204
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working well from that that low angle as
205
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well Okay,
206
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so I'm sensing that.
207
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Okay, we're starting to transition into actually moving
208
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towards the ceremony.
209
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So things are starting to happen fast That's
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typical with the guys, right?
211
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everything happens all at once at the last
212
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minute and They're usually scrambling and so now
213
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I'm just trying to roll with what's happening
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layer in the stories as best I can
215
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fill the frame Oh little guys in here
216
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now I'm gonna try to get down there
217
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for those stories Okay,
218
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and I'm also thinking like in the back
219
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of my head.
220
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Am I ready to move?
221
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Am I ready to roll with them into
222
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the ceremony?
223
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It's my bag packed ready to go and
224
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here we go time for the ceremony
16104
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