Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,700 --> 00:00:06,466
GIRLS
WHO LIVED ACROSS THE STREET
2
00:00:06,467 --> 00:00:10,466
WERE SMART AND PRETTY
AND REALLY NICE.
3
00:00:13,033 --> 00:00:16,399
THEY WERE CLUB LEADERS
AND STAR STUDENTS,
4
00:00:16,400 --> 00:00:20,399
AND THEY HARDLY EVER
GOT INTO TROUBLE WITH CURFEW.
5
00:00:20,400 --> 00:00:21,899
SO WE NEVER HAD ANY REASON
6
00:00:21,900 --> 00:00:25,399
TO THINK
THAT ON THAT JULY MORNING,
7
00:00:25,400 --> 00:00:28,166
THEY WEREN'T SLEEPING SOUNDLY
IN THEIR BEDS.
8
00:00:39,000 --> 00:00:42,432
BUT CORA AMURAO
HAD NOT SLEPT AT ALL.
9
00:00:42,433 --> 00:00:44,832
SHE HAD LIVED
THROUGH A NIGHT DARKER
10
00:00:44,833 --> 00:00:49,866
THAN YOU OR I WILL EVER KNOW.
11
00:00:49,867 --> 00:00:52,099
AND WHEN SHE DID GET UP
THAT MORNING,
12
00:00:52,100 --> 00:00:54,066
SHE MUST HAVE BEEN PRAYING
13
00:00:54,067 --> 00:00:58,299
THAT IT HAD ALL BEEN
SOME KIND OF NIGHTMARE,
14
00:00:58,300 --> 00:01:02,933
THAT WHAT SHE HAD ENDURED
COULDN'T POSSIBLY BE REAL.
15
00:01:20,833 --> 00:01:24,299
HELP!
SOMEONE, HELP, PLEASE!
16
00:01:24,300 --> 00:01:26,867
SOMEONE, HELP, PLEASE!
17
00:01:29,233 --> 00:01:32,333
**
18
00:01:44,767 --> 00:01:48,666
CHICAGO IN THE SUMMER OF '66
WAS THE SORT OF HOT
19
00:01:48,667 --> 00:01:51,632
THAT CREEPS IN UNDER YOUR SKIN.
20
00:01:51,633 --> 00:01:53,932
AND IT WASN'T JUST THE WEATHER.
21
00:01:53,933 --> 00:01:57,432
THERE WAS A LOT OF TALK
THAT SUMMER OF CIVIL RIGHTS.
22
00:01:57,433 --> 00:01:59,499
EVERYONE WAS PRETTY WORKED UP.
23
00:01:59,500 --> 00:02:02,166
THE MOVEMENT HAD GATHERED
MOMENTUM DOWN SOUTH.
24
00:02:02,167 --> 00:02:03,432
AND WITH THE CIVIL RIGHTS ACT
25
00:02:03,433 --> 00:02:06,632
BECOMING LAW
JUST 2 YEARS EARLIER,
26
00:02:06,633 --> 00:02:10,432
CHANGES WERE CLIMBING UP NORTH
TO PLACES LIKE CHICAGO.
27
00:02:10,433 --> 00:02:12,866
YOU'D THINK THEY WOULD HAVE
HAD AN EASIER TIME UP HERE,
28
00:02:12,867 --> 00:02:14,566
BUT YOU'D BE WRONG.
29
00:02:14,567 --> 00:02:18,699
RIOTS WERE STARTING
TO BREAK OUT.
30
00:02:18,700 --> 00:02:21,099
SO IT WOULD HAVE
SHOCKED ME TO NO END
31
00:02:21,100 --> 00:02:24,599
TO FIND OUT THAT THE MOST
TERRIBLE VIOLENCE THAT SUMMER
32
00:02:24,600 --> 00:02:27,166
WOULD HAPPEN RIGHT
IN MY OWN NEIGHBORHOOD.
33
00:02:27,167 --> 00:02:30,366
JEFFERY MANOR WAS A QUIET AREA
AT THE EDGE OF THE CITY.
34
00:02:30,367 --> 00:02:32,966
YOU NEVER EXPECTED
TO LOOK OUT YOUR WINDOW
35
00:02:32,967 --> 00:02:34,699
AND SEE A CRIME SCENE.
36
00:02:34,700 --> 00:02:37,832
THE FIRST HOMICIDE DETECTIVE
ON THE SCENE, JACK WALLENDA,
37
00:02:37,833 --> 00:02:40,733
WALKS IN TO THE TOWN HOUSE.
38
00:02:47,200 --> 00:02:50,467
**
39
00:02:56,067 --> 00:02:58,833
AND ALL HE CAN SEE
ARE BLOOD AND GIRLS.
40
00:03:07,967 --> 00:03:11,233
HE'S NEVER SEEN
ANYTHING LIKE THIS BEFORE.
41
00:03:14,600 --> 00:03:19,399
THERE ARE FIVE LACERATIONS,
ALL WITHIN A 6-INCH AREA.
42
00:03:19,400 --> 00:03:22,399
YOU HAVE EIGHT VICTIMS.
43
00:03:22,400 --> 00:03:25,866
THEY'D BEEN STABBED, STRANGLED.
44
00:03:25,867 --> 00:03:30,299
AND THIS ONE
IS STABBED IN THE EYE.
45
00:03:30,300 --> 00:03:34,732
IN THE LIVING ROOM
IS A NUDE YOUNG WOMAN.
46
00:03:34,733 --> 00:03:39,799
IT APPEARS THAT SHE
HAS BEEN SEXUALLY ASSAULTED.
47
00:03:39,800 --> 00:03:42,166
THE VICTIM'S WRISTS ARE BOUND.
48
00:03:42,167 --> 00:03:46,232
AND THEY WERE TIED
VERY PROFESSIONALLY AND TIGHTLY.
49
00:03:46,233 --> 00:03:50,633
IT'S A COMPLETE SCENE OF CARNAGE
AND MAYHEM.
50
00:03:53,900 --> 00:03:56,799
THIS HAD TO HAVE BEEN
AT LEAST TWO OR THREE PERPS.
51
00:03:56,800 --> 00:04:00,099
THERE'S A GREAT DEAL
OF SPECULATION WHO POSSIBLY
52
00:04:00,100 --> 00:04:02,066
COULD HAVE ACCOMPLISHED
SUCH A GRUESOME FEAT.
53
00:04:02,067 --> 00:04:05,432
IS IT A GANG
OF DRUG-CRAZED KILLERS?
54
00:04:05,433 --> 00:04:09,666
THERE IS A SCREEN OFF A
WINDOW IN THE REAR OF THE TOWN HOUSE.
55
00:04:09,667 --> 00:04:11,899
ALSO BECAUSE OF THE RIOTS
56
00:04:11,900 --> 00:04:14,799
AND THE GENERAL SENSE OF TENSION
BETWEEN BLACKS AND WHITES,
57
00:04:14,800 --> 00:04:18,632
THERE IS SOME GRUMBLING OF,
"WERE THESE A GANG OF BLACKS
58
00:04:18,633 --> 00:04:20,532
WHO MIGHT'VE BROKEN
INTO THIS TOWN HOUSE
59
00:04:20,533 --> 00:04:26,132
AND KILLED
THESE EIGHT STUDENT NURSES?"
60
00:04:26,133 --> 00:04:27,499
THE CRIME LAB TECHNICIANS
61
00:04:27,500 --> 00:04:32,099
ARE BEGINNING THE PROCESS
OF LIFTING FINGERPRINTS.
62
00:04:32,100 --> 00:04:33,899
THERE IS A BLOODY T-SHIRT,
63
00:04:33,900 --> 00:04:38,599
WHICH DOESN'T LOOK LIKE
IT WOULD BELONG TO THE NURSES.
64
00:04:38,600 --> 00:04:42,466
BUT IN TERMS OF CLUES,
THERE ARE VERY FEW.
65
00:04:42,467 --> 00:04:45,433
**
66
00:04:50,067 --> 00:04:51,599
WHEN YOU WORK IN A HOSPITAL,
67
00:04:51,600 --> 00:04:54,199
DEATH BECOMES A PART
OF YOUR EVERYDAY LIFE.
68
00:04:54,200 --> 00:04:57,799
BUT IT'S DIFFERENT
WHEN IT HAPPENS LIKE THIS,
69
00:04:57,800 --> 00:05:00,432
ESPECIALLY WHEN IT'S SOMEONE
YOU KNOW.
70
00:05:00,433 --> 00:05:01,632
ALL THE TRAINING IN THE WORLD
71
00:05:01,633 --> 00:05:04,466
CAN'T PREPARE YOU
FOR THAT FEELING.
72
00:05:04,467 --> 00:05:06,132
YOUR BODY GOES NUMB,
73
00:05:06,133 --> 00:05:09,866
AND YOUR MIND
FLIPS THROUGH EVERYTHING
74
00:05:09,867 --> 00:05:11,132
YOU KNEW ABOUT THE PERSON,
75
00:05:11,133 --> 00:05:13,732
AS THOUGH REMEMBERING
76
00:05:13,733 --> 00:05:18,067
ALL THE LITTLE DETAILS
MIGHT HELP YOU HOLD ON TO THEM.
77
00:05:21,100 --> 00:05:25,699
NINA SCHMALE WAS MAYBE THE MOST
POPULAR GIRL IN OUR CLASS.
78
00:05:25,700 --> 00:05:29,066
AND GLORIA DAVY
WAS REALLY ACCOMPLISHED.
79
00:05:29,067 --> 00:05:32,232
SHE WAS HEAD OF
THE STUDENT NURSES ASSOCIATION.
80
00:05:32,233 --> 00:05:36,367
AND PAMELA WILKENING,
WE ALL CALLED HER WILLY.
81
00:05:39,933 --> 00:05:43,266
I WISH I HAD GOTTEN
TO KNOW THEM BETTER.
82
00:05:43,267 --> 00:05:46,499
AND NOW ALL I HAD WAS REGRET.
83
00:05:46,500 --> 00:05:49,332
BUT THAT'S WHY
WE WERE SO THANKFUL TO HEAR
84
00:05:49,333 --> 00:05:51,799
THAT SOMEONE HAD SURVIVED.
85
00:05:51,800 --> 00:05:54,699
CORA AMURAO WAS NEW AT SCHOOL.
86
00:05:54,700 --> 00:05:56,699
SHE'D ONLY MOVED TO CHICAGO
FROM THE PHILIPPINES
87
00:05:56,700 --> 00:05:59,099
2 MONTHS BEFORE.
88
00:05:59,100 --> 00:06:02,699
SHE SEEMED SWEET
AND A LITTLE SHY.
89
00:06:02,700 --> 00:06:07,399
THE ADVANTAGE OF HAVING A LIVING
EYE WITNESS CAN'T BE OVERSTATED.
90
00:06:07,400 --> 00:06:10,732
THE INVESTIGATORS NEED TO GET
AS MUCH INFORMATION FROM HER
91
00:06:10,733 --> 00:06:13,632
AS THEY CAN,
AS SOON AS POSSIBLE.
92
00:06:13,633 --> 00:06:16,700
**
93
00:06:23,367 --> 00:06:26,066
CORA.
94
00:06:26,067 --> 00:06:28,966
CORA.
95
00:06:28,967 --> 00:06:31,400
CAN YOU TELL US
WHAT HAPPENED?
96
00:06:42,867 --> 00:06:45,266
CORA IS TERRIFIED.
97
00:06:45,267 --> 00:06:49,166
SHE STARTS TO REVERT
TO HER NATIVE TAGALOG.
98
00:06:49,167 --> 00:06:53,532
SHE'S HORRIBLY TRAUMATIZED
BY WHAT SHE HAS WITNESSED.
99
00:06:53,533 --> 00:06:55,933
SO SHE HAS TO BE SEDATED.
100
00:06:58,933 --> 00:07:02,432
FINALLY, CORA CALMS DOWN.
101
00:07:02,433 --> 00:07:03,966
AND AT THAT POINT, SHE SAYS,
102
00:07:03,967 --> 00:07:06,067
"I REALLY WANT TO HELP."
103
00:07:09,067 --> 00:07:14,066
LAST NIGHT,
I WENT TO BED AT 10:30.
104
00:07:14,067 --> 00:07:20,066
HALF HOUR LATER,
I HEARD A KNOCK.
105
00:07:20,067 --> 00:07:24,599
I ANSWERED THE DOOR.
106
00:07:24,600 --> 00:07:27,166
WHO WAS AT THE DOOR?
107
00:07:27,167 --> 00:07:30,599
HOW MANY MEN?
108
00:07:30,600 --> 00:07:35,566
ONE MAN.
109
00:07:35,567 --> 00:07:39,499
YOU'RE SAYING
THAT ONE MAN DID THIS?
110
00:07:39,500 --> 00:07:45,300
YES, TALL,
6 FEET, BLOND HAIR.
111
00:07:47,400 --> 00:07:49,899
YES.
112
00:07:49,900 --> 00:07:53,099
THEY FIND THIS SHOCKING.
113
00:07:53,100 --> 00:07:57,599
A SINGLE MAN KILLED EIGHT WOMEN.
114
00:07:57,600 --> 00:08:00,766
WHAT ELSE IS HE CAPABLE OF?
115
00:08:00,767 --> 00:08:03,932
WHOEVER HAD
THE ABILITY TO DO THIS
116
00:08:03,933 --> 00:08:07,300
WILL VERY LIKELY STRIKE AGAIN.
117
00:08:13,400 --> 00:08:16,700
**
118
00:08:23,067 --> 00:08:25,199
ONE --
ONE QUESTION AT A TIME.
119
00:08:25,200 --> 00:08:29,632
EIGHT NURSES HAVE BEEN KILLED IN
ONE NIGHT WITH SEXUAL OVERTONES.
120
00:08:29,633 --> 00:08:31,832
RIGHT NOW, WE'RE --
WE'RE LOOKING AT A COMBINATION
121
00:08:31,833 --> 00:08:33,532
OF STABBING AND STRANGULATION.
122
00:08:33,533 --> 00:08:34,932
WHAT WAS THE MOTIVE?
123
00:08:34,933 --> 00:08:36,099
WE DON'T KNOW.
124
00:08:36,100 --> 00:08:38,466
THERE IS A SENSE
OF INCOMPREHENSION.
125
00:08:38,467 --> 00:08:42,299
THE POLICE HAVE LEARNED
THAT THE KILLER IS ONLY ONE MAN.
126
00:08:42,300 --> 00:08:46,366
AND EVERYBODY
IS JUST TOTALLY ASTONISHED
127
00:08:46,367 --> 00:08:48,766
AT HOW HE COULD HAVE DONE THIS.
128
00:08:48,767 --> 00:08:53,366
WE DON'T KNOW EXACTLY
WHAT HAS HAPPENED.
129
00:08:53,367 --> 00:08:56,732
IT'S THE CRIME OF THE CENTURY.
130
00:08:56,733 --> 00:08:58,266
ARE THERE ANY SURVIVORS?
131
00:08:58,267 --> 00:09:00,166
THERE'S ONE SURVIVOR.
132
00:09:00,167 --> 00:09:04,299
FROM CORA, THE SURVIVING NURSE,
THEY DID HAVE A DESCRIPTION.
133
00:09:04,300 --> 00:09:07,366
A WHITE MALE,
APPROXIMATELY 25 YEARS OF AGE,
134
00:09:07,367 --> 00:09:11,766
6 FEET TALL, BLOND HAIR,
WITH A SOUTHERN DRAWL.
135
00:09:11,767 --> 00:09:17,199
THANK YOU.
THANK YOU.
136
00:09:17,200 --> 00:09:19,366
ALL RIGHT, GUYS.
LISTEN UP.
137
00:09:19,367 --> 00:09:21,166
I WANT YOU TO COVER
THE ENTIRE AREA.
138
00:09:21,167 --> 00:09:24,232
THEY HAVE A MASS MURDERER
ON THEIR HANDS WHO HAS
139
00:09:24,233 --> 00:09:26,532
A HEAD START OF SEVERAL HOURS.
140
00:09:26,533 --> 00:09:29,532
ALL RIGHT. BURGLARY,
YOU'RE GONNA COVER THIS.
141
00:09:29,533 --> 00:09:31,166
THERE'S A CONSIDERABLE SENSE
OF URGENCY
142
00:09:31,167 --> 00:09:33,966
TO USE AS MUCH MANPOWER
AS POSSIBLE.
143
00:09:33,967 --> 00:09:37,066
SO BURGLARY DETECTIVES
WERE PUT ON THE CASE
144
00:09:37,067 --> 00:09:39,932
IN ADDITION
TO THE HOMICIDE DETECTIVES.
145
00:09:39,933 --> 00:09:41,599
I DON'T WANT
ANY STONE LEFT UNTURNED.
146
00:09:41,600 --> 00:09:43,167
OKAY?
- YOU GOT IT.
147
00:09:47,200 --> 00:09:50,566
THE BURGLARY
DETECTIVES WERE VERY STREET WISE.
148
00:09:50,567 --> 00:09:52,432
THEY KNEW EVERY NOOK AND CRANNY.
149
00:09:52,433 --> 00:09:55,067
THEY KNEW HOW TO GET
INFORMATION.
150
00:10:00,800 --> 00:10:03,366
HEY, FELLA.
I'M A FRIEND OF YOUR MANAGER.
151
00:10:03,367 --> 00:10:04,966
HOW ARE YOU TODAY?
152
00:10:04,967 --> 00:10:07,699
A BURGLARY DETECTIVE
NAMED EDDIE WIELOSINSKI
153
00:10:07,700 --> 00:10:08,899
LIVES IN THE NEIGHBORHOOD,
154
00:10:08,900 --> 00:10:12,066
AND HE KNOWS IT
LIKE THE BACK OF HIS HANDS.
155
00:10:12,067 --> 00:10:13,799
WE'RE ACTUALLY CANVASSING
THE AREA.
156
00:10:13,800 --> 00:10:15,966
HE GOES TO A GAS STATION,
157
00:10:15,967 --> 00:10:18,332
AND HE TALKS
TO THE GAS STATION ATTENDANT.
158
00:10:18,333 --> 00:10:21,466
THE STATION IS A GATHERING POINT
FOR TRANSIENT PEOPLE
159
00:10:21,467 --> 00:10:23,199
AND TROUBLEMAKERS
IN THE NEIGHBORHOOD.
160
00:10:23,200 --> 00:10:25,799
SO WE'RE LOOKING
FOR A WHITE MALE.
161
00:10:25,800 --> 00:10:29,499
AND HE GIVES CORA'S
DESCRIPTION OF THE SUSPECT.
162
00:10:29,500 --> 00:10:32,199
WELL, I -- I GUESS THERE WAS,
ONE GUY.
163
00:10:32,200 --> 00:10:33,832
THE ATTENDANT
SAYS, "WELL, YOU KNOW,
164
00:10:33,833 --> 00:10:36,199
THERE WAS SOMEBODY
WHO SOUNDS LIKE THAT.
165
00:10:36,200 --> 00:10:39,366
HE WAS VERY AGITATED
AND A LITTLE BELLIGERENT."
166
00:10:39,367 --> 00:10:40,832
ANY WAY
YOU COULD IDENTIFY HIM?
167
00:10:40,833 --> 00:10:43,499
THE -- THE TATTOOS,
FOR SURE.
168
00:10:43,500 --> 00:10:45,866
HE HAD, - WHAT WAS IT?
169
00:10:45,867 --> 00:10:47,932
BORN TO RAISE HELL.
170
00:10:47,933 --> 00:10:51,532
IT WAS, RIGHT HERE,
THE LEFT ARM.
171
00:10:51,533 --> 00:10:52,932
DO YOU REMEMBER
ANYTHING ELSE?
172
00:10:52,933 --> 00:10:54,299
MAYBE IT WAS THAT HE HAD TO BE
SOMEWHERE
173
00:10:54,300 --> 00:10:58,832
'CAUSE HE SAID HE WAS, LIKE,
SHIPPIN' OUT TO NEW ORLEANS.
174
00:10:58,833 --> 00:11:00,532
HE SAID HE WAS TAKING A SHIP
FROM SOMEWHERE?
175
00:11:00,533 --> 00:11:02,066
YEAH, YEAH.
176
00:11:02,067 --> 00:11:06,066
WIELOSINSKI HAD BEEN
A MERCHANT SAILOR AT ONE TIME.
177
00:11:06,067 --> 00:11:10,566
AND HE REMEMBERED THE KNOTS
THE GIRLS WERE TIED WITH.
178
00:11:10,567 --> 00:11:15,167
WIELOSINSKI REALIZES
THE SUSPECT COULD BE A SAILOR.
179
00:11:21,733 --> 00:11:24,699
INVESTIGATORS GO
TO THE SEAMAN'S UNION HALL,
180
00:11:24,700 --> 00:11:26,666
WHICH IS ADJACENT
TO THE TOWNHOME
181
00:11:26,667 --> 00:11:28,699
IN WHICH THE GIRLS WERE KILLED.
182
00:11:28,700 --> 00:11:32,232
SIR, WE'RE LOOKING
FOR A WHITE MALE, TATTOOS.
183
00:11:32,233 --> 00:11:36,866
HE MENTIONS THE SAILOR'S
BELLIGERENT ATTITUDE
184
00:11:36,867 --> 00:11:39,066
WITH THE COMPLAINING
ABOUT THE SHIP.
185
00:11:39,067 --> 00:11:40,932
ANYBODY LIKE THAT
COME TO MIND?
186
00:11:40,933 --> 00:11:46,299
UM, YOU KNOW,
THERE WAS ONE GUY.
187
00:11:46,300 --> 00:11:49,232
HE SAYS, "WAIT A MINUTE.
188
00:11:49,233 --> 00:11:52,432
THAT SOUNDS LIKE SOMEONE
THAT WAS IN HERE
189
00:11:52,433 --> 00:11:56,599
A COUPLE OF DAYS AGO."
190
00:11:56,600 --> 00:11:59,167
AND HE REACHES DOWN
INTO THE WASTE BASKET...
191
00:12:04,100 --> 00:12:06,432
...AND PULLS OUT
THIS ASSIGNMENT SLIP,
192
00:12:06,433 --> 00:12:11,399
WHICH SENT THIS SAILOR TO A SHIP
CALLED THE SINCLAIR GREAT LAKES
193
00:12:11,400 --> 00:12:12,532
FOR A JOB.
194
00:12:12,533 --> 00:12:14,766
BUT THERE WAS ONLY ONE BERTH
FOR TWO SAILORS,
195
00:12:14,767 --> 00:12:18,666
AND THE JOB WENT TO A SAILOR
WITH MORE SENIORITY.
196
00:12:18,667 --> 00:12:24,299
SO THIS GUY CAME BACK AND RAISED
HELL AT THE UNION HALL.
197
00:12:24,300 --> 00:12:28,632
RICHARD SPECK.
198
00:12:28,633 --> 00:12:32,899
DO YOU HAVE A PHONE
THAT WE COULD USE?
199
00:12:32,900 --> 00:12:35,699
FORTUNATELY,
THE ASSIGNMENT SLIP HAS THIS GUY
200
00:12:35,700 --> 00:12:39,632
RICHARD SPECK'S NEAREST POINT
OF CONTACT, WHICH IS HIS SISTER,
201
00:12:39,633 --> 00:12:43,199
WHO LIVES IN CHICAGO.
202
00:12:43,200 --> 00:12:45,699
POLICE KNOW
THAT THIS RICHARD SPECK
203
00:12:45,700 --> 00:12:47,899
WANTS A JOB ABOARD A SHIP.
204
00:12:47,900 --> 00:12:51,599
SO THEY DECIDE TO ENTRAP HIM.
205
00:12:51,600 --> 00:12:56,066
THIS IS MR. OLSEN FROM
THE NATIONAL MARITIME UNION.
206
00:12:56,067 --> 00:12:57,732
YES, WE HAVE AN ASSIGNMENT
FOR RICHARD SPECK.
207
00:12:57,733 --> 00:13:01,466
IS HE THERE?
208
00:13:01,467 --> 00:13:04,599
WELL, COULD YOU ALERT HIM
AND HAVE HIM CALL US, PLEASE?
209
00:13:04,600 --> 00:13:06,133
THANK YOU.
210
00:13:08,900 --> 00:13:10,699
NOW, WE WAIT.
211
00:13:10,700 --> 00:13:12,699
THAT'S WHAT WE DO.
212
00:13:12,700 --> 00:13:14,633
PRAY TO MARY THAT HE CALLS.
213
00:13:20,333 --> 00:13:25,299
CORA, CAN YOU -- CAN YOU TELL US
WHAT HE LOOKED LIKE?
214
00:13:25,300 --> 00:13:27,899
MEANWHILE, AT THE HOSPITAL,
215
00:13:27,900 --> 00:13:30,066
DETECTIVES
WERE WORKING WITH CORA
216
00:13:30,067 --> 00:13:34,532
TO GENTLY COAX A PORTRAIT
OF THE KILLER FROM HER.
217
00:13:34,533 --> 00:13:36,566
CORA.
218
00:13:36,567 --> 00:13:39,267
CORA, CAN YOU TELL US
ABOUT HIS EYES?
219
00:13:44,733 --> 00:13:47,967
HE HAD LIGHT EYES,
BLUE -- BLUE EYES.
220
00:13:53,700 --> 00:13:56,966
SKINNY MAN, HAIR BLOND.
221
00:13:56,967 --> 00:13:58,766
JUST A FEW HOURS IN,
222
00:13:58,767 --> 00:14:02,066
THE INVESTIGATION WAS MOVING
FORWARD ALL OVER THE CITY,
223
00:14:02,067 --> 00:14:04,199
FROM CORA'S HOSPITAL ROOM
224
00:14:04,200 --> 00:14:07,532
TO A DIVE BAR
CALLED THE SHIPYARD INN.
225
00:14:07,533 --> 00:14:10,499
AND THOUGH THEY DIDN'T KNOW IT
AT THE TIME, THE POLICE
226
00:14:10,500 --> 00:14:12,432
WERE BEGINNING TO CONVERGE...
227
00:14:12,433 --> 00:14:13,866
HEY.
228
00:14:13,867 --> 00:14:16,799
YOUR BROTHER-IN-LAW CALLED,
SAID CALL THE UNION HALL.
229
00:14:16,800 --> 00:14:20,066
THEY GOT A JOB FOR YOU.
230
00:14:20,067 --> 00:14:22,767
...COMING TO THE TRUTH
FROM TWO SIDES.
231
00:14:25,900 --> 00:14:27,800
THANK YOU.
232
00:14:36,667 --> 00:14:38,332
MARITIME UNION HALL.
233
00:14:38,333 --> 00:14:40,099
YEAH,
THIS IS RICHARD SPECK.
234
00:14:40,100 --> 00:14:41,966
Yes, Mr. Speck.
235
00:14:41,967 --> 00:14:43,932
WE HAVE A SHIP FOR YOU.
236
00:14:43,933 --> 00:14:45,599
WHAT'S THE NAME
OF THE SHIP?
237
00:14:45,600 --> 00:14:48,866
IT IS
THE SINCLAIR GREAT LAKES.
238
00:14:48,867 --> 00:14:51,366
SINCLAIR GREAT LAKES?
239
00:14:51,367 --> 00:14:53,299
HIS CHEEK BONES?
240
00:14:53,300 --> 00:14:54,866
- HIGHER.
- HIGH CHEEK BONES.
241
00:14:54,867 --> 00:14:55,932
- YES.
- ALL RIGHT.
242
00:14:55,933 --> 00:14:59,066
DO YOU REMEMBER ANYTHING
ABOUT THE MOUTH?
243
00:14:59,067 --> 00:15:02,066
LIPS OUT A LITTLE,
NOT TOO MUCH.
244
00:15:02,067 --> 00:15:03,132
WHAT ABOUT THE NOSE?
245
00:15:03,133 --> 00:15:04,532
DO YOU REMEMBER ANYTHING
ABOUT HIS NOSE?
246
00:15:04,533 --> 00:15:07,732
NOSE, LONG, BIG.
247
00:15:07,733 --> 00:15:09,066
NO, NO, NO.
OKAY.
248
00:15:09,067 --> 00:15:11,466
DON'T GIVE THAT AWAY
TO ANYONE ELSE. I'LL BE THERE.
249
00:15:11,467 --> 00:15:12,766
WE'LL HOLD THE ASSIGNMENT
OPEN FOR YOU
250
00:15:12,767 --> 00:15:14,499
UNTIL YOU GET ON OVER HERE.
251
00:15:14,500 --> 00:15:16,466
BUT, UM,
WE CLOSE AT 5:00 P.M.
252
00:15:16,467 --> 00:15:20,366
YEAH, BEFORE 5:00.
YOU GOT IT.
253
00:15:20,367 --> 00:15:22,366
- WHAT DID HE SAY?
- HE'LL BE HERE.
254
00:15:22,367 --> 00:15:24,966
AND SO WILL WE.
255
00:15:24,967 --> 00:15:29,599
BUT THERE'S A REAL DANGER
IN DRAWING CLOSE TO AN ANIMAL.
256
00:15:29,600 --> 00:15:34,499
DOES THIS LOOK LIKE
THE MAN?
257
00:15:34,500 --> 00:15:36,232
IF IT KNOWS IT IS CORNERED...
258
00:15:36,233 --> 00:15:39,766
YES.
259
00:15:39,767 --> 00:15:44,067
IT MIGHT DO ANYTHING.
260
00:15:51,100 --> 00:15:52,332
THEY TOLD US AT SCHOOL
261
00:15:52,333 --> 00:15:54,766
TO TRY TO GO ABOUT OUR DAY
AS USUAL,
262
00:15:54,767 --> 00:15:56,399
THAT THE BEST THING WE COULD DO
263
00:15:56,400 --> 00:16:00,566
WAS TRY TO FIND A SENSE
OF NORMALCY.
264
00:16:00,567 --> 00:16:05,132
NORMALCY?
265
00:16:05,133 --> 00:16:07,199
THE NIGHT BEFORE,
EIGHT OF MY CLASSMATES
266
00:16:07,200 --> 00:16:08,899
HAD BEEN TORTURED AND MURDERED
267
00:16:08,900 --> 00:16:14,766
RIGHT ACROSS THE STREET
FROM ME.
268
00:16:14,767 --> 00:16:19,499
HOW COULD ANYTHING BE NORMAL
AGAIN?
269
00:16:19,500 --> 00:16:23,932
PAT MATUSEK WOULD NEVER WIN
ANOTHER SWIM CHAMPIONSHIP.
270
00:16:23,933 --> 00:16:26,466
I WOULD NEVER SMELL
MERLITA'S COOKING WAFTING
271
00:16:26,467 --> 00:16:29,466
IN THROUGH THE WINDOW.
272
00:16:29,467 --> 00:16:35,132
SUZANNE FARRIS
WOULD NEVER CRACK ANOTHER JOKE.
273
00:16:35,133 --> 00:16:36,732
AND CORA...
274
00:16:36,733 --> 00:16:40,367
WOULD WE EVER
SEE THAT SMILE AGAIN?
275
00:16:42,433 --> 00:16:44,466
WHO COULD DO THIS TO THEM?
276
00:16:44,467 --> 00:16:46,266
EVERY HOUR,
I LOOKED AT THE CLOCK,
277
00:16:46,267 --> 00:16:52,099
WONDERING,
HAD THEY FOUND HIM YET?
278
00:16:52,100 --> 00:16:54,499
WELL,
I DIDN'T KNOW IT RIGHT THEN,
279
00:16:54,500 --> 00:16:57,066
BUT JUST A FEW BLOCKS
FROM THE HOSPITAL,
280
00:16:57,067 --> 00:17:00,066
RIGHT ACROSS THE STREET
FROM WHERE WE LIVED,
281
00:17:00,067 --> 00:17:02,166
THE POLICE WERE SETTING A TRAP
282
00:17:02,167 --> 00:17:05,432
FOR A SAILOR
NAMED RICHARD SPECK.
283
00:17:05,433 --> 00:17:08,066
THEY HAVE MANAGED
TO MAKE CONTACT WITH HIM.
284
00:17:08,067 --> 00:17:11,966
THEY'RE VERY HOPEFUL
THAT HE'S GOING TO SHOW UP.
285
00:17:11,967 --> 00:17:13,566
- BRUIN?
- HE'S RIGHT OVER THERE,
286
00:17:13,567 --> 00:17:14,766
FLANKING THAT DOOR.
287
00:17:14,767 --> 00:17:16,599
ALEX,
STAND RIGHT ON OVER HERE.
288
00:17:16,600 --> 00:17:17,666
YOU'RE GONNA BE
RIGHT ACROSS FROM ME.
289
00:17:17,667 --> 00:17:19,866
STEVE, RIGHT OVER THERE
BY THE RADIATOR.
290
00:17:19,867 --> 00:17:23,067
THIS IS WHAT WOULD NOW
BE CALLED A STING OPERATION.
291
00:17:29,067 --> 00:17:31,199
PROTOCOL IS, IF YOU CAN GET
HIM TO COME THERE,
292
00:17:31,200 --> 00:17:32,632
YOU TAKE UP A POSITION.
293
00:17:32,633 --> 00:17:36,132
AND WHEN HE COMES IN, YOU GRAB
HIM BEFORE HE CAN WHIP OUT A GUN
294
00:17:36,133 --> 00:17:38,632
OR A KNIFE.
295
00:17:38,633 --> 00:17:41,666
THE STING IS ONE ASPECT OF IT.
296
00:17:41,667 --> 00:17:43,099
IN THE MEANTIME,
297
00:17:43,100 --> 00:17:48,132
THEY ALSO HAD TWO-MAN TEAMS
WHO WERE FANNING OUT.
298
00:17:48,133 --> 00:17:52,366
THEY'RE HITTING LOCAL HOTELS
AND BARS AND RESTAURANTS.
299
00:17:52,367 --> 00:17:55,199
EVERYTHING WAS HAPPENING
REALLY QUICKLY THAT DAY.
300
00:17:55,200 --> 00:17:56,799
POLICE WERE EVERYWHERE.
301
00:17:56,800 --> 00:18:00,799
AND THESE POLICEMEN HAD ONLY
RECENTLY LEFT THE CRIME SCENE.
302
00:18:00,800 --> 00:18:02,432
HEY, MAC?
303
00:18:02,433 --> 00:18:04,799
YEAH?
304
00:18:04,800 --> 00:18:06,466
WE'RE LOOKIN' FOR A GUY.
305
00:18:06,467 --> 00:18:08,532
THEY DIDN'T HAVE A PICTURE
OF THE SUSPECT.
306
00:18:08,533 --> 00:18:13,799
HE'S A SAILOR,
BLOND HAIR, 24 OR 25 YEARS OLD.
307
00:18:13,800 --> 00:18:16,299
ALL THEY HAD
WAS A VAGUE DESCRIPTION.
308
00:18:16,300 --> 00:18:22,066
THEY DIDN'T EVEN KNOW
THE NAME, RICHARD SPECK.
309
00:18:22,067 --> 00:18:26,066
BUT HE WAS CLOSER
THAN THEY COULD'VE IMAGINED.
310
00:18:26,067 --> 00:18:30,066
DON'T RING A BELL.
311
00:18:30,067 --> 00:18:32,833
RICHARD SPECK
IS STANDING 10 FEET AWAY.
312
00:18:42,133 --> 00:18:45,799
HEY, MAC? LET'S HEAR YOUR STORY.
WHERE DO YOU WORK?
313
00:18:45,800 --> 00:18:51,299
DOWN THE SHIPYARD.
314
00:18:51,300 --> 00:18:52,566
HOW 'BOUT YOU?
315
00:18:52,567 --> 00:18:55,866
SHIPYARD.
316
00:18:55,867 --> 00:19:01,067
SPECK SLINKS AWAY
AND GOES OUT THE BACK DOOR.
317
00:19:04,067 --> 00:19:06,366
IN THE MEANTIME,
AT THE UNION HALL,
318
00:19:06,367 --> 00:19:08,199
THE DAY DRAGS ON,
319
00:19:08,200 --> 00:19:10,667
AND RICHARD SPECK
DOES NOT SHOW UP.
320
00:19:17,500 --> 00:19:19,966
YOU TOLD HIM THAT THE NAME
OF THE SHIP
321
00:19:19,967 --> 00:19:22,899
HE WAS GOIN' ON WAS
THE SINCLAIR GREAT LAKES, YEAH?
322
00:19:22,900 --> 00:19:24,632
YES.
323
00:19:24,633 --> 00:19:30,099
THAT WAS THE SHIP
THAT ALREADY LEFT.
324
00:19:30,100 --> 00:19:35,399
SPECK MUST HAVE KNOWN
HE WAS BEING SET UP.
325
00:19:35,400 --> 00:19:37,632
HE'S NOT COMING.
326
00:19:37,633 --> 00:19:39,666
THE DRAGNET MISSED HIM.
327
00:19:39,667 --> 00:19:42,767
THEY'RE AFRAID
RICHARD SPECK MAY GET AWAY.
328
00:19:47,733 --> 00:19:50,799
YEAH? WHAT'S THE STATUS
WITH THE PRINTS?
329
00:19:50,800 --> 00:19:54,366
AT THE SAME TIME, THE POLICE
THINK THE THREE FINGERPRINTS
330
00:19:54,367 --> 00:19:55,666
FROM THE CRIME SCENE...
331
00:19:55,667 --> 00:19:57,633
- BEAUTIFUL.
- ...BELONG TO THE KILLER.
332
00:19:59,600 --> 00:20:01,999
IF THIS RICHARD SPECK'S
FINGERPRINTS
333
00:20:02,000 --> 00:20:05,299
MATCHED THE PRINTS
FROM THE CRIME SCENE,
334
00:20:05,300 --> 00:20:07,399
THEY HAD THEIR MAN.
335
00:20:07,400 --> 00:20:10,799
THEY RUN A CHECK OF CHICAGO
POLICE DEPARTMENT RECORDS.
336
00:20:10,800 --> 00:20:13,999
AND RICHARD SPECK
IS NOWHERE TO BE FOUND.
337
00:20:14,000 --> 00:20:17,399
SO THEY CALL THE FBI
IN WASHINGTON D.C.
338
00:20:17,400 --> 00:20:21,100
TO CHECK IF THEY HAD ANYTHING
ON FILE.
339
00:20:29,033 --> 00:20:33,166
AND THEY PULL OUT RICHARD
SPECK'S FINGERPRINT CARDS.
340
00:20:33,167 --> 00:20:37,199
FROM HIS ARREST RECORD IN TEXAS.
341
00:20:37,200 --> 00:20:41,332
BUT YOU HAVE TO REMEMBER,
THIS WAS 1966.
342
00:20:41,333 --> 00:20:46,432
THIS WAS LONG BEFORE E-MAIL
OR FAX MACHINES.
343
00:20:46,433 --> 00:20:49,232
THE FINGERPRINT FILE
FROM THE FBI
344
00:20:49,233 --> 00:20:50,932
HAD TO BE PHYSICALLY
TRANSPORTED
345
00:20:50,933 --> 00:20:53,099
FROM D.C. TO CHICAGO.
346
00:20:53,100 --> 00:20:55,099
AND AS IF THAT WASN'T
HARD ENOUGH...
347
00:20:55,100 --> 00:20:57,266
AMONG THE MANY CHALLENGES
THE DEPARTMENT FACED,
348
00:20:57,267 --> 00:21:00,832
THERE WAS AN AIRLINE STRIKE
GOING ON ACROSS THE NATION.
349
00:21:00,833 --> 00:21:02,699
THE ENTIRE CHICAGO POLICE
DEPARTMENT
350
00:21:02,700 --> 00:21:05,966
IS FEELING TREMENDOUS PRESSURE
TO FIND THEIR MAN
351
00:21:05,967 --> 00:21:09,566
AND TO NAIL THIS THING DOWN.
352
00:21:09,567 --> 00:21:12,799
A SUSPECT
ON THE LOOSE FOR 12 HOURS --
353
00:21:12,800 --> 00:21:14,166
THAT'S A PROBLEM.
354
00:21:14,167 --> 00:21:16,766
EVERY SECOND THAT TICKED
BY TOOK THE POLICE FURTHER
355
00:21:16,767 --> 00:21:18,932
AWAY FROM CATCHING THE MONSTER.
356
00:21:18,933 --> 00:21:23,866
AND A MANHUNT IN A CITY
AS BIG AS CHICAGO IS NO JOKE.
357
00:21:23,867 --> 00:21:26,332
BUT THAT WEEK, FORGET ABOUT IT.
358
00:21:26,333 --> 00:21:28,599
THE RIOTS HAD SPIRALED
OUT OF CONTROL.
359
00:21:28,600 --> 00:21:30,432
SIX POLICEMEN WERE SHOT.
360
00:21:30,433 --> 00:21:33,399
OVER 100 PEOPLE WERE ARRESTED.
361
00:21:33,400 --> 00:21:37,232
WE COULD BARELY HANDLE THE
PATIENTS IN OUR EMERGENCY ROOM.
362
00:21:37,233 --> 00:21:39,799
OF COURSE, IT WAS ALMOST
IMPOSSIBLE TO FIND THE GUY
363
00:21:39,800 --> 00:21:42,566
OUT THERE IN ALL THAT CHAOS.
364
00:21:42,567 --> 00:21:44,266
AND BETWEEN THE TWO OF THEM,
365
00:21:44,267 --> 00:21:50,066
THE CHICAGO POLICE DEPARTMENT
IS BEING STRETCHED VERY THIN.
366
00:21:50,067 --> 00:21:52,199
AT THE SAME TIME,
ON THE NORTH SIDE,
367
00:21:52,200 --> 00:21:55,632
NEAR THE OLD TOWN SECTION
OF CHICAGO, THESE BEAT COPS
368
00:21:55,633 --> 00:22:01,132
ARE CALLED TO THE RALEIGH HOTEL
ON A ROUTINE CASE.
369
00:22:01,133 --> 00:22:07,467
THEY HAVE THIS TIP THAT A MAN
IN ROOM 806 HAS A GUN.
370
00:22:10,433 --> 00:22:14,132
THEY KNOW THE ROOM IS REGISTERED
TO A MAN NAMED DAVID STATEN.
371
00:22:14,133 --> 00:22:16,067
HEY, BUDDY. WAKE UP.
372
00:22:24,100 --> 00:22:25,632
GOOD MORNING, OFFICERS.
373
00:22:25,633 --> 00:22:27,066
LET'S SEE YOUR I.D.
374
00:22:27,067 --> 00:22:28,900
YEAH.
375
00:22:36,967 --> 00:22:39,200
RICHARD SPECK?
376
00:22:51,267 --> 00:22:53,633
RICHARD SPECK?
377
00:22:59,800 --> 00:23:01,199
LOOK, BUDDY.
378
00:23:01,200 --> 00:23:03,099
WANT TO EXPLAIN
WHY YOU'RE REGISTERED DOWNSTAIRS
379
00:23:03,100 --> 00:23:04,766
WITH ONE NAME,
380
00:23:04,767 --> 00:23:07,866
AND THE NAME
ON YOUR I.D. HERE IS DIFFERENT?
381
00:23:07,867 --> 00:23:09,832
ALL RIGHT.
BEAR WITH ME, NOW.
382
00:23:09,833 --> 00:23:12,366
I KNOW THIS SEEMS IMPOSSIBLE
TODAY.
383
00:23:12,367 --> 00:23:14,699
SO MANY THINGS
WERE HAPPENING AT ONCE,
384
00:23:14,700 --> 00:23:16,366
AND THE RIOTS DIDN'T HELP.
385
00:23:16,367 --> 00:23:18,432
THESE WERE JUST REGULAR
BEAT COPS.
386
00:23:18,433 --> 00:23:20,699
THEY WEREN'T EVEN A PART
OF THE MANHUNT.
387
00:23:20,700 --> 00:23:23,599
SO THEY JUST DIDN'T KNOW
THEY SHOULD BE ON THE LOOKOUT
388
00:23:23,600 --> 00:23:28,566
FOR SOMEONE
NAMED RICHARD SPECK.
389
00:23:28,567 --> 00:23:31,132
THAT'S -- THAT'S NOT MINE.
390
00:23:31,133 --> 00:23:34,899
THAT'S THIS -- THAT'S THIS
LADY'S I PICKED UP LAST NIGHT.
391
00:23:34,900 --> 00:23:37,166
I'LL BE HONEST.
SHE WAS -- SHE WAS A PROSTITUTE.
392
00:23:37,167 --> 00:23:41,232
AND I THINK SHE SAID
IT WAS FOR PROTECTION.
393
00:23:41,233 --> 00:23:43,666
BUT THAT'S HER GUN.
SHE LEFT IT HERE.
394
00:23:43,667 --> 00:23:47,132
I WANT NO PART OF IT.
395
00:23:47,133 --> 00:23:51,066
ALL RIGHT. WELL,
WE'RE CONFISCATING IT ANYWAY.
396
00:23:51,067 --> 00:23:52,132
KEEP YOUR NOSE CLEAN.
397
00:23:52,133 --> 00:23:58,666
YES, SIR.
THANK YOU, SIR.
398
00:23:58,667 --> 00:24:01,199
IF THEY'D HAVE BROUGHT HIM IN
AND CHARGED HIM
399
00:24:01,200 --> 00:24:07,599
WITH HAVING THE GUN,
THEY'D HAVE HAD HIM IN CUSTODY.
400
00:24:07,600 --> 00:24:09,966
HINDSIGHT IS 20/20, RIGHT?
401
00:24:09,967 --> 00:24:13,099
INSTEAD OF NABBING
THE MOST WANTED MAN IN AMERICA,
402
00:24:13,100 --> 00:24:15,066
THEY JUST LEFT HIM THERE.
403
00:24:15,067 --> 00:24:17,799
AFTER THAT CLOSE CALL,
HE MUST HAVE WISENED UP
404
00:24:17,800 --> 00:24:20,532
BECAUSE BY THE TIME
THE MANHUNT REACHED THE HOTEL,
405
00:24:20,533 --> 00:24:23,432
THERE WAS NO ONE
LEFT FOR THEM TO FIND.
406
00:24:23,433 --> 00:24:26,699
SPECK REALIZES THAT THE WOLVES
ARE CLOSING IN
407
00:24:26,700 --> 00:24:28,066
AND THAT HE SHOULD FLEE.
408
00:24:28,067 --> 00:24:33,532
THE POLICE NOW RUN THE RISK
OF LOSING HIM FOREVER.
409
00:24:33,533 --> 00:24:36,832
THIS RICHARD SPECK
HAD SKIPPED OUT ON A JOB OFFER
410
00:24:36,833 --> 00:24:37,966
AT THE UNION HALL
411
00:24:37,967 --> 00:24:40,466
AND VANISHED IMMEDIATELY
FROM THE HOTEL.
412
00:24:40,467 --> 00:24:43,066
THAT SURE SOUNDS
LIKE GUILTY BEHAVIOR TO ME.
413
00:24:43,067 --> 00:24:44,566
AND THE POLICE THOUGHT SO, TOO.
414
00:24:44,567 --> 00:24:48,232
BUT WITHOUT ANY HARD EVIDENCE,
THEY WERE IN A REAL BIND.
415
00:24:48,233 --> 00:24:50,166
LOOK, JUST PUT HIS PHOTO
IN THE PAPER
416
00:24:50,167 --> 00:24:52,332
SO PEOPLE CAN SEE HIS FACE.
417
00:24:52,333 --> 00:24:54,466
WE PUT A PICTURE
OF SPECK IN THE PAPER,
418
00:24:54,467 --> 00:24:56,732
AND WE RISK BLOWING
THIS WHOLE TRIAL.
419
00:24:56,733 --> 00:24:59,166
JACK, THE PRESS IS GONNA LINE UP
TO HELP US CATCH THIS GUY.
420
00:24:59,167 --> 00:25:00,399
FORGET THE LAWYERS.
421
00:25:00,400 --> 00:25:02,632
WE CAN'T GO PUBLIC
WITH A PHOTO NOW.
422
00:25:02,633 --> 00:25:05,466
SOME FANCY DEFENSE
ATTORNEY'LL SAY THE JURY POOL
423
00:25:05,467 --> 00:25:08,466
WAS POISONED, BLAH, BLAH, BLAH,
AND THIS GUY WALKS.
424
00:25:08,467 --> 00:25:10,332
YOU WANT THAT?
425
00:25:10,333 --> 00:25:12,499
SINCE THEY DON'T YET
HAVE POSITIVE PROOF
426
00:25:12,500 --> 00:25:14,432
THAT SPECK IS THE KILLER,
427
00:25:14,433 --> 00:25:17,366
IF THEY WERE TO GIVE
HIS PHOTOGRAPH TO THE NEWSPAPERS
428
00:25:17,367 --> 00:25:19,266
AND NAME HIM AS THE MURDERER,
429
00:25:19,267 --> 00:25:23,066
THEN SPECK MIGHT VERY WELL
GET OFF ON A TECHNICALITY.
430
00:25:23,067 --> 00:25:24,899
UNTIL WE CAN MATCH
HIS FINGERPRINTS
431
00:25:24,900 --> 00:25:26,366
FROM THE CRIME SCENE
WITH THE PRINTS
432
00:25:26,367 --> 00:25:29,267
THAT THE FBI IS SENDING US,
WE GOT TO WAIT.
433
00:25:36,200 --> 00:25:39,066
AIR TRAVEL WAS A LITTLE
EXOTIC BACK THEN.
434
00:25:39,067 --> 00:25:41,299
I'D NEVER EVEN BEEN
ON AN AIRPLANE.
435
00:25:41,300 --> 00:25:43,399
IT STILL SEEMED A LITTLE BIT
LIKE MAGIC.
436
00:25:43,400 --> 00:25:44,766
SO IT MADE A KIND OF SENSE
437
00:25:44,767 --> 00:25:47,432
WHEN THE BREAK THE POLICE
NEEDED CAME FROM ABOVE.
438
00:25:47,433 --> 00:25:50,699
STRIKE OR NO STRIKE,
AN AMERICAN AIRLINES PILOT
439
00:25:50,700 --> 00:25:52,899
VOLUNTEERED TO FLY
RICHARD SPECK'S FINGERPRINTS
440
00:25:52,900 --> 00:25:56,699
TO CHICAGO ON THE JUMP SEAT.
441
00:25:56,700 --> 00:26:00,367
**
442
00:26:12,800 --> 00:26:17,166
SO THE FINGERPRINTS
HAD TO BE MATCHED,
443
00:26:17,167 --> 00:26:20,066
BUT IT WAS A VERY METICULOUS
PROCESS.
444
00:26:20,067 --> 00:26:21,532
ANYBODY COME THROUGH HERE
LIKE THAT?
445
00:26:21,533 --> 00:26:23,466
I DON'T KNOW.
446
00:26:23,467 --> 00:26:25,599
YOU COULDN'T GO
ANYWHERE IN CHICAGO THAT DAY
447
00:26:25,600 --> 00:26:27,166
WITHOUT SEEING POLICE,
448
00:26:27,167 --> 00:26:30,832
ESPECIALLY ON THE NORTH SIDE
WHERE THE MANHUNT HAD SPREAD.
449
00:26:30,833 --> 00:26:32,332
WE DIDN'T KNOW IT,
450
00:26:32,333 --> 00:26:35,332
BUT THEY WERE JUST
SPINNING THEIR WHEELS.
451
00:26:35,333 --> 00:26:37,299
RICHARD SPECK MADE SURE
TO BLEND IN
452
00:26:37,300 --> 00:26:39,666
WITH THE VAGRANTS ON SKID ROW
453
00:26:39,667 --> 00:26:43,199
WHILE HE FIGURED OUT
HOW TO SKIP TOWN.
454
00:26:43,200 --> 00:26:45,166
AND SPECK HAS GOTTEN THE IDEA,
455
00:26:45,167 --> 00:26:49,832
HE'S GOING TO GET ON A FREIGHT
AND GO DOWN TO DALLAS.
456
00:26:49,833 --> 00:26:51,399
I CAN REMEMBER THINKING,
457
00:26:51,400 --> 00:26:53,399
"IF ONLY THERE WAS SOME WAY
I COULD HELP."
458
00:26:53,400 --> 00:26:54,899
THE FUNNY THING WAS,
459
00:26:54,900 --> 00:26:57,066
THAT'S WHAT THE POLICE
WERE THINKING TOO.
460
00:26:57,067 --> 00:26:59,099
IF THEY COULD JUST
MATCH SPECK'S PRINTS
461
00:26:59,100 --> 00:27:01,099
AND PUT HIS PICTURE
IN THE PAPER,
462
00:27:01,100 --> 00:27:03,766
THEN ALL OF CHICAGO
COULD BE ON THE LOOKOUT.
463
00:27:03,767 --> 00:27:07,300
AND THE DAY WEARS ON.
464
00:27:12,067 --> 00:27:15,833
EVENTUALLY,
IT GETS TO BE ABOUT 5:00 A.M.
465
00:27:20,067 --> 00:27:22,800
THEY'RE BLURRY EYED.
466
00:27:26,600 --> 00:27:30,767
HUGHEY,
THIS ONE LOOKS VERY GOOD.
467
00:27:34,667 --> 00:27:37,300
YEAH.
THAT'S RIGHT.
468
00:27:43,800 --> 00:27:46,633
- Yeah?
- I THINK WE HAVE A MATCH.
469
00:27:47,900 --> 00:27:49,166
GENTLEMEN,
470
00:27:49,167 --> 00:27:52,399
WE HAVE AN ALL-POINT ALERT
OUT FOR RICHARD SPECK.
471
00:27:52,400 --> 00:27:54,832
NEWSPAPERS WERE
PROVIDED WITH THE MUGSHOTS
472
00:27:54,833 --> 00:27:56,499
AND THE DESCRIPTION.
473
00:27:56,500 --> 00:27:59,166
INCLUDING THE EMBLEMATIC TATTOO,
474
00:27:59,167 --> 00:28:02,732
"BORN TO RAISE HELL,"
ON THE LEFT ARM.
475
00:28:02,733 --> 00:28:03,899
LET'S GET THE WORD OUT, FOLKS.
476
00:28:03,900 --> 00:28:08,199
WE'RE GONNA CATCH
THIS SON OF A GUN.
477
00:28:08,200 --> 00:28:10,399
POLICE ARE SEEKING
THE PUBLIC'S HELP IN THE CASE
478
00:28:10,400 --> 00:28:11,632
OF THE EIGHT STUDENT NURSES
479
00:28:11,633 --> 00:28:14,066
BRUTALLY MURDERED
ON CHICAGO'S SOUTH SIDE.
480
00:28:14,067 --> 00:28:16,566
THE KILLER HAS BEEN IDENTIFIED
AS ONE RICHARD SPECK,
481
00:28:16,567 --> 00:28:17,866
A TEXAS NATIVE.
482
00:28:17,867 --> 00:28:20,432
MR. SPECK'S WHEREABOUTS
ARE CURRENTLY UNKNOWN.
483
00:28:20,433 --> 00:28:24,932
RICHARD SPECK MIGHT BE
DISCOVERED BY SOME CITIZEN
484
00:28:24,933 --> 00:28:26,632
AND THE INFORMATION RELATING
485
00:28:26,633 --> 00:28:32,066
TO HIS ACTIVITIES
REPORTED TO US.
486
00:28:32,067 --> 00:28:34,266
HEY, BUDDY.
SEEN THIS GUY?
487
00:28:34,267 --> 00:28:35,699
THERE ARE POLICE EVERYWHERE.
488
00:28:35,700 --> 00:28:38,299
THEY'RE HITTING EVERY BAR,
EVERY PLACE THEY CAN FIND.
489
00:28:38,300 --> 00:28:40,732
THEY'RE SHOWING SPECK'S PHOTO.
490
00:28:40,733 --> 00:28:44,532
THEY KNOW THEY'RE CLOSING IN.
491
00:28:44,533 --> 00:28:47,499
IN THE MEANTIME,
492
00:28:47,500 --> 00:28:52,599
SPECK RENTS A CUBICLE
FOR 90 CENTS IN THE STARR HOTEL.
493
00:28:52,600 --> 00:28:53,766
I KNOW WHAT YOU'RE THINKING,
494
00:28:53,767 --> 00:28:55,632
"WHY DIDN'T THE GUY SKIP TOWN?"
495
00:28:55,633 --> 00:28:58,599
THE POLICE WERE WATCHING
THE TRAINS TOO CLOSELY.
496
00:28:58,600 --> 00:29:00,599
SPECK HAD NO MONEY.
497
00:29:00,600 --> 00:29:03,532
THE INVESTIGATORS WERE CLOSING
IN ON HIM.
498
00:29:03,533 --> 00:29:06,200
HE WAS CORNERED.
499
00:29:13,700 --> 00:29:17,199
THAT AFTERNOON ACROSS CHICAGO,
500
00:29:17,200 --> 00:29:21,532
DR. LEROY SMITH IS TOWARD
THE END OF A 36-HOUR SHIFT
501
00:29:21,533 --> 00:29:23,566
IN THE SAME HOSPITAL WHERE,
502
00:29:23,567 --> 00:29:27,099
BELOW, IN THE MORGUE,
THE NURSES HAD BEEN TAKEN.
503
00:29:27,100 --> 00:29:30,099
DOCTOR, WE HAVE A WRIST-CUTTER
IN, CURTAIN THREE.
504
00:29:30,100 --> 00:29:32,266
THANK YOU, CATHY.
505
00:29:32,267 --> 00:29:39,399
DR. SMITH IS ASSIGNED
A CASE OF AN ATTEMPTED SUICIDE.
506
00:29:39,400 --> 00:29:42,166
BUT IT WAS A WEAK ATTEMPT
AT SUICIDE.
507
00:29:42,167 --> 00:29:45,267
LET'S GO AHEAD
AND CLEAN HIM UP.
508
00:29:47,133 --> 00:29:50,567
**
509
00:30:01,867 --> 00:30:06,432
HE REALIZES
THIS IS RICHARD SPECK.
510
00:30:06,433 --> 00:30:13,232
WATER. WATER.
511
00:30:13,233 --> 00:30:16,433
DID YOU GIVE
THE NURSES WATER?
512
00:30:23,000 --> 00:30:25,366
WATER.
513
00:30:25,367 --> 00:30:28,966
IT FELT, TO MANY OF US
IN CHICAGO, LIKE AN ETERNITY.
514
00:30:28,967 --> 00:30:32,032
BUT IT TOOK ONLY 72 HOURS
AFTER THE MURDERS
515
00:30:32,033 --> 00:30:35,033
FOR THE POLICE TO CAPTURE
RICHARD SPECK.
516
00:30:39,567 --> 00:30:43,632
THE WHOLE COUNTRY WAITED FOR
THE TRIAL FOR 7 ANXIOUS MONTHS.
517
00:30:43,633 --> 00:30:45,499
WE NEEDED ANSWERS.
518
00:30:45,500 --> 00:30:49,299
WHAT REALLY HAPPENED
IN THE TOWN HOUSE THAT NIGHT?
519
00:30:49,300 --> 00:30:53,132
HOW WAS A SINGLE MAN
ABLE TO KILL EIGHT WOMEN,
520
00:30:53,133 --> 00:30:54,399
ONE BY ONE,
521
00:30:54,400 --> 00:30:59,066
SO SILENTLY THAT NO ONE
EVER HEARD THEM SCREAM?
522
00:30:59,067 --> 00:31:01,332
CORA, THE SURVIVING NURSE,
523
00:31:01,333 --> 00:31:03,666
HASN'T BEEN SEEN
FOR 7 MONTHS NOW.
524
00:31:03,667 --> 00:31:06,766
THERE WERE RUMORS THAT SHE'D
GONE BACK TO THE PHILIPPINES,
525
00:31:06,767 --> 00:31:09,066
THAT SHE'D BEEN
THROUGH ENOUGH ALREADY,
526
00:31:09,067 --> 00:31:11,832
AND HAD NO INTENTION
OF TESTIFYING.
527
00:31:11,833 --> 00:31:13,899
NOBODY KNOWS WHERE CORA IS.
528
00:31:13,900 --> 00:31:17,266
NOBODY KNOWS EXACTLY
HOW THE MURDERS OCCURRED.
529
00:31:17,267 --> 00:31:20,832
BUT AT 11:00 A.M.
ON THE THIRD DAY OF THE TRIAL,
530
00:31:20,833 --> 00:31:24,600
CORA WAS USHERED PAST THE PRESS
THROUGH THE SIDE DOOR.
531
00:31:29,167 --> 00:31:31,566
CORAZON AMURAO.
532
00:31:31,567 --> 00:31:34,633
**
533
00:31:49,167 --> 00:31:50,499
AS IT TURNS OUT,
534
00:31:50,500 --> 00:31:54,067
THEY HAD PUT HER IN THE WITNESS
PROTECTION PROGRAM.
535
00:32:02,300 --> 00:32:05,632
WOULD YOU PLEASE STATE
YOUR NAME?
536
00:32:05,633 --> 00:32:08,132
CORAZON AMURAO.
537
00:32:08,133 --> 00:32:11,132
THE PROSECUTION WAS AFRAID
THAT SHE WAS SO FRAGILE,
538
00:32:11,133 --> 00:32:13,932
PSYCHOLOGICALLY,
THAT SHE MIGHT JUST BREAK DOWN
539
00:32:13,933 --> 00:32:17,432
AND MIGHT NOT BE ABLE
TO TESTIFY.
540
00:32:17,433 --> 00:32:21,399
CORA, CAN YOU CONFIRM THIS IS
A REPLICA OF THE TOWN HOUSE
541
00:32:21,400 --> 00:32:25,532
AT 2319 EAST 100th STREET?
542
00:32:25,533 --> 00:32:27,199
THAT IS THE SAME.
543
00:32:27,200 --> 00:32:30,099
WHAT TIME DID YOU GO
TO SLEEP ON JULY 13th?
544
00:32:30,100 --> 00:32:32,799
AT 10:30 P.M.
545
00:32:32,800 --> 00:32:35,432
DID YOU WAKE UP
AT ANY TIME LATER THAT NIGHT?
546
00:32:35,433 --> 00:32:39,899
YES.
547
00:32:39,900 --> 00:32:46,232
I HEARD A KNOCK IN OUR BEDROOM
AT ABOUT 11:00.
548
00:32:46,233 --> 00:32:49,700
I GOT UP,
AND I ANSWERED THE DOOR.
549
00:32:54,533 --> 00:32:59,633
AND I SAW A MAN
WITH A GUN IN HIS RIGHT HAND.
550
00:33:05,533 --> 00:33:08,567
HE TOOK US
TO THE REAR BEDROOM.
551
00:33:12,533 --> 00:33:14,966
HE LEADS THEM TO A BACK,
LARGE BEDROOM,
552
00:33:14,967 --> 00:33:18,432
WHERE OTHER NURSES ARE SLEEPING.
553
00:33:18,433 --> 00:33:20,932
AND HE TOLD US TO SIT DOWN.
554
00:33:20,933 --> 00:33:24,066
THAT'S RIGHT.
NO ONE'S GOING TO GET HURT.
555
00:33:24,067 --> 00:33:26,866
JUST DO WHAT I SAY.
556
00:33:26,867 --> 00:33:29,433
OKAY. GOOD.
557
00:33:37,567 --> 00:33:40,066
HERE'S THE DEAL.
558
00:33:40,067 --> 00:33:42,466
I NEED MONEY
TO GET TO NEW ORLEANS.
559
00:33:42,467 --> 00:33:44,266
WHO'S GOT MONEY IN THEIR ROOM?
560
00:33:44,267 --> 00:33:48,133
RAISE YOUR HANDS.
OKAY. OKAY.
561
00:33:50,900 --> 00:33:54,366
THE AMERICAN GIRLS
SEEMED TO THINK WE SHOULD DO
562
00:33:54,367 --> 00:33:58,966
WHAT HE SAYS
AND THAT HE WILL GO AWAY.
563
00:33:58,967 --> 00:34:01,166
THANK YOU VERY MUCH.
564
00:34:01,167 --> 00:34:05,132
WHAT ABOUT YOU TWO?
565
00:34:05,133 --> 00:34:10,832
BUT THE FILIPINO GIRLS
WANTED TO TACKLE THIS MAN
566
00:34:10,833 --> 00:34:13,232
RIGHT FROM THE START.
567
00:34:13,233 --> 00:34:17,066
CORAZON SAID SHE HAD SEEN
THIS TYPE OF PERSON
568
00:34:17,067 --> 00:34:20,233
IN THE BACKCOUNTRY OF THE
PHILIPPINES WHERE SHE GREW UP.
569
00:34:24,400 --> 00:34:29,066
THANK YOU. OKAY.
ALL RIGHT.
570
00:34:29,067 --> 00:34:32,633
THEY EMPTY THEIR
PURSES, GIVE HIM EVERYTHING,
571
00:34:36,867 --> 00:34:38,932
YET HE DOESN'T LEAVE.
572
00:34:38,933 --> 00:34:41,199
WHAT HAPPENED THEN?
573
00:34:41,200 --> 00:34:46,100
HE STOOD AND TOOK BEDSHEETS
FROM MISS MATUSEK'S BED.
574
00:34:50,067 --> 00:34:52,699
IN THE MONTHS
LEADING UP TO THE TRIAL,
575
00:34:52,700 --> 00:34:55,432
I LAY AWAKE AT NIGHT WONDERING,
576
00:34:55,433 --> 00:34:58,466
"COULDN'T THEY SENSE
WHAT HE WANTED TO DO TO THEM?
577
00:34:58,467 --> 00:35:01,866
WHY DIDN'T THEY RUN
OR SCREAM FOR HELP?
578
00:35:01,867 --> 00:35:06,232
HOW COULD HE OVERPOWER
EIGHT PEOPLE?"
579
00:35:06,233 --> 00:35:11,366
THE ANSWER CORA GAVE HAS
HAUNTED ME FOR 50 YEARS.
580
00:35:11,367 --> 00:35:16,699
WOULD YOU PLEASE TURN AROUND
FOR ME?
581
00:35:16,700 --> 00:35:20,932
HE SIMPLY ASKED
FOR THEIR PERMISSION.
582
00:35:20,933 --> 00:35:26,267
HE BEGINS TO TIE THE NURSES UP,
ONE BY ONE.
583
00:35:34,067 --> 00:35:36,066
WE HAVE TO DO SOMETHING.
WE HAVE TO DO SOMETHING.
584
00:35:36,067 --> 00:35:41,399
THERE'S SIX OF US.
585
00:35:41,400 --> 00:35:43,332
WILL YOU PLEASE TURN AROUND?
586
00:35:47,600 --> 00:35:51,533
THIS IS THEIR FINAL
CHANCE, REALLY, TO MAKE A MOVE.
587
00:36:02,833 --> 00:36:08,532
DID YOU TRY TO STOP HIM
AT ANY TIME?
588
00:36:08,533 --> 00:36:10,067
NO.
589
00:36:13,067 --> 00:36:16,266
IF THEY'D ATTACK HIM
OR SCATTERED,
590
00:36:16,267 --> 00:36:17,966
THEY'D RUN OUT THE DOORS
AND BEGIN SCREAMING,
591
00:36:17,967 --> 00:36:23,532
MOST OF THEM WOULD BE ALIVE
TODAY.
592
00:36:23,533 --> 00:36:25,399
YOU KNOW HOW IT
IS IN THE MOMENT,
593
00:36:25,400 --> 00:36:28,966
WHEN DEEP IN YOUR GUT
YOU KNOW SOMETHING IS WRONG,
594
00:36:28,967 --> 00:36:34,232
BUT DOING SOMETHING ABOUT IT
WOULD MAKE THE SITUATION REAL.
595
00:36:34,233 --> 00:36:38,066
I THINK THEY THOUGHT, IF THEY
IGNORED THAT GUT INSTINCT,
596
00:36:38,067 --> 00:36:43,066
MAYBE IT WOULD
ALL JUST GO AWAY.
597
00:36:43,067 --> 00:36:45,599
HE TIED ALL OF US.
598
00:36:45,600 --> 00:36:51,599
AND HE WAS SMILING
DURING THIS TIME.
599
00:36:51,600 --> 00:36:54,532
THEN HE UNTIED
MISS WILKENING'S ANKLES,
600
00:36:54,533 --> 00:37:01,099
AND HE TOOK HER
OUT OF THE ROOM.
601
00:37:01,100 --> 00:37:04,766
THEN, SUZANNE AND MARY ANN
CAME HOME.
602
00:37:04,767 --> 00:37:07,332
THESE TWO NURSES CAME IN LATE.
603
00:37:07,333 --> 00:37:10,299
AND HE WAS STARTLED.
604
00:37:12,967 --> 00:37:19,432
WE COULDN'T SEE THEM,
BUT WE HEARD A STRUGGLE.
605
00:37:19,433 --> 00:37:21,933
THEN IT WAS QUIET AGAIN.
606
00:37:31,067 --> 00:37:33,566
ONCE HE'D KILLED SUZANNE FARRIS
AND MARY ANN JORDAN,
607
00:37:33,567 --> 00:37:37,066
HE WAS IN A FRENZY.
608
00:37:37,067 --> 00:37:38,199
AND IT WAS JUST A MATTER
609
00:37:38,200 --> 00:37:43,132
OF SYSTEMATICALLY ELIMINATING
WITNESSES.
610
00:37:43,133 --> 00:37:45,532
WHILE SPECK IS OUT OF THE ROOM,
611
00:37:45,533 --> 00:37:46,966
CORA UNDERTAKES AN EFFORT
612
00:37:46,967 --> 00:37:51,899
TO CONCEAL HERSELF
UNDER ONE OF THE BEDS.
613
00:37:51,900 --> 00:37:56,232
CORA IS WATCHING...
614
00:37:57,967 --> 00:38:01,400
...AS HE COMES BACK AND FORTH.
615
00:38:04,900 --> 00:38:07,367
HER FEAR IS JUST GROWING
AND GROWING.
616
00:38:18,333 --> 00:38:22,567
HE'S NOW GOING TO TAKE
HIS EIGHTH VICTIM, GLORIA DAVY.
617
00:38:27,067 --> 00:38:29,300
PLEASE.
618
00:38:31,933 --> 00:38:36,333
AND HE PROCEEDS TO RAPE HER.
619
00:38:41,767 --> 00:38:46,367
AND THEN, HE TOOK MISS DAVY
OUT OF THE ROOM, TOO.
620
00:38:47,367 --> 00:38:51,900
AND THEN
CORA IS THE ONLY ONE LEFT.
621
00:39:43,100 --> 00:39:47,100
SPECK HAS LOST COUNT
OF THE BODIES.
622
00:39:56,800 --> 00:39:58,332
NO ONE WOULD HAVE BLAMED HER
623
00:39:58,333 --> 00:40:01,866
IF SHE HAD ONLY GIVEN A WRITTEN
STATEMENT AND STAYED AWAY.
624
00:40:01,867 --> 00:40:04,732
IF IT HAD BEEN ME,
625
00:40:04,733 --> 00:40:07,599
I DON'T THINK I WOULD HAVE
BEEN BRAVE ENOUGH TO FACE HIM.
626
00:40:07,600 --> 00:40:12,166
BUT CORA AMURAO WAS
A STRONG WOMAN, AN IMMIGRANT
627
00:40:12,167 --> 00:40:14,532
AND A SURVIVOR.
628
00:40:14,533 --> 00:40:16,832
IF YOU SEE THE MAN
IN THE COURTROOM TODAY,
629
00:40:16,833 --> 00:40:20,532
WOULD YOU PLEASE
POINT HIM OUT?
630
00:40:20,533 --> 00:40:23,732
AND I THINK SHE WENT THERE
FOR TWO REASONS,
631
00:40:23,733 --> 00:40:26,399
BOTH FOR HER FALLEN FRIENDS
632
00:40:26,400 --> 00:40:28,599
AND BECAUSE SHE WANTED
TO WALK UP TO SPECK
633
00:40:28,600 --> 00:40:31,533
AND LET HIM KNOW...
634
00:40:34,667 --> 00:40:39,432
..."YOU DON'T SCARE ME
ANYMORE."
635
00:40:39,433 --> 00:40:42,299
THIS IS THE MAN.
636
00:40:47,833 --> 00:40:50,466
CORA HAS SHOWED TOTAL COURAGE...
637
00:40:54,133 --> 00:40:58,466
...THAT SHE COULD SEE SPECK
AGAIN
638
00:40:58,467 --> 00:41:01,633
AND NAME HIM AS THE KILLER.
639
00:41:05,567 --> 00:41:09,466
THE JURY REQUIRED ONLY
45 MINUTES TO RETURN A VERDICT
640
00:41:09,467 --> 00:41:11,299
OF GUILTY, DESERVING OF DEATH.
641
00:41:15,633 --> 00:41:19,232
1966 WAS SORT
OF A THRESHOLD MOMENT
642
00:41:19,233 --> 00:41:23,066
WITH RICHARD SPECK
INVADING PEOPLE'S SPACE
643
00:41:23,067 --> 00:41:25,499
TO COMMIT MASS MURDER.
644
00:41:25,500 --> 00:41:27,732
PEOPLE WERE SCRUTINIZING
THEIR NEIGHBORS
645
00:41:27,733 --> 00:41:30,666
AND LOCKING THEIR DOORS.
646
00:41:30,667 --> 00:41:32,399
IT WAS KIND
OF THE MURDER OF INNOCENCE.
647
00:41:32,400 --> 00:41:33,799
HE NOT ONLY KILLED
THE EIGHT NURSES.
648
00:41:33,800 --> 00:41:35,532
HE KILLED A LITTLE BIT
OF ALL OF US.
649
00:41:35,533 --> 00:41:37,066
FORGIVE OUR TRESPASSES
650
00:41:37,067 --> 00:41:39,132
AS WE FORGIVE THOSE WHO TRESPASS
AGAINST US.
651
00:41:39,133 --> 00:41:43,132
AND MAYBE THE SADDEST PART
OF ALL WAS THE THING
652
00:41:43,133 --> 00:41:45,966
THESE YOUNG WOMEN
WOULD BE REMEMBERED FOR.
653
00:41:45,967 --> 00:41:48,499
THE THING
I WOULD REMEMBER THEM FOR
654
00:41:48,500 --> 00:41:54,367
WAS AS A REMINDER THAT THE
ONCE-GOOD WORLD HAD GONE BAD.
655
00:41:56,067 --> 00:42:02,966
* WILL THE CIRCLE BE UNBROKEN *
656
00:42:02,967 --> 00:42:05,932
* BY AND BY, LORD *
657
00:42:05,933 --> 00:42:08,299
* BY AND BY *
AND THAT WAS ITS OWN TRAGEDY.
658
00:42:08,300 --> 00:42:11,499
WHAT CAN YOU LEARN
ABOUT A PERSON IN THE 500 WORDS
659
00:42:11,500 --> 00:42:13,066
OF A NEWSPAPER ARTICLE
660
00:42:13,067 --> 00:42:16,466
OR IN THE 60 MINUTES
OF A TELEVISION SPECIAL?
661
00:42:16,467 --> 00:42:19,799
IN A MASS MURDER LIKE THIS ONE,
662
00:42:19,800 --> 00:42:22,832
THE VICTIMS AREN'T JUST ROBBED
OF THEIR LIVES.
663
00:42:22,833 --> 00:42:25,366
THEY'RE ROBBED OF THEIR MEMORY.
664
00:42:25,367 --> 00:42:29,199
BUT WE NEED TO REMEMBER
ALL OF THEM,
665
00:42:29,200 --> 00:42:31,733
EACH AND EVERY ONE.
666
00:42:34,233 --> 00:42:38,199
GLORIA DAVY.
667
00:42:38,200 --> 00:42:41,599
PAMELA WILKENING.
668
00:42:41,600 --> 00:42:45,432
PATRICIA MATUSEK.
669
00:42:45,433 --> 00:42:49,166
MERLITA GARGULLO.
670
00:42:49,167 --> 00:42:52,566
SUZANNE FARRIS.
671
00:42:52,567 --> 00:42:55,932
NINA SCHMALE.
672
00:42:55,933 --> 00:42:59,899
VALENTINA PASION.
673
00:42:59,900 --> 00:43:02,167
AND MARY ANN JORDAN.
674
00:43:03,200 --> 00:43:09,832
* WILL THE CIRCLE BE UNBROKEN *
675
00:43:09,833 --> 00:43:13,199
* BY AND BY, LORD *
676
00:43:13,200 --> 00:43:16,866
* BY AND BY *
677
00:43:16,867 --> 00:43:20,166
* THERE'S A BETTER *
678
00:43:20,167 --> 00:43:23,566
* HOME AWAITIN' *
679
00:43:23,567 --> 00:43:26,332
* IN THE SKY, LORD *
680
00:43:26,333 --> 00:43:30,567
* IN THE SKY *
50841
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.