All language subtitles for A Crime to Remember S03E03 And Then There Was One

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American) Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,700 --> 00:00:06,466 GIRLS WHO LIVED ACROSS THE STREET 2 00:00:06,467 --> 00:00:10,466 WERE SMART AND PRETTY AND REALLY NICE. 3 00:00:13,033 --> 00:00:16,399 THEY WERE CLUB LEADERS AND STAR STUDENTS, 4 00:00:16,400 --> 00:00:20,399 AND THEY HARDLY EVER GOT INTO TROUBLE WITH CURFEW. 5 00:00:20,400 --> 00:00:21,899 SO WE NEVER HAD ANY REASON 6 00:00:21,900 --> 00:00:25,399 TO THINK THAT ON THAT JULY MORNING, 7 00:00:25,400 --> 00:00:28,166 THEY WEREN'T SLEEPING SOUNDLY IN THEIR BEDS. 8 00:00:39,000 --> 00:00:42,432 BUT CORA AMURAO HAD NOT SLEPT AT ALL. 9 00:00:42,433 --> 00:00:44,832 SHE HAD LIVED THROUGH A NIGHT DARKER 10 00:00:44,833 --> 00:00:49,866 THAN YOU OR I WILL EVER KNOW. 11 00:00:49,867 --> 00:00:52,099 AND WHEN SHE DID GET UP THAT MORNING, 12 00:00:52,100 --> 00:00:54,066 SHE MUST HAVE BEEN PRAYING 13 00:00:54,067 --> 00:00:58,299 THAT IT HAD ALL BEEN SOME KIND OF NIGHTMARE, 14 00:00:58,300 --> 00:01:02,933 THAT WHAT SHE HAD ENDURED COULDN'T POSSIBLY BE REAL. 15 00:01:20,833 --> 00:01:24,299 HELP! SOMEONE, HELP, PLEASE! 16 00:01:24,300 --> 00:01:26,867 SOMEONE, HELP, PLEASE! 17 00:01:29,233 --> 00:01:32,333 ** 18 00:01:44,767 --> 00:01:48,666 CHICAGO IN THE SUMMER OF '66 WAS THE SORT OF HOT 19 00:01:48,667 --> 00:01:51,632 THAT CREEPS IN UNDER YOUR SKIN. 20 00:01:51,633 --> 00:01:53,932 AND IT WASN'T JUST THE WEATHER. 21 00:01:53,933 --> 00:01:57,432 THERE WAS A LOT OF TALK THAT SUMMER OF CIVIL RIGHTS. 22 00:01:57,433 --> 00:01:59,499 EVERYONE WAS PRETTY WORKED UP. 23 00:01:59,500 --> 00:02:02,166 THE MOVEMENT HAD GATHERED MOMENTUM DOWN SOUTH. 24 00:02:02,167 --> 00:02:03,432 AND WITH THE CIVIL RIGHTS ACT 25 00:02:03,433 --> 00:02:06,632 BECOMING LAW JUST 2 YEARS EARLIER, 26 00:02:06,633 --> 00:02:10,432 CHANGES WERE CLIMBING UP NORTH TO PLACES LIKE CHICAGO. 27 00:02:10,433 --> 00:02:12,866 YOU'D THINK THEY WOULD HAVE HAD AN EASIER TIME UP HERE, 28 00:02:12,867 --> 00:02:14,566 BUT YOU'D BE WRONG. 29 00:02:14,567 --> 00:02:18,699 RIOTS WERE STARTING TO BREAK OUT. 30 00:02:18,700 --> 00:02:21,099 SO IT WOULD HAVE SHOCKED ME TO NO END 31 00:02:21,100 --> 00:02:24,599 TO FIND OUT THAT THE MOST TERRIBLE VIOLENCE THAT SUMMER 32 00:02:24,600 --> 00:02:27,166 WOULD HAPPEN RIGHT IN MY OWN NEIGHBORHOOD. 33 00:02:27,167 --> 00:02:30,366 JEFFERY MANOR WAS A QUIET AREA AT THE EDGE OF THE CITY. 34 00:02:30,367 --> 00:02:32,966 YOU NEVER EXPECTED TO LOOK OUT YOUR WINDOW 35 00:02:32,967 --> 00:02:34,699 AND SEE A CRIME SCENE. 36 00:02:34,700 --> 00:02:37,832 THE FIRST HOMICIDE DETECTIVE ON THE SCENE, JACK WALLENDA, 37 00:02:37,833 --> 00:02:40,733 WALKS IN TO THE TOWN HOUSE. 38 00:02:47,200 --> 00:02:50,467 ** 39 00:02:56,067 --> 00:02:58,833 AND ALL HE CAN SEE ARE BLOOD AND GIRLS. 40 00:03:07,967 --> 00:03:11,233 HE'S NEVER SEEN ANYTHING LIKE THIS BEFORE. 41 00:03:14,600 --> 00:03:19,399 THERE ARE FIVE LACERATIONS, ALL WITHIN A 6-INCH AREA. 42 00:03:19,400 --> 00:03:22,399 YOU HAVE EIGHT VICTIMS. 43 00:03:22,400 --> 00:03:25,866 THEY'D BEEN STABBED, STRANGLED. 44 00:03:25,867 --> 00:03:30,299 AND THIS ONE IS STABBED IN THE EYE. 45 00:03:30,300 --> 00:03:34,732 IN THE LIVING ROOM IS A NUDE YOUNG WOMAN. 46 00:03:34,733 --> 00:03:39,799 IT APPEARS THAT SHE HAS BEEN SEXUALLY ASSAULTED. 47 00:03:39,800 --> 00:03:42,166 THE VICTIM'S WRISTS ARE BOUND. 48 00:03:42,167 --> 00:03:46,232 AND THEY WERE TIED VERY PROFESSIONALLY AND TIGHTLY. 49 00:03:46,233 --> 00:03:50,633 IT'S A COMPLETE SCENE OF CARNAGE AND MAYHEM. 50 00:03:53,900 --> 00:03:56,799 THIS HAD TO HAVE BEEN AT LEAST TWO OR THREE PERPS. 51 00:03:56,800 --> 00:04:00,099 THERE'S A GREAT DEAL OF SPECULATION WHO POSSIBLY 52 00:04:00,100 --> 00:04:02,066 COULD HAVE ACCOMPLISHED SUCH A GRUESOME FEAT. 53 00:04:02,067 --> 00:04:05,432 IS IT A GANG OF DRUG-CRAZED KILLERS? 54 00:04:05,433 --> 00:04:09,666 THERE IS A SCREEN OFF A WINDOW IN THE REAR OF THE TOWN HOUSE. 55 00:04:09,667 --> 00:04:11,899 ALSO BECAUSE OF THE RIOTS 56 00:04:11,900 --> 00:04:14,799 AND THE GENERAL SENSE OF TENSION BETWEEN BLACKS AND WHITES, 57 00:04:14,800 --> 00:04:18,632 THERE IS SOME GRUMBLING OF, "WERE THESE A GANG OF BLACKS 58 00:04:18,633 --> 00:04:20,532 WHO MIGHT'VE BROKEN INTO THIS TOWN HOUSE 59 00:04:20,533 --> 00:04:26,132 AND KILLED THESE EIGHT STUDENT NURSES?" 60 00:04:26,133 --> 00:04:27,499 THE CRIME LAB TECHNICIANS 61 00:04:27,500 --> 00:04:32,099 ARE BEGINNING THE PROCESS OF LIFTING FINGERPRINTS. 62 00:04:32,100 --> 00:04:33,899 THERE IS A BLOODY T-SHIRT, 63 00:04:33,900 --> 00:04:38,599 WHICH DOESN'T LOOK LIKE IT WOULD BELONG TO THE NURSES. 64 00:04:38,600 --> 00:04:42,466 BUT IN TERMS OF CLUES, THERE ARE VERY FEW. 65 00:04:42,467 --> 00:04:45,433 ** 66 00:04:50,067 --> 00:04:51,599 WHEN YOU WORK IN A HOSPITAL, 67 00:04:51,600 --> 00:04:54,199 DEATH BECOMES A PART OF YOUR EVERYDAY LIFE. 68 00:04:54,200 --> 00:04:57,799 BUT IT'S DIFFERENT WHEN IT HAPPENS LIKE THIS, 69 00:04:57,800 --> 00:05:00,432 ESPECIALLY WHEN IT'S SOMEONE YOU KNOW. 70 00:05:00,433 --> 00:05:01,632 ALL THE TRAINING IN THE WORLD 71 00:05:01,633 --> 00:05:04,466 CAN'T PREPARE YOU FOR THAT FEELING. 72 00:05:04,467 --> 00:05:06,132 YOUR BODY GOES NUMB, 73 00:05:06,133 --> 00:05:09,866 AND YOUR MIND FLIPS THROUGH EVERYTHING 74 00:05:09,867 --> 00:05:11,132 YOU KNEW ABOUT THE PERSON, 75 00:05:11,133 --> 00:05:13,732 AS THOUGH REMEMBERING 76 00:05:13,733 --> 00:05:18,067 ALL THE LITTLE DETAILS MIGHT HELP YOU HOLD ON TO THEM. 77 00:05:21,100 --> 00:05:25,699 NINA SCHMALE WAS MAYBE THE MOST POPULAR GIRL IN OUR CLASS. 78 00:05:25,700 --> 00:05:29,066 AND GLORIA DAVY WAS REALLY ACCOMPLISHED. 79 00:05:29,067 --> 00:05:32,232 SHE WAS HEAD OF THE STUDENT NURSES ASSOCIATION. 80 00:05:32,233 --> 00:05:36,367 AND PAMELA WILKENING, WE ALL CALLED HER WILLY. 81 00:05:39,933 --> 00:05:43,266 I WISH I HAD GOTTEN TO KNOW THEM BETTER. 82 00:05:43,267 --> 00:05:46,499 AND NOW ALL I HAD WAS REGRET. 83 00:05:46,500 --> 00:05:49,332 BUT THAT'S WHY WE WERE SO THANKFUL TO HEAR 84 00:05:49,333 --> 00:05:51,799 THAT SOMEONE HAD SURVIVED. 85 00:05:51,800 --> 00:05:54,699 CORA AMURAO WAS NEW AT SCHOOL. 86 00:05:54,700 --> 00:05:56,699 SHE'D ONLY MOVED TO CHICAGO FROM THE PHILIPPINES 87 00:05:56,700 --> 00:05:59,099 2 MONTHS BEFORE. 88 00:05:59,100 --> 00:06:02,699 SHE SEEMED SWEET AND A LITTLE SHY. 89 00:06:02,700 --> 00:06:07,399 THE ADVANTAGE OF HAVING A LIVING EYE WITNESS CAN'T BE OVERSTATED. 90 00:06:07,400 --> 00:06:10,732 THE INVESTIGATORS NEED TO GET AS MUCH INFORMATION FROM HER 91 00:06:10,733 --> 00:06:13,632 AS THEY CAN, AS SOON AS POSSIBLE. 92 00:06:13,633 --> 00:06:16,700 ** 93 00:06:23,367 --> 00:06:26,066 CORA. 94 00:06:26,067 --> 00:06:28,966 CORA. 95 00:06:28,967 --> 00:06:31,400 CAN YOU TELL US WHAT HAPPENED? 96 00:06:42,867 --> 00:06:45,266 CORA IS TERRIFIED. 97 00:06:45,267 --> 00:06:49,166 SHE STARTS TO REVERT TO HER NATIVE TAGALOG. 98 00:06:49,167 --> 00:06:53,532 SHE'S HORRIBLY TRAUMATIZED BY WHAT SHE HAS WITNESSED. 99 00:06:53,533 --> 00:06:55,933 SO SHE HAS TO BE SEDATED. 100 00:06:58,933 --> 00:07:02,432 FINALLY, CORA CALMS DOWN. 101 00:07:02,433 --> 00:07:03,966 AND AT THAT POINT, SHE SAYS, 102 00:07:03,967 --> 00:07:06,067 "I REALLY WANT TO HELP." 103 00:07:09,067 --> 00:07:14,066 LAST NIGHT, I WENT TO BED AT 10:30. 104 00:07:14,067 --> 00:07:20,066 HALF HOUR LATER, I HEARD A KNOCK. 105 00:07:20,067 --> 00:07:24,599 I ANSWERED THE DOOR. 106 00:07:24,600 --> 00:07:27,166 WHO WAS AT THE DOOR? 107 00:07:27,167 --> 00:07:30,599 HOW MANY MEN? 108 00:07:30,600 --> 00:07:35,566 ONE MAN. 109 00:07:35,567 --> 00:07:39,499 YOU'RE SAYING THAT ONE MAN DID THIS? 110 00:07:39,500 --> 00:07:45,300 YES, TALL, 6 FEET, BLOND HAIR. 111 00:07:47,400 --> 00:07:49,899 YES. 112 00:07:49,900 --> 00:07:53,099 THEY FIND THIS SHOCKING. 113 00:07:53,100 --> 00:07:57,599 A SINGLE MAN KILLED EIGHT WOMEN. 114 00:07:57,600 --> 00:08:00,766 WHAT ELSE IS HE CAPABLE OF? 115 00:08:00,767 --> 00:08:03,932 WHOEVER HAD THE ABILITY TO DO THIS 116 00:08:03,933 --> 00:08:07,300 WILL VERY LIKELY STRIKE AGAIN. 117 00:08:13,400 --> 00:08:16,700 ** 118 00:08:23,067 --> 00:08:25,199 ONE -- ONE QUESTION AT A TIME. 119 00:08:25,200 --> 00:08:29,632 EIGHT NURSES HAVE BEEN KILLED IN ONE NIGHT WITH SEXUAL OVERTONES. 120 00:08:29,633 --> 00:08:31,832 RIGHT NOW, WE'RE -- WE'RE LOOKING AT A COMBINATION 121 00:08:31,833 --> 00:08:33,532 OF STABBING AND STRANGULATION. 122 00:08:33,533 --> 00:08:34,932 WHAT WAS THE MOTIVE? 123 00:08:34,933 --> 00:08:36,099 WE DON'T KNOW. 124 00:08:36,100 --> 00:08:38,466 THERE IS A SENSE OF INCOMPREHENSION. 125 00:08:38,467 --> 00:08:42,299 THE POLICE HAVE LEARNED THAT THE KILLER IS ONLY ONE MAN. 126 00:08:42,300 --> 00:08:46,366 AND EVERYBODY IS JUST TOTALLY ASTONISHED 127 00:08:46,367 --> 00:08:48,766 AT HOW HE COULD HAVE DONE THIS. 128 00:08:48,767 --> 00:08:53,366 WE DON'T KNOW EXACTLY WHAT HAS HAPPENED. 129 00:08:53,367 --> 00:08:56,732 IT'S THE CRIME OF THE CENTURY. 130 00:08:56,733 --> 00:08:58,266 ARE THERE ANY SURVIVORS? 131 00:08:58,267 --> 00:09:00,166 THERE'S ONE SURVIVOR. 132 00:09:00,167 --> 00:09:04,299 FROM CORA, THE SURVIVING NURSE, THEY DID HAVE A DESCRIPTION. 133 00:09:04,300 --> 00:09:07,366 A WHITE MALE, APPROXIMATELY 25 YEARS OF AGE, 134 00:09:07,367 --> 00:09:11,766 6 FEET TALL, BLOND HAIR, WITH A SOUTHERN DRAWL. 135 00:09:11,767 --> 00:09:17,199 THANK YOU. THANK YOU. 136 00:09:17,200 --> 00:09:19,366 ALL RIGHT, GUYS. LISTEN UP. 137 00:09:19,367 --> 00:09:21,166 I WANT YOU TO COVER THE ENTIRE AREA. 138 00:09:21,167 --> 00:09:24,232 THEY HAVE A MASS MURDERER ON THEIR HANDS WHO HAS 139 00:09:24,233 --> 00:09:26,532 A HEAD START OF SEVERAL HOURS. 140 00:09:26,533 --> 00:09:29,532 ALL RIGHT. BURGLARY, YOU'RE GONNA COVER THIS. 141 00:09:29,533 --> 00:09:31,166 THERE'S A CONSIDERABLE SENSE OF URGENCY 142 00:09:31,167 --> 00:09:33,966 TO USE AS MUCH MANPOWER AS POSSIBLE. 143 00:09:33,967 --> 00:09:37,066 SO BURGLARY DETECTIVES WERE PUT ON THE CASE 144 00:09:37,067 --> 00:09:39,932 IN ADDITION TO THE HOMICIDE DETECTIVES. 145 00:09:39,933 --> 00:09:41,599 I DON'T WANT ANY STONE LEFT UNTURNED. 146 00:09:41,600 --> 00:09:43,167 OKAY? - YOU GOT IT. 147 00:09:47,200 --> 00:09:50,566 THE BURGLARY DETECTIVES WERE VERY STREET WISE. 148 00:09:50,567 --> 00:09:52,432 THEY KNEW EVERY NOOK AND CRANNY. 149 00:09:52,433 --> 00:09:55,067 THEY KNEW HOW TO GET INFORMATION. 150 00:10:00,800 --> 00:10:03,366 HEY, FELLA. I'M A FRIEND OF YOUR MANAGER. 151 00:10:03,367 --> 00:10:04,966 HOW ARE YOU TODAY? 152 00:10:04,967 --> 00:10:07,699 A BURGLARY DETECTIVE NAMED EDDIE WIELOSINSKI 153 00:10:07,700 --> 00:10:08,899 LIVES IN THE NEIGHBORHOOD, 154 00:10:08,900 --> 00:10:12,066 AND HE KNOWS IT LIKE THE BACK OF HIS HANDS. 155 00:10:12,067 --> 00:10:13,799 WE'RE ACTUALLY CANVASSING THE AREA. 156 00:10:13,800 --> 00:10:15,966 HE GOES TO A GAS STATION, 157 00:10:15,967 --> 00:10:18,332 AND HE TALKS TO THE GAS STATION ATTENDANT. 158 00:10:18,333 --> 00:10:21,466 THE STATION IS A GATHERING POINT FOR TRANSIENT PEOPLE 159 00:10:21,467 --> 00:10:23,199 AND TROUBLEMAKERS IN THE NEIGHBORHOOD. 160 00:10:23,200 --> 00:10:25,799 SO WE'RE LOOKING FOR A WHITE MALE. 161 00:10:25,800 --> 00:10:29,499 AND HE GIVES CORA'S DESCRIPTION OF THE SUSPECT. 162 00:10:29,500 --> 00:10:32,199 WELL, I -- I GUESS THERE WAS, ONE GUY. 163 00:10:32,200 --> 00:10:33,832 THE ATTENDANT SAYS, "WELL, YOU KNOW, 164 00:10:33,833 --> 00:10:36,199 THERE WAS SOMEBODY WHO SOUNDS LIKE THAT. 165 00:10:36,200 --> 00:10:39,366 HE WAS VERY AGITATED AND A LITTLE BELLIGERENT." 166 00:10:39,367 --> 00:10:40,832 ANY WAY YOU COULD IDENTIFY HIM? 167 00:10:40,833 --> 00:10:43,499 THE -- THE TATTOOS, FOR SURE. 168 00:10:43,500 --> 00:10:45,866 HE HAD, - WHAT WAS IT? 169 00:10:45,867 --> 00:10:47,932 BORN TO RAISE HELL. 170 00:10:47,933 --> 00:10:51,532 IT WAS, RIGHT HERE, THE LEFT ARM. 171 00:10:51,533 --> 00:10:52,932 DO YOU REMEMBER ANYTHING ELSE? 172 00:10:52,933 --> 00:10:54,299 MAYBE IT WAS THAT HE HAD TO BE SOMEWHERE 173 00:10:54,300 --> 00:10:58,832 'CAUSE HE SAID HE WAS, LIKE, SHIPPIN' OUT TO NEW ORLEANS. 174 00:10:58,833 --> 00:11:00,532 HE SAID HE WAS TAKING A SHIP FROM SOMEWHERE? 175 00:11:00,533 --> 00:11:02,066 YEAH, YEAH. 176 00:11:02,067 --> 00:11:06,066 WIELOSINSKI HAD BEEN A MERCHANT SAILOR AT ONE TIME. 177 00:11:06,067 --> 00:11:10,566 AND HE REMEMBERED THE KNOTS THE GIRLS WERE TIED WITH. 178 00:11:10,567 --> 00:11:15,167 WIELOSINSKI REALIZES THE SUSPECT COULD BE A SAILOR. 179 00:11:21,733 --> 00:11:24,699 INVESTIGATORS GO TO THE SEAMAN'S UNION HALL, 180 00:11:24,700 --> 00:11:26,666 WHICH IS ADJACENT TO THE TOWNHOME 181 00:11:26,667 --> 00:11:28,699 IN WHICH THE GIRLS WERE KILLED. 182 00:11:28,700 --> 00:11:32,232 SIR, WE'RE LOOKING FOR A WHITE MALE, TATTOOS. 183 00:11:32,233 --> 00:11:36,866 HE MENTIONS THE SAILOR'S BELLIGERENT ATTITUDE 184 00:11:36,867 --> 00:11:39,066 WITH THE COMPLAINING ABOUT THE SHIP. 185 00:11:39,067 --> 00:11:40,932 ANYBODY LIKE THAT COME TO MIND? 186 00:11:40,933 --> 00:11:46,299 UM, YOU KNOW, THERE WAS ONE GUY. 187 00:11:46,300 --> 00:11:49,232 HE SAYS, "WAIT A MINUTE. 188 00:11:49,233 --> 00:11:52,432 THAT SOUNDS LIKE SOMEONE THAT WAS IN HERE 189 00:11:52,433 --> 00:11:56,599 A COUPLE OF DAYS AGO." 190 00:11:56,600 --> 00:11:59,167 AND HE REACHES DOWN INTO THE WASTE BASKET... 191 00:12:04,100 --> 00:12:06,432 ...AND PULLS OUT THIS ASSIGNMENT SLIP, 192 00:12:06,433 --> 00:12:11,399 WHICH SENT THIS SAILOR TO A SHIP CALLED THE SINCLAIR GREAT LAKES 193 00:12:11,400 --> 00:12:12,532 FOR A JOB. 194 00:12:12,533 --> 00:12:14,766 BUT THERE WAS ONLY ONE BERTH FOR TWO SAILORS, 195 00:12:14,767 --> 00:12:18,666 AND THE JOB WENT TO A SAILOR WITH MORE SENIORITY. 196 00:12:18,667 --> 00:12:24,299 SO THIS GUY CAME BACK AND RAISED HELL AT THE UNION HALL. 197 00:12:24,300 --> 00:12:28,632 RICHARD SPECK. 198 00:12:28,633 --> 00:12:32,899 DO YOU HAVE A PHONE THAT WE COULD USE? 199 00:12:32,900 --> 00:12:35,699 FORTUNATELY, THE ASSIGNMENT SLIP HAS THIS GUY 200 00:12:35,700 --> 00:12:39,632 RICHARD SPECK'S NEAREST POINT OF CONTACT, WHICH IS HIS SISTER, 201 00:12:39,633 --> 00:12:43,199 WHO LIVES IN CHICAGO. 202 00:12:43,200 --> 00:12:45,699 POLICE KNOW THAT THIS RICHARD SPECK 203 00:12:45,700 --> 00:12:47,899 WANTS A JOB ABOARD A SHIP. 204 00:12:47,900 --> 00:12:51,599 SO THEY DECIDE TO ENTRAP HIM. 205 00:12:51,600 --> 00:12:56,066 THIS IS MR. OLSEN FROM THE NATIONAL MARITIME UNION. 206 00:12:56,067 --> 00:12:57,732 YES, WE HAVE AN ASSIGNMENT FOR RICHARD SPECK. 207 00:12:57,733 --> 00:13:01,466 IS HE THERE? 208 00:13:01,467 --> 00:13:04,599 WELL, COULD YOU ALERT HIM AND HAVE HIM CALL US, PLEASE? 209 00:13:04,600 --> 00:13:06,133 THANK YOU. 210 00:13:08,900 --> 00:13:10,699 NOW, WE WAIT. 211 00:13:10,700 --> 00:13:12,699 THAT'S WHAT WE DO. 212 00:13:12,700 --> 00:13:14,633 PRAY TO MARY THAT HE CALLS. 213 00:13:20,333 --> 00:13:25,299 CORA, CAN YOU -- CAN YOU TELL US WHAT HE LOOKED LIKE? 214 00:13:25,300 --> 00:13:27,899 MEANWHILE, AT THE HOSPITAL, 215 00:13:27,900 --> 00:13:30,066 DETECTIVES WERE WORKING WITH CORA 216 00:13:30,067 --> 00:13:34,532 TO GENTLY COAX A PORTRAIT OF THE KILLER FROM HER. 217 00:13:34,533 --> 00:13:36,566 CORA. 218 00:13:36,567 --> 00:13:39,267 CORA, CAN YOU TELL US ABOUT HIS EYES? 219 00:13:44,733 --> 00:13:47,967 HE HAD LIGHT EYES, BLUE -- BLUE EYES. 220 00:13:53,700 --> 00:13:56,966 SKINNY MAN, HAIR BLOND. 221 00:13:56,967 --> 00:13:58,766 JUST A FEW HOURS IN, 222 00:13:58,767 --> 00:14:02,066 THE INVESTIGATION WAS MOVING FORWARD ALL OVER THE CITY, 223 00:14:02,067 --> 00:14:04,199 FROM CORA'S HOSPITAL ROOM 224 00:14:04,200 --> 00:14:07,532 TO A DIVE BAR CALLED THE SHIPYARD INN. 225 00:14:07,533 --> 00:14:10,499 AND THOUGH THEY DIDN'T KNOW IT AT THE TIME, THE POLICE 226 00:14:10,500 --> 00:14:12,432 WERE BEGINNING TO CONVERGE... 227 00:14:12,433 --> 00:14:13,866 HEY. 228 00:14:13,867 --> 00:14:16,799 YOUR BROTHER-IN-LAW CALLED, SAID CALL THE UNION HALL. 229 00:14:16,800 --> 00:14:20,066 THEY GOT A JOB FOR YOU. 230 00:14:20,067 --> 00:14:22,767 ...COMING TO THE TRUTH FROM TWO SIDES. 231 00:14:25,900 --> 00:14:27,800 THANK YOU. 232 00:14:36,667 --> 00:14:38,332 MARITIME UNION HALL. 233 00:14:38,333 --> 00:14:40,099 YEAH, THIS IS RICHARD SPECK. 234 00:14:40,100 --> 00:14:41,966 Yes, Mr. Speck. 235 00:14:41,967 --> 00:14:43,932 WE HAVE A SHIP FOR YOU. 236 00:14:43,933 --> 00:14:45,599 WHAT'S THE NAME OF THE SHIP? 237 00:14:45,600 --> 00:14:48,866 IT IS THE SINCLAIR GREAT LAKES. 238 00:14:48,867 --> 00:14:51,366 SINCLAIR GREAT LAKES? 239 00:14:51,367 --> 00:14:53,299 HIS CHEEK BONES? 240 00:14:53,300 --> 00:14:54,866 - HIGHER. - HIGH CHEEK BONES. 241 00:14:54,867 --> 00:14:55,932 - YES. - ALL RIGHT. 242 00:14:55,933 --> 00:14:59,066 DO YOU REMEMBER ANYTHING ABOUT THE MOUTH? 243 00:14:59,067 --> 00:15:02,066 LIPS OUT A LITTLE, NOT TOO MUCH. 244 00:15:02,067 --> 00:15:03,132 WHAT ABOUT THE NOSE? 245 00:15:03,133 --> 00:15:04,532 DO YOU REMEMBER ANYTHING ABOUT HIS NOSE? 246 00:15:04,533 --> 00:15:07,732 NOSE, LONG, BIG. 247 00:15:07,733 --> 00:15:09,066 NO, NO, NO. OKAY. 248 00:15:09,067 --> 00:15:11,466 DON'T GIVE THAT AWAY TO ANYONE ELSE. I'LL BE THERE. 249 00:15:11,467 --> 00:15:12,766 WE'LL HOLD THE ASSIGNMENT OPEN FOR YOU 250 00:15:12,767 --> 00:15:14,499 UNTIL YOU GET ON OVER HERE. 251 00:15:14,500 --> 00:15:16,466 BUT, UM, WE CLOSE AT 5:00 P.M. 252 00:15:16,467 --> 00:15:20,366 YEAH, BEFORE 5:00. YOU GOT IT. 253 00:15:20,367 --> 00:15:22,366 - WHAT DID HE SAY? - HE'LL BE HERE. 254 00:15:22,367 --> 00:15:24,966 AND SO WILL WE. 255 00:15:24,967 --> 00:15:29,599 BUT THERE'S A REAL DANGER IN DRAWING CLOSE TO AN ANIMAL. 256 00:15:29,600 --> 00:15:34,499 DOES THIS LOOK LIKE THE MAN? 257 00:15:34,500 --> 00:15:36,232 IF IT KNOWS IT IS CORNERED... 258 00:15:36,233 --> 00:15:39,766 YES. 259 00:15:39,767 --> 00:15:44,067 IT MIGHT DO ANYTHING. 260 00:15:51,100 --> 00:15:52,332 THEY TOLD US AT SCHOOL 261 00:15:52,333 --> 00:15:54,766 TO TRY TO GO ABOUT OUR DAY AS USUAL, 262 00:15:54,767 --> 00:15:56,399 THAT THE BEST THING WE COULD DO 263 00:15:56,400 --> 00:16:00,566 WAS TRY TO FIND A SENSE OF NORMALCY. 264 00:16:00,567 --> 00:16:05,132 NORMALCY? 265 00:16:05,133 --> 00:16:07,199 THE NIGHT BEFORE, EIGHT OF MY CLASSMATES 266 00:16:07,200 --> 00:16:08,899 HAD BEEN TORTURED AND MURDERED 267 00:16:08,900 --> 00:16:14,766 RIGHT ACROSS THE STREET FROM ME. 268 00:16:14,767 --> 00:16:19,499 HOW COULD ANYTHING BE NORMAL AGAIN? 269 00:16:19,500 --> 00:16:23,932 PAT MATUSEK WOULD NEVER WIN ANOTHER SWIM CHAMPIONSHIP. 270 00:16:23,933 --> 00:16:26,466 I WOULD NEVER SMELL MERLITA'S COOKING WAFTING 271 00:16:26,467 --> 00:16:29,466 IN THROUGH THE WINDOW. 272 00:16:29,467 --> 00:16:35,132 SUZANNE FARRIS WOULD NEVER CRACK ANOTHER JOKE. 273 00:16:35,133 --> 00:16:36,732 AND CORA... 274 00:16:36,733 --> 00:16:40,367 WOULD WE EVER SEE THAT SMILE AGAIN? 275 00:16:42,433 --> 00:16:44,466 WHO COULD DO THIS TO THEM? 276 00:16:44,467 --> 00:16:46,266 EVERY HOUR, I LOOKED AT THE CLOCK, 277 00:16:46,267 --> 00:16:52,099 WONDERING, HAD THEY FOUND HIM YET? 278 00:16:52,100 --> 00:16:54,499 WELL, I DIDN'T KNOW IT RIGHT THEN, 279 00:16:54,500 --> 00:16:57,066 BUT JUST A FEW BLOCKS FROM THE HOSPITAL, 280 00:16:57,067 --> 00:17:00,066 RIGHT ACROSS THE STREET FROM WHERE WE LIVED, 281 00:17:00,067 --> 00:17:02,166 THE POLICE WERE SETTING A TRAP 282 00:17:02,167 --> 00:17:05,432 FOR A SAILOR NAMED RICHARD SPECK. 283 00:17:05,433 --> 00:17:08,066 THEY HAVE MANAGED TO MAKE CONTACT WITH HIM. 284 00:17:08,067 --> 00:17:11,966 THEY'RE VERY HOPEFUL THAT HE'S GOING TO SHOW UP. 285 00:17:11,967 --> 00:17:13,566 - BRUIN? - HE'S RIGHT OVER THERE, 286 00:17:13,567 --> 00:17:14,766 FLANKING THAT DOOR. 287 00:17:14,767 --> 00:17:16,599 ALEX, STAND RIGHT ON OVER HERE. 288 00:17:16,600 --> 00:17:17,666 YOU'RE GONNA BE RIGHT ACROSS FROM ME. 289 00:17:17,667 --> 00:17:19,866 STEVE, RIGHT OVER THERE BY THE RADIATOR. 290 00:17:19,867 --> 00:17:23,067 THIS IS WHAT WOULD NOW BE CALLED A STING OPERATION. 291 00:17:29,067 --> 00:17:31,199 PROTOCOL IS, IF YOU CAN GET HIM TO COME THERE, 292 00:17:31,200 --> 00:17:32,632 YOU TAKE UP A POSITION. 293 00:17:32,633 --> 00:17:36,132 AND WHEN HE COMES IN, YOU GRAB HIM BEFORE HE CAN WHIP OUT A GUN 294 00:17:36,133 --> 00:17:38,632 OR A KNIFE. 295 00:17:38,633 --> 00:17:41,666 THE STING IS ONE ASPECT OF IT. 296 00:17:41,667 --> 00:17:43,099 IN THE MEANTIME, 297 00:17:43,100 --> 00:17:48,132 THEY ALSO HAD TWO-MAN TEAMS WHO WERE FANNING OUT. 298 00:17:48,133 --> 00:17:52,366 THEY'RE HITTING LOCAL HOTELS AND BARS AND RESTAURANTS. 299 00:17:52,367 --> 00:17:55,199 EVERYTHING WAS HAPPENING REALLY QUICKLY THAT DAY. 300 00:17:55,200 --> 00:17:56,799 POLICE WERE EVERYWHERE. 301 00:17:56,800 --> 00:18:00,799 AND THESE POLICEMEN HAD ONLY RECENTLY LEFT THE CRIME SCENE. 302 00:18:00,800 --> 00:18:02,432 HEY, MAC? 303 00:18:02,433 --> 00:18:04,799 YEAH? 304 00:18:04,800 --> 00:18:06,466 WE'RE LOOKIN' FOR A GUY. 305 00:18:06,467 --> 00:18:08,532 THEY DIDN'T HAVE A PICTURE OF THE SUSPECT. 306 00:18:08,533 --> 00:18:13,799 HE'S A SAILOR, BLOND HAIR, 24 OR 25 YEARS OLD. 307 00:18:13,800 --> 00:18:16,299 ALL THEY HAD WAS A VAGUE DESCRIPTION. 308 00:18:16,300 --> 00:18:22,066 THEY DIDN'T EVEN KNOW THE NAME, RICHARD SPECK. 309 00:18:22,067 --> 00:18:26,066 BUT HE WAS CLOSER THAN THEY COULD'VE IMAGINED. 310 00:18:26,067 --> 00:18:30,066 DON'T RING A BELL. 311 00:18:30,067 --> 00:18:32,833 RICHARD SPECK IS STANDING 10 FEET AWAY. 312 00:18:42,133 --> 00:18:45,799 HEY, MAC? LET'S HEAR YOUR STORY. WHERE DO YOU WORK? 313 00:18:45,800 --> 00:18:51,299 DOWN THE SHIPYARD. 314 00:18:51,300 --> 00:18:52,566 HOW 'BOUT YOU? 315 00:18:52,567 --> 00:18:55,866 SHIPYARD. 316 00:18:55,867 --> 00:19:01,067 SPECK SLINKS AWAY AND GOES OUT THE BACK DOOR. 317 00:19:04,067 --> 00:19:06,366 IN THE MEANTIME, AT THE UNION HALL, 318 00:19:06,367 --> 00:19:08,199 THE DAY DRAGS ON, 319 00:19:08,200 --> 00:19:10,667 AND RICHARD SPECK DOES NOT SHOW UP. 320 00:19:17,500 --> 00:19:19,966 YOU TOLD HIM THAT THE NAME OF THE SHIP 321 00:19:19,967 --> 00:19:22,899 HE WAS GOIN' ON WAS THE SINCLAIR GREAT LAKES, YEAH? 322 00:19:22,900 --> 00:19:24,632 YES. 323 00:19:24,633 --> 00:19:30,099 THAT WAS THE SHIP THAT ALREADY LEFT. 324 00:19:30,100 --> 00:19:35,399 SPECK MUST HAVE KNOWN HE WAS BEING SET UP. 325 00:19:35,400 --> 00:19:37,632 HE'S NOT COMING. 326 00:19:37,633 --> 00:19:39,666 THE DRAGNET MISSED HIM. 327 00:19:39,667 --> 00:19:42,767 THEY'RE AFRAID RICHARD SPECK MAY GET AWAY. 328 00:19:47,733 --> 00:19:50,799 YEAH? WHAT'S THE STATUS WITH THE PRINTS? 329 00:19:50,800 --> 00:19:54,366 AT THE SAME TIME, THE POLICE THINK THE THREE FINGERPRINTS 330 00:19:54,367 --> 00:19:55,666 FROM THE CRIME SCENE... 331 00:19:55,667 --> 00:19:57,633 - BEAUTIFUL. - ...BELONG TO THE KILLER. 332 00:19:59,600 --> 00:20:01,999 IF THIS RICHARD SPECK'S FINGERPRINTS 333 00:20:02,000 --> 00:20:05,299 MATCHED THE PRINTS FROM THE CRIME SCENE, 334 00:20:05,300 --> 00:20:07,399 THEY HAD THEIR MAN. 335 00:20:07,400 --> 00:20:10,799 THEY RUN A CHECK OF CHICAGO POLICE DEPARTMENT RECORDS. 336 00:20:10,800 --> 00:20:13,999 AND RICHARD SPECK IS NOWHERE TO BE FOUND. 337 00:20:14,000 --> 00:20:17,399 SO THEY CALL THE FBI IN WASHINGTON D.C. 338 00:20:17,400 --> 00:20:21,100 TO CHECK IF THEY HAD ANYTHING ON FILE. 339 00:20:29,033 --> 00:20:33,166 AND THEY PULL OUT RICHARD SPECK'S FINGERPRINT CARDS. 340 00:20:33,167 --> 00:20:37,199 FROM HIS ARREST RECORD IN TEXAS. 341 00:20:37,200 --> 00:20:41,332 BUT YOU HAVE TO REMEMBER, THIS WAS 1966. 342 00:20:41,333 --> 00:20:46,432 THIS WAS LONG BEFORE E-MAIL OR FAX MACHINES. 343 00:20:46,433 --> 00:20:49,232 THE FINGERPRINT FILE FROM THE FBI 344 00:20:49,233 --> 00:20:50,932 HAD TO BE PHYSICALLY TRANSPORTED 345 00:20:50,933 --> 00:20:53,099 FROM D.C. TO CHICAGO. 346 00:20:53,100 --> 00:20:55,099 AND AS IF THAT WASN'T HARD ENOUGH... 347 00:20:55,100 --> 00:20:57,266 AMONG THE MANY CHALLENGES THE DEPARTMENT FACED, 348 00:20:57,267 --> 00:21:00,832 THERE WAS AN AIRLINE STRIKE GOING ON ACROSS THE NATION. 349 00:21:00,833 --> 00:21:02,699 THE ENTIRE CHICAGO POLICE DEPARTMENT 350 00:21:02,700 --> 00:21:05,966 IS FEELING TREMENDOUS PRESSURE TO FIND THEIR MAN 351 00:21:05,967 --> 00:21:09,566 AND TO NAIL THIS THING DOWN. 352 00:21:09,567 --> 00:21:12,799 A SUSPECT ON THE LOOSE FOR 12 HOURS -- 353 00:21:12,800 --> 00:21:14,166 THAT'S A PROBLEM. 354 00:21:14,167 --> 00:21:16,766 EVERY SECOND THAT TICKED BY TOOK THE POLICE FURTHER 355 00:21:16,767 --> 00:21:18,932 AWAY FROM CATCHING THE MONSTER. 356 00:21:18,933 --> 00:21:23,866 AND A MANHUNT IN A CITY AS BIG AS CHICAGO IS NO JOKE. 357 00:21:23,867 --> 00:21:26,332 BUT THAT WEEK, FORGET ABOUT IT. 358 00:21:26,333 --> 00:21:28,599 THE RIOTS HAD SPIRALED OUT OF CONTROL. 359 00:21:28,600 --> 00:21:30,432 SIX POLICEMEN WERE SHOT. 360 00:21:30,433 --> 00:21:33,399 OVER 100 PEOPLE WERE ARRESTED. 361 00:21:33,400 --> 00:21:37,232 WE COULD BARELY HANDLE THE PATIENTS IN OUR EMERGENCY ROOM. 362 00:21:37,233 --> 00:21:39,799 OF COURSE, IT WAS ALMOST IMPOSSIBLE TO FIND THE GUY 363 00:21:39,800 --> 00:21:42,566 OUT THERE IN ALL THAT CHAOS. 364 00:21:42,567 --> 00:21:44,266 AND BETWEEN THE TWO OF THEM, 365 00:21:44,267 --> 00:21:50,066 THE CHICAGO POLICE DEPARTMENT IS BEING STRETCHED VERY THIN. 366 00:21:50,067 --> 00:21:52,199 AT THE SAME TIME, ON THE NORTH SIDE, 367 00:21:52,200 --> 00:21:55,632 NEAR THE OLD TOWN SECTION OF CHICAGO, THESE BEAT COPS 368 00:21:55,633 --> 00:22:01,132 ARE CALLED TO THE RALEIGH HOTEL ON A ROUTINE CASE. 369 00:22:01,133 --> 00:22:07,467 THEY HAVE THIS TIP THAT A MAN IN ROOM 806 HAS A GUN. 370 00:22:10,433 --> 00:22:14,132 THEY KNOW THE ROOM IS REGISTERED TO A MAN NAMED DAVID STATEN. 371 00:22:14,133 --> 00:22:16,067 HEY, BUDDY. WAKE UP. 372 00:22:24,100 --> 00:22:25,632 GOOD MORNING, OFFICERS. 373 00:22:25,633 --> 00:22:27,066 LET'S SEE YOUR I.D. 374 00:22:27,067 --> 00:22:28,900 YEAH. 375 00:22:36,967 --> 00:22:39,200 RICHARD SPECK? 376 00:22:51,267 --> 00:22:53,633 RICHARD SPECK? 377 00:22:59,800 --> 00:23:01,199 LOOK, BUDDY. 378 00:23:01,200 --> 00:23:03,099 WANT TO EXPLAIN WHY YOU'RE REGISTERED DOWNSTAIRS 379 00:23:03,100 --> 00:23:04,766 WITH ONE NAME, 380 00:23:04,767 --> 00:23:07,866 AND THE NAME ON YOUR I.D. HERE IS DIFFERENT? 381 00:23:07,867 --> 00:23:09,832 ALL RIGHT. BEAR WITH ME, NOW. 382 00:23:09,833 --> 00:23:12,366 I KNOW THIS SEEMS IMPOSSIBLE TODAY. 383 00:23:12,367 --> 00:23:14,699 SO MANY THINGS WERE HAPPENING AT ONCE, 384 00:23:14,700 --> 00:23:16,366 AND THE RIOTS DIDN'T HELP. 385 00:23:16,367 --> 00:23:18,432 THESE WERE JUST REGULAR BEAT COPS. 386 00:23:18,433 --> 00:23:20,699 THEY WEREN'T EVEN A PART OF THE MANHUNT. 387 00:23:20,700 --> 00:23:23,599 SO THEY JUST DIDN'T KNOW THEY SHOULD BE ON THE LOOKOUT 388 00:23:23,600 --> 00:23:28,566 FOR SOMEONE NAMED RICHARD SPECK. 389 00:23:28,567 --> 00:23:31,132 THAT'S -- THAT'S NOT MINE. 390 00:23:31,133 --> 00:23:34,899 THAT'S THIS -- THAT'S THIS LADY'S I PICKED UP LAST NIGHT. 391 00:23:34,900 --> 00:23:37,166 I'LL BE HONEST. SHE WAS -- SHE WAS A PROSTITUTE. 392 00:23:37,167 --> 00:23:41,232 AND I THINK SHE SAID IT WAS FOR PROTECTION. 393 00:23:41,233 --> 00:23:43,666 BUT THAT'S HER GUN. SHE LEFT IT HERE. 394 00:23:43,667 --> 00:23:47,132 I WANT NO PART OF IT. 395 00:23:47,133 --> 00:23:51,066 ALL RIGHT. WELL, WE'RE CONFISCATING IT ANYWAY. 396 00:23:51,067 --> 00:23:52,132 KEEP YOUR NOSE CLEAN. 397 00:23:52,133 --> 00:23:58,666 YES, SIR. THANK YOU, SIR. 398 00:23:58,667 --> 00:24:01,199 IF THEY'D HAVE BROUGHT HIM IN AND CHARGED HIM 399 00:24:01,200 --> 00:24:07,599 WITH HAVING THE GUN, THEY'D HAVE HAD HIM IN CUSTODY. 400 00:24:07,600 --> 00:24:09,966 HINDSIGHT IS 20/20, RIGHT? 401 00:24:09,967 --> 00:24:13,099 INSTEAD OF NABBING THE MOST WANTED MAN IN AMERICA, 402 00:24:13,100 --> 00:24:15,066 THEY JUST LEFT HIM THERE. 403 00:24:15,067 --> 00:24:17,799 AFTER THAT CLOSE CALL, HE MUST HAVE WISENED UP 404 00:24:17,800 --> 00:24:20,532 BECAUSE BY THE TIME THE MANHUNT REACHED THE HOTEL, 405 00:24:20,533 --> 00:24:23,432 THERE WAS NO ONE LEFT FOR THEM TO FIND. 406 00:24:23,433 --> 00:24:26,699 SPECK REALIZES THAT THE WOLVES ARE CLOSING IN 407 00:24:26,700 --> 00:24:28,066 AND THAT HE SHOULD FLEE. 408 00:24:28,067 --> 00:24:33,532 THE POLICE NOW RUN THE RISK OF LOSING HIM FOREVER. 409 00:24:33,533 --> 00:24:36,832 THIS RICHARD SPECK HAD SKIPPED OUT ON A JOB OFFER 410 00:24:36,833 --> 00:24:37,966 AT THE UNION HALL 411 00:24:37,967 --> 00:24:40,466 AND VANISHED IMMEDIATELY FROM THE HOTEL. 412 00:24:40,467 --> 00:24:43,066 THAT SURE SOUNDS LIKE GUILTY BEHAVIOR TO ME. 413 00:24:43,067 --> 00:24:44,566 AND THE POLICE THOUGHT SO, TOO. 414 00:24:44,567 --> 00:24:48,232 BUT WITHOUT ANY HARD EVIDENCE, THEY WERE IN A REAL BIND. 415 00:24:48,233 --> 00:24:50,166 LOOK, JUST PUT HIS PHOTO IN THE PAPER 416 00:24:50,167 --> 00:24:52,332 SO PEOPLE CAN SEE HIS FACE. 417 00:24:52,333 --> 00:24:54,466 WE PUT A PICTURE OF SPECK IN THE PAPER, 418 00:24:54,467 --> 00:24:56,732 AND WE RISK BLOWING THIS WHOLE TRIAL. 419 00:24:56,733 --> 00:24:59,166 JACK, THE PRESS IS GONNA LINE UP TO HELP US CATCH THIS GUY. 420 00:24:59,167 --> 00:25:00,399 FORGET THE LAWYERS. 421 00:25:00,400 --> 00:25:02,632 WE CAN'T GO PUBLIC WITH A PHOTO NOW. 422 00:25:02,633 --> 00:25:05,466 SOME FANCY DEFENSE ATTORNEY'LL SAY THE JURY POOL 423 00:25:05,467 --> 00:25:08,466 WAS POISONED, BLAH, BLAH, BLAH, AND THIS GUY WALKS. 424 00:25:08,467 --> 00:25:10,332 YOU WANT THAT? 425 00:25:10,333 --> 00:25:12,499 SINCE THEY DON'T YET HAVE POSITIVE PROOF 426 00:25:12,500 --> 00:25:14,432 THAT SPECK IS THE KILLER, 427 00:25:14,433 --> 00:25:17,366 IF THEY WERE TO GIVE HIS PHOTOGRAPH TO THE NEWSPAPERS 428 00:25:17,367 --> 00:25:19,266 AND NAME HIM AS THE MURDERER, 429 00:25:19,267 --> 00:25:23,066 THEN SPECK MIGHT VERY WELL GET OFF ON A TECHNICALITY. 430 00:25:23,067 --> 00:25:24,899 UNTIL WE CAN MATCH HIS FINGERPRINTS 431 00:25:24,900 --> 00:25:26,366 FROM THE CRIME SCENE WITH THE PRINTS 432 00:25:26,367 --> 00:25:29,267 THAT THE FBI IS SENDING US, WE GOT TO WAIT. 433 00:25:36,200 --> 00:25:39,066 AIR TRAVEL WAS A LITTLE EXOTIC BACK THEN. 434 00:25:39,067 --> 00:25:41,299 I'D NEVER EVEN BEEN ON AN AIRPLANE. 435 00:25:41,300 --> 00:25:43,399 IT STILL SEEMED A LITTLE BIT LIKE MAGIC. 436 00:25:43,400 --> 00:25:44,766 SO IT MADE A KIND OF SENSE 437 00:25:44,767 --> 00:25:47,432 WHEN THE BREAK THE POLICE NEEDED CAME FROM ABOVE. 438 00:25:47,433 --> 00:25:50,699 STRIKE OR NO STRIKE, AN AMERICAN AIRLINES PILOT 439 00:25:50,700 --> 00:25:52,899 VOLUNTEERED TO FLY RICHARD SPECK'S FINGERPRINTS 440 00:25:52,900 --> 00:25:56,699 TO CHICAGO ON THE JUMP SEAT. 441 00:25:56,700 --> 00:26:00,367 ** 442 00:26:12,800 --> 00:26:17,166 SO THE FINGERPRINTS HAD TO BE MATCHED, 443 00:26:17,167 --> 00:26:20,066 BUT IT WAS A VERY METICULOUS PROCESS. 444 00:26:20,067 --> 00:26:21,532 ANYBODY COME THROUGH HERE LIKE THAT? 445 00:26:21,533 --> 00:26:23,466 I DON'T KNOW. 446 00:26:23,467 --> 00:26:25,599 YOU COULDN'T GO ANYWHERE IN CHICAGO THAT DAY 447 00:26:25,600 --> 00:26:27,166 WITHOUT SEEING POLICE, 448 00:26:27,167 --> 00:26:30,832 ESPECIALLY ON THE NORTH SIDE WHERE THE MANHUNT HAD SPREAD. 449 00:26:30,833 --> 00:26:32,332 WE DIDN'T KNOW IT, 450 00:26:32,333 --> 00:26:35,332 BUT THEY WERE JUST SPINNING THEIR WHEELS. 451 00:26:35,333 --> 00:26:37,299 RICHARD SPECK MADE SURE TO BLEND IN 452 00:26:37,300 --> 00:26:39,666 WITH THE VAGRANTS ON SKID ROW 453 00:26:39,667 --> 00:26:43,199 WHILE HE FIGURED OUT HOW TO SKIP TOWN. 454 00:26:43,200 --> 00:26:45,166 AND SPECK HAS GOTTEN THE IDEA, 455 00:26:45,167 --> 00:26:49,832 HE'S GOING TO GET ON A FREIGHT AND GO DOWN TO DALLAS. 456 00:26:49,833 --> 00:26:51,399 I CAN REMEMBER THINKING, 457 00:26:51,400 --> 00:26:53,399 "IF ONLY THERE WAS SOME WAY I COULD HELP." 458 00:26:53,400 --> 00:26:54,899 THE FUNNY THING WAS, 459 00:26:54,900 --> 00:26:57,066 THAT'S WHAT THE POLICE WERE THINKING TOO. 460 00:26:57,067 --> 00:26:59,099 IF THEY COULD JUST MATCH SPECK'S PRINTS 461 00:26:59,100 --> 00:27:01,099 AND PUT HIS PICTURE IN THE PAPER, 462 00:27:01,100 --> 00:27:03,766 THEN ALL OF CHICAGO COULD BE ON THE LOOKOUT. 463 00:27:03,767 --> 00:27:07,300 AND THE DAY WEARS ON. 464 00:27:12,067 --> 00:27:15,833 EVENTUALLY, IT GETS TO BE ABOUT 5:00 A.M. 465 00:27:20,067 --> 00:27:22,800 THEY'RE BLURRY EYED. 466 00:27:26,600 --> 00:27:30,767 HUGHEY, THIS ONE LOOKS VERY GOOD. 467 00:27:34,667 --> 00:27:37,300 YEAH. THAT'S RIGHT. 468 00:27:43,800 --> 00:27:46,633 - Yeah? - I THINK WE HAVE A MATCH. 469 00:27:47,900 --> 00:27:49,166 GENTLEMEN, 470 00:27:49,167 --> 00:27:52,399 WE HAVE AN ALL-POINT ALERT OUT FOR RICHARD SPECK. 471 00:27:52,400 --> 00:27:54,832 NEWSPAPERS WERE PROVIDED WITH THE MUGSHOTS 472 00:27:54,833 --> 00:27:56,499 AND THE DESCRIPTION. 473 00:27:56,500 --> 00:27:59,166 INCLUDING THE EMBLEMATIC TATTOO, 474 00:27:59,167 --> 00:28:02,732 "BORN TO RAISE HELL," ON THE LEFT ARM. 475 00:28:02,733 --> 00:28:03,899 LET'S GET THE WORD OUT, FOLKS. 476 00:28:03,900 --> 00:28:08,199 WE'RE GONNA CATCH THIS SON OF A GUN. 477 00:28:08,200 --> 00:28:10,399 POLICE ARE SEEKING THE PUBLIC'S HELP IN THE CASE 478 00:28:10,400 --> 00:28:11,632 OF THE EIGHT STUDENT NURSES 479 00:28:11,633 --> 00:28:14,066 BRUTALLY MURDERED ON CHICAGO'S SOUTH SIDE. 480 00:28:14,067 --> 00:28:16,566 THE KILLER HAS BEEN IDENTIFIED AS ONE RICHARD SPECK, 481 00:28:16,567 --> 00:28:17,866 A TEXAS NATIVE. 482 00:28:17,867 --> 00:28:20,432 MR. SPECK'S WHEREABOUTS ARE CURRENTLY UNKNOWN. 483 00:28:20,433 --> 00:28:24,932 RICHARD SPECK MIGHT BE DISCOVERED BY SOME CITIZEN 484 00:28:24,933 --> 00:28:26,632 AND THE INFORMATION RELATING 485 00:28:26,633 --> 00:28:32,066 TO HIS ACTIVITIES REPORTED TO US. 486 00:28:32,067 --> 00:28:34,266 HEY, BUDDY. SEEN THIS GUY? 487 00:28:34,267 --> 00:28:35,699 THERE ARE POLICE EVERYWHERE. 488 00:28:35,700 --> 00:28:38,299 THEY'RE HITTING EVERY BAR, EVERY PLACE THEY CAN FIND. 489 00:28:38,300 --> 00:28:40,732 THEY'RE SHOWING SPECK'S PHOTO. 490 00:28:40,733 --> 00:28:44,532 THEY KNOW THEY'RE CLOSING IN. 491 00:28:44,533 --> 00:28:47,499 IN THE MEANTIME, 492 00:28:47,500 --> 00:28:52,599 SPECK RENTS A CUBICLE FOR 90 CENTS IN THE STARR HOTEL. 493 00:28:52,600 --> 00:28:53,766 I KNOW WHAT YOU'RE THINKING, 494 00:28:53,767 --> 00:28:55,632 "WHY DIDN'T THE GUY SKIP TOWN?" 495 00:28:55,633 --> 00:28:58,599 THE POLICE WERE WATCHING THE TRAINS TOO CLOSELY. 496 00:28:58,600 --> 00:29:00,599 SPECK HAD NO MONEY. 497 00:29:00,600 --> 00:29:03,532 THE INVESTIGATORS WERE CLOSING IN ON HIM. 498 00:29:03,533 --> 00:29:06,200 HE WAS CORNERED. 499 00:29:13,700 --> 00:29:17,199 THAT AFTERNOON ACROSS CHICAGO, 500 00:29:17,200 --> 00:29:21,532 DR. LEROY SMITH IS TOWARD THE END OF A 36-HOUR SHIFT 501 00:29:21,533 --> 00:29:23,566 IN THE SAME HOSPITAL WHERE, 502 00:29:23,567 --> 00:29:27,099 BELOW, IN THE MORGUE, THE NURSES HAD BEEN TAKEN. 503 00:29:27,100 --> 00:29:30,099 DOCTOR, WE HAVE A WRIST-CUTTER IN, CURTAIN THREE. 504 00:29:30,100 --> 00:29:32,266 THANK YOU, CATHY. 505 00:29:32,267 --> 00:29:39,399 DR. SMITH IS ASSIGNED A CASE OF AN ATTEMPTED SUICIDE. 506 00:29:39,400 --> 00:29:42,166 BUT IT WAS A WEAK ATTEMPT AT SUICIDE. 507 00:29:42,167 --> 00:29:45,267 LET'S GO AHEAD AND CLEAN HIM UP. 508 00:29:47,133 --> 00:29:50,567 ** 509 00:30:01,867 --> 00:30:06,432 HE REALIZES THIS IS RICHARD SPECK. 510 00:30:06,433 --> 00:30:13,232 WATER. WATER. 511 00:30:13,233 --> 00:30:16,433 DID YOU GIVE THE NURSES WATER? 512 00:30:23,000 --> 00:30:25,366 WATER. 513 00:30:25,367 --> 00:30:28,966 IT FELT, TO MANY OF US IN CHICAGO, LIKE AN ETERNITY. 514 00:30:28,967 --> 00:30:32,032 BUT IT TOOK ONLY 72 HOURS AFTER THE MURDERS 515 00:30:32,033 --> 00:30:35,033 FOR THE POLICE TO CAPTURE RICHARD SPECK. 516 00:30:39,567 --> 00:30:43,632 THE WHOLE COUNTRY WAITED FOR THE TRIAL FOR 7 ANXIOUS MONTHS. 517 00:30:43,633 --> 00:30:45,499 WE NEEDED ANSWERS. 518 00:30:45,500 --> 00:30:49,299 WHAT REALLY HAPPENED IN THE TOWN HOUSE THAT NIGHT? 519 00:30:49,300 --> 00:30:53,132 HOW WAS A SINGLE MAN ABLE TO KILL EIGHT WOMEN, 520 00:30:53,133 --> 00:30:54,399 ONE BY ONE, 521 00:30:54,400 --> 00:30:59,066 SO SILENTLY THAT NO ONE EVER HEARD THEM SCREAM? 522 00:30:59,067 --> 00:31:01,332 CORA, THE SURVIVING NURSE, 523 00:31:01,333 --> 00:31:03,666 HASN'T BEEN SEEN FOR 7 MONTHS NOW. 524 00:31:03,667 --> 00:31:06,766 THERE WERE RUMORS THAT SHE'D GONE BACK TO THE PHILIPPINES, 525 00:31:06,767 --> 00:31:09,066 THAT SHE'D BEEN THROUGH ENOUGH ALREADY, 526 00:31:09,067 --> 00:31:11,832 AND HAD NO INTENTION OF TESTIFYING. 527 00:31:11,833 --> 00:31:13,899 NOBODY KNOWS WHERE CORA IS. 528 00:31:13,900 --> 00:31:17,266 NOBODY KNOWS EXACTLY HOW THE MURDERS OCCURRED. 529 00:31:17,267 --> 00:31:20,832 BUT AT 11:00 A.M. ON THE THIRD DAY OF THE TRIAL, 530 00:31:20,833 --> 00:31:24,600 CORA WAS USHERED PAST THE PRESS THROUGH THE SIDE DOOR. 531 00:31:29,167 --> 00:31:31,566 CORAZON AMURAO. 532 00:31:31,567 --> 00:31:34,633 ** 533 00:31:49,167 --> 00:31:50,499 AS IT TURNS OUT, 534 00:31:50,500 --> 00:31:54,067 THEY HAD PUT HER IN THE WITNESS PROTECTION PROGRAM. 535 00:32:02,300 --> 00:32:05,632 WOULD YOU PLEASE STATE YOUR NAME? 536 00:32:05,633 --> 00:32:08,132 CORAZON AMURAO. 537 00:32:08,133 --> 00:32:11,132 THE PROSECUTION WAS AFRAID THAT SHE WAS SO FRAGILE, 538 00:32:11,133 --> 00:32:13,932 PSYCHOLOGICALLY, THAT SHE MIGHT JUST BREAK DOWN 539 00:32:13,933 --> 00:32:17,432 AND MIGHT NOT BE ABLE TO TESTIFY. 540 00:32:17,433 --> 00:32:21,399 CORA, CAN YOU CONFIRM THIS IS A REPLICA OF THE TOWN HOUSE 541 00:32:21,400 --> 00:32:25,532 AT 2319 EAST 100th STREET? 542 00:32:25,533 --> 00:32:27,199 THAT IS THE SAME. 543 00:32:27,200 --> 00:32:30,099 WHAT TIME DID YOU GO TO SLEEP ON JULY 13th? 544 00:32:30,100 --> 00:32:32,799 AT 10:30 P.M. 545 00:32:32,800 --> 00:32:35,432 DID YOU WAKE UP AT ANY TIME LATER THAT NIGHT? 546 00:32:35,433 --> 00:32:39,899 YES. 547 00:32:39,900 --> 00:32:46,232 I HEARD A KNOCK IN OUR BEDROOM AT ABOUT 11:00. 548 00:32:46,233 --> 00:32:49,700 I GOT UP, AND I ANSWERED THE DOOR. 549 00:32:54,533 --> 00:32:59,633 AND I SAW A MAN WITH A GUN IN HIS RIGHT HAND. 550 00:33:05,533 --> 00:33:08,567 HE TOOK US TO THE REAR BEDROOM. 551 00:33:12,533 --> 00:33:14,966 HE LEADS THEM TO A BACK, LARGE BEDROOM, 552 00:33:14,967 --> 00:33:18,432 WHERE OTHER NURSES ARE SLEEPING. 553 00:33:18,433 --> 00:33:20,932 AND HE TOLD US TO SIT DOWN. 554 00:33:20,933 --> 00:33:24,066 THAT'S RIGHT. NO ONE'S GOING TO GET HURT. 555 00:33:24,067 --> 00:33:26,866 JUST DO WHAT I SAY. 556 00:33:26,867 --> 00:33:29,433 OKAY. GOOD. 557 00:33:37,567 --> 00:33:40,066 HERE'S THE DEAL. 558 00:33:40,067 --> 00:33:42,466 I NEED MONEY TO GET TO NEW ORLEANS. 559 00:33:42,467 --> 00:33:44,266 WHO'S GOT MONEY IN THEIR ROOM? 560 00:33:44,267 --> 00:33:48,133 RAISE YOUR HANDS. OKAY. OKAY. 561 00:33:50,900 --> 00:33:54,366 THE AMERICAN GIRLS SEEMED TO THINK WE SHOULD DO 562 00:33:54,367 --> 00:33:58,966 WHAT HE SAYS AND THAT HE WILL GO AWAY. 563 00:33:58,967 --> 00:34:01,166 THANK YOU VERY MUCH. 564 00:34:01,167 --> 00:34:05,132 WHAT ABOUT YOU TWO? 565 00:34:05,133 --> 00:34:10,832 BUT THE FILIPINO GIRLS WANTED TO TACKLE THIS MAN 566 00:34:10,833 --> 00:34:13,232 RIGHT FROM THE START. 567 00:34:13,233 --> 00:34:17,066 CORAZON SAID SHE HAD SEEN THIS TYPE OF PERSON 568 00:34:17,067 --> 00:34:20,233 IN THE BACKCOUNTRY OF THE PHILIPPINES WHERE SHE GREW UP. 569 00:34:24,400 --> 00:34:29,066 THANK YOU. OKAY. ALL RIGHT. 570 00:34:29,067 --> 00:34:32,633 THEY EMPTY THEIR PURSES, GIVE HIM EVERYTHING, 571 00:34:36,867 --> 00:34:38,932 YET HE DOESN'T LEAVE. 572 00:34:38,933 --> 00:34:41,199 WHAT HAPPENED THEN? 573 00:34:41,200 --> 00:34:46,100 HE STOOD AND TOOK BEDSHEETS FROM MISS MATUSEK'S BED. 574 00:34:50,067 --> 00:34:52,699 IN THE MONTHS LEADING UP TO THE TRIAL, 575 00:34:52,700 --> 00:34:55,432 I LAY AWAKE AT NIGHT WONDERING, 576 00:34:55,433 --> 00:34:58,466 "COULDN'T THEY SENSE WHAT HE WANTED TO DO TO THEM? 577 00:34:58,467 --> 00:35:01,866 WHY DIDN'T THEY RUN OR SCREAM FOR HELP? 578 00:35:01,867 --> 00:35:06,232 HOW COULD HE OVERPOWER EIGHT PEOPLE?" 579 00:35:06,233 --> 00:35:11,366 THE ANSWER CORA GAVE HAS HAUNTED ME FOR 50 YEARS. 580 00:35:11,367 --> 00:35:16,699 WOULD YOU PLEASE TURN AROUND FOR ME? 581 00:35:16,700 --> 00:35:20,932 HE SIMPLY ASKED FOR THEIR PERMISSION. 582 00:35:20,933 --> 00:35:26,267 HE BEGINS TO TIE THE NURSES UP, ONE BY ONE. 583 00:35:34,067 --> 00:35:36,066 WE HAVE TO DO SOMETHING. WE HAVE TO DO SOMETHING. 584 00:35:36,067 --> 00:35:41,399 THERE'S SIX OF US. 585 00:35:41,400 --> 00:35:43,332 WILL YOU PLEASE TURN AROUND? 586 00:35:47,600 --> 00:35:51,533 THIS IS THEIR FINAL CHANCE, REALLY, TO MAKE A MOVE. 587 00:36:02,833 --> 00:36:08,532 DID YOU TRY TO STOP HIM AT ANY TIME? 588 00:36:08,533 --> 00:36:10,067 NO. 589 00:36:13,067 --> 00:36:16,266 IF THEY'D ATTACK HIM OR SCATTERED, 590 00:36:16,267 --> 00:36:17,966 THEY'D RUN OUT THE DOORS AND BEGIN SCREAMING, 591 00:36:17,967 --> 00:36:23,532 MOST OF THEM WOULD BE ALIVE TODAY. 592 00:36:23,533 --> 00:36:25,399 YOU KNOW HOW IT IS IN THE MOMENT, 593 00:36:25,400 --> 00:36:28,966 WHEN DEEP IN YOUR GUT YOU KNOW SOMETHING IS WRONG, 594 00:36:28,967 --> 00:36:34,232 BUT DOING SOMETHING ABOUT IT WOULD MAKE THE SITUATION REAL. 595 00:36:34,233 --> 00:36:38,066 I THINK THEY THOUGHT, IF THEY IGNORED THAT GUT INSTINCT, 596 00:36:38,067 --> 00:36:43,066 MAYBE IT WOULD ALL JUST GO AWAY. 597 00:36:43,067 --> 00:36:45,599 HE TIED ALL OF US. 598 00:36:45,600 --> 00:36:51,599 AND HE WAS SMILING DURING THIS TIME. 599 00:36:51,600 --> 00:36:54,532 THEN HE UNTIED MISS WILKENING'S ANKLES, 600 00:36:54,533 --> 00:37:01,099 AND HE TOOK HER OUT OF THE ROOM. 601 00:37:01,100 --> 00:37:04,766 THEN, SUZANNE AND MARY ANN CAME HOME. 602 00:37:04,767 --> 00:37:07,332 THESE TWO NURSES CAME IN LATE. 603 00:37:07,333 --> 00:37:10,299 AND HE WAS STARTLED. 604 00:37:12,967 --> 00:37:19,432 WE COULDN'T SEE THEM, BUT WE HEARD A STRUGGLE. 605 00:37:19,433 --> 00:37:21,933 THEN IT WAS QUIET AGAIN. 606 00:37:31,067 --> 00:37:33,566 ONCE HE'D KILLED SUZANNE FARRIS AND MARY ANN JORDAN, 607 00:37:33,567 --> 00:37:37,066 HE WAS IN A FRENZY. 608 00:37:37,067 --> 00:37:38,199 AND IT WAS JUST A MATTER 609 00:37:38,200 --> 00:37:43,132 OF SYSTEMATICALLY ELIMINATING WITNESSES. 610 00:37:43,133 --> 00:37:45,532 WHILE SPECK IS OUT OF THE ROOM, 611 00:37:45,533 --> 00:37:46,966 CORA UNDERTAKES AN EFFORT 612 00:37:46,967 --> 00:37:51,899 TO CONCEAL HERSELF UNDER ONE OF THE BEDS. 613 00:37:51,900 --> 00:37:56,232 CORA IS WATCHING... 614 00:37:57,967 --> 00:38:01,400 ...AS HE COMES BACK AND FORTH. 615 00:38:04,900 --> 00:38:07,367 HER FEAR IS JUST GROWING AND GROWING. 616 00:38:18,333 --> 00:38:22,567 HE'S NOW GOING TO TAKE HIS EIGHTH VICTIM, GLORIA DAVY. 617 00:38:27,067 --> 00:38:29,300 PLEASE. 618 00:38:31,933 --> 00:38:36,333 AND HE PROCEEDS TO RAPE HER. 619 00:38:41,767 --> 00:38:46,367 AND THEN, HE TOOK MISS DAVY OUT OF THE ROOM, TOO. 620 00:38:47,367 --> 00:38:51,900 AND THEN CORA IS THE ONLY ONE LEFT. 621 00:39:43,100 --> 00:39:47,100 SPECK HAS LOST COUNT OF THE BODIES. 622 00:39:56,800 --> 00:39:58,332 NO ONE WOULD HAVE BLAMED HER 623 00:39:58,333 --> 00:40:01,866 IF SHE HAD ONLY GIVEN A WRITTEN STATEMENT AND STAYED AWAY. 624 00:40:01,867 --> 00:40:04,732 IF IT HAD BEEN ME, 625 00:40:04,733 --> 00:40:07,599 I DON'T THINK I WOULD HAVE BEEN BRAVE ENOUGH TO FACE HIM. 626 00:40:07,600 --> 00:40:12,166 BUT CORA AMURAO WAS A STRONG WOMAN, AN IMMIGRANT 627 00:40:12,167 --> 00:40:14,532 AND A SURVIVOR. 628 00:40:14,533 --> 00:40:16,832 IF YOU SEE THE MAN IN THE COURTROOM TODAY, 629 00:40:16,833 --> 00:40:20,532 WOULD YOU PLEASE POINT HIM OUT? 630 00:40:20,533 --> 00:40:23,732 AND I THINK SHE WENT THERE FOR TWO REASONS, 631 00:40:23,733 --> 00:40:26,399 BOTH FOR HER FALLEN FRIENDS 632 00:40:26,400 --> 00:40:28,599 AND BECAUSE SHE WANTED TO WALK UP TO SPECK 633 00:40:28,600 --> 00:40:31,533 AND LET HIM KNOW... 634 00:40:34,667 --> 00:40:39,432 ..."YOU DON'T SCARE ME ANYMORE." 635 00:40:39,433 --> 00:40:42,299 THIS IS THE MAN. 636 00:40:47,833 --> 00:40:50,466 CORA HAS SHOWED TOTAL COURAGE... 637 00:40:54,133 --> 00:40:58,466 ...THAT SHE COULD SEE SPECK AGAIN 638 00:40:58,467 --> 00:41:01,633 AND NAME HIM AS THE KILLER. 639 00:41:05,567 --> 00:41:09,466 THE JURY REQUIRED ONLY 45 MINUTES TO RETURN A VERDICT 640 00:41:09,467 --> 00:41:11,299 OF GUILTY, DESERVING OF DEATH. 641 00:41:15,633 --> 00:41:19,232 1966 WAS SORT OF A THRESHOLD MOMENT 642 00:41:19,233 --> 00:41:23,066 WITH RICHARD SPECK INVADING PEOPLE'S SPACE 643 00:41:23,067 --> 00:41:25,499 TO COMMIT MASS MURDER. 644 00:41:25,500 --> 00:41:27,732 PEOPLE WERE SCRUTINIZING THEIR NEIGHBORS 645 00:41:27,733 --> 00:41:30,666 AND LOCKING THEIR DOORS. 646 00:41:30,667 --> 00:41:32,399 IT WAS KIND OF THE MURDER OF INNOCENCE. 647 00:41:32,400 --> 00:41:33,799 HE NOT ONLY KILLED THE EIGHT NURSES. 648 00:41:33,800 --> 00:41:35,532 HE KILLED A LITTLE BIT OF ALL OF US. 649 00:41:35,533 --> 00:41:37,066 FORGIVE OUR TRESPASSES 650 00:41:37,067 --> 00:41:39,132 AS WE FORGIVE THOSE WHO TRESPASS AGAINST US. 651 00:41:39,133 --> 00:41:43,132 AND MAYBE THE SADDEST PART OF ALL WAS THE THING 652 00:41:43,133 --> 00:41:45,966 THESE YOUNG WOMEN WOULD BE REMEMBERED FOR. 653 00:41:45,967 --> 00:41:48,499 THE THING I WOULD REMEMBER THEM FOR 654 00:41:48,500 --> 00:41:54,367 WAS AS A REMINDER THAT THE ONCE-GOOD WORLD HAD GONE BAD. 655 00:41:56,067 --> 00:42:02,966 * WILL THE CIRCLE BE UNBROKEN * 656 00:42:02,967 --> 00:42:05,932 * BY AND BY, LORD * 657 00:42:05,933 --> 00:42:08,299 * BY AND BY * AND THAT WAS ITS OWN TRAGEDY. 658 00:42:08,300 --> 00:42:11,499 WHAT CAN YOU LEARN ABOUT A PERSON IN THE 500 WORDS 659 00:42:11,500 --> 00:42:13,066 OF A NEWSPAPER ARTICLE 660 00:42:13,067 --> 00:42:16,466 OR IN THE 60 MINUTES OF A TELEVISION SPECIAL? 661 00:42:16,467 --> 00:42:19,799 IN A MASS MURDER LIKE THIS ONE, 662 00:42:19,800 --> 00:42:22,832 THE VICTIMS AREN'T JUST ROBBED OF THEIR LIVES. 663 00:42:22,833 --> 00:42:25,366 THEY'RE ROBBED OF THEIR MEMORY. 664 00:42:25,367 --> 00:42:29,199 BUT WE NEED TO REMEMBER ALL OF THEM, 665 00:42:29,200 --> 00:42:31,733 EACH AND EVERY ONE. 666 00:42:34,233 --> 00:42:38,199 GLORIA DAVY. 667 00:42:38,200 --> 00:42:41,599 PAMELA WILKENING. 668 00:42:41,600 --> 00:42:45,432 PATRICIA MATUSEK. 669 00:42:45,433 --> 00:42:49,166 MERLITA GARGULLO. 670 00:42:49,167 --> 00:42:52,566 SUZANNE FARRIS. 671 00:42:52,567 --> 00:42:55,932 NINA SCHMALE. 672 00:42:55,933 --> 00:42:59,899 VALENTINA PASION. 673 00:42:59,900 --> 00:43:02,167 AND MARY ANN JORDAN. 674 00:43:03,200 --> 00:43:09,832 * WILL THE CIRCLE BE UNBROKEN * 675 00:43:09,833 --> 00:43:13,199 * BY AND BY, LORD * 676 00:43:13,200 --> 00:43:16,866 * BY AND BY * 677 00:43:16,867 --> 00:43:20,166 * THERE'S A BETTER * 678 00:43:20,167 --> 00:43:23,566 * HOME AWAITIN' * 679 00:43:23,567 --> 00:43:26,332 * IN THE SKY, LORD * 680 00:43:26,333 --> 00:43:30,567 * IN THE SKY * 50841

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.