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1
00:00:02,733 --> 00:00:05,099
I'LL ALWAYS
REMEMBER THAT JANUARY MORNING.
2
00:00:05,100 --> 00:00:07,166
IT'S JUST SO UNLIKE ROSEANN
TO MISS WORK.
3
00:00:07,167 --> 00:00:08,466
I REALLY
APPRECIATE THIS.
4
00:00:08,467 --> 00:00:10,599
IT'S ALL RIGHT.
5
00:00:10,600 --> 00:00:12,432
MISS QUINN?
6
00:00:12,433 --> 00:00:15,099
BACK IN MY 20s,
THE START OF A NEW YEAR
7
00:00:15,100 --> 00:00:17,499
ALWAYS MADE ME FEEL
SO OPTIMISTIC.
8
00:00:17,500 --> 00:00:20,432
I'D THINK,
MAYBE THIS WOULD BE THE YEAR
9
00:00:20,433 --> 00:00:23,932
I'D GET A NEW BOYFRIEND
OR FIND THAT PERFECT JOB.
10
00:00:23,933 --> 00:00:25,599
BUT AFTER THAT MORNING...
11
00:00:25,600 --> 00:00:26,866
MISS QUINN?
12
00:00:26,867 --> 00:00:28,366
ROSEANN?
13
00:00:28,367 --> 00:00:30,299
...I NEVER FELT THAT WAY AGAIN.
14
00:00:30,300 --> 00:00:32,266
ROSEANN?
15
00:00:32,267 --> 00:00:35,932
NOW THE NEW YEAR MAKES ME
REMEMBER A GIRL I KNEW
16
00:00:35,933 --> 00:00:37,733
NAMED ROSEANN QUINN...
17
00:00:41,333 --> 00:00:42,832
MY GOD!
18
00:00:42,833 --> 00:00:45,266
...NOT THE VERSION OF HER
THAT WOULD BE WRITTEN ABOUT
19
00:00:45,267 --> 00:00:48,366
AND BECOME FAMOUS...
20
00:00:48,367 --> 00:00:52,832
BUT THE STORY OF A REAL GIRL,
A GIRL A LOT LIKE ME,
21
00:00:52,833 --> 00:00:55,499
MAYBE LIKE YOU...
22
00:00:55,500 --> 00:00:57,367
AND HOW SHE ENDED UP DEAD.
23
00:01:12,500 --> 00:01:15,532
THE GIRL WHO DIED
WAS NAMED ROSEANN QUINN.
24
00:01:15,533 --> 00:01:17,066
DOESN'T RING A BELL?
25
00:01:17,067 --> 00:01:18,532
OF COURSE IT DOESN'T.
26
00:01:18,533 --> 00:01:20,899
NO ONE SEEMS
TO REMEMBER ANYTHING
27
00:01:20,900 --> 00:01:24,132
ABOUT WHO ROSEANN REALLY WAS,
INCLUDING HER NAME.
28
00:01:24,133 --> 00:01:27,532
BUT I BET YOU KNOW
THE GOODBAR MURDER.
29
00:01:27,533 --> 00:01:28,732
NOW YOU REMEMBER.
30
00:01:28,733 --> 00:01:30,399
"LOOKING FOR MR. GOODBAR,"
31
00:01:30,400 --> 00:01:33,232
THE BEST-SELLING NOVEL
ABOUT A YOUNG TEACHER
32
00:01:33,233 --> 00:01:36,066
WHO SPENT HER NIGHTS
HAUNTING SINGLES BARS,
33
00:01:36,067 --> 00:01:38,232
LOOKING FOR ONE-NIGHT STANDS.
34
00:01:38,233 --> 00:01:40,666
WELL, DIDN'T YOUR MOTHER
EVER TELL YOU,
35
00:01:40,667 --> 00:01:42,966
"DON'T BELIEVE
EVERYTHING YOU READ"?
36
00:01:42,967 --> 00:01:45,166
I KNEW THAT WASN'T
THE REAL STORY,
37
00:01:45,167 --> 00:01:47,333
BECAUSE TWO YEARS EARLIER...
38
00:01:49,300 --> 00:01:51,599
...I LIVED RIGHT DOWN THE HALL
FROM ROSEANN.
39
00:01:53,733 --> 00:01:57,866
ON JANUARY 3, 1973,
THE POLICE ARRIVE
40
00:01:57,867 --> 00:02:02,199
AT AN APARTMENT BUILDING
ON WEST 72nd STREET.
41
00:02:02,200 --> 00:02:05,066
- WHEREABOUTS WAS IT?
- RIGHT ABOUT THERE.
42
00:02:05,067 --> 00:02:08,632
THEY FIND A YOUNG WHITE FEMALE
43
00:02:08,633 --> 00:02:10,666
SPLAYED OUT ON HER BED.
44
00:02:10,667 --> 00:02:12,766
SHE IS NUDE.
45
00:02:12,767 --> 00:02:17,699
A TURQUOISE ROBE
HAS BEEN PLACED ON HER BODY.
46
00:02:17,700 --> 00:02:20,199
ONE OF THE FIRST THINGS
THE POLICE NOTE
47
00:02:20,200 --> 00:02:21,966
IS THE NUMBER OF STAB WOUNDS.
48
00:02:24,400 --> 00:02:27,699
I BELIEVE THE COUNT IS 18.
49
00:02:27,700 --> 00:02:30,133
IT'S JUST A TOTAL BLOODBATH.
50
00:02:31,667 --> 00:02:33,832
IN ADDITION
TO THE MULTIPLE STAB WOUNDS,
51
00:02:33,833 --> 00:02:36,967
THERE WERE ALSO BITE MARKS
ON HER UPPER TORSO.
52
00:02:45,733 --> 00:02:48,066
AND SHE'D BEEN MUTILATED.
53
00:02:48,067 --> 00:02:53,699
THE KILLER ACTUALLY INSERTED
A BROOM IN HER VAGINA.
54
00:02:53,700 --> 00:02:57,467
THAT WAS HARD TO --
YOU KNOW, TO SEE.
55
00:03:00,800 --> 00:03:02,799
POLICE AND THE MEDICAL EXAMINER
56
00:03:02,800 --> 00:03:04,066
MAKE A DETERMINATION
57
00:03:04,067 --> 00:03:08,200
THAT SHE WAS KILLED
AT LEAST 24 HOURS EARLIER.
58
00:03:23,533 --> 00:03:26,332
IN THE BATHROOM, THE SHOWER
HAD BEEN LEFT RUNNING
59
00:03:26,333 --> 00:03:28,932
FOR SOME PERIOD OF TIME.
60
00:03:28,933 --> 00:03:31,766
SEE IF YOU CAN GET A PRINT
OFF THESE SHOWER KNOBS.
61
00:03:40,300 --> 00:03:42,133
HEY, I GOT SOMETHING.
62
00:03:46,067 --> 00:03:48,233
THIS IS WHAT "MAD AS HELL"
LOOKS LIKE.
63
00:03:49,067 --> 00:03:52,599
THE KNIFE WAS BENT AT
A 90-DEGREE ANGLE, PRACTICALLY,
64
00:03:52,600 --> 00:03:55,632
WHICH MIGHT SUGGEST
TO THE INVESTIGATORS
65
00:03:55,633 --> 00:03:59,067
THAT PERHAPS MIGHT ACTUALLY
HAVE STRUCK BONE.
66
00:04:01,667 --> 00:04:03,499
THE APARTMENT IS DIRTY.
67
00:04:03,500 --> 00:04:05,266
IT'S RANSACKED.
68
00:04:05,267 --> 00:04:07,833
**
69
00:04:16,667 --> 00:04:19,866
NO SIGN OF FORCED ENTRY.
THAT FRONT DOOR IS FINE.
70
00:04:19,867 --> 00:04:22,432
MAYBE SOMEONE FOLLOWED HER
UP TO HER APARTMENT.
71
00:04:22,433 --> 00:04:26,432
IT COULD VERY WELL HAVE BEEN
WHAT IS CALLED TODAY A PUSH-IN,
72
00:04:26,433 --> 00:04:30,432
WHERE SOMEONE OPENS THE DOOR
AND THE INTRUDER ENTERS.
73
00:04:30,433 --> 00:04:34,400
OR POSSIBLY IT WAS SOMEBODY
WHO KNEW HER.
74
00:04:36,633 --> 00:04:38,700
TELL US HOW YOU KNEW
THE YOUNG LADY.
75
00:04:41,333 --> 00:04:43,399
WE WORKED TOGETHER
UP AT ST. JOSEPH'S.
76
00:04:43,400 --> 00:04:46,599
I SUB FOR HER CLASS SOMETIMES
WHEN SHE'S OUT.
77
00:04:46,600 --> 00:04:48,900
**
78
00:04:56,067 --> 00:04:58,532
SHE WAS A COLLEAGUE OF HIS
79
00:04:58,533 --> 00:05:01,067
AT A SCHOOL FOR THE DEAF
IN THE BRONX.
80
00:05:07,667 --> 00:05:11,299
DETECTIVES LEARN
THAT HER NAME IS ROSEANN QUINN,
81
00:05:11,300 --> 00:05:13,200
AND SHE'S 28.
82
00:05:15,900 --> 00:05:18,666
SEEN HER RECENTLY?
83
00:05:18,667 --> 00:05:20,067
NO.
84
00:05:21,333 --> 00:05:23,966
THE DAY BEFORE, JANUARY 2nd,
85
00:05:23,967 --> 00:05:25,832
SHE HAD NOT SHOWN UP AT WORK.
86
00:05:25,833 --> 00:05:30,132
THE NEXT DAY, WHEN SHE DIDN'T
SHOW UP FOR THE SECOND TIME,
87
00:05:30,133 --> 00:05:32,699
THIS FELLOW TEACHER
WAS DISPATCHED
88
00:05:32,700 --> 00:05:35,166
TO SEE IF ROSEANN WAS ALL RIGHT.
89
00:05:35,167 --> 00:05:37,432
DID YOU AND MISS QUINN
EVER SEE EACH OTHER
90
00:05:37,433 --> 00:05:38,600
IN A SOCIAL CONTEXT?
91
00:05:46,667 --> 00:05:48,233
NO, NEVER.
92
00:05:50,633 --> 00:05:52,700
WE WERE FRIENDLY,
BUT JUST AT WORK.
93
00:05:55,433 --> 00:05:56,732
HEY, YOU GOT ANYTHING?
94
00:05:56,733 --> 00:06:00,067
STILL DUSTING.
NOTHING SO FAR.
95
00:06:04,467 --> 00:06:06,833
**
96
00:06:11,933 --> 00:06:14,332
HELLO. NYPD.
97
00:06:14,333 --> 00:06:17,733
THEY CANVASSED,
KNOCKING ON NEIGHBORS' DOORS.
98
00:06:20,067 --> 00:06:23,566
IT'S HARD TO IMAGINE
SOMEONE BEING KILLED THIS WAY
99
00:06:23,567 --> 00:06:26,167
WITHOUT THERE HAVING BEEN
A FIGHT.
100
00:06:28,100 --> 00:06:31,099
DID YOU HEAR ANYTHING
COMING FROM APARTMENT 715
101
00:06:31,100 --> 00:06:33,466
LATE MONDAY,
EARLY TUESDAY?
102
00:06:33,467 --> 00:06:35,966
THERE'S BEEN A HOMICIDE.
103
00:06:35,967 --> 00:06:38,099
ROSEANN?
YEAH, ROSEANN QUINN.
104
00:06:38,100 --> 00:06:40,966
THAT'S TERRIBLE. NO.
I'VE BEEN OUT OF TOWN.
105
00:06:40,967 --> 00:06:42,499
IT'S THE HOLIDAY PERIOD.
106
00:06:42,500 --> 00:06:46,132
IT'S A HARD TIME
TO DO A CANVASS.
107
00:06:46,133 --> 00:06:47,699
THEY HAD NOTHING.
108
00:06:47,700 --> 00:06:51,232
WITH THIS CASE,
YOU STARTED FROM ZERO.
109
00:06:54,600 --> 00:06:56,466
THE HOMICIDE DETECTIVES
110
00:06:56,467 --> 00:06:57,833
ARE POUNDING THE PAVEMENT.
111
00:07:01,400 --> 00:07:07,099
NEW YORK CITY IN 1973 IS HARD
FOR YOUNG PEOPLE TO IMAGINE NOW.
112
00:07:07,100 --> 00:07:08,799
THERE WERE PEEP SHOWS,
113
00:07:08,800 --> 00:07:12,366
XXX-RATED MOVIES, PROSTITUTES.
114
00:07:12,367 --> 00:07:15,832
THE DRUG PROBLEM WAS SO BAD.
115
00:07:15,833 --> 00:07:18,966
THE DRUG OF CHOICE WAS HEROIN.
116
00:07:18,967 --> 00:07:23,132
ONE OF THE MOST NOTORIOUS PLACES
WAS NICKNAMED NEEDLE PARK
117
00:07:23,133 --> 00:07:24,432
BECAUSE OF THE HEROIN USE,
118
00:07:24,433 --> 00:07:26,899
BECAUSE OF THE FACT THAT ADDICTS
WOULD HANG OUT THERE.
119
00:07:26,900 --> 00:07:28,566
AND IT'S ON 72nd STREET.
120
00:07:28,567 --> 00:07:31,566
IT'S REALLY NOT MUCH MORE
THAN A BLOCK AWAY
121
00:07:31,567 --> 00:07:33,632
FROM WHERE ROSEANN QUINN LIVED.
122
00:07:33,633 --> 00:07:36,066
ARMED ROBBERY
WAS A COMMON OCCURRENCE.
123
00:07:36,067 --> 00:07:37,632
IT WAS VERY DANGEROUS.
124
00:07:37,633 --> 00:07:40,499
AND THE MURDER RATE
IN NEW YORK IN 1973
125
00:07:40,500 --> 00:07:42,233
WAS SKY-HIGH.
126
00:07:43,800 --> 00:07:45,932
I REMEMBER HOW SCARED
MY MOTHER WAS
127
00:07:45,933 --> 00:07:48,366
ABOUT ME LIVING ALONE
IN THE CITY BACK THEN.
128
00:07:48,367 --> 00:07:52,699
AND BEFORE ROSEANN WAS KILLED,
I ALWAYS SAID, "COME ON, MOM.
129
00:07:52,700 --> 00:07:56,232
EVERYTHING IS FINE.
I'M PERFECTLY SAFE."
130
00:07:56,233 --> 00:07:58,666
BUT I GUESS SHE HAD A POINT.
131
00:07:58,667 --> 00:08:02,699
NEW YORK CITY WAS
A DANGEROUS PLACE IN 1973.
132
00:08:02,700 --> 00:08:05,099
AND FROM A SEA
OF POTENTIAL SUSPECTS,
133
00:08:05,100 --> 00:08:08,066
THE COPS CAN ONLY DO
WHAT THEY CAN DO, YOU KNOW?
134
00:08:08,067 --> 00:08:11,966
JUST START CLOSE
AND SLOWLY WIDEN THE SEARCH.
135
00:08:11,967 --> 00:08:17,300
THE CANVASS THEN EXTENDS
TO THE BUILDINGS ADJACENT.
136
00:08:19,367 --> 00:08:24,266
DRY-CLEANERS, FOOD STORES,
RESTAURANTS, BARS.
137
00:08:24,267 --> 00:08:27,166
THERE IS A BAR RIGHT NEAR
ROSEANN'S APARTMENT
138
00:08:27,167 --> 00:08:28,199
CALLED TWEEDS.
139
00:08:28,200 --> 00:08:29,532
AFTERNOON.
140
00:08:29,533 --> 00:08:33,332
AND AT AROUND NOON,
THEY TALKED TO THE OWNER.
141
00:08:33,333 --> 00:08:34,899
WE'RE LOOKING
FOR SOME INFORMATION
142
00:08:34,900 --> 00:08:36,332
ON A GIRL
NAMED ROSEANN QUINN.
143
00:08:36,333 --> 00:08:37,632
YOU KNOW HER?
144
00:08:37,633 --> 00:08:39,866
SURE.
ROSIE'S IN HERE ALL THE TIME.
145
00:08:39,867 --> 00:08:41,166
YOU SEEN HER RECENTLY?
146
00:08:41,167 --> 00:08:43,566
NOT FOR A COUPLE
OF NIGHTS.
147
00:08:43,567 --> 00:08:45,932
SO, MONDAY NIGHT,
SHE WAS IN HERE?
148
00:08:45,933 --> 00:08:47,332
YEAH.
149
00:08:47,333 --> 00:08:50,266
SEE HER TALKING
WITH ANYBODY?
150
00:08:50,267 --> 00:08:51,532
I WASN'T AROUND MUCH.
151
00:08:51,533 --> 00:08:53,432
I WAS BOOKKEEPING
IN THE BACK.
152
00:08:53,433 --> 00:08:56,266
WHAT'S GOING ON?
153
00:08:56,267 --> 00:08:59,332
A TEACHER FRIEND OF HERS
FOUND HER DEAD THIS MORNING.
154
00:08:59,333 --> 00:09:01,066
HOMICIDE.
155
00:09:01,067 --> 00:09:04,199
HAPPENED TUESDAY MORNING, MAYBE
LATE MONDAY NIGHT, THEREABOUTS.
156
00:09:04,200 --> 00:09:06,333
**
157
00:09:15,167 --> 00:09:16,466
STEVEN RESNICK
158
00:09:16,467 --> 00:09:18,500
ACTUALLY KNOWS ROSEANN
REALLY WELL.
159
00:09:22,267 --> 00:09:24,700
HE'S KNOWN HER FOR EIGHT YEARS.
160
00:09:26,367 --> 00:09:27,700
THAT'S HER SEAT.
161
00:09:32,467 --> 00:09:37,233
SHE WOULD SOMETIMES JUST COME IN
WITH A BOOK AND READ BY HERSELF.
162
00:09:41,500 --> 00:09:43,632
THANK YOU.
163
00:09:43,633 --> 00:09:45,099
SHE LIKES TO WATCH.
164
00:09:45,100 --> 00:09:46,833
SHE COMES IN AND OUT WHEN SHE'S
NOT JUST READING BY HERSELF.
165
00:09:50,333 --> 00:09:51,566
CHEERS.
166
00:09:51,567 --> 00:09:53,166
CHEERS.
167
00:09:53,167 --> 00:09:58,100
SHE WAS MUCH RESPECTED
AND ADMIRED, FUN.
168
00:10:05,467 --> 00:10:07,133
SHE'S A REALLY SWEET KID.
169
00:10:08,933 --> 00:10:11,466
SO, YOU WERE IN THE BACK
ON MONDAY NIGHT.
170
00:10:11,467 --> 00:10:13,766
YOU HAPPEN TO NOTICE
ANYBODY UNUSUAL?
171
00:10:13,767 --> 00:10:15,932
MOSTLY REGULARS.
172
00:10:19,733 --> 00:10:21,632
HEY...
173
00:10:21,633 --> 00:10:25,066
I HAVE AN IDEA FOR SOMEONE
YOU SHOULD CHECK OUT.
174
00:10:25,067 --> 00:10:27,566
THIS REALLY ROUGH GUY.
175
00:10:27,567 --> 00:10:30,333
SOMEONE ROSIE WAS HANGING AROUND
LAST YEAR.
176
00:10:36,067 --> 00:10:38,499
I HEARD HE BEAT HER UP
PRETTY BAD.
177
00:10:38,500 --> 00:10:41,400
**
178
00:10:47,767 --> 00:10:50,299
**
179
00:10:50,300 --> 00:10:54,566
HEY, I HAVE AN IDEA FOR SOMEONE
YOU SHOULD CHECK OUT.
180
00:10:54,567 --> 00:10:57,433
SOMEONE ROSIE WAS HANGING AROUND
LAST YEAR.
181
00:11:03,200 --> 00:11:05,066
HEY, PRETTY LADY.
182
00:11:05,067 --> 00:11:06,799
CAN I BUY YOU A DRINK?
183
00:11:06,800 --> 00:11:08,432
NO, THANK YOU.
184
00:11:08,433 --> 00:11:09,899
WHAT?
185
00:11:09,900 --> 00:11:11,800
YOU DON'T WANT
TO TALK TO ME?
186
00:11:15,967 --> 00:11:19,499
THIS GUY FREDDIE WATSON.
187
00:11:19,500 --> 00:11:21,167
THIS REALLY ROUGH GUY.
188
00:11:23,300 --> 00:11:25,299
HEY, I'M A PHOTOGRAPHER,
YOU KNOW.
189
00:11:25,300 --> 00:11:26,899
I COULD TAKE
YOUR PICTURE.
190
00:11:26,900 --> 00:11:29,400
ONLY IF YOU'RE TOPLESS,
THOUGH.
191
00:11:32,767 --> 00:11:35,600
COME ON, PRINCESS.
I'M ONLY PLAYING WITH YOU.
192
00:11:38,733 --> 00:11:42,766
HERE, COME ON.
MY SINCEREST APOLOGIES.
193
00:11:42,767 --> 00:11:45,732
LET ME MAKE IT UP TO YOU.
I'LL BUY YOU A DRINK.
194
00:11:45,733 --> 00:11:48,166
HEY, BARTENDER.
195
00:11:48,167 --> 00:11:52,133
ANOTHER BEER FOR ME,
AND THE LADY WILL HAVE...
196
00:11:54,167 --> 00:11:56,099
JOHNNY WALKER RED.
197
00:11:56,100 --> 00:11:58,066
JOHNNY WALKER RED.
198
00:11:58,067 --> 00:12:03,266
NEXT DAY, SHE SHOWS UP
WITH BRUISES AND A BLACK EYE.
199
00:12:03,267 --> 00:12:07,566
WAS FREDDIE WATSON HERE
ON MONDAY NIGHT?
200
00:12:07,567 --> 00:12:11,066
I -- LIKE I SAID,
I WASN'T HERE MUCH.
201
00:12:11,067 --> 00:12:13,566
YOU'LL HAVE TO TALK
TO MY NIGHT BARTENDER, KENNY.
202
00:12:13,567 --> 00:12:15,933
HE KNOWS EVERYBODY.
I'LL GIVE YOU HIS NUMBER.
203
00:12:20,667 --> 00:12:23,366
WELL, THEY WEREN'T
GONNA WAIT AROUND FOR THE NIGHT SHIFT
204
00:12:23,367 --> 00:12:25,499
TO PURSUE
THEIR FIRST REAL LEAD.
205
00:12:25,500 --> 00:12:26,799
SO THE NEXT THING I KNEW,
206
00:12:26,800 --> 00:12:29,232
THE DETECTIVES WERE RIGHT BACK
AT OUR BUILDING,
207
00:12:29,233 --> 00:12:30,932
ASKING AROUND ABOUT ROSEANN.
208
00:12:30,933 --> 00:12:33,966
HAD SHE REALLY BEEN BEAT UP,
OR WAS THAT JUST A STORY,
209
00:12:33,967 --> 00:12:37,099
THE KIND OF RUMOR THAT GETS
PASSED FROM PERSON TO PERSON
210
00:12:37,100 --> 00:12:39,666
UNTIL EVERYONE BELIEVES
THAT IT'S A FACT?
211
00:12:39,667 --> 00:12:42,699
THEY CAUGHT ME AS I WAS
HEADING DOWN TO THE BODEGA
212
00:12:42,700 --> 00:12:44,232
FOR A PACK OF CIGARETTES.
213
00:12:44,233 --> 00:12:46,466
BUT THEY WERE ASKING
IF I KNEW ANYTHING
214
00:12:46,467 --> 00:12:48,899
ABOUT ROSEANN GETTING BEAT UP
A YEAR BEFORE.
215
00:12:48,900 --> 00:12:52,199
AND I HAD ONLY MOVED INTO
THE BUILDING SIX MONTHS AGO.
216
00:12:52,200 --> 00:12:54,366
THAT'LL BE ALL, MISS.
THANK YOU.
217
00:12:54,367 --> 00:12:57,700
OKAY, WELL, LET ME KNOW IF I CAN
HELP YOU WITH ANYTHING ELSE.
218
00:13:02,233 --> 00:13:03,632
FOR GOOD OR BAD,
219
00:13:03,633 --> 00:13:06,399
MOST OF US LIVING IN CROWDED
NEW YORK CITY APARTMENTS
220
00:13:06,400 --> 00:13:09,066
WERE JUST TRYING TO HAVE
A LITTLE PRIVACY OF OUR OWN.
221
00:13:09,067 --> 00:13:11,232
WE WORKED PRETTY HARD
NOT TO GET INVOLVED
222
00:13:11,233 --> 00:13:13,133
IN EACH OTHER'S
PERSONAL BUSINESS.
223
00:13:15,533 --> 00:13:17,099
EXCUSE ME, MISS?
224
00:13:17,100 --> 00:13:19,832
ANOTHER QUESTION
FOR YOU.
225
00:13:19,833 --> 00:13:22,966
BUT NOT EVERYONE
KEPT THEIR NOSE OUT OF IT.
226
00:13:22,967 --> 00:13:26,066
LAST YEAR, DID YOU HAPPEN
TO HEAR ANY KIND OF COMMOTION,
227
00:13:26,067 --> 00:13:28,599
SCREAMING, COMING FROM
MISS QUINN'S APARTMENT?
228
00:13:28,600 --> 00:13:30,567
SHE WAS BADLY BEATEN.
229
00:13:33,100 --> 00:13:35,166
CAN YOU GIVE US A DESCRIPTION
OF THE GUY?
230
00:13:35,167 --> 00:13:37,232
NEGRO.
231
00:13:37,233 --> 00:13:40,066
NOT OVERLY TALL.
STOCKY.
232
00:13:40,067 --> 00:13:42,499
I HEARD ALL THESE NOISES.
233
00:13:42,500 --> 00:13:44,132
WHY DID YOU DO THAT?!
234
00:13:44,133 --> 00:13:45,399
THIS IS CRAZY!
235
00:13:45,400 --> 00:13:46,899
WHAT IS WRONG
WITH YOU?!
236
00:13:46,900 --> 00:13:49,066
YOU WANTED ME TO TOUCH YOU.
YOU WANTED ME TO SLAP YOU.
237
00:13:49,067 --> 00:13:50,766
THAT'S WHAT I DID.
GET OUT!
238
00:13:50,767 --> 00:13:52,466
YOU'RE OUT OF YOUR MIND.
239
00:13:56,267 --> 00:13:58,666
HE WAS RUNNING OUT
AS I CAME IN.
240
00:14:01,633 --> 00:14:04,332
ARE YOU OKAY?
I'M FINE.
241
00:14:04,333 --> 00:14:07,932
HER NEIGHBOR
ACTUALLY FOUND ROSEANN
242
00:14:07,933 --> 00:14:09,466
IN A CRYING HEAP ON THE FLOOR.
243
00:14:09,467 --> 00:14:11,299
WELL, ABOUT TWO WEEKS LATER,
244
00:14:11,300 --> 00:14:14,600
I HEARD THE SAME SOUNDS
COMING FROM HER APARTMENT.
245
00:14:18,101 --> 00:14:20,199
SHE GOES ON TO TELL THEM
246
00:14:20,200 --> 00:14:22,432
THAT TWO WEEKS
AFTER THAT INCIDENT...
247
00:14:23,500 --> 00:14:26,199
...SIMILAR NOISES,
SIMILAR STRUGGLES,
248
00:14:26,200 --> 00:14:30,566
WHAT SOUNDED LIKE ROUGH SEX,
ESSENTIALLY.
249
00:14:30,567 --> 00:14:34,599
PHYSICAL CONFRONTATIONS
THAT HAD A SEXUAL ELEMENT TO IT.
250
00:14:34,600 --> 00:14:39,266
SHE BELIEVED THAT EVERY TWO
WEEKS IT WAS DIFFERENT GUYS,
251
00:14:39,267 --> 00:14:42,199
AND THEY HAPPENED
WITH INCREASING FREQUENCY.
252
00:14:42,200 --> 00:14:43,499
TO THE NEIGHBOR,
253
00:14:43,500 --> 00:14:46,666
IT SEEMED LIKE ROSEANN
MAYBE WANTED TO GET BEAT UP.
254
00:14:46,667 --> 00:14:50,099
DID THE POLICE TAKE THE STORY
OF ONE NEIGHBOR SERIOUSLY
255
00:14:50,100 --> 00:14:52,899
AND LOOK AT ROSEANN DIFFERENTLY
AFTER THAT?
256
00:14:52,900 --> 00:14:54,066
HOW SHOULD I KNOW?
257
00:14:54,067 --> 00:14:55,899
BUT REMEMBER, THE GOODBAR STORY
258
00:14:55,900 --> 00:14:58,199
WAS ABOUT A WOMAN
WHO COURTED DANGER
259
00:14:58,200 --> 00:15:00,632
BY PICKING UP ROUGH STRANGERS
IN BARS
260
00:15:00,633 --> 00:15:03,266
AND BRINGING THEM
BACK TO HER APARTMENT.
261
00:15:03,267 --> 00:15:07,066
SO MAYBE THAT'S WHERE
THE IDEA CAME FROM.
262
00:15:07,067 --> 00:15:10,499
PERSONALLY,
I NEVER HEARD ANYTHING
263
00:15:10,500 --> 00:15:12,400
COMING FROM
ROSEANN'S APARTMENT.
264
00:15:14,500 --> 00:15:17,966
AND ON THE RARE OCCASION
THAT SHE INVITED ME INSIDE,
265
00:15:17,967 --> 00:15:21,832
I GOT THE IMPRESSION THAT SHE
MIGHT BE A LITTLE TOO FRAGILE
266
00:15:21,833 --> 00:15:23,566
FOR ANYTHING LIKE THAT.
267
00:15:23,567 --> 00:15:24,866
DOES THIS LOOK OKAY?
268
00:15:24,867 --> 00:15:26,699
YEAH.
I LIKE THAT ON YOU.
269
00:15:26,700 --> 00:15:28,966
IT LOOKS GREAT.
THANKS.
270
00:15:28,967 --> 00:15:30,632
HEY, I'M GLAD
YOU FINALLY DECIDED
271
00:15:30,633 --> 00:15:32,366
TO COME OUT WITH ME
AND MY FRIENDS.
272
00:15:32,367 --> 00:15:33,867
YEAH.
273
00:15:37,333 --> 00:15:39,299
IT'S KIND OF HARD TO MEET PEOPLE
IN NEW YORK.
274
00:15:39,300 --> 00:15:42,567
YEAH, IT'S A TOUGH PLACE
IF YOU DON'T KNOW ANYONE.
275
00:15:44,400 --> 00:15:45,732
AT 13,
276
00:15:45,733 --> 00:15:48,699
SHE HAD TO HAVE A VERY SERIOUS
SURGERY ON HER SPINE,
277
00:15:48,700 --> 00:15:51,799
AND SHE WOULD WALK WITH A LIMP
FOR THE REST OF HER LIFE.
278
00:15:51,800 --> 00:15:54,532
HEY, HAVE YOU
SEEN "GREASE" YET?
279
00:15:54,533 --> 00:15:58,099
I REALLY WANT TO YOU,
YOU KNOW.
280
00:15:58,100 --> 00:16:00,332
I'M REALLY SORRY.
281
00:16:00,333 --> 00:16:03,699
I'M STARTING TO FEEL
A LITTLE SICK.
282
00:16:04,733 --> 00:16:06,166
I THINK I'M JUST GONNA
STAY IN TONIGHT.
283
00:16:06,167 --> 00:16:07,766
OKAY.
284
00:16:07,767 --> 00:16:09,699
IF ROSEANN'S HANG-UPS
ABOUT HER BODY
285
00:16:09,700 --> 00:16:11,532
WERE DRIVING HER
TO A DARK PLACE,
286
00:16:11,533 --> 00:16:14,332
WELL, I KNEW
MORE THAN A FEW GIRLS
287
00:16:14,333 --> 00:16:17,599
WHO COULD RELATE TO THAT,
MYSELF INCLUDED.
288
00:16:17,600 --> 00:16:20,399
SO EVEN IF OUR NEIGHBOR'S STORY
WAS TRUE,
289
00:16:20,400 --> 00:16:24,066
I FIGURE WHATEVER A GROWN WOMAN
DOES BEHIND CLOSED DOORS
290
00:16:24,067 --> 00:16:25,900
IS NONE OF ANYONE'S BUSINESS.
291
00:16:29,133 --> 00:16:34,333
THE PROBLEM WAS, SHE HAD DIED
BEHIND THAT CLOSED DOOR.
292
00:16:37,833 --> 00:16:39,232
SO AFTER LOOKING FOR INFO
293
00:16:39,233 --> 00:16:41,632
ON THIS FREDDIE WATSON
CHARACTER ALL DAY,
294
00:16:41,633 --> 00:16:44,399
IT MADE SENSE TO SWING BACK
BY ROSEANN'S APARTMENT
295
00:16:44,400 --> 00:16:47,232
TO SEE WHAT THE FORENSICS TEAM
HAD DUG UP.
296
00:16:47,233 --> 00:16:49,566
- HEY, YOU GOT ANYTHING?
- THERE'S NO PRINTS.
297
00:16:49,567 --> 00:16:50,766
IF THE GUY TOUCHED ANYTHING,
298
00:16:50,767 --> 00:16:52,399
HE WIPED THE PLACE CLEAN
AFTERWARDS.
299
00:16:52,400 --> 00:16:55,299
OKAY, LET'S CALL CLEARY TO START
A SEARCH ON FREDDIE WATSON.
300
00:17:05,233 --> 00:17:06,599
HELLO?
301
00:17:06,600 --> 00:17:09,699
Hello.
Is Roseann there?
302
00:17:09,700 --> 00:17:11,332
WHO'S CALLING?
A friend.
303
00:17:11,333 --> 00:17:13,799
I had heard that she
wasn't feeling well.
304
00:17:13,800 --> 00:17:16,266
YOU HEARD
SHE WASN'T FEELING WELL.
305
00:17:16,267 --> 00:17:18,899
Is she okay?
306
00:17:18,900 --> 00:17:20,932
SIR, WHAT IS YOUR NAME?
307
00:17:20,933 --> 00:17:23,067
**
308
00:17:30,367 --> 00:17:33,466
Hello.
Is Roseann there?
309
00:17:33,467 --> 00:17:35,099
WHO'S CALLING?
A friend.
310
00:17:35,100 --> 00:17:37,566
I had heard that she
wasn't feeling well.
311
00:17:37,567 --> 00:17:39,232
YOU HEARD
SHE WASN'T FEELING WELL.
312
00:17:39,233 --> 00:17:42,832
Is she okay?
313
00:17:42,833 --> 00:17:45,467
SIR, WHAT IS YOUR NAME?
314
00:17:48,533 --> 00:17:52,599
TELL ME YOUR NAME.
315
00:17:54,800 --> 00:17:56,967
AND THE CALLER HANGS UP.
316
00:17:59,900 --> 00:18:03,266
WITH TODAY'S TECHNOLOGY,
WE COULD CALL HIM BACK.
317
00:18:03,267 --> 00:18:05,899
IN 1973,
THERE'S NOTHING THEY CAN DO
318
00:18:05,900 --> 00:18:08,466
TO DISCOVER WHO THE CALLER IS.
319
00:18:08,467 --> 00:18:11,066
YOU'RE ALWAYS
GONNA BE NOSTALGIC
320
00:18:11,067 --> 00:18:12,266
FOR YOUR 20s.
321
00:18:12,267 --> 00:18:13,832
GOSH, YOU REMEMBER, RIGHT?
322
00:18:13,833 --> 00:18:15,932
YOU'RE YOUNG AND EXCITED.
323
00:18:15,933 --> 00:18:18,566
IT WAS AN AMAZING TIME
TO BE IN NEW YORK,
324
00:18:18,567 --> 00:18:21,399
WHETHER YOU WERE DOWNTOWN
CATCHING A DULL SET
325
00:18:21,400 --> 00:18:24,132
THAT DIDN'T EVEN START
UNTIL AFTER MIDNIGHT
326
00:18:24,133 --> 00:18:27,866
OR KEEPING A BAR STOOL WARM
UNTIL CLOSING TIME.
327
00:18:27,867 --> 00:18:30,932
YOU WERE HAVING FUN.
328
00:18:30,933 --> 00:18:35,266
AND THAT'S EXACTLY WHAT ROSEANN
WAS DOING THE NIGHT SHE DIED.
329
00:18:35,267 --> 00:18:38,566
AND THE POLICE HOPED THAT
THE NIGHT BARTENDER FROM TWEEDS
330
00:18:38,567 --> 00:18:41,166
MIGHT BE ABLE TO FILL IN SOME
OF THE DETAILS FOR THEM.
331
00:18:41,167 --> 00:18:43,899
SO, KENNY, WHEN YOU WERE WORKING
AT TWEEDS ON MONDAY NIGHT --
332
00:18:43,900 --> 00:18:45,532
NEW YEAR'S DAY
IN THE EVENING --
333
00:18:45,533 --> 00:18:47,399
DID YOU SEE FREDDIE WATSON
AT ANY TIME?
334
00:18:47,400 --> 00:18:49,132
NO.
335
00:18:49,133 --> 00:18:52,266
FREDDIE, NO.
HE STANDS OUT IN A CROWD.
336
00:18:52,267 --> 00:18:54,066
NO, I-I DIDN'T SEE HIM.
337
00:18:54,067 --> 00:18:55,799
ACCORDING TO
THE NIGHT BARTENDER,
338
00:18:55,800 --> 00:18:58,332
ON JANUARY 1st, FREDDIE WATSON
WAS NOT AT THE BAR.
339
00:18:58,333 --> 00:19:00,266
SO IT WAS MUCH LESS LIKELY
340
00:19:00,267 --> 00:19:03,232
THAT HE WAS THE KILLER
OF ROSEANN QUINN.
341
00:19:03,233 --> 00:19:04,899
BUT YOU SAW ROSEANN,
RIGHT?
342
00:19:04,900 --> 00:19:07,167
SURE. ROSEANN,
SHE WAS THERE ALL NIGHT.
343
00:19:13,533 --> 00:19:16,766
WHAT HE REPORTS IS IT WAS
A BUSY NIGHT, AS USUAL.
344
00:19:16,767 --> 00:19:19,166
ROSEANN WAS THERE
READING AT FIRST
345
00:19:19,167 --> 00:19:20,932
BUT THEN KIND OF
ENTERED THE CROWD
346
00:19:20,933 --> 00:19:23,633
AND BEGAN TALKING TO THE PEOPLE
SHE KNEW, THE REGULARS.
347
00:19:24,567 --> 00:19:30,367
BUT THERE WERE A COUPLE OF GUYS
THAT I DIDN'T RECOGNIZE.
348
00:19:32,300 --> 00:19:34,699
THEY WERE BOTH BLOND HAIR.
349
00:19:34,700 --> 00:19:38,366
ONE WAS A LITTLE OLDER
THAN THE OTHER.
350
00:19:38,367 --> 00:19:41,967
HIS GENERAL IMPRESSION WAS
THAT THIS MAY BE TWO BROTHERS.
351
00:19:43,767 --> 00:19:47,300
ACCORDING TO THE
BARTENDER, THE STRANGERS PART.
352
00:19:53,833 --> 00:19:58,266
AND ONE STAYS
TO TALK TO ROSEANN.
353
00:19:58,267 --> 00:20:00,599
WHICH ONE
WAS TALKING TO HER?
354
00:20:00,600 --> 00:20:01,899
THE YOUNGER ONE?
355
00:20:01,900 --> 00:20:04,166
I DON'T REALLY REMEMBER
THAT MUCH ABOUT THEM.
356
00:20:04,167 --> 00:20:05,400
WE WERE BUSY THAT NIGHT.
357
00:20:06,467 --> 00:20:09,332
TWEEDS WAS THE LAST PLACE
THIS GIRL WAS SEEN ALIVE.
358
00:20:09,333 --> 00:20:12,432
NOW, MOST OF YOUR REGULARS
WERE THERE THAT NIGHT, RIGHT?
359
00:20:12,433 --> 00:20:14,700
YEAH, SURE.
MOST OF THEM WERE THERE.
360
00:20:15,867 --> 00:20:17,366
ALL RIGHT, I'M LOOKING
FOR SOME INFORMATION
361
00:20:17,367 --> 00:20:19,366
ON A COUPLE OF GUYS THAT WERE
HERE AT THE BAR ON MONDAY NIGHT.
362
00:20:19,367 --> 00:20:20,699
NOW, I DON'T THINK
THEY'RE REGULARS,
363
00:20:20,700 --> 00:20:22,399
SO I'M HOPING THAT THEY
MIGHT HAVE STUCK OUT TO YOU.
364
00:20:22,400 --> 00:20:23,799
YEAH, I SAW TWO GUYS
WITH BLOND HAIR.
365
00:20:23,800 --> 00:20:25,232
I KNOW THEY BOTH
HAD BLOND HAIR.
366
00:20:25,233 --> 00:20:27,199
THE YOUNGER ONE
HAD DARKER HAIR.
367
00:20:27,200 --> 00:20:29,066
ONE WAS A BIT TALLER
THAN THE OTHER ONE.
368
00:20:29,067 --> 00:20:30,466
NEITHER GUY WAS TALLER
THAN THE OTHER.
369
00:20:30,467 --> 00:20:32,232
THEY WERE ABOUT
THE SAME HEIGHT.
370
00:20:32,233 --> 00:20:34,832
POLICE INTERVIEW
PEOPLE AT THE BAR
371
00:20:34,833 --> 00:20:37,699
AND TRY TO DEVELOP A COMPOSITE.
372
00:20:37,700 --> 00:20:40,032
ALL RIGHT,
DID YOU HAPPEN TO SEE THE GUY
373
00:20:40,033 --> 00:20:41,299
SPEAKING WITH ROSEANN QUINN?
374
00:20:41,300 --> 00:20:42,599
YEAH, THE OLDER ONE.
375
00:20:42,600 --> 00:20:44,532
BOTH OF THEM WERE TALKING
TO MISS QUINN.
376
00:20:44,533 --> 00:20:46,566
- BOTH TALKING TO ROSEANN?
- YES.
377
00:20:46,567 --> 00:20:49,199
IT'S NOT A SCIENCE.
IT'S AN ART.
378
00:20:49,200 --> 00:20:52,799
BUT OFTEN HELPFUL IN A WAY OF
A GENERAL PHYSICAL DESCRIPTION
379
00:20:52,800 --> 00:20:55,532
OF WHAT A POSSIBLE SUSPECT
MIGHT LOOK LIKE.
380
00:20:55,533 --> 00:20:57,466
KIND OF HAD A ROUND FACE.
381
00:20:57,467 --> 00:20:59,466
HE HAD, LIKE,
A STRONG JAWLINE.
382
00:20:59,467 --> 00:21:02,766
HE HAD BLUE EYES.
DIRTY-BLOND HAIR.
383
00:21:02,767 --> 00:21:04,332
I DON'T REALLY KNOW
WHAT THEY LOOK LIKE.
384
00:21:04,333 --> 00:21:06,367
OKAY.
THANK YOU VERY MUCH.
385
00:21:10,167 --> 00:21:12,432
THE COPS
ARE NOT EXTREMELY CONFIDENT
386
00:21:12,433 --> 00:21:13,433
IN THE COMPOSITE.
387
00:21:13,434 --> 00:21:14,867
IT MIGHT AS WELL BE ANYBODY.
388
00:21:20,100 --> 00:21:22,566
BUT NOT ALL OF ROSEANN'S
BARROOM FRIENDS
389
00:21:22,567 --> 00:21:24,899
WERE COMFORTABLE
SPEAKING TO THE COPS
390
00:21:24,900 --> 00:21:26,466
OUT IN THE OPEN LIKE THAT.
391
00:21:26,467 --> 00:21:28,499
AND THERE WAS ONE GUY
IN PARTICULAR
392
00:21:28,500 --> 00:21:30,699
WHO WANTED
A MORE PRIVATE CONVERSATION.
393
00:21:30,700 --> 00:21:35,132
I'D SEEN HIM A FEW TIMES AT
THE PARK WITH HIS SKETCH PAD,
394
00:21:35,133 --> 00:21:38,666
AND EVERYONE JUST KNEW HIM
AS "THE ARTIST."
395
00:21:38,667 --> 00:21:40,366
YOU THE COPS I SPOKE TO?
396
00:21:40,367 --> 00:21:42,066
YEAH, THANKS
FOR GIVING US A CALL.
397
00:21:42,067 --> 00:21:43,599
YEAH, WELL...
398
00:21:43,600 --> 00:21:46,066
NORMALLY,
I DON'T TALK TO COPS.
399
00:21:46,067 --> 00:21:47,866
BUT...
400
00:21:47,867 --> 00:21:51,199
WHAT THEY DID TO THAT GIRL,
THAT WAS REALLY MESSED UP.
401
00:21:51,200 --> 00:21:53,632
WE'RE LOOKING FOR INFORMATION
ON A COUPLE OF GUYS
402
00:21:53,633 --> 00:21:55,532
THAT WERE AT TWEEDS
ON MONDAY NIGHT.
403
00:21:55,533 --> 00:21:58,332
THEY BOTH HAD BLOND HAIR.
404
00:21:58,333 --> 00:22:00,099
DO YOU REMEMBER
TALKING TO THIS GUY?
405
00:22:00,100 --> 00:22:02,833
**
406
00:22:08,533 --> 00:22:12,732
THE ARTIST SAYS THAT,
IN FACT, HE DOES REMEMBER.
407
00:22:12,733 --> 00:22:15,966
THE MAN SAT,
AND THEY BEGAN A CONVERSATION.
408
00:22:15,967 --> 00:22:17,932
HIS NAME WAS CHARLIE SMITH.
409
00:22:17,933 --> 00:22:21,266
AND HE WAS FROM OUT OF TOWN,
AND HE WAS LOOKING FOR A JOB.
410
00:22:21,267 --> 00:22:23,466
CHARLIE SMITH ASKS HIM
WHAT HE DOES,
411
00:22:23,467 --> 00:22:25,132
AND HE SAYS, "I'M AN ARTIST."
412
00:22:25,133 --> 00:22:29,732
SO CHARLIE SMITH SAYS, YOU KNOW,
413
00:22:29,733 --> 00:22:34,600
"WELL, DRAW ME TWO PICTURES,
AND I'LL PAY YOU $6 EACH."
414
00:22:36,200 --> 00:22:38,799
WHAT'D YOU DRAW, THEN?
415
00:22:38,800 --> 00:22:41,766
IT WAS...
416
00:22:41,767 --> 00:22:45,066
DONALD DUCK
AND MICKEY MOUSE.
417
00:22:45,067 --> 00:22:46,466
**
418
00:22:46,467 --> 00:22:47,200
WHAT?
419
00:22:47,201 --> 00:22:49,067
CARTOON CHARACTERS.
420
00:22:53,067 --> 00:22:55,266
ROSEANN HAD
CHARLIE SMITH'S DRAWINGS
421
00:22:55,267 --> 00:22:56,300
IN HER APARTMENT.
422
00:22:59,267 --> 00:23:01,566
OKAY,
THANK YOU VERY MUCH.
423
00:23:01,567 --> 00:23:04,899
AND THAT CERTAINLY
PIQUES THEIR INTEREST.
424
00:23:04,900 --> 00:23:09,233
SO THE POLICE HAVE A SUSPECT
OR A WITNESS.
425
00:23:11,800 --> 00:23:13,066
IT WAS A REAL LEAD.
426
00:23:13,067 --> 00:23:15,399
BUT LET ME TELL YOU
FROM EXPERIENCE
427
00:23:15,400 --> 00:23:17,866
THAT MEN GIVING OUT FAKE NAMES
IN BARS
428
00:23:17,867 --> 00:23:19,532
DID NOT START YESTERDAY.
429
00:23:19,533 --> 00:23:22,599
AND BACK IN A TIME BEFORE
YOU COULD TRACE DEBIT CARDS
430
00:23:22,600 --> 00:23:23,866
OR TRACK CELLPHONES,
431
00:23:23,867 --> 00:23:26,099
LOCATING A CHARLIE SMITH
IN NEW YORK
432
00:23:26,100 --> 00:23:28,132
WAS LIKE TRYING
TO FIND A NEEDLE
433
00:23:28,133 --> 00:23:29,899
IN A HAYSTACK OF OTHER NEEDLES.
434
00:23:29,900 --> 00:23:33,766
IN 1973, IT COULD BE
IMPOSSIBLY DIFFICULT
435
00:23:33,767 --> 00:23:35,699
TO FIND SOMEONE
IN NEW YORK CITY.
436
00:23:35,700 --> 00:23:38,233
OKAY.
THANK YOU.
437
00:23:45,067 --> 00:23:48,199
ON FRIDAY, TWO DAYS
AFTER THE BODY'S DISCOVERED,
438
00:23:48,200 --> 00:23:50,399
THE STORY FINALLY HITS
THE NEWSPAPERS.
439
00:23:50,400 --> 00:23:53,599
MEDIA COVERAGE
OF CRIMES OF SEXUAL VIOLENCE
440
00:23:53,600 --> 00:23:57,099
WAS VERY TABLOID.
441
00:23:57,100 --> 00:24:02,266
THERE WAS AN AWFUL LOT
OF OPINIONS ABOUT, YOU KNOW,
442
00:24:02,267 --> 00:24:07,699
HER LIFESTYLE, HOW SHE LED IT,
WHAT SHE DID.
443
00:24:07,700 --> 00:24:10,399
THE NEW YORK TIMES WROTE THAT,
444
00:24:10,400 --> 00:24:13,866
"THE ESSENTIAL FOCUS OF CONCERN
IN THE CASE
445
00:24:13,867 --> 00:24:17,366
IS THE GIRL'S LIFESTYLE.
446
00:24:17,367 --> 00:24:20,866
'IN A SENSE, '
CAPTAIN McMAHON SAID,
447
00:24:20,867 --> 00:24:24,432
'A DEATH LIKE HERS
SHOULD BE EXPECTED.'"
448
00:24:24,433 --> 00:24:27,466
EVEN THOUGH A KILLER
WAS STILL ON THE LOOSE,
449
00:24:27,467 --> 00:24:31,332
THE STORY WAS ALREADY MORPHING
INTO SOME KIND OF MORALITY TALE
450
00:24:31,333 --> 00:24:34,732
ABOUT HOW A SINGLE WOMAN
WHO DARES TO HAVE A SEX LIFE
451
00:24:34,733 --> 00:24:38,899
IS REALLY THE ONE TO BLAME
WHEN SOME LUNATIC KILLS HER.
452
00:24:38,900 --> 00:24:41,299
I DIDN'T THINK THE PAPERS
COULD SINK ANY LOWER
453
00:24:41,300 --> 00:24:44,233
IF THE RATS UNDER THE 6 TRAIN
HAD MADE A NEST OUT OF THEM.
454
00:24:45,767 --> 00:24:48,399
LUCKILY, THE POLICE HAD
A DIFFERENT POINT OF VIEW
455
00:24:48,400 --> 00:24:49,832
THAN I DID ABOUT THE PRESS,
456
00:24:49,833 --> 00:24:51,766
BECAUSE THEY KNEW
THAT THE PAPERS
457
00:24:51,767 --> 00:24:55,099
COULD ALSO BE A TOOL
IN THEIR INVESTIGATION.
458
00:24:55,100 --> 00:25:00,066
AND AS GENERIC AS THAT SKETCH
OF CHARLIE SMITH MAY HAVE BEEN,
459
00:25:00,067 --> 00:25:03,199
ALL IT WOULD TAKE
TO CHANGE EVERYTHING
460
00:25:03,200 --> 00:25:06,566
WOULD BE FOR ONE PERSON,
THE RIGHT PERSON,
461
00:25:06,567 --> 00:25:08,566
TO STUMBLE UPON IT.
462
00:25:08,567 --> 00:25:10,799
SIX DAYS AFTER
THE BODY IS DISCOVERED,
463
00:25:10,800 --> 00:25:11,966
THEY RELEASE THE SKETCH,
464
00:25:11,967 --> 00:25:14,366
AND IT'S IN THE NEWSPAPERS
SUNDAY MORNING.
465
00:25:14,367 --> 00:25:16,767
**
466
00:25:26,833 --> 00:25:29,166
THE RELEASE OF THE SKETCH
467
00:25:29,167 --> 00:25:32,599
RESULTS IN EXACTLY WHAT
THE POLICE WERE HOPING IT WOULD.
468
00:25:32,600 --> 00:25:34,933
**
469
00:25:42,067 --> 00:25:45,067
WHAT CAN YOU TELL US ABOUT
THE MURDER OF ROSEANN QUINN?
470
00:25:56,500 --> 00:25:59,732
LOOKING BACK
ON IT NOW, I UNDERSTAND WHY,
471
00:25:59,733 --> 00:26:02,199
BUT AT THE TIME,
ALL I COULD THINK WAS,
472
00:26:02,200 --> 00:26:05,366
"IT'S BEEN ALMOST A WEEK
SINCE THEY FOUND ROSEANN.
473
00:26:05,367 --> 00:26:07,099
WHY ISN'T ANYTHING HAPPENING
474
00:26:07,100 --> 00:26:09,332
EXCEPT FOR
SOME GENERIC SKETCH?"
475
00:26:09,333 --> 00:26:12,832
BUT IF THE PAPERS HAD REPORTED
THAT SOME MYSTERY MAN
476
00:26:12,833 --> 00:26:16,066
HAD ARRANGED A SECRET MEETING
WITH THE POLICE,
477
00:26:16,067 --> 00:26:19,366
WELL, THEN IT WOULDN'T BE
VERY SECRET, WOULD IT?
478
00:26:20,833 --> 00:26:24,466
HE TELLS DETECTIVES
THAT HIS NAME IS GEARY GUEST.
479
00:26:24,467 --> 00:26:28,067
AND THAT HE KNEW A GREAT DEAL
ABOUT ROSEANN QUINN'S MURDER.
480
00:26:32,067 --> 00:26:35,532
SO, MR. GUEST,
WHAT CAN YOU TELL US
481
00:26:35,533 --> 00:26:37,467
ABOUT THE MURDER
OF ROSEANN QUINN?
482
00:26:43,067 --> 00:26:45,466
WELL, I WAS AT TWEEDS
A WEEK AGO,
483
00:26:45,467 --> 00:26:47,433
LAST MONDAY NIGHT,
WITH A FRIEND.
484
00:26:50,067 --> 00:26:51,632
* TO THE OCEAN *
485
00:26:51,633 --> 00:26:55,699
ONE MORE PICK.
IT'S GOT TO BE JOHN LEE HOOKER.
486
00:26:55,700 --> 00:26:58,332
MR. GUEST SAYS
THAT HE AND A FRIEND
487
00:26:58,333 --> 00:27:01,532
WHO WAS STAYING AT HIS APARTMENT
NOT FAR FROM 72nd STREET
488
00:27:01,533 --> 00:27:02,932
DECIDED TO GO TO TWEEDS,
489
00:27:02,933 --> 00:27:05,367
ALTHOUGH IT WAS NOT A PLACE
EITHER OF THEM WERE KNOWN.
490
00:27:07,167 --> 00:27:09,199
THEY HAD A DRINK,
491
00:27:09,200 --> 00:27:12,600
AND GEARY DECIDED TO GO HOME
AND LEFT HIS FRIEND BEHIND.
492
00:27:16,067 --> 00:27:19,932
NOW, THIS FRIEND OF YOURS,
WAS HIS NAME CHARLIE SMITH?
493
00:27:19,933 --> 00:27:23,399
WHO DID HE TELL
THAT NAME TO?
494
00:27:23,400 --> 00:27:25,600
SO WHAT'S YOUR PAL'S
REAL NAME?
495
00:27:34,067 --> 00:27:36,866
JOHN WAYNE WILSON.
496
00:27:36,867 --> 00:27:39,132
HE'S 23 YEARS OLD.
497
00:27:39,133 --> 00:27:40,933
HE'S FROM INDIANA.
498
00:27:43,100 --> 00:27:46,566
HE HAD KIND OF
A ROUGH CHILDHOOD.
499
00:27:46,567 --> 00:27:48,666
HE NEVER FINISHED
HIGH SCHOOL.
500
00:27:48,667 --> 00:27:51,433
HE JUST PICKED UP
AND HITCHED TO NEW YORK.
501
00:27:52,967 --> 00:27:57,399
YOU LOOK GOOD, JOHN.
502
00:27:57,400 --> 00:28:00,899
IT'S HARD TO GET WORK
WITHOUT A DEGREE.
503
00:28:00,900 --> 00:28:04,666
AT LEAST MAKING THE KIND
OF MONEY THAT HE NEEDED.
504
00:28:04,667 --> 00:28:06,067
SO...
505
00:28:09,600 --> 00:28:11,167
...HE HUSTLED.
506
00:28:14,400 --> 00:28:16,499
**
507
00:28:16,500 --> 00:28:19,666
JOHN WAYNE AND GEARY
MEET IN 1970.
508
00:28:19,667 --> 00:28:22,899
CLASSIC "I'M ON
THE STREET, AND HE SMILES AT ME,
509
00:28:22,900 --> 00:28:26,633
AND I SMILE AT HIM, AND THE NEXT
THING, WE'RE MAKING A CONTACT."
510
00:28:31,600 --> 00:28:33,900
THEY GO HOME TOGETHER
THAT NIGHT.
511
00:28:39,967 --> 00:28:43,367
SO, YOU TWO HAD A "MIDNIGHT
COWBOY" KIND OF RELATIONSHIP?
512
00:28:48,400 --> 00:28:51,266
SEE, I WAS ALWAYS
A RUNNER.
513
00:28:51,267 --> 00:28:54,133
PROBABLY NOT HARD TO BELIEVE,
I IMAGINE.
514
00:28:55,833 --> 00:29:00,432
GEARY FALLS IN LOVE
WITH JOHN WAYNE.
515
00:29:00,433 --> 00:29:02,699
FOR JOHN WAYNE WILSON,
516
00:29:02,700 --> 00:29:06,400
HE'S DEPENDENT ON GEARY
FOR FINANCIAL SUPPORT.
517
00:29:08,067 --> 00:29:09,432
YOU KNOW WHAT?
518
00:29:09,433 --> 00:29:11,232
YOU'RE CUTE.
519
00:29:11,233 --> 00:29:15,199
THE WAY I SEE IT, ALL
RELATIONSHIPS ARE COMPLICATED,
520
00:29:15,200 --> 00:29:17,366
AND THEIRS WAS NO EXCEPTION.
521
00:29:17,367 --> 00:29:20,166
SO EVEN THOUGH JOHN WAYNE
HAD SEX WITH MEN FOR MONEY...
522
00:29:20,167 --> 00:29:21,432
I'LL SEE YOU SOON, OKAY?
523
00:29:21,433 --> 00:29:24,499
...HE ALSO HAD A YOUNG WIFE
DOWN IN FLORIDA.
524
00:29:24,500 --> 00:29:26,532
BUT GEARY STILL CARED FOR JOHN
525
00:29:26,533 --> 00:29:29,366
AND WAS HAPPY
TO SHARE HIS HOME WITH HIM
526
00:29:29,367 --> 00:29:32,067
IN EXCHANGE
FOR A LITTLE COMPANIONSHIP.
527
00:29:33,133 --> 00:29:35,599
L-LET'S GET BACK
TO MONDAY NIGHT.
528
00:29:35,600 --> 00:29:37,099
YOU LEFT THE BAR.
529
00:29:37,100 --> 00:29:38,732
WHAT HAPPENED NEXT?
530
00:29:38,733 --> 00:29:41,599
I LEFT JOHN AT THE BAR,
AND I WENT HOME.
531
00:29:41,600 --> 00:29:47,333
HE WENT TO SLEEP, AND HE SAYS
THAT HE WAKES UP LATER...
532
00:29:51,533 --> 00:29:54,967
...AND JOHN WAYNE WILSON
IS SITTING ON THE COUCH.
533
00:29:59,833 --> 00:30:02,367
REMEMBER THAT GIRL FROM THE BAR
LAST NIGHT?
534
00:30:06,433 --> 00:30:08,233
I KILLED HER.
535
00:30:10,733 --> 00:30:14,700
MR. GUEST DESCRIBED HIMSELF
AS BEING IN TOTAL DISBELIEF.
536
00:30:16,900 --> 00:30:18,666
HE SAID THE NEXT DAY,
537
00:30:18,667 --> 00:30:20,966
HE WENT DOWNSTAIRS
AND BOUGHT THE NEWSPAPERS,
538
00:30:20,967 --> 00:30:23,900
COULDN'T FIND ANY REPORT
OF ANY HOMICIDES.
539
00:30:25,633 --> 00:30:28,632
ONE OF THE THINGS
THAT MR. GUEST DECIDES TO DO
540
00:30:28,633 --> 00:30:33,299
TO TRY TO DETERMINE IF WILSON IS
MAKING THIS STORY UP OR NOT...
541
00:30:35,933 --> 00:30:37,932
Hello?
542
00:30:37,933 --> 00:30:40,699
HELLO.
IS ROSEANN THERE?
543
00:30:40,700 --> 00:30:43,132
WHO'S CALLING?
544
00:30:43,133 --> 00:30:45,066
...IS TO CALL ROSEANN QUINN.
545
00:30:45,067 --> 00:30:46,067
IS SHE OKAY?
546
00:30:46,068 --> 00:30:48,766
I HAD HEARD
SHE WASN'T FEELING WELL.
547
00:30:48,767 --> 00:30:50,499
YOU HEARD
SHE WASN'T FEELING WELL.
548
00:30:50,500 --> 00:30:53,800
Sir, what is your name?
549
00:30:55,833 --> 00:30:58,700
TELL ME YOUR NAME.
550
00:31:02,533 --> 00:31:05,932
SO HE IS ACTUALLY THE
PERSON WHO PHONED THE APARTMENT
551
00:31:05,933 --> 00:31:08,832
THE DAY THE DETECTIVES ANSWERED.
552
00:31:08,833 --> 00:31:10,532
SO WHY DIDN'T YOU
GO TO THE POLICE?
553
00:31:10,533 --> 00:31:12,466
BECAUSE BY MY COUNT,
IT TOOK YOU SIX DAYS
554
00:31:12,467 --> 00:31:14,466
TO MAKE UP YOUR MIND
TO DO THE RIGHT THING.
555
00:31:14,467 --> 00:31:17,067
HE NEVER HURT ANYONE BEFORE
THAT I KNOW.
556
00:31:24,900 --> 00:31:27,266
THAT SKETCH
LOOKS LIKE ME.
557
00:31:27,267 --> 00:31:29,800
**
558
00:31:44,500 --> 00:31:47,866
IT WAS ALMOST A WEEK
AFTER THE BODY IS DISCOVERED
559
00:31:47,867 --> 00:31:49,666
THAT HE DECIDED TO CONTACT THEM
560
00:31:49,667 --> 00:31:53,466
BECAUSE THE COMPOSITE WAS,
IN FACT, OF GEARY, NOT WILSON.
561
00:31:53,467 --> 00:31:55,132
I DON'T WANT
ANYONE THINKING
562
00:31:55,133 --> 00:31:57,932
THAT I HAD ANYTHING TO DO
WITH THAT GIRL'S MURDER.
563
00:31:59,167 --> 00:32:02,066
THIS DOESN'T MAKE ANY SENSE
TO THE POLICE,
564
00:32:02,067 --> 00:32:03,499
SO THEY'RE SUSPICIOUS.
565
00:32:03,500 --> 00:32:06,232
SO, WHERE'S WILSON NOW?
566
00:32:06,233 --> 00:32:08,066
HE LEFT TOWN.
567
00:32:08,067 --> 00:32:09,667
YOU GUYS IN TOUCH
AT ALL?
568
00:32:12,633 --> 00:32:14,233
HE CALLS SOMETIMES.
569
00:32:16,500 --> 00:32:19,066
GUEST ALSO SAID THAT NIGHT
570
00:32:19,067 --> 00:32:24,399
THAT HE THOUGHT THAT MR. WILSON
HAD TRAVELED TO INDIANAPOLIS,
571
00:32:24,400 --> 00:32:26,300
WHICH WAS WHERE
HIS BROTHER LIVED.
572
00:32:27,900 --> 00:32:31,232
SO, THE DETECTIVES CAUGHT THE
FIRST FLIGHT THE NEXT MORNING
573
00:32:31,233 --> 00:32:32,300
TO INDIANAPOLIS.
574
00:32:33,400 --> 00:32:36,466
BUT WHEN WILSON CAME TO THE
DOOR AT HIS BROTHER'S HOUSE,
575
00:32:36,467 --> 00:32:39,699
HE DIDN'T SEEM TO THEM LIKE A
PERSON WITH SOMETHING TO HIDE.
576
00:32:39,700 --> 00:32:41,899
IN FACT, HE SAID
IT WAS NO TROUBLE AT ALL
577
00:32:41,900 --> 00:32:44,067
TO SPEAK WITH THEM
DOWN AT THE STATION.
578
00:32:45,833 --> 00:32:49,866
AND ALL THEY HAD AGAINST HIM
WERE SOME CRUMPLED CARTOONS
579
00:32:49,867 --> 00:32:52,066
AND THE WORD
OF HIS ABANDONED LOVER.
580
00:32:52,067 --> 00:32:53,799
I'M NOT TOO ANXIOUS TO SEE
581
00:32:53,800 --> 00:32:56,899
HOW THE D.A. LIKES
A "HE SAID, HE SAID" CASE.
582
00:32:56,900 --> 00:32:59,232
DO YOU BELIEVE
WHAT GUEST SAID?
583
00:32:59,233 --> 00:33:01,899
DO YOU THINK
THIS COULD BE A SETUP?
584
00:33:01,900 --> 00:33:03,767
I DON'T KNOW.
585
00:33:06,333 --> 00:33:08,332
YOU BEEN TO NEW YORK RECENTLY,
JOHN?
586
00:33:08,333 --> 00:33:09,966
SAY, JANUARY 1st?
587
00:33:09,967 --> 00:33:11,232
NO.
NOT SO MUCH.
588
00:33:11,233 --> 00:33:13,932
I'VE BEEN UP AND DOWN
FROM FLORIDA, ACTUALLY.
589
00:33:13,933 --> 00:33:16,366
MY OLD LADY,
SHE LIVES DOWN THERE.
590
00:33:16,367 --> 00:33:19,132
YOU WEREN'T AT A BAR
CALLED TWEEDS?
591
00:33:19,133 --> 00:33:20,566
NO, SIR, I WASN'T.
592
00:33:20,567 --> 00:33:23,866
YOU NEVER MET A GIRL
NAMED ROSEANN QUINN?
593
00:33:23,867 --> 00:33:26,067
NOT TO MY KNOWLEDGE,
DETECTIVE.
594
00:33:27,067 --> 00:33:29,266
YOUR FRIEND GEARY GUEST
SAYS OTHERWISE.
595
00:33:29,267 --> 00:33:31,667
**
596
00:33:37,500 --> 00:33:39,866
GEARY'S A GOOD GUY.
597
00:33:39,867 --> 00:33:41,666
YOUR FRIEND
GAVE YOU UP, JOHN.
598
00:33:41,667 --> 00:33:44,200
GUEST SAYS YOU MURDERED
MISS QUINN.
599
00:33:55,967 --> 00:33:57,700
I KILLED HER.
600
00:34:00,267 --> 00:34:03,900
AND THAT WAS ALL IT TOOK
FOR HIM TO CONFESS.
601
00:34:05,200 --> 00:34:07,832
GEARY MIGHT HAVE BEEN
THE PERSON WHO CARED FOR
602
00:34:07,833 --> 00:34:09,933
AND SUPPORTED JOHN WAYNE
THE MOST.
603
00:34:11,833 --> 00:34:13,532
AND WHEN GEARY GAVE HIM UP,
604
00:34:13,533 --> 00:34:17,632
I GUESS JOHN REALIZED THERE WAS
NOTHING LEFT TO FIGHT FOR.
605
00:34:17,633 --> 00:34:19,467
WHAT HAPPENED, JOHN?
606
00:34:23,100 --> 00:34:25,567
**
607
00:34:34,300 --> 00:34:37,100
SHE INVITED HIM
BACK TO HER APARTMENT.
608
00:34:39,333 --> 00:34:42,099
AND HE WENT BACK WITH HER.
609
00:34:44,800 --> 00:34:46,332
WHAT?
610
00:34:46,333 --> 00:34:48,666
NOTHING.
611
00:34:48,667 --> 00:34:50,400
YOU'RE CUTE.
612
00:34:56,300 --> 00:34:59,200
BUT THAT WAS NOT THE END
OF THE MYSTERY.
613
00:35:01,200 --> 00:35:04,066
WHAT JOHN WAYNE WOULD TELL
THE POLICE THAT DAY
614
00:35:04,067 --> 00:35:06,732
ABOUT WHAT HAPPENED
BEHIND HER CLOSED DOOR
615
00:35:06,733 --> 00:35:10,099
WOULD RAISE QUESTIONS
THAT LINGER TO THIS DAY.
616
00:35:10,100 --> 00:35:12,333
**
617
00:35:18,667 --> 00:35:21,866
ROSEANN QUINN WAS A TEACHER
618
00:35:21,867 --> 00:35:24,266
WHO DEVOTED HER LIFE
TO DEAF CHILDREN
619
00:35:24,267 --> 00:35:26,499
AND WAS MURDERED
IN HER APARTMENT.
620
00:35:26,500 --> 00:35:29,799
WHEN YOU THINK ABOUT IT,
THOSE ARE THE FACTS, YOU KNOW?
621
00:35:29,800 --> 00:35:32,732
THAT'S WHAT WE KNOW ABOUT HER.
622
00:35:32,733 --> 00:35:36,632
I REMEMBER HER AS SWEET
AND A LITTLE TIMID.
623
00:35:36,633 --> 00:35:38,132
BUT MEMORIES ARE TRICKY.
624
00:35:38,133 --> 00:35:40,899
THEY'RE LITTLE FRAGMENTS
THAT WE PUT TOGETHER
625
00:35:40,900 --> 00:35:43,167
INTO OUR OWN STORY
ABOUT A PERSON.
626
00:35:46,067 --> 00:35:50,066
AND MAYBE NO ONE PERSON COLORED
HOW PEOPLE THINK ABOUT ROSEANN
627
00:35:50,067 --> 00:35:52,399
MORE THAN JOHN WAYNE WILSON
628
00:35:52,400 --> 00:35:54,832
WHEN HE TOLD THE POLICE
HIS STORY
629
00:35:54,833 --> 00:35:57,966
ABOUT WHAT HAPPENED
WHEN THEY LEFT TWEEDS BAR,
630
00:35:57,967 --> 00:36:01,366
WALKED ACROSS THE STREET...
631
00:36:01,367 --> 00:36:03,333
AND WENT INTO HER APARTMENT.
632
00:36:07,633 --> 00:36:09,232
JUST ONE SECOND,
OKAY?
633
00:36:09,233 --> 00:36:12,232
I JUST NEED TO CLEAR MY MIND
REAL QUICK, YOU KNOW?
634
00:36:12,233 --> 00:36:17,432
JOHN WAYNE WILSON STATED
HE COULDN'T PERFORM SEXUALLY.
635
00:36:17,433 --> 00:36:20,067
SHE WOULDN'T LAY OFF ME.
636
00:36:32,933 --> 00:36:35,966
WHY'D YOU COME UP HERE?
637
00:36:38,700 --> 00:36:41,167
WHAT'S THE MATTER?
CAN'T YOU DO IT?
638
00:36:44,200 --> 00:36:46,066
DON'T -- DON'T --
DON'T PUSH ME.
639
00:36:46,067 --> 00:36:47,067
WHAT?
640
00:36:47,068 --> 00:36:49,766
YOU DON'T LIKE IT
WHEN I DO THAT?
641
00:36:49,767 --> 00:36:51,233
COME ON.
WHAT ARE YOU GONNA DO?
642
00:36:52,233 --> 00:36:54,133
SHE KEPT BITCHING.
643
00:36:55,900 --> 00:37:01,299
HE TELLS POLICE THAT ROSEANN
SNEERED AT HIM, INSULTED HIM.
644
00:37:01,300 --> 00:37:02,832
SHE RIDICULED HIM.
645
00:37:02,833 --> 00:37:04,466
I DON'T THINK
THIS IS A GOOD IDEA.
646
00:37:04,467 --> 00:37:06,066
YOU GONNA SHOW ME
WHAT A MAN YOU ARE?
647
00:37:06,067 --> 00:37:07,132
PLEASE.
COME ON.
648
00:37:07,133 --> 00:37:09,466
DON'T TOUCH ME, ALL RIGHT?
WHAT ARE YOU GONNA DO?
649
00:37:09,467 --> 00:37:12,132
I TOLD YOU JUST TO BE QUIET.
SHOW ME WHAT A MAN YOU ARE!
650
00:37:12,133 --> 00:37:14,066
COME ON!
JUST BE QUIET FOR ONE SECOND!
651
00:37:14,067 --> 00:37:15,899
COME ON! COME ON!
JUST -- JUST --
652
00:37:15,900 --> 00:37:18,867
BE A MAN! COME ON!
COME ON!
653
00:37:20,200 --> 00:37:22,067
SHE WOULDN'T SHUT UP.
654
00:37:24,300 --> 00:37:25,699
COME ON!
655
00:37:58,067 --> 00:37:59,600
SO...
656
00:38:02,833 --> 00:38:05,232
...I CLEANED UP...
657
00:38:05,233 --> 00:38:07,932
AND LEFT HER THERE.
658
00:38:07,933 --> 00:38:10,899
"SHE TAUNTED ME.
SHE PROVOKED ME.
659
00:38:10,900 --> 00:38:12,632
SHE PUSHED ME TOO FAR."
660
00:38:12,633 --> 00:38:15,766
JOHN WAYNE WILSON
DID EVERYTHING HE COULD
661
00:38:15,767 --> 00:38:19,299
TO SUGGEST THAT ROSEANN
WAS ULTIMATELY TO BLAME.
662
00:38:19,300 --> 00:38:21,099
AND WHEN YOU COMBINE HIS STORY
663
00:38:21,100 --> 00:38:23,866
WITH THE RUMORS SPREAD
BY ROSEANN'S NEIGHBOR,
664
00:38:23,867 --> 00:38:27,066
YOU GET A CHARACTER THAT
LOOKS SOMETHING LIKE THE ONE
665
00:38:27,067 --> 00:38:28,799
IN "LOOKING FOR MR. GOODBAR."
666
00:38:28,800 --> 00:38:30,199
BUT WHAT I READ LATER
667
00:38:30,200 --> 00:38:33,099
ABOUT ALL THE THINGS HE SAID
TO THE POLICE THAT DAY,
668
00:38:33,100 --> 00:38:36,232
WELL, SOME OF IT
REALLY GOT ME THINKING.
669
00:38:36,233 --> 00:38:38,932
DO YOU HAVE ANY KIDS?
670
00:38:38,933 --> 00:38:40,066
YEAH, I GOT KIDS.
671
00:38:40,067 --> 00:38:42,166
SO THEN YOU KNOW
HOW HARD IT IS, RIGHT?
672
00:38:42,167 --> 00:38:45,332
WHEN MY WIFE WAS PREGNANT,
THERE WAS A LOT OF PRESSURE,
673
00:38:45,333 --> 00:38:48,166
AND I WASN'T PREPARED.
674
00:38:48,167 --> 00:38:52,899
SO I TRIED TO GET OUT --
HUSTLING.
675
00:38:52,900 --> 00:38:54,899
YOU KNOW?
676
00:38:54,900 --> 00:38:56,932
JUST A RéSUMé?
677
00:38:56,933 --> 00:38:58,799
HE'S UNEMPLOYABLE.
678
00:38:58,800 --> 00:39:00,832
HE HAS NO RECORD OF EMPLOYMENT.
679
00:39:00,833 --> 00:39:05,467
AND HE HAS NO SKILL
OTHER THAN SEX.
680
00:39:07,667 --> 00:39:11,199
IF YOU WERE TO ASK ME,
AND NOBODY DID,
681
00:39:11,200 --> 00:39:14,633
I THINK THERE'S ANOTHER WAY
THINGS MIGHT HAVE HAPPENED.
682
00:39:17,233 --> 00:39:18,499
THIS DOESN'T NORMALLY
HAPPEN TO ME.
683
00:39:18,500 --> 00:39:20,899
IT'S OKAY.
684
00:39:20,900 --> 00:39:22,166
IT'S MY FAULT.
685
00:39:22,167 --> 00:39:23,666
NO, NO,
IT'S NOT YOUR FAULT.
686
00:39:23,667 --> 00:39:25,366
NO, IT IS.
IT'S OKAY.
687
00:39:25,367 --> 00:39:28,066
WELL, THE ROSEANN I KNEW
688
00:39:28,067 --> 00:39:31,699
SEEMED LIKE SHE MIGHT
TAKE REJECTION PRETTY HARD.
689
00:39:31,700 --> 00:39:34,432
THE FACT THAT
HE COULDN'T GET AN ERECTION
690
00:39:34,433 --> 00:39:36,466
WAS JUST CONFIRMING
HER WORST FEAR,
691
00:39:36,467 --> 00:39:38,966
WHICH WAS THAT SHE WAS
NOT SEXUALLY DESIRABLE.
692
00:39:38,967 --> 00:39:42,632
WILSON COULDN'T SUPPORT
HIS WIFE AND UNBORN CHILD.
693
00:39:42,633 --> 00:39:45,299
THE ONLY THING
HE EVER EXCELLED AT
694
00:39:45,300 --> 00:39:47,466
WAS HAVING SEX WITH STRANGERS,
695
00:39:47,467 --> 00:39:50,800
AND NOW HE HAD FAILED
AT THAT, TOO.
696
00:39:54,333 --> 00:39:59,132
AND MAYBE SOMETHING INSIDE HIM
JUST SNAPPED.
697
00:40:17,433 --> 00:40:18,666
AND ON TOP OF THAT,
698
00:40:18,667 --> 00:40:21,166
THE EVIDENCE THEY FOUND
AT THE CRIME SCENE
699
00:40:21,167 --> 00:40:24,232
CHALLENGED WILSON'S STORY,
AS WELL.
700
00:40:24,233 --> 00:40:27,832
JOHN WAYNE WILSON
SAID HE COULDN'T EVEN GET IT UP.
701
00:40:27,833 --> 00:40:30,466
BUT THERE WAS SEMINAL FLUID
702
00:40:30,467 --> 00:40:32,433
IN THE BODY OF ROSEANN QUINN.
703
00:40:33,933 --> 00:40:36,799
SO, WILSON WAS LYING
704
00:40:36,800 --> 00:40:40,032
WHEN HE SAID HE'D NEVER
HAD SEX WITH ROSEANN.
705
00:40:40,033 --> 00:40:43,132
WHY WAS HE WILLING TO ADMIT
THAT HE HAD KILLED HER
706
00:40:43,133 --> 00:40:46,433
BUT TRYING TO HIDE THE FACT
THAT HE'D SLEPT WITH HER?
707
00:40:52,700 --> 00:40:56,867
PERHAPS AFTER HER DEATH,
HE SEXUALLY ASSAULTED HER.
708
00:40:59,333 --> 00:41:02,366
REMEMBER THAT SHE WAS FOUND
709
00:41:02,367 --> 00:41:04,400
WITH A BROOM IN HER VAGINA.
710
00:41:08,333 --> 00:41:11,732
THERE'S NOTHING
THAT COULD JUSTIFY
711
00:41:11,733 --> 00:41:15,200
WHAT ROSEANN QUINN
WAS SUBJECTED TO IN HER HOME.
712
00:41:22,800 --> 00:41:27,199
"LOOKING FOR MR. GOODBAR"
WAS A WORK OF FICTION,
713
00:41:27,200 --> 00:41:30,232
BUT IT WAS THE STORY
IN THOSE PAGES THAT STUCK.
714
00:41:30,233 --> 00:41:34,966
THE BAD-GIRL STORY
IS PERHAPS MORE TITILLATING.
715
00:41:34,967 --> 00:41:38,332
ROSEANN BECAME KNOWN AS A GIRL
WHO HUNG OUT AT BARS
716
00:41:38,333 --> 00:41:40,066
LOOKING TO BRING MEN HOME,
717
00:41:40,067 --> 00:41:43,366
WHO LIKED SEX AND WAS
AGGRESSIVE ABOUT GETTING IT.
718
00:41:43,367 --> 00:41:48,232
IN 1973, THERE'S NO DOUBT
THAT PEOPLE WOULD SAY,
719
00:41:48,233 --> 00:41:50,066
"WELL, WHAT THE HELL
WAS SHE DOING?
720
00:41:50,067 --> 00:41:51,332
SHE ASKED FOR IT."
721
00:41:51,333 --> 00:41:54,566
THE WORLD TURNED HER
INTO A CAUTIONARY TALE
722
00:41:54,567 --> 00:41:57,666
IN THE GRAND TRADITION
OF FICTIONAL WOMEN
723
00:41:57,667 --> 00:42:00,566
WHO NEED TO BE PUNISHED
FOR TAKING THEIR CLOTHES OFF.
724
00:42:02,100 --> 00:42:04,466
BUT ROSEANN WAS A REAL PERSON,
725
00:42:04,467 --> 00:42:08,432
AND THERE WAS NO MORAL
TO BE TAKEN FROM HER DEATH.
726
00:42:08,433 --> 00:42:12,099
ONE THING WE KNOW FOR CERTAIN
IS THAT THIS IS NOT THE NIGHT
727
00:42:12,100 --> 00:42:15,232
NOR THE WAY ROSEANN QUINN
WANTED TO END HER LIFE.
728
00:42:15,233 --> 00:42:19,699
WHAT KIND OF SEX
SHE LIKED IS IRRELEVANT.
729
00:42:19,700 --> 00:42:21,632
THE WOMAN WAS MURDERED.
730
00:42:21,633 --> 00:42:25,932
SO IF YOU'RE GONNA TELL ME
YOU THINK SHE ASKED FOR IT,
731
00:42:25,933 --> 00:42:30,299
THAT'S GONNA TELL ME MORE ABOUT
YOU THAN IT IS ABOUT ROSEANN.
732
00:42:30,300 --> 00:42:35,499
I THINK PEOPLE WERE TERRIFIED
BY WHAT HAPPENED TO ROSEANN.
733
00:42:35,500 --> 00:42:37,233
I KNOW I WAS.
734
00:42:39,067 --> 00:42:42,666
SO THEY WANTED TO BELIEVE
THAT SHE WAS A RISK-TAKER,
735
00:42:42,667 --> 00:42:45,399
BECAUSE IF SHE
BROUGHT IT ON HERSELF,
736
00:42:45,400 --> 00:42:50,166
THEN IT'S A SIMPLE THING
TO AVOID HER MISTAKES.
737
00:42:50,167 --> 00:42:51,966
AND YOU CAN REST EASY AT NIGHT,
738
00:42:51,967 --> 00:42:55,499
KNOWING THAT, UNLIKE HER,
YOU'LL BE SAFE.
739
00:42:55,500 --> 00:42:57,267
RIGHT?
740
00:43:02,467 --> 00:43:08,066
* IF I'LL GO TO CHURCH
ON SUNDAY *
741
00:43:08,067 --> 00:43:13,799
* SING THE SHIMMY DOWN
ON MONDAY *
742
00:43:13,800 --> 00:43:20,299
* AIN'T NOBODY'S BUSINESS
IF I DO *
743
00:43:20,300 --> 00:43:27,099
* IF I DO *
744
00:43:27,100 --> 00:43:29,900
**
55314
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