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These are the user uploaded subtitles that are being translated: 1 00:00:02,733 --> 00:00:05,099 I'LL ALWAYS REMEMBER THAT JANUARY MORNING. 2 00:00:05,100 --> 00:00:07,166 IT'S JUST SO UNLIKE ROSEANN TO MISS WORK. 3 00:00:07,167 --> 00:00:08,466 I REALLY APPRECIATE THIS. 4 00:00:08,467 --> 00:00:10,599 IT'S ALL RIGHT. 5 00:00:10,600 --> 00:00:12,432 MISS QUINN? 6 00:00:12,433 --> 00:00:15,099 BACK IN MY 20s, THE START OF A NEW YEAR 7 00:00:15,100 --> 00:00:17,499 ALWAYS MADE ME FEEL SO OPTIMISTIC. 8 00:00:17,500 --> 00:00:20,432 I'D THINK, MAYBE THIS WOULD BE THE YEAR 9 00:00:20,433 --> 00:00:23,932 I'D GET A NEW BOYFRIEND OR FIND THAT PERFECT JOB. 10 00:00:23,933 --> 00:00:25,599 BUT AFTER THAT MORNING... 11 00:00:25,600 --> 00:00:26,866 MISS QUINN? 12 00:00:26,867 --> 00:00:28,366 ROSEANN? 13 00:00:28,367 --> 00:00:30,299 ...I NEVER FELT THAT WAY AGAIN. 14 00:00:30,300 --> 00:00:32,266 ROSEANN? 15 00:00:32,267 --> 00:00:35,932 NOW THE NEW YEAR MAKES ME REMEMBER A GIRL I KNEW 16 00:00:35,933 --> 00:00:37,733 NAMED ROSEANN QUINN... 17 00:00:41,333 --> 00:00:42,832 MY GOD! 18 00:00:42,833 --> 00:00:45,266 ...NOT THE VERSION OF HER THAT WOULD BE WRITTEN ABOUT 19 00:00:45,267 --> 00:00:48,366 AND BECOME FAMOUS... 20 00:00:48,367 --> 00:00:52,832 BUT THE STORY OF A REAL GIRL, A GIRL A LOT LIKE ME, 21 00:00:52,833 --> 00:00:55,499 MAYBE LIKE YOU... 22 00:00:55,500 --> 00:00:57,367 AND HOW SHE ENDED UP DEAD. 23 00:01:12,500 --> 00:01:15,532 THE GIRL WHO DIED WAS NAMED ROSEANN QUINN. 24 00:01:15,533 --> 00:01:17,066 DOESN'T RING A BELL? 25 00:01:17,067 --> 00:01:18,532 OF COURSE IT DOESN'T. 26 00:01:18,533 --> 00:01:20,899 NO ONE SEEMS TO REMEMBER ANYTHING 27 00:01:20,900 --> 00:01:24,132 ABOUT WHO ROSEANN REALLY WAS, INCLUDING HER NAME. 28 00:01:24,133 --> 00:01:27,532 BUT I BET YOU KNOW THE GOODBAR MURDER. 29 00:01:27,533 --> 00:01:28,732 NOW YOU REMEMBER. 30 00:01:28,733 --> 00:01:30,399 "LOOKING FOR MR. GOODBAR," 31 00:01:30,400 --> 00:01:33,232 THE BEST-SELLING NOVEL ABOUT A YOUNG TEACHER 32 00:01:33,233 --> 00:01:36,066 WHO SPENT HER NIGHTS HAUNTING SINGLES BARS, 33 00:01:36,067 --> 00:01:38,232 LOOKING FOR ONE-NIGHT STANDS. 34 00:01:38,233 --> 00:01:40,666 WELL, DIDN'T YOUR MOTHER EVER TELL YOU, 35 00:01:40,667 --> 00:01:42,966 "DON'T BELIEVE EVERYTHING YOU READ"? 36 00:01:42,967 --> 00:01:45,166 I KNEW THAT WASN'T THE REAL STORY, 37 00:01:45,167 --> 00:01:47,333 BECAUSE TWO YEARS EARLIER... 38 00:01:49,300 --> 00:01:51,599 ...I LIVED RIGHT DOWN THE HALL FROM ROSEANN. 39 00:01:53,733 --> 00:01:57,866 ON JANUARY 3, 1973, THE POLICE ARRIVE 40 00:01:57,867 --> 00:02:02,199 AT AN APARTMENT BUILDING ON WEST 72nd STREET. 41 00:02:02,200 --> 00:02:05,066 - WHEREABOUTS WAS IT? - RIGHT ABOUT THERE. 42 00:02:05,067 --> 00:02:08,632 THEY FIND A YOUNG WHITE FEMALE 43 00:02:08,633 --> 00:02:10,666 SPLAYED OUT ON HER BED. 44 00:02:10,667 --> 00:02:12,766 SHE IS NUDE. 45 00:02:12,767 --> 00:02:17,699 A TURQUOISE ROBE HAS BEEN PLACED ON HER BODY. 46 00:02:17,700 --> 00:02:20,199 ONE OF THE FIRST THINGS THE POLICE NOTE 47 00:02:20,200 --> 00:02:21,966 IS THE NUMBER OF STAB WOUNDS. 48 00:02:24,400 --> 00:02:27,699 I BELIEVE THE COUNT IS 18. 49 00:02:27,700 --> 00:02:30,133 IT'S JUST A TOTAL BLOODBATH. 50 00:02:31,667 --> 00:02:33,832 IN ADDITION TO THE MULTIPLE STAB WOUNDS, 51 00:02:33,833 --> 00:02:36,967 THERE WERE ALSO BITE MARKS ON HER UPPER TORSO. 52 00:02:45,733 --> 00:02:48,066 AND SHE'D BEEN MUTILATED. 53 00:02:48,067 --> 00:02:53,699 THE KILLER ACTUALLY INSERTED A BROOM IN HER VAGINA. 54 00:02:53,700 --> 00:02:57,467 THAT WAS HARD TO -- YOU KNOW, TO SEE. 55 00:03:00,800 --> 00:03:02,799 POLICE AND THE MEDICAL EXAMINER 56 00:03:02,800 --> 00:03:04,066 MAKE A DETERMINATION 57 00:03:04,067 --> 00:03:08,200 THAT SHE WAS KILLED AT LEAST 24 HOURS EARLIER. 58 00:03:23,533 --> 00:03:26,332 IN THE BATHROOM, THE SHOWER HAD BEEN LEFT RUNNING 59 00:03:26,333 --> 00:03:28,932 FOR SOME PERIOD OF TIME. 60 00:03:28,933 --> 00:03:31,766 SEE IF YOU CAN GET A PRINT OFF THESE SHOWER KNOBS. 61 00:03:40,300 --> 00:03:42,133 HEY, I GOT SOMETHING. 62 00:03:46,067 --> 00:03:48,233 THIS IS WHAT "MAD AS HELL" LOOKS LIKE. 63 00:03:49,067 --> 00:03:52,599 THE KNIFE WAS BENT AT A 90-DEGREE ANGLE, PRACTICALLY, 64 00:03:52,600 --> 00:03:55,632 WHICH MIGHT SUGGEST TO THE INVESTIGATORS 65 00:03:55,633 --> 00:03:59,067 THAT PERHAPS MIGHT ACTUALLY HAVE STRUCK BONE. 66 00:04:01,667 --> 00:04:03,499 THE APARTMENT IS DIRTY. 67 00:04:03,500 --> 00:04:05,266 IT'S RANSACKED. 68 00:04:05,267 --> 00:04:07,833 ** 69 00:04:16,667 --> 00:04:19,866 NO SIGN OF FORCED ENTRY. THAT FRONT DOOR IS FINE. 70 00:04:19,867 --> 00:04:22,432 MAYBE SOMEONE FOLLOWED HER UP TO HER APARTMENT. 71 00:04:22,433 --> 00:04:26,432 IT COULD VERY WELL HAVE BEEN WHAT IS CALLED TODAY A PUSH-IN, 72 00:04:26,433 --> 00:04:30,432 WHERE SOMEONE OPENS THE DOOR AND THE INTRUDER ENTERS. 73 00:04:30,433 --> 00:04:34,400 OR POSSIBLY IT WAS SOMEBODY WHO KNEW HER. 74 00:04:36,633 --> 00:04:38,700 TELL US HOW YOU KNEW THE YOUNG LADY. 75 00:04:41,333 --> 00:04:43,399 WE WORKED TOGETHER UP AT ST. JOSEPH'S. 76 00:04:43,400 --> 00:04:46,599 I SUB FOR HER CLASS SOMETIMES WHEN SHE'S OUT. 77 00:04:46,600 --> 00:04:48,900 ** 78 00:04:56,067 --> 00:04:58,532 SHE WAS A COLLEAGUE OF HIS 79 00:04:58,533 --> 00:05:01,067 AT A SCHOOL FOR THE DEAF IN THE BRONX. 80 00:05:07,667 --> 00:05:11,299 DETECTIVES LEARN THAT HER NAME IS ROSEANN QUINN, 81 00:05:11,300 --> 00:05:13,200 AND SHE'S 28. 82 00:05:15,900 --> 00:05:18,666 SEEN HER RECENTLY? 83 00:05:18,667 --> 00:05:20,067 NO. 84 00:05:21,333 --> 00:05:23,966 THE DAY BEFORE, JANUARY 2nd, 85 00:05:23,967 --> 00:05:25,832 SHE HAD NOT SHOWN UP AT WORK. 86 00:05:25,833 --> 00:05:30,132 THE NEXT DAY, WHEN SHE DIDN'T SHOW UP FOR THE SECOND TIME, 87 00:05:30,133 --> 00:05:32,699 THIS FELLOW TEACHER WAS DISPATCHED 88 00:05:32,700 --> 00:05:35,166 TO SEE IF ROSEANN WAS ALL RIGHT. 89 00:05:35,167 --> 00:05:37,432 DID YOU AND MISS QUINN EVER SEE EACH OTHER 90 00:05:37,433 --> 00:05:38,600 IN A SOCIAL CONTEXT? 91 00:05:46,667 --> 00:05:48,233 NO, NEVER. 92 00:05:50,633 --> 00:05:52,700 WE WERE FRIENDLY, BUT JUST AT WORK. 93 00:05:55,433 --> 00:05:56,732 HEY, YOU GOT ANYTHING? 94 00:05:56,733 --> 00:06:00,067 STILL DUSTING. NOTHING SO FAR. 95 00:06:04,467 --> 00:06:06,833 ** 96 00:06:11,933 --> 00:06:14,332 HELLO. NYPD. 97 00:06:14,333 --> 00:06:17,733 THEY CANVASSED, KNOCKING ON NEIGHBORS' DOORS. 98 00:06:20,067 --> 00:06:23,566 IT'S HARD TO IMAGINE SOMEONE BEING KILLED THIS WAY 99 00:06:23,567 --> 00:06:26,167 WITHOUT THERE HAVING BEEN A FIGHT. 100 00:06:28,100 --> 00:06:31,099 DID YOU HEAR ANYTHING COMING FROM APARTMENT 715 101 00:06:31,100 --> 00:06:33,466 LATE MONDAY, EARLY TUESDAY? 102 00:06:33,467 --> 00:06:35,966 THERE'S BEEN A HOMICIDE. 103 00:06:35,967 --> 00:06:38,099 ROSEANN? YEAH, ROSEANN QUINN. 104 00:06:38,100 --> 00:06:40,966 THAT'S TERRIBLE. NO. I'VE BEEN OUT OF TOWN. 105 00:06:40,967 --> 00:06:42,499 IT'S THE HOLIDAY PERIOD. 106 00:06:42,500 --> 00:06:46,132 IT'S A HARD TIME TO DO A CANVASS. 107 00:06:46,133 --> 00:06:47,699 THEY HAD NOTHING. 108 00:06:47,700 --> 00:06:51,232 WITH THIS CASE, YOU STARTED FROM ZERO. 109 00:06:54,600 --> 00:06:56,466 THE HOMICIDE DETECTIVES 110 00:06:56,467 --> 00:06:57,833 ARE POUNDING THE PAVEMENT. 111 00:07:01,400 --> 00:07:07,099 NEW YORK CITY IN 1973 IS HARD FOR YOUNG PEOPLE TO IMAGINE NOW. 112 00:07:07,100 --> 00:07:08,799 THERE WERE PEEP SHOWS, 113 00:07:08,800 --> 00:07:12,366 XXX-RATED MOVIES, PROSTITUTES. 114 00:07:12,367 --> 00:07:15,832 THE DRUG PROBLEM WAS SO BAD. 115 00:07:15,833 --> 00:07:18,966 THE DRUG OF CHOICE WAS HEROIN. 116 00:07:18,967 --> 00:07:23,132 ONE OF THE MOST NOTORIOUS PLACES WAS NICKNAMED NEEDLE PARK 117 00:07:23,133 --> 00:07:24,432 BECAUSE OF THE HEROIN USE, 118 00:07:24,433 --> 00:07:26,899 BECAUSE OF THE FACT THAT ADDICTS WOULD HANG OUT THERE. 119 00:07:26,900 --> 00:07:28,566 AND IT'S ON 72nd STREET. 120 00:07:28,567 --> 00:07:31,566 IT'S REALLY NOT MUCH MORE THAN A BLOCK AWAY 121 00:07:31,567 --> 00:07:33,632 FROM WHERE ROSEANN QUINN LIVED. 122 00:07:33,633 --> 00:07:36,066 ARMED ROBBERY WAS A COMMON OCCURRENCE. 123 00:07:36,067 --> 00:07:37,632 IT WAS VERY DANGEROUS. 124 00:07:37,633 --> 00:07:40,499 AND THE MURDER RATE IN NEW YORK IN 1973 125 00:07:40,500 --> 00:07:42,233 WAS SKY-HIGH. 126 00:07:43,800 --> 00:07:45,932 I REMEMBER HOW SCARED MY MOTHER WAS 127 00:07:45,933 --> 00:07:48,366 ABOUT ME LIVING ALONE IN THE CITY BACK THEN. 128 00:07:48,367 --> 00:07:52,699 AND BEFORE ROSEANN WAS KILLED, I ALWAYS SAID, "COME ON, MOM. 129 00:07:52,700 --> 00:07:56,232 EVERYTHING IS FINE. I'M PERFECTLY SAFE." 130 00:07:56,233 --> 00:07:58,666 BUT I GUESS SHE HAD A POINT. 131 00:07:58,667 --> 00:08:02,699 NEW YORK CITY WAS A DANGEROUS PLACE IN 1973. 132 00:08:02,700 --> 00:08:05,099 AND FROM A SEA OF POTENTIAL SUSPECTS, 133 00:08:05,100 --> 00:08:08,066 THE COPS CAN ONLY DO WHAT THEY CAN DO, YOU KNOW? 134 00:08:08,067 --> 00:08:11,966 JUST START CLOSE AND SLOWLY WIDEN THE SEARCH. 135 00:08:11,967 --> 00:08:17,300 THE CANVASS THEN EXTENDS TO THE BUILDINGS ADJACENT. 136 00:08:19,367 --> 00:08:24,266 DRY-CLEANERS, FOOD STORES, RESTAURANTS, BARS. 137 00:08:24,267 --> 00:08:27,166 THERE IS A BAR RIGHT NEAR ROSEANN'S APARTMENT 138 00:08:27,167 --> 00:08:28,199 CALLED TWEEDS. 139 00:08:28,200 --> 00:08:29,532 AFTERNOON. 140 00:08:29,533 --> 00:08:33,332 AND AT AROUND NOON, THEY TALKED TO THE OWNER. 141 00:08:33,333 --> 00:08:34,899 WE'RE LOOKING FOR SOME INFORMATION 142 00:08:34,900 --> 00:08:36,332 ON A GIRL NAMED ROSEANN QUINN. 143 00:08:36,333 --> 00:08:37,632 YOU KNOW HER? 144 00:08:37,633 --> 00:08:39,866 SURE. ROSIE'S IN HERE ALL THE TIME. 145 00:08:39,867 --> 00:08:41,166 YOU SEEN HER RECENTLY? 146 00:08:41,167 --> 00:08:43,566 NOT FOR A COUPLE OF NIGHTS. 147 00:08:43,567 --> 00:08:45,932 SO, MONDAY NIGHT, SHE WAS IN HERE? 148 00:08:45,933 --> 00:08:47,332 YEAH. 149 00:08:47,333 --> 00:08:50,266 SEE HER TALKING WITH ANYBODY? 150 00:08:50,267 --> 00:08:51,532 I WASN'T AROUND MUCH. 151 00:08:51,533 --> 00:08:53,432 I WAS BOOKKEEPING IN THE BACK. 152 00:08:53,433 --> 00:08:56,266 WHAT'S GOING ON? 153 00:08:56,267 --> 00:08:59,332 A TEACHER FRIEND OF HERS FOUND HER DEAD THIS MORNING. 154 00:08:59,333 --> 00:09:01,066 HOMICIDE. 155 00:09:01,067 --> 00:09:04,199 HAPPENED TUESDAY MORNING, MAYBE LATE MONDAY NIGHT, THEREABOUTS. 156 00:09:04,200 --> 00:09:06,333 ** 157 00:09:15,167 --> 00:09:16,466 STEVEN RESNICK 158 00:09:16,467 --> 00:09:18,500 ACTUALLY KNOWS ROSEANN REALLY WELL. 159 00:09:22,267 --> 00:09:24,700 HE'S KNOWN HER FOR EIGHT YEARS. 160 00:09:26,367 --> 00:09:27,700 THAT'S HER SEAT. 161 00:09:32,467 --> 00:09:37,233 SHE WOULD SOMETIMES JUST COME IN WITH A BOOK AND READ BY HERSELF. 162 00:09:41,500 --> 00:09:43,632 THANK YOU. 163 00:09:43,633 --> 00:09:45,099 SHE LIKES TO WATCH. 164 00:09:45,100 --> 00:09:46,833 SHE COMES IN AND OUT WHEN SHE'S NOT JUST READING BY HERSELF. 165 00:09:50,333 --> 00:09:51,566 CHEERS. 166 00:09:51,567 --> 00:09:53,166 CHEERS. 167 00:09:53,167 --> 00:09:58,100 SHE WAS MUCH RESPECTED AND ADMIRED, FUN. 168 00:10:05,467 --> 00:10:07,133 SHE'S A REALLY SWEET KID. 169 00:10:08,933 --> 00:10:11,466 SO, YOU WERE IN THE BACK ON MONDAY NIGHT. 170 00:10:11,467 --> 00:10:13,766 YOU HAPPEN TO NOTICE ANYBODY UNUSUAL? 171 00:10:13,767 --> 00:10:15,932 MOSTLY REGULARS. 172 00:10:19,733 --> 00:10:21,632 HEY... 173 00:10:21,633 --> 00:10:25,066 I HAVE AN IDEA FOR SOMEONE YOU SHOULD CHECK OUT. 174 00:10:25,067 --> 00:10:27,566 THIS REALLY ROUGH GUY. 175 00:10:27,567 --> 00:10:30,333 SOMEONE ROSIE WAS HANGING AROUND LAST YEAR. 176 00:10:36,067 --> 00:10:38,499 I HEARD HE BEAT HER UP PRETTY BAD. 177 00:10:38,500 --> 00:10:41,400 ** 178 00:10:47,767 --> 00:10:50,299 ** 179 00:10:50,300 --> 00:10:54,566 HEY, I HAVE AN IDEA FOR SOMEONE YOU SHOULD CHECK OUT. 180 00:10:54,567 --> 00:10:57,433 SOMEONE ROSIE WAS HANGING AROUND LAST YEAR. 181 00:11:03,200 --> 00:11:05,066 HEY, PRETTY LADY. 182 00:11:05,067 --> 00:11:06,799 CAN I BUY YOU A DRINK? 183 00:11:06,800 --> 00:11:08,432 NO, THANK YOU. 184 00:11:08,433 --> 00:11:09,899 WHAT? 185 00:11:09,900 --> 00:11:11,800 YOU DON'T WANT TO TALK TO ME? 186 00:11:15,967 --> 00:11:19,499 THIS GUY FREDDIE WATSON. 187 00:11:19,500 --> 00:11:21,167 THIS REALLY ROUGH GUY. 188 00:11:23,300 --> 00:11:25,299 HEY, I'M A PHOTOGRAPHER, YOU KNOW. 189 00:11:25,300 --> 00:11:26,899 I COULD TAKE YOUR PICTURE. 190 00:11:26,900 --> 00:11:29,400 ONLY IF YOU'RE TOPLESS, THOUGH. 191 00:11:32,767 --> 00:11:35,600 COME ON, PRINCESS. I'M ONLY PLAYING WITH YOU. 192 00:11:38,733 --> 00:11:42,766 HERE, COME ON. MY SINCEREST APOLOGIES. 193 00:11:42,767 --> 00:11:45,732 LET ME MAKE IT UP TO YOU. I'LL BUY YOU A DRINK. 194 00:11:45,733 --> 00:11:48,166 HEY, BARTENDER. 195 00:11:48,167 --> 00:11:52,133 ANOTHER BEER FOR ME, AND THE LADY WILL HAVE... 196 00:11:54,167 --> 00:11:56,099 JOHNNY WALKER RED. 197 00:11:56,100 --> 00:11:58,066 JOHNNY WALKER RED. 198 00:11:58,067 --> 00:12:03,266 NEXT DAY, SHE SHOWS UP WITH BRUISES AND A BLACK EYE. 199 00:12:03,267 --> 00:12:07,566 WAS FREDDIE WATSON HERE ON MONDAY NIGHT? 200 00:12:07,567 --> 00:12:11,066 I -- LIKE I SAID, I WASN'T HERE MUCH. 201 00:12:11,067 --> 00:12:13,566 YOU'LL HAVE TO TALK TO MY NIGHT BARTENDER, KENNY. 202 00:12:13,567 --> 00:12:15,933 HE KNOWS EVERYBODY. I'LL GIVE YOU HIS NUMBER. 203 00:12:20,667 --> 00:12:23,366 WELL, THEY WEREN'T GONNA WAIT AROUND FOR THE NIGHT SHIFT 204 00:12:23,367 --> 00:12:25,499 TO PURSUE THEIR FIRST REAL LEAD. 205 00:12:25,500 --> 00:12:26,799 SO THE NEXT THING I KNEW, 206 00:12:26,800 --> 00:12:29,232 THE DETECTIVES WERE RIGHT BACK AT OUR BUILDING, 207 00:12:29,233 --> 00:12:30,932 ASKING AROUND ABOUT ROSEANN. 208 00:12:30,933 --> 00:12:33,966 HAD SHE REALLY BEEN BEAT UP, OR WAS THAT JUST A STORY, 209 00:12:33,967 --> 00:12:37,099 THE KIND OF RUMOR THAT GETS PASSED FROM PERSON TO PERSON 210 00:12:37,100 --> 00:12:39,666 UNTIL EVERYONE BELIEVES THAT IT'S A FACT? 211 00:12:39,667 --> 00:12:42,699 THEY CAUGHT ME AS I WAS HEADING DOWN TO THE BODEGA 212 00:12:42,700 --> 00:12:44,232 FOR A PACK OF CIGARETTES. 213 00:12:44,233 --> 00:12:46,466 BUT THEY WERE ASKING IF I KNEW ANYTHING 214 00:12:46,467 --> 00:12:48,899 ABOUT ROSEANN GETTING BEAT UP A YEAR BEFORE. 215 00:12:48,900 --> 00:12:52,199 AND I HAD ONLY MOVED INTO THE BUILDING SIX MONTHS AGO. 216 00:12:52,200 --> 00:12:54,366 THAT'LL BE ALL, MISS. THANK YOU. 217 00:12:54,367 --> 00:12:57,700 OKAY, WELL, LET ME KNOW IF I CAN HELP YOU WITH ANYTHING ELSE. 218 00:13:02,233 --> 00:13:03,632 FOR GOOD OR BAD, 219 00:13:03,633 --> 00:13:06,399 MOST OF US LIVING IN CROWDED NEW YORK CITY APARTMENTS 220 00:13:06,400 --> 00:13:09,066 WERE JUST TRYING TO HAVE A LITTLE PRIVACY OF OUR OWN. 221 00:13:09,067 --> 00:13:11,232 WE WORKED PRETTY HARD NOT TO GET INVOLVED 222 00:13:11,233 --> 00:13:13,133 IN EACH OTHER'S PERSONAL BUSINESS. 223 00:13:15,533 --> 00:13:17,099 EXCUSE ME, MISS? 224 00:13:17,100 --> 00:13:19,832 ANOTHER QUESTION FOR YOU. 225 00:13:19,833 --> 00:13:22,966 BUT NOT EVERYONE KEPT THEIR NOSE OUT OF IT. 226 00:13:22,967 --> 00:13:26,066 LAST YEAR, DID YOU HAPPEN TO HEAR ANY KIND OF COMMOTION, 227 00:13:26,067 --> 00:13:28,599 SCREAMING, COMING FROM MISS QUINN'S APARTMENT? 228 00:13:28,600 --> 00:13:30,567 SHE WAS BADLY BEATEN. 229 00:13:33,100 --> 00:13:35,166 CAN YOU GIVE US A DESCRIPTION OF THE GUY? 230 00:13:35,167 --> 00:13:37,232 NEGRO. 231 00:13:37,233 --> 00:13:40,066 NOT OVERLY TALL. STOCKY. 232 00:13:40,067 --> 00:13:42,499 I HEARD ALL THESE NOISES. 233 00:13:42,500 --> 00:13:44,132 WHY DID YOU DO THAT?! 234 00:13:44,133 --> 00:13:45,399 THIS IS CRAZY! 235 00:13:45,400 --> 00:13:46,899 WHAT IS WRONG WITH YOU?! 236 00:13:46,900 --> 00:13:49,066 YOU WANTED ME TO TOUCH YOU. YOU WANTED ME TO SLAP YOU. 237 00:13:49,067 --> 00:13:50,766 THAT'S WHAT I DID. GET OUT! 238 00:13:50,767 --> 00:13:52,466 YOU'RE OUT OF YOUR MIND. 239 00:13:56,267 --> 00:13:58,666 HE WAS RUNNING OUT AS I CAME IN. 240 00:14:01,633 --> 00:14:04,332 ARE YOU OKAY? I'M FINE. 241 00:14:04,333 --> 00:14:07,932 HER NEIGHBOR ACTUALLY FOUND ROSEANN 242 00:14:07,933 --> 00:14:09,466 IN A CRYING HEAP ON THE FLOOR. 243 00:14:09,467 --> 00:14:11,299 WELL, ABOUT TWO WEEKS LATER, 244 00:14:11,300 --> 00:14:14,600 I HEARD THE SAME SOUNDS COMING FROM HER APARTMENT. 245 00:14:18,101 --> 00:14:20,199 SHE GOES ON TO TELL THEM 246 00:14:20,200 --> 00:14:22,432 THAT TWO WEEKS AFTER THAT INCIDENT... 247 00:14:23,500 --> 00:14:26,199 ...SIMILAR NOISES, SIMILAR STRUGGLES, 248 00:14:26,200 --> 00:14:30,566 WHAT SOUNDED LIKE ROUGH SEX, ESSENTIALLY. 249 00:14:30,567 --> 00:14:34,599 PHYSICAL CONFRONTATIONS THAT HAD A SEXUAL ELEMENT TO IT. 250 00:14:34,600 --> 00:14:39,266 SHE BELIEVED THAT EVERY TWO WEEKS IT WAS DIFFERENT GUYS, 251 00:14:39,267 --> 00:14:42,199 AND THEY HAPPENED WITH INCREASING FREQUENCY. 252 00:14:42,200 --> 00:14:43,499 TO THE NEIGHBOR, 253 00:14:43,500 --> 00:14:46,666 IT SEEMED LIKE ROSEANN MAYBE WANTED TO GET BEAT UP. 254 00:14:46,667 --> 00:14:50,099 DID THE POLICE TAKE THE STORY OF ONE NEIGHBOR SERIOUSLY 255 00:14:50,100 --> 00:14:52,899 AND LOOK AT ROSEANN DIFFERENTLY AFTER THAT? 256 00:14:52,900 --> 00:14:54,066 HOW SHOULD I KNOW? 257 00:14:54,067 --> 00:14:55,899 BUT REMEMBER, THE GOODBAR STORY 258 00:14:55,900 --> 00:14:58,199 WAS ABOUT A WOMAN WHO COURTED DANGER 259 00:14:58,200 --> 00:15:00,632 BY PICKING UP ROUGH STRANGERS IN BARS 260 00:15:00,633 --> 00:15:03,266 AND BRINGING THEM BACK TO HER APARTMENT. 261 00:15:03,267 --> 00:15:07,066 SO MAYBE THAT'S WHERE THE IDEA CAME FROM. 262 00:15:07,067 --> 00:15:10,499 PERSONALLY, I NEVER HEARD ANYTHING 263 00:15:10,500 --> 00:15:12,400 COMING FROM ROSEANN'S APARTMENT. 264 00:15:14,500 --> 00:15:17,966 AND ON THE RARE OCCASION THAT SHE INVITED ME INSIDE, 265 00:15:17,967 --> 00:15:21,832 I GOT THE IMPRESSION THAT SHE MIGHT BE A LITTLE TOO FRAGILE 266 00:15:21,833 --> 00:15:23,566 FOR ANYTHING LIKE THAT. 267 00:15:23,567 --> 00:15:24,866 DOES THIS LOOK OKAY? 268 00:15:24,867 --> 00:15:26,699 YEAH. I LIKE THAT ON YOU. 269 00:15:26,700 --> 00:15:28,966 IT LOOKS GREAT. THANKS. 270 00:15:28,967 --> 00:15:30,632 HEY, I'M GLAD YOU FINALLY DECIDED 271 00:15:30,633 --> 00:15:32,366 TO COME OUT WITH ME AND MY FRIENDS. 272 00:15:32,367 --> 00:15:33,867 YEAH. 273 00:15:37,333 --> 00:15:39,299 IT'S KIND OF HARD TO MEET PEOPLE IN NEW YORK. 274 00:15:39,300 --> 00:15:42,567 YEAH, IT'S A TOUGH PLACE IF YOU DON'T KNOW ANYONE. 275 00:15:44,400 --> 00:15:45,732 AT 13, 276 00:15:45,733 --> 00:15:48,699 SHE HAD TO HAVE A VERY SERIOUS SURGERY ON HER SPINE, 277 00:15:48,700 --> 00:15:51,799 AND SHE WOULD WALK WITH A LIMP FOR THE REST OF HER LIFE. 278 00:15:51,800 --> 00:15:54,532 HEY, HAVE YOU SEEN "GREASE" YET? 279 00:15:54,533 --> 00:15:58,099 I REALLY WANT TO YOU, YOU KNOW. 280 00:15:58,100 --> 00:16:00,332 I'M REALLY SORRY. 281 00:16:00,333 --> 00:16:03,699 I'M STARTING TO FEEL A LITTLE SICK. 282 00:16:04,733 --> 00:16:06,166 I THINK I'M JUST GONNA STAY IN TONIGHT. 283 00:16:06,167 --> 00:16:07,766 OKAY. 284 00:16:07,767 --> 00:16:09,699 IF ROSEANN'S HANG-UPS ABOUT HER BODY 285 00:16:09,700 --> 00:16:11,532 WERE DRIVING HER TO A DARK PLACE, 286 00:16:11,533 --> 00:16:14,332 WELL, I KNEW MORE THAN A FEW GIRLS 287 00:16:14,333 --> 00:16:17,599 WHO COULD RELATE TO THAT, MYSELF INCLUDED. 288 00:16:17,600 --> 00:16:20,399 SO EVEN IF OUR NEIGHBOR'S STORY WAS TRUE, 289 00:16:20,400 --> 00:16:24,066 I FIGURE WHATEVER A GROWN WOMAN DOES BEHIND CLOSED DOORS 290 00:16:24,067 --> 00:16:25,900 IS NONE OF ANYONE'S BUSINESS. 291 00:16:29,133 --> 00:16:34,333 THE PROBLEM WAS, SHE HAD DIED BEHIND THAT CLOSED DOOR. 292 00:16:37,833 --> 00:16:39,232 SO AFTER LOOKING FOR INFO 293 00:16:39,233 --> 00:16:41,632 ON THIS FREDDIE WATSON CHARACTER ALL DAY, 294 00:16:41,633 --> 00:16:44,399 IT MADE SENSE TO SWING BACK BY ROSEANN'S APARTMENT 295 00:16:44,400 --> 00:16:47,232 TO SEE WHAT THE FORENSICS TEAM HAD DUG UP. 296 00:16:47,233 --> 00:16:49,566 - HEY, YOU GOT ANYTHING? - THERE'S NO PRINTS. 297 00:16:49,567 --> 00:16:50,766 IF THE GUY TOUCHED ANYTHING, 298 00:16:50,767 --> 00:16:52,399 HE WIPED THE PLACE CLEAN AFTERWARDS. 299 00:16:52,400 --> 00:16:55,299 OKAY, LET'S CALL CLEARY TO START A SEARCH ON FREDDIE WATSON. 300 00:17:05,233 --> 00:17:06,599 HELLO? 301 00:17:06,600 --> 00:17:09,699 Hello. Is Roseann there? 302 00:17:09,700 --> 00:17:11,332 WHO'S CALLING? A friend. 303 00:17:11,333 --> 00:17:13,799 I had heard that she wasn't feeling well. 304 00:17:13,800 --> 00:17:16,266 YOU HEARD SHE WASN'T FEELING WELL. 305 00:17:16,267 --> 00:17:18,899 Is she okay? 306 00:17:18,900 --> 00:17:20,932 SIR, WHAT IS YOUR NAME? 307 00:17:20,933 --> 00:17:23,067 ** 308 00:17:30,367 --> 00:17:33,466 Hello. Is Roseann there? 309 00:17:33,467 --> 00:17:35,099 WHO'S CALLING? A friend. 310 00:17:35,100 --> 00:17:37,566 I had heard that she wasn't feeling well. 311 00:17:37,567 --> 00:17:39,232 YOU HEARD SHE WASN'T FEELING WELL. 312 00:17:39,233 --> 00:17:42,832 Is she okay? 313 00:17:42,833 --> 00:17:45,467 SIR, WHAT IS YOUR NAME? 314 00:17:48,533 --> 00:17:52,599 TELL ME YOUR NAME. 315 00:17:54,800 --> 00:17:56,967 AND THE CALLER HANGS UP. 316 00:17:59,900 --> 00:18:03,266 WITH TODAY'S TECHNOLOGY, WE COULD CALL HIM BACK. 317 00:18:03,267 --> 00:18:05,899 IN 1973, THERE'S NOTHING THEY CAN DO 318 00:18:05,900 --> 00:18:08,466 TO DISCOVER WHO THE CALLER IS. 319 00:18:08,467 --> 00:18:11,066 YOU'RE ALWAYS GONNA BE NOSTALGIC 320 00:18:11,067 --> 00:18:12,266 FOR YOUR 20s. 321 00:18:12,267 --> 00:18:13,832 GOSH, YOU REMEMBER, RIGHT? 322 00:18:13,833 --> 00:18:15,932 YOU'RE YOUNG AND EXCITED. 323 00:18:15,933 --> 00:18:18,566 IT WAS AN AMAZING TIME TO BE IN NEW YORK, 324 00:18:18,567 --> 00:18:21,399 WHETHER YOU WERE DOWNTOWN CATCHING A DULL SET 325 00:18:21,400 --> 00:18:24,132 THAT DIDN'T EVEN START UNTIL AFTER MIDNIGHT 326 00:18:24,133 --> 00:18:27,866 OR KEEPING A BAR STOOL WARM UNTIL CLOSING TIME. 327 00:18:27,867 --> 00:18:30,932 YOU WERE HAVING FUN. 328 00:18:30,933 --> 00:18:35,266 AND THAT'S EXACTLY WHAT ROSEANN WAS DOING THE NIGHT SHE DIED. 329 00:18:35,267 --> 00:18:38,566 AND THE POLICE HOPED THAT THE NIGHT BARTENDER FROM TWEEDS 330 00:18:38,567 --> 00:18:41,166 MIGHT BE ABLE TO FILL IN SOME OF THE DETAILS FOR THEM. 331 00:18:41,167 --> 00:18:43,899 SO, KENNY, WHEN YOU WERE WORKING AT TWEEDS ON MONDAY NIGHT -- 332 00:18:43,900 --> 00:18:45,532 NEW YEAR'S DAY IN THE EVENING -- 333 00:18:45,533 --> 00:18:47,399 DID YOU SEE FREDDIE WATSON AT ANY TIME? 334 00:18:47,400 --> 00:18:49,132 NO. 335 00:18:49,133 --> 00:18:52,266 FREDDIE, NO. HE STANDS OUT IN A CROWD. 336 00:18:52,267 --> 00:18:54,066 NO, I-I DIDN'T SEE HIM. 337 00:18:54,067 --> 00:18:55,799 ACCORDING TO THE NIGHT BARTENDER, 338 00:18:55,800 --> 00:18:58,332 ON JANUARY 1st, FREDDIE WATSON WAS NOT AT THE BAR. 339 00:18:58,333 --> 00:19:00,266 SO IT WAS MUCH LESS LIKELY 340 00:19:00,267 --> 00:19:03,232 THAT HE WAS THE KILLER OF ROSEANN QUINN. 341 00:19:03,233 --> 00:19:04,899 BUT YOU SAW ROSEANN, RIGHT? 342 00:19:04,900 --> 00:19:07,167 SURE. ROSEANN, SHE WAS THERE ALL NIGHT. 343 00:19:13,533 --> 00:19:16,766 WHAT HE REPORTS IS IT WAS A BUSY NIGHT, AS USUAL. 344 00:19:16,767 --> 00:19:19,166 ROSEANN WAS THERE READING AT FIRST 345 00:19:19,167 --> 00:19:20,932 BUT THEN KIND OF ENTERED THE CROWD 346 00:19:20,933 --> 00:19:23,633 AND BEGAN TALKING TO THE PEOPLE SHE KNEW, THE REGULARS. 347 00:19:24,567 --> 00:19:30,367 BUT THERE WERE A COUPLE OF GUYS THAT I DIDN'T RECOGNIZE. 348 00:19:32,300 --> 00:19:34,699 THEY WERE BOTH BLOND HAIR. 349 00:19:34,700 --> 00:19:38,366 ONE WAS A LITTLE OLDER THAN THE OTHER. 350 00:19:38,367 --> 00:19:41,967 HIS GENERAL IMPRESSION WAS THAT THIS MAY BE TWO BROTHERS. 351 00:19:43,767 --> 00:19:47,300 ACCORDING TO THE BARTENDER, THE STRANGERS PART. 352 00:19:53,833 --> 00:19:58,266 AND ONE STAYS TO TALK TO ROSEANN. 353 00:19:58,267 --> 00:20:00,599 WHICH ONE WAS TALKING TO HER? 354 00:20:00,600 --> 00:20:01,899 THE YOUNGER ONE? 355 00:20:01,900 --> 00:20:04,166 I DON'T REALLY REMEMBER THAT MUCH ABOUT THEM. 356 00:20:04,167 --> 00:20:05,400 WE WERE BUSY THAT NIGHT. 357 00:20:06,467 --> 00:20:09,332 TWEEDS WAS THE LAST PLACE THIS GIRL WAS SEEN ALIVE. 358 00:20:09,333 --> 00:20:12,432 NOW, MOST OF YOUR REGULARS WERE THERE THAT NIGHT, RIGHT? 359 00:20:12,433 --> 00:20:14,700 YEAH, SURE. MOST OF THEM WERE THERE. 360 00:20:15,867 --> 00:20:17,366 ALL RIGHT, I'M LOOKING FOR SOME INFORMATION 361 00:20:17,367 --> 00:20:19,366 ON A COUPLE OF GUYS THAT WERE HERE AT THE BAR ON MONDAY NIGHT. 362 00:20:19,367 --> 00:20:20,699 NOW, I DON'T THINK THEY'RE REGULARS, 363 00:20:20,700 --> 00:20:22,399 SO I'M HOPING THAT THEY MIGHT HAVE STUCK OUT TO YOU. 364 00:20:22,400 --> 00:20:23,799 YEAH, I SAW TWO GUYS WITH BLOND HAIR. 365 00:20:23,800 --> 00:20:25,232 I KNOW THEY BOTH HAD BLOND HAIR. 366 00:20:25,233 --> 00:20:27,199 THE YOUNGER ONE HAD DARKER HAIR. 367 00:20:27,200 --> 00:20:29,066 ONE WAS A BIT TALLER THAN THE OTHER ONE. 368 00:20:29,067 --> 00:20:30,466 NEITHER GUY WAS TALLER THAN THE OTHER. 369 00:20:30,467 --> 00:20:32,232 THEY WERE ABOUT THE SAME HEIGHT. 370 00:20:32,233 --> 00:20:34,832 POLICE INTERVIEW PEOPLE AT THE BAR 371 00:20:34,833 --> 00:20:37,699 AND TRY TO DEVELOP A COMPOSITE. 372 00:20:37,700 --> 00:20:40,032 ALL RIGHT, DID YOU HAPPEN TO SEE THE GUY 373 00:20:40,033 --> 00:20:41,299 SPEAKING WITH ROSEANN QUINN? 374 00:20:41,300 --> 00:20:42,599 YEAH, THE OLDER ONE. 375 00:20:42,600 --> 00:20:44,532 BOTH OF THEM WERE TALKING TO MISS QUINN. 376 00:20:44,533 --> 00:20:46,566 - BOTH TALKING TO ROSEANN? - YES. 377 00:20:46,567 --> 00:20:49,199 IT'S NOT A SCIENCE. IT'S AN ART. 378 00:20:49,200 --> 00:20:52,799 BUT OFTEN HELPFUL IN A WAY OF A GENERAL PHYSICAL DESCRIPTION 379 00:20:52,800 --> 00:20:55,532 OF WHAT A POSSIBLE SUSPECT MIGHT LOOK LIKE. 380 00:20:55,533 --> 00:20:57,466 KIND OF HAD A ROUND FACE. 381 00:20:57,467 --> 00:20:59,466 HE HAD, LIKE, A STRONG JAWLINE. 382 00:20:59,467 --> 00:21:02,766 HE HAD BLUE EYES. DIRTY-BLOND HAIR. 383 00:21:02,767 --> 00:21:04,332 I DON'T REALLY KNOW WHAT THEY LOOK LIKE. 384 00:21:04,333 --> 00:21:06,367 OKAY. THANK YOU VERY MUCH. 385 00:21:10,167 --> 00:21:12,432 THE COPS ARE NOT EXTREMELY CONFIDENT 386 00:21:12,433 --> 00:21:13,433 IN THE COMPOSITE. 387 00:21:13,434 --> 00:21:14,867 IT MIGHT AS WELL BE ANYBODY. 388 00:21:20,100 --> 00:21:22,566 BUT NOT ALL OF ROSEANN'S BARROOM FRIENDS 389 00:21:22,567 --> 00:21:24,899 WERE COMFORTABLE SPEAKING TO THE COPS 390 00:21:24,900 --> 00:21:26,466 OUT IN THE OPEN LIKE THAT. 391 00:21:26,467 --> 00:21:28,499 AND THERE WAS ONE GUY IN PARTICULAR 392 00:21:28,500 --> 00:21:30,699 WHO WANTED A MORE PRIVATE CONVERSATION. 393 00:21:30,700 --> 00:21:35,132 I'D SEEN HIM A FEW TIMES AT THE PARK WITH HIS SKETCH PAD, 394 00:21:35,133 --> 00:21:38,666 AND EVERYONE JUST KNEW HIM AS "THE ARTIST." 395 00:21:38,667 --> 00:21:40,366 YOU THE COPS I SPOKE TO? 396 00:21:40,367 --> 00:21:42,066 YEAH, THANKS FOR GIVING US A CALL. 397 00:21:42,067 --> 00:21:43,599 YEAH, WELL... 398 00:21:43,600 --> 00:21:46,066 NORMALLY, I DON'T TALK TO COPS. 399 00:21:46,067 --> 00:21:47,866 BUT... 400 00:21:47,867 --> 00:21:51,199 WHAT THEY DID TO THAT GIRL, THAT WAS REALLY MESSED UP. 401 00:21:51,200 --> 00:21:53,632 WE'RE LOOKING FOR INFORMATION ON A COUPLE OF GUYS 402 00:21:53,633 --> 00:21:55,532 THAT WERE AT TWEEDS ON MONDAY NIGHT. 403 00:21:55,533 --> 00:21:58,332 THEY BOTH HAD BLOND HAIR. 404 00:21:58,333 --> 00:22:00,099 DO YOU REMEMBER TALKING TO THIS GUY? 405 00:22:00,100 --> 00:22:02,833 ** 406 00:22:08,533 --> 00:22:12,732 THE ARTIST SAYS THAT, IN FACT, HE DOES REMEMBER. 407 00:22:12,733 --> 00:22:15,966 THE MAN SAT, AND THEY BEGAN A CONVERSATION. 408 00:22:15,967 --> 00:22:17,932 HIS NAME WAS CHARLIE SMITH. 409 00:22:17,933 --> 00:22:21,266 AND HE WAS FROM OUT OF TOWN, AND HE WAS LOOKING FOR A JOB. 410 00:22:21,267 --> 00:22:23,466 CHARLIE SMITH ASKS HIM WHAT HE DOES, 411 00:22:23,467 --> 00:22:25,132 AND HE SAYS, "I'M AN ARTIST." 412 00:22:25,133 --> 00:22:29,732 SO CHARLIE SMITH SAYS, YOU KNOW, 413 00:22:29,733 --> 00:22:34,600 "WELL, DRAW ME TWO PICTURES, AND I'LL PAY YOU $6 EACH." 414 00:22:36,200 --> 00:22:38,799 WHAT'D YOU DRAW, THEN? 415 00:22:38,800 --> 00:22:41,766 IT WAS... 416 00:22:41,767 --> 00:22:45,066 DONALD DUCK AND MICKEY MOUSE. 417 00:22:45,067 --> 00:22:46,466 ** 418 00:22:46,467 --> 00:22:47,200 WHAT? 419 00:22:47,201 --> 00:22:49,067 CARTOON CHARACTERS. 420 00:22:53,067 --> 00:22:55,266 ROSEANN HAD CHARLIE SMITH'S DRAWINGS 421 00:22:55,267 --> 00:22:56,300 IN HER APARTMENT. 422 00:22:59,267 --> 00:23:01,566 OKAY, THANK YOU VERY MUCH. 423 00:23:01,567 --> 00:23:04,899 AND THAT CERTAINLY PIQUES THEIR INTEREST. 424 00:23:04,900 --> 00:23:09,233 SO THE POLICE HAVE A SUSPECT OR A WITNESS. 425 00:23:11,800 --> 00:23:13,066 IT WAS A REAL LEAD. 426 00:23:13,067 --> 00:23:15,399 BUT LET ME TELL YOU FROM EXPERIENCE 427 00:23:15,400 --> 00:23:17,866 THAT MEN GIVING OUT FAKE NAMES IN BARS 428 00:23:17,867 --> 00:23:19,532 DID NOT START YESTERDAY. 429 00:23:19,533 --> 00:23:22,599 AND BACK IN A TIME BEFORE YOU COULD TRACE DEBIT CARDS 430 00:23:22,600 --> 00:23:23,866 OR TRACK CELLPHONES, 431 00:23:23,867 --> 00:23:26,099 LOCATING A CHARLIE SMITH IN NEW YORK 432 00:23:26,100 --> 00:23:28,132 WAS LIKE TRYING TO FIND A NEEDLE 433 00:23:28,133 --> 00:23:29,899 IN A HAYSTACK OF OTHER NEEDLES. 434 00:23:29,900 --> 00:23:33,766 IN 1973, IT COULD BE IMPOSSIBLY DIFFICULT 435 00:23:33,767 --> 00:23:35,699 TO FIND SOMEONE IN NEW YORK CITY. 436 00:23:35,700 --> 00:23:38,233 OKAY. THANK YOU. 437 00:23:45,067 --> 00:23:48,199 ON FRIDAY, TWO DAYS AFTER THE BODY'S DISCOVERED, 438 00:23:48,200 --> 00:23:50,399 THE STORY FINALLY HITS THE NEWSPAPERS. 439 00:23:50,400 --> 00:23:53,599 MEDIA COVERAGE OF CRIMES OF SEXUAL VIOLENCE 440 00:23:53,600 --> 00:23:57,099 WAS VERY TABLOID. 441 00:23:57,100 --> 00:24:02,266 THERE WAS AN AWFUL LOT OF OPINIONS ABOUT, YOU KNOW, 442 00:24:02,267 --> 00:24:07,699 HER LIFESTYLE, HOW SHE LED IT, WHAT SHE DID. 443 00:24:07,700 --> 00:24:10,399 THE NEW YORK TIMES WROTE THAT, 444 00:24:10,400 --> 00:24:13,866 "THE ESSENTIAL FOCUS OF CONCERN IN THE CASE 445 00:24:13,867 --> 00:24:17,366 IS THE GIRL'S LIFESTYLE. 446 00:24:17,367 --> 00:24:20,866 'IN A SENSE, ' CAPTAIN McMAHON SAID, 447 00:24:20,867 --> 00:24:24,432 'A DEATH LIKE HERS SHOULD BE EXPECTED.'" 448 00:24:24,433 --> 00:24:27,466 EVEN THOUGH A KILLER WAS STILL ON THE LOOSE, 449 00:24:27,467 --> 00:24:31,332 THE STORY WAS ALREADY MORPHING INTO SOME KIND OF MORALITY TALE 450 00:24:31,333 --> 00:24:34,732 ABOUT HOW A SINGLE WOMAN WHO DARES TO HAVE A SEX LIFE 451 00:24:34,733 --> 00:24:38,899 IS REALLY THE ONE TO BLAME WHEN SOME LUNATIC KILLS HER. 452 00:24:38,900 --> 00:24:41,299 I DIDN'T THINK THE PAPERS COULD SINK ANY LOWER 453 00:24:41,300 --> 00:24:44,233 IF THE RATS UNDER THE 6 TRAIN HAD MADE A NEST OUT OF THEM. 454 00:24:45,767 --> 00:24:48,399 LUCKILY, THE POLICE HAD A DIFFERENT POINT OF VIEW 455 00:24:48,400 --> 00:24:49,832 THAN I DID ABOUT THE PRESS, 456 00:24:49,833 --> 00:24:51,766 BECAUSE THEY KNEW THAT THE PAPERS 457 00:24:51,767 --> 00:24:55,099 COULD ALSO BE A TOOL IN THEIR INVESTIGATION. 458 00:24:55,100 --> 00:25:00,066 AND AS GENERIC AS THAT SKETCH OF CHARLIE SMITH MAY HAVE BEEN, 459 00:25:00,067 --> 00:25:03,199 ALL IT WOULD TAKE TO CHANGE EVERYTHING 460 00:25:03,200 --> 00:25:06,566 WOULD BE FOR ONE PERSON, THE RIGHT PERSON, 461 00:25:06,567 --> 00:25:08,566 TO STUMBLE UPON IT. 462 00:25:08,567 --> 00:25:10,799 SIX DAYS AFTER THE BODY IS DISCOVERED, 463 00:25:10,800 --> 00:25:11,966 THEY RELEASE THE SKETCH, 464 00:25:11,967 --> 00:25:14,366 AND IT'S IN THE NEWSPAPERS SUNDAY MORNING. 465 00:25:14,367 --> 00:25:16,767 ** 466 00:25:26,833 --> 00:25:29,166 THE RELEASE OF THE SKETCH 467 00:25:29,167 --> 00:25:32,599 RESULTS IN EXACTLY WHAT THE POLICE WERE HOPING IT WOULD. 468 00:25:32,600 --> 00:25:34,933 ** 469 00:25:42,067 --> 00:25:45,067 WHAT CAN YOU TELL US ABOUT THE MURDER OF ROSEANN QUINN? 470 00:25:56,500 --> 00:25:59,732 LOOKING BACK ON IT NOW, I UNDERSTAND WHY, 471 00:25:59,733 --> 00:26:02,199 BUT AT THE TIME, ALL I COULD THINK WAS, 472 00:26:02,200 --> 00:26:05,366 "IT'S BEEN ALMOST A WEEK SINCE THEY FOUND ROSEANN. 473 00:26:05,367 --> 00:26:07,099 WHY ISN'T ANYTHING HAPPENING 474 00:26:07,100 --> 00:26:09,332 EXCEPT FOR SOME GENERIC SKETCH?" 475 00:26:09,333 --> 00:26:12,832 BUT IF THE PAPERS HAD REPORTED THAT SOME MYSTERY MAN 476 00:26:12,833 --> 00:26:16,066 HAD ARRANGED A SECRET MEETING WITH THE POLICE, 477 00:26:16,067 --> 00:26:19,366 WELL, THEN IT WOULDN'T BE VERY SECRET, WOULD IT? 478 00:26:20,833 --> 00:26:24,466 HE TELLS DETECTIVES THAT HIS NAME IS GEARY GUEST. 479 00:26:24,467 --> 00:26:28,067 AND THAT HE KNEW A GREAT DEAL ABOUT ROSEANN QUINN'S MURDER. 480 00:26:32,067 --> 00:26:35,532 SO, MR. GUEST, WHAT CAN YOU TELL US 481 00:26:35,533 --> 00:26:37,467 ABOUT THE MURDER OF ROSEANN QUINN? 482 00:26:43,067 --> 00:26:45,466 WELL, I WAS AT TWEEDS A WEEK AGO, 483 00:26:45,467 --> 00:26:47,433 LAST MONDAY NIGHT, WITH A FRIEND. 484 00:26:50,067 --> 00:26:51,632 * TO THE OCEAN * 485 00:26:51,633 --> 00:26:55,699 ONE MORE PICK. IT'S GOT TO BE JOHN LEE HOOKER. 486 00:26:55,700 --> 00:26:58,332 MR. GUEST SAYS THAT HE AND A FRIEND 487 00:26:58,333 --> 00:27:01,532 WHO WAS STAYING AT HIS APARTMENT NOT FAR FROM 72nd STREET 488 00:27:01,533 --> 00:27:02,932 DECIDED TO GO TO TWEEDS, 489 00:27:02,933 --> 00:27:05,367 ALTHOUGH IT WAS NOT A PLACE EITHER OF THEM WERE KNOWN. 490 00:27:07,167 --> 00:27:09,199 THEY HAD A DRINK, 491 00:27:09,200 --> 00:27:12,600 AND GEARY DECIDED TO GO HOME AND LEFT HIS FRIEND BEHIND. 492 00:27:16,067 --> 00:27:19,932 NOW, THIS FRIEND OF YOURS, WAS HIS NAME CHARLIE SMITH? 493 00:27:19,933 --> 00:27:23,399 WHO DID HE TELL THAT NAME TO? 494 00:27:23,400 --> 00:27:25,600 SO WHAT'S YOUR PAL'S REAL NAME? 495 00:27:34,067 --> 00:27:36,866 JOHN WAYNE WILSON. 496 00:27:36,867 --> 00:27:39,132 HE'S 23 YEARS OLD. 497 00:27:39,133 --> 00:27:40,933 HE'S FROM INDIANA. 498 00:27:43,100 --> 00:27:46,566 HE HAD KIND OF A ROUGH CHILDHOOD. 499 00:27:46,567 --> 00:27:48,666 HE NEVER FINISHED HIGH SCHOOL. 500 00:27:48,667 --> 00:27:51,433 HE JUST PICKED UP AND HITCHED TO NEW YORK. 501 00:27:52,967 --> 00:27:57,399 YOU LOOK GOOD, JOHN. 502 00:27:57,400 --> 00:28:00,899 IT'S HARD TO GET WORK WITHOUT A DEGREE. 503 00:28:00,900 --> 00:28:04,666 AT LEAST MAKING THE KIND OF MONEY THAT HE NEEDED. 504 00:28:04,667 --> 00:28:06,067 SO... 505 00:28:09,600 --> 00:28:11,167 ...HE HUSTLED. 506 00:28:14,400 --> 00:28:16,499 ** 507 00:28:16,500 --> 00:28:19,666 JOHN WAYNE AND GEARY MEET IN 1970. 508 00:28:19,667 --> 00:28:22,899 CLASSIC "I'M ON THE STREET, AND HE SMILES AT ME, 509 00:28:22,900 --> 00:28:26,633 AND I SMILE AT HIM, AND THE NEXT THING, WE'RE MAKING A CONTACT." 510 00:28:31,600 --> 00:28:33,900 THEY GO HOME TOGETHER THAT NIGHT. 511 00:28:39,967 --> 00:28:43,367 SO, YOU TWO HAD A "MIDNIGHT COWBOY" KIND OF RELATIONSHIP? 512 00:28:48,400 --> 00:28:51,266 SEE, I WAS ALWAYS A RUNNER. 513 00:28:51,267 --> 00:28:54,133 PROBABLY NOT HARD TO BELIEVE, I IMAGINE. 514 00:28:55,833 --> 00:29:00,432 GEARY FALLS IN LOVE WITH JOHN WAYNE. 515 00:29:00,433 --> 00:29:02,699 FOR JOHN WAYNE WILSON, 516 00:29:02,700 --> 00:29:06,400 HE'S DEPENDENT ON GEARY FOR FINANCIAL SUPPORT. 517 00:29:08,067 --> 00:29:09,432 YOU KNOW WHAT? 518 00:29:09,433 --> 00:29:11,232 YOU'RE CUTE. 519 00:29:11,233 --> 00:29:15,199 THE WAY I SEE IT, ALL RELATIONSHIPS ARE COMPLICATED, 520 00:29:15,200 --> 00:29:17,366 AND THEIRS WAS NO EXCEPTION. 521 00:29:17,367 --> 00:29:20,166 SO EVEN THOUGH JOHN WAYNE HAD SEX WITH MEN FOR MONEY... 522 00:29:20,167 --> 00:29:21,432 I'LL SEE YOU SOON, OKAY? 523 00:29:21,433 --> 00:29:24,499 ...HE ALSO HAD A YOUNG WIFE DOWN IN FLORIDA. 524 00:29:24,500 --> 00:29:26,532 BUT GEARY STILL CARED FOR JOHN 525 00:29:26,533 --> 00:29:29,366 AND WAS HAPPY TO SHARE HIS HOME WITH HIM 526 00:29:29,367 --> 00:29:32,067 IN EXCHANGE FOR A LITTLE COMPANIONSHIP. 527 00:29:33,133 --> 00:29:35,599 L-LET'S GET BACK TO MONDAY NIGHT. 528 00:29:35,600 --> 00:29:37,099 YOU LEFT THE BAR. 529 00:29:37,100 --> 00:29:38,732 WHAT HAPPENED NEXT? 530 00:29:38,733 --> 00:29:41,599 I LEFT JOHN AT THE BAR, AND I WENT HOME. 531 00:29:41,600 --> 00:29:47,333 HE WENT TO SLEEP, AND HE SAYS THAT HE WAKES UP LATER... 532 00:29:51,533 --> 00:29:54,967 ...AND JOHN WAYNE WILSON IS SITTING ON THE COUCH. 533 00:29:59,833 --> 00:30:02,367 REMEMBER THAT GIRL FROM THE BAR LAST NIGHT? 534 00:30:06,433 --> 00:30:08,233 I KILLED HER. 535 00:30:10,733 --> 00:30:14,700 MR. GUEST DESCRIBED HIMSELF AS BEING IN TOTAL DISBELIEF. 536 00:30:16,900 --> 00:30:18,666 HE SAID THE NEXT DAY, 537 00:30:18,667 --> 00:30:20,966 HE WENT DOWNSTAIRS AND BOUGHT THE NEWSPAPERS, 538 00:30:20,967 --> 00:30:23,900 COULDN'T FIND ANY REPORT OF ANY HOMICIDES. 539 00:30:25,633 --> 00:30:28,632 ONE OF THE THINGS THAT MR. GUEST DECIDES TO DO 540 00:30:28,633 --> 00:30:33,299 TO TRY TO DETERMINE IF WILSON IS MAKING THIS STORY UP OR NOT... 541 00:30:35,933 --> 00:30:37,932 Hello? 542 00:30:37,933 --> 00:30:40,699 HELLO. IS ROSEANN THERE? 543 00:30:40,700 --> 00:30:43,132 WHO'S CALLING? 544 00:30:43,133 --> 00:30:45,066 ...IS TO CALL ROSEANN QUINN. 545 00:30:45,067 --> 00:30:46,067 IS SHE OKAY? 546 00:30:46,068 --> 00:30:48,766 I HAD HEARD SHE WASN'T FEELING WELL. 547 00:30:48,767 --> 00:30:50,499 YOU HEARD SHE WASN'T FEELING WELL. 548 00:30:50,500 --> 00:30:53,800 Sir, what is your name? 549 00:30:55,833 --> 00:30:58,700 TELL ME YOUR NAME. 550 00:31:02,533 --> 00:31:05,932 SO HE IS ACTUALLY THE PERSON WHO PHONED THE APARTMENT 551 00:31:05,933 --> 00:31:08,832 THE DAY THE DETECTIVES ANSWERED. 552 00:31:08,833 --> 00:31:10,532 SO WHY DIDN'T YOU GO TO THE POLICE? 553 00:31:10,533 --> 00:31:12,466 BECAUSE BY MY COUNT, IT TOOK YOU SIX DAYS 554 00:31:12,467 --> 00:31:14,466 TO MAKE UP YOUR MIND TO DO THE RIGHT THING. 555 00:31:14,467 --> 00:31:17,067 HE NEVER HURT ANYONE BEFORE THAT I KNOW. 556 00:31:24,900 --> 00:31:27,266 THAT SKETCH LOOKS LIKE ME. 557 00:31:27,267 --> 00:31:29,800 ** 558 00:31:44,500 --> 00:31:47,866 IT WAS ALMOST A WEEK AFTER THE BODY IS DISCOVERED 559 00:31:47,867 --> 00:31:49,666 THAT HE DECIDED TO CONTACT THEM 560 00:31:49,667 --> 00:31:53,466 BECAUSE THE COMPOSITE WAS, IN FACT, OF GEARY, NOT WILSON. 561 00:31:53,467 --> 00:31:55,132 I DON'T WANT ANYONE THINKING 562 00:31:55,133 --> 00:31:57,932 THAT I HAD ANYTHING TO DO WITH THAT GIRL'S MURDER. 563 00:31:59,167 --> 00:32:02,066 THIS DOESN'T MAKE ANY SENSE TO THE POLICE, 564 00:32:02,067 --> 00:32:03,499 SO THEY'RE SUSPICIOUS. 565 00:32:03,500 --> 00:32:06,232 SO, WHERE'S WILSON NOW? 566 00:32:06,233 --> 00:32:08,066 HE LEFT TOWN. 567 00:32:08,067 --> 00:32:09,667 YOU GUYS IN TOUCH AT ALL? 568 00:32:12,633 --> 00:32:14,233 HE CALLS SOMETIMES. 569 00:32:16,500 --> 00:32:19,066 GUEST ALSO SAID THAT NIGHT 570 00:32:19,067 --> 00:32:24,399 THAT HE THOUGHT THAT MR. WILSON HAD TRAVELED TO INDIANAPOLIS, 571 00:32:24,400 --> 00:32:26,300 WHICH WAS WHERE HIS BROTHER LIVED. 572 00:32:27,900 --> 00:32:31,232 SO, THE DETECTIVES CAUGHT THE FIRST FLIGHT THE NEXT MORNING 573 00:32:31,233 --> 00:32:32,300 TO INDIANAPOLIS. 574 00:32:33,400 --> 00:32:36,466 BUT WHEN WILSON CAME TO THE DOOR AT HIS BROTHER'S HOUSE, 575 00:32:36,467 --> 00:32:39,699 HE DIDN'T SEEM TO THEM LIKE A PERSON WITH SOMETHING TO HIDE. 576 00:32:39,700 --> 00:32:41,899 IN FACT, HE SAID IT WAS NO TROUBLE AT ALL 577 00:32:41,900 --> 00:32:44,067 TO SPEAK WITH THEM DOWN AT THE STATION. 578 00:32:45,833 --> 00:32:49,866 AND ALL THEY HAD AGAINST HIM WERE SOME CRUMPLED CARTOONS 579 00:32:49,867 --> 00:32:52,066 AND THE WORD OF HIS ABANDONED LOVER. 580 00:32:52,067 --> 00:32:53,799 I'M NOT TOO ANXIOUS TO SEE 581 00:32:53,800 --> 00:32:56,899 HOW THE D.A. LIKES A "HE SAID, HE SAID" CASE. 582 00:32:56,900 --> 00:32:59,232 DO YOU BELIEVE WHAT GUEST SAID? 583 00:32:59,233 --> 00:33:01,899 DO YOU THINK THIS COULD BE A SETUP? 584 00:33:01,900 --> 00:33:03,767 I DON'T KNOW. 585 00:33:06,333 --> 00:33:08,332 YOU BEEN TO NEW YORK RECENTLY, JOHN? 586 00:33:08,333 --> 00:33:09,966 SAY, JANUARY 1st? 587 00:33:09,967 --> 00:33:11,232 NO. NOT SO MUCH. 588 00:33:11,233 --> 00:33:13,932 I'VE BEEN UP AND DOWN FROM FLORIDA, ACTUALLY. 589 00:33:13,933 --> 00:33:16,366 MY OLD LADY, SHE LIVES DOWN THERE. 590 00:33:16,367 --> 00:33:19,132 YOU WEREN'T AT A BAR CALLED TWEEDS? 591 00:33:19,133 --> 00:33:20,566 NO, SIR, I WASN'T. 592 00:33:20,567 --> 00:33:23,866 YOU NEVER MET A GIRL NAMED ROSEANN QUINN? 593 00:33:23,867 --> 00:33:26,067 NOT TO MY KNOWLEDGE, DETECTIVE. 594 00:33:27,067 --> 00:33:29,266 YOUR FRIEND GEARY GUEST SAYS OTHERWISE. 595 00:33:29,267 --> 00:33:31,667 ** 596 00:33:37,500 --> 00:33:39,866 GEARY'S A GOOD GUY. 597 00:33:39,867 --> 00:33:41,666 YOUR FRIEND GAVE YOU UP, JOHN. 598 00:33:41,667 --> 00:33:44,200 GUEST SAYS YOU MURDERED MISS QUINN. 599 00:33:55,967 --> 00:33:57,700 I KILLED HER. 600 00:34:00,267 --> 00:34:03,900 AND THAT WAS ALL IT TOOK FOR HIM TO CONFESS. 601 00:34:05,200 --> 00:34:07,832 GEARY MIGHT HAVE BEEN THE PERSON WHO CARED FOR 602 00:34:07,833 --> 00:34:09,933 AND SUPPORTED JOHN WAYNE THE MOST. 603 00:34:11,833 --> 00:34:13,532 AND WHEN GEARY GAVE HIM UP, 604 00:34:13,533 --> 00:34:17,632 I GUESS JOHN REALIZED THERE WAS NOTHING LEFT TO FIGHT FOR. 605 00:34:17,633 --> 00:34:19,467 WHAT HAPPENED, JOHN? 606 00:34:23,100 --> 00:34:25,567 ** 607 00:34:34,300 --> 00:34:37,100 SHE INVITED HIM BACK TO HER APARTMENT. 608 00:34:39,333 --> 00:34:42,099 AND HE WENT BACK WITH HER. 609 00:34:44,800 --> 00:34:46,332 WHAT? 610 00:34:46,333 --> 00:34:48,666 NOTHING. 611 00:34:48,667 --> 00:34:50,400 YOU'RE CUTE. 612 00:34:56,300 --> 00:34:59,200 BUT THAT WAS NOT THE END OF THE MYSTERY. 613 00:35:01,200 --> 00:35:04,066 WHAT JOHN WAYNE WOULD TELL THE POLICE THAT DAY 614 00:35:04,067 --> 00:35:06,732 ABOUT WHAT HAPPENED BEHIND HER CLOSED DOOR 615 00:35:06,733 --> 00:35:10,099 WOULD RAISE QUESTIONS THAT LINGER TO THIS DAY. 616 00:35:10,100 --> 00:35:12,333 ** 617 00:35:18,667 --> 00:35:21,866 ROSEANN QUINN WAS A TEACHER 618 00:35:21,867 --> 00:35:24,266 WHO DEVOTED HER LIFE TO DEAF CHILDREN 619 00:35:24,267 --> 00:35:26,499 AND WAS MURDERED IN HER APARTMENT. 620 00:35:26,500 --> 00:35:29,799 WHEN YOU THINK ABOUT IT, THOSE ARE THE FACTS, YOU KNOW? 621 00:35:29,800 --> 00:35:32,732 THAT'S WHAT WE KNOW ABOUT HER. 622 00:35:32,733 --> 00:35:36,632 I REMEMBER HER AS SWEET AND A LITTLE TIMID. 623 00:35:36,633 --> 00:35:38,132 BUT MEMORIES ARE TRICKY. 624 00:35:38,133 --> 00:35:40,899 THEY'RE LITTLE FRAGMENTS THAT WE PUT TOGETHER 625 00:35:40,900 --> 00:35:43,167 INTO OUR OWN STORY ABOUT A PERSON. 626 00:35:46,067 --> 00:35:50,066 AND MAYBE NO ONE PERSON COLORED HOW PEOPLE THINK ABOUT ROSEANN 627 00:35:50,067 --> 00:35:52,399 MORE THAN JOHN WAYNE WILSON 628 00:35:52,400 --> 00:35:54,832 WHEN HE TOLD THE POLICE HIS STORY 629 00:35:54,833 --> 00:35:57,966 ABOUT WHAT HAPPENED WHEN THEY LEFT TWEEDS BAR, 630 00:35:57,967 --> 00:36:01,366 WALKED ACROSS THE STREET... 631 00:36:01,367 --> 00:36:03,333 AND WENT INTO HER APARTMENT. 632 00:36:07,633 --> 00:36:09,232 JUST ONE SECOND, OKAY? 633 00:36:09,233 --> 00:36:12,232 I JUST NEED TO CLEAR MY MIND REAL QUICK, YOU KNOW? 634 00:36:12,233 --> 00:36:17,432 JOHN WAYNE WILSON STATED HE COULDN'T PERFORM SEXUALLY. 635 00:36:17,433 --> 00:36:20,067 SHE WOULDN'T LAY OFF ME. 636 00:36:32,933 --> 00:36:35,966 WHY'D YOU COME UP HERE? 637 00:36:38,700 --> 00:36:41,167 WHAT'S THE MATTER? CAN'T YOU DO IT? 638 00:36:44,200 --> 00:36:46,066 DON'T -- DON'T -- DON'T PUSH ME. 639 00:36:46,067 --> 00:36:47,067 WHAT? 640 00:36:47,068 --> 00:36:49,766 YOU DON'T LIKE IT WHEN I DO THAT? 641 00:36:49,767 --> 00:36:51,233 COME ON. WHAT ARE YOU GONNA DO? 642 00:36:52,233 --> 00:36:54,133 SHE KEPT BITCHING. 643 00:36:55,900 --> 00:37:01,299 HE TELLS POLICE THAT ROSEANN SNEERED AT HIM, INSULTED HIM. 644 00:37:01,300 --> 00:37:02,832 SHE RIDICULED HIM. 645 00:37:02,833 --> 00:37:04,466 I DON'T THINK THIS IS A GOOD IDEA. 646 00:37:04,467 --> 00:37:06,066 YOU GONNA SHOW ME WHAT A MAN YOU ARE? 647 00:37:06,067 --> 00:37:07,132 PLEASE. COME ON. 648 00:37:07,133 --> 00:37:09,466 DON'T TOUCH ME, ALL RIGHT? WHAT ARE YOU GONNA DO? 649 00:37:09,467 --> 00:37:12,132 I TOLD YOU JUST TO BE QUIET. SHOW ME WHAT A MAN YOU ARE! 650 00:37:12,133 --> 00:37:14,066 COME ON! JUST BE QUIET FOR ONE SECOND! 651 00:37:14,067 --> 00:37:15,899 COME ON! COME ON! JUST -- JUST -- 652 00:37:15,900 --> 00:37:18,867 BE A MAN! COME ON! COME ON! 653 00:37:20,200 --> 00:37:22,067 SHE WOULDN'T SHUT UP. 654 00:37:24,300 --> 00:37:25,699 COME ON! 655 00:37:58,067 --> 00:37:59,600 SO... 656 00:38:02,833 --> 00:38:05,232 ...I CLEANED UP... 657 00:38:05,233 --> 00:38:07,932 AND LEFT HER THERE. 658 00:38:07,933 --> 00:38:10,899 "SHE TAUNTED ME. SHE PROVOKED ME. 659 00:38:10,900 --> 00:38:12,632 SHE PUSHED ME TOO FAR." 660 00:38:12,633 --> 00:38:15,766 JOHN WAYNE WILSON DID EVERYTHING HE COULD 661 00:38:15,767 --> 00:38:19,299 TO SUGGEST THAT ROSEANN WAS ULTIMATELY TO BLAME. 662 00:38:19,300 --> 00:38:21,099 AND WHEN YOU COMBINE HIS STORY 663 00:38:21,100 --> 00:38:23,866 WITH THE RUMORS SPREAD BY ROSEANN'S NEIGHBOR, 664 00:38:23,867 --> 00:38:27,066 YOU GET A CHARACTER THAT LOOKS SOMETHING LIKE THE ONE 665 00:38:27,067 --> 00:38:28,799 IN "LOOKING FOR MR. GOODBAR." 666 00:38:28,800 --> 00:38:30,199 BUT WHAT I READ LATER 667 00:38:30,200 --> 00:38:33,099 ABOUT ALL THE THINGS HE SAID TO THE POLICE THAT DAY, 668 00:38:33,100 --> 00:38:36,232 WELL, SOME OF IT REALLY GOT ME THINKING. 669 00:38:36,233 --> 00:38:38,932 DO YOU HAVE ANY KIDS? 670 00:38:38,933 --> 00:38:40,066 YEAH, I GOT KIDS. 671 00:38:40,067 --> 00:38:42,166 SO THEN YOU KNOW HOW HARD IT IS, RIGHT? 672 00:38:42,167 --> 00:38:45,332 WHEN MY WIFE WAS PREGNANT, THERE WAS A LOT OF PRESSURE, 673 00:38:45,333 --> 00:38:48,166 AND I WASN'T PREPARED. 674 00:38:48,167 --> 00:38:52,899 SO I TRIED TO GET OUT -- HUSTLING. 675 00:38:52,900 --> 00:38:54,899 YOU KNOW? 676 00:38:54,900 --> 00:38:56,932 JUST A RéSUMé? 677 00:38:56,933 --> 00:38:58,799 HE'S UNEMPLOYABLE. 678 00:38:58,800 --> 00:39:00,832 HE HAS NO RECORD OF EMPLOYMENT. 679 00:39:00,833 --> 00:39:05,467 AND HE HAS NO SKILL OTHER THAN SEX. 680 00:39:07,667 --> 00:39:11,199 IF YOU WERE TO ASK ME, AND NOBODY DID, 681 00:39:11,200 --> 00:39:14,633 I THINK THERE'S ANOTHER WAY THINGS MIGHT HAVE HAPPENED. 682 00:39:17,233 --> 00:39:18,499 THIS DOESN'T NORMALLY HAPPEN TO ME. 683 00:39:18,500 --> 00:39:20,899 IT'S OKAY. 684 00:39:20,900 --> 00:39:22,166 IT'S MY FAULT. 685 00:39:22,167 --> 00:39:23,666 NO, NO, IT'S NOT YOUR FAULT. 686 00:39:23,667 --> 00:39:25,366 NO, IT IS. IT'S OKAY. 687 00:39:25,367 --> 00:39:28,066 WELL, THE ROSEANN I KNEW 688 00:39:28,067 --> 00:39:31,699 SEEMED LIKE SHE MIGHT TAKE REJECTION PRETTY HARD. 689 00:39:31,700 --> 00:39:34,432 THE FACT THAT HE COULDN'T GET AN ERECTION 690 00:39:34,433 --> 00:39:36,466 WAS JUST CONFIRMING HER WORST FEAR, 691 00:39:36,467 --> 00:39:38,966 WHICH WAS THAT SHE WAS NOT SEXUALLY DESIRABLE. 692 00:39:38,967 --> 00:39:42,632 WILSON COULDN'T SUPPORT HIS WIFE AND UNBORN CHILD. 693 00:39:42,633 --> 00:39:45,299 THE ONLY THING HE EVER EXCELLED AT 694 00:39:45,300 --> 00:39:47,466 WAS HAVING SEX WITH STRANGERS, 695 00:39:47,467 --> 00:39:50,800 AND NOW HE HAD FAILED AT THAT, TOO. 696 00:39:54,333 --> 00:39:59,132 AND MAYBE SOMETHING INSIDE HIM JUST SNAPPED. 697 00:40:17,433 --> 00:40:18,666 AND ON TOP OF THAT, 698 00:40:18,667 --> 00:40:21,166 THE EVIDENCE THEY FOUND AT THE CRIME SCENE 699 00:40:21,167 --> 00:40:24,232 CHALLENGED WILSON'S STORY, AS WELL. 700 00:40:24,233 --> 00:40:27,832 JOHN WAYNE WILSON SAID HE COULDN'T EVEN GET IT UP. 701 00:40:27,833 --> 00:40:30,466 BUT THERE WAS SEMINAL FLUID 702 00:40:30,467 --> 00:40:32,433 IN THE BODY OF ROSEANN QUINN. 703 00:40:33,933 --> 00:40:36,799 SO, WILSON WAS LYING 704 00:40:36,800 --> 00:40:40,032 WHEN HE SAID HE'D NEVER HAD SEX WITH ROSEANN. 705 00:40:40,033 --> 00:40:43,132 WHY WAS HE WILLING TO ADMIT THAT HE HAD KILLED HER 706 00:40:43,133 --> 00:40:46,433 BUT TRYING TO HIDE THE FACT THAT HE'D SLEPT WITH HER? 707 00:40:52,700 --> 00:40:56,867 PERHAPS AFTER HER DEATH, HE SEXUALLY ASSAULTED HER. 708 00:40:59,333 --> 00:41:02,366 REMEMBER THAT SHE WAS FOUND 709 00:41:02,367 --> 00:41:04,400 WITH A BROOM IN HER VAGINA. 710 00:41:08,333 --> 00:41:11,732 THERE'S NOTHING THAT COULD JUSTIFY 711 00:41:11,733 --> 00:41:15,200 WHAT ROSEANN QUINN WAS SUBJECTED TO IN HER HOME. 712 00:41:22,800 --> 00:41:27,199 "LOOKING FOR MR. GOODBAR" WAS A WORK OF FICTION, 713 00:41:27,200 --> 00:41:30,232 BUT IT WAS THE STORY IN THOSE PAGES THAT STUCK. 714 00:41:30,233 --> 00:41:34,966 THE BAD-GIRL STORY IS PERHAPS MORE TITILLATING. 715 00:41:34,967 --> 00:41:38,332 ROSEANN BECAME KNOWN AS A GIRL WHO HUNG OUT AT BARS 716 00:41:38,333 --> 00:41:40,066 LOOKING TO BRING MEN HOME, 717 00:41:40,067 --> 00:41:43,366 WHO LIKED SEX AND WAS AGGRESSIVE ABOUT GETTING IT. 718 00:41:43,367 --> 00:41:48,232 IN 1973, THERE'S NO DOUBT THAT PEOPLE WOULD SAY, 719 00:41:48,233 --> 00:41:50,066 "WELL, WHAT THE HELL WAS SHE DOING? 720 00:41:50,067 --> 00:41:51,332 SHE ASKED FOR IT." 721 00:41:51,333 --> 00:41:54,566 THE WORLD TURNED HER INTO A CAUTIONARY TALE 722 00:41:54,567 --> 00:41:57,666 IN THE GRAND TRADITION OF FICTIONAL WOMEN 723 00:41:57,667 --> 00:42:00,566 WHO NEED TO BE PUNISHED FOR TAKING THEIR CLOTHES OFF. 724 00:42:02,100 --> 00:42:04,466 BUT ROSEANN WAS A REAL PERSON, 725 00:42:04,467 --> 00:42:08,432 AND THERE WAS NO MORAL TO BE TAKEN FROM HER DEATH. 726 00:42:08,433 --> 00:42:12,099 ONE THING WE KNOW FOR CERTAIN IS THAT THIS IS NOT THE NIGHT 727 00:42:12,100 --> 00:42:15,232 NOR THE WAY ROSEANN QUINN WANTED TO END HER LIFE. 728 00:42:15,233 --> 00:42:19,699 WHAT KIND OF SEX SHE LIKED IS IRRELEVANT. 729 00:42:19,700 --> 00:42:21,632 THE WOMAN WAS MURDERED. 730 00:42:21,633 --> 00:42:25,932 SO IF YOU'RE GONNA TELL ME YOU THINK SHE ASKED FOR IT, 731 00:42:25,933 --> 00:42:30,299 THAT'S GONNA TELL ME MORE ABOUT YOU THAN IT IS ABOUT ROSEANN. 732 00:42:30,300 --> 00:42:35,499 I THINK PEOPLE WERE TERRIFIED BY WHAT HAPPENED TO ROSEANN. 733 00:42:35,500 --> 00:42:37,233 I KNOW I WAS. 734 00:42:39,067 --> 00:42:42,666 SO THEY WANTED TO BELIEVE THAT SHE WAS A RISK-TAKER, 735 00:42:42,667 --> 00:42:45,399 BECAUSE IF SHE BROUGHT IT ON HERSELF, 736 00:42:45,400 --> 00:42:50,166 THEN IT'S A SIMPLE THING TO AVOID HER MISTAKES. 737 00:42:50,167 --> 00:42:51,966 AND YOU CAN REST EASY AT NIGHT, 738 00:42:51,967 --> 00:42:55,499 KNOWING THAT, UNLIKE HER, YOU'LL BE SAFE. 739 00:42:55,500 --> 00:42:57,267 RIGHT? 740 00:43:02,467 --> 00:43:08,066 * IF I'LL GO TO CHURCH ON SUNDAY * 741 00:43:08,067 --> 00:43:13,799 * SING THE SHIMMY DOWN ON MONDAY * 742 00:43:13,800 --> 00:43:20,299 * AIN'T NOBODY'S BUSINESS IF I DO * 743 00:43:20,300 --> 00:43:27,099 * IF I DO * 744 00:43:27,100 --> 00:43:29,900 ** 55314

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