Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,133 --> 00:00:06,532
THE SOUTH IS FULL OF
LEGENDS OF THE EVILS
2
00:00:06,533 --> 00:00:10,732
THAT LURK AT TWILIGHT
ON THE BACK ROADS:
3
00:00:10,733 --> 00:00:16,232
SPOOKS AND SPECTERS
THAT HAUNT THE HALLOWS,
4
00:00:16,233 --> 00:00:20,766
BLACK CATS
WHO STEAL YOUR BREATH,
5
00:00:20,767 --> 00:00:23,532
AND THE DEMON WHO HIDES
IN THE HONEYSUCKLE LOOKIN'
6
00:00:23,533 --> 00:00:25,400
TO STEAL YOUR SOUL.
7
00:00:30,600 --> 00:00:31,899
BUT AS A YOUNG GIRL,
8
00:00:31,900 --> 00:00:36,732
I LEARNED THAT
WHAT WE TRULY NEED TO FEAR
9
00:00:36,733 --> 00:00:39,133
ARE NOT THE MONSTERS
FROM THE MOONLIT WOODS...
10
00:00:42,633 --> 00:00:45,767
BUT THE DEVIL
WHO LIVES NEXT DOOR.
11
00:01:04,300 --> 00:01:08,366
GAFFNEY, SOUTH CAROLINA,
WAS KIND OF A SMALL TOWN
12
00:01:08,367 --> 00:01:10,766
WHERE EVERYBODY KNEW EVERYBODY,
13
00:01:10,767 --> 00:01:13,899
IF NOT BY NAME, THEN BY SIGHT.
14
00:01:13,900 --> 00:01:17,899
OF COURSE IN 1968,
15
00:01:17,900 --> 00:01:19,699
WE WERE HAUNTED
BY THE SAME TROUBLES
16
00:01:19,700 --> 00:01:23,099
AS ANYWHERE ELSE SOUTH
OF THE MASON-DIXON LINE.
17
00:01:23,100 --> 00:01:25,499
AND I CAN'T SAY IT WAS EASY.
18
00:01:25,500 --> 00:01:28,632
SOUTH CAROLINA, GEORGIA,
THE WHOLE BIBLE BELT:
19
00:01:28,633 --> 00:01:32,232
THE INTEGRATION ARGUMENT
WAS HAPPENING.
20
00:01:32,233 --> 00:01:34,532
GAFFNEY SCHOOLS WERE JUST
GOIN' THROUGH
21
00:01:34,533 --> 00:01:37,632
INTEGRATION FOR THE FIRST TIME.
22
00:01:37,633 --> 00:01:40,499
I WAITED IN LINE FOR 4 HOURS
THAT MORNIN'
23
00:01:40,500 --> 00:01:42,266
TO REGISTER FOR SCHOOL.
24
00:01:42,267 --> 00:01:46,166
FOUR HOURS
ON THOSE TOWN HALL STEPS,
25
00:01:46,167 --> 00:01:49,799
WHICH IS
WHY I REMEMBER SO CLEARLY...
26
00:01:49,800 --> 00:01:52,199
HEY, BILL.
WHEN MR. BILL GIBBONS,
27
00:01:52,200 --> 00:01:54,899
WHO EDITED THE PAPER, ARRIVED.
28
00:01:54,900 --> 00:01:57,499
I ASSUMED HE WAS THERE
TO WRITE ABOUT US,
29
00:01:57,500 --> 00:02:00,066
BUT I WAS DEAD WRONG.
HEY, BILL.
30
00:02:00,067 --> 00:02:02,732
BILL GIBBONS DIDN'T HAVE
A STORY TO WRITE.
31
00:02:02,733 --> 00:02:08,599
HE HAD A STORY TO TELL.
32
00:02:08,600 --> 00:02:11,699
BILL GIBBONS WAS THE EDITOR
OF THE GAFFNEY LEDGER.
33
00:02:11,700 --> 00:02:12,932
BILL'S IMMEDIATE DUTIES
34
00:02:12,933 --> 00:02:15,066
WERE NOT TO HANG OUT
AT THE SHERIFF'S OFFICE,
35
00:02:15,067 --> 00:02:17,699
BUT HE WAS NO STRANGER TO 'EM.
36
00:02:17,700 --> 00:02:19,366
SHERIFF...
37
00:02:19,367 --> 00:02:20,632
HEY, BILL, HOW ARE YA?
38
00:02:20,633 --> 00:02:24,866
I GOT A STRANGE CALL
DOWN AT THE LEDGER JUST NOW.
39
00:02:24,867 --> 00:02:28,866
NOW, THIS FELLA CALLS,
TELLS ME HE HAS THREE STORIES.
40
00:02:28,867 --> 00:02:32,199
AND TO TAKE NOTES
ON 'EM ON THREE SHEETS OF PAPER.
41
00:02:32,200 --> 00:02:34,432
DID YOU RECOGNIZE HIM?
NO, NO.
42
00:02:34,433 --> 00:02:37,932
IT COULDA BEEN ANYONE, MALE,
MIGHT BE WHITE.
43
00:02:37,933 --> 00:02:39,899
HE TOLD YOU TO NUMBER 'EM?
44
00:02:39,900 --> 00:02:42,699
YES, SIR: ONE, TWO, THREE.
45
00:02:42,700 --> 00:02:48,699
HE SAID, "NANCY CHRISTINE,"
AND THEN, SOME DIRECTIONS,
46
00:02:48,700 --> 00:02:50,666
SOUNDS LIKE CHAIN GANG ROAD.
47
00:02:50,667 --> 00:02:51,866
AND THEN...
48
00:02:51,867 --> 00:02:53,532
PILE OF BRUSH?
49
00:02:53,533 --> 00:02:57,932
NEXT ONE, HE TELLS ME
NANCY CAROL PARRIS DOWNSTREAM
50
00:02:57,933 --> 00:02:59,632
FROM THE, FORD ROAD BRIDGE.
51
00:02:59,633 --> 00:03:03,232
IN THE WATER,
ON THE DOWNHILL SIDE,
52
00:03:03,233 --> 00:03:04,666
YOU'LL FIND THE BODY.
53
00:03:04,667 --> 00:03:05,699
THE BODY?
54
00:03:05,700 --> 00:03:07,566
YEAH.
55
00:03:07,567 --> 00:03:08,866
THIS ONE IS DIFFERENT.
56
00:03:08,867 --> 00:03:10,832
HE JUST TOLD ME
ANNIE LOUISE DEDMOND,
57
00:03:10,833 --> 00:03:13,466
JERUSALEM ROAD, MARCH 1967.
58
00:03:13,467 --> 00:03:14,566
JERUSALEM ROAD?
59
00:03:14,567 --> 00:03:16,466
UNION COUNTY, YEAH.
60
00:03:16,467 --> 00:03:19,666
I MEAN, IT JUST DOESN'T SOUND
LIKE A PRANK AFTER A WHILE.
61
00:03:19,667 --> 00:03:21,399
HAS TO BE.
62
00:03:21,400 --> 00:03:23,099
BUT HE TOLD YOU BODIES?
63
00:03:23,100 --> 00:03:24,299
YES, SIR.
64
00:03:24,300 --> 00:03:27,632
WE GET PRANK CALLS
IN NEWSPAPER ALL THE TIME,
65
00:03:27,633 --> 00:03:31,666
BUT GIBBONS SAYS THE CALLER
TOLD HIM, "DON'T GO ALONE.
66
00:03:31,667 --> 00:03:32,699
BE SURE AND GET THE SHERIFF."
67
00:03:32,700 --> 00:03:35,632
THE SHERIFF AND BILL
68
00:03:35,633 --> 00:03:39,066
AND A DEPUTY GET IN A PATROL CAR
69
00:03:39,067 --> 00:03:42,167
AND HEAD OFF FOR THE BRIDGE
ON FORD ROAD.
70
00:03:44,867 --> 00:03:47,967
THAT WAS THE MOST ACCESSIBLE
OF THE THREE PLACES.
71
00:03:52,867 --> 00:03:56,499
THE WIFE SAYS SHE LIKES THE
BEACH BETTER IN THE OFF-SEASON.
72
00:03:56,500 --> 00:03:58,499
OF COURSE, SHE AIN'T PRONE
TO GIRL WATCHIN'.
73
00:03:58,500 --> 00:04:02,299
WELL, I'LL TAKE ANYWHERE WARM.
74
00:04:02,300 --> 00:04:04,966
IN GAFFNEY,
LIKE IN MOST SMALL TOWNS,
75
00:04:04,967 --> 00:04:07,232
MURDERS AREN'T THAT COMMON.
76
00:04:07,233 --> 00:04:09,699
THE IDEA THAT IT WAS SOME KIND
OF A PRACTICAL JOKE
77
00:04:09,700 --> 00:04:12,100
MADE MUCH MORE SENSE.
78
00:04:21,500 --> 00:04:24,466
SHE'S NUDE,
AND HER HAIR IS IN HER FACE.
79
00:04:24,467 --> 00:04:27,300
HER LEGS ARE SLIGHTLY SPLIT.
80
00:04:41,667 --> 00:04:46,966
THERE IS A VERY DISTINCTIVE
BLUISH MARK AROUND HER NECK.
81
00:04:46,967 --> 00:04:48,666
THE MEDICAL EXAMINER
82
00:04:48,667 --> 00:04:55,199
LATER CONFIRMS THAT THE MARKS
ARE FROM STRANGULATION.
83
00:04:55,200 --> 00:04:58,066
SHE'D BEEN DEAD
NO MORE THAN A DAY
84
00:04:58,067 --> 00:05:00,899
BEFORE BILL GIBBONS
GOT THAT CALL.
85
00:05:00,900 --> 00:05:04,499
THE BODY IS NANCY CAROL PARRIS.
86
00:05:04,500 --> 00:05:07,500
THE SAME NAME
THAT THE CALLER HAD SAID TO HIM.
87
00:05:12,500 --> 00:05:15,899
MISS PARRIS USED TO COME BY
MY DADDY'S SHOP NOW AND THEN.
88
00:05:15,900 --> 00:05:17,966
YOU CAN GET TO KNOW PEOPLE
THAT WAY,
89
00:05:17,967 --> 00:05:24,666
SEEIN' IF THEY HAVE TIME
FOR A SMILE AND A KIND WAVE,
90
00:05:24,667 --> 00:05:27,067
EVEN WHEN SHE WAS
WITH HER HUSBAND MONROE.
91
00:05:44,233 --> 00:05:47,499
SHERIFF!
92
00:05:47,500 --> 00:05:49,499
LOOK I --
93
00:05:49,500 --> 00:05:50,966
I -- I'M JUST AS SHOCKED
AS YOU ARE ABOUT THIS.
94
00:05:50,967 --> 00:05:53,099
I -- I THOUGHT
THIS WAS SOME KINDA PRANK,
95
00:05:53,100 --> 00:05:55,466
AND CLEARLY IT'S NOT.
IT'S A... WELL...
96
00:05:55,467 --> 00:05:57,366
I HOPE THAT'S THE ONLY BODY
WE FIND,
97
00:05:57,367 --> 00:06:00,299
'CAUSE IF THERE'RE TWO
OTHER WOMEN OUT THERE...
98
00:06:00,300 --> 00:06:03,866
THEY'RE CALLING
YOU TO TELL US ABOUT IT?
99
00:06:03,867 --> 00:06:08,299
I DON'T KNOW WHAT THIS IS.
100
00:06:08,300 --> 00:06:12,932
THE ZODIAC KILLER WAS STILL 10,
11 MONTHS IN THE FUTURE,
101
00:06:12,933 --> 00:06:16,266
WHICH WAS THE MOST FAMOUS CASE,
IN AMERICAN HISTORY,
102
00:06:16,267 --> 00:06:19,399
OF A KILLER CONTACTING THE MEDIA
SAYING,
103
00:06:19,400 --> 00:06:22,132
"HEY, THIS IS WHERE
THE BODIES ARE.
104
00:06:22,133 --> 00:06:24,732
THIS IS WHERE YOU'LL FIND THEM."
105
00:06:24,733 --> 00:06:27,199
SO THEY GO TO THE NEXT LOCATION,
106
00:06:27,200 --> 00:06:29,399
CHAIN GANG ROAD.
107
00:06:29,400 --> 00:06:32,499
THE CHAIN GANG ROAD WAS A FEW
MILES OUTSIDE OF TOWN,
108
00:06:32,500 --> 00:06:35,799
FULL UP WITH KUDZU
AND SPANISH MOSS.
109
00:06:35,800 --> 00:06:38,832
KIDS USED TO GO OUT THERE TO
PARK WITH THEIR STEADIES.
110
00:06:38,833 --> 00:06:41,299
THE MAN ON THE PHONE SAID THIS
IS WHERE THEY'D FIND
111
00:06:41,300 --> 00:06:43,433
THE GIRL CALLED
NANCY CHRISTINE.
112
00:06:47,333 --> 00:06:50,966
REMEMBER NOW,
WE'RE LOOKING FOR A BRUSH PILE,
113
00:06:50,967 --> 00:06:55,066
NO MORE THAN A QUARTER MILE
FROM THE CARS.
114
00:06:55,067 --> 00:06:58,866
IT IS THICK UNDERBRUSH,
DENSE FOREST,
115
00:06:58,867 --> 00:07:03,700
SO THEY SPREAD OUT 20,
30 FEET APART.
116
00:07:06,367 --> 00:07:09,366
MORE PEOPLE HAVE ARRIVED,
MORE SHERIFF'S DEPUTIES.
117
00:07:09,367 --> 00:07:12,166
MORE PEOPLE FROM THE NEWSPAPER
HAVE SHOWED UP.
118
00:07:12,167 --> 00:07:16,399
BILL GIBBONS CALLED ME
TO BRING MY CAMERA.
119
00:07:16,400 --> 00:07:21,432
YOU JUST HEAR YOUR FOOTSTEPS
ON THE FLOOR OF THE FOREST.
120
00:07:21,433 --> 00:07:23,300
ALL OF US GOT A LITTLE
EERIE FEELING.
121
00:07:25,667 --> 00:07:29,233
I FOUND HER, OVER HERE!
122
00:07:36,967 --> 00:07:38,599
A WOMAN'S FOOT
IS STICKING OUT
123
00:07:38,600 --> 00:07:40,800
FROM THE UNDERGROWTH.
124
00:07:43,767 --> 00:07:46,067
THE SHERIFF'S DEPARTMENT
DOESN'T EVEN HAVE A CAMERA.
125
00:07:51,733 --> 00:07:54,833
SO I WAS TAKING PICTURES.
126
00:07:57,333 --> 00:07:58,899
MY GOD.
127
00:07:58,900 --> 00:08:03,066
LIKE THE FIRST BODY, THE MARKS
ARE FROM STRANGULATION.
128
00:08:03,067 --> 00:08:06,066
SHE'D BEEN DEAD AT LEAST A WEEK
AND HIDDEN IN THE BRUSH
129
00:08:06,067 --> 00:08:10,066
LIKE SHE WAS SOMEONE
OR SOMETHING'S SECRET.
130
00:08:10,067 --> 00:08:12,732
THE OTHER GIRL HAD BEEN KILLED
JUST YESTERDAY
131
00:08:12,733 --> 00:08:15,266
AND WAS LEFT OUT
FOR THE WORLD TO SEE.
132
00:08:15,267 --> 00:08:19,066
IT SEEMED LIKE THE DEVIL
WAS MOVING CLOSER TO GAFFNEY
133
00:08:19,067 --> 00:08:21,499
AND GETTING BOLDER.
134
00:08:21,500 --> 00:08:24,766
SHE'S JUST A TEENAGER.
135
00:08:24,767 --> 00:08:25,966
THE RHINEHART GIRL?
136
00:08:25,967 --> 00:08:27,266
YEAH, I THINK SO.
137
00:08:27,267 --> 00:08:28,466
DAMN IT.
138
00:08:28,467 --> 00:08:31,299
THE VICTIM
IS NANCY CHRISTINA RHINEHART.
139
00:08:31,300 --> 00:08:33,767
TINA, SHE'S 14.
140
00:08:38,133 --> 00:08:40,732
THE RHINEHART GIRL
WAS TINA RHINEHART.
141
00:08:40,733 --> 00:08:43,932
HER MOTHER HAD REPORTED
HER MISSING A WEEK AGO,
142
00:08:43,933 --> 00:08:46,932
BUT THE SHERIFF JUST THOUGHT
SHE WAS A RUNAWAY.
143
00:08:46,933 --> 00:08:48,832
WHAT THE SHERIFF DIDN'T KNOW
144
00:08:48,833 --> 00:08:52,232
WAS THAT HER CHRISTIAN NAME
WAS NANCY CHRISTINE.
145
00:08:52,233 --> 00:08:55,466
SO WHEN THEY SAW BILL GIBBON'S
NOTE WITH THAT NAME ON IT,
146
00:08:55,467 --> 00:08:57,400
THEY NEVER PUT IT TOGETHER.
147
00:09:06,133 --> 00:09:07,966
BILL AND TOMMY
DOWN AT THE LEDGER.
148
00:09:07,967 --> 00:09:11,166
THE CALLER SAID
THE THIRD VICTIM
149
00:09:11,167 --> 00:09:13,299
WAS OUT NEAR JERUSALEM ROAD,
150
00:09:13,300 --> 00:09:17,799
WHICH IS A ROAD IN UNION COUNTY,
WHICH IS A NEIGHBORING COUNTY.
151
00:09:17,800 --> 00:09:19,232
ANN DEDMOND.
152
00:09:19,233 --> 00:09:21,266
SO THEY CALLED,
153
00:09:21,267 --> 00:09:24,066
THE SHERIFF IN THE POLICE
DEPARTMENT OVER THERE.
154
00:09:24,067 --> 00:09:27,833
AND HE SAYS, "WELL, THAT'S
WHERE MISS DEDMOND WAS FOUND."
155
00:09:31,833 --> 00:09:33,332
A LADY NAMED ANNIE DEDMOND
156
00:09:33,333 --> 00:09:37,299
WAS FOUND OVER IN UNION COUNTY
6 MONTHS EARLIER.
157
00:09:37,300 --> 00:09:39,566
THEY FOUND HER JUST LIKE OUR
TWO GIRLS,
158
00:09:39,567 --> 00:09:42,699
UNDRESSED AND STRANGLED.
159
00:09:42,700 --> 00:09:47,066
WE GOT A PAIR OF LOCAL GIRLS
WITH THE SAME THING...
160
00:09:47,067 --> 00:09:51,432
NO, NOT LAST YEAR, TODAY.
161
00:09:51,433 --> 00:09:53,266
YOU KNOW THAT SINKING FEELING
YOU GET
162
00:09:53,267 --> 00:09:55,799
IN THE PIT OF YOUR STOMACH
WHEN YOU GET BAD NEWS?
163
00:09:55,800 --> 00:09:57,466
THANKS, TOM.
164
00:09:57,467 --> 00:09:59,266
WELL, I IMAGINE THAT'S
WHAT THE POLICE
165
00:09:59,267 --> 00:10:02,166
FELT WHEN THEY HEARD SOMEONE
WAS ALREADY SITTING IN JAIL
166
00:10:02,167 --> 00:10:05,632
FOR ANNIE DEDMOND'S MURDER.
167
00:10:05,633 --> 00:10:08,466
HER HUSBAND IS SERVING TIME
FOR THAT NOW.
168
00:10:08,467 --> 00:10:13,432
HE'S BEEN CONVICTED
FOR 9 MONTHS.
169
00:10:13,433 --> 00:10:16,566
IS THE WRONG MAN IN JAIL
FOR THIS MURDER?
170
00:10:16,567 --> 00:10:18,132
DID WE ARREST THE WRONG GUY,
171
00:10:18,133 --> 00:10:20,666
AND LEAVE THE MURDERER
OUT TO KILL THESE TWO WOMEN
172
00:10:20,667 --> 00:10:22,332
WE JUST FOUND?
173
00:10:22,333 --> 00:10:25,832
IN VIETNAM, KHE SANH
CONTINUES TO BE UNDER SIEGE.
174
00:10:25,833 --> 00:10:28,832
THERE, THE FIRST...
175
00:10:28,833 --> 00:10:31,032
IT SEEMED LIKE
BILL GIBBONS HAD FOUND HIMSELF
176
00:10:31,033 --> 00:10:33,400
SMACK IN THE MIDDLE
OF A REAL-LIVE NEWS EVENT.
177
00:10:37,767 --> 00:10:39,932
A MONSTER WAS LEAVING A TRAIL
OF WOMEN
178
00:10:39,933 --> 00:10:45,232
AS HE MARCHED FROM UNION COUNTY
INTO THE HEART OF GAFFNEY.
179
00:10:45,233 --> 00:10:47,733
AND HE WANTED US TO KNOW
HE WAS COMIN'.
180
00:10:53,500 --> 00:10:56,132
WHO IS THIS CALLER?
IS HE TOYING WITH THE POLICE?
181
00:10:56,133 --> 00:10:58,799
ARE THERE MORE VICTIMS
OUT THERE?
182
00:10:58,800 --> 00:11:01,099
IS THERE GOIN' TO BE MORE?
183
00:11:01,100 --> 00:11:03,832
IN A SMALL SOUTHERN TOWN,
FOLKS CAN FOOL THEMSELVES
184
00:11:03,833 --> 00:11:06,099
INTO THINKING THAT THEY KNOW
THEIR NEIGHBORS.
185
00:11:06,100 --> 00:11:07,399
BUT WHO ARE THEY, REALLY,
186
00:11:07,400 --> 00:11:11,666
BEHIND CLOSED DOORS
OR ALONE IN THE WOODS?
187
00:11:11,667 --> 00:11:13,532
WE WOULD ALL COME TO LEARN
188
00:11:13,533 --> 00:11:16,099
THAT PUTTING YOUR TRUST
IN THE WRONG PERSON
189
00:11:16,100 --> 00:11:19,067
MIGHT JUST BE THE LAST THING
YOU EVER DO.
190
00:11:27,333 --> 00:11:30,466
...IT GIVES COMFORT
TO ALL WHO MOURN...
191
00:11:30,467 --> 00:11:32,566
THREE GIRLS MURDERED --
192
00:11:32,567 --> 00:11:34,732
IT WAS
THE MOST TERRIFYING THING
193
00:11:34,733 --> 00:11:36,799
ANYONE GAFFNEY
COULD REMEMBER.
194
00:11:36,800 --> 00:11:39,832
FOLKS FROM ALL OVER TURNED UP
FOR TINA'S FUNERAL.
195
00:11:39,833 --> 00:11:43,832
SHE WAS JUST 14, AFTER ALL.
196
00:11:43,833 --> 00:11:46,732
IT WAS A BONDING
FOR THE WHOLE COMMUNITY.
197
00:11:46,733 --> 00:11:49,299
LOOK NOT ON IT
AS GOING TO ASHES,
198
00:11:49,300 --> 00:11:51,600
BUT INSTEAD TO A FREEDOM.
199
00:11:54,400 --> 00:11:55,632
SORRY FOR THIS.
200
00:11:55,633 --> 00:11:57,066
MY CONDOLENCES.
201
00:11:57,067 --> 00:11:59,099
SHE WAS SUCH A PRETTY
LITTLE GIRL.
202
00:11:59,100 --> 00:12:00,632
WE'RE HERE FOR YOU.
203
00:12:00,633 --> 00:12:02,899
PEOPLE SHE DIDN'T EVEN KNOW,
204
00:12:02,900 --> 00:12:04,299
NEVER MET IN HER LIFE,
205
00:12:04,300 --> 00:12:05,666
SAID HOW BEAUTIFUL TINA WAS.
206
00:12:05,667 --> 00:12:07,066
AND, "WE'RE SO SORRY.
207
00:12:07,067 --> 00:12:09,599
ANYTHING WE CAN DO FOR YOU,
JUST LET US KNOW."
208
00:12:09,600 --> 00:12:11,667
SHE'S IN GOD'S HANDS NOW.
209
00:12:14,533 --> 00:12:16,066
GAFFNEY POLICE.
210
00:12:16,067 --> 00:12:17,699
UP UNTIL THEN,
211
00:12:17,700 --> 00:12:19,499
THE MOST THE SHERIFF
WAS USED TO DEALING WITH
212
00:12:19,500 --> 00:12:22,332
WAS EXPIRED FISHIN' PERMITS.
213
00:12:22,333 --> 00:12:25,232
BUT NOW THE POND HAD GOTTEN
A WHOLE LOT BIGGER.
214
00:12:25,233 --> 00:12:29,232
IT WAS TIME TO CALL IN
THE BIG FISH, STATE POLICE.
215
00:12:29,233 --> 00:12:32,732
I TRULY APPRECIATE YOU COMIN'
DOWN HERE AGAIN, MRS. RHINEHART.
216
00:12:32,733 --> 00:12:35,499
I KNOW YOU BEEN THROUGH A LOT.
217
00:12:35,500 --> 00:12:37,932
EVEN THOUGH IT SEEMED AWFUL
TO MAKE TINA'S MOTHER
218
00:12:37,933 --> 00:12:41,132
GO THROUGH HER STORY
AGAIN AND AGAIN,
219
00:12:41,133 --> 00:12:43,466
THE STATE POLICE
HAD A JOB TO DO.
220
00:12:43,467 --> 00:12:48,399
THEY BELIEVED THAT IT WOULD BE
SOMEONE THAT THE VICTIM KNEW.
221
00:12:48,400 --> 00:12:51,599
MRS. RHINEHART, DOES SHE HAVE
A -- A BOYFRIEND, OR SOMETHIN',
222
00:12:51,600 --> 00:12:53,066
SOMEBODY SHE'S SEEIN'?
223
00:12:53,067 --> 00:12:54,132
NO.
224
00:12:54,133 --> 00:12:56,099
SHE TOLD HER SISTER
SHE WAS COMING OVER
225
00:12:56,100 --> 00:13:00,466
TO SEE ME AT WORK,
LEFT AROUND 5:30 IN THE MORNING,
226
00:13:00,467 --> 00:13:02,333
AND THEN SHE JUST NEVER
SHOWED UP.
227
00:13:07,867 --> 00:13:10,766
EACH OF THESE WOMEN
WERE KILLED FROM
228
00:13:10,767 --> 00:13:12,332
LIGATURE STRANGULATION.
229
00:13:12,333 --> 00:13:16,666
SOME KIND OF A INSTRUMENT WAS
USED, NOT THE OFFENDER'S HANDS.
230
00:13:16,667 --> 00:13:19,966
ALSO, BOTH VICTIMS,
BOTH TINA RHINEHART
231
00:13:19,967 --> 00:13:22,733
AND MISS PARRIS, HAD BEEN RAPED.
232
00:13:26,367 --> 00:13:28,599
YOU TALK TO HER HUSBAND YET?
233
00:13:28,600 --> 00:13:30,232
MONROE? NO.
234
00:13:30,233 --> 00:13:34,799
WE,
WE AIN'T TALKED TO HIM YET.
235
00:13:34,800 --> 00:13:36,299
NANCY PARRIS,
236
00:13:36,300 --> 00:13:39,232
THE LADY THEY FOUND IN
THE WATER BELOW FORD BRIDGE,
237
00:13:39,233 --> 00:13:41,132
WAS A YOUNG HOUSEWIFE.
238
00:13:41,133 --> 00:13:43,266
AND YOU KNOW HOW PEOPLE
GET TO GOSSIPIN'.
239
00:13:43,267 --> 00:13:44,966
WORD WAS THAT SHE
AND HER HUSBAND, MONROE,
240
00:13:44,967 --> 00:13:48,866
WERE KNOWN TO GET INTO IT
FROM TIME TO TIME.
241
00:13:48,867 --> 00:13:50,899
MONROE PARRIS?
242
00:13:50,900 --> 00:13:53,933
DETECTIVE JAMES,
DETECTIVE RILEY.
243
00:13:59,167 --> 00:14:04,966
NEED TO ASK YOU A FEW QUESTIONS
ABOUT NANCY.
244
00:14:04,967 --> 00:14:07,366
WHAT Y'ALL WANNA KNOW?
245
00:14:07,367 --> 00:14:09,566
WELL...
246
00:14:09,567 --> 00:14:14,732
I NEED YOU TO WALK ME THROUGH
THE DAY NANCY DISAPPEARED.
247
00:14:14,733 --> 00:14:16,600
WELL...
248
00:14:21,500 --> 00:14:27,166
YOU KNOW, WE -- WE FOUGHT
LIKE A NORMAL MARRIED COUPLE.
249
00:14:27,167 --> 00:14:29,167
WHAT'D Y'ALL QUARREL ABOUT?
250
00:14:32,933 --> 00:14:34,466
NANCE, HONEY,
251
00:14:34,467 --> 00:14:36,232
WHY DON'T YOU COME BACK INSIDE?
WE'LL TALK ABOUT IT.
252
00:14:36,233 --> 00:14:40,700
NO, MONROE, I'M TAKING JUNIPER
FOR A WALK, A LONG ONE.
253
00:14:42,167 --> 00:14:44,099
OUR MARRIAGE
HAS ITS PROBLEMS.
254
00:14:44,100 --> 00:14:47,167
SHE TOOK JUNIPER
AND WENT ON DOWN THE STREET.
255
00:14:50,867 --> 00:14:53,766
AND...
256
00:14:53,767 --> 00:14:56,600
THAT WAS THE LAST TIME
THAT I SAW HER.
257
00:15:00,200 --> 00:15:02,066
THEN I SAW HER ON THE --
258
00:15:02,067 --> 00:15:03,900
ON THAT TABLE.
259
00:15:07,567 --> 00:15:09,199
THEY TALKED TO THEIR
NEIGHBORS.
260
00:15:09,200 --> 00:15:11,566
AND THEY GAVE HIM
A PRETTY GOOD ALIBI,
261
00:15:11,567 --> 00:15:14,632
SO HE WAS DISCOUNTED
PRETTY QUICK.
262
00:15:14,633 --> 00:15:19,666
CAN YOU THINK OF ANYBODY ELSE
WHO WOULD WANNA HARM NANCY?
263
00:15:19,667 --> 00:15:23,366
NO.
264
00:15:23,367 --> 00:15:25,399
LIFE WAS SIMPLE IN GAFFNEY,
265
00:15:25,400 --> 00:15:28,232
SO I THINK WE ALL WERE HOPING
IT'D BE A SIMPLE ANSWER --
266
00:15:28,233 --> 00:15:31,599
JEALOUS HUSBAND,
MAYBE THE JILTED BOYFRIEND.
267
00:15:31,600 --> 00:15:33,632
BUT THE ONLY THING
THESE GIRLS HAD IN COMMON
268
00:15:33,633 --> 00:15:37,267
WAS THAT THEY HAD ALL GONE OUT
FOR A WALK AND NEVER COME HOME.
269
00:15:43,767 --> 00:15:45,332
CHANCES ARE BETTER THAN EVEN
270
00:15:45,333 --> 00:15:48,532
THAT YOU'VE NEVER HEARD
OF GAFFNEY, SOUTH CAROLINA.
271
00:15:48,533 --> 00:15:50,266
BUT A BIZARRE MURDER CASE
272
00:15:50,267 --> 00:15:53,066
IS IN THE PROCESS
OF CHANGING ALL THAT.
273
00:15:53,067 --> 00:15:54,599
YOU'VE LIVED HERE 65 YEARS,
274
00:15:54,600 --> 00:15:57,266
YOU PROBABLY KNOW EVERYONE
IN TOWN ABOUT AS WELL AS ANYONE.
275
00:15:57,267 --> 00:15:58,966
YOU THINK THE TOWN'S
RUNNING SCARED?
276
00:15:58,967 --> 00:16:00,299
YEAH, THEY'RE SCARED.
277
00:16:00,300 --> 00:16:01,599
THEY'RE SCARED.
278
00:16:01,600 --> 00:16:03,532
THEY DON'T KNOW
WHERE HE GONNA STRIKE NEXT,
279
00:16:03,533 --> 00:16:05,599
AND, Y'KNOW, HE SAID HE WOULD.
280
00:16:07,367 --> 00:16:09,232
GAFFNEY POLICE.
281
00:16:09,233 --> 00:16:11,132
HELLO, MRS. WATERSON.
282
00:16:11,133 --> 00:16:13,099
YOU SAW SOMETHING SUSPICIOUS?
283
00:16:13,100 --> 00:16:15,066
AFTER THAT,
YOU COULDN'T TIE YOUR LACES
284
00:16:15,067 --> 00:16:17,799
TWICE WITHOUT SOMEONE
REPORTING IT TO THE SHERIFF.
285
00:16:17,800 --> 00:16:19,699
POLICE BEGIN FIELDING CALLS --
286
00:16:19,700 --> 00:16:22,232
GIRLFRIENDS SUSPECTING
THEIR BOYFRIENDS,
287
00:16:22,233 --> 00:16:26,932
NEIGHBORS CASTING SUSPICION
ON THEIR NEIGHBORS.
288
00:16:26,933 --> 00:16:28,432
- JAMES.
- YEAH, HELLO.
289
00:16:28,433 --> 00:16:32,932
UM, I THINK
I SAW THE STRANGLER.
290
00:16:32,933 --> 00:16:35,866
COUPLE OF DAYS
AFTER THE BODIES WERE FOUND,
291
00:16:35,867 --> 00:16:38,966
THE POLICE GET CONTACTED
BY A LOCAL MAN.
292
00:16:38,967 --> 00:16:41,900
THE OTHER NIGHT OUT ON
THE BRIDGE ON FORD ROAD.
293
00:16:50,700 --> 00:16:53,066
HE WAS PARKED NEAR THE BRIDGE
294
00:16:53,067 --> 00:16:56,066
WHERE MISS PARRIS
WAS THROWN OFF.
295
00:16:56,067 --> 00:16:58,832
HIS DESCRIPTION WAS
A TALL, SKINNY, WHITE MAN.
296
00:16:58,833 --> 00:17:01,066
W -- WHAT ABOUT THE CAR?
297
00:17:01,067 --> 00:17:03,132
HE WAS PRETTY SURE
IT WAS A SEDAN
298
00:17:03,133 --> 00:17:06,066
BUT COULDN'T TELL THE COLOR,
OR THE MAKE, OR THE YEAR.
299
00:17:06,067 --> 00:17:07,366
THE POLICE ARE GOIN',
300
00:17:07,367 --> 00:17:10,299
"WHY'S IT TAKE 2 DAYS
FOR YOU TO COME FORWARD?"
301
00:17:10,300 --> 00:17:12,900
IS THIS ACTUALLY THE KILLER
CALLIN' THEM UP?
302
00:17:17,867 --> 00:17:21,266
THE MAN HEMMED AND HAWED
AND FINALLY SAID,
303
00:17:21,267 --> 00:17:22,532
"WELL, I'M MARRIED.
304
00:17:22,533 --> 00:17:25,932
AND I WAS PARKED OUT THERE
WITH A MARRIED WOMAN."
305
00:17:25,933 --> 00:17:28,299
SO HE WAS PROTECTING HIMSELF,
306
00:17:28,300 --> 00:17:31,067
BUT HIS CONSCIENCE MADE HIM
TELL THE POLICE WHAT HE KNEW.
307
00:17:34,433 --> 00:17:36,899
THE LAST FEW YEARS THINGS
BETWEEN FOLKS IN GAFFNEY
308
00:17:36,900 --> 00:17:38,866
HAD BEEN STRAINED.
309
00:17:38,867 --> 00:17:40,366
BUT ADD A KILLER INTO THE MIX,
310
00:17:40,367 --> 00:17:45,199
AND IT WAS LIKE THROWING
HOT SAUCE ON A FRYING PAN.
311
00:17:45,200 --> 00:17:49,066
EVERYONE WAS ON EDGE,
312
00:17:49,067 --> 00:17:50,732
BUT THERE WAS ONE MAN
IN PARTICULAR
313
00:17:50,733 --> 00:17:53,067
WHO WAS FEELING THE HEAT
MORE THAN ANY OTHER...
314
00:17:57,133 --> 00:17:59,067
MR. BILL GIBBONS.
315
00:18:09,367 --> 00:18:11,466
WITHOUT BILL GIBBONS
TELLING THE POLICE ABOUT
316
00:18:11,467 --> 00:18:15,199
THIS PHONE CALL,
THERE WAS NO STORY.
317
00:18:15,200 --> 00:18:17,467
THE BODIES MAY BE THERE,
BUT NOBODY HAD FOUND 'EM YET.
318
00:18:22,333 --> 00:18:25,699
MR. GIBBONS,
SHERIFF CALL YOU UP?
319
00:18:25,700 --> 00:18:27,066
YEAH, HE DID.
HE DID.
320
00:18:27,067 --> 00:18:28,499
YOU'LL BE LISTENIN'
IN FROM HERE?
321
00:18:28,500 --> 00:18:29,832
YOU GET ANOTHER ONE
OF THESE CALLS,
322
00:18:29,833 --> 00:18:33,266
WE'LL BE RECORDING IT
ON THIS THING RIGHT HERE.
323
00:18:33,267 --> 00:18:36,199
INVESTIGATORS DECIDE
THAT THEY'LL PUT A TRAP
324
00:18:36,200 --> 00:18:39,299
ON BILL GIBBON'S,
OFFICE PHONE.
325
00:18:39,300 --> 00:18:40,699
IT'S IMPORTANT
THAT YOU KEEP HIM ON THE LINE
326
00:18:40,700 --> 00:18:42,099
AS LONG AS YOU CAN, THOUGH.
327
00:18:42,100 --> 00:18:43,499
FOR THE TRACE TO WORK?
328
00:18:43,500 --> 00:18:47,299
AND FOR US TO HEAR
WHO'S TALKIN' 'BOUT WHAT.
329
00:18:47,300 --> 00:18:49,399
DETECTIVES INFER EITHER HE HAD
330
00:18:49,400 --> 00:18:50,932
THIS CONNECTION TO THE KILLER,
331
00:18:50,933 --> 00:18:54,132
OR HE HAD INFORMATION
THAT ONLY THE KILLER WOULD KNOW.
332
00:18:54,133 --> 00:18:55,266
I'D BE PERFECTLY HAPPY
333
00:18:55,267 --> 00:18:57,766
IF HE,
IF HE NEVER CALLED AGAIN.
334
00:18:57,767 --> 00:18:59,432
I'M NOT SURE THAT WOULD BE
THE BEST THING FOR YOU,
335
00:18:59,433 --> 00:19:01,167
MR. GIBBONS.
336
00:19:06,067 --> 00:19:08,367
EXCUSE ME.
337
00:19:11,300 --> 00:19:13,133
THEY'RE WAITING.
THEY'RE WAITING.
338
00:19:19,767 --> 00:19:22,599
GIBBONS GOT THE CALL.
339
00:19:22,600 --> 00:19:23,932
WELL, IT CAN'T BE.
340
00:19:23,933 --> 00:19:25,566
WE HADN'T HEARD ANYTHING
HERE FOR HOURS.
341
00:19:25,567 --> 00:19:27,932
NO, NOT THAT PHONE,
HIS PHONE AT HOME.
342
00:19:27,933 --> 00:19:30,799
AT HIS HOME?
343
00:19:30,800 --> 00:19:32,466
GIBBONS CALLS THE SHERIFF
344
00:19:32,467 --> 00:19:34,632
AND SAYS, "I HEARD
FROM THE KILLER AGAIN.
345
00:19:34,633 --> 00:19:35,766
HE CALLED ME AT HOME."
346
00:19:35,767 --> 00:19:36,966
IT -- IT WAS
DEFINITELY HIM.
347
00:19:36,967 --> 00:19:40,066
THERE'S NO MISTAKING HIS VOICE.
348
00:19:40,067 --> 00:19:42,432
HE SAID, "WE HAVE TO DO
SOMETHING ABOUT THE MAN
349
00:19:42,433 --> 00:19:43,732
DOWN THERE SERVING MY SENTENCE."
350
00:19:43,733 --> 00:19:46,699
I TOOK NOTES ON A PAPER BAG.
351
00:19:46,700 --> 00:19:48,132
BILL GIBBONS SAYS,
352
00:19:48,133 --> 00:19:49,532
"THE UNIDENTIFIED CALLER
353
00:19:49,533 --> 00:19:52,432
SAID THERE'S BEEN A WRONGFULLY
CONVICTED MAN IN PRISON
354
00:19:52,433 --> 00:19:54,299
FOR THE MURDER OF ANNIE DEDMOND,
355
00:19:54,300 --> 00:19:57,966
AND I DID IT."
356
00:19:57,967 --> 00:20:00,399
WHY WOULD ROGER DEDMOND
MATTER TO HIM?
357
00:20:00,400 --> 00:20:03,932
I DON'T KNOW, BALANCIN'
THE SCALES OF JUSTICE MAYBE?
358
00:20:03,933 --> 00:20:07,232
AND HE GAVE ME A WHOLE SLEW
OF PHYSICAL DETAILS.
359
00:20:07,233 --> 00:20:08,999
BLUE SHOES, RED FORD FALCON
360
00:20:09,000 --> 00:20:11,932
WITH THE LEFT TAILLIGHT OUT.
361
00:20:11,933 --> 00:20:14,699
HOW DO YOU SUPPOSE HE KNOWS
TO CALL YOU HERE AT HOME?
362
00:20:14,700 --> 00:20:19,199
WE'RE IN THE BOOK,
SAME AS ANYBODY.
363
00:20:19,200 --> 00:20:21,399
BUT HOW WOULD HE KNOW?
364
00:20:21,400 --> 00:20:23,599
HOW WOULD HE KNOW THAT WE'RE
LISTENIN' ON THE PHONE
365
00:20:23,600 --> 00:20:25,367
HE ALREADY CALLED?
366
00:20:35,900 --> 00:20:38,266
IT WAS DEFINITELY HIM.
THERE'S NO MISTAKIN' HIS VOICE.
367
00:20:38,267 --> 00:20:40,999
BILL GIBBONS WAS
THE MOST TRUSTED MAN IN TOWN
368
00:20:41,000 --> 00:20:42,566
UNTIL HE STARTED CLAIMING
369
00:20:42,567 --> 00:20:44,832
THAT A MURDERER WAS CALLING HIM
ON THE PHONE
370
00:20:44,833 --> 00:20:47,899
TO TELL HIM WHERE BODIES
COULD BE FOUND.
371
00:20:47,900 --> 00:20:49,899
THING WAS, NO ONE
BUT BILL GIBBONS
372
00:20:49,900 --> 00:20:52,899
HAD ACTUALLY SPOKEN TO HIM.
373
00:20:52,900 --> 00:20:55,666
HOW DO YOU SUPPOSE HE KNOWS
TO CALL YOU HERE AT HOME?
374
00:20:55,667 --> 00:20:57,866
HOW WOULD HE KNOW THAT WE'RE
LISTENIN' ON THE PHONE
375
00:20:57,867 --> 00:21:02,932
HE ALREADY CALLED?
376
00:21:02,933 --> 00:21:04,699
JOHN, YOU REALLY
BELIEVE WHAT YOU'RE SAYING?
377
00:21:04,700 --> 00:21:07,332
YOU THINK I COULD DO THIS?
378
00:21:11,400 --> 00:21:12,899
HELLO?
379
00:21:12,900 --> 00:21:15,399
THERE'S SOMETHING
I FORGOT TO TELL YOU
380
00:21:15,400 --> 00:21:16,866
ABOUT THAT DEDMOND GAL.
381
00:21:16,867 --> 00:21:20,232
SHE HAD TRADIN' STAMPS
IN HER POCKET BOOK.
382
00:21:20,233 --> 00:21:25,166
SHE WORE A -- AN OPEN-BOTTOM
DRESS WITH FRILLS, NO COAT.
383
00:21:25,167 --> 00:21:28,366
OKAY, I -- I -- I GOT THAT.
384
00:21:28,367 --> 00:21:31,066
SIR...
385
00:21:31,067 --> 00:21:33,666
WHY DON'T WE MEET,
FACE-TO-FACE?
386
00:21:33,667 --> 00:21:34,799
YOU COULD --
387
00:21:34,800 --> 00:21:36,732
YOU COULD GIVE YOURSELF UP TO --
388
00:21:36,733 --> 00:21:39,399
TO ME OR TO --
TO ANYONE YOU LIKE.
389
00:21:39,400 --> 00:21:41,932
I'M PSYCHO, MR. GIBBONS.
390
00:21:41,933 --> 00:21:43,132
IT'S NOT GONNA HAPPEN.
391
00:21:43,133 --> 00:21:45,132
NO, YOU --
YOU NEED HELP.
392
00:21:45,133 --> 00:21:48,132
NOW, PLEASE,
LET ME HELP YOU.
393
00:21:48,133 --> 00:21:50,632
I'LL GET YOU HELP --
LISTEN...
394
00:21:50,633 --> 00:21:53,599
THE POLICE JUST AREN'T SMART
ENOUGH TO CATCH ME.
395
00:21:53,600 --> 00:21:58,299
I'LL TELL YOU WHAT,
IF THEY DON'T,
396
00:21:58,300 --> 00:22:02,799
THERE'S GONNA BE
MORE AND MORE DEATHS.
397
00:22:02,800 --> 00:22:04,866
COUNT ON IT.
398
00:22:07,267 --> 00:22:10,532
A KILLER REACHING OUT
THROUGH A REPORTER,
399
00:22:10,533 --> 00:22:12,566
TAUNTING THE POLICE.
400
00:22:12,567 --> 00:22:15,266
THEY HAVE NO POINT
OF REFERENCE FOR THIS.
401
00:22:15,267 --> 00:22:18,066
THEY'RE OUTSIDE OF THEIR AREA
OF EXPERTISE.
402
00:22:18,067 --> 00:22:20,332
BILL,
403
00:22:20,333 --> 00:22:21,866
THE NEXT LEDGER COMES OUT...
404
00:22:21,867 --> 00:22:24,766
TOMORROW.
405
00:22:24,767 --> 00:22:29,132
YOU NEED TO KEEP THESE CALLS
TODAY OUT OF IT.
406
00:22:29,133 --> 00:22:30,266
I CAN'T DO THAT, JOHN.
407
00:22:30,267 --> 00:22:33,066
WE NEED HIM TO KEEP
CALLIN' BACK.
408
00:22:33,067 --> 00:22:35,833
I RECOGNIZE, BILL, THAT I'M
ASKING FOR A HELL OF A LOT HERE.
409
00:22:39,533 --> 00:22:41,166
YOU KNOW,
MY FAMILY COULD BE IN DANGER?
410
00:22:41,167 --> 00:22:44,866
IF HE CALLS AGAIN,
WE'LL BE READY ON BOTH PHONES.
411
00:22:44,867 --> 00:22:49,132
YOU'LL HAVE YOUR STORY
ONCE WE CATCH HIM.
412
00:22:49,133 --> 00:22:51,166
IT WASN'T ABOUT THE STORY.
413
00:22:51,167 --> 00:22:53,132
SCHOOLYARD BULLIES
AND CRANK CALLERS
414
00:22:53,133 --> 00:22:55,899
WERE TORMENTIN' GIBBONS
AND HIS FAMILY.
415
00:22:55,900 --> 00:22:58,066
BUT HE SHOOK HIS SHOULDERS
STRAIGHT,
416
00:22:58,067 --> 00:23:01,666
AND PROMISED TO KEEP THE CALLS
SECRET IF IT WOULD HELP.
417
00:23:01,667 --> 00:23:03,500
IF ONLY IT HAD.
418
00:23:07,333 --> 00:23:11,867
THE VERY NEXT MORNING,
THE STRANGLER KEPT HIS PROMISE.
419
00:23:12,667 --> 00:23:14,066
MR. BUCKSON.
420
00:23:14,067 --> 00:23:16,066
SIR.
421
00:23:16,067 --> 00:23:19,066
CAN YOU TELL ME SOMETHIN'
ABOUT WHAT HE LOOKS LIKE?
422
00:23:19,067 --> 00:23:22,366
HE WAS WHITE.
423
00:23:22,367 --> 00:23:26,700
OPAL BUCKSON'S SISTER, GRACIE,
TELLS THE POLICE THE STORY.
424
00:23:29,833 --> 00:23:31,666
OPAL WAS ON HER WAY TO SCHOOL.
425
00:23:31,667 --> 00:23:35,199
SHE AND HER SIBLINGS HAVE A HALF
A MILE WALK TO THE MAIN ROAD
426
00:23:35,200 --> 00:23:36,866
WHERE THE BUS STOP WAS.
427
00:23:36,867 --> 00:23:41,966
HER SISTER IS ABOUT
50 YARDS BEHIND.
428
00:23:41,967 --> 00:23:44,732
HER SISTER SEES A MAN GRAB OPAL,
429
00:23:44,733 --> 00:23:48,699
TOSS HER INTO THE TRUNK
OF THE CAR,
430
00:23:48,700 --> 00:23:51,533
SLAM THE TRUNK AND SPEED OFF.
431
00:24:04,333 --> 00:24:07,066
GRACIE, TELL ME 'BOUT THE CAR.
432
00:24:07,067 --> 00:24:09,966
DARK -- DARK-COLORED...
433
00:24:09,967 --> 00:24:12,500
CHEVROLET, I THINK.
434
00:24:15,800 --> 00:24:17,666
WHEN I SAID GAFFNEY
WAS A SMALL TOWN,
435
00:24:17,667 --> 00:24:21,832
I SHOULD'VE SAID GAFFNEY
WAS TWO SMALL TOWNS --
436
00:24:21,833 --> 00:24:25,066
BLACKS AND WHITES
LIVED IN SEPARATE WORLDS.
437
00:24:25,067 --> 00:24:26,499
AND I HATE TO SAY IT NOW,
438
00:24:26,500 --> 00:24:28,866
BUT SINCE HE ONLY
PREYED ON WHITE GIRLS,
439
00:24:28,867 --> 00:24:32,732
HE DIDN'T FEEL LIKE MUCH OF
A THREAT TO ME.
440
00:24:32,733 --> 00:24:35,432
BUT WHEN OPAL WAS KIDNAPPED?
441
00:24:35,433 --> 00:24:37,200
WE KNEW WE WERE ALL
IN DANGER.
442
00:24:41,833 --> 00:24:44,266
BUT THE FEAR THAT COULD'VE TORN
THE COMMUNITY APART
443
00:24:44,267 --> 00:24:46,966
LED TO SOMETHING
ALMOST UNIMAGINABLE.
444
00:24:46,967 --> 00:24:50,332
I WANNA REMIND EVERY CITIZEN
THAT WHOEVER TOOK OPAL BUCKSON
445
00:24:50,333 --> 00:24:52,766
IS STILL HOLDING HER
AGAINST HER WILL.
446
00:24:52,767 --> 00:24:54,199
THIS HAD JUST HAPPENED.
447
00:24:54,200 --> 00:24:57,766
SO THE URGENCY
IS SHE MAY STILL BE ALIVE.
448
00:24:57,767 --> 00:25:00,766
THIS MAN IS A MALE CAUCASIAN,
EARLY 30s,
449
00:25:00,767 --> 00:25:02,432
SLENDER BUILD, MEDIUM HEIGHT.
450
00:25:02,433 --> 00:25:05,499
HE IS BELIEVED
TO BE DRIVING A LATE-'50s
451
00:25:05,500 --> 00:25:08,866
FOUR-DOOR CHEVROLET SEDAN,
DARK IN COLOR.
452
00:25:08,867 --> 00:25:11,699
IT WASN'T BLACK AND WHITE THING
IN ANY WAY.
453
00:25:11,700 --> 00:25:14,466
WE WERE ALL IN THAT TOGETHER
IN GAFFNEY.
454
00:25:14,467 --> 00:25:17,466
WE APPRECIATE THE COOPERATION
OF EACH AND EVERY ONE OF YOU.
455
00:25:17,467 --> 00:25:19,866
TOGETHER, WE'RE GONNA FIND OPAL.
456
00:25:19,867 --> 00:25:23,132
LET'S GO GET HIM.
457
00:25:23,133 --> 00:25:26,932
I REMEMBER MY MAMA SAYIN'
SHE'D NEVER SEEN THE LIKE --
458
00:25:26,933 --> 00:25:29,399
ALL OF GAFFNEY
WORKING TOGETHER,
459
00:25:29,400 --> 00:25:32,132
AND TO SAVE THE LIFE
OF A LITTLE BLACK GIRL?
460
00:25:32,133 --> 00:25:34,666
EVERYBODY WHO LIVES
IN TOWN VOLUNTEERS TO HELP.
461
00:25:34,667 --> 00:25:38,399
SO THEY HAVE MEN
IN CARS DRIVING THE BACK ROADS.
462
00:25:38,400 --> 00:25:42,766
POLICEMEN DRIVING THE BACK
ROADS, LOOKING FOR THAT SEDAN.
463
00:25:42,767 --> 00:25:44,166
IT'S A TICKING CLOCK,
464
00:25:44,167 --> 00:25:48,066
AND THEY WANT TO SEE IF THEY
CAN CATCH HIM AND SAVE HER LIFE.
465
00:25:48,067 --> 00:25:50,232
I'M GONNA JUST KEEP ON
A WHILE LONGER, OKAY?
466
00:25:50,233 --> 00:25:52,966
LESTER SKINNER
AND HENRY TRANSOU
467
00:25:52,967 --> 00:25:55,132
WERE LOCAL GUYS,
ONE'S A GAME WARDEN,
468
00:25:55,133 --> 00:25:57,932
ONE WAS A GOLF PRO.
469
00:25:57,933 --> 00:26:01,066
THEY TURN RIGHT OFF A DIRT ROAD,
470
00:26:01,067 --> 00:26:04,267
AND, UM, AS THEY GET DOWN
INTO THE WOODS...
471
00:26:12,567 --> 00:26:15,332
JESUS, IS THAT HIM?!
472
00:26:15,333 --> 00:26:17,199
HE FITS THE PHYSICAL
DESCRIPTION.
473
00:26:17,200 --> 00:26:20,699
AND HIS CAR
FITS THE DESCRIPTION.
474
00:26:20,700 --> 00:26:24,099
THEY GET TO A POINT
WHERE THEY CAN TURN AROUND,
475
00:26:24,100 --> 00:26:28,332
AND AS THEY TURN AROUND...
476
00:26:28,333 --> 00:26:29,632
HE PULLS OUT.
477
00:26:29,633 --> 00:26:31,199
THE HELL WAS HE DOING
IN THE WOODS LIKE THAT?
478
00:26:31,200 --> 00:26:32,966
SEE IF YOU CAN WRITE DOWN
HIS LICENSE PLATE.
479
00:26:32,967 --> 00:26:35,066
YEP.
480
00:26:35,067 --> 00:26:36,899
HE'S GOING FASTER.
481
00:26:36,900 --> 00:26:40,566
THINK HE KNOWS WE'RE FOLLOWING?
482
00:26:40,567 --> 00:26:42,266
IT'S 1968.
483
00:26:42,267 --> 00:26:43,699
THEY'RE IN THE WOODS.
484
00:26:43,700 --> 00:26:45,732
THERE'S NO PAY PHONE AROUND.
485
00:26:45,733 --> 00:26:46,966
"WHAT'RE WE GONNA DO?"
486
00:26:46,967 --> 00:26:49,699
DO WE TRY TO RUN HIM
OFF THE ROAD TO BE HEROES?
487
00:26:49,700 --> 00:26:51,066
IF HE'S THE KILLER,
488
00:26:51,067 --> 00:26:53,899
HE'S KILLED THREE WOMEN
AND ABDUCTED A GIRL.
489
00:26:53,900 --> 00:26:55,533
HE MIGHT DO ANYTHING.
490
00:27:11,200 --> 00:27:13,766
THEY TAKE DOWN
HIS LICENSE PLATE.
491
00:27:13,767 --> 00:27:16,166
SKINNER AND TRANSOU
GO TO THE SHERIFF'S DEPARTMENT
492
00:27:16,167 --> 00:27:19,100
AND TELL HIM, "THIS IS THE CAR.
THIS IS WHERE HE LIVES."
493
00:27:22,100 --> 00:27:24,667
AND THE POLICE GO BACK
TO THAT HOUSE IMMEDIATELY.
494
00:27:30,100 --> 00:27:31,732
RIGHT HERE,
COULDN'T HAVE BEEN 15 MINUTES.
495
00:27:31,733 --> 00:27:33,766
ALL RIGHT.
496
00:27:33,767 --> 00:27:36,799
STAY BACK, STAY BACK.
497
00:27:36,800 --> 00:27:39,667
GAFFNEY POLICE,
COME OUT OF THAT DOOR!
498
00:27:47,733 --> 00:27:50,666
WHAT?
499
00:27:50,667 --> 00:27:53,466
OKAY.
500
00:27:53,467 --> 00:27:54,866
THAT THE MAN YOU SAW?
501
00:27:54,867 --> 00:27:59,366
DON'T THINK SO, NO.
502
00:27:59,367 --> 00:28:02,566
THERE A MAN PULLED IN THIS
DRIVEWAY ABOUT 15 MINUTES AGO?
503
00:28:02,567 --> 00:28:04,366
YES, SIR.
504
00:28:04,367 --> 00:28:07,566
NEVER SEEN HIM BEFORE.
505
00:28:07,567 --> 00:28:09,532
CAN YOU GET US TO THE PLACE
WHERE YOU FIRST SPOTTED THE CAR?
506
00:28:09,533 --> 00:28:10,932
YEAH, BUT YOU'RE GONNA
NEED TO FOLLOW US.
507
00:28:10,933 --> 00:28:13,066
YEAH.
508
00:28:13,067 --> 00:28:14,966
SKINNER AND TRANSOU
509
00:28:14,967 --> 00:28:18,200
SHOWED WHERE THEY SAW THE CAR
BACKED INTO THE WOODS.
510
00:28:23,733 --> 00:28:27,167
OPAL, ARE YOU HERE?
511
00:28:28,767 --> 00:28:30,232
IT WAS ALWAYS SO SPOOKY
512
00:28:30,233 --> 00:28:32,433
BACK IN THOSE WOODS
WHERE THE CAR WAS SPOTTED.
513
00:28:36,967 --> 00:28:40,899
IT WAS VERY HEAVY BRUSH,
ISOLATED.
514
00:28:40,900 --> 00:28:42,733
OPAL!
515
00:28:48,667 --> 00:28:51,132
THERE'S NO SIGN OF OPAL BUCKSON.
516
00:28:51,133 --> 00:28:54,132
THEY DON'T FIND ANYTHING.
517
00:28:54,133 --> 00:28:58,399
SO THE POLICE
RAN THE TAG NUMBER.
518
00:28:58,400 --> 00:29:01,200
ALL RIGHT.
E G SIX NINE ONE ONE.
519
00:29:05,567 --> 00:29:08,499
LEE ROY MARTIN.
520
00:29:08,500 --> 00:29:13,299
I KNOW LEE ROY.
521
00:29:13,300 --> 00:29:15,666
LEE ROY MARTIN WAS HIS NAME.
522
00:29:15,667 --> 00:29:17,499
GO, GO, GO, GO, GO, GO, GO.
523
00:29:21,500 --> 00:29:24,499
WORKS IN THE MILL,
LOT OF PEOPLE KNOW HIM.
524
00:29:24,500 --> 00:29:28,132
HE HAD BEEN ARRESTED
FOR ASSAULTING A TEENAGE GIRL,
525
00:29:28,133 --> 00:29:30,099
BUT THAT WAS 10 YEARS AGO.
526
00:29:30,100 --> 00:29:31,366
HE FINISHED THAT SENTENCE,
527
00:29:31,367 --> 00:29:33,800
CAME BACK HOME,
MARRIED, HAD CHILDREN.
528
00:29:39,667 --> 00:29:43,532
IF HE STILL HAD OPAL ALIVE, HE
WAS NOT HIDING HER AT THE HOUSE.
529
00:29:43,533 --> 00:29:45,766
THERE'S NO HIDING PLACE
IN A HOUSE THAT SMALL,
530
00:29:45,767 --> 00:29:47,699
PARTICULARLY WITH A WIFE
AND THREE CHILDREN IN THE HOUSE
531
00:29:47,700 --> 00:29:49,500
WITH HIM.
532
00:29:52,733 --> 00:29:57,532
LEE ROY MARTIN WAS
A REGULAR PERSON, A FAMILY MAN.
533
00:29:57,533 --> 00:30:00,232
SHOOT, HE EVEN USED TO DRIVE US
TO THE TRAIN STATION BACK
534
00:30:00,233 --> 00:30:03,432
WHEN HE WAS DRIVING TAXIS.
535
00:30:03,433 --> 00:30:06,099
IT SEEMED IMPOSSIBLE.
536
00:30:06,100 --> 00:30:10,599
COULD LEE ROY REALLY HOLD
THE KEY TO IT ALL?
537
00:30:10,600 --> 00:30:13,100
DID HE KNOW WHERE OUR OPAL WAS?
538
00:30:28,000 --> 00:30:31,432
THE GAFFNEY STRANGLER
CLAIMED THREE VICTIMS SO FAR,
539
00:30:31,433 --> 00:30:33,332
AND PROMISED A FOURTH.
540
00:30:33,333 --> 00:30:36,432
OPAL BUCKSON HAD BEEN
SNATCHED JUST YESTERDAY.
541
00:30:36,433 --> 00:30:38,999
POLICE IN GAFFNEY WERE HOPIN'
SHE WAS STILL ALIVE,
542
00:30:39,000 --> 00:30:42,500
AND THAT LEE ROY MARTIN
MIGHT LEAD THEM TO HER.
543
00:30:44,200 --> 00:30:47,166
HE HAD A NUMBER
OF LAW ENFORCEMENT PEOPLE
544
00:30:47,167 --> 00:30:48,632
THAT WERE WATCHING HIM
545
00:30:48,633 --> 00:30:50,499
AND THAT WERE FOCUSED EXACTLY
ON HIM
546
00:30:50,500 --> 00:30:55,466
AND WATCHING EVERY MOVE
HE MADE.
547
00:30:55,467 --> 00:30:58,966
ONE CAR WOULD GO
ABOUT TWO BLOCKS AND TURN OFF.
548
00:30:58,967 --> 00:31:00,632
AND ANOTHER CAR
WOULD PICK HIM UP
549
00:31:00,633 --> 00:31:02,699
AND GO ABOUT TWO
OR THREE BLOCKS.
550
00:31:02,700 --> 00:31:05,932
THERE IS THIS CAREFULLY
CHOREOGRAPHED
551
00:31:05,933 --> 00:31:07,532
BALLET OF SURVEILLANCE.
552
00:31:07,533 --> 00:31:08,632
HEY, LEE ROY.
553
00:31:08,633 --> 00:31:10,066
MORNIN'.
HOW YOU DOIN'?
554
00:31:10,067 --> 00:31:13,066
HE STOPS IN THE CAFE.
LEE ROY PICKS UP THE PAPER.
555
00:31:13,067 --> 00:31:15,266
'COURSE, THE PAPER IS THE
GAFFNEY NEWSPAPER TALKIN' 'BOUT
556
00:31:15,267 --> 00:31:18,366
THE MURDERS,
TALKIN' 'BOUT THE STRANGLER.
557
00:31:18,367 --> 00:31:19,766
AND LEE ROY SAYS...
558
00:31:19,767 --> 00:31:21,299
SO WHAT'S NEW, LEROY?
559
00:31:21,300 --> 00:31:23,066
WELL, SOMETIMES
THERE AIN'T NO NEWS,
560
00:31:23,067 --> 00:31:26,632
AND THEN SOMETIMES PEOPLE
GO AND DO THINGS TO MAKE NEWS.
561
00:31:26,633 --> 00:31:28,367
THAT SURE IS
SOME DEAL?
562
00:31:32,067 --> 00:31:35,766
LOOKS LIKE HE
WAS UNACCOUNTED FOR.
563
00:31:35,767 --> 00:31:37,166
WHEN?
564
00:31:37,167 --> 00:31:39,099
EVERY TIME.
565
00:31:39,100 --> 00:31:41,332
EVERY TIME
ONE OF THEM WENT MISSING,
566
00:31:41,333 --> 00:31:43,466
LEE ROY MARTIN WAS NOT AT WORK:
567
00:31:43,467 --> 00:31:46,499
SICK CALLS, SHIFT CHANGES,
568
00:31:46,500 --> 00:31:50,399
NO-SHOWS.
569
00:31:50,400 --> 00:31:53,066
LEE ROY WAS LOOKING
MORE AND MORE SUSPICIOUS.
570
00:31:53,067 --> 00:31:54,899
BUT WHAT COULD THE POLICE DO?
571
00:31:54,900 --> 00:31:56,399
IF THEY ARRESTED HIM NOW,
572
00:31:56,400 --> 00:31:59,566
HE MIGHT NEVER LEAD THEM
TO OPAL.
573
00:31:59,567 --> 00:32:03,632
ALL THEY COULD DO WAS WAIT.
574
00:32:03,633 --> 00:32:07,232
AND NOW, HE DOES A VERY ODD
THING FOR A FEBRUARY
575
00:32:07,233 --> 00:32:09,433
IN GAFFNEY, SOUTH CAROLINA.
576
00:32:16,067 --> 00:32:18,632
HE WASHES HIS CAR.
577
00:32:18,633 --> 00:32:21,066
WHAT THE HELL IS HE DOIN'?
578
00:32:21,067 --> 00:32:23,167
GETTIN' RID OF
EVIDENCE.
579
00:32:33,067 --> 00:32:35,532
HE'S WASHIN'
FINGERPRINTS,
580
00:32:35,533 --> 00:32:37,499
HANDPRINTS, OFF HIS WINDOWS.
581
00:32:37,500 --> 00:32:38,666
AND THEY'RE THINKING,
582
00:32:38,667 --> 00:32:40,299
"DID HE HAVE HER IN THE BACK
OF THE CAR?
583
00:32:40,300 --> 00:32:42,799
IS THAT WHERE THE HANDPRINTS
COME FROM?"
584
00:32:42,800 --> 00:32:45,099
IT HAD BEEN 5 DAYS.
585
00:32:45,100 --> 00:32:47,866
THEY HAD TO ADMIT
586
00:32:47,867 --> 00:32:52,266
THAT OPAL
WAS ALMOST CERTAINLY DEAD.
587
00:32:52,267 --> 00:32:54,166
AND NOW WHAT MIGHT BE EVIDENCE
588
00:32:54,167 --> 00:32:56,400
WAS VANISHING
BEFORE THEIR EYES.
589
00:33:02,133 --> 00:33:06,332
SO POLICE GO OUT THERE
WHERE SKINNER AND TRANSOU
590
00:33:06,333 --> 00:33:11,499
SAW LEE ROY MARTIN STANDING OUT
BY THE CAR IN THE WOODS
591
00:33:11,500 --> 00:33:14,266
'CAUSE THAT'S AT LEAST ONE SPOT
WE KNOW HE WAS.
592
00:33:14,267 --> 00:33:16,666
IF POOR OPAL WAS OUT THERE,
593
00:33:16,667 --> 00:33:18,799
IT WOULD STAND TO REASON
THAT LEE ROY MARTIN
594
00:33:18,800 --> 00:33:22,332
HAD PUT HER THERE.
595
00:33:22,333 --> 00:33:23,832
THE STRANGLER
SOUGHT TO TERRORIZE
596
00:33:23,833 --> 00:33:27,166
THE WHITE AND BLACK FOLKS
OF GAFFNEY,
597
00:33:27,167 --> 00:33:30,566
TO MAKE US HUDDLE IN OUR HOMES
IN FEAR.
598
00:33:30,567 --> 00:33:33,099
BUT WHAT HE DID WAS
UNITE US,
599
00:33:33,100 --> 00:33:35,632
EVEN IF JUST FOR A MOMENT.
600
00:33:35,633 --> 00:33:39,132
WE START DOWN THROUGH
THE WOODS.
601
00:33:39,133 --> 00:33:42,067
IT'S A PRETTY VAST AREA.
602
00:33:56,500 --> 00:33:57,867
I FOUND HER!
603
00:34:04,400 --> 00:34:08,633
THEY FIND THE BODY OF OPAL.
604
00:34:18,667 --> 00:34:22,832
NO! NO!
605
00:34:22,833 --> 00:34:25,067
NO!
606
00:34:41,533 --> 00:34:43,666
WE FOUND HER.
IT'S HIM.
607
00:34:43,667 --> 00:34:45,066
LET'S GO GET HIM.
608
00:34:45,067 --> 00:34:48,799
THERE WAS NO REASON
TO WAIT ANY LONGER.
609
00:34:48,800 --> 00:34:50,199
IT'S NO PROBLEM AT ALL.
610
00:34:50,200 --> 00:34:51,866
I'M HEADIN' OUT THAT WAY,
ANYWAY.
611
00:34:51,867 --> 00:34:53,432
AREN'T YOU SWEET, LEE ROY?
612
00:34:53,433 --> 00:34:54,599
NOW, IT'S NO TROUBLE AT ALL.
613
00:34:54,600 --> 00:34:57,099
JUST WANT YOU TO BE SAFE.
614
00:34:57,100 --> 00:34:58,332
NOW, THEY JUST HAD TO HOPE
615
00:34:58,333 --> 00:35:01,767
THEY COULD GET HIM
BEFORE HE KILLED AGAIN.
616
00:35:15,267 --> 00:35:16,766
FOLKS WHO WERE
DOWN AT THE MILL
617
00:35:16,767 --> 00:35:20,599
THAT DAY SAID IT WAS
THE STRANGEST THING,
618
00:35:20,600 --> 00:35:22,466
THEM COMIN' TO ARREST
LEE ROY MARTIN
619
00:35:22,467 --> 00:35:24,333
FOR THE STRANGLINGS.
620
00:35:27,533 --> 00:35:29,532
AND ONE OF THE POOR GIRLS
WHO WORKED THERE
621
00:35:29,533 --> 00:35:32,632
JUST ABOUT FELL OVER DEAD WHEN
SHE REMEMBERED HER CONVERSATION
622
00:35:32,633 --> 00:35:36,266
WITH LEE ROY THE NIGHT BEFORE.
623
00:35:36,267 --> 00:35:38,799
I'M HEADIN' OUT THAT WAY,
ANYWAY.
624
00:35:38,800 --> 00:35:40,366
AREN'T YOU SWEET, LEE ROY?
625
00:35:40,367 --> 00:35:45,066
NOW, IT'S NO TROUBLE AT ALL.
JUST WANT YOU TO BE SAFE.
626
00:35:45,067 --> 00:35:46,732
YOU SURE IT'S NO TROUBLE?
OF COURSE, YEAH.
627
00:35:46,733 --> 00:35:49,266
COME ON.
628
00:35:49,267 --> 00:35:51,466
YOU KNOW,
THAT'S ALL RIGHT, LEE ROY.
629
00:35:51,467 --> 00:35:53,832
MY BROTHER-IN-LAW SAID
HE'D BE HERE ANY SECOND NOW.
630
00:35:53,833 --> 00:35:56,066
YOU SURE?
YES, THANK YOU. I'M FINE.
631
00:35:56,067 --> 00:35:59,366
ONE OF HIS COWORKERS
TELLS THEM THAT HE HAD TRIED
632
00:35:59,367 --> 00:36:03,266
TO GET HER TO TAKE A RIDE
WITH HIM AFTER WORK YESTERDAY.
633
00:36:03,267 --> 00:36:06,600
SO, SHE WAS PROBABLY
HIS NEXT VICTIM.
634
00:36:20,467 --> 00:36:22,500
I'M TELLIN' YOU BOYS,
YOU GOT THE WRONG MAN HERE.
635
00:36:27,600 --> 00:36:30,232
I AIN'T KILLED NOBODY,
YOU HEAR ME?
636
00:36:30,233 --> 00:36:31,966
NOW, REMEMBER, THE POLICE
637
00:36:31,967 --> 00:36:33,666
BELIEVED MARTIN
WAS THE STRANGLER.
638
00:36:33,667 --> 00:36:36,299
BUT THEY DIDN'T HAVE
ANY ACTUAL PROOF.
639
00:36:36,300 --> 00:36:38,466
IF THEY WERE GOING
TO PUT HIM AWAY FOR GOOD,
640
00:36:38,467 --> 00:36:40,633
THEY WANTED A CONFESSION.
641
00:36:50,600 --> 00:36:52,299
AND IF THERE'S ONE THING
THEY'D LEARNED
642
00:36:52,300 --> 00:36:53,867
FROM THOSE PHONE CALLS...
643
00:36:56,833 --> 00:36:59,499
IT'S THAT THE STRANGLER
WANTED ATTENTION.
644
00:36:59,500 --> 00:37:01,899
HEY, WHERE'RE WE GOIN'?
645
00:37:01,900 --> 00:37:03,966
THIS AIN'T THE WAY
TO THE COURT HOUSE.
646
00:37:03,967 --> 00:37:06,399
AND THE THING ABOUT SOMEONE
WHO WANTS ATTENTION
647
00:37:06,400 --> 00:37:09,499
IS IF YOU REFUSED
TO GIVE IT TO HIM,
648
00:37:09,500 --> 00:37:11,899
HE'LL DO ANYTHING TO GET IT.
649
00:37:11,900 --> 00:37:14,167
YOU'RE TAKING ME
TO STATE CAPITAL, AIN'T YOU?
650
00:37:17,133 --> 00:37:18,799
Y'ALL MUST'VE THOUGHT
I DID SOME AWFUL THINGS
651
00:37:18,800 --> 00:37:22,099
TO THOSE WOMEN.
652
00:37:22,100 --> 00:37:23,900
SOME AWFUL THINGS.
653
00:37:27,333 --> 00:37:29,733
WHATCHA THINK HAPPENED
TO THOSE WOMEN?
654
00:37:42,400 --> 00:37:45,232
I'LL TELL YOU WHAT,
655
00:37:45,233 --> 00:37:49,866
THAT FIRST ONE
WAS THE EASIEST...
656
00:37:49,867 --> 00:37:51,832
AND THE HARDEST.
657
00:37:51,833 --> 00:37:55,499
THEN HE SEEMED KINDA PROUD.
658
00:37:55,500 --> 00:37:59,633
I'VE DONE 'EM ALL THE SAME WAY,
WITH MY BELT.
659
00:38:02,967 --> 00:38:04,466
HE JUST OPENED UP
660
00:38:04,467 --> 00:38:07,366
AND STARTED FREELY
TALKING ABOUT THE MURDERS.
661
00:38:07,367 --> 00:38:08,899
WHAT ABOUT THAT DOG?
662
00:38:08,900 --> 00:38:10,866
THAT DOG RAN AWAY.
663
00:38:10,867 --> 00:38:12,599
I TOLD HER, I SAID,
"DON'T WORRY, DON'T WORRY.
664
00:38:12,600 --> 00:38:16,299
I'LL GO GET HIM."
I FOUND HIM.
665
00:38:16,300 --> 00:38:18,932
I CHOKED HIM.
666
00:38:18,933 --> 00:38:22,066
I CAME BACK
AND TOLD HER HE GOT AWAY.
667
00:38:22,067 --> 00:38:24,232
MARTIN LOVES ATTENTION.
668
00:38:24,233 --> 00:38:27,666
HE WANTED TO TAKE CREDIT
FOR THESE MURDERS.
669
00:38:27,667 --> 00:38:29,599
I JUST GO DRIVING AROUND LOOKIN'
FOR WOMEN
670
00:38:29,600 --> 00:38:32,799
WHO'S OFF BY THEMSELVES,
671
00:38:32,800 --> 00:38:34,733
LIKE THAT RHINEHART GIRL.
672
00:38:41,933 --> 00:38:44,267
KILLIN' THOSE GIRLS
WAS BAD ENOUGH.
673
00:38:48,900 --> 00:38:51,866
BUT WHAT HE TOLD THE POLICE
ABOUT WHAT HE DID
674
00:38:51,867 --> 00:38:54,466
AFTER HE STRANGLED THEM
MADE ME WONDER
675
00:38:54,467 --> 00:38:58,966
IF HE WASN'T JUST SOME KIND
OF A DEMON AFTER ALL.
676
00:38:58,967 --> 00:39:00,766
MARTIN, BY HIS OWN ADMISSION,
677
00:39:00,767 --> 00:39:05,466
HAD GONE BACK TO THE BODY
OF TINA RHINEHART.
678
00:39:05,467 --> 00:39:08,199
AND OVER THE COURSE
OF 7 OR 8 DAYS
679
00:39:08,200 --> 00:39:10,100
HE HAD SEXUALLY MOLESTED
THE CORPSE.
680
00:39:15,700 --> 00:39:19,700
THE OTHER VICTIMS
HAD BEEN VISITED FOR SEX, ALSO.
681
00:39:25,433 --> 00:39:27,532
AND IT'S LIKELY
THE STRANGULATION PART
682
00:39:27,533 --> 00:39:29,666
OF HIS CRIME
683
00:39:29,667 --> 00:39:31,867
WAS WHEN HE WAS
SEXUALLY AROUSED.
684
00:39:35,567 --> 00:39:37,532
WITH ITS SUFFERINGS...
685
00:39:37,533 --> 00:39:39,933
HIS DEPRAVITY KNEW NO BOUNDS.
686
00:39:44,133 --> 00:39:47,399
I THINK HE WOULD'VE DRUNK OUR
TEARS IF HE COULD HAVE.
687
00:39:47,400 --> 00:39:51,499
LEE ROY MARTIN HAD ACTUALLY COME
TO TINA'S FUNERAL.
688
00:39:51,500 --> 00:39:53,732
SHE WAS SUCH A PRETTY
LITTLE GIRL.
689
00:39:53,733 --> 00:39:56,066
THAT'S SO KIND OF YOU TO SAY.
690
00:39:56,067 --> 00:39:58,766
TINA'S SISTER TOLD ME
691
00:39:58,767 --> 00:40:02,832
THAT LEE ROY MARTIN
HAD COME BY
692
00:40:02,833 --> 00:40:06,166
AND STAYED A LENGTHY PERIOD
OF TIME.
693
00:40:06,167 --> 00:40:07,799
ANYTHING YOU NEED,
ANYTHING AT ALL, PLEASE
694
00:40:07,800 --> 00:40:09,099
DON'T HESITATE TO ASK,
ALL RIGHT?
695
00:40:09,100 --> 00:40:11,332
THANK YOU, LEROY.
696
00:40:11,333 --> 00:40:14,599
FROM HIS PERSPECTIVE,
THIS WAS EXHILARATING.
697
00:40:14,600 --> 00:40:17,066
"LOOK HOW SMART I AM
BECAUSE NONE OF YOU
698
00:40:17,067 --> 00:40:20,367
KNOW THAT I'M THE ONE
THAT PUT HER THERE."
699
00:40:26,600 --> 00:40:29,832
BEFORE HIS ONE BRUSH WITH
THE LAW 10 YEARS EARLIER,
700
00:40:29,833 --> 00:40:32,732
THERE AIN'T MUCH TO KNOW
ABOUT LEE ROY MARTIN.
701
00:40:32,733 --> 00:40:35,166
BORN AND RAISED IN GAFFNEY,
702
00:40:35,167 --> 00:40:38,332
HIS TROUBLES WEREN'T WORSE THAN
ANYONE ELSE FROM AROUND HERE.
703
00:40:38,333 --> 00:40:39,832
HIS DADDY DIED YOUNG,
704
00:40:39,833 --> 00:40:42,732
AND HIS STEP-DADDY
HAD A TEMPER.
705
00:40:42,733 --> 00:40:46,699
BUT HE CLOCKED IN ON TIME
AND ALWAYS PAID HIS DEBT.
706
00:40:46,700 --> 00:40:51,166
HOW COULD ANYONE HAVE KNOWN?
707
00:40:51,167 --> 00:40:55,532
O'Toole; LEE ROY MARTIN
HAS THESE EXTERIOR, UM,
708
00:40:55,533 --> 00:40:57,332
TRAPPINGS OF NORMALCY.
709
00:40:57,333 --> 00:41:01,532
HE'S A NICE GUY,
HE'S QUIET, DOESN'T DRINK.
710
00:41:01,533 --> 00:41:05,799
BUT UNDERNEATH THE SURFACE,
THIS WAS AN INDIVIDUAL
711
00:41:05,800 --> 00:41:09,699
WHO WAS DEVELOPING
INTO A VERY DANGEROUS,
712
00:41:09,700 --> 00:41:12,232
SEXUALLY DEVIANT SERIAL KILLER.
713
00:41:12,233 --> 00:41:14,532
BUT HIS DEVELOPMENT
WAS SUBTLE,
714
00:41:14,533 --> 00:41:18,466
AND IT OCCURRED OVER A PERIOD
OF TIME.
715
00:41:18,467 --> 00:41:19,866
JUST LIKE THE BOGEYMAN
716
00:41:19,867 --> 00:41:23,066
FROM THE STORIES
MY BROTHER USED TO TELL,
717
00:41:23,067 --> 00:41:28,567
LEE ROY MARTIN HAD STARTED TAP,
TAP, TAPPIN' ON THE WINDOWPANE.
718
00:41:29,900 --> 00:41:32,732
AND AS HIS BLOODLUST GREW,
719
00:41:32,733 --> 00:41:38,432
THE TAPPING GOT LOUDER,
CLOSER TO OUR HOMES.
720
00:41:38,433 --> 00:41:42,399
AND THAT MIGHT BE THE SCARIEST
THING ABOUT LEE ROY MARTIN.
721
00:41:42,400 --> 00:41:45,466
HE WAS SO ORDINARY
THAT EVEN WHEN THE MONSTER
722
00:41:45,467 --> 00:41:48,899
WAS BANGIN' ON OUR FRONT DOOR,
DEMANDIN' TO BE HEARD,
723
00:41:48,900 --> 00:41:51,967
NO ONE COULD EVER'VE IMAGINED
IT WAS HIM.
724
00:42:00,433 --> 00:42:03,666
LEE ROY MARTIN WAS
CONVICTED OF FOUR MURDERS,
725
00:42:03,667 --> 00:42:08,266
FOUR LIFE SENTENCES
WITHOUT PAROLE.
726
00:42:08,267 --> 00:42:09,832
THE ULTIMATE LEGACY
727
00:42:09,833 --> 00:42:13,632
IS THE STORIES THAT STILL
PERMEATE THROUGH SOUTH CAROLINA.
728
00:42:13,633 --> 00:42:17,399
THE BRIDGE IS A SPOT
THAT PEOPLE GO TO A LOT.
729
00:42:17,400 --> 00:42:22,366
THERE'S ALWAYS THESE STORIES
THAT THERE'S SCREAMS OF GIRLS.
730
00:42:22,367 --> 00:42:23,732
IT'S REALLY STRANGE.
731
00:42:23,733 --> 00:42:28,266
I CAN JUST BE WALKIN'
AROUND TREES OR NEAR A WOOD,
732
00:42:28,267 --> 00:42:30,932
AND I -- I THINK ABOUT IT.
733
00:42:30,933 --> 00:42:32,532
IT WON'T EVER LEAVE ME,
734
00:42:32,533 --> 00:42:35,066
AND I'M -- I'M SURE THERE'S
A LOT OF PEOPLE IN GAFFNEY.
735
00:42:35,067 --> 00:42:36,499
ALL THE FAMILIES,
736
00:42:36,500 --> 00:42:39,066
EVEN LEE ROY'S FAMILIES HAVE
BEEN VICTIMS
737
00:42:39,067 --> 00:42:41,832
AND THAT TOUCHES
A LOT OF PEOPLE.
738
00:42:41,833 --> 00:42:45,132
THOSE TYPES OF THINGS
IN SMALL TOWNS
739
00:42:45,133 --> 00:42:47,733
TAKE A LONG TIME
TO DISAPPEAR.
740
00:43:03,533 --> 00:43:06,899
* WENT OUT ONE NIGHT
TO MAKE A LITTLE ROUND *
741
00:43:06,900 --> 00:43:09,432
* MET LITTLE SADIE
AND I SHOT HER DOWN *
742
00:43:09,433 --> 00:43:12,066
* WENT BACK HOME
GOT INTO BED *
743
00:43:12,067 --> 00:43:16,266
* FORTY-FOUR PISTOL
UNDER MY HEAD *
744
00:43:16,267 --> 00:43:19,066
* JURY SAYS "MURDER IN
THE FIRST DEGREE" *
745
00:43:19,067 --> 00:43:21,866
* I SAYS, LORD,
HAVE MERCY ON ME *
746
00:43:21,867 --> 00:43:24,232
* OLD JUDGE BLACK
PICKS UP HIS PEN *
747
00:43:24,233 --> 00:43:27,633
* SAYS YOU'LL NEVER KILL
NO WOMAN AGAIN *
55832
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof