Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,470 --> 00:00:05,070
We're going to do a bokeh pano shot
2
00:00:05,070 --> 00:00:07,250
in this beautiful aspen grove here.
3
00:00:07,570 --> 00:00:10,210
And I've chosen this location because it's got
4
00:00:10,210 --> 00:00:10,850
two things.
5
00:00:11,030 --> 00:00:12,550
It's got tons of depth.
6
00:00:12,750 --> 00:00:14,830
As you can see, those aspens go on
7
00:00:14,830 --> 00:00:16,910
forever and we've got lots of texture.
8
00:00:17,370 --> 00:00:19,310
And this is when we're really drawn to
9
00:00:19,310 --> 00:00:20,530
do these Bruneiser shots.
10
00:00:21,310 --> 00:00:23,710
And Lani explained this in the studio, what's
11
00:00:23,710 --> 00:00:25,030
going on with these shots, right?
12
00:00:25,070 --> 00:00:28,850
We're using a telephoto lens to make a
13
00:00:28,850 --> 00:00:31,049
wide angle photo, right?
14
00:00:31,150 --> 00:00:32,450
So if I were just to take a
15
00:00:32,450 --> 00:00:35,330
picture of our models in this forest with
16
00:00:35,330 --> 00:00:38,670
a regular wide angle lens, we wouldn't get
17
00:00:38,670 --> 00:00:41,890
the same depth of field that we get
18
00:00:41,890 --> 00:00:43,650
with the telephoto lens.
19
00:00:43,890 --> 00:00:45,970
So I've looked, I've just looked with my
20
00:00:45,970 --> 00:00:48,330
eye to find an opening in which to
21
00:00:48,330 --> 00:00:49,570
place Jesse and Jenny.
22
00:00:49,730 --> 00:00:51,670
And there's this beautiful opening right here.
23
00:00:51,810 --> 00:00:55,270
And I want to get them fairly into
24
00:00:55,270 --> 00:00:56,450
the forest, right?
25
00:00:56,450 --> 00:00:58,550
Cause then I'm really taking advantage of that
26
00:00:58,550 --> 00:01:01,010
depth of field, that 1.4 that I've
27
00:01:01,010 --> 00:01:01,810
got with this lens.
28
00:01:02,070 --> 00:01:03,790
So I see an opening right through here.
29
00:01:03,970 --> 00:01:05,990
There's not too many distractions in the background
30
00:01:05,990 --> 00:01:06,330
either.
31
00:01:06,490 --> 00:01:07,310
So I'm going to put them right in
32
00:01:07,310 --> 00:01:07,470
there.
33
00:01:07,550 --> 00:01:08,410
So come on over guys.
34
00:01:09,690 --> 00:01:17,320
So you guys are going to stand right,
35
00:01:18,480 --> 00:01:19,680
right about right here.
36
00:01:19,840 --> 00:01:21,920
And let's do for the start, let's do
37
00:01:21,920 --> 00:01:22,980
like a backwards spoon.
38
00:01:23,560 --> 00:01:25,600
So Jesse or Jenny, you would stand around
39
00:01:25,600 --> 00:01:27,800
here and Jesse, you would come around behind
40
00:01:27,800 --> 00:01:29,300
her, right?
41
00:01:29,300 --> 00:01:29,700
Yeah.
42
00:01:30,040 --> 00:01:32,640
And then, well, let's do like the front
43
00:01:32,640 --> 00:01:33,340
hand under.
44
00:01:33,920 --> 00:01:34,080
Yeah.
45
00:01:34,240 --> 00:01:35,540
And then just sort of cuddle it in
46
00:01:35,540 --> 00:01:37,620
that way with whatever feels natural.
47
00:01:37,860 --> 00:01:40,020
And maybe I'll get you guys to turn,
48
00:01:40,140 --> 00:01:42,100
uh, the other way.
49
00:01:43,580 --> 00:01:43,980
Yeah.
50
00:01:44,220 --> 00:01:45,740
And then you move back a little bit,
51
00:01:45,780 --> 00:01:47,020
just so I can see both your faces
52
00:01:47,020 --> 00:01:48,600
and then I'll probably get you to nuzzle
53
00:01:48,600 --> 00:01:49,500
into her temple there.
54
00:01:53,190 --> 00:01:53,590
Okay.
55
00:01:53,670 --> 00:01:58,490
Let's actually, now I'm just going to micro
56
00:01:58,490 --> 00:02:00,330
adjust the couple just because right now I've
57
00:02:00,330 --> 00:02:01,830
got some trees coming right out of the
58
00:02:01,830 --> 00:02:03,730
box growing out of the tops of their
59
00:02:03,730 --> 00:02:04,010
heads.
60
00:02:04,310 --> 00:02:05,190
So I'm going to have you guys move
61
00:02:05,190 --> 00:02:07,630
slightly this way and a little bit more
62
00:02:07,630 --> 00:02:08,210
towards me.
63
00:02:08,930 --> 00:02:10,510
So I'm trying to get them a little
64
00:02:10,510 --> 00:02:12,650
bit further away from the trees behind them
65
00:02:12,650 --> 00:02:15,210
so that they really pop.
66
00:02:15,310 --> 00:02:17,250
So they're really the only thing in focus
67
00:02:17,250 --> 00:02:17,750
in the frame.
68
00:02:18,910 --> 00:02:19,250
Okay.
69
00:02:19,590 --> 00:02:21,950
So I'm going to set my F-stop
70
00:02:21,950 --> 00:02:24,750
to one four and my ISO is all
71
00:02:24,750 --> 00:02:29,470
the way down to 100 and my shutter
72
00:02:29,470 --> 00:02:31,970
speed in order to get the exposure I'm
73
00:02:31,970 --> 00:02:36,110
looking for is currently one 500.
74
00:02:36,350 --> 00:02:37,690
Then I think that's perfect.
75
00:02:38,570 --> 00:02:38,970
Okay.
76
00:02:39,670 --> 00:02:41,990
This is one of the only times we
77
00:02:41,990 --> 00:02:45,810
ever shoot vertical ever because that first frame
78
00:02:45,810 --> 00:02:48,110
of the, all those frames that I'm going
79
00:02:48,110 --> 00:02:49,530
to stitch together, I want to fill as
80
00:02:49,530 --> 00:02:51,290
much of the couple with that frame as
81
00:02:51,290 --> 00:02:53,310
possible so that I can really take advantage
82
00:02:53,310 --> 00:02:55,390
of the fact that I'm at 1.4.
83
00:02:55,390 --> 00:02:57,050
So I'm going to put my camera in
84
00:02:57,050 --> 00:02:59,050
a place where I can fill the vertical
85
00:02:59,050 --> 00:03:00,410
frame with their bodies.
86
00:03:00,550 --> 00:03:01,890
So I'm going to move a bit closer.
87
00:03:05,100 --> 00:03:05,860
Yeah, that's good.
88
00:03:06,060 --> 00:03:07,700
And then I'll just get you guys into
89
00:03:07,700 --> 00:03:08,160
each other.
90
00:03:08,300 --> 00:03:11,120
So Jesse into a little bit higher with
91
00:03:11,120 --> 00:03:13,540
your nose on her temple and just sort
92
00:03:13,540 --> 00:03:15,420
of rub, rub her temple with your nose.
93
00:03:15,820 --> 00:03:17,420
And then Jesse, you could, or Jenny you
94
00:03:17,420 --> 00:03:18,540
can look up towards Jesse.
95
00:03:18,860 --> 00:03:19,260
Perfect.
96
00:03:19,500 --> 00:03:21,000
I'm just getting a whole bunch of shots
97
00:03:21,000 --> 00:03:24,200
of the couple and let's get big laughing
98
00:03:24,200 --> 00:03:25,440
smiles up at the sky.
99
00:03:26,140 --> 00:03:28,040
Indira temple there again though.
100
00:03:28,620 --> 00:03:29,100
Great.
101
00:03:30,120 --> 00:03:30,560
Awesome.
102
00:03:31,080 --> 00:03:31,200
Okay.
103
00:03:33,980 --> 00:03:35,980
And mine is just getting a wide shot.
104
00:03:36,220 --> 00:03:39,340
The same shot from the exact same perspective,
105
00:03:39,880 --> 00:03:42,680
but with the 35 millimeter lens wide open
106
00:03:42,680 --> 00:03:44,680
at 1.4 so that we can compare.
107
00:03:45,100 --> 00:03:45,260
Yeah.
108
00:03:45,560 --> 00:03:45,840
Okay.
109
00:03:45,880 --> 00:03:47,460
So now you guys are just going to
110
00:03:47,460 --> 00:03:48,380
stay in the same spot.
111
00:03:48,740 --> 00:03:50,200
I'm not, you're not going to be in
112
00:03:50,200 --> 00:03:51,480
the, say in the frame.
113
00:03:51,480 --> 00:03:53,280
So you don't have to worry about looking
114
00:03:53,280 --> 00:03:55,840
happy, but I'm just going to fill in
115
00:03:55,840 --> 00:03:57,660
the frame here.
116
00:03:58,160 --> 00:04:03,260
So first I'm going left and I'm going
117
00:04:03,260 --> 00:04:04,800
to go back to my couple for reference
118
00:04:04,800 --> 00:04:06,440
and I'm going to go right.
119
00:04:07,240 --> 00:04:09,960
And I've got about a 30% overlap
120
00:04:09,960 --> 00:04:11,680
with each picture.
121
00:04:12,380 --> 00:04:13,720
I'm going to go back to the couple.
122
00:04:13,840 --> 00:04:22,460
Now I'm going up and left, back to
123
00:04:22,460 --> 00:04:27,580
the couple up and right.
124
00:04:27,580 --> 00:04:27,680
Right.
125
00:04:29,720 --> 00:04:31,520
And I'm getting way more than I know
126
00:04:31,520 --> 00:04:33,960
I want, which is the, which is okay.
127
00:04:34,500 --> 00:04:37,140
And I'm going up and left one more
128
00:04:37,140 --> 00:04:45,620
layer and up and left or sorry, up
129
00:04:45,620 --> 00:04:46,040
and right.
130
00:04:49,240 --> 00:04:51,420
And maybe I'll do one more just for
131
00:04:51,420 --> 00:04:51,640
fun.
132
00:04:52,140 --> 00:04:53,840
I don't think we'll use this last layer
133
00:04:53,840 --> 00:04:55,400
because it's got the sky in it, which
134
00:04:55,400 --> 00:04:57,540
is a highlight that I'm trying to avoid,
135
00:04:59,740 --> 00:05:03,040
but just to be safe, I'll get that
136
00:05:03,040 --> 00:05:05,420
extra layer and I'm going to do one
137
00:05:05,420 --> 00:05:09,170
layer on the ground here.
138
00:05:10,960 --> 00:05:14,220
So I'm always going back to my couple
139
00:05:14,220 --> 00:05:15,960
for reference.
140
00:05:18,910 --> 00:05:20,770
And I'm going to do one more here.
141
00:05:22,250 --> 00:05:24,150
And of course all these frames that I'm
142
00:05:24,150 --> 00:05:26,250
taking here to fill in the frame or
143
00:05:26,250 --> 00:05:28,410
to fill in the composition are all completely
144
00:05:28,410 --> 00:05:29,170
out of focus.
145
00:05:30,050 --> 00:05:31,990
And that's exactly what I want.
146
00:05:32,550 --> 00:05:33,110
All right.
147
00:05:33,170 --> 00:05:34,430
The other thing I make sure I do
148
00:05:34,430 --> 00:05:36,570
because this can get really confusing when I
149
00:05:36,570 --> 00:05:38,530
bring these photos into photo mechanic and I'm
150
00:05:38,530 --> 00:05:40,850
calling later, I make sure when I'm done
151
00:05:40,850 --> 00:05:42,890
taking all the photos, I take a picture
152
00:05:42,890 --> 00:05:45,370
of something to signify that I'm done.
153
00:05:45,370 --> 00:05:47,330
So then I can easily find that group
154
00:05:47,330 --> 00:05:50,530
of, you know, 70, 80, 100 photos in
155
00:05:50,530 --> 00:05:51,610
Photoshop to merge together.
156
00:05:51,610 --> 00:05:53,150
So I'll just take a picture of my
157
00:05:53,150 --> 00:05:53,510
feet.
158
00:05:53,870 --> 00:05:54,310
Perfect.
159
00:05:54,550 --> 00:05:56,410
And now I know when I'm in Photoshop,
160
00:05:56,770 --> 00:05:58,710
I go from the first frame of them
161
00:05:58,710 --> 00:05:59,930
to the picture of my feet.
162
00:05:59,970 --> 00:06:01,390
And that's why I try and stitch together.
163
00:06:01,530 --> 00:06:01,870
All right.
164
00:06:01,870 --> 00:06:03,690
So we're going to bring this into Photoshop
165
00:06:03,690 --> 00:06:05,470
and see if it works out.
166
00:06:05,830 --> 00:06:06,510
Fingers crossed.
10742
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof