Original subtitles

EDGAR: Mr. Quinn...

...I understand you are interested in purchasing The Key.

Ted Roark gave this to me.

I worked at Fulcrum for 1 0 years and this is all l have to show for it.

Of course, the only person who can use it is someone with an lntersect.

I have one of my very own, but the damn thing's glitchy.

Either it cooks your brain or it steals your memories.

-And I need The Key to fix it. -Interesting.

Edgar, keep that to yourself. I have a few enemies.

EDGAR: You do realize that's only one part of The Key?

-There are two other pieces. QUINN: l do.

Sources tell me a former member of The Ring...

...acquired one from Volkoff a few years back.

The Ring. What amateurs.

Edgar, do you still carry that Walther under your jacket?

EDGAR: Of course. Why do you ask?

Sarah.

You're upset, l can tell.

You stole my memories and you ruined my life.

[ALARM BLARlNG]

Sarah, l'm still alive.

[LAUGHlNG]

Come on. Go for the gun.

You're so close. Go for the gun.

EDGAR: No!

[GRUNTING]

[YELLS]

[ALARM CLOCK RlNGING]

[ALARM STOPS]

-Good morning. -Morgan....

You're feeling down and miss Sarah but it's time to get out of bed.

She's gone, man. Sarah's gone.

Out of bed, Chuck. You are getting Sarah back today.

What? What? She doesn't remember me, okay?

Or you or us or any of it. How many people are in my room right now?

Dude, you can do this. You can get Sarah back.

-Even Clara agrees. -Hi, Clara.

Think about it. Every impossible mission starts with what?

James Bond taking that giant step and getting out of bed.

First, you're mixing spy metaphors.

Second, if you haven't noticed, I'm not exactly James Bond.

I'm actually no longer a spy and I lost my wife.

I'm back where l was before, alone in Burbank.

You are not alone. You have us.

You are not the person you were five years ago. You are much more.

Yeah, there you go. One sit-up closer to getting the girl back.

This is crazy. I tried to get her to remember me and it didn't work.

I can't get her to fall in love with me again.

Chuck, it's clear that we can't force Sarah to remember...

...but emotions, feelings, those are powerful things.

And if you can find Sarah, maybe you can spark some of these memories.

-Really? -She fell in love with you before, Chuck.

You can do it again. She'll remember.

Do you really think it could work?

That she could just...

...snap out of it?

Yeah, you know what? You're right.

I can do this. I took down The Ring, Fulcrum.

I'm a very impressive spy for hire.

We fell in love once, we can do it again. She'll remember.

MORGAN: That's what I'm talking about.

That's the spirit. Wow, l just said that.

I mean, she may be the best spy in the world, but l'm Chuck Bartowski.

It's not like she's out of my league.

I can do it. I can get Sarah Walker back.

Your target is Nicholas Quinn.

Superb.

-I take it you don't want him alive. -No, I want him very dead.

He's got an lntersect, and our intel says he's after The Key.

The Key? What does it do?

We're not certain.

The original lntersect designers made The Key in three pieces.

We don't know where they are.

Find Quinn before he gets all three parts.

-Done. I'm ready to go. -Are you?

Carmichael lndustries dropped the ball on this already.

Five years in Burbank could turn a man to butter.

Not that there's anything wrong with being a loyal friend and doting father.

But for this job, l need you ruthless.

Anything less and you'll get killed.

I need old Casey, my best agent. I need the colonel.

[GRUNTS]

[CELL PHONE BUZZlNG]

[CASEY CLEARS THROAT]

I can do it.

John...

...are you ruthless?

Oh, I am, general.

It's not just about finding Sarah...

...it's having a plan for what to do next.

I wish Casey was here. Has he called you yet?

Radio silence. Guess he's still with Beckman.

Chuck, this is your mission, okay? Find Sarah, be yourself.

Be myself? Be myself? Okay, well, what version of myself?

Lord of the Nerd Herd or charming Charles Carmichael?

-No, the guy that she fell for. MORGAN: Yeah, I agree with that.

Also, I have another notion. I think that you should kiss her.

-Did you...? l'm sorry, what? -Kiss her. Grab this woman and kiss her.

-Just kiss her. That's the whole plan? MORGAN: Yeah. Pretty much.

When I lost the girl of my dreams, I did everything I could to get her back.

And you know what, I got lucky. This may require more than luck.

Yes, l've been watching a ton of Disney princess movies with baby Clara...

...but l firmly believe one magical kiss from you...

...could unlock all of Sarah's memories. I do.

Enough with the crazy.

Exactly. We're wagging the dog. We gotta find Sarah first.

But how do you find a woman who doesn't wanna be found?

[SlGHS]

Jeez, beautiful, leggy blond who just wants nothing to do with you.

[LESTER LAUGHING]

Can we find women? Can we find women?

Are you kidding me?

We can find a woman off the remnants of an Outback Bloomin' Onion.

We can find unborn women.

We may consider assisting you...

-...if you include us on the spy mission. -Yes.

Oh, oh, oh, uh, I don't know about that, guys.

We know the secrets, we've shown our value.

Use us. Use us. Use us like a towel. Wring us out--

Keep shopping, this isn't weird. Milk us. Get on my back and ride it.

Uh, okay, okay. Look....

If you help us out on this...

...we'll consider bringing you in on an op.

Unleash the perverts.

Stalk, it's Gawk, l got your specs.

Gawker, it's Stalker. We need a bead on a big blond bird, please.

-Sounds like a job for the DirtDog. -Up and hot. I'll get a bead on your bird.

-Go, Twinkie. -Go, Twinkie.

-My Twitter feed shows multiple.... -Helicopter just spotted a Lotus doing 60.

-A Van Nuys gas station.... -Puts her at Burbank.

-Use the breadcrumbs, nab that Gretel. -Sniff it out. You got it.

LESTER: Use your sniffers. -Tall blond with amazing legs...

-...and a TEC-9. -ID'd as Uma Thurman....

-Follow that birdie. -Thank you.

-Okay, Lester. Lester. -Jeffrey. Jeffrey.

What's happening here?

She landed at LAX at 9:34 last night. She's en route to Burbank.

In tight blue jeans and a cleavage-enhancing top, meow.

-How do you know that? MAN: Spotted at an Internet cafe.

-Shh, shh, shh. -Web history shows...

...search for a Carmichael lndustries.

Positive lD on one Sarah Walker in this Buy More at the Nerd Herd desk.

I'm sorry, no nip-slips nor pokey peaks.

What--? l'm sorry, wait, what? She's here now?

No nip-slips.

[SlGHS]

-Hi, Sarah. -Hi.

I didn't know whether l should ring the bell.

What are you doing here? I'm sorry, let me try that one again.

It is really great to see you. It really, really, really is.

You look fantastic. Of course, you always look fantastic.

That's kind of your thing.

So with that, what are you doing here?

Your spy base.

-Castle? Yeah? -I need it.

We lost track of Quinn but I know what he wants. A device called The Key.

An ex-Fulcrum agent had the first piece.

And a former Ring operative, Renny Deutch, has the second.

I read your profile, and you're good with computers?

Yeah, l can hack with the best of them. Back in the day, they used to call me....

Doesn't really matter. Not important. You need me to find Renny? Done.

Great. Thank you.

What are you doing?

Oh, you don't-- You forgot. You wouldn't know.

This is part of my process. I'm not really a heavy drinker, uh...

...it's kind of what l do when I'm hacking.

And it's chardonnay, which is not only for women.

Right.

-Please just find Renny. -Fantastic.

Hey there, stranger, l--

[GAGGlNG]

Hi, Sarah.

-Mm.... -Morgan. Hi. I'm sorry about that.

No, no, it's actually-- lt's my fault.

We've danced that dance before and I should know.

I should know better than to sneak up on you.

Can l help you?

MORGAN: No, no, l just wanted to tell you...

...that there was a time l was Chuck's number one go-to best friend.

And then you came along and things changed.

If I was to hand the title off to anyone, I was always really happy it was you.

-You know l don't remember anything. -I really do know, actually. Come here.

I actually had a bout with the lntersect myself. There you go.

Comfy?

My memory loss was more film-related, okay? So I thought to myself, well, hey...

...maybe a montage would help you. Okay? So....

Hope you enjoy it.

Theirs was a love that would last throughout the ages.

[MORGAN CHUCKLES]

When these two first met...

...they couldn't be any more different.

She, the beautiful blond superspy...

...and he, well, he....

Why don't we let the pictures speak for themselves, shall we?

Look, Morgan, l appreciate what you're trying to do, but, um...

-...my life isn't a movie. -Of course.

If you'll excuse me, I have a mission to finish.

MORGAN: Sure.

[CELL PHONE DlALING]

Hey, Elle. Bad news. Yeah, she shut it down.

Thanks, Morgan.

Montage didn't work.

Didn't work?

Did he cue up the Rusted Root song during the proposal sequence?

ELLlE: Ugh.

What am I gonna do about Chuck?

I don't know, babe.

But the HR department called from the hospital in Chicago.

-They want an answer by tomorrow. -Tomorrow?

I would just say no. l know you don't wanna leave Chuck, especially now.

But, honey, this is about your research.

You could be doing what you really love.

You think Chuck will get Sarah back?

Of course I do. Come on.

You're still a bad liar, Devon.

CHUCK: Found him. Renny Deutch.

Not many people with that name.

German arms dealer, setting up shop in Berlin.

He's there now. So we find him, we find Quinn.

Looks like l need a ticket to Berlin.

MORGAN: Mm-hm.

[WHlSPERlNG] Go. You gotta be on this mission.

CHUCK: Uh, Sarah? Hey, quick question before you go.

What's your plan once you find Quinn?

I kill him.

And then I disappear forever.

Really? Really? Wow.

-Okay, well, then, my second question-- -I can't be here.

I don't know how to be the woman you remember.

All l remember is being a spy. A good one.

It's all l know how to do.

I understand that. l get that. But l can help.

If you go to Berlin, you're gonna get killed...

...but me and my team, we can....

[CLATTERING]

Yes, l'm small but l'm worth three spies on a mission...

-...and I'm a very good listener. -With us you stand a chance.

You don't have the lntersect and you haven't been trained.

I am trained. You trained me. You were my handler.

Okay.

Do you know how to use this?

Uh....

[CHUCKLES]

Yeah, l can handle a Desert Eagle because l'm a stone-cold spy.

-That's me. l'm lethal. -You'll need to be.

Let's go.

-What if I have to use this thing? MORGAN: Don't do that.

Sarah fell in love with you in part for not shooting people. Please remember that.

SARAH: Okay, Renny just arrived.

We follow him until he makes contact then take them both out.

Great. Cool. Sounds like a plan.

Okay, let's go.

-Was that okay? -Do me a favor.

Don't worry about anything. Be yourself, okay?

Under no circumstances do you shoot anybody...

...no matter how dangerous it gets.

[PLAYING MARlACHI MUSlC]

-El Compadre. SARAH: What?

This place looks just like El Compadre. It's a Mexican restaurant in L.A.

We went there when we first met.

[SPEAKlNG IN SPANISH]

[lN GERMAN]

[BOTH SPEAKING IN GERMAN]

Perfect, Chuck. This is fate. See? Maybe Sarah will remember something. Great.

[LINE RINGlNG]

Hey, beautiful. What's up, I'm on a mish.

Hey, Morgan, I was just wondering if you've heard from my dad.

I keep leaving him messages, but he hasn't called me back.

Uh, no, l think he's with Beckman. I don't know where.

-Why would he leave without telling me? -I don't know.

I don't know. But hey, listen. Everything's cool.

Don't worry, l'm sure he'll turn up soon. All right?

Yeah, you're probably right.

Hey, be safe, okay? Don't get shot.

Uh-- Okay. Love you.

We just follow these schmucks around? That's how we find Quinn?

Don't you sell Chuck and Sarah short. They're damn fine operatives.

Yes, sir.

[CELL PHONE RlNGS]

This has gotta be some sign.

I mean, think about it. El Compadre was sort of our first date.

Not for you so much.

You were still just being a spy back then...

...but for me, yeah, totally. l mean...

...I somehow thought I stumbled on a date...

...with the most beautiful woman in the world.

Chuck. We're on a mission, okay? The focus is Renny.

That's okay, buddy. Keep going.

I was so nervous. And you were so amazing.

We talked and laughed and had such a great time.

We went dancing afterwards, and you were doing these crazy...

...sexy dance moves that turned out to be just you...

...throwing knives in and around my legs...

-...taking out bad guys-- -Chuck, stop.

It's our story. Don't you want to hear it?

No.

-No? SARAH: I'm sorry, it's just not my story.

I know that it happened.

But showing me movies or telling me how it happened just isn't gonna work.

All l remember is being a spy, and the story you're trying to tell me...

...is about somebody else, it's not mine anymore.

I'm sorry.

Okay, okay, abort, abort, forget the story, okay? I think we need a new plan.

Keep an eye on Renny. I'm gonna go check out the bar area.

-Chuck, I'm here. -I'm dying, man.

Buck up. She didn't fall for a guy who couldn't stop talking about the past.

-What? ls that how l sound? -Hey, calm down. Calm down.

It's okay. lf Sarah doesn't wanna hear the story, focus on tonight.

You make this mish as romantic as you can.

You make that girl fall in love with you all over again.

You know what this is? It's Operation Kiss the Girl.

Oh, oh, oh, kiss the girl. No, no, no, I don't think that's gonna work.

It will work, but you gotta build up to it. You gotta woo her first, you know?

You know what?

You're right. No more stories. Let's focus on the op.

The buyer's changing location. Cancel my enchiladas rancheros.

-We're leaving. -The target's on the move.

Morgan, track where he's going. We may need a wardrobe change.

[BAND PLAYlNG WALTZ MUSlC]

-You look beautiful, by the way. -Thank you.

Your tie just needs a little fixing.

-You look great. -Thanks.

MORGAN: Oh, Chuck, this is great. Russian Consulate mission, right?

There'll be music and dancing and sexy outfits. Now listen to me.

You grab her, and you look in each other's eyes, and you kiss.

She'll remember the last five years, okay? I promise you. You can do this.

Okay, I need to find somebody to dance with.

-I'm gonna get close to Renny-- -Sarah, please.

You taught me how to dance.

[BAND PLAYlNG WALTZ MUSlC]

Get me close. To Renny.

-Close to Renny. -Right. Renny. Right.

[CELL PHONE BUZZES]

Our buyer's paranoid.

He's changing the location again. We have to go.

-New location. -Morgan, we're on the move again.

[SPEAKlNG IN FOREIGN LANGUAGE]

They'd like to know why we're following them.

Smart guards. I thought we were being very good spies.

We also speak English.

Nice work. So, what do we usually do in these situations?

Very good question, darling. Normally, you'd take two and l'd take one.

Sometimes, you take all of them. I'll follow your lead.

Don't even think about it.

[GRUNTING]

You tell me where the next location is.

[GULPS]

WAlTRESS [lN GERMAN]:

[SPEAKlNG IN GERMAN]

[CLATTERING]

This place is disgusting.

[SlGHS]

-What? What is it? -Nothing. Nothing at all.

Attaboy, Chuck. Play it cool.

SARAH: Quinn must be running late.

We have to do some waiting around.

-Sarah, what are you doing? -They're in the wrong order.

-What? -Well, that's not how it should be.

You know this place?

Uh....

-No. No, l don't. -No, Sarah, it's okay.

It's important. You used to work here. I mean, not here in Berlin...

...but the Wienerlicious in Burbank. It was your first cover job.

Come on, you can remember. Please. Please try.

QUINN: Touching.

-Mr. Deutch, did you bring The Key? -I did.

-But it's gonna cost you, Quinn. -Oh.

The Ring spent a lot of money acquiring this.

[SPEAKlNG IN GERMAN]

I never liked The Ring.

One more to go.

I got more targets inside the Wienerlicious.

Quinn's made his move. Let's get down there.

This one was in a spy van across the street.

Spy van? Really? lt's that obvious?

Drop your guns.

It's Morgan.

QUINN: Oh, Sarah, you really don't remember, do you?

Relax, boys, these two are mine.

Your husband is one of the world's greatest--

What's the word?

--pussies.

[GRUNTING]

Chuck, stop him!

[SPEAKlNG INDlSTlNCTLY]

[CAR HORNS HONKlNG]

Stop! Stop, Quinn, stop!

-Don't. l will shoot you! SARAH: Chuck?

Chuck? Take the shot.

I don't have a clean shot.

Chuck! Shoot him.

Stop!

[CROWD SCREAMlNG AND MURMURING]

[WHlRRING]

Hey, we're hit! Get us down!

[ALARM WAlLlNG]

[HORNS HONKlNG]

Brace! Brace!

[CHATTERING]

Hey.

Is that my Desert Eagle?

You shot down my helicopter with my own damn gun.

It was more of a warning shot than anything else.

[EMERGENCY SIREN WAlLlNG IN DISTANCE]

Report, Casey.

I've taken over Castle. Made it my base of operations.

Quinn was spotted at LAX. I deployed the team around the city.

-Chuck and Sarah are locked up here. -Keep them in custody, Casey.

I am on my way out to you.

The entire security council is freaking out.

They thought the Intersect was contained. Now the Chinese have demanded...

...l meet with their attaché in Los Angeles. After that...

...l am taking direct control of the operation.

Dude, uncuff me.

CASEY: I want you to tell Alex something for me.

Tell her I'm going away for a while.

-What the hell is going on here? CASEY: Bartowski and Walker screwed up.

-So you arrest your own team? -Old team.

SARAH: You had him in your sights. All you had to do was pull the trigger.

-What do you want me to say? -That your mistake cost us this mission.

You let Quinn get one step closer to assembling The Key.

CHUCK: Fine. l'll take the hit. But in my defense, killing was never my thing.

You're a spy, aren't you?

It's actually one of the things you liked about me...

...the fact that I wouldn't pull the trigger.

MORGAN: Tell me why you're not returning Alex's calls.

She is worried sick. All she knows is you're running covert missions.

They call them covert, numb nuts, because you don't tell anyone.

-She's your daughter. -She's a liability.

Wow.

I don't mean that. It's just l have to be ruthless.

CHUCK: Well, at first, you thought I was weak or scared, and maybe I was.

But you taught me how to be a spy, Sarah.

And after we, you know....

After we fell in love, you stood up for me.

You didn't want me to be any other spy. You didn't want me to change.

What about Chuck and Sarah? Liability too, right? Good.

Lock them up, throw away the key, lock away your feelings.

Forget everything that we've been through and you be ruthless.

You just don't understand, do you? I got soft.

I lost my edge.

MORGAN: Your team was your edge, you giant jackass.

What is wrong with you? Wanna find Quinn, you know who to call.

Don't you try to blame this on us because you're afraid.

You're afraid that, with us, that's when you're the best...

...and that's the truth, man.

[GRUNTS]

That's it? No response or anything?

-Screw it. -Screw what, John?

The court-martial.

I'm in.

-What are you--? l'm free? CASEY: Yep.

You, your wife, and my little roommate are gonna help me track down Quinn.

Walker?

You're escaping without me?

Look, l heard your pep talk.

I think I'm better off hunting Quinn on my own.

-No, we're doing this together. -I'm leaving.

-No, no, you're not. SARAH: Why?

-Because of my mother. -What?

CHUCK: She's a spy. -So?

And she's standing right behind you with a gun.

[GUN COCKS]

Sarah. Relax.

Chuck. I asked Mom to come-- Mom, why is there a gun out?

Sorry, dear, old habits.

It's good to see you again, Sarah. My name is Mary.

Grandma, what did we say about baby Clara seeing firearms?

It's a no-no. l am sorry. Your mimi loves you.

Chuck, I have intel on The Key. You staying, Sarah?

Your father originally developed the lntersect as a teaching tool.

The Key was the matrix for programming the system.

So it can do anything.

MARY: Roark, Hartley and Stephen split the pieces...

...so that no one could alter the lntersect without their agreement.

Your father gave his piece to someone in the government. There's one upload left.

If Quinn puts all three pieces together...

...he could fix the bug that blitzed Sarah and Morgan's memories...

-...and then upload it into himself. -He could also add new skills...

...new information.

Chuck, we need to talk.

What Mom is talking about is an Intersect...

...that can create a new identity or restore an old one.

We could load Sarah's memories onto The Key.

This could work. We create a file on Sarah, okay?

Your wedding album, her dossier, everything.

All you have to do is get the Intersect glasses back from Quinn.

It's gonna take a few days, but l can reprogram them for Sarah.

-Just convince her it's the right thing. -You're amazing. This is fantastic.

[CELL PHONE RlNGS]

Ooh.

-Hey. CASEY: Chuck.

Quinn was spotted entering the Pacific Concert Hall.

Beckman's here to meet her Chinese counterpart.

Your mother says Stephen gave The Key to someone in government.

She's the target. Beckman has The Key.

We found Quinn. He's at the Pacific Concert Hall. We gotta go.

Pacific Concert Hall.

They need us. Let's go.

[ORCHESTRA PLAYlNG DVORAK'S "FROM THE NEW WORLD"]

Please sit still, general. The bomb is pressure-sensitive.

[BEEPlNG]

And if you don't mind, Diane...

...the badge of the person in charge of the Intersect Project.

The designers gave it to you? What an honor.

And all these years, you never knew it was the third part of The Key.

[CELL PHONE BUZZlNG]

Hey, general, it's Chuck. We think you might be in danger.

She's in more danger than you know, Chuck.

It's over.

I win.

-General, what have we got here? -There is a bomb under my chair.

I can't stand up.

Get the Chinese delegation out of here.

Yeah, yeah.

CHUCK: Pull up the blueprints to the hall. We need to evacuate.

Wait. Guys, it looks like a sonic trigger, probably tied to the performance.

-When the music stops, it goes? -Exactly.

Get everybody out of here.

No, no, no. We disrupt the performance, it'll blow up.

That is an order.

General, with all due respect, shut up. We're saving you.

CHUCK: I got something.

If that's the bomb, these are the brains. lt's locked.

-Any ideas? -No, not yet.

Chuck, I just picked up Quinn on the internal security feed.

-He's heading to the roof. SARAH: I'll get Quinn.

-Chuck, he has the lntersect glasses. -No, Sarah.

-No, let her go. We don't have time. -Well, get me more time, okay?

I need Quinn to stop this bomb and I need those glasses for Sarah.

Go, go.

I'm ready for extraction.

MAN: We're on our way, sir. Three minutes.

-Morgan? -Yeah.

Gotta keep the music going. Can't let it stop. What are we gonna do?

LESTER: Casey, Morgan.

Okay, we're here. Who do we shoot first?

What are they doing here?

Hold on a second, hold on a second, Casey.

I got a plan. You're not going to like it, but l got a plan.

[GUN COCKS]

SARAH: Quinn!

Sarah! Wait, wait, wait. Don't kill him. We need him to disarm the bomb.

The bomb?

[LAUGHlNG]

It can't be stopped.

And it's wired to explode when the music ends.

Which is right about now.

[A-HA'S "TAKE ON ME" PLAYlNG OVER STEREO]

What's happening?

[CHUCKLES]

One word: Jeffster.

[SlNGlNG] Talking away

I don't know what to say

We're doomed.

I'll say it anyway

Today is not my day to find you

I've been doing this for too long now.

But not tonight, not again.

Take on me

CHORUS: Take on me

Take me on

CHORUS: Take on me

I'll be gone

CHUCK: You're done, Quinn. -Then we die together.

[GASPlNG]

Oh, God.

What are you doing?

I had a plan, Sarah, a really good plan.

There's one upload left.

Ellie and I were gonna use these glasses to help save your memories.

-Will it work? -Yeah.

There's not enough time...

...and I don't know how to disarm the bomb without the lntersect.

[WHlRRING]

-There's only one upload left. -Sarah, l'm sorry.

I can't help you get your memories back.

I can't get you back.

I have to save them.

[WHlRRING]

[PANTlNG]

Let's go.

[SlNGlNG] Take on me

CHORUS: Take on me

Take me on

CHORUS: Take on me

LESTER: I'll be gone

In a day or two

All right, let me at it.

Oh, it's been a while since l've done that.

[GASPS]

LESTER: So needless to say

-What's the matter? -This laptop is an old Prism Express.

Configuration could be tricky.

LESTER: You're all the things l've got to remember

Okay, what about Irene Demova?

Sarah, that's brilliant. That's brilliant.

The virus could circumvent the system and disarm the bomb.

That was five years ago. You remembered.

CHORUS: Take on me LESTER: Take me on

Chuck. Chuck, find the porn virus, find it now.

Right, right, right, okay, okay.

I'll be gone

Five-year-old porn virus, mere seconds until certain death.

Can l do it?

FEMALE VOICE [ON COMPUTER]: Am I sexy?

Who is sexy? Am l sexy? Am l sexy?

Sexy? Sexy?

[VOlCE DlSTORTS]

[MUSIC STOPS]

[CROWD CHEERING]

BECKMAN: Good work, team.

On behalf of the United States government...

...and the great people we serve, thank you.

Just happy to be doing good works, ma'am.

I understand this is the end.

-Yes, it is, general. I think we-- -It's me.

I, um....

I need to go find myself.

We all do.

If you ever wanna save the world again, you know where I am.

So here we are. The original band.

-Gotta go. -No. What? Wait, really? Really?

I can smell it. You're gonna get weepy and emotional. l'll just skip that part.

I'll see you when l see you, Bartowski, huh?

Goodbye, Casey.

CASEY: Hmm.

There's one thing Russians do well. It's give good hugs.

-Walker. -Colonel.

So Irene Demova.

I, um....

I'm not really sure what it meant.

Or maybe it's a fresh start, a new beginning.

I need some time to think. To be alone.

I'm sorry.

You know, Morgan had this idea. It's nutty, really.

That if we....

You have to go, l understand.

So the moment the music stopped, the bomb would blow up.

-So Chuck calls us. -So we could save the day.

So Jeffster could rock again.

So, what you're saying is Chuck Bartowski is a spy...

...who runs a spy company underneath the store.

Casey and Sarah work for him...

...and my stepson Morgan is on the team too.

The exciting part is we saved the day. You didn't get that? We'll go again.

I got it. But do l believe it?

Not a word, boys. Not a word.

Things, though, are a-changing.

New owners moving in.

Looking fresh.

I'm gonna be eating fresh.

-We gotta get back to work. MAN: Excuse me.

Are you Jeffster?

I saw your performance last night at the Pacific Concert Hall.

I'm a very important record executive from Germany.

You're gonna be stars there. Women and men will adore you.

Are you ready to be loved by women and men?

-Women and men? LESTER: Wait. Wait a minute now.

-You want us to leave this store? -Yes. Right now. Come with me.

Jeffrey.

Are you ready?

Let's rock.

Wunderbar. Come on.

-You two moving in together? BOTH: We're moving in together.

-It's not fun with you. -It was a surprise. How did you know?

Hello? Spy.

And you're...?

Happy that we're finally taking this nice, giant step and....

-It's okay. -Or you're gonna shoot me?

-Heads up. The place is all yours. -We're all gonna live together?

No, just the two of you. I have, uh, someplace l need to be.

You're going after Gertrude.

-I was gonna ask you-- -Dad, you don't have to ask.

You deserve to be happy. Go.

-Run to her. -Run to her.

I'm a Casey, I don't run.

I stalk my prey.

Well....

-Grimes. -Yes, sir.

Thanks.

You were right.

-Most important things l taught you? -Trigger discipline and muscle management.

Roger that.

Works for relationships too.

[DOOR CLOSES]

Oh, my precious Clara.

You are gonna love Chicago.

And Mimi is gonna come and see you all the time.

[CLARA LAUGHING]

I don't know how l'm supposed to leave you like this.

Ellie, you have to.

You've taken care of me for far too long.

You have Clara and Devon. l'm fine.

I'm all grown up now.

My little brother.

Aces, Charles. You're aces.

What about Sarah, Chuck?

I don't know.

I fell in love with an amazing woman.

And she fell in love with me.

And that's more than most people get in their lives.

Let's get you guys packed, huh?

-Morgan, she could be anywhere. -Okay, you know where she is.

You once told me to listen to our hearts because our brains only screw us up.

-I was in love then. -You're still in love.

I want you to imagine something for me, okay? Where is she right now?

Don't think. Use your heart. Where is she?

I was hoping you'd be here.

This place is important, isn't it?

Yeah, yeah, very much.

This is actually where you told me I was gonna be okay.

That I could trust you.

And that's exactly what I'm doing now. I'm asking you to trust me.

Sarah, l don't want anything from you. I....

I just need you to know that wherever you go...

...I'll always be there to help you.

Someone you can call. Whenever.

Trust me, Sarah.

I'm here for you always.

Chuck?

Tell me our story.

Yeah, yeah.

Uh, where to begin? Well, uh, it started with a guy who worked at Buy More.

And one day, an old college friend of his sent him an e-mail...

...that was filled with secrets.

And then the next day, his life really changed...

...when he met a spy named Sarah...

...and he fell in love.

[lNAUDlBLE DlALOGUE]

You know, Morgan has this crazy idea.

What is it?

He thinks that with one kiss, you'll remember everything.

-Ha. One magical kiss? -Yeah. Ha, ha. Exactly.

[SARAH CHUCKLES]

-I know it's-- -Chuck?

-Yeah? -Kiss me.