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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,052 --> 00:00:03,613 PREVIOUSLY ON CRIMINAL MINDS... 2 00:00:03,637 --> 00:00:04,965 ANYONE RECOGNIZE THESE FACES? 3 00:00:04,989 --> 00:00:06,700 Trainee: VICTIMS OF THE FOOTPATH KILLER. 4 00:00:06,724 --> 00:00:08,552 THAT'S WHAT VIRGINIA NEWSPAPERS ARE CALLING HIM. 5 00:00:08,576 --> 00:00:10,670 WE REFER TO HIM AS THE UNKNOWN SUBJECT 6 00:00:10,694 --> 00:00:12,327 OR UNSUB. 7 00:00:15,565 --> 00:00:16,993 Gideon: I TOLD VIRGINIA P.D., 8 00:00:17,017 --> 00:00:19,946 THEY'RE LOOKING FOR A WHITE MALE IN HIS 20s 9 00:00:19,970 --> 00:00:21,681 WHO OWNS AN AMERICAN-MADE TRUCK, 10 00:00:21,705 --> 00:00:24,034 WORKS A MENIAL JOB. 11 00:00:24,058 --> 00:00:26,736 I TOLD 'EM WHEN YOU FIND HIM, 12 00:00:26,760 --> 00:00:30,524 DON'T BE SURPRISED TO HEAR HIM SPEAK WITH A SEVERE STUTTER. 13 00:00:30,548 --> 00:00:35,383 HAVE A N-N-N... A N-N-NICE DAY. 14 00:01:06,233 --> 00:01:07,366 THE GUN. 15 00:01:08,535 --> 00:01:10,680 T-T... 16 00:01:10,704 --> 00:01:12,704 TAKE OUT THE GUN. 17 00:01:19,663 --> 00:01:22,375 TH... TH... 18 00:01:22,399 --> 00:01:23,943 THROW IT. 19 00:01:23,967 --> 00:01:25,887 ANY PARTICULAR DIRECTION? 20 00:01:27,171 --> 00:01:28,686 AAH! 21 00:01:33,477 --> 00:01:37,445 WHO... WHO ARE Y-Y-Y... 22 00:01:39,517 --> 00:01:41,249 WHO ARE YOU? 23 00:01:42,303 --> 00:01:43,768 WHO ARE YOU?! 24 00:01:45,139 --> 00:01:46,971 FBI. 25 00:01:50,794 --> 00:01:52,806 T-T-T... 26 00:01:52,830 --> 00:01:55,608 T-T... 27 00:01:55,632 --> 00:01:59,000 TAKE OUT YOUR W... YOUR W-WALLET. 28 00:02:07,344 --> 00:02:08,344 NAH! 29 00:02:11,381 --> 00:02:14,361 WH-WH... 30 00:02:14,385 --> 00:02:18,097 WH... WH-WH-WHAT... 31 00:02:18,121 --> 00:02:20,567 WHAT DO YOU KN-KN... 32 00:02:20,591 --> 00:02:22,786 WHAT DO YOU KNOW? 33 00:02:22,810 --> 00:02:25,605 ABOUT YOU? 34 00:02:25,629 --> 00:02:28,563 OR ABOUT THE PEOPLE WHO YOU'VE MURDERED? 35 00:02:30,317 --> 00:02:32,951 I KNOW A LOT ABOUT YOU. 36 00:02:34,521 --> 00:02:37,066 I KNOW HOW YOU DO IT. 37 00:02:37,090 --> 00:02:39,024 I KNOW YOU CAN'T STOP. 38 00:02:41,778 --> 00:02:45,330 AND I KNOW SOMETHING THAT NO ONE'S EVER BEEN ABLE TO TELL YOU. 39 00:02:48,769 --> 00:02:50,418 I KNOW WHY YOU STUTTER. 40 00:02:54,458 --> 00:02:56,887 Female trainee: WEREN'T YOU A LITTLE BIT WORRIED 41 00:02:56,911 --> 00:02:58,054 HE MIGHT JUST SHOOT YOU? 42 00:02:58,078 --> 00:03:00,589 I WAS A LOT WORRIED. 43 00:03:00,613 --> 00:03:02,775 BUT HOW DID YOU FIND HIM? 44 00:03:02,799 --> 00:03:05,245 I WAS JUST STOPPING FOR GAS. 45 00:03:05,269 --> 00:03:06,379 I WALKED INTO THAT STORE, 46 00:03:06,403 --> 00:03:07,880 AND I SAW PIECES OF A PROFILE 47 00:03:07,904 --> 00:03:10,283 THAT I'D GIVEN TO VIRGINIA P.D. ALMOST A YEAR AGO. 48 00:03:10,307 --> 00:03:12,252 TRUCK IN DISREPAIR, 49 00:03:12,276 --> 00:03:14,337 A DISHEVELED YOUNG MAN, SEVERE STUTTER. 50 00:03:14,361 --> 00:03:17,773 JAMES REESE ONCE SAID, "THERE ARE CERTAIN CLUES AT A CRIME SCENE 51 00:03:17,797 --> 00:03:19,875 WHICH, BY THEIR VERY NATURE, DO NOT LEND THEMSELVES 52 00:03:19,899 --> 00:03:21,644 "TO BEING COLLECTED OR EXAMINED. 53 00:03:21,668 --> 00:03:28,340 HOW DOES ONE COLLECT LOVE, RAGE, HATRED, FEAR?" 54 00:03:30,410 --> 00:03:32,322 THESE ARE THINGS THAT WE'RE TRAINED TO LOOK FOR. 55 00:03:32,346 --> 00:03:35,475 Male trainee: SO ANYONE ELSE WOULD HAVE JUST SEEN A GUY WHO STUTTERS, 56 00:03:35,499 --> 00:03:37,444 BUT YOU SAW THE FOOTPATH KILLER. 57 00:03:37,468 --> 00:03:39,729 Gideon: RIGHT. 58 00:03:39,753 --> 00:03:43,065 BUT SOMETIMES THESE GUYS ARE STILL FOUND BY JUST DUMB LUCK. 59 00:03:43,089 --> 00:03:46,286 BERKOWITZ WAS CAUGHT BECAUSE OF A PARKING TICKET. 60 00:03:46,310 --> 00:03:48,521 EXCEPT THE COP WHO CAUGHT HIM WASN'T STARING DOWN A SHOTGUN 61 00:03:48,545 --> 00:03:49,623 LIKE YOU WERE. 62 00:03:49,647 --> 00:03:51,479 THIS IS TRUE. 63 00:03:52,549 --> 00:03:54,160 THIS IS ALSO A GOOD TIME TO STOP. 64 00:03:54,184 --> 00:03:55,528 Female trainee: THANK YOU, SIR. 65 00:03:55,552 --> 00:03:56,668 THANK YOU. 66 00:04:06,913 --> 00:04:08,730 OK, I'M CURIOUS. 67 00:04:10,251 --> 00:04:11,895 WHY'D HE STUTTER? 68 00:04:11,919 --> 00:04:13,112 YOU'RE ON YOUR WAY TO BECOMING 69 00:04:13,136 --> 00:04:15,414 PART OF THE BEHAVIOR ANALYSIS TEAM NOW, ELLE. 70 00:04:15,438 --> 00:04:17,238 YOU TELL ME. 71 00:04:26,032 --> 00:04:27,009 CHECK. 72 00:04:27,033 --> 00:04:28,745 CHECKMATE IN 3 MOVES. 73 00:04:28,769 --> 00:04:30,580 WHAT... 74 00:04:30,604 --> 00:04:33,083 YOU KNOW YOU'LL BEAT HIM WHEN YOU START LEARNING. 75 00:04:33,107 --> 00:04:34,850 LEARNING WHAT? 76 00:04:34,874 --> 00:04:36,641 TO THINK OUTSIDE THE BOX. 77 00:04:39,546 --> 00:04:40,707 QUESTION FOR YOU. 78 00:04:40,731 --> 00:04:41,774 SHOOT. 79 00:04:41,798 --> 00:04:44,010 THE FOOTPATH KILLER, 80 00:04:44,034 --> 00:04:45,412 WHY DID HE STUTTER? 81 00:04:45,436 --> 00:04:47,213 COME ON, ELLE, WE'VE ALL ASKED HIM, 82 00:04:47,237 --> 00:04:48,331 AND HE WON'T SAY. 83 00:04:48,355 --> 00:04:49,849 HE WANTS US TO FIGURE IT OUT. 84 00:04:49,873 --> 00:04:52,385 OK. I'M UP FOR A CHALLENGE. 85 00:04:52,409 --> 00:04:54,754 GOOD, BECAUSE THESE GO TO YOU. 86 00:04:54,778 --> 00:04:56,806 SPECIAL AGENT JENNIFER JAREAU. JJ, IF YOU LIKE. 87 00:04:56,830 --> 00:04:58,108 ELLE. 88 00:04:58,132 --> 00:05:00,543 GREENAWAY... HIGHEST NUMBER OF SOLVED CASES 89 00:05:00,567 --> 00:05:01,744 IN SEATTLE 3 YEARS RUNNING, 90 00:05:01,768 --> 00:05:03,113 SPECIALTY IN SEX OFFENDER CASES. 91 00:05:03,137 --> 00:05:04,864 NOT BAD. 92 00:05:04,888 --> 00:05:06,682 WELL, I'M THE UNIT LIAISON. 93 00:05:06,706 --> 00:05:09,402 MY SPECIALTY IS UNTANGLING BUREAUCRATIC KNOTS. 94 00:05:09,426 --> 00:05:10,904 YOU'LL PROBABLY BE TALKING TO ME A LOT. 95 00:05:10,928 --> 00:05:12,071 MY DOOR'S ALWAYS OPEN, 96 00:05:12,095 --> 00:05:13,339 MOSTLY BECAUSE I'M NEVER IN MY OFFICE, 97 00:05:13,363 --> 00:05:15,425 SO JUST CALL ME ON MY CELL, OK? 98 00:05:15,449 --> 00:05:16,689 WE'LL TALK. 99 00:05:17,651 --> 00:05:18,661 DID YOU WATCH IT? 100 00:05:18,685 --> 00:05:20,096 YEAH. THINK EVERYBODY SHOULD SEE IT. 101 00:05:20,120 --> 00:05:22,732 BAU TEAM, CAN YOU MEET ME IN THE CONFERENCE ROOM, PLEASE? 102 00:05:22,756 --> 00:05:24,356 I NEED TO SHOW YOU SOMETHING. 103 00:05:25,541 --> 00:05:26,886 THIS IS FROM THE PHOENIX OFFICE, 104 00:05:26,910 --> 00:05:29,855 BRADSHAW COLLEGE IN TEMPE, 6 FIRES IN 7 MONTHS. 105 00:05:29,879 --> 00:05:31,124 Gideon: WHO RECORDED IT? 106 00:05:31,148 --> 00:05:32,858 Jennifer: A STUDENT WITH A DIGITAL CAMCORDER. 107 00:05:32,882 --> 00:05:35,594 HE WAS WATCHING A FIRE IN THE BUILDING ACROSS FROM THEIR DORM. 108 00:05:35,618 --> 00:05:37,263 THE OTHER PERSON YOU'LL SEE IS HIS ROOMMATE, 109 00:05:37,287 --> 00:05:39,767 20-YEAR-OLD MATTHEW ROWLAND. 110 00:05:40,423 --> 00:05:42,535 Student, on tape: THIS IS CRAZY. 111 00:05:42,559 --> 00:05:44,303 HEY, MAC, GET OVER HERE. YOU GOTTA SEE THIS. 112 00:05:44,327 --> 00:05:45,605 THE BUILDING'S ON FIRE. 113 00:05:45,629 --> 00:05:47,339 BRO, YOU GETTING THIS? 114 00:05:47,363 --> 00:05:48,357 Gideon: IS THAT THE KID? 115 00:05:48,381 --> 00:05:49,392 Hotch: YEAH, THAT'S HIM. 116 00:05:49,416 --> 00:05:50,576 Student, on tape: RELAX, MAN. 117 00:05:50,600 --> 00:05:51,911 THERE'S ALWAYS FIRES DURING RUSH WEEK. 118 00:05:51,935 --> 00:05:53,229 YEAH, BUT THAT'S PRETTY BIG. 119 00:05:53,253 --> 00:05:54,230 WHAT BUILDING IS THAT? 120 00:05:54,254 --> 00:05:55,731 DUDE, OVER HERE. CHECK THIS OUT. 121 00:05:55,755 --> 00:05:57,100 WHAT IS IT? 122 00:05:57,124 --> 00:05:58,735 I DON'T KNOW, BUT IT'S COMING UNDERNEATH THE DOOR. 123 00:05:58,759 --> 00:05:59,869 IS SOMEONE IN THE HALLWAY? 124 00:05:59,893 --> 00:06:02,071 HEY, SOMEONE'S TRYING TO GET IN. 125 00:06:02,095 --> 00:06:04,007 HEY, MAN, YOU SHOULD GET AWAY FROM THERE. 126 00:06:04,031 --> 00:06:05,107 OH, MY GOD! 127 00:06:05,131 --> 00:06:06,475 IT SMELLS LIKE GAS. 128 00:06:06,499 --> 00:06:08,712 OH, GOD! GOD! 129 00:06:08,736 --> 00:06:10,763 OH, MY GOD! 130 00:06:10,787 --> 00:06:14,551 OH, MY GOD! AAH! 131 00:06:14,575 --> 00:06:16,886 PUT IT OUT! OH, MY GOD! 132 00:06:16,910 --> 00:06:20,223 OH, GOD! HELP! 133 00:06:20,247 --> 00:06:23,367 CAPTIONING MADE POSSIBLE BY TOUCHSTONE TELEVISION PRODUCTIONS, LLC AND CBS 134 00:06:54,263 --> 00:06:55,675 Gideon: EINSTEIN ONCE SAID, 135 00:06:55,699 --> 00:06:59,045 "IMAGINATION IS MORE IMPORTANT THAN KNOWLEDGE. 136 00:06:59,069 --> 00:07:01,163 "KNOWLEDGE IS LIMITED. 137 00:07:01,187 --> 00:07:04,350 IMAGINATION ENCIRCLES THE WORLD." 138 00:07:04,374 --> 00:07:06,820 THERE ARE 2 COMMON STRESSORS FOR A SERIAL ARSONIST. 139 00:07:06,844 --> 00:07:09,022 LOSS OF JOB, LOSS OF LOVE. 140 00:07:09,046 --> 00:07:10,523 Morgan: WHEN WAS THE FIRST FIRE SET? 141 00:07:10,547 --> 00:07:12,358 MARCH. UH, THE NEXT ONE WAS IN MAY, 142 00:07:12,382 --> 00:07:14,293 AND THE THIRD ONE WASN'T TILL SEPTEMBER, 143 00:07:14,317 --> 00:07:15,912 THEN 2 WEEKS LATER THERE WERE 3 IN ONE NIGHT. 144 00:07:15,936 --> 00:07:16,913 Gideon: HE'S SPEEDING UP. 145 00:07:16,937 --> 00:07:18,498 FIRE'S ARE CLOSER TOGETHER. 146 00:07:18,522 --> 00:07:20,450 HEY, REID, YOU GOT A STATISTIC ON ARSONISTS? 147 00:07:20,474 --> 00:07:24,119 82% ARE WHITE MALES BETWEEN 17 AND 27. 148 00:07:24,143 --> 00:07:26,088 FEMALE ARSONISTS ARE FAR LESS LIKELY, 149 00:07:26,112 --> 00:07:27,757 THEIR MOTIVE TYPICALLY BEING REVENGE. 150 00:07:27,781 --> 00:07:29,180 SOUNDS LIKE OUR BOY'S A STUDENT. 151 00:07:31,084 --> 00:07:32,662 DON'T BE SO SURE. 152 00:07:32,686 --> 00:07:34,196 YOU RELY TOO MUCH ON PRECEDENT, 153 00:07:34,220 --> 00:07:36,460 YOU NEVER ALLOW FOR THE UNEXPECTED. 154 00:07:37,424 --> 00:07:40,169 IF HE WENT FROM SETTING ONE FIRE TO 3 IN 2 WEEKS' TIME... 155 00:07:40,193 --> 00:07:41,470 RAPID ESCALATION. 156 00:07:41,494 --> 00:07:43,272 HE'S GONE FROM THE POWER TO DAMAGE A BUILDING 157 00:07:43,296 --> 00:07:45,696 TO SOMETHING FAR MORE SATISFYING. 158 00:07:46,800 --> 00:07:48,895 THE POWER OVER LIFE AND DEATH. 159 00:07:48,919 --> 00:07:51,163 WHO WE TALKING TO FIRST? 160 00:07:51,187 --> 00:07:53,572 Hotch: DEAN OF STUDENTS, ELLEN TURNER. 161 00:08:05,102 --> 00:08:06,645 NO BADGES. 162 00:08:06,669 --> 00:08:09,148 I DON'T WANT TO SATISFY THE UNSUB'S NEED FOR ATTENTION 163 00:08:09,172 --> 00:08:11,534 BY LETTING HIM KNOW HE GOT THE FBI HERE. 164 00:08:11,558 --> 00:08:12,890 TRY NOT TO LOOK OFFICIAL. 165 00:08:14,277 --> 00:08:16,037 TRY TO LOOK LESS OFFICIAL. 166 00:08:17,981 --> 00:08:20,275 OBVIOUSLY, I'D RATHER BE MEETING YOU UNDER DIFFERENT CIRCUMSTANCES. 167 00:08:20,299 --> 00:08:22,011 THIS IS FIRE INSPECTOR ZHANG. 168 00:08:22,035 --> 00:08:23,446 THIS MORNING THE CHEMISTRY DEPARTMENT 169 00:08:23,470 --> 00:08:27,183 REPORTED SEVERAL BOTTLES OF HIGHLY FLAMMABLE CHEMICALS MISSING. 170 00:08:27,207 --> 00:08:29,519 I'M PREPARED TO EVACUATE THIS CAMPUS. THANK YOU. 171 00:08:29,543 --> 00:08:30,987 THAT BRINGS WITH IT ITS OWN PROBLEMS. 172 00:08:31,011 --> 00:08:33,155 YOU MIGHT EVACUATE THE ARSONIST AS WELL. 173 00:08:33,179 --> 00:08:34,741 THEN THE CASE GOES UNSOLVED, 174 00:08:34,765 --> 00:08:37,059 THE CAMPUS IS REOPENED, BUT THE FIRES START UP AGAIN. 175 00:08:37,083 --> 00:08:39,245 Morgan: HOTCH, GIDEON, HOLD ON A SECOND. 176 00:08:39,269 --> 00:08:40,813 YOU SAID THE CHEMICALS WERE MISSING TODAY. 177 00:08:40,837 --> 00:08:42,581 IT SAYS HERE THAT ONE OF THE PREVIOUS FIRES 178 00:08:42,605 --> 00:08:44,016 WAS SET WITH DIESEL FUEL THAT DISAPPEARED 179 00:08:44,040 --> 00:08:45,517 FROM THE GROUNDSKEEPING FACILITY. 180 00:08:45,541 --> 00:08:47,587 HOW LONG AFTER IT DISAPPEARED WAS THE FIRE SET? 181 00:08:47,611 --> 00:08:50,044 ONE DAY. 182 00:08:52,516 --> 00:08:54,143 IF HE'S HOLDING TO A PATTERN... 183 00:08:54,167 --> 00:08:57,687 WHO'S TO SAY THE NEXT FIRE WON'T BE TODAY? 184 00:09:04,828 --> 00:09:05,939 DOOR WAS LOCKED. 185 00:09:05,963 --> 00:09:07,807 MATTHEW ROWLAND AND HIS ROOMMATE WATCHED 186 00:09:07,831 --> 00:09:09,809 AS THE DOORKNOB TURNED AGAINST THE LOCK. 187 00:09:09,833 --> 00:09:11,277 BUT THE UNSUB COULDN'T GET IN. 188 00:09:11,301 --> 00:09:14,079 SO HE POURS THE ACCELERANT INTO THE ROOM FROM THE HALLWAY. 189 00:09:14,103 --> 00:09:16,816 WHICH MEANS HE COULDN'T SEE THE FIRE. 190 00:09:16,840 --> 00:09:18,751 BUT HE COULD HEAR MATTHEW ROWLAND SCREAMING. 191 00:09:18,775 --> 00:09:19,752 YEAH, BUT NOT FOR LONG. 192 00:09:19,776 --> 00:09:20,886 HE WOULD HAVE LEFT QUICKLY. 193 00:09:20,910 --> 00:09:21,887 YEAH, TO AVOID BEING SPOTTED. 194 00:09:21,911 --> 00:09:23,323 IT DOESN'T MAKE SENSE. 195 00:09:23,347 --> 00:09:26,091 PYROMANIA AS A MENTAL DISORDER MAY JUST BE A SIMPLE MYTH, 196 00:09:26,115 --> 00:09:27,727 BUT WE DO KNOW FROM PRECEDENT 197 00:09:27,751 --> 00:09:29,796 THAT SERIAL ARSONISTS DERIVE PLEASURE 198 00:09:29,820 --> 00:09:31,497 FROM PATHOLOGICAL FIRE-SETTING. 199 00:09:31,521 --> 00:09:33,032 SEX AND POWER. 200 00:09:33,056 --> 00:09:35,835 BUT A SERIAL ARSONIST WOULDN'T JUST SET A FIRE AND WALK AWAY. 201 00:09:35,859 --> 00:09:38,237 HE NEEDS TO EXPERIENCE IT. 202 00:09:38,261 --> 00:09:41,162 SO WHY WOULD HE SET A FIRE HE COULDN'T WATCH? 203 00:09:42,532 --> 00:09:44,643 Zhang: THEY TURNED THE WATER OFF JUST BEFORE THE FIRE. 204 00:09:44,667 --> 00:09:46,312 THE LAST 3 WERE SET WITH THESE. 205 00:09:46,336 --> 00:09:49,148 2 DEVICES, SIMULTANEOUS IGNITION. 206 00:09:49,172 --> 00:09:51,216 THERE WAS NO DEVICE USED ON MATTHEW ROWLAND. 207 00:09:51,240 --> 00:09:53,892 UNSUB SET THAT ONE MANUALLY? 208 00:09:55,595 --> 00:09:57,573 HE WANTED TO BE THERE TO ENJOY THE KID'S DEATH. 209 00:09:57,597 --> 00:09:58,841 Hotch: NOT NECESSARILY. 210 00:09:58,865 --> 00:10:00,626 WELL, IF THE TARGET WAS MATTHEW ROWLAND, 211 00:10:00,650 --> 00:10:02,412 THEN WHY SET THE OTHER 2 FIRES? 212 00:10:02,436 --> 00:10:04,113 MOTIVES FOR ARSON ARE RELATIVELY SIMPLE. 213 00:10:04,137 --> 00:10:06,248 THERE'S VANDALISM, CRIME CONCEALMENT, 214 00:10:06,272 --> 00:10:07,400 POLITICAL STATEMENT, PROFIT... 215 00:10:07,424 --> 00:10:08,918 Hotch: AND REVENGE. 216 00:10:08,942 --> 00:10:10,670 Zhang: WE INTERVIEWED MATTHEW ROWLAND'S ROOMMATE. 217 00:10:10,694 --> 00:10:12,571 HE SAID MATTHEW WAS VERY WELL-LIKED. 218 00:10:12,595 --> 00:10:14,156 NO REASON FOR REVENGE. 219 00:10:14,180 --> 00:10:15,190 WHAT ABOUT VANDALISM? 220 00:10:15,214 --> 00:10:16,993 NO. THE FIRES ARE TOO SOPHISTICATED, 221 00:10:17,017 --> 00:10:18,710 AND IF HE'S TRYING TO MAKE A POLITICAL STATEMENT, 222 00:10:18,734 --> 00:10:20,379 HE'S NOT BEING TOO CLEAR ABOUT IT. 223 00:10:20,403 --> 00:10:22,548 THERE'S AN UNDERLYING STRATEGY IN THIS CASE. 224 00:10:22,572 --> 00:10:24,750 MATTHEW, FIREFIGHTERS, INJURED VICTIMS. 225 00:10:24,774 --> 00:10:26,619 TO THE UNSUB, THEY'RE NOT PEOPLE. THEY'RE... 226 00:10:26,643 --> 00:10:27,686 THEY'RE OBJECTS. 227 00:10:27,710 --> 00:10:28,721 Gideon: MORE LIKE, UH... 228 00:10:28,745 --> 00:10:29,745 CHESS PIECES. 229 00:10:31,698 --> 00:10:33,031 EXACTLY. 230 00:10:37,737 --> 00:10:38,937 ALL RIGHT... 231 00:10:40,807 --> 00:10:42,785 I WANT TO SET A DORMITORY FIRE. 232 00:10:42,809 --> 00:10:44,275 WHERE WOULD I START? 233 00:10:52,402 --> 00:10:54,001 IN THE BASEMENT. 234 00:10:55,071 --> 00:10:57,151 THE UPPER LEVELS WOULD BE FUEL. 235 00:10:58,659 --> 00:11:00,841 THEN WHY DID I START ON THE THIRD FLOOR? 236 00:11:02,913 --> 00:11:05,029 OH, GOD! 237 00:11:10,270 --> 00:11:13,590 BECAUSE IT WASN'T THE BUILDING I WANTED TO SET ON FIRE. 238 00:11:13,957 --> 00:11:16,302 THE TIMER SETS THE ROAD FLARE, 239 00:11:16,326 --> 00:11:18,838 WHICH THEN LIGHTS THE CHEMICAL MIXTURE INSIDE THE CANISTER. 240 00:11:18,862 --> 00:11:20,273 SIMPLE. 241 00:11:20,297 --> 00:11:22,808 YET SOPHISTICATED IN ITS SIMPLICITY. 242 00:11:22,832 --> 00:11:24,994 I MEAN, THERE'S A METICULOUS CONSTRUCTION TO IT. 243 00:11:25,018 --> 00:11:28,364 CHEMICAL ACCELERANT COULD MEAN CHEMISTRY STUDENT. 244 00:11:28,388 --> 00:11:30,098 COULD ALSO MEAN CHEMISTRY PROFESSOR. 245 00:11:30,122 --> 00:11:33,586 MMM, I SAY STUDENT. 246 00:11:33,610 --> 00:11:35,020 YOU NEED SELF-CONFIDENCE 247 00:11:35,044 --> 00:11:39,375 TO LECTURE IN FRONT OF A CLASSROOM FULL OF 30 COLLEGE KIDS. 248 00:11:39,399 --> 00:11:41,510 ARSONISTS ARE SOCIALLY INCOMPETENT. 249 00:11:41,534 --> 00:11:42,928 THIS GUY DOESN'T GO ON DATES. 250 00:11:42,952 --> 00:11:44,130 HE DOESN'T GO TO PARTIES. 251 00:11:44,154 --> 00:11:46,237 HE DOESN'T FEEL COMFORTABLE IN FRONT OF GROUPS. 252 00:11:50,310 --> 00:11:52,105 AND, OF COURSE, HE'S A TOTAL PSYCHOPATH. 253 00:11:52,129 --> 00:11:53,461 COURSE. 254 00:11:54,664 --> 00:11:56,209 YOU THINK WE'LL GET A LEAD FROM THE HOTLINE? 255 00:11:56,233 --> 00:11:57,310 NO. 256 00:11:57,334 --> 00:11:58,544 IF YOU DON'T MIND MY ASKING, 257 00:11:58,568 --> 00:12:00,146 WHY THEN DID YOU SET UP THE NUMBER? 258 00:12:00,170 --> 00:12:02,982 WELL, SERIAL ARSONISTS ENJOY MANIPULATING AUTHORITIES. 259 00:12:03,006 --> 00:12:05,017 THEY LIKE TO COMMUNICATE, EXPLAIN THEMSELVES. 260 00:12:05,041 --> 00:12:07,019 I'M NOT WAITING TO HEAR FROM A TIPSTER OR WITNESS. 261 00:12:07,043 --> 00:12:08,687 YOU'RE WAITING TO HEAR FROM HIM. 262 00:12:08,711 --> 00:12:09,910 YEAH. 263 00:12:12,516 --> 00:12:14,636 NOW, THE EVACUATION PROCESS... 264 00:12:19,773 --> 00:12:21,017 ALL RIGHT, OFFICE HOURS. 265 00:12:21,041 --> 00:12:22,185 I HAVE MY OWN HOMEWORK TO DO. 266 00:12:22,209 --> 00:12:23,519 Girl: THANK YOU, PROFESSOR WALLACE. 267 00:12:23,543 --> 00:12:25,043 NO PROBLEM. 268 00:12:32,986 --> 00:12:34,797 President Turner: WE DON'T WANT A STAMPEDE ON OUR HANDS 269 00:12:34,821 --> 00:12:37,466 BECAUSE THE EXITS OUT OF THE CAMPUS BLOCK SO QUICKLY. 270 00:12:37,490 --> 00:12:39,034 NOW, WE HAVE STAGING AREAS, 271 00:12:39,058 --> 00:12:41,637 AND WE MUST UTILIZE EVERY POSSIBLE... 272 00:12:41,661 --> 00:12:43,094 AGENT GIDEON? 273 00:13:01,464 --> 00:13:02,504 AGENT GIDEON. 274 00:13:03,933 --> 00:13:05,166 AGENT GIDEON? 275 00:13:10,857 --> 00:13:12,501 EVERYBODY OUT OF THE BUILDING! GO! 276 00:13:12,525 --> 00:13:14,220 WHAT IS IT? 277 00:13:14,244 --> 00:13:15,971 LOOK OUT! 278 00:13:15,995 --> 00:13:18,035 CLEAR THE WHOLE BUILDING! CLEAR IT! MOVE! 279 00:13:20,082 --> 00:13:21,532 AAH! 280 00:13:35,348 --> 00:13:37,326 Student: MOVE IT! COME ON! 281 00:13:37,350 --> 00:13:39,670 Man: HELP ME! HELP ME! 282 00:13:55,902 --> 00:13:57,763 Morgan: GIDEON! GIDEON! 283 00:13:57,787 --> 00:13:59,565 GET OUT OF THERE! 284 00:13:59,589 --> 00:14:00,666 COME ON! GET BACK! 285 00:14:00,690 --> 00:14:03,757 WAIT, MORGAN! THERE'S SOMEBODY IN THERE! 286 00:14:06,546 --> 00:14:07,940 COME ON, GIDEON, MOVE! 287 00:14:07,964 --> 00:14:09,675 MOVE! 288 00:14:09,699 --> 00:14:11,866 KEEP MOVING, GIDEON! 289 00:14:17,023 --> 00:14:18,417 GET OFF OF ME! 290 00:14:18,441 --> 00:14:20,202 WAS A TEACHER! 291 00:14:20,226 --> 00:14:21,270 LET IT GO! 292 00:14:21,294 --> 00:14:22,672 HE'S ALREADY DEAD. 293 00:14:22,696 --> 00:14:23,696 LET IT GO. 294 00:14:34,390 --> 00:14:35,885 Hotch: HE MIGHT BE HERE WATCHING. 295 00:14:35,909 --> 00:14:37,786 ELLE. YEAH. 296 00:14:37,810 --> 00:14:39,155 TAKE PICTURES... AS MANY AS YOU CAN. 297 00:14:39,179 --> 00:14:40,278 YOU GOT IT. 298 00:15:11,244 --> 00:15:13,756 THE PROFESSOR'S NAME WAS WALLACE? 299 00:15:13,780 --> 00:15:15,474 IT'S A TERRIBLE LOSS. 300 00:15:15,498 --> 00:15:18,144 HE WAS ONE OF THOSE TEACHERS. UM... 301 00:15:18,168 --> 00:15:19,545 HE KNEW HOW TO MAKE A DIFFERENCE. 302 00:15:21,171 --> 00:15:24,150 GIDEON, WE'VE GOT POLICE AND SECURITY 303 00:15:24,174 --> 00:15:25,751 INTERVIEWING EVERYONE IN THAT BUILDING. 304 00:15:25,775 --> 00:15:28,103 HOW LONG WILL IT TAKE TO FINISH EVACUATING THE CAMPUS? 305 00:15:28,127 --> 00:15:30,656 THIS IS A COLLEGE OF 10,000 STUDENTS AND FACULTY. 306 00:15:30,680 --> 00:15:32,391 WELL, THERE'S ANOTHER PROBLEM WITH EVACUATING. 307 00:15:32,415 --> 00:15:34,948 YOU MEAN, WE MIGHT ACCELERATE THE UNSUB'S TIMELINE. 308 00:15:37,837 --> 00:15:39,453 LET'S ROUND EVERYBODY UP. 309 00:15:46,029 --> 00:15:47,290 DEAN TURNER? 310 00:15:47,314 --> 00:15:48,357 HI, I'M JEREMY. 311 00:15:48,381 --> 00:15:49,658 I'M ONE OF THE RESEARCH ASSISTANTS 312 00:15:49,682 --> 00:15:51,243 AT THE SCIENCE DEPARTMENT. 313 00:15:51,267 --> 00:15:54,213 WE WERE TALKING, AND, UH, WE'D LIKE TO HELP. 314 00:15:54,237 --> 00:15:56,298 THE BEST THING YOU CAN DO RIGHT NOW IS JUST STAY... 315 00:15:56,322 --> 00:15:58,089 WE KNOW HOW HE DID IT. 316 00:16:02,745 --> 00:16:05,646 Morgan: WE'VE BEEN AT THIS ALL NIGHT, AND WE'VE GOT NOTHIN'. 317 00:16:07,834 --> 00:16:10,880 LOOK AT THESE EXPRESSIONS. 318 00:16:10,904 --> 00:16:11,864 WE GOT FEAR, 319 00:16:11,888 --> 00:16:14,400 A TOUCH OF HORROR, 320 00:16:14,424 --> 00:16:16,535 EVEN A LITTLE BIT OF PANIC. 321 00:16:16,559 --> 00:16:17,936 WHERE'S THE GUY GETTIN' OFF? 322 00:16:17,960 --> 00:16:19,888 "WHEN ASKED ABOUT HIS MOTIVES, PETER DINSDALE SAID, 323 00:16:19,912 --> 00:16:23,108 I AM DEVOTED TO FIRE. FIRE IS MY MASTER." 324 00:16:23,132 --> 00:16:27,580 OK, SO WHO WAS OUR BOY'S MASTER? 325 00:16:27,604 --> 00:16:30,137 10,000 PLUS STUDENTS... 326 00:16:37,747 --> 00:16:40,598 AND ONE HAS A SERIOUS FASCINATION WITH FIRE. 327 00:16:42,585 --> 00:16:46,331 FIRE STARTING IS ONE THIRD OF THE HOMICIDAL TRIAD... 328 00:16:46,355 --> 00:16:50,235 AN EARLY PREDICTOR OF ADULT DISASSOCIATIVE CRIMINAL BEHAVIOR. 329 00:16:50,259 --> 00:16:51,836 IF WE LOOKED IN HIS CHILDHOOD, 330 00:16:51,860 --> 00:16:53,620 WE'D PROBABLY FIND ALL THREE. 331 00:16:54,481 --> 00:16:55,441 BEDWETTING... 332 00:16:55,465 --> 00:16:57,693 AND CRUELTY TO ANIMALS. 333 00:16:57,717 --> 00:17:00,629 ABSENT OR ABUSIVE FATHER, TROUBLE WITH THE OPPOSITE SEX, 334 00:17:00,653 --> 00:17:04,450 CHRONIC LOW SELF-ESTEEM... M.O. WOULD BE DYNAMIC. 335 00:17:04,474 --> 00:17:06,685 EVOLVINGS, FIRE SETTING ESCALATES, 336 00:17:06,709 --> 00:17:08,019 THEY THRIVE ON PANIC, FEAR. 337 00:17:08,043 --> 00:17:09,255 IT'S JUST THE STANDARD PROFILE 338 00:17:09,279 --> 00:17:10,373 OF A SERIAL ARSONIST. 339 00:17:10,397 --> 00:17:12,074 BASED ON HUNDREDS OF INTERVIEWS. 340 00:17:12,098 --> 00:17:13,259 BASED ON PRECEDENT. 341 00:17:13,283 --> 00:17:14,826 EVERYTHING THE UNSUB SHOULD BE, 342 00:17:14,850 --> 00:17:16,862 ACCORDING TO RESEARCH. 343 00:17:16,886 --> 00:17:18,514 WE'RE OFF THE MARK. 344 00:17:18,538 --> 00:17:19,932 BECAUSE OF 2 MISSING ELEMENTS. 345 00:17:19,956 --> 00:17:22,852 SEX AND POWER... THE 2 MOTIVES THAT DRIVE A SERIAL ARSONIST. 346 00:17:22,876 --> 00:17:25,092 AND WITHOUT 'EM, WE DO NOT HAVE A PROFILE. 347 00:17:37,607 --> 00:17:39,552 WHOA! HEY! 348 00:17:39,576 --> 00:17:41,520 UH, SORRY. I DIDN'T MEAN TO SCARE YOU. 349 00:17:41,544 --> 00:17:43,121 I'M JUST, UM, I'M CAMPUS PATROL. 350 00:17:43,145 --> 00:17:44,790 I'M SUPPOSED TO ASK FOR YOUR I.D. 351 00:17:44,814 --> 00:17:46,547 SURE, SURE. 352 00:17:52,037 --> 00:17:54,437 YOU'RE ONE OF THOSE FBI GUYS. 353 00:17:57,527 --> 00:17:59,755 UM, LIKE A PROFILER, RIGHT? 354 00:17:59,779 --> 00:18:01,223 LIKE, ONE LOOK AT A CRIME SCENE, 355 00:18:01,247 --> 00:18:04,527 YOU CAN TELL WHAT KIND OF SHAMPOO A KILLER USES? 356 00:18:06,185 --> 00:18:07,146 YOU SOUND SKEPTICAL. 357 00:18:07,170 --> 00:18:08,881 UH, MAYBE A LITTLE. 358 00:18:08,905 --> 00:18:11,572 YOUR GIRLFRIEND THINKS YOU'RE GONNA BREAK UP WITH HER. 359 00:18:13,692 --> 00:18:14,937 YOU'RE KIDDING, RIGHT? 360 00:18:14,961 --> 00:18:17,339 WELL, YOU KEEP ADJUSTING YOUR NECKLACE. 361 00:18:17,363 --> 00:18:19,975 THAT TELLS ME YOU'RE NOT USED TO WEARING ONE 362 00:18:19,999 --> 00:18:21,510 OR SOMEBODY ELSE PROBABLY BOUGHT IT FOR YOU, 363 00:18:21,534 --> 00:18:22,945 BOUGHT IT RECENTLY, 364 00:18:22,969 --> 00:18:26,053 AND THE CHINESE SYMBOL ON IT MEANS "FOREVER YOURS." 365 00:18:29,058 --> 00:18:30,858 TAKE CARE OF YOURSELF, ALL RIGHT? 366 00:18:38,735 --> 00:18:40,612 REID. 367 00:18:40,636 --> 00:18:41,714 SINCE YOU'RE MORE THEIR AGE, 368 00:18:41,738 --> 00:18:43,971 WHY DON'T YOU DO THE TALKING? 369 00:18:46,976 --> 00:18:51,824 AHEM. HI... HI, GUYS. UH, MY NAME'S, UH, DR. SPENCER REID. 370 00:18:51,848 --> 00:18:55,427 I'M A, UH, AGENT WITH THE... THE BAU, 371 00:18:55,451 --> 00:18:58,097 BEHAVIORAL ANALYSIS UNIT OF THE FBI, 372 00:18:58,121 --> 00:19:01,350 WHICH, UM, IT USED TO BE CALLED THE BSU, 373 00:19:01,374 --> 00:19:04,052 THE BEHAVIORAL SCIENCE UNIT, BUT NOT ANYMORE. 374 00:19:04,076 --> 00:19:05,053 THEY CHANGED IT TO THE BAU. 375 00:19:05,077 --> 00:19:06,956 UM, IT'S PART OF THE NCABC, 376 00:19:06,980 --> 00:19:08,958 THE NATIONAL CENTER FOR THE ANALYSIS OF VIOLENT CRIME, 377 00:19:08,982 --> 00:19:12,595 WHICH IS ALSO PART OF THIS THING CALLED THE CIRG, 378 00:19:12,619 --> 00:19:14,713 THE CRITICAL INCIDENT RESPONSE GROUP, AND... 379 00:19:14,737 --> 00:19:17,737 WHAT HE'S TRYING TO SAY IS WE'D LOVE TO KNOW HOW YOU CAN HELP US. 380 00:19:23,196 --> 00:19:24,906 MAY I, PLEASE? THANK YOU. 381 00:19:24,930 --> 00:19:26,559 SEE THIS? 382 00:19:26,583 --> 00:19:29,127 DRILL A HOLE IN THE SIDE, FILL IT WITH GASOLINE 383 00:19:29,151 --> 00:19:30,763 OR WHATEVER'S GOOD AND FLAMMABLE. 384 00:19:30,787 --> 00:19:32,670 TURN THE LIGHT ON. BOOM. 385 00:19:34,707 --> 00:19:36,352 THAT IS WHAT WENT DOWN, DIDN'T IT? 386 00:19:36,376 --> 00:19:38,070 THE STUFF'S ALL OVER THE NET. 387 00:19:38,094 --> 00:19:41,473 WANNA KNOW HOW TO MAKE A MOLOTOV COCKTAIL 388 00:19:41,497 --> 00:19:43,025 THAT SETS ITSELF ON FIRE? 389 00:19:43,049 --> 00:19:47,262 POTASSIUM, SULFUR... 390 00:19:47,286 --> 00:19:48,280 AND NORMAL SUGAR. 391 00:19:48,304 --> 00:19:51,150 SUGAR... SUGAR, WHICH IS... 392 00:19:51,174 --> 00:19:52,751 NOT EXACTLY PLUTONIUM. 393 00:19:52,775 --> 00:19:54,119 YOU COULD GET THIS STUFF ANYWHERE. 394 00:19:54,143 --> 00:19:56,822 Girl: SUGAR FROM THE SUPERMARKET. 395 00:19:56,846 --> 00:19:59,591 BUT YOU DON'T NEED TO BE A CHEM MAJOR TO KNOW THAT. 396 00:19:59,615 --> 00:20:01,943 DO YOU THINK IT'S A CHEM STUDENT? 397 00:20:01,967 --> 00:20:05,047 YOU WANNA KNOW WHAT I THINK? 398 00:20:05,071 --> 00:20:07,082 I THINK... 399 00:20:07,106 --> 00:20:09,073 IT WOULD BE A GOOD TIME TO TAKE THE SEMESTER OFF. 400 00:20:18,017 --> 00:20:19,294 HOLD ON. 401 00:20:19,318 --> 00:20:21,696 YOU NEED A KEY TO GET IT MOVING AFTER 10:00 P.M. 402 00:20:21,720 --> 00:20:23,565 SO WHAT ARE YOU STILL DOIN' HERE? 403 00:20:23,589 --> 00:20:26,601 I CAN'T LEAVE. WE'VE ALL GOT PROJECTS. 404 00:20:26,625 --> 00:20:28,737 YOU KNOW HOT TO SOLVE THE 3 BODY PROBLEM? 405 00:20:28,761 --> 00:20:30,939 COMPUTING THE MUTUAL GRAVITATIONAL INTERACTION 406 00:20:30,963 --> 00:20:33,542 BETWEEN THE EARTH, SUN AND MOON? 407 00:20:33,566 --> 00:20:35,977 DO YOU HAVE ANY IDEA HOW MANY PEOPLE CALLED ME TODAY 408 00:20:36,001 --> 00:20:39,581 WITH ABSOLUTE CERTAINTY THAT OUR ARSONIST IS A FIREFIGHTER? 409 00:20:39,605 --> 00:20:41,450 LIKE, YEAH, I SAW BACKDRAFT. 410 00:20:41,474 --> 00:20:43,154 UH, LET ME CALL YOU RIGHT BACK. 411 00:20:45,662 --> 00:20:47,572 THIS CAME INTO THE HOTLINE ABOUT 5 MINUTES AGO. 412 00:20:47,596 --> 00:20:50,709 Man: YOU'VE REACHED THE FBI TIP HOTLINE 413 00:20:50,733 --> 00:20:53,100 FOR THE BRADSHAW COLLEGE FIRES. 414 00:20:55,672 --> 00:20:58,238 Distorted voice: KAREN. I DO THIS FOR KAREN. 415 00:21:04,564 --> 00:21:06,508 Distorted voice: KAREN. I DO THIS FOR KAREN. 416 00:21:06,532 --> 00:21:07,576 PLAY IT AGAIN. 417 00:21:07,600 --> 00:21:09,277 Morgan: THE CALL CAME FROM THE OFFICE 418 00:21:09,301 --> 00:21:10,378 RIGHT NEXT TO WALLACE'S 419 00:21:10,402 --> 00:21:12,314 5 MINUTES BEFORE THE FIRE WAS STARTED. 420 00:21:12,338 --> 00:21:14,349 PLAY IT AGAIN. 421 00:21:14,373 --> 00:21:17,719 KAREN. I DO THIS FOR KAREN. 422 00:21:17,743 --> 00:21:18,743 AGAIN, LOUDER. 423 00:21:24,100 --> 00:21:27,179 KAREN. I DO THIS FOR KAREN. 424 00:21:27,203 --> 00:21:28,446 Hotch: WHAT IS IT? 425 00:21:28,470 --> 00:21:30,999 I'M NOT SURE. SOMETHIN' ABOUT IT. 426 00:21:31,023 --> 00:21:33,135 IS THIS TAPE CLEAN? 427 00:21:33,159 --> 00:21:35,237 I CAN PUT IT THROUGH SOME AUDIO FILTERS. 428 00:21:35,261 --> 00:21:37,339 LOOK, WE NEED AS CLOSE TO THE REAL VOICE AS YOU CAN GET, 429 00:21:37,363 --> 00:21:39,441 AND ANYTHING THAT MIGHT BE IN THE BACKGROUND. CAN YOU DO IT? 430 00:21:39,465 --> 00:21:40,875 OK, YOU KNOW HOW ON STAR TREK 431 00:21:40,899 --> 00:21:42,311 WHEN CAPTAIN KIRK ASKS McCOY 432 00:21:42,335 --> 00:21:43,445 TO DO SOMETHING TOTALLY IMPOSSIBLE, 433 00:21:43,469 --> 00:21:44,446 AND McCOY SAYS, "DAMN IT, JIM, 434 00:21:44,470 --> 00:21:45,764 I'M A DOCTOR, NOT A MIRACLE WORKER?" 435 00:21:45,788 --> 00:21:46,849 HEY, WHAT ARE YOU TELLIN' ME, 436 00:21:46,873 --> 00:21:47,916 NOT TO EXPECT A MIRACLE? 437 00:21:47,940 --> 00:21:49,623 NO, I'M SAYING I'M NOT A DOCTOR. 438 00:21:52,178 --> 00:21:53,672 THAT'S MY GIRL. 439 00:21:57,316 --> 00:22:00,062 THESE ARE ALL THE WOMEN ON CAMPUS 440 00:22:00,086 --> 00:22:03,165 WITH THE FIRST NAME KAREN. 441 00:22:03,189 --> 00:22:05,267 LOT OF KARENS. 442 00:22:05,291 --> 00:22:06,423 HMM. 443 00:22:13,582 --> 00:22:15,493 WHAT IF THE UNSUB IS ONE OF THE STUDENTS LEAVING? 444 00:22:15,517 --> 00:22:17,796 NO, HE'S NOT DONE YET. 445 00:22:17,820 --> 00:22:19,420 HE'S NOT GOIN' ANYWHERE. 446 00:22:21,491 --> 00:22:22,568 KEEP THINKIN'. 447 00:22:22,592 --> 00:22:24,402 YOU MEAN, OUT... OUTSIDE THE BOX? 448 00:22:24,426 --> 00:22:25,921 THAT'S WHAT MORGAN'S ALWAYS TELLING ME. 449 00:22:25,945 --> 00:22:28,490 HE SAYS THAT'S WHY I CAN NEVER BEAT YOU AT CHESS. 450 00:22:28,514 --> 00:22:29,780 WELL, HE'S PROBABLY RIGHT. 451 00:22:31,417 --> 00:22:32,427 BUT, I MEAN, IN THIS SITUATION, 452 00:22:32,451 --> 00:22:34,113 WHAT EXACTLY IS THE BOX? 453 00:22:34,137 --> 00:22:36,815 THE STANDARD PROFILE OF A SERIAL ARSONIST. 454 00:22:36,839 --> 00:22:39,084 IF EVERYTHING YOU KNOW GOES IN THE BOX, WHAT'S LEFT? 455 00:22:39,108 --> 00:22:41,536 WHAT YOU DON'T KNOW. THE UNKNOWN. 456 00:22:41,560 --> 00:22:43,138 SOMETIMES YOU HAVE TO GET CREATIVE. 457 00:22:43,162 --> 00:22:44,923 EVEN IF YOU THINK IT'S UTTERLY UNLIKELY, 458 00:22:44,947 --> 00:22:47,025 YOU HAVE TO THINK OF THINGS NOBODY ELSE THOUGHT OF. 459 00:22:47,049 --> 00:22:48,043 LIKE A STUTTER. 460 00:22:48,067 --> 00:22:50,234 YEAH, EXACTLY. 461 00:22:51,771 --> 00:22:53,270 THANK YOU, KAREN. 462 00:22:55,942 --> 00:22:57,269 KAREN NUMBER 7. 463 00:22:57,293 --> 00:22:59,533 YOU KNOW, THERE'S GOTTA BE A FASTER WAY TO DO THIS. 464 00:23:00,896 --> 00:23:02,674 HOW 'BOUT WE JUST CHANGE THE FIRST QUESTION 465 00:23:02,698 --> 00:23:05,711 TO "HAVE YOU RECENTLY DATED A HOMICIDAL PYROMANIAC?" 466 00:23:05,735 --> 00:23:07,545 SPEAKING OF QUESTIONS, 467 00:23:07,569 --> 00:23:10,149 YOU FIGURED OUT YET WHY THE FOOTPATH KILLER STUTTERED? 468 00:23:10,173 --> 00:23:12,317 NOPE. YOU? 469 00:23:12,341 --> 00:23:15,553 I KNOW THAT EMBARRASSMENT MAKES A STUTTER WORSE, 470 00:23:15,577 --> 00:23:17,272 AND THAT WHEN YOU'RE FLUSTERED, 471 00:23:17,296 --> 00:23:20,659 IT'S MORE DIFFICULT TO CONTROL THE ARTICULATORY MUSCULATURE OF THE FACE. 472 00:23:20,683 --> 00:23:22,411 YOU SOUND LIKE REID. 473 00:23:22,435 --> 00:23:25,130 YOU DID NOT JUST SAY THAT. 474 00:23:25,154 --> 00:23:27,499 OBVIOUSLY, SOMEBODY'S BEEN DOIN' THEIR HOMEWORK. 475 00:23:27,523 --> 00:23:30,157 I STILL HAVE NO IDEA WHAT CAUSES A STUTTER. 476 00:23:31,660 --> 00:23:33,878 KAREN. NUMBER 8. 477 00:24:03,726 --> 00:24:07,172 HEY. I DIDN'T SCARE YOU AGAIN, DID I? 478 00:24:07,196 --> 00:24:09,441 UM, SORRY. THIS IS ONE OF THE BUILDINGS ON MY PATROL. 479 00:24:09,465 --> 00:24:12,744 JUST LOOKIN' AT THE BOARD. 480 00:24:12,768 --> 00:24:14,601 3 BODY PROBLEM. 481 00:24:16,539 --> 00:24:17,516 YOU KNOW WHAT IT MEANS? 482 00:24:17,540 --> 00:24:19,417 UH, NO. NO IDEA. 483 00:24:19,441 --> 00:24:20,769 IT'S PHYSICS. 484 00:24:20,793 --> 00:24:24,573 IT'S ONE OF THE GREAT MATHEMATICAL MYSTERIES. 485 00:24:24,597 --> 00:24:25,557 BROKE UP WITH HER. 486 00:24:25,581 --> 00:24:28,593 NO MORE NECKLACE. 487 00:24:28,617 --> 00:24:31,057 YEAH, I KINDA WANNA DATE SOMEONE ELSE. 488 00:24:31,721 --> 00:24:32,781 WHAT'S HER NAME? 489 00:24:32,805 --> 00:24:34,349 BRIAN. 490 00:24:34,373 --> 00:24:37,619 OH. 491 00:24:37,643 --> 00:24:39,855 WELL, THAT'S, UH... 492 00:24:39,879 --> 00:24:41,078 THAT'S A PRETTY GOOD REASON. 493 00:24:42,265 --> 00:24:43,508 SHE TAKE IT ALL RIGHT? 494 00:24:43,532 --> 00:24:45,410 YEAH. 495 00:24:45,434 --> 00:24:46,544 YEAH, OTHER THAN TELLING ME THAT 496 00:24:46,568 --> 00:24:48,213 HOMOSEXUALITY'S A SIN, 497 00:24:48,237 --> 00:24:51,199 AND THAT I'M GOING TO INCUR THE WRATH OF GOD. 498 00:24:51,223 --> 00:24:52,355 HA. 499 00:24:54,694 --> 00:24:56,526 WRATH OF GOD. 500 00:25:03,119 --> 00:25:04,563 Garcia: OK, GORGEOUS, 501 00:25:04,587 --> 00:25:06,565 I'VE PUT THIS THING THROUGH EVERY AUDIO FILTER I'VE GOT. 502 00:25:06,589 --> 00:25:08,266 THERE'S ONLY ONE THING I CAN TELL YOU FOR SURE. 503 00:25:08,290 --> 00:25:10,034 THIS GUY ISN'T SAYING "KAREN." 504 00:25:10,058 --> 00:25:11,103 IT'S MORE LIKE "KA-ROWN." 505 00:25:11,127 --> 00:25:13,071 GARCIA, WHAT THE HELL IS KA-ROWN? 506 00:25:13,095 --> 00:25:15,690 IF I FIGURE IT OUT, DOES IT EARN ME A NIGHT OF PASSIONATE LOVEMAKING? 507 00:25:15,714 --> 00:25:17,692 MOST DEFINITELY, SWEETNESS... 508 00:25:17,716 --> 00:25:19,060 WITH REID. OH. 509 00:25:19,084 --> 00:25:21,396 BYE. HEY, REID... 510 00:25:21,420 --> 00:25:22,497 GARCIA SAYS IT'S NOT "KAREN." 511 00:25:22,521 --> 00:25:23,915 IT'S ACTUALLY SOMETHIN' MORE LIKE... 512 00:25:23,939 --> 00:25:24,916 CHAROWN. CHAROWN? 513 00:25:24,940 --> 00:25:26,434 CHAROWN. I DO IT BECAUSE OF CHAROWN. 514 00:25:26,458 --> 00:25:27,503 THAT'S HEBREW. 515 00:25:27,527 --> 00:25:29,755 IT'S GOD'S BURNING ANGER. YEAH. 516 00:25:29,779 --> 00:25:31,256 THE MOTIVE IS NOW RELIGIOUS? 517 00:25:31,280 --> 00:25:33,491 WELL, YOU KNOW, IN A LOT OF RELIGIONS, 518 00:25:33,515 --> 00:25:34,893 GOD IS RELATED TO FIRE. 519 00:25:34,917 --> 00:25:36,628 WELL, AGNI IS FIRE IN HINDUISM, 520 00:25:36,652 --> 00:25:38,797 AND THE JEWS SEE GOD AS A PILLAR OF FIRE, 521 00:25:38,821 --> 00:25:40,832 AND CHRISTIANS WORSHIP GOD AS A CONSUMING FIRE. 522 00:25:40,856 --> 00:25:42,684 OK, SO WE'RE LOOKIN' FOR A THEOLOGY MAJOR. 523 00:25:42,708 --> 00:25:44,252 MAYBE HE'S PUNISHING THE OTHER STUDENTS FOR THEIR SINS. 524 00:25:44,276 --> 00:25:45,487 I DON'T WANT THIS. 525 00:25:45,511 --> 00:25:47,522 WHAT... WHAT'S THE MOST SINFUL PLACE ON CAMPUS? 526 00:25:47,546 --> 00:25:49,474 COME ON, ELLE. WHEN I WAS IN COLLEGE, THAT WAS EVERYWHERE. 527 00:25:49,498 --> 00:25:50,608 FRATERNITY? 528 00:25:50,632 --> 00:25:51,642 Elle: A CAMPUS BAR? 529 00:25:51,666 --> 00:25:53,044 NO, 'CAUSE THAT'S NOT CONSISTENT 530 00:25:53,068 --> 00:25:54,379 WITH THE PREVIOUS TARGETS. 531 00:25:54,403 --> 00:25:56,315 Morgan: WHAT ABOUT THE IDEA OF BAPTISM BY FIRE? 532 00:25:56,339 --> 00:25:58,600 AREN'T WE ALL SUPPOSED TO BE TESTED THROUGH FIRE IN REVELATIONS? 533 00:25:58,624 --> 00:26:01,603 LOOK, IT'S GOOD, IT'S GOOD, BUT LET'S PLEASE DO NOT JUMP TO CONCLUSIONS. 534 00:26:01,627 --> 00:26:02,937 RELIGION MIGHT BE A PART OF IT, 535 00:26:02,961 --> 00:26:04,656 BUT IT'S NOT NECESSARILY THE PRIME COMPULSION. 536 00:26:04,680 --> 00:26:06,608 GIDEON, RUSH TO CONCLUSIONS, JUMP TO CONCLUSIONS. 537 00:26:06,632 --> 00:26:08,626 WHO CARES? WE ARE RUNNING OUT OF TIME. 538 00:26:08,650 --> 00:26:10,567 COMPULSION. 539 00:26:11,654 --> 00:26:12,797 Student, on tape: THIS IS CRAZY. 540 00:26:12,821 --> 00:26:14,566 HEY, MAC, GET OVER HERE. YOU GOTTA SEE THIS. 541 00:26:14,590 --> 00:26:15,867 THE BUILDING'S ON FIRE. 542 00:26:15,891 --> 00:26:17,435 BRO, YOU GETTING THIS? 543 00:26:17,459 --> 00:26:18,436 GET OUT OF THE WAY! 544 00:26:18,460 --> 00:26:19,754 WE SHOULD CALL CAMPUS SECURITY. 545 00:26:19,778 --> 00:26:20,955 Student, on tape: RELAX, MAN. 546 00:26:20,979 --> 00:26:22,190 THERE'S ALWAYS FIRES DURING RUSH WEEK. 547 00:26:22,214 --> 00:26:23,492 YEAH, BUT THAT'S PRETTY BIG. 548 00:26:23,516 --> 00:26:24,493 WHAT BUILDING IS THAT? 549 00:26:24,517 --> 00:26:25,794 DUDE, OVER HERE. CHECK THIS OUT. 550 00:26:25,818 --> 00:26:27,362 WHAT IS IT? 551 00:26:27,386 --> 00:26:28,980 I DON'T KNOW, BUT IT'S COMING UNDERNEATH THE DOOR. 552 00:26:29,004 --> 00:26:30,114 IS SOMEONE IN THE HALLWAY? 553 00:26:30,138 --> 00:26:32,317 HEY, SOMEONE'S TRYING TO GET IN. 554 00:26:32,341 --> 00:26:33,952 HEY, MAN, YOU SHOULD GET AWAY FROM THERE. 555 00:26:33,976 --> 00:26:36,621 OH, MY GOD. IT SMELLS LIKE GAS. 556 00:26:36,645 --> 00:26:40,591 OH! OH! GOD! OH, MY GOD! HELP! 557 00:26:40,615 --> 00:26:41,943 OH, MY GOD! 558 00:26:41,967 --> 00:26:44,768 OH, MY GOD! AAH! HOLD ON, MAN! 559 00:27:03,772 --> 00:27:05,972 OUTSIDE THE BOX. 560 00:27:15,651 --> 00:27:16,628 KEEP THINKIN'. 561 00:27:16,652 --> 00:27:19,615 IT'S LIKE CHESS. 562 00:27:19,639 --> 00:27:20,816 DON'T LOOK AT JUST THE NEXT MOVE. 563 00:27:20,840 --> 00:27:22,272 TRY TO LOOK 3 MOVES AHEAD. 564 00:27:29,231 --> 00:27:30,708 Student, on tape: THIS IS CRAZY. 565 00:27:30,732 --> 00:27:32,411 HEY, MAC, GET OVER HERE. YOU GOTTA SEE THIS. 566 00:27:32,435 --> 00:27:33,678 THE BUILDING'S ON FIRE. 567 00:27:33,702 --> 00:27:35,080 BRO, YOU GETTING THIS? 568 00:27:35,104 --> 00:27:36,447 GET OUT OF THE WAY! 569 00:27:36,471 --> 00:27:37,515 WE SHOULD CALL CAMPUS SECURITY. 570 00:27:37,539 --> 00:27:38,717 RELAX, MAN. 571 00:27:38,741 --> 00:27:39,984 THERE'S ALWAYS FIRES DURING RUSH WEEK. 572 00:27:40,008 --> 00:27:41,252 YEAH, BUT THAT'S PRETTY BIG. 573 00:27:41,276 --> 00:27:42,253 WHAT BUILDING IS THAT? 574 00:27:42,277 --> 00:27:43,888 DUDE, OVER HERE. CHECK THIS OUT. 575 00:27:43,912 --> 00:27:44,912 WHAT IS IT? 576 00:27:46,348 --> 00:27:49,711 DUDE, OVER HERE. CHECK THIS OUT. 577 00:27:49,735 --> 00:27:51,763 WHAT IS IT? 578 00:27:53,238 --> 00:27:55,758 THERE'S ALWAYS FIRES DURING RUSH WEEK. 579 00:27:56,292 --> 00:27:58,253 DUDE, OVER HERE. CHECK THIS OUT. 580 00:27:58,277 --> 00:27:59,777 WHAT IS IT? 581 00:28:14,944 --> 00:28:17,177 3 TIMES. 582 00:28:50,562 --> 00:28:53,924 "PROFESSOR WALLACE. TUESDAY, 3:00." 583 00:28:55,451 --> 00:28:56,828 I KNOW WHY THE PROFILES NEVER FIT. 584 00:28:56,852 --> 00:28:59,080 YOU WERE RIGHT TO TELL MORGAN 585 00:28:59,104 --> 00:29:00,181 NOT TO RELY ON PRECEDENT. 586 00:29:00,205 --> 00:29:01,315 THE FIRES THUS FAR 587 00:29:01,339 --> 00:29:02,834 HAVE BEEN COMPLETELY TASK ORIENTED. 588 00:29:02,858 --> 00:29:05,003 SO ONCE THEY'RE SET, THE UNSUB IS DONE? 589 00:29:05,027 --> 00:29:08,072 EXACTLY. THE UNSUB IS NOT A CLASSICAL SERIAL ARSONIST. 590 00:29:08,096 --> 00:29:09,440 HE'S SOMEONE WHO USES FIRE 591 00:29:09,464 --> 00:29:11,092 BECAUSE OF A COMPLETELY DIFFERENT DISORDER. 592 00:29:11,116 --> 00:29:12,093 WHICH IS? 593 00:29:12,117 --> 00:29:14,563 AN EXTREME MANIFESTATION OF OCD, 594 00:29:14,587 --> 00:29:16,314 OBSESSIVE COMPULSIVE DISORDER. 595 00:29:16,338 --> 00:29:18,716 HE DOES EVERYTHING IN 3s, 596 00:29:18,740 --> 00:29:20,135 AND IF I'M RIGHT, 597 00:29:20,159 --> 00:29:21,999 HE'LL HAVE TO KILL AGAIN. 598 00:29:27,866 --> 00:29:30,645 Reid: THERE'S A FORM OF OCD CALLED SCRUPULOSITY. 599 00:29:30,669 --> 00:29:32,547 Hotch: RELIGIOUS OBSESSION AND COMPULSION. 600 00:29:32,571 --> 00:29:33,848 AN OBSESSIVE FEAR OF COMMITTING SIN, 601 00:29:33,872 --> 00:29:35,450 WHICH CREATES SO MUCH ANXIETY 602 00:29:35,474 --> 00:29:38,119 THAT HE'S COMPELLED TO DO SOMETHING TO EASE THAT ANXIETY. 603 00:29:38,143 --> 00:29:39,588 LIKE SETTING FIRES. 604 00:29:39,612 --> 00:29:41,772 WHERE'S THE BEHAVIORAL EVIDENCE? 605 00:29:41,796 --> 00:29:44,209 RIGHT HERE. ALL RIGHT. 606 00:29:44,233 --> 00:29:45,743 REMEMBER THE NIGHT OF THE 3 FIRES? 607 00:29:45,767 --> 00:29:48,927 WE SAW THE DOORKNOB TURNING AGAINST THE LOCK. 608 00:29:50,990 --> 00:29:52,400 BUT HE'S NOT TRYING TO GET IN. 609 00:29:52,424 --> 00:29:55,236 HE'S COMPELLED TO TURN THE DOORKNOB 3 TIMES. 610 00:29:55,260 --> 00:29:57,088 WELL, WHAT ABOUT THE FIRES? 611 00:29:57,112 --> 00:29:59,390 THE FIRST ONES WERE SINGLE FIRES. 612 00:29:59,414 --> 00:30:02,960 IF THE UNSUB WAS OCD, SHOULDN'T THEY HAVE ALL BEEN IN 3s? 613 00:30:02,984 --> 00:30:06,097 THEY WERE IN 3s. A TRINITY OF 3s. 614 00:30:06,121 --> 00:30:08,617 THE FIRST FIRE OCCURRED ON MARCH THIRD. 615 00:30:08,641 --> 00:30:11,086 3:00 P.M. THIRD DAY, THIRD MONTH. 616 00:30:11,110 --> 00:30:13,021 IT'S THAT CONVERGENCE OF 3s 617 00:30:13,045 --> 00:30:14,790 THAT CAUSES THE OVERWHELMING ANXIETY. 618 00:30:14,814 --> 00:30:17,159 OBSESSIVE COMPULSIVES EASE THE ANXIETY 619 00:30:17,183 --> 00:30:19,194 BY PERFORMING THE COMPULSION. 620 00:30:19,218 --> 00:30:21,413 WHAT ABOUT THE OTHER FIRES? PROFESSOR WALLACE? 621 00:30:21,437 --> 00:30:23,153 OFFICE NUMBER 3. 622 00:30:24,490 --> 00:30:25,867 I CHECKED FOR MORE PATTERNS OF 3s. 623 00:30:25,891 --> 00:30:27,401 HIS CLASS WAS ON TUESDAYS. 624 00:30:27,425 --> 00:30:28,453 THIRD DAY OF THE WEEK. 625 00:30:28,477 --> 00:30:30,422 MATTHEW ROWLAND WAS IN THAT CLASS. 626 00:30:30,446 --> 00:30:32,023 IT WAS HIS THIRD CLASS OF THE DAY. 627 00:30:32,047 --> 00:30:33,291 IF WE LOOKED INTO EACH OF THE FIRES 628 00:30:33,315 --> 00:30:34,592 WE'D FIND A LOT OF PATTERNS 629 00:30:34,616 --> 00:30:35,593 HAVING TO DO WITH 3s 630 00:30:35,617 --> 00:30:37,094 BECAUSE OUR MINDS ARE INCREDIBLY ADEPT 631 00:30:37,118 --> 00:30:38,396 AT SEEKING OUT PATTERNS. 632 00:30:38,420 --> 00:30:40,565 BUT TO THE UNSUB, ONCE THAT PATTERN HITS, 633 00:30:40,589 --> 00:30:42,601 BAM... HE SETS A FIRE. 634 00:30:42,625 --> 00:30:44,335 BUT IF THE TARGET WAS ALWAYS PEOPLE, 635 00:30:44,359 --> 00:30:46,354 WHY DID NO ONE DIE IN THE FIRST FEW FIRES? 636 00:30:46,378 --> 00:30:48,422 THEY WERE FAILURES. 637 00:30:48,446 --> 00:30:50,366 UP UNTIL MATTHEW ROWLAND. 638 00:30:54,687 --> 00:30:56,247 WHAT IS IT? 639 00:30:56,271 --> 00:30:57,749 I THINK I KNOW WHO IT MIGHT BE. 640 00:30:57,773 --> 00:31:02,537 AND IT'S NOT A HE. IT'S A SHE. 641 00:31:02,561 --> 00:31:05,073 CLARA HAYES. 642 00:31:05,097 --> 00:31:06,791 A CHEMISTRY STUDENT. 643 00:31:06,815 --> 00:31:08,676 Turner: I'LL GET YOU HER RECORDS NOW. 644 00:31:08,700 --> 00:31:10,595 FIRST GET CAMPUS SECURITY OUT AND FIND HER. 645 00:31:10,619 --> 00:31:13,465 SHE COULD SET HER NEXT FIRE WITHIN HOURS. 646 00:31:13,489 --> 00:31:14,482 OK, GOT IT. 647 00:31:14,506 --> 00:31:15,783 HER APARTMENT'S OFF CAMPUS. 648 00:31:15,807 --> 00:31:18,053 BUT HOW IS HE SURE IT'S THIS GIRL? 649 00:31:18,077 --> 00:31:19,954 WHEN I WAS TALKING TO HER AND HER CLASSMATES, 650 00:31:19,978 --> 00:31:22,357 I NOTICED SOMETHING... A RING ON HER FINGER. AND SHE KEPT TURNING IT. 651 00:31:22,381 --> 00:31:24,280 AT INTERVALS? OF 3. 652 00:31:26,485 --> 00:31:29,197 AND SHE COUNTED OFF THE INGREDIENTS OF A LIGHT BULB BOMB. 653 00:31:29,221 --> 00:31:35,436 POTASSIUM, SULFUR, AND NORMAL SUGAR. 654 00:31:35,460 --> 00:31:36,872 SUGAR. 655 00:31:36,896 --> 00:31:38,506 AND THE WORD "SUGAR." 656 00:31:38,530 --> 00:31:40,041 YEAH. AND SHE KEPT REPEATING IT. 657 00:31:40,065 --> 00:31:41,709 ONCE SHE STARTED, SHE COULDN'T STOP. 658 00:31:41,733 --> 00:31:44,445 YEAH, IT'S PALILALIA. IT'S THE INVOLUNTARY REPETITION OF WORDS. 659 00:31:44,469 --> 00:31:46,498 HOWARD HUGHES HAD IT WHEN HIS OCD WORSENED. 660 00:31:46,522 --> 00:31:49,634 CLARA AND HER CLASSMATES WERE WORKING ON A PROJECT ABOUT GRAVITATIONAL PULL. 661 00:31:49,658 --> 00:31:51,190 THE 3 BODY PROBLEM. 662 00:32:03,538 --> 00:32:04,805 NO ONE IN HERE. 663 00:32:08,410 --> 00:32:11,655 Morgan: OH, YOU GOTTA BE KIDDING ME. 664 00:32:11,679 --> 00:32:14,192 OCD? I'M THINKING MORE LIKE OMG. 665 00:32:14,216 --> 00:32:15,626 OMG? 666 00:32:15,650 --> 00:32:17,078 OH, MY GOD. 667 00:32:17,102 --> 00:32:19,581 "A FIRE IS KINDLED IN MY ANGER, 668 00:32:19,605 --> 00:32:23,084 AND SHALL BURN INTO THE LOWEST HELL." DEUTERONOMY. 669 00:32:23,108 --> 00:32:25,536 Morgan: "AND AGAIN THE FIRE OF HEAVEN CAME DOWN AND KILLED THEM ALL." 670 00:32:25,560 --> 00:32:29,374 "I DO THIS FOR CHARON." THAT'S CHARON. 671 00:32:29,398 --> 00:32:32,176 THAT'S THE GREEK MYTHOLOGICAL FERRYMAN OF THE DEAD. 672 00:32:32,200 --> 00:32:34,629 Morgan: IT'S ALSO THE NAME OF PLUTO'S ONLY MOON. 673 00:32:34,653 --> 00:32:36,131 PARADISE LOST. 674 00:32:36,155 --> 00:32:38,850 "MOLOCH, HORRID KING, 675 00:32:38,874 --> 00:32:41,937 BESMEARED WITH BLOOD OF HUMAN SACRIFICE AND PARENTS' TEARS." 676 00:32:41,961 --> 00:32:45,757 MOLOCH WAS THE DEMON SUN GOD OF THE CANAANITES. 677 00:32:45,781 --> 00:32:47,291 IN ORDER TO KEEP FROM INCURRING HIS WRATH, 678 00:32:47,315 --> 00:32:49,928 THE PEOPLE WOULD SACRIFICE THEIR CHILDREN TO HIM 679 00:32:49,952 --> 00:32:52,314 BY BURNING THEM ALIVE. 680 00:32:52,338 --> 00:32:55,734 16-YEAR-OLD SURVIVES INFERNO. 681 00:32:55,758 --> 00:32:57,568 THE MOTHER, ELLEN HAYES, CALLED IT A MIRACLE. 682 00:32:57,592 --> 00:32:59,237 "MY DAUGHTER WAS TESTED BY GOD. 683 00:32:59,261 --> 00:33:02,040 HE TESTED MY CHILD, AND SHE CAME THROUGH BLESSED." 684 00:33:02,064 --> 00:33:05,377 LOOK AT THE HOUSE NUMBER. 685 00:33:05,401 --> 00:33:07,545 333. 686 00:33:07,569 --> 00:33:10,715 HEY, MORGAN, YOU KNOW WHAT MAGICAL THINKING IS? 687 00:33:10,739 --> 00:33:13,017 OBSESSIVE THOUGHTS. 688 00:33:13,041 --> 00:33:14,669 IT'S LIKE A SUPERSTITION. IT CONTROLS THEM. 689 00:33:14,693 --> 00:33:18,673 KINDA LIKE STEP ON A CRACK, BREAK YOUR MOTHER'S BACK. 690 00:33:18,697 --> 00:33:21,376 EXCEPT SHE ACTUALLY BELIEVES IT. 691 00:33:21,400 --> 00:33:24,763 GOD TESTED HER WITH FIRE, 692 00:33:24,787 --> 00:33:28,183 AND NOW WHEN THREE 3s... 693 00:33:28,207 --> 00:33:32,420 THREE 3s SHOW UP AROUND ANOTHER PERSON... 694 00:33:32,444 --> 00:33:34,561 GOD TELLS HER TO TEST THEM. 695 00:33:37,849 --> 00:33:40,678 SECURITY'S CHECKING THE SCIENCE BUILDING. 696 00:33:40,702 --> 00:33:41,997 WELL, WHERE ELSE WOULD SHE BE? 697 00:33:42,021 --> 00:33:44,032 WE NEED TO FIND THE NEXT PATTERN OF 3s. 698 00:33:44,056 --> 00:33:46,768 Morgan: HEY, HOTCH... WE'RE LOOKIN', MAN. 699 00:33:46,792 --> 00:33:48,903 I DON'T THINK SHE WOULD HAVE LEFT BEHIND A DAY PLANNER 700 00:33:48,927 --> 00:33:51,561 THAT SAYS "SET NEXT FIRE HERE" WRITTEN IN IT. 701 00:33:54,949 --> 00:33:57,012 I UNDER... WAIT TILL YOU SEE THIS PLACE. 702 00:33:57,036 --> 00:33:58,763 UH, MORGAN? 703 00:33:58,787 --> 00:34:00,920 I'LL CALL YOU BACK. 704 00:34:08,113 --> 00:34:10,074 Morgan: THERE MUST BE 30 HOMEMADE BOMBS IN HERE. 705 00:34:10,098 --> 00:34:11,142 MORGAN, SEAL THE BUILDING. 706 00:34:11,166 --> 00:34:12,644 GET EVERYBODY OUT OF THERE AND WALK AWAY. 707 00:34:12,668 --> 00:34:14,278 WE NEED TO SEND OUR PEOPLE INTO EVERY BUILDING 708 00:34:14,302 --> 00:34:15,864 AND HAVE THEM START PULLING FIRE ALARMS. PLEASE, GO. 709 00:34:15,888 --> 00:34:17,431 MEAD, A MAP OF THE CAMPUS. 710 00:34:17,455 --> 00:34:19,850 WE NEED TO FIND ANYTHING AND EVERYTHING HAVING TO DO WITH THE NUMBER 3. 711 00:34:19,874 --> 00:34:20,952 WHERE'S THE BLUEPRINT? 712 00:34:20,976 --> 00:34:23,154 HELL NO, I'M NOT LEAVING. 713 00:34:23,178 --> 00:34:24,689 I HAVE TOO MUCH TO DO. 714 00:34:24,713 --> 00:34:27,492 ALL RIGHT, I BOUGHT ONE OF THOSE MINI HALON FIRE EXTINGUISHERS. 715 00:34:27,516 --> 00:34:29,360 THEY STARTED SELLING THEM AT THE BOOKSTORE. 716 00:34:29,384 --> 00:34:31,830 IT'S PRETTY MORBID, RIGHT? 717 00:34:31,854 --> 00:34:34,799 HEY, I'M ABOUT TO GET INTO AN ELEVATOR, SO I'LL PROBABLY LOSE YOU. 718 00:34:34,823 --> 00:34:36,634 ALL RIGHT, BYE-BYE. 719 00:35:10,959 --> 00:35:12,587 Security guard: YOU GOT THE SCIENCE BUILDING? 720 00:35:12,611 --> 00:35:15,055 Second security guard: ALL THE CORRIDORS AND STAIRWELLS ARE CLEAR. 721 00:35:15,079 --> 00:35:16,391 THE ELEVATOR CLOSET'S CHECKED. 722 00:35:16,415 --> 00:35:17,714 NO ELEVATORS ARE IN SERVICE. 723 00:35:21,903 --> 00:35:24,015 IT'S NOT GONNA START. 724 00:35:24,039 --> 00:35:25,984 DON'T YOU HAVE THE KEY? 725 00:35:26,008 --> 00:35:28,203 I PUT IT BACK ON THE HOOK IN THE OFFICE. 726 00:35:28,227 --> 00:35:30,337 AREN'T YOU SUPPOSED TO BE ABLE TO HEAR THE EMERGENCY CALL BUTTON? 727 00:35:30,361 --> 00:35:32,212 MAYBE IT'S BROKEN. 728 00:35:36,235 --> 00:35:37,845 OR TURNED OFF. 729 00:35:37,869 --> 00:35:39,330 I SAY WE PRY OPEN THE DOORS. 730 00:35:39,354 --> 00:35:41,432 YOU CAN'T PRY 'EM ALL THE WAY OPEN. 731 00:35:41,456 --> 00:35:43,751 IT'S A SAFETY PRECAUTION. 732 00:35:43,775 --> 00:35:45,553 MAYBE WE CAN TRY YELLING FOR HELP. 733 00:35:49,831 --> 00:35:51,226 THAT'S THE FIRE ALARM. 734 00:35:56,788 --> 00:35:59,234 JASON, WAIT. WAIT, WAIT, WAIT, WAIT. 735 00:35:59,258 --> 00:36:00,868 CLARA HAYES IS VERY LIKELY A GOOD PERSON. 736 00:36:00,892 --> 00:36:02,470 SOMEONE WHO NEVER WANTED TO DO ANYONE ANY HARM, 737 00:36:02,494 --> 00:36:04,022 LIKE ANY OTHER RATIONAL PERSON. 738 00:36:04,046 --> 00:36:06,724 BUT THERE'S NOTHING RATIONAL ABOUT OBSESSIVE COMPULSIVE DISORDER. 739 00:36:06,748 --> 00:36:08,425 RESEARCH SUGGESTS OCD INVOLVES 740 00:36:08,449 --> 00:36:09,593 PROBLEMS IN COMMUNICATION 741 00:36:09,617 --> 00:36:10,862 BETWEEN THE FRONT OF THE BRAIN 742 00:36:10,886 --> 00:36:12,163 AND THE ORBITAL CORTEX. 743 00:36:12,187 --> 00:36:13,914 PLUS DEEPER STRUCTURES. THE BASAL GANGLIA. 744 00:36:13,938 --> 00:36:15,533 YOU CAN'T REASON WITH HER BECAUSE YOU CAN'T REASON 745 00:36:15,557 --> 00:36:16,901 WITH A PHYSIOLOGICAL PROBLEM. 746 00:36:16,925 --> 00:36:18,670 SHE'S NOT SETTING THESE FIRES BECAUSE SHE WANTS TO, 747 00:36:18,694 --> 00:36:19,754 BUT BECAUSE SHE HAS TO. 748 00:36:19,778 --> 00:36:21,055 WHAT ARE YOU TRYING TO SAY? 749 00:36:21,079 --> 00:36:22,240 DON'T TRY TO CONVINCE HER TO STOP, 750 00:36:22,264 --> 00:36:24,430 BECAUSE YOU WON'T BE ABLE TO. 751 00:36:30,855 --> 00:36:32,822 THAT'S IT? IT WON'T GO ANY FURTHER? 752 00:36:34,626 --> 00:36:37,154 I TOLD YOU, IT'S A BUILT-IN SAFETY PRECAUTION. 753 00:36:37,178 --> 00:36:41,358 HELP! SOMEBODY HELP US! 754 00:36:41,382 --> 00:36:44,995 HELLO? SOMEBODY HELP US! 755 00:36:45,019 --> 00:36:47,348 PLEASE, SOMEBODY, WE'RE TRAPPED DOWN HERE. 756 00:36:47,372 --> 00:36:50,256 SOMEBODY HELP US! 757 00:36:52,794 --> 00:36:54,339 CLARA! 758 00:36:54,363 --> 00:36:55,639 CLARA, THANK GOD. 759 00:36:55,663 --> 00:36:57,008 Clara: IT'S ALL RIGHT. 760 00:36:57,032 --> 00:36:59,911 CLARA, GO BACK TO THE OFFICE AND GET THE ELEVATOR KEY. 761 00:36:59,935 --> 00:37:02,797 IT'S OK. I'M HERE TO SAVE YOU. 762 00:37:02,821 --> 00:37:06,851 GO... GO GET THE KEY, CLARA. THE ELEVATOR KEY. 763 00:37:06,875 --> 00:37:09,087 CLARA! CLARA, WAIT! THE KEY! CLARA! GET THE KEY! 764 00:37:09,111 --> 00:37:10,610 IS THIS BUILDING ON FIRE? 765 00:37:12,881 --> 00:37:13,881 NOT YET. 766 00:37:20,222 --> 00:37:22,066 IT'S CLEAR UP HERE. ANYTHING? 767 00:37:22,090 --> 00:37:26,738 NOTHING. NO GIRL, NO SMOKE, NO FIRE. 768 00:37:26,762 --> 00:37:27,972 WHERE DID SHE GO? 769 00:37:27,996 --> 00:37:30,474 MAYBE SHE'S GETTING THE KEY. 770 00:37:30,498 --> 00:37:32,165 I DON'T KNOW. 771 00:37:38,072 --> 00:37:41,552 WHAT IS SHE DOING? 772 00:37:41,576 --> 00:37:43,220 Jeremy: SOMEONE COMING TO HELP? 773 00:37:43,244 --> 00:37:45,522 I'M HERE TO HELP. 774 00:37:45,546 --> 00:37:47,263 I'M HERE TO SAVE YOU. 775 00:37:49,484 --> 00:37:53,781 GOD CHOSE YOU. CHOSE YOU... CHOSE YOU... 776 00:37:53,805 --> 00:37:55,350 CLARA? 777 00:37:55,374 --> 00:37:57,852 FATHER, SON... 778 00:37:57,876 --> 00:38:01,723 OH, MY GOD! OH, MY GOD! HOLY GHOST. 779 00:38:01,747 --> 00:38:03,307 CLARA, LISTEN... AAH! AAH! 780 00:38:03,331 --> 00:38:04,575 Jeremy: IT'S GASOLINE! 781 00:38:04,599 --> 00:38:06,682 AAH! AAH! 782 00:38:07,936 --> 00:38:10,898 NO, CLARA! STOP IT, CLARA! LISTEN! 783 00:38:10,922 --> 00:38:14,068 OH, GOD! 784 00:38:14,092 --> 00:38:16,236 SECURITY'S SURE THEY'VE CLEARED THE SCIENCE BUILDING. 785 00:38:16,260 --> 00:38:18,039 Turner: GUARDS MADE SURE IT'S EMPTY, 786 00:38:18,063 --> 00:38:19,640 NO ELEVATORS ARE IN SERVICE. 787 00:38:19,664 --> 00:38:23,427 YOU NEED A KEY TO GET IT MOVING AFTER 10:00 P.M. 788 00:38:23,451 --> 00:38:26,214 - CLARA? CLARA? - GOD CHOSE YOU. 789 00:38:26,238 --> 00:38:27,464 PUT IT DOWN, CLARA! 790 00:38:27,488 --> 00:38:29,116 I'M STILL LOOKING. 791 00:38:29,140 --> 00:38:30,951 Gideon: FOCUS ON THE GIRL. 792 00:38:30,975 --> 00:38:33,421 SHE WAS FAILING OUT. THIS WAS GONNA BE HER LAST SEMESTER. 793 00:38:33,445 --> 00:38:35,589 THAT'S THE STRESSOR. WHAT ELSE? 794 00:38:35,613 --> 00:38:38,225 SHE WAS A RESEARCHER IN THE SCIENCE BUILDING. 795 00:38:38,249 --> 00:38:40,727 WE KNOW THAT. THEY'VE ALREADY CLEARED THE SCIENCE BUILDING. 796 00:38:40,751 --> 00:38:43,330 THE THIRD FLOOR OF THE SCIENCE BUILDING IS UNDER CONSTRUCTION. 797 00:38:43,354 --> 00:38:44,354 I'M ON MY WAY. 798 00:38:49,077 --> 00:38:50,605 CLARA. 799 00:38:50,629 --> 00:38:54,158 Jeremy: CLARA, YOU DON'T HAVE TO DO THIS, ALL RIGHT? 800 00:38:55,816 --> 00:38:58,446 I HAVE TO DO THIS. 801 00:38:58,470 --> 00:38:59,947 YOU KNOW IT'S NOT RATIONAL, CLARA. 802 00:38:59,971 --> 00:39:01,249 YOU WERE TRYING TO TELL ME. 803 00:39:01,273 --> 00:39:03,917 GOD CHOSE ME TO BE TESTED, 804 00:39:03,941 --> 00:39:05,519 AND NOW HE'S CHOSEN THEM. 805 00:39:05,543 --> 00:39:08,038 IF I DON'T DO THIS, SOMETHING TERRIBLE WILL HAPPEN. 806 00:39:08,062 --> 00:39:10,240 WHAT'S GONNA HAPPEN, CLARA? A FLOOD? AN EARTHQUAKE? 807 00:39:10,264 --> 00:39:11,759 YOU KNOW THIS ISN'T RATIONAL. 808 00:39:11,783 --> 00:39:14,228 I KNOW. I KNOW. I KNOW. 809 00:39:14,252 --> 00:39:15,363 THEN RESIST. 810 00:39:15,387 --> 00:39:17,432 I CAN'T. 811 00:39:17,456 --> 00:39:19,333 CLARA? CLARA, LISTEN TO ME. 812 00:39:19,357 --> 00:39:20,635 CLARA, DON'T. 813 00:39:20,659 --> 00:39:22,353 THEY MUST BE TESTED. 814 00:39:22,377 --> 00:39:24,439 GOD'S WRATH... 815 00:39:24,463 --> 00:39:26,274 Hotch: CLARA, YOU TOLD ME IT WAS A CHEMISTRY STUDENT. 816 00:39:26,298 --> 00:39:28,142 YOU LEFT THE MESSAGE ABOUT CHAROWN. 817 00:39:28,166 --> 00:39:32,346 CHAROWN, CHARON, MOLOCH. YOU WANT TO STOP. 818 00:39:32,370 --> 00:39:35,149 FATHER, SON... CLARA... 819 00:39:35,173 --> 00:39:36,183 HOLY GHOST. 820 00:39:36,207 --> 00:39:38,168 CLARA, STOP! 821 00:39:38,192 --> 00:39:39,887 GOD CHOSE THEM. 822 00:39:47,319 --> 00:39:51,181 I THOUGHT YOU SAID NOT TO REASON WITH HER. 823 00:39:51,205 --> 00:39:53,372 Girl: GET US OUT OF HERE. 824 00:39:55,710 --> 00:39:58,255 YOU KNOW, I FIGURED IT OUT. 825 00:39:58,279 --> 00:40:00,312 THE STUTTER. 826 00:40:05,069 --> 00:40:07,098 YOU KNOW WHY THE FOOTPATH KILLER STUTTERED? 827 00:40:07,122 --> 00:40:08,599 WHEN YOU AND HOTCH WERE TALKING EARLIER, 828 00:40:08,623 --> 00:40:10,267 THAT'S WHEN I GOT IT. 829 00:40:10,291 --> 00:40:12,653 HE SAID HE WAS JUST TRYING TO STALL CLARA. 830 00:40:12,677 --> 00:40:14,221 RIGHT. 831 00:40:14,245 --> 00:40:16,256 WELL, THAT'S IT, ISN'T IT? 832 00:40:16,280 --> 00:40:17,941 THE FOOTPATH KILLER. 833 00:40:17,965 --> 00:40:19,410 YOU WERE JUST TRYING TO STALL HIM. 834 00:40:19,434 --> 00:40:21,345 YOU SAID, "I KNOW WHY YOU STUTTER" 835 00:40:21,369 --> 00:40:23,448 BECAUSE YOU WERE BUYING TIME. 836 00:40:23,472 --> 00:40:25,282 YOU WERE STALLING. 837 00:40:25,306 --> 00:40:29,170 BUT YOU DON'T REALLY KNOW WHY HE STUTTERED. 838 00:40:29,194 --> 00:40:30,554 I DON'T? 839 00:40:30,578 --> 00:40:32,145 I LOOKED IT UP. NO ONE DOES. 840 00:40:35,132 --> 00:40:40,097 THERE ARE SOME THEORIES ABOUT A NEUROLOGICAL BASIS. 841 00:40:40,121 --> 00:40:42,488 BUT THEY'RE JUST THEORIES. 842 00:40:46,044 --> 00:40:49,244 WHAT REALLY HAPPENED IN THE CONVENIENCE STORE? 843 00:40:51,766 --> 00:40:54,028 I'LL TELL YOU WHAT I DO KNOW ABOUT A STUTTER. 844 00:40:54,052 --> 00:40:56,318 I KNOW HOW TO PROVOKE ONE. 845 00:41:09,801 --> 00:41:11,634 THE KEY. 846 00:41:48,640 --> 00:41:50,139 13. 847 00:41:53,928 --> 00:41:55,706 WE ONLY FOUND 6. 848 00:41:55,730 --> 00:41:59,093 ARE YOU IMPRESSED? 849 00:41:59,117 --> 00:42:01,495 YEAH. 850 00:42:01,519 --> 00:42:03,319 I DIDN'T KNOW YOU COULD COUNT. 851 00:42:04,105 --> 00:42:08,186 OUR PROFILE SAID YOU'D BE TOO STUPID. 852 00:42:08,210 --> 00:42:10,690 WE ALSO SAID YOU'D BE A CHRONIC BED-WETTER. 853 00:42:16,150 --> 00:42:20,448 YOU-Y-Y-YO-Y... 854 00:42:20,472 --> 00:42:22,499 WHAT? 855 00:42:22,523 --> 00:42:25,218 TH-TH-TH-THE CAM... 856 00:42:25,242 --> 00:42:26,821 I DON'T KNOW WHAT YOU'RE TRYING TO SAY. 857 00:42:26,845 --> 00:42:30,658 YOU TAKE TH-THE CAM... 858 00:42:30,682 --> 00:42:35,362 THE CAM... THE CAM... 859 00:42:35,386 --> 00:42:38,883 I'M SORRY, I HAVE NO IDEA WHAT YOU'RE TRYING TO SAY. 860 00:42:38,907 --> 00:42:42,887 YOU TAKE... YOU TAKE THE CAM... THE CAM... 861 00:42:42,911 --> 00:42:44,705 THE CAM... SAY IT. 862 00:42:44,729 --> 00:42:46,573 THE CA... SAY IT. 863 00:42:46,597 --> 00:42:48,059 THE CA... 864 00:42:48,083 --> 00:42:49,910 JUST SPIT IT OUT. 865 00:42:49,934 --> 00:42:51,651 JUST... THE CAM... 866 00:42:57,391 --> 00:42:59,525 COME ON! 867 00:43:05,282 --> 00:43:06,694 FAULKNER ONCE SAID, 868 00:43:06,718 --> 00:43:09,163 "DON'T BOTHER JUST TO BE BETTER 869 00:43:09,187 --> 00:43:10,631 THAN YOUR CONTEMPORARIES OR PREDECESSORS. 870 00:43:10,655 --> 00:43:13,455 TRY TO BE BETTER THAN YOURSELF." 871 00:43:16,278 --> 00:43:18,678 CHECK IN 3. 872 00:43:20,749 --> 00:43:21,847 NOT BAD. 873 00:43:32,193 --> 00:43:33,193 CHECKMATE. 874 00:43:36,831 --> 00:43:40,099 DON'T WORRY, YOU'RE GETTIN' THERE. 875 00:43:42,620 --> 00:43:45,716 CAPTIONING MADE POSSIBLE BY TOUCHSTONE TELEVISION PRODUCTIONS, LLC AND CBS 876 00:43:45,740 --> 00:43:48,775 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE www.ncicap.org... 58651

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