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1
00:00:12,980 --> 00:00:14,515
Woman:
HEY, BONNIE.
2
00:00:14,548 --> 00:00:16,184
HOW DOES CHINESE FOOD
SOUND FOR LUNCH?
3
00:00:16,217 --> 00:00:18,152
OH, I THOUGHT
I'D SURPRISE MY BOYFRIEND
4
00:00:18,186 --> 00:00:19,353
AND TAKE HIM
OUT TO LUNCH.
5
00:00:19,387 --> 00:00:20,688
LAST NIGHT
HE LET IT SLIP
6
00:00:20,721 --> 00:00:23,124
THAT HE WAS WORKING
OVER ON CONNECTICUT AVENUE.
7
00:00:23,157 --> 00:00:24,325
SO I FIGURED...
8
00:00:24,358 --> 00:00:25,359
THIS IS THE THIRD
TIME THIS WEEK
9
00:00:25,393 --> 00:00:26,794
YOU'VE TAKEN HIM
OUT TO LUNCH.
10
00:00:26,827 --> 00:00:28,062
WHAT ARE YOU
TRYING TO DO
11
00:00:28,096 --> 00:00:29,297
BRIBE HIM WITH
QUICHE LORRAINE?
12
00:00:29,330 --> 00:00:30,764
THAT ISN'T
FUNNY, JOAN.
13
00:00:30,798 --> 00:00:31,799
IT WASN'T
MEANT TO BE.
14
00:00:31,832 --> 00:00:33,101
I'LL SEE YOU LATER.
15
00:00:57,358 --> 00:01:00,461
THEY'RE NOT GOING TO TAKE
THEIR LUNCH BREAK
IN THERE TILL 12:30.
16
00:01:00,494 --> 00:01:02,596
WE'RE GOING TO HAVE
TO WAIT A FEW MINUTES.
17
00:01:02,630 --> 00:01:05,399
YOU THINK YOU'RE STILL GOING TO
BE ABLE TO CRACK THAT SAFE
18
00:01:05,433 --> 00:01:07,335
WITHOUT USING
THE PLASTIC EXPLOSIVE?
19
00:01:07,368 --> 00:01:08,802
WITH THIS LITTLE
BABY ALONG
20
00:01:08,836 --> 00:01:10,271
IT'LL BE A
LEAD PIPE CINCH.
21
00:01:10,304 --> 00:01:11,439
UH-HUH, WELL.
22
00:01:11,472 --> 00:01:14,608
JUST IN CASE YOU CAN'T...
23
00:01:14,642 --> 00:01:17,378
THAT SHOULD CREATE A NICE LITTLE
DIVERSIONARY EFFORT
24
00:01:17,411 --> 00:01:18,746
WHILE YOU BLOW IT OPEN.
25
00:01:18,779 --> 00:01:20,681
I REALLY WISH
WE DIDN'T HAVE TO HAVE
26
00:01:20,714 --> 00:01:22,250
ALL THESE EXPLOSIVES AROUND.
27
00:01:22,283 --> 00:01:24,218
THE ODDS ARE A MILLION TO ONE
28
00:01:24,252 --> 00:01:26,154
AGAINST THIS GOING OFF
BY ITSELF.
29
00:01:26,187 --> 00:01:27,588
WILL YOU RELAX?
30
00:01:27,621 --> 00:01:29,523
WE GOT A COUPLE MINUTES
BEFORE WE SNEAK IN.
31
00:01:29,557 --> 00:01:30,758
LET'S GET
A CUP OF COFFEE.
32
00:01:34,495 --> 00:01:35,763
MAYFIELD'S RISKING
AN AWFUL LOT
33
00:01:35,796 --> 00:01:37,431
OF EQUIPMENT
ON THIS JOB.
34
00:01:37,465 --> 00:01:39,233
WONDER WHAT HE THINKS
HE'S GOING TO GET OUT...
35
00:01:39,267 --> 00:01:40,268
MARK!
36
00:01:40,301 --> 00:01:41,569
MARK!
WHO'S THAT?
37
00:01:41,602 --> 00:01:43,471
SOME BROAD I'VE BEEN DATING
FOR ABOUT A MONTH.
38
00:01:43,504 --> 00:01:44,805
I'VE BEEN TRYING
TO DUMP HER.
39
00:01:44,838 --> 00:01:46,340
SHE'S HANGING ON
LIKE POISON IVY.
40
00:01:46,374 --> 00:01:47,408
HI. HOW ARE YOU?
41
00:01:50,278 --> 00:01:51,445
( groans )
42
00:01:51,479 --> 00:01:52,746
( fire crackling )
43
00:02:09,830 --> 00:02:11,499
( thunderclap )
44
00:02:12,900 --> 00:02:15,203
* WONDER WOMAN *
45
00:02:17,305 --> 00:02:19,273
* WONDER WOMAN *
46
00:02:36,924 --> 00:02:39,927
* WONDER WOMAN *
47
00:02:41,262 --> 00:02:43,331
* WONDER WOMAN *
48
00:03:00,948 --> 00:03:03,417
* WONDER WOMAN *
49
00:03:32,513 --> 00:03:34,482
( Bonnie shouting )
50
00:03:34,515 --> 00:03:35,449
WILL YOU STOP
BABBLING
51
00:03:35,483 --> 00:03:36,517
AND KEEP
RUNNING!
52
00:03:36,550 --> 00:03:37,818
GET IN HERE.
53
00:03:37,851 --> 00:03:39,420
WHAT ARE YOUR
BOSSES GOING TO SAY
54
00:03:39,453 --> 00:03:41,322
WHEN THEY FIND OUT
I BLEW UP YOUR VAN?
55
00:03:41,355 --> 00:03:42,823
YOU DID NOT
CAUSE THAT VAN
TO EXPLODE.
56
00:03:42,856 --> 00:03:44,024
NO, NOT DIRECTLY,
57
00:03:44,057 --> 00:03:46,026
BUT I HAVE THIS TALENT
FOR DISASTERS.
58
00:03:46,059 --> 00:03:49,263
I'M ALWAYS RIGHT IN THE MIDDLE
WHEN SOMETHING TERRIBLE HAPPENS.
59
00:03:49,297 --> 00:03:51,565
REMEMBER THE TIME WE WENT
BOATING ON CHESAPEAKE BAY?
60
00:03:51,599 --> 00:03:52,833
I LOST MY BALANCE.
61
00:03:52,866 --> 00:03:54,635
IT COULD HAPPEN TO ANYBODY.
62
00:03:54,668 --> 00:03:56,337
WHAT ABOUT THE TIME
ON MY COUCH?
63
00:03:56,370 --> 00:03:58,439
MY BACK WENT OUT--
I SAID I WAS SORRY.
64
00:03:58,472 --> 00:03:59,507
THE TIME WE
WENT SKIING.
65
00:03:59,540 --> 00:04:00,541
LOOK, LOOK, LOOK...
66
00:04:00,574 --> 00:04:01,575
THE MOUNTAIN
JUST FELL ON US.
67
00:04:01,609 --> 00:04:02,810
I DON'T WANT TO HEAR THIS.
68
00:04:02,843 --> 00:04:04,011
I DON'T CARE ABOUT THIS.
69
00:04:04,044 --> 00:04:06,280
YOU GUYS CAN FLAP
YOUR JAWS ALL DAY
70
00:04:06,314 --> 00:04:07,481
I'M GETTING
OUT OF HERE
71
00:04:07,515 --> 00:04:09,517
BEFORE THEY FIND OUT
WHAT'S IN THAT VAN.
72
00:04:09,550 --> 00:04:11,051
( grunts )
73
00:04:11,084 --> 00:04:13,987
( moans )
74
00:04:16,089 --> 00:04:17,958
SEE? YOU SEE THIS?
75
00:04:17,991 --> 00:04:19,527
I AM A JINX!
76
00:04:21,629 --> 00:04:23,531
Trevor:
THESE LITTLE PIECES
OF FRENCH FRIED MACHINERY
77
00:04:23,564 --> 00:04:25,899
WERE FOUND IN A GUTTED VAN
78
00:04:25,933 --> 00:04:28,336
THAT EXPLODED OUTSIDE
OF J&R ELECTRONICS TODAY.
79
00:04:28,369 --> 00:04:29,970
HAVE THE LAB BOYS
I.D.'d THESE?
80
00:04:30,003 --> 00:04:31,572
YEAH. THIS LITTLE
ITEM HERE
81
00:04:31,605 --> 00:04:33,574
IS A SUPER SENSITIVE
LISTENING DEVICE
82
00:04:33,607 --> 00:04:35,343
THAT, IN THE RIGHT HANDS
83
00:04:35,376 --> 00:04:36,844
COULD BE USED
TO CRACK OPEN
84
00:04:36,877 --> 00:04:39,580
EVEN THE MOST SOPHISTICATED
COMBINATION LOCKED VAULT.
85
00:04:39,613 --> 00:04:41,549
LIKE THE ONE
IN J&R ELECTRONICS?
86
00:04:41,582 --> 00:04:42,583
RIGHT.
87
00:04:42,616 --> 00:04:44,084
BUT THE IMPORTANT
THING, DIANA
88
00:04:44,117 --> 00:04:46,654
IS THAT THAT LISTENING DEVICE
IS ONE OF SEVERAL
89
00:04:46,687 --> 00:04:49,723
THAT WAS STOLEN FROM
A GOVERNMENT RESEARCH LAB
ABOUT A MONTH AGO.
90
00:04:49,757 --> 00:04:52,326
TAKE A LOOK AT THIS.
91
00:04:52,360 --> 00:04:54,595
IT'S RUMORED TO BE THE WORK
OF WILLIAM MAYFIELD
92
00:04:54,628 --> 00:04:57,498
ONE OF THE BEST WHITE COLLAR
THIEVES IN THE BUSINESS.
93
00:04:57,531 --> 00:05:01,602
HE SPECIALIZES IN RARE ITEMS,
ONE OF A KIND.
94
00:05:01,635 --> 00:05:04,805
LIKE TOURING INCA TREASURES,
OR PROTOTYPE WEAPONRY
95
00:05:04,838 --> 00:05:06,640
THINGS OF THAT NATURE.
96
00:05:06,674 --> 00:05:10,411
I TAKE IT THAT NO ONE'S EVER
CAUGHT HIM WITH THE GOODS?
97
00:05:10,444 --> 00:05:12,045
NO ONE'S EVER CAUGHT HIM,
PERIOD.
98
00:05:12,079 --> 00:05:15,015
ONE OF THE REASONS IS BECAUSE
HE'S AN EXPERT STATISTICIAN.
99
00:05:15,048 --> 00:05:17,485
HE'S OBSESSED
WITH THE LAW OF PROBABILITY.
100
00:05:17,518 --> 00:05:19,753
I EVEN HEARD THAT HE HAS A
FULL-TIME RESEARCH PSYCHOLOGIST
101
00:05:19,787 --> 00:05:21,922
THAT HE RETAINS YEAR-ROUND.
102
00:05:21,955 --> 00:05:27,828
YOU'VE GOT MORE GAMBLING
EQUIPMENT HERE, DOCTOR,
THAN ATLANTIC CITY.
103
00:05:27,861 --> 00:05:30,130
THE OTHER WAY,
PLEASE.
104
00:05:30,163 --> 00:05:32,900
ONE OF MY SPECIAL FIELDS
OF INTEREST, MR. REUBEN.
105
00:05:32,933 --> 00:05:34,368
I DID GRADUATE WORK
106
00:05:34,402 --> 00:05:36,604
IN PROBABILITY THEORY
AT DUKE UNIVERSITY.
107
00:05:37,605 --> 00:05:38,672
( sighs )
108
00:05:42,810 --> 00:05:45,513
BUT I'VE NEVER SEEN
ANYTHING QUITE LIKE THIS.
109
00:05:45,546 --> 00:05:50,384
I, UH, APPRECIATE YOU SEEING US
ON SUCH SHORT NOTICE.
110
00:05:52,820 --> 00:05:54,655
MY ASSOCIATION
WITH MR. MAYFIELD
111
00:05:54,688 --> 00:05:57,090
HAS BEEN A VERY FRUITFUL ONE
FOR BOTH OF US.
112
00:05:57,124 --> 00:05:58,526
I'M GLAD TO BE OF...
113
00:05:58,559 --> 00:06:00,160
( light bulb explodes )
114
00:06:00,193 --> 00:06:01,595
SERVICE.
115
00:06:03,831 --> 00:06:05,599
SORRY.
116
00:06:05,633 --> 00:06:07,935
WELL, UM, THAT'S QUITE
ALRIGHT, MISS MURPHY.
117
00:06:07,968 --> 00:06:09,737
UM, WHY DON'T WE TRY
118
00:06:09,770 --> 00:06:11,705
SOMETHING
A LITTLE SAFER
119
00:06:11,739 --> 00:06:13,140
LIKE FLIPPING
A COIN?
120
00:06:22,683 --> 00:06:26,687
NOW, IDEALLY, THE COIN
SHOULD COME UP HEADS
121
00:06:26,720 --> 00:06:30,691
HALF THE TIME, AND,
UH, TAILS THE OTHER.
122
00:06:30,724 --> 00:06:33,661
THOUGH, IN PRACTICE,
THE RATIO'S CLOSER TO 60-40.
123
00:06:42,636 --> 00:06:44,838
BUT UNDER
NO CIRCUMSTANCES
124
00:06:44,872 --> 00:06:46,640
IS IT SUPPOSED
TO BE DOING THIS.
125
00:06:49,477 --> 00:06:52,780
I, UH... I'VE HEARD ABOUT A COIN
DOING THAT.
126
00:06:52,813 --> 00:06:55,783
I'VE JUST NEVER ACTUALLY
SEEN IT BEFORE.
127
00:06:55,816 --> 00:06:57,618
WELL, TAKE A
GOOD LOOK THEN
128
00:06:57,651 --> 00:07:00,053
BECAUSE THE ODDS
ARE 1,000 TO ONE
129
00:07:00,087 --> 00:07:02,623
AGAINST YOUR SEEING
THAT AGAIN SOON.
130
00:07:10,998 --> 00:07:14,802
MR. REUBEN, IT'S ABSOLUTELY
AMAZING.
131
00:07:16,837 --> 00:07:18,739
I HAVE NEVER SEEN
ANYONE EXERT
132
00:07:18,772 --> 00:07:21,675
SUCH INFLUENCE OVER
THE ODDS AS YOUR FRIEND.
133
00:07:22,610 --> 00:07:24,144
HOW DOES SHE DO IT?
134
00:07:24,177 --> 00:07:29,983
ONE SCHOOL OF THOUGHT MIGHT
ASCRIBE BONNIE'S, UM, GIFT
135
00:07:30,017 --> 00:07:33,621
TO THE SAME UNNATURAL FORCES
THAT PRODUCE POLTERGEISTS.
136
00:07:33,654 --> 00:07:35,222
AND STILL ANOTHER TO...
137
00:07:35,255 --> 00:07:37,825
ELECTROCHEMICAL BRAIN IMPULSES.
138
00:07:37,858 --> 00:07:39,860
WHICHEVER IT IS...
139
00:07:39,893 --> 00:07:43,063
SHE BRINGS OUT
THE MORE REMOTE POSSIBILITIES
140
00:07:43,096 --> 00:07:44,632
OF A GIVEN SITUATION.
141
00:07:49,002 --> 00:07:51,672
IN MISS MURPHY'S PRESENCE
142
00:07:51,705 --> 00:07:55,576
ALL THE LINES OF PROBABILITY
TEND TO CONVERGE.
143
00:07:58,679 --> 00:07:59,913
WHAT DOES THAT MEAN?
144
00:07:59,947 --> 00:08:01,849
WELL, IT MEANS...
145
00:08:05,553 --> 00:08:07,855
SHE'S A JINX.
146
00:08:09,222 --> 00:08:11,158
RIGHT.
147
00:08:13,961 --> 00:08:16,163
DID YOU GET IN TOUCH
WITH, UH, MAYFIELD?
148
00:08:16,196 --> 00:08:17,598
WELL, SORT OF.
149
00:08:17,631 --> 00:08:19,667
WHAT DO YOU MEAN,
"SORT OF"?
150
00:08:19,700 --> 00:08:22,836
WELL, IT'S MORE LIKE
HE GOT IN TOUCH WITH US.
151
00:08:24,037 --> 00:08:25,806
HI.
152
00:08:29,076 --> 00:08:31,979
J&R ELECTRONICS HAS
SOMETHING IN DEVELOPMENT
153
00:08:32,012 --> 00:08:34,014
BIG ENOUGH TO WARRANT
MAYFIELD'S INTEREST?
154
00:08:34,047 --> 00:08:34,948
Affirmative.
155
00:08:34,982 --> 00:08:36,717
A microwave scrambler
156
00:08:36,750 --> 00:08:39,219
capable of transmitting
jamming signals
157
00:08:39,252 --> 00:08:41,021
across a wide bandwidth.
158
00:08:41,054 --> 00:08:43,857
It is conceivable
that a prototype model
159
00:08:43,891 --> 00:08:46,059
could cut off all telephone
160
00:08:46,093 --> 00:08:47,961
television
and radio communication
161
00:08:47,995 --> 00:08:51,164
within an area
of 50 square miles.
162
00:08:51,198 --> 00:08:53,801
WHY WOULD A COMMERCIAL
ELECTRONICS FIRM
163
00:08:53,834 --> 00:08:55,769
BE DEVELOPING
A WEAPON LIKE THAT?
164
00:08:55,803 --> 00:08:57,104
( beeping )
165
00:08:57,137 --> 00:08:58,238
( whirring )
166
00:08:58,271 --> 00:08:59,573
( beeping )
167
00:08:59,607 --> 00:09:01,074
( whirring )
168
00:09:01,108 --> 00:09:04,978
The project has been
subcontracted by the Pentagon
169
00:09:05,012 --> 00:09:06,880
for possible military use.
170
00:09:06,914 --> 00:09:09,049
I BETTER TAKE A LOOK AT IT
MYSELF THEN.
171
00:09:09,082 --> 00:09:11,051
IF MAYFIELD IS THAT HOT
TO GET IT
172
00:09:11,084 --> 00:09:12,786
HE MAY MAKE A SECOND TRY.
173
00:09:12,820 --> 00:09:16,289
AND FROM WHAT YOU'VE SAID,
SOUNDS LIKE HIS KIND OF ROBBERY.
174
00:09:16,323 --> 00:09:17,891
TELL ME, IRA...
175
00:09:17,925 --> 00:09:21,762
HOW DO YOU MAKE THOSE COMPUTERS
YOU TAP INTO
176
00:09:21,795 --> 00:09:23,797
TELL YOU WHAT YOU WANT?
177
00:09:23,831 --> 00:09:26,634
Let us just say, Diana Prince
178
00:09:26,667 --> 00:09:30,237
that my telemetry
is exceptional.
179
00:09:30,270 --> 00:09:32,005
( laughs )
180
00:09:32,039 --> 00:09:33,674
OF COURSE.
181
00:09:33,707 --> 00:09:37,144
WELL, I KNOW IT'S HARD
TO ACCEPT, MR. MAYFIELD.
182
00:09:37,177 --> 00:09:39,747
BUT SUCH THINGS HAVE
BEEN WELL DOCUMENTED
183
00:09:39,780 --> 00:09:41,148
THROUGH THE CENTURIES.
184
00:09:41,181 --> 00:09:44,752
BONNIE MURPHY CAN BEND
PROBABILITY CURVES.
185
00:09:46,720 --> 00:09:48,989
I DON'T KNOW HOW OR WHY.
186
00:09:49,022 --> 00:09:51,258
I just know that she does.
187
00:09:51,291 --> 00:09:53,160
WELL, THANK YOU, DOCTOR.
188
00:09:53,193 --> 00:09:55,195
THANK YOU VERY MUCH.
189
00:10:00,734 --> 00:10:03,136
WELL, IT SEEMS YOUR GIRLFRIEND
IS A JINX AFTER ALL.
190
00:10:03,170 --> 00:10:05,105
OH, WELL, NOT
PROFESSIONALLY.
191
00:10:05,138 --> 00:10:06,339
SHE JUST DABBLES,
YOU KNOW.
192
00:10:06,373 --> 00:10:09,777
DON'T BE SMUG, MR. REUBEN.
193
00:10:09,810 --> 00:10:13,246
IF I DID NOT HAVE UTTER FAITH
IN DR. KOREN'S JUDGMENT
194
00:10:13,280 --> 00:10:14,848
I CAN ASSURE YOU
195
00:10:14,882 --> 00:10:18,351
YOU'D BE FERTILIZING
THE CONTINENTAL SHELF.
196
00:10:18,385 --> 00:10:21,188
SO, WHAT DOES THIS HAVE TO DO
197
00:10:21,221 --> 00:10:24,191
WITH THE RECOVERY OF $50,000
WORTH OF STOLEN PROPERTY?
198
00:10:24,224 --> 00:10:25,826
IT DOESN'T.
199
00:10:25,859 --> 00:10:28,428
IT REPLACES $50,000 WORTH
OF STOLEN PROPERTY.
200
00:10:28,461 --> 00:10:31,398
YOU SEE, BONNIE'S
THE PERFECT
DIVERSIONARY WEAPON.
201
00:10:31,431 --> 00:10:34,134
WHENEVER SHE BECOMES
NERVOUS OR UPSET
202
00:10:34,167 --> 00:10:35,869
EVERYTHING AROUND HER
GOES HAYWIRE.
203
00:10:35,903 --> 00:10:38,772
CAN YOU IMAGINE HOW EASY
IT WOULD BE TO ROB A BUILDING
204
00:10:38,806 --> 00:10:41,174
IF, SAY, THERE WAS
A TEN-CAR COLLISION OUTSIDE
205
00:10:41,208 --> 00:10:42,375
OR A FIRE, OR A FLOOD?
206
00:10:42,409 --> 00:10:44,845
BUT WHAT IF
HER AMAZING ABILITIES
207
00:10:44,878 --> 00:10:46,179
WERE TO BACKFIRE ON US?
208
00:10:46,213 --> 00:10:48,816
WELL, WE KEEP HER FAR ENOUGH
FROM US TO BE SAFE
209
00:10:48,849 --> 00:10:53,687
BUT NEAR ENOUGH TO CREATE
AN INTERESTING DIVERSION.
210
00:10:53,721 --> 00:10:55,255
ALRIGHT, GENTLEMEN.
211
00:11:20,981 --> 00:11:24,752
MARK, UM, I, I DON'T
UNDERSTAND ANY OF THIS.
212
00:11:24,785 --> 00:11:26,153
YOU DRAG ME OUT OF WORK
213
00:11:26,186 --> 00:11:28,388
YOU MAKE ME DRIVE
ALL THE WAY BACK HERE...
214
00:11:28,421 --> 00:11:29,823
MARK, YOU LISTENING TO ME?
215
00:11:29,857 --> 00:11:31,859
YOU'RE MAKING ME
VERY NERVOUS.
216
00:11:31,892 --> 00:11:33,426
WHATEVER YOU DO,
DON'T BE NERVOUS.
217
00:11:33,460 --> 00:11:34,795
DO YOU UNDERSTAND
ME, NOW?
218
00:11:34,828 --> 00:11:35,796
DON'T BE NERVOUS.
219
00:11:35,829 --> 00:11:37,330
( whimpers )
220
00:11:37,364 --> 00:11:38,431
ARE YOU IN TROUBLE
WITH THE PLUMBING COMPANY
221
00:11:38,465 --> 00:11:40,133
BECAUSE I BLEW UP YOUR VAN?
222
00:11:40,167 --> 00:11:43,103
BONNIE, I DON'T WORK
FOR THAT COMPANY.
223
00:11:43,136 --> 00:11:45,038
I WORK FOR THE I.A.D.C.
224
00:11:45,072 --> 00:11:47,274
THE I.A.D.C.?
225
00:11:47,307 --> 00:11:49,376
YES. I COULDN'T
TELL YOU BEFORE.
226
00:11:49,409 --> 00:11:52,179
NATIONAL SECURITY, YOU KNOW.
227
00:11:52,212 --> 00:11:55,282
BUT THAT VAN WAS PART OF OUR
OPERATION, AND YOU DESTROYED IT.
228
00:11:55,315 --> 00:11:56,750
OH, NO.
229
00:11:56,784 --> 00:11:58,085
THAT'S ALRIGHT NOW.
230
00:11:58,118 --> 00:11:59,820
I'M DOING EVERYTHING
I CAN TO CLEAR YOU.
231
00:11:59,853 --> 00:12:01,321
NOW, IN A COUPLE OF MINUTES
232
00:12:01,354 --> 00:12:03,223
WE'RE GOING TO MEET
A FEW OF OUR AGENTS
233
00:12:03,256 --> 00:12:05,158
AND WE'RE GOING TO DISCUSS IT,
SO RELAX.
234
00:12:05,192 --> 00:12:08,061
( breathing heavily )
235
00:12:19,172 --> 00:12:20,941
MARK, WHAT ARE
YOU WAITING FOR?
236
00:12:20,974 --> 00:12:22,509
YOU LOOK LIKE
YOU'RE EXPECTING
237
00:12:22,542 --> 00:12:25,378
THE SKY TO FALL IN
ANY MINUTE, OR SOMETHING.
238
00:12:25,412 --> 00:12:26,379
YEAH, THAT'D DO IT.
239
00:12:26,413 --> 00:12:27,881
WHAT?
240
00:12:27,915 --> 00:12:29,216
I SAID... I THINK
I SPOTTED
241
00:12:29,249 --> 00:12:30,350
SOME ENEMY AGENTS
OVER THERE.
242
00:12:30,383 --> 00:12:31,418
WHERE?
243
00:12:31,451 --> 00:12:33,153
DON'T LOOK.
SMILE.
244
00:12:33,186 --> 00:12:34,387
I'M GOING OVER
AND CHECK IT OUT.
245
00:12:34,421 --> 00:12:35,889
IF ANYTHING
SHOULD HAPPEN
246
00:12:35,923 --> 00:12:37,157
JUST...
( kisses her hand )
247
00:12:37,190 --> 00:12:38,158
DON'T BE NERVOUS.
248
00:12:38,191 --> 00:12:39,326
BUT, MARK!
249
00:12:39,359 --> 00:12:40,794
MARK, DON'T LEAVE ME HERE.
250
00:12:40,828 --> 00:12:43,096
MARK, WHAT AM I SUPPOSED
TO DO IF...
251
00:12:43,130 --> 00:12:44,164
( whimpers )
252
00:13:11,458 --> 00:13:13,526
( thunderclap )
253
00:13:24,004 --> 00:13:26,273
( brakes screeching )
254
00:13:29,977 --> 00:13:31,111
ALRIGHT, COME ON.
255
00:13:31,144 --> 00:13:33,213
THEY SAID THE BUILDING
MIGHT EXPLODE.
256
00:13:33,246 --> 00:13:34,614
ALRIGHT,
EVERYBODY OUT.
257
00:13:34,647 --> 00:13:37,050
( people talking )
258
00:13:39,019 --> 00:13:42,055
Man:
DON'T PANIC NOW,
COME ON.
259
00:13:42,089 --> 00:13:44,858
Man 2:
LEAVE THE BUILDING
AS QUICKLY AS YOU POSSIBLY CAN.
260
00:13:44,892 --> 00:13:46,894
AS QUICKLY AS POSSIBLE,
GO ON, LEAVE...
261
00:13:48,628 --> 00:13:51,131
Woman:
THEY TOLD US
TO EVACUATE THE BUILDING.
262
00:13:51,164 --> 00:13:52,332
Man:
JUST KEEP GOING.
263
00:13:52,365 --> 00:13:54,034
GET AS FAR AWAY AS POSSIBLE.
264
00:13:55,102 --> 00:13:56,503
Bonnie:
MARK?
265
00:13:59,306 --> 00:14:00,373
MARK?
266
00:14:08,548 --> 00:14:11,384
MARK!
267
00:14:21,028 --> 00:14:23,063
MARK? MARK?
268
00:14:46,386 --> 00:14:48,688
Bonnie:
MARK?
269
00:14:48,721 --> 00:14:51,591
MARK, WH-WHERE ARE YOU?
270
00:14:51,624 --> 00:14:52,659
MARK?
271
00:15:02,369 --> 00:15:04,271
WHERE'S YOUR
GIRLFRIEND?
272
00:15:04,304 --> 00:15:05,905
WHO CARES?
LET'S GO.
273
00:15:15,082 --> 00:15:17,117
MARK, WHERE, WHERE ARE YOU?
274
00:15:19,987 --> 00:15:22,089
MARK...
275
00:15:22,122 --> 00:15:23,957
( sirens approaching )
276
00:15:25,025 --> 00:15:26,093
MARK?
277
00:15:29,196 --> 00:15:30,998
MARK?
278
00:15:31,031 --> 00:15:32,465
MARK!
279
00:15:32,499 --> 00:15:35,068
MARK, WHERE ARE YOU?
280
00:15:35,102 --> 00:15:37,004
MARK...
281
00:15:38,138 --> 00:15:39,172
MARK!
282
00:15:41,474 --> 00:15:44,177
MARK... MARK!
283
00:15:50,550 --> 00:15:52,986
Diana:
APPARENTLY, MAYFIELD'S MEN
284
00:15:53,020 --> 00:15:54,687
CREATED THE ACCIDENT
ON THE STREET
AS A DIVERSION.
285
00:15:54,721 --> 00:15:56,423
IT EMPTIED OUT
THE BUILDING
LONG ENOUGH
286
00:15:56,456 --> 00:15:58,391
FOR THEM TO STEAL
THE MICROWAVE SCRAMBLER.
287
00:15:58,425 --> 00:15:59,526
THE QUESTION IS NOW...
288
00:15:59,559 --> 00:16:02,729
WILL YOU HAND ME MY COFFEE?
289
00:16:02,762 --> 00:16:05,098
THE QUESTION IS NOW,
DOES MAYFIELD
290
00:16:05,132 --> 00:16:07,200
SELL THE DEVICE
TO THE BLACK MARKET
291
00:16:07,234 --> 00:16:09,269
OR DOES HE USE IT
TO GO AFTER BIGGER GAME?
292
00:16:09,302 --> 00:16:11,071
AND IF SO, WHAT?
293
00:16:11,104 --> 00:16:12,739
IRA'S BEEN WORKING
ON THAT
294
00:16:12,772 --> 00:16:15,275
AND HE'S COME UP WITH ABOUT
A DOZEN POSSIBLE TARGETS
295
00:16:15,308 --> 00:16:17,777
THAT FIT MAYFIELD'S PATTERN.
296
00:16:17,810 --> 00:16:21,614
THE MOST LIKELY OF WHICH IS
THE DECLARATION OF INDEPENDENCE.
297
00:16:21,648 --> 00:16:22,682
WHAT?
298
00:16:22,715 --> 00:16:24,617
THE NATIONAL ARCHIVES IS HAVING
299
00:16:24,651 --> 00:16:25,752
ITS ANNUAL HOUSECLEANING.
300
00:16:25,785 --> 00:16:27,787
EACH YEAR, CERTAIN DOCUMENTS--
301
00:16:27,820 --> 00:16:30,757
LIKE THE DECLARATION OF
INDEPENDENCE, THE CONSTITUTION
302
00:16:30,790 --> 00:16:32,492
TREATY OF PARIS AND SO ON--
303
00:16:32,525 --> 00:16:34,461
ARE TAKEN
FROM PUBLIC EXHIBITION
304
00:16:34,494 --> 00:16:36,529
AND TRANSFERRED
TO A DEPOSITORY
305
00:16:36,563 --> 00:16:39,199
WHERE THEY'RE CHECKED FOR
DETERIORATION AND OTHER DAMAGE.
306
00:16:39,232 --> 00:16:42,102
SO YOU THINK THAT'S
WHAT MAYFIELD'S AFTER?
307
00:16:42,135 --> 00:16:45,105
WELL, IF HE IS, HE'S
SLIPPED A COG SOMEWHERE
308
00:16:45,138 --> 00:16:48,375
BECAUSE THE DEPOSITORY
IS PROTECTED BY MORE MARINES
309
00:16:48,408 --> 00:16:50,177
THAN WERE AT GUADALCANAL.
310
00:16:53,180 --> 00:16:54,481
MAY I HELP YOU?
311
00:16:54,514 --> 00:16:56,583
YEAH, UM, I'M LOOKING
FOR MY BOYFRIEND.
312
00:16:56,616 --> 00:16:57,750
HE WORKS HERE.
313
00:16:57,784 --> 00:17:00,087
HIS NAME IS REUBEN,
MARK REUBEN?
314
00:17:00,120 --> 00:17:03,456
WELL, I'M AFRAID THAT NAME
DOESN'T SOUND FAMILIAR AT ALL.
315
00:17:03,490 --> 00:17:07,760
WELL, UM, HE'S TALL, DARK,
VERY GOOD LOOKING...
316
00:17:07,794 --> 00:17:09,362
HONEY, THAT
DESCRIPTION
317
00:17:09,396 --> 00:17:11,564
FITS HALF THE AGENTS
IN THIS BUILDING.
318
00:17:11,598 --> 00:17:13,833
I THINK THEY BREED THEM
FOR THAT, YOU KNOW.
319
00:17:13,866 --> 00:17:15,468
BUT MARK IS SPECIAL.
320
00:17:15,502 --> 00:17:17,070
IF YOU JUST
LOOK IN YOUR FILES
321
00:17:17,104 --> 00:17:17,837
YOU'LL FIND HIS NAME.
322
00:17:17,870 --> 00:17:19,706
I'M SORRY, MISS
323
00:17:19,739 --> 00:17:21,508
WE JUST DON'T HAVE
ANYBODY BY THAT NAME.
324
00:17:21,541 --> 00:17:24,244
BUT IF YOU COULD GIVE ME
SOMETHING MORE TO GO ON.
325
00:17:24,277 --> 00:17:25,378
OKAY, ALRIGHT.
326
00:17:25,412 --> 00:17:26,813
UH, HE WEARS
CONTACT LENSES.
327
00:17:26,846 --> 00:17:28,281
NO, THAT
WOULDN'T HELP.
328
00:17:28,315 --> 00:17:30,083
HE'S GOT A MOLE
ON HIS LEFT KNEE.
329
00:17:30,117 --> 00:17:32,085
OH, YOU WOULDN'T
KNOW ABOUT THAT,
WOULD YOU?
330
00:17:32,119 --> 00:17:32,852
I HOPE.
331
00:17:32,885 --> 00:17:34,721
SOMETHING WRONG,
KAREN?
332
00:17:34,754 --> 00:17:39,626
NO, MISS PRINCE, THIS YOUNG
WOMAN IS LOOKING FOR A FRIEND.
333
00:17:39,659 --> 00:17:44,297
MARK? MARK, WHERE ARE YOU?
(sirens wailing )
334
00:17:44,331 --> 00:17:46,399
HIS NAME IS MARK, RIGHT?
335
00:17:46,433 --> 00:17:47,634
YES, YOU KNOW HIM.
336
00:17:47,667 --> 00:17:48,835
MARK REUBEN.
337
00:17:48,868 --> 00:17:50,703
WELL, NO, BUT I THINK
THAT YOU AND I
338
00:17:50,737 --> 00:17:52,272
OUGHT TO HAVE A LITTLE TALK.
339
00:17:52,305 --> 00:17:54,107
WHY DON'T YOU COME
INTO MY OFFICE?
340
00:17:54,141 --> 00:17:55,242
GIVE HER A BADGE.
341
00:17:55,275 --> 00:17:57,076
AND YOU'LL HAVE
TO SIGN FOR IT.
342
00:18:03,516 --> 00:18:05,218
THIS WAY--
THANK YOU, KAREN.
343
00:18:18,631 --> 00:18:20,900
NOW...
344
00:18:20,933 --> 00:18:23,203
YOU WERE OUTSIDE
J&R ELECTRONICS
345
00:18:23,236 --> 00:18:24,604
A FEW HOURS AGO,
WEREN'T YOU?
346
00:18:24,637 --> 00:18:26,373
UH, YEAH, THAT'S
WHERE MARK AND I
347
00:18:26,406 --> 00:18:29,176
WERE SUPPOSED TO MEET
THE OTHER I.A.D.C. AGENTS.
348
00:18:29,209 --> 00:18:31,378
THE OTHER AGENTS?
349
00:18:31,411 --> 00:18:34,747
BECAUSE OF WHAT I DID
TO THE VAN.
350
00:18:34,781 --> 00:18:36,816
I DIDN'T MEAN ANYTHING
351
00:18:36,849 --> 00:18:39,519
AND MARK WAS GOING TO TRY
AND HELP ME EXPLAIN.
352
00:18:39,552 --> 00:18:41,821
MISS MURPHY, LET'S GET
ONE THING CLEAR.
353
00:18:41,854 --> 00:18:44,791
I WAS THE ONLY I.A.D.C. AGENT
AT THAT BUILDING TODAY.
354
00:18:44,824 --> 00:18:48,395
YOU AND MARK.
355
00:18:48,428 --> 00:18:50,463
MISS MURPHY, TO THE
BEST OF MY KNOWLEDGE
356
00:18:50,497 --> 00:18:54,234
THERE IS NO AGENT NAMED
MARK REUBEN WORKING HERE.
357
00:18:54,267 --> 00:18:56,803
LOOK, I KNOW YOU PEOPLE
HAVE TO KEEP
358
00:18:56,836 --> 00:18:59,206
YOUR COVER STORIES
AND ALL THAT
359
00:18:59,239 --> 00:19:02,942
BUT, UH, I AM REALLY
GETTING WORRIED ABOUT HIM.
360
00:19:02,975 --> 00:19:04,444
HE DISAPPEARED
SO SUDDENLY...
361
00:19:04,477 --> 00:19:05,845
MISS MURPHY.
362
00:19:05,878 --> 00:19:09,249
I AM AFRAID THAT YOUR BOYFRIEND
WAS LYING TO YOU
363
00:19:09,282 --> 00:19:12,419
WHEN HE TOLD YOU THAT HE WORKED
FOR THE I.A.D.C.
364
00:19:12,452 --> 00:19:14,821
NOW, IT WOULDN'T BE THE FIRST
TIME THAT SOMEONE, YOU KNOW
365
00:19:14,854 --> 00:19:16,756
TRIED TO IMPRESS HIS GIRLFRIEND
366
00:19:16,789 --> 00:19:18,558
BY TELLING HER
SOMETHING LIKE THAT.
367
00:19:18,591 --> 00:19:20,560
YOU'VE GOT YOUR NERVE.
368
00:19:20,593 --> 00:19:22,562
MARK WOULD NEVER LIE TO ME.
369
00:19:22,595 --> 00:19:24,331
I KNOW YOU'RE UPSET.
370
00:19:24,364 --> 00:19:25,432
UPSET? NO,
I'M NOT UPSET.
371
00:19:25,465 --> 00:19:28,235
WHY SHOULD I
BE UPSET?
372
00:19:28,268 --> 00:19:30,203
JUST BECAUSE THE ONLY GUY WHO'S
EVER LOOKED SIDEWAYS AT ME
373
00:19:30,237 --> 00:19:31,904
JUST SUDDENLY
DISAPPEARS
374
00:19:31,938 --> 00:19:33,373
AND NOBODY WILL
TELL ME WHERE HE IS?
375
00:19:33,406 --> 00:19:34,707
AND THEN YOU COME ALONG
376
00:19:34,741 --> 00:19:36,443
AND YOU TELL ME THAT
HE'S LYING TO ME
377
00:19:36,476 --> 00:19:37,610
IS THAT IT?
378
00:19:37,644 --> 00:19:39,612
I KNOW YOU'RE WORRIED.
379
00:19:39,646 --> 00:19:42,415
DON'T PATRONIZE ME, MISS PRINCE.
380
00:19:42,449 --> 00:19:44,251
I AM NOT STUPID.
381
00:19:44,284 --> 00:19:47,787
I KNOW MARK PROBABLY
ISN'T IN LOVE WITH ME.
382
00:19:47,820 --> 00:19:51,458
MAYBE IT ISN'T AS IMPORTANT
TO HIM AS IT IS TO ME.
383
00:19:51,491 --> 00:19:52,825
BUT PEOPLE LIKE ME
384
00:19:52,859 --> 00:19:54,694
WE TAKE WHAT WE CAN GET,
YOU KNOW?
385
00:19:54,727 --> 00:19:58,698
AND IF THAT MEANS THAT IT'S
SOMEONE TO, TO MAKE DINNER FOR
386
00:19:58,731 --> 00:19:59,799
SOMEBODY TO...
387
00:19:59,832 --> 00:20:00,933
TO WATCH TV WITH
388
00:20:00,967 --> 00:20:03,836
SOMEBODY TO HOLD,
THEN I'LL TAKE IT.
389
00:20:03,870 --> 00:20:06,205
AND I WON'T GIVE IT UP
WITHOUT A FIGHT.
390
00:20:07,974 --> 00:20:10,443
THANK YOU FOR ALL
YOUR HELP, MISS PRINCE.
391
00:20:14,947 --> 00:20:16,649
MISS MURPHY!
392
00:20:29,762 --> 00:20:32,432
KAREN, THAT LITTLE GIRL
I TOOK INTO MY OFFICE
393
00:20:32,465 --> 00:20:33,833
WHICH WAY DID SHE GO?
394
00:20:33,866 --> 00:20:35,602
SHE WENT THAT WAY
LIKE A BAT OUT OF...
395
00:20:35,635 --> 00:20:36,803
OH.
396
00:20:44,411 --> 00:20:45,512
BONNIE!
397
00:20:53,753 --> 00:20:54,787
MMM...
398
00:20:54,821 --> 00:20:56,423
( laughs )
399
00:20:56,456 --> 00:20:57,824
WAIT A MINUTE.
400
00:20:57,857 --> 00:21:00,427
YOU'RE ACTING LIKE I JUST
RETURNED FROM THE DEAD.
401
00:21:00,460 --> 00:21:01,728
YOU MAY AS WELL HAVE.
402
00:21:01,761 --> 00:21:03,430
OH, MARK, I WAS SO
WORRIED ABOUT YOU.
403
00:21:03,463 --> 00:21:04,664
YOU DISAPPEARED
SO SUDDENLY.
404
00:21:04,697 --> 00:21:06,499
BONNIE, YOU HAVE
TO UNDERSTAND, NOW.
405
00:21:06,533 --> 00:21:08,768
A GOVERNMENT AGENT
CAN'T ALWAYS BE POLITE.
406
00:21:15,074 --> 00:21:17,844
MARK, I JUST HAD THE MOST
HORRIBLE EXPERIENCE.
407
00:21:17,877 --> 00:21:20,079
I WENT LOOKING FOR YOU
AT THE I.A.D.C.
408
00:21:20,112 --> 00:21:21,581
WHAT?
409
00:21:21,614 --> 00:21:23,550
WELL THEY WOULDN'T
TELL ME ANYTHING.
410
00:21:23,583 --> 00:21:25,518
THEY WOULDN'T EVEN ADMIT
THAT THEY KNEW YOU.
411
00:21:25,552 --> 00:21:27,620
MISS PRINCE TREATED ME
LIKE I JUST FELL OFF
412
00:21:27,654 --> 00:21:28,955
A TURNIP TRUCK
OR SOMETHING.
413
00:21:28,988 --> 00:21:30,923
UH, PRINCE, PRINCE...
414
00:21:30,957 --> 00:21:31,891
DIANA PRINCE.
415
00:21:31,924 --> 00:21:33,626
OH, DIANA,
YES, OF COURSE.
416
00:21:33,660 --> 00:21:35,962
GOOD WOMAN, GOOD WOMAN;
SHE, UH...
417
00:21:35,995 --> 00:21:38,064
YOU HAVE TO UNDERSTAND,
BONNIE.
418
00:21:38,097 --> 00:21:41,468
SHE COULDN'T REALLY
BE SURE THAT YOU KNEW ME.
419
00:21:41,501 --> 00:21:44,070
I FIGURED IT WAS
SOMETHING LIKE THAT.
420
00:21:44,103 --> 00:21:47,540
ANYWAY, DID YOU FIX IT
WITH YOUR BOSSES
ABOUT THE VAN?
421
00:21:47,574 --> 00:21:49,809
OH, YEAH, YEAH
EVERYTHING'S COPACETIC.
422
00:21:49,842 --> 00:21:51,844
GOOD, I'M GLAD
THAT'S OVER.
423
00:21:51,878 --> 00:21:53,780
I HAVE AN IDEA.
424
00:21:53,813 --> 00:21:55,682
WHAT?
425
00:21:55,715 --> 00:21:58,418
WHAT WOULD YOU SAY
TO A NICE, QUIET LITTLE DRIVE
426
00:21:58,451 --> 00:21:59,852
IN THE COUNTRY
TOMORROW, HMM?
427
00:21:59,886 --> 00:22:02,389
I KNOW A LITTLE PLACE
DOWN IN VIRGINIA.
428
00:22:02,422 --> 00:22:04,824
WE CAN HAVE A NICE,
QUIET PICNIC BY OURSELVES.
429
00:22:04,857 --> 00:22:06,058
WHAT DO YOU SAY?
430
00:22:06,092 --> 00:22:07,460
OH, MARK,
THAT'D BE TERRIFIC.
431
00:22:07,494 --> 00:22:09,128
OKAY, I'LL PICK YOU UP
AROUND 11:00.
432
00:22:09,161 --> 00:22:10,363
OKAY.
433
00:22:20,940 --> 00:22:21,941
SO I TOLD HER
WE WERE GOING
434
00:22:21,974 --> 00:22:23,576
TO TAKE A PICNIC
IN VIRGINIA.
435
00:22:23,610 --> 00:22:24,977
SHE'LL BE THERE
IF WE NEED HER.
436
00:22:25,011 --> 00:22:27,580
EXCELLENT. EXCELLENT.
437
00:22:27,614 --> 00:22:29,449
YOU KNOW,
I HAD MY DOUBTS
438
00:22:29,482 --> 00:22:31,984
ABOUT YOUR MISS MURPHY'S
ABILITIES IN THE BEGINNING.
439
00:22:32,018 --> 00:22:34,854
BUT AFTER HER HELP
IN OBTAINING
THE MICROWAVE SCRAMBLER
440
00:22:34,887 --> 00:22:38,725
WELL, I MUST SAY,
I'M IMPRESSED.
441
00:22:38,758 --> 00:22:41,728
NOW, IF SHE CAN PROVE USEFUL
IN TOMORROW'S OPERATION
442
00:22:41,761 --> 00:22:44,831
WELL, THEN SHE WILL MORE THAN
HAVE PAID HER WAY, SO TO SPEAK.
443
00:22:44,864 --> 00:22:47,867
BUT ALAS, THEREAFTER,
FOR SAFETY'S SAKE
444
00:22:47,900 --> 00:22:50,136
WE WILL HAVE TO
SURRENDER HER
445
00:22:50,169 --> 00:22:52,104
TO NEIL'S TENDER MERCIES.
446
00:22:54,807 --> 00:22:56,409
YOU HAVE NO OBJECTIONS,
OF COURSE?
447
00:22:56,443 --> 00:22:58,945
UH, WELL... UM, NO, NO.
448
00:23:06,118 --> 00:23:08,054
WHERE, UH, SHALL WE MEET YOU?
449
00:23:08,087 --> 00:23:10,156
ROUTE 50,
ARLINGTON BOULEVARD
450
00:23:10,189 --> 00:23:12,825
JUST BEFORE IT
INTERSECTS WITH
THE CAPITAL BELTWAY.
451
00:23:12,859 --> 00:23:15,828
NOW, THE ARMY TRUCK
FROM SHEPHERD'S LAB
452
00:23:15,862 --> 00:23:17,964
WILL BE THERE
ABOUT 12:25.
453
00:23:17,997 --> 00:23:19,732
AND WE SHALL BE THERE
AT THE SAME TIME
454
00:23:19,766 --> 00:23:21,200
TO RELIEVE THEM
OF THEIR CARGO.
455
00:23:21,233 --> 00:23:22,769
WHICH IS?
456
00:23:22,802 --> 00:23:25,938
AH, DON'T BE IMPATIENT,
MR. REUBEN.
457
00:23:25,972 --> 00:23:28,475
THERE'LL BE A GENERAL
MEETING TONIGHT AT 8:00.
458
00:23:28,508 --> 00:23:30,543
THE FULL SCOPE AND DETAIL
OF MY PLAN
459
00:23:30,577 --> 00:23:33,179
WILL BE REVEALED TO YOU THEN.
460
00:23:36,683 --> 00:23:38,818
OH, UH, BY THE WAY...
461
00:23:38,851 --> 00:23:42,088
BONNIE TOLD ME SHE TALKED
TO AN I.A.D.C. AGENT,
TOLD HER MY NAME.
462
00:23:42,121 --> 00:23:43,823
I MEAN, I DON'T KNOW
HOW MUCH THEY KNOW.
463
00:23:43,856 --> 00:23:45,958
WHAT WAS THE AGENT'S NAME?
464
00:23:45,992 --> 00:23:47,760
PRINCE, DIANA PRINCE.
465
00:23:49,996 --> 00:23:51,063
YOU KNOW HER?
466
00:23:51,097 --> 00:23:52,699
YES.
467
00:23:52,732 --> 00:23:55,502
ONE OF THEIR TOP AGENTS
AND VERY FORMIDABLE.
468
00:23:55,535 --> 00:23:58,905
WELL, WE CAN'T HAVE HER NOSING
AROUND AFTER US, CAN WE?
469
00:23:58,938 --> 00:24:00,740
YOU WANT ME TO TAKE CARE OF HER?
470
00:24:00,773 --> 00:24:02,475
WE'LL LET NEIL TAKE CARE OF IT.
471
00:24:02,509 --> 00:24:04,176
HE'S BEEN A LITTLE RESTLESS
LATELY.
472
00:24:04,210 --> 00:24:06,879
AND, UH, HE'S MORE EXPENDABLE.
473
00:24:08,114 --> 00:24:11,618
DON'T PRESS YOUR LUCK.
474
00:24:11,651 --> 00:24:14,654
I SAID I WAS IMPRESSED,
NOT OVERWHELMED.
475
00:24:34,807 --> 00:24:37,009
( thunderclap )
476
00:24:45,184 --> 00:24:46,753
LOOKING FOR SOMEONE?
477
00:24:56,663 --> 00:24:58,765
HOLD IT.
478
00:24:58,798 --> 00:25:00,533
WHY IS IT YOU PEOPLE
ALWAYS WANT TO LEAVE
479
00:25:00,567 --> 00:25:03,302
JUST WHEN THE CONVERSATION
IS GETTING STARTED?
480
00:25:03,335 --> 00:25:04,904
WHO DO YOU WORK FOR?
481
00:25:04,937 --> 00:25:07,574
MAYFIELD?
482
00:25:07,607 --> 00:25:11,043
AND WHERE DOES HE KEEP HIS,
UH, STOLEN GOODIES?
483
00:25:11,077 --> 00:25:13,245
HE KEEPS THE HEAVY STUFF
UNDER LOCK AND KEY.
484
00:25:13,279 --> 00:25:15,615
I'VE ONLY SEEN
HIS PRIVATE COLLECTION
485
00:25:15,648 --> 00:25:17,884
IN HIS OFFICE...
AND IT'S ALL LEGAL.
486
00:25:17,917 --> 00:25:20,720
WELL, SO MUCH
FOR THE FRONTAL ASSAULT.
487
00:25:20,753 --> 00:25:22,221
WHAT'S MAYFIELD'S CURRENT PLAN?
488
00:25:22,254 --> 00:25:23,556
WE DON'T KNOW YET.
489
00:25:23,590 --> 00:25:25,024
WE GET IT IN BITS AND PIECES.
490
00:25:25,057 --> 00:25:26,926
HE'S GOING TO STEAL SOMETHING
BEING SHIPPED
491
00:25:26,959 --> 00:25:28,761
FROM VIRGINIA
TO WASHINGTON TOMORROW.
492
00:25:28,795 --> 00:25:30,296
THAT'S ALL I KNOW.
493
00:25:30,329 --> 00:25:32,298
SOME KIND OF WEAPON.
494
00:25:35,234 --> 00:25:37,970
WHERE DOES BONNIE MURPHY
FIT INTO THIS?
495
00:25:38,004 --> 00:25:39,806
SHE'S A JINX.
496
00:25:39,839 --> 00:25:41,874
SHE'S A WHAT?
497
00:25:43,109 --> 00:25:44,644
A JINX? COME ON.
498
00:25:44,677 --> 00:25:46,145
WONDER WOMAN
MUST HAVE BEEN KIDDING.
499
00:25:46,178 --> 00:25:49,015
I KNOW,
IT SOUNDS CRAZY, STEVE
500
00:25:49,048 --> 00:25:50,950
BUT THERE ARE THEORIES
TO PROVE IT.
501
00:25:50,983 --> 00:25:53,953
APPARENTLY, THIS MURPHY GIRL
ATTRACTS ACCIDENTS
502
00:25:53,986 --> 00:25:55,855
LIKE A MAGNET.
503
00:25:55,888 --> 00:25:57,223
LIKE THE WAY
THAT CAR RAMMED
504
00:25:57,256 --> 00:25:58,758
INTO THE PROPANE
TRUCK
505
00:25:58,791 --> 00:26:00,059
IN FRONT OF J&R ELECTRONICS
506
00:26:00,092 --> 00:26:01,193
AND THE WAY
THAT PICTURE
507
00:26:01,227 --> 00:26:02,361
SORT OF JUST
POPPED OFF THE WALL
508
00:26:02,394 --> 00:26:03,663
WHEN BONNIE GOT UPSET.
509
00:26:03,696 --> 00:26:05,798
I SUPPOSE MAYFIELD
IS TOO INTRIGUED
510
00:26:05,832 --> 00:26:07,600
WITH THE
THEORY OF PROBABILITY
511
00:26:07,634 --> 00:26:09,268
FOR US
TO DISCOUNT THE IDEA.
512
00:26:09,301 --> 00:26:11,337
WHAT DID WONDER WOMAN
DO WITH THE GUY
513
00:26:11,370 --> 00:26:13,172
THAT SHE GOT ALL THIS
INFORMATION FROM?
514
00:26:13,205 --> 00:26:15,274
WELL, BEFORE SHE
LET HIM GO
515
00:26:15,307 --> 00:26:18,611
SHE USED HER LASSO TO MAKE HIM
FORGET THEIR CONVERSATION
516
00:26:18,645 --> 00:26:20,312
AND ALSO
TO MAKE HIM BELIEVE
517
00:26:20,346 --> 00:26:22,782
THAT HE HAD, INDEED, KILLED ME,
AS HE PLANNED.
518
00:26:22,815 --> 00:26:25,084
IT SEEMS THE ONLY WAY
WE'LL GET ANYTHING
ON MAYFIELD
519
00:26:25,117 --> 00:26:27,119
IS TO CATCH HIM
RED-HANDED
520
00:26:27,153 --> 00:26:30,857
WHICH MEANS LETTING HIM PROCEED
WITH HIS ROBBERY TOMORROW.
521
00:26:30,890 --> 00:26:34,126
Mayfield:
GENTLEMEN, THIS IS THE
DEPOSITORY WHERE, EACH YEAR
522
00:26:34,160 --> 00:26:39,298
CERTAIN DOCUMENTS ARE KEPT WHILE
BEING EXAMINED FOR DAMAGES.
523
00:26:39,331 --> 00:26:42,234
THE CONSTITUTION...
524
00:26:42,268 --> 00:26:45,337
THE DECLARATION
OF INDEPENDENCE...
525
00:26:45,371 --> 00:26:47,674
THE BILL OF RIGHTS.
526
00:26:47,707 --> 00:26:49,842
ALL IRREPLACEABLE ITEMS.
527
00:26:49,876 --> 00:26:53,079
THE PLACE IS A VIRTUAL FORTRESS,
GUARDED BY DOZENS OF MARINES
528
00:26:53,112 --> 00:26:55,281
VERITABLY IMPREGNABLE...
529
00:26:55,314 --> 00:26:59,251
UNDER NORMAL
CIRCUMSTANCES.
530
00:26:59,285 --> 00:27:02,789
NOW, THIS IS THE DEVICE THAT
WE'LL BE AFTER TOMORROW.
531
00:27:02,822 --> 00:27:06,092
IT'S A PROTOTYPE MODEL
OF AN ELECTRICAL DISRUPTER
532
00:27:06,125 --> 00:27:08,194
THAT CAN PROJECT
AN ELECTRIC MAGNETIC FIELD
533
00:27:08,227 --> 00:27:10,963
THAT IS CAPABLE OF
SHORT-CIRCUITING ANY MACHINE
534
00:27:10,997 --> 00:27:13,299
WHETHER IT IS
AN AUTOMOBILE ENGINE
535
00:27:13,332 --> 00:27:17,236
OR ALL THE WAY
TO AN ELECTRICAL POWER PLANT.
536
00:27:17,269 --> 00:27:21,741
NOW, TOMORROW NIGHT, ONCE WE
HAVE OBTAINED THIS DEVICE
537
00:27:21,774 --> 00:27:24,310
WE SHALL INCAPACITATE
THE MAIN GENERATOR
538
00:27:24,343 --> 00:27:26,679
OF THE POTOMAC
GENERATING STATION
539
00:27:26,713 --> 00:27:32,952
THEREBY PLUNGING
THE ENTIRE CITY OF WASHINGTON
INTO DARKNESS, GENTLEMEN.
540
00:27:32,985 --> 00:27:35,221
NOW...
541
00:27:35,254 --> 00:27:37,724
AFTER THAT, WE WILL USE
THE MICROWAVE SCRAMBLER
542
00:27:37,757 --> 00:27:42,829
TO CUT OFF ALL COMMUNICATION:
TELEPHONES, TELEVISIONS, RADIOS.
543
00:27:42,862 --> 00:27:45,932
EVEN THE ARMED FORCES'
WALKIE-TALKIES.
544
00:27:45,965 --> 00:27:48,100
THE CITY WILL BE PARALYZED
545
00:27:48,134 --> 00:27:52,171
AND THE ARMY, THE NATIONAL
GUARD, THE LOCAL ENFORCEMENTS...
546
00:27:52,204 --> 00:27:55,875
THEY WILL HAVE
THEIR HANDS FULL, GENTLEMEN.
547
00:27:55,908 --> 00:28:00,212
NOW, THE BLACKOUT
WILL EFFECTIVELY CUT OFF
548
00:28:00,246 --> 00:28:02,915
THE DEPOSITORY
FROM THE REST OF THE WORLD.
549
00:28:02,949 --> 00:28:06,418
AND ONCE WE HAVE NEUTRALIZED
THE MARINE GUARDS
550
00:28:06,452 --> 00:28:11,157
THERE WILL BE NO PLACE THAT
THEY CAN DRAW REINFORCEMENTS.
551
00:28:11,190 --> 00:28:15,461
AND, MY FRIENDS, THE DEPOSITORY
552
00:28:15,494 --> 00:28:20,032
AND ITS ENTIRE CONTENTS OF
AMERICAN HISTORICAL DOCUMENTS
553
00:28:20,066 --> 00:28:21,801
WILL BE MINE!
554
00:28:21,834 --> 00:28:24,103
MINE FOR THE TAKING.
555
00:28:24,136 --> 00:28:28,040
GENTLEMEN, TOMORROW NIGHT
WILL BECOME FAMOUS.
556
00:28:28,074 --> 00:28:31,477
OR SHOULD WE SAY INFAMOUS
557
00:28:31,510 --> 00:28:36,849
AS THE NIGHT THE LIGHTS
WENT OUT ALL OVER WASHINGTON.
558
00:28:36,883 --> 00:28:38,484
I MADE TUNA
FISH SANDWICHES.
559
00:28:38,517 --> 00:28:39,886
I HOPE THAT'S OKAY.
560
00:28:39,919 --> 00:28:41,921
FINE, BONNIE, FINE.
561
00:28:51,798 --> 00:28:53,099
THEY'RE LEAVING NOW, STEVE.
562
00:28:53,132 --> 00:28:55,301
I'M FOLLOWING.
563
00:28:55,334 --> 00:28:57,236
YEAH, WE GOT YOU, DI.
564
00:28:57,269 --> 00:28:59,906
ALRIGHT,
WE'LL PICK UP THEIR TRAIL
565
00:28:59,939 --> 00:29:02,074
RIGHT AS THEY LEAVE THE CITY.
566
00:29:12,418 --> 00:29:14,020
WHERE'S THE TRUCK?
567
00:29:14,053 --> 00:29:16,288
LEAVE IT TO THE
GOVERNMENT TO BE LATE.
568
00:29:16,322 --> 00:29:17,857
AH, JUST RELAX, WILL YOU?
569
00:29:17,890 --> 00:29:19,391
WE'RE NOT SUPPOSED
TO DO ANYTHING
570
00:29:19,425 --> 00:29:22,128
UNTIL MARK SHOWS UP
WITH CALAMITY JANE ANYWAY.
571
00:29:24,964 --> 00:29:26,198
OH, THIS LOOKS NICE, MARK.
572
00:29:26,232 --> 00:29:27,934
WHY DON'T WE STOP HERE.
573
00:29:27,967 --> 00:29:30,202
UH, WELL, I KNOW
A LITTLE BETTER SPOT
574
00:29:30,236 --> 00:29:31,904
JUST A LITTLE WAYS
DOWN THE ROAD.
575
00:29:31,938 --> 00:29:33,139
OH, OKAY.
576
00:29:39,846 --> 00:29:41,280
IS, UH...
IS SOMETHING WRONG?
577
00:29:48,220 --> 00:29:51,023
I DON'T KNOW.
THAT CAR'S BEEN PACING US
FOR THE LAST TEN MINUTES.
578
00:29:51,057 --> 00:29:53,392
DON'T LOOK AROUND.
579
00:29:53,425 --> 00:29:56,829
UM... YOU DON'T THINK
THAT, UH...
580
00:29:56,863 --> 00:30:00,833
THAT IT'S THE OTHER SIDE,
DO YOU?
581
00:30:00,867 --> 00:30:01,834
COULD BE, BONNIE, COULD BE.
582
00:30:01,868 --> 00:30:03,135
OH!
583
00:30:03,169 --> 00:30:04,837
( groaning )
584
00:30:15,381 --> 00:30:17,083
I'M TURNING OFF NOW, STEVE.
585
00:30:17,116 --> 00:30:18,217
HE'S ALL YOURS.
586
00:30:18,250 --> 00:30:19,285
THANKS, DIANA.
587
00:30:19,318 --> 00:30:21,253
WE'VE GOT ANOTHER
CARE COMING.
588
00:30:21,287 --> 00:30:23,455
AS SOON AS THEY MAKE
THEIR MOVE, WE'RE
GOING TO CLOSE IN.
589
00:30:23,489 --> 00:30:24,523
LET'S GO.
590
00:30:24,556 --> 00:30:25,925
THEY'RE GONE NOW.
591
00:30:25,958 --> 00:30:27,126
( sighs )
592
00:30:27,159 --> 00:30:30,362
I GUESS WE'RE BOTH
JUST A LITTLE JUMPY.
593
00:30:30,396 --> 00:30:33,232
MAYBE.
594
00:30:33,265 --> 00:30:35,134
CALDWELL, THIS IS TREVOR.
595
00:30:35,167 --> 00:30:39,638
WE'RE FOLLOWING REUBEN'S CAR,
HEADING WEST ON ROUTE 50
596
00:30:39,671 --> 00:30:43,042
ABOUT A MILE
FROM THE CAPITAL BELTWAY.
597
00:30:47,146 --> 00:30:50,149
WELL, HERE COMES OUR
LITTLE BAD LUCK CHARM NOW.
598
00:30:50,182 --> 00:30:52,251
LET'S GO.
599
00:30:52,284 --> 00:30:54,353
( engine starts )
600
00:31:24,650 --> 00:31:25,918
UH, THIS IS TREVOR.
601
00:31:25,952 --> 00:31:27,586
THEY JUST PICKED UP
ANOTHER TAIL.
602
00:31:27,619 --> 00:31:29,455
MUST BE ONE OF THEIR
ACCOMPLICES.
603
00:31:29,488 --> 00:31:30,556
I'LL TELL YOU WHAT.
604
00:31:30,589 --> 00:31:32,391
WE'RE GOING TO LAY BACK
A LITTLE
605
00:31:32,424 --> 00:31:35,427
GIVE THEM A CHANCE TO PULL OFF
THEIR HIJACK BEFORE WE MOVE IN.
606
00:32:12,731 --> 00:32:14,300
( gasps )
OH, MY LORD, MARK.
607
00:32:14,333 --> 00:32:16,568
I THINK THERE'S BEEN
SOME KIND OF ACCIDENT.
608
00:32:16,602 --> 00:32:18,304
Bob:
DON'T YOU
TOUCH THAT!
609
00:32:23,309 --> 00:32:25,377
ALRIGHT.
610
00:32:25,411 --> 00:32:28,247
NOW YOU FELLOWS
DO EXACTLY
WHAT I SAY
611
00:32:28,280 --> 00:32:30,182
AND NOBODY
WILL GET HURT.
612
00:32:30,216 --> 00:32:32,151
NOW YOU
HIT THE GROUND,
HEAD TO TOES.
613
00:32:32,184 --> 00:32:34,520
HIT THE GROUND!
HEAD TO TOES!
TURN AROUND!
614
00:32:34,553 --> 00:32:35,687
100 PUSH-UPS,
LET'S GO!
615
00:32:35,721 --> 00:32:36,688
HUT-ONE, HUT-TWO,
HUT-THREE...
616
00:32:36,722 --> 00:32:38,057
WHAT ARE YOU DOING?
617
00:32:38,090 --> 00:32:39,325
THEY LOOKED
KIND OF STUPID
618
00:32:39,358 --> 00:32:40,726
STANDING THERE
WITH THEIR HANDS UP--
619
00:32:40,759 --> 00:32:42,328
ARE YOU OUT OF YOUR MIND,
OR WHAT?
620
00:32:42,361 --> 00:32:43,762
WELL, WHEN I WAS
IN THE ARMY
621
00:32:43,795 --> 00:32:45,364
THESE KIND OF GUYS
MADE ME DO PUSH-UPS.
622
00:32:45,397 --> 00:32:46,632
SO I WANT TO GET BACK NOW
623
00:32:46,665 --> 00:32:48,200
AND HAVE THEM
DO SOME PUSH-UPS....
624
00:32:48,234 --> 00:32:49,401
WE'RE HERE
FOR SOMETHING ELSE.
625
00:32:49,435 --> 00:32:51,203
WELL, YOU GUYS,
LET'S GO, READY?
626
00:32:51,237 --> 00:32:52,638
AND ONE...
COME ON.
627
00:32:52,671 --> 00:32:54,240
GET SOME PUSH-UPS
GOING, LET'S GO!
628
00:32:54,273 --> 00:32:56,242
WILL YOU...
WAIT TILL I...
629
00:32:56,275 --> 00:32:58,444
HUT-ONE,
HUT-TWO...
630
00:32:58,477 --> 00:33:01,380
HUT-ONE,
HUT-TWO...
631
00:33:01,413 --> 00:33:04,150
HUT-ONE,
HUT-TWO...
632
00:33:04,183 --> 00:33:05,317
HUT-ONE,
HUT-TWO...
633
00:33:05,351 --> 00:33:07,386
WE HEARD SOME TIRES SCREECHING.
634
00:33:07,419 --> 00:33:09,388
WE THOUGHT
THAT WE'D COME DOWN AND...
635
00:33:09,421 --> 00:33:10,556
HOLD IT RIGHT THERE!
636
00:33:10,589 --> 00:33:12,624
STAND BEHIND ME, BONNIE.
637
00:33:12,658 --> 00:33:14,626
MARK, NO WONDER THINGS
HAVEN'T GONE WELL
FOR YOU LATELY.
638
00:33:14,660 --> 00:33:15,727
THAT'S YOUR FRIEND, BOB.
639
00:33:15,761 --> 00:33:18,197
NOW, KNOCK OFF THE CONVERSATION.
640
00:33:18,230 --> 00:33:20,399
IF YOU TWO KEEP YOUR MOUTHS SHUT
641
00:33:20,432 --> 00:33:22,568
YOU MIGHT JUST LIVE
TO SEE ANOTHER SUNSET.
642
00:33:22,601 --> 00:33:24,270
YOU WON'T GET AWAY
WITH THIS, BOB.
643
00:33:24,303 --> 00:33:26,004
THE I.A.D.C.
DOESN'T FORGET TRAITORS.
644
00:33:28,607 --> 00:33:30,542
RIGHT THERE,
DROP YOUR WEAPONS!
645
00:33:43,689 --> 00:33:46,592
BONNIE, LISTEN.
646
00:33:46,625 --> 00:33:48,494
I'M SORRY I GOT
YOU INTO THIS
647
00:33:48,527 --> 00:33:50,096
BECAUSE NOW WE'RE
BOTH GOING TO DIE
648
00:33:50,129 --> 00:33:52,164
AND I'LL NEVER HAVE
A CHANCE TO TELL YOU
649
00:33:52,198 --> 00:33:53,332
HOW MUCH YOU
MEAN TO ME.
650
00:33:57,336 --> 00:33:59,705
ALRIGHT,
DROP THE GUN SLOWLY.
651
00:34:24,796 --> 00:34:26,665
( thunderclap )
652
00:34:58,697 --> 00:34:59,698
ALRIGHT, FREEZE!
653
00:34:59,731 --> 00:35:00,632
ALRIGHT,
WONDER WOMAN.
654
00:35:00,666 --> 00:35:02,801
ALRIGHT!
655
00:35:02,834 --> 00:35:05,404
ONE MORE MOVE
AND SHE BUYS THE FARM.
656
00:35:05,437 --> 00:35:07,473
YOU WOULDN'T SHOOT
YOUR OWN GIRLFRIEND.
657
00:35:07,506 --> 00:35:08,840
TRY ME.
658
00:35:08,874 --> 00:35:11,277
MARK, I THOUGHT WE WERE
ON THE RIGHT SIDE.
659
00:35:11,310 --> 00:35:12,378
SHUT UP.
660
00:35:12,411 --> 00:35:13,712
ALRIGHT,
WE'RE GOING TO THE TRUCK.
661
00:35:13,745 --> 00:35:16,482
NEIL!
BOB!
662
00:35:26,325 --> 00:35:28,327
I'M WELL AWARE THAT YOU
COULD CATCH UP TO US
663
00:35:28,360 --> 00:35:30,629
WITHOUT WORKING UP A SWEAT,
BUT YOU DO AND SHE DIES.
664
00:35:30,662 --> 00:35:32,864
NOT EVEN YOU ARE FAST ENOUGH
TO STOP THAT, ARE YOU?
665
00:35:48,914 --> 00:35:50,682
MAN, THAT WAS GREAT
666
00:35:50,716 --> 00:35:52,718
THE WAY YOU STOOD UP
TO WONDER WOMAN LIKE THAT.
667
00:35:52,751 --> 00:35:54,220
I WOULD HAVE
LOST MY LUNCH.
668
00:35:54,253 --> 00:35:55,421
NOTHING TO IT
669
00:35:55,454 --> 00:35:57,556
IF YOU GOT THE NERVE.
670
00:36:00,892 --> 00:36:02,928
AH, WELL, IF THIS LITTLE SUCKER
671
00:36:02,961 --> 00:36:05,231
DOESN'T GET US BACK
ON MAYFIELD'S GOOD SIDE
672
00:36:05,264 --> 00:36:06,698
I DON'T KNOW WHAT WILL.
673
00:36:06,732 --> 00:36:09,335
YEAH, YOU WOULDN'T THINK
SOMETHING THIS SMALL
674
00:36:09,368 --> 00:36:11,337
COULD BLACK OUT AN ENTIRE CITY,
WOULD YOU?
675
00:36:11,370 --> 00:36:14,540
WELL, SIZE DOESN'T MEAN
ANYTHING IN ELECTRONICS.
676
00:36:16,708 --> 00:36:17,876
WHAT ARE YOU LOOKING AT?
677
00:36:20,946 --> 00:36:23,515
YOU NEVER CARED ABOUT ME AT ALL,
DID YOU?
678
00:36:23,549 --> 00:36:25,351
ALL YOU WANTED TO DO WAS USE ME.
679
00:36:27,286 --> 00:36:28,820
I TRUSTED YOU.
680
00:36:28,854 --> 00:36:30,589
I'VE BEEN DUMPED ON
SO MANY TIMES
681
00:36:30,622 --> 00:36:32,724
THAT I THOUGHT I WOULD
NEVER TRUST ANYBODY AGAIN.
682
00:36:32,758 --> 00:36:34,326
BUT I TRUSTED YOU.
683
00:36:34,360 --> 00:36:36,628
STOP WHINING, WILL YOU PLEASE?
684
00:36:36,662 --> 00:36:38,364
YOU ROTTEN, NO-GOOD, LYING...
685
00:36:38,397 --> 00:36:39,965
HONEY...
686
00:36:47,439 --> 00:36:48,774
( loud bang )
687
00:36:51,443 --> 00:36:52,811
Reuben:
WHAT ARE YOU DOING?!
688
00:36:52,844 --> 00:36:53,845
HEY! HEY, HEY, HEY!
689
00:36:53,879 --> 00:36:54,980
BONNIE?!
690
00:36:56,882 --> 00:36:57,916
BONNIE! BONNIE!
691
00:36:57,949 --> 00:36:59,585
WAIT, WILL
YOU FORGET IT?
692
00:36:59,618 --> 00:37:01,387
LET'S JUST FIX THE TIRE
AND GET OUT OF HERE.
693
00:37:01,420 --> 00:37:02,454
LET HER GO.
694
00:37:10,529 --> 00:37:11,697
FOUND THE ARMY TRUCK--
695
00:37:11,730 --> 00:37:13,765
ABOUT A MILE FROM
WHERE IT WAS STOLEN.
696
00:37:13,799 --> 00:37:16,502
BUT THERE'S NO SIGN
OF MARK OR THE DISRUPTER.
697
00:37:16,535 --> 00:37:18,504
YOU SURE YOU CAN'T
THINK OF ANYTHING
698
00:37:18,537 --> 00:37:19,671
THAT MIGHT GIVE US
A CLUE
699
00:37:19,705 --> 00:37:21,307
AS TO WHERE THEY WENT?
700
00:37:21,340 --> 00:37:24,376
NO... I-I'VE BEEN TRYING
TO REMEMBER FOR HOURS
701
00:37:24,410 --> 00:37:25,477
BUT ALL I CAN
THINK OF IS
702
00:37:25,511 --> 00:37:27,579
WHAT MARK SAID
BEFORE I ESCAPED
703
00:37:27,613 --> 00:37:31,049
HOW HE, UH, DID
HIS BIG JOB TONIGHT.
704
00:37:31,082 --> 00:37:33,619
HE DIDN'T SAY
ANYTHING ELSE.
705
00:37:33,652 --> 00:37:35,654
I'M SORRY,
COLONEL TREVOR.
706
00:37:35,687 --> 00:37:37,623
CALL ME STEVE.
707
00:37:37,656 --> 00:37:38,890
STEVE.
708
00:37:39,791 --> 00:37:41,460
( chuckles )
709
00:37:41,493 --> 00:37:45,030
TELL ME, HOW LONG HAVE YOU HAD
THIS TALENT OF YOURS?
710
00:37:45,063 --> 00:37:46,465
ALL MY LIFE.
711
00:37:46,498 --> 00:37:47,866
WHEN I WAS FIVE
712
00:37:47,899 --> 00:37:50,702
MY PARENTS WANTED ME
TO ENTER NURSERY SCHOOL.
713
00:37:50,736 --> 00:37:52,771
I CRIED AND CRIED.
714
00:37:52,804 --> 00:37:55,741
THEY FINALLY HAD TO FORCE ME
INTO THE CAR.
715
00:37:55,774 --> 00:38:00,446
THEN ON THE WAY TO SCHOOL,
WE REAR-ENDED A TRUCK.
716
00:38:00,479 --> 00:38:02,548
HAPPENED EVERY DAY
FOR THE NEXT WEEK.
717
00:38:02,581 --> 00:38:04,850
THEY FINALLY GAVE UP.
718
00:38:04,883 --> 00:38:06,852
I DIDN'T ENTER SCHOOL
TILL KINDERGARTEN.
719
00:38:06,885 --> 00:38:08,354
BONNIE, THAT DOESN'T
MEAN THAT YOU...
720
00:38:08,387 --> 00:38:10,722
WAIT.
721
00:38:10,756 --> 00:38:13,325
THE FIRST TIME
I WENT TO A DENTIST
722
00:38:13,359 --> 00:38:15,527
THE POOR GUY SLAMMED
THE DOOR ON HIS FINGER
723
00:38:15,561 --> 00:38:17,596
AND BROKE IT
IN TWO PLACES.
724
00:38:17,629 --> 00:38:20,732
MY FIRST DATE TOOK
ME ROLLER SKATING
ON LONG ISLAND.
725
00:38:20,766 --> 00:38:23,502
I DON'T EVEN WANT TO THINK
ABOUT WHAT HAPPENED TO HIM.
726
00:38:25,737 --> 00:38:30,041
I G... I GUESS
I'M USED TO IT NOW, YOU KNOW?
727
00:38:30,075 --> 00:38:31,710
I JUST, I JUST EXPECT IT.
728
00:38:31,743 --> 00:38:32,578
NOW, THERE, YOU SEE?
729
00:38:32,611 --> 00:38:33,612
THAT'S THE TROUBLE.
730
00:38:33,645 --> 00:38:34,580
YOU EXPECT BAD LUCK
731
00:38:34,613 --> 00:38:35,847
SO THAT'S ALL YOU GET.
732
00:38:35,881 --> 00:38:38,083
NO, IT'S THE ODDS.
733
00:38:38,116 --> 00:38:39,485
IT'S NOTHING I CONTROL.
734
00:38:39,518 --> 00:38:41,687
I DO SOMETHING WEIRD
WITH THE ODDS.
735
00:38:41,720 --> 00:38:43,655
BONNIE, THE ODDS CAN WORK
BOTH WAYS, GOOD OR BAD.
736
00:38:43,689 --> 00:38:44,890
MAYBE IF YOU FELT
737
00:38:44,923 --> 00:38:46,392
A LITTLE BETTER
ABOUT YOUR LIFE...
738
00:38:46,425 --> 00:38:47,459
NO.
739
00:38:47,493 --> 00:38:50,028
NO, IT'S NO, IT'S NO USE.
740
00:38:50,061 --> 00:38:51,963
I'M A JINX.
741
00:38:51,997 --> 00:38:54,132
COME ON, BONNIE, CUT IT OUT.
742
00:38:54,165 --> 00:38:55,734
YOU'RE MUCH TOO
PRETTY A GIRL
743
00:38:55,767 --> 00:38:57,603
TO GO THROUGH LIFE
PLAYING CAT'S CRADLE
744
00:38:57,636 --> 00:38:58,637
WITH YOUR FINGERS.
745
00:39:01,940 --> 00:39:03,509
YOU MEAN THAT?
746
00:39:03,542 --> 00:39:04,476
YES, I DO.
747
00:39:04,510 --> 00:39:05,744
I TALKED TO THE POLICE
748
00:39:05,777 --> 00:39:06,845
AND THERE'S
STILL NO SIGN...
749
00:39:06,878 --> 00:39:09,515
UH, I CAN COME BACK LATER.
750
00:39:09,548 --> 00:39:10,882
WELL, IT'S GETTING
LATE, DIANA.
751
00:39:10,916 --> 00:39:12,518
I'LL HOLD DOWN
THE FORT.
752
00:39:12,551 --> 00:39:13,652
WHY DON'T YOU
GO ON HOME
753
00:39:13,685 --> 00:39:14,886
BEFORE IT GETS
TOO DARK?
754
00:39:14,920 --> 00:39:16,688
WELL, I THINK
THAT'S A GOOD IDEA.
755
00:39:16,722 --> 00:39:17,989
DARK, DARK...
THAT'S IT!
756
00:39:18,023 --> 00:39:19,891
WHAT'S IT?
WHAT?
757
00:39:19,925 --> 00:39:21,427
WELL, IN THE TRUCK.
758
00:39:21,460 --> 00:39:23,729
THEY WERE MOVING
THAT DISRUPTER THING
759
00:39:23,762 --> 00:39:25,697
AND MARK'S FRIEND
SAID SOMETHING ABOUT
760
00:39:25,731 --> 00:39:28,734
"IT'S AWFULLY SMALL
TO BLACK OUT AN ENTIRE CITY."
761
00:39:28,767 --> 00:39:29,568
BLACK OUT A CITY?
762
00:39:29,601 --> 00:39:30,669
WASHINGTON?
763
00:39:30,702 --> 00:39:32,070
YOU KNOW,
HE COULD DO IT.
764
00:39:32,103 --> 00:39:33,805
HE COULD USE THE DISRUPTER
TO SHORT-CIRCUIT
765
00:39:33,839 --> 00:39:35,641
THE MAIN GENERATOR
ON THE POTOMAC RIVER.
766
00:39:35,674 --> 00:39:36,875
STEVE, THAT'S CRAZY.
767
00:39:36,908 --> 00:39:38,744
A BLACKOUT COULD CAUSE
RIOTS AND LOOTING
768
00:39:38,777 --> 00:39:39,811
HOSPITALS
SHUTTING DOWN...
769
00:39:39,845 --> 00:39:41,680
PEOPLE COULD DIE.
770
00:39:41,713 --> 00:39:44,115
ALL JUST SO MAYFIELD
CAN STEAL THOSE DOCUMENTS.
771
00:39:44,149 --> 00:39:45,717
I'LL GET A SECURITY TEAM
772
00:39:45,751 --> 00:39:47,853
TO THE DEPOSITORY RIGHT AWA...
773
00:39:50,789 --> 00:39:52,991
DIANA, MAYBE WE OUGHT TO...
774
00:39:53,024 --> 00:39:55,427
DIANA?
775
00:40:04,570 --> 00:40:07,072
NEIL, LISTEN TO ME
VERY CAREFULLY.
776
00:40:07,105 --> 00:40:09,808
SHORT-CIRCUITING AN ELECTRICAL
GENERATOR IS NOT EXACTLY LIKE
777
00:40:09,841 --> 00:40:11,743
WELL, BLOWING OUT A CANDLE.
778
00:40:11,777 --> 00:40:15,914
THERE ARE BACKUP SYSTEMS,
FAIL-SAFE DEVICES
779
00:40:15,947 --> 00:40:17,749
AND I'M SURE
YOUR ASSOCIATES
780
00:40:17,783 --> 00:40:20,452
ARE PUTTING THEM OUT
ONE BY ONE.
781
00:40:20,486 --> 00:40:23,555
NOW, I'LL BE WAITING
THREE BLOCKS AWAY.
782
00:40:23,589 --> 00:40:27,526
SINCE THIS IS GOING TO
CUT OFF ALL RADIO COMMUNICATION
783
00:40:27,559 --> 00:40:31,463
THERE'LL BE NO CONTACT UNTIL
YOU RETURN WITH THE DOCUMENTS.
784
00:40:31,497 --> 00:40:33,499
GENTLEMEN,
GOOD LUCK.
785
00:40:40,271 --> 00:40:42,808
( crickets chirping )
786
00:40:49,548 --> 00:40:51,883
( soft music plays )
787
00:40:54,686 --> 00:40:55,887
( music stops )
788
00:40:58,624 --> 00:41:00,091
END OF STEP ONE.
789
00:41:04,963 --> 00:41:06,498
( buzzing and whirring begins )
790
00:41:23,915 --> 00:41:26,852
( car horns start honking )
791
00:41:36,327 --> 00:41:38,564
AT LEAST OUR EMERGENCY
GENERATORS ARE OPERATING.
792
00:41:38,597 --> 00:41:41,600
TOO BAD THE WHOLE CITY OF
WASHINGTON DOESN'T HAVE ONE.
793
00:41:41,633 --> 00:41:43,569
HELLO, LOU,
I NEED A CONTINGENT
794
00:41:43,602 --> 00:41:45,303
AT THE "K" STREET
DEPOSITORY...
795
00:41:45,336 --> 00:41:47,238
HELLO?
796
00:41:47,272 --> 00:41:48,306
DARN!
797
00:41:48,339 --> 00:41:49,908
THE PHONE'S DEAD.
798
00:41:49,941 --> 00:41:51,276
I WONDER...
799
00:41:54,613 --> 00:41:56,582
YEAH, THE TELEVISION'S
OUT, TOO.
800
00:41:56,615 --> 00:41:57,916
MAYFIELD MUST BE JAMMING
801
00:41:57,949 --> 00:41:59,785
ALL THE TELEVISION
AND TELEPHONE TRANSMISSIONS
802
00:41:59,818 --> 00:42:01,152
WITH THE MICROWAVE
SCRAMBLER.
803
00:42:01,186 --> 00:42:03,154
GUESS I'M GOING
TO HAVE TO ROUND UP
804
00:42:03,188 --> 00:42:05,056
AS MANY AGENTS AS I CAN
RIGHT HERE IN THE BUILDING.
805
00:42:05,090 --> 00:42:07,593
STEVE, LET ME COME WITH YOU.
806
00:42:07,626 --> 00:42:08,827
BONNIE, I CAN'T LET YOU DO THAT.
807
00:42:08,860 --> 00:42:10,829
WHY NOT?
808
00:42:10,862 --> 00:42:13,665
YOU AFRAID I'LL JINX YOU?
809
00:42:14,299 --> 00:42:15,066
YOU WIN.
810
00:42:15,100 --> 00:42:16,267
COME ON.
811
00:42:19,605 --> 00:42:21,940
( crackling and popping )
812
00:42:23,008 --> 00:42:25,543
( horns honking )
813
00:42:33,384 --> 00:42:35,286
( crickets chirping )
814
00:42:35,320 --> 00:42:37,322
OKAY.
LET'S HIT IT.
815
00:42:50,769 --> 00:42:53,705
( small explosions rippling )
816
00:43:13,191 --> 00:43:15,593
( erratic sizzling, buzzing... )
817
00:43:27,205 --> 00:43:28,874
( fires twice )
818
00:43:53,799 --> 00:43:56,234
WELL, IF YOU TWO AREN'T
GOOD FRIENDS BY NOW
819
00:43:56,267 --> 00:43:58,804
YOU WILL BE BY THE TIME
THEY GET YOU OUT OF THIS.
820
00:44:21,026 --> 00:44:22,160
Steve:
THE LIGHTS ARE ON.
821
00:44:22,193 --> 00:44:23,995
ARE YOU RESPONSIBLE
FOR THAT?
822
00:44:24,029 --> 00:44:24,963
UH, I DON'T THINK SO.
823
00:44:24,996 --> 00:44:26,097
WELL, STICK AROUND.
824
00:44:26,131 --> 00:44:27,398
YOU MAY BE OUR
GOOD LUCK CHARM.
825
00:44:30,301 --> 00:44:31,937
( clicking above )
826
00:44:33,739 --> 00:44:35,306
( hushed ):
MARK
827
00:44:35,340 --> 00:44:36,374
THE LIGHTS.
828
00:44:36,407 --> 00:44:37,876
YEAH, WHAT ABOUT THEM?
829
00:44:37,909 --> 00:44:38,910
THEY'RE BACK ON.
830
00:44:38,944 --> 00:44:40,979
RIGHT.
831
00:44:41,012 --> 00:44:42,948
OH, TERRIFIC. TERRIFIC.
832
00:44:42,981 --> 00:44:44,349
BY THE TIME I GET THIS OPEN
833
00:44:44,382 --> 00:44:45,416
EVERYBODY AND THEIR BROTHER
WILL BE IN HERE.
834
00:44:45,450 --> 00:44:47,052
COME ON, LET'S GET OUT OF HERE.
835
00:44:47,085 --> 00:44:49,320
BUT WHAT ABOUT
THE DOCUMENTS, MAYFIELD?
836
00:44:49,354 --> 00:44:50,822
( laughs )
837
00:44:50,856 --> 00:44:52,758
MAYFIELD CAN STICK THE DOCUMENTS
UP HIS NOSE!
838
00:44:52,791 --> 00:44:54,325
I'M NOT ABOUT
TO GET CAUGHT IN HERE
839
00:44:54,359 --> 00:44:55,927
WITH A BUNCH
OF TRIGGER-HAPPY MARINES.
840
00:44:55,961 --> 00:44:57,028
COME ON!
841
00:44:57,062 --> 00:44:59,931
FREEZE! I.A.D.C.
842
00:44:59,965 --> 00:45:01,933
( pulls trigger,
click )
843
00:45:11,409 --> 00:45:12,477
WONDER WOMAN, WAIT.
844
00:45:12,510 --> 00:45:14,179
Reuben:
BONNIE!
845
00:45:14,212 --> 00:45:15,413
I KNEW YOU WOULDN'T
846
00:45:15,446 --> 00:45:17,482
LET ANYTHING
HAPPEN TO ME!
847
00:45:17,515 --> 00:45:20,151
NO, OF COURSE NOT.
848
00:45:20,185 --> 00:45:21,319
BONNIE!
849
00:45:22,888 --> 00:45:25,090
I WANTED TO DO IT MYSELF.
850
00:45:25,123 --> 00:45:26,825
( laughs )
851
00:45:26,858 --> 00:45:28,026
ANY SIGN OF MAYFIELD?
852
00:45:28,059 --> 00:45:29,928
Steve:
UH, NO SUCH LUCK.
853
00:45:29,961 --> 00:45:30,962
AS SOON AS THE
LIGHTS WENT ON
854
00:45:30,996 --> 00:45:32,263
HE PROBABLY FLEW
TO BRAZIL.
855
00:45:32,297 --> 00:45:33,932
WELL, HE MIGHT.
856
00:45:33,965 --> 00:45:35,366
BUT MAYFIELD ISN'T
AN ORDINARY THIEF.
857
00:45:35,400 --> 00:45:36,868
HE'S A COLLECTOR.
858
00:45:36,902 --> 00:45:38,403
ONE OF HIS HOODS
TOLD ME EARLIER
859
00:45:38,436 --> 00:45:40,005
THAT HE'S GOT A PRIVATE
COLLECTION IN HIS OFFICE.
860
00:45:52,884 --> 00:45:54,853
RIGHT THERE.
861
00:46:08,599 --> 00:46:09,901
YOU KNOW
862
00:46:09,935 --> 00:46:11,002
YOU'RE A VERY UNIQUE
SORT OF THIEF
863
00:46:11,036 --> 00:46:12,437
MR. MAYFIELD.
864
00:46:12,470 --> 00:46:15,440
I THINK PEOPLE OUGHT
TO GET A CHANCE TO SEE
865
00:46:15,473 --> 00:46:18,343
WHAT KIND OF A MAN WOULD
BLACK OUT AN ENTIRE CITY
866
00:46:18,376 --> 00:46:21,980
TO SATISFY HIS OWN
PERSONAL OBSESSION.
867
00:46:22,013 --> 00:46:24,850
HOW ABOUT IF WE RUN
A TOUR THROUGH HERE
868
00:46:24,883 --> 00:46:26,151
ONCE OR TWICE A WEEK?
869
00:46:26,184 --> 00:46:28,486
WOULD YOU LIKE THAT?
870
00:46:28,519 --> 00:46:30,188
THAT OUGHT TO KEEP YOU.
871
00:46:30,221 --> 00:46:31,890
YOU'LL BE SAFE HERE.
872
00:46:38,363 --> 00:46:40,431
Diana:
OH, ONE THING, BONNIE.
873
00:46:40,465 --> 00:46:42,167
STEVE TELLS ME THAT
874
00:46:42,200 --> 00:46:44,870
WHEN MARK PULLED HIS GUN ON YOU
DOWN AT THE DEPOSITORY
875
00:46:44,903 --> 00:46:46,537
IT DIDN'T FIRE.
876
00:46:46,571 --> 00:46:49,875
DOES THIS MEAN THAT YOU'RE
BEGINNING TO DELIVER GOOD LUCK?
877
00:46:49,908 --> 00:46:51,943
WHO KNOWS? MAYBE
NOW THAT I'M FEELING
878
00:46:51,977 --> 00:46:54,312
A LITTLE BIT BETTER ABOUT MYSELF
879
00:46:54,345 --> 00:46:55,981
MAYBE THE ODDS
WILL TURN UP
880
00:46:56,014 --> 00:46:56,982
A LITTLE MORE EVEN--
881
00:46:57,015 --> 00:46:58,549
SOME GOOD, SOME BAD.
882
00:46:58,583 --> 00:47:01,252
THAT'S ALL ANYONE CAN ASK
OUT OF LIFE, RIGHT?
883
00:47:01,286 --> 00:47:02,954
WELL, I DON'T KNOW
ABOUT YOU TWO
884
00:47:02,988 --> 00:47:04,089
BUT I AM STARVING.
885
00:47:04,122 --> 00:47:05,290
ANYBODY INTERESTED
IN FINDING
886
00:47:05,323 --> 00:47:06,324
AN ALL-NIGHT
STEAK HOUSE?
887
00:47:06,357 --> 00:47:09,060
WELL, THANKS, BUT NO, THANKS.
888
00:47:09,094 --> 00:47:11,997
I'M GOING HOME
AND SLEEP UNTIL NOON.
889
00:47:12,030 --> 00:47:13,098
HOW ABOUT YOU, BONNIE?
890
00:47:13,131 --> 00:47:14,532
WANT TO HAVE
A LATE DINNER WITH ME?
891
00:47:14,565 --> 00:47:15,934
OH, I'D LOVE TO.
892
00:47:15,967 --> 00:47:16,902
GREAT!
893
00:47:16,935 --> 00:47:18,036
GOODNIGHT, DIANA.
894
00:47:18,069 --> 00:47:19,304
WE'LL SEE YOU TOMORROW.
895
00:47:19,337 --> 00:47:20,305
RIGHT, STEVE.
896
00:47:20,338 --> 00:47:22,173
TAKE CARE, BONNIE.
897
00:47:22,207 --> 00:47:24,009
AND I'VE GOT A FEELING
THAT YOUR LUCK
898
00:47:24,042 --> 00:47:25,911
IS DEFINITELY TAKING
A TURN FOR THE BETTER.
899
00:47:35,686 --> 00:47:38,289
WELL... KEEP WORKING ON IT.
900
00:47:48,499 --> 00:47:55,106
* WONDER WOMAN... WONDER WOMAN
901
00:48:08,619 --> 00:48:10,621
* WONDER WOMAN...
63218
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