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The Ashley Swan Memorial Trust
was created to preserve the memory of Ashley Swan
to honor her legacy
and to compensate the members of her family
for their loss the trust owns all copyrights
and trademarks related to Miss Swan
and all rights to her image and likeness
the footage which you are about to see
was compiled from a variety of sources
including footage captured from filmmakers
Thomas Grayson Danny Wilson and Miss Swan herself
the footage was used during the criminal trial
Mr Grayson
resulting in his conviction for the murder of Miss Swan
after the trial the District Attorney's Office
tried to block the release of the footage
arguing that it should remain in government custody
however the court held
that the footage should be released to the trust
to serve his restitution to Miss Swan's family
Trust received a number of competitive offers
for the distribution rights to the footage
but ultimately entered into an exclusive arrangement
with award winning Austrian documentary filmmaker
Jonas Wulsitz
Mr Wulsitz's prior work on Jack the Ripper
Jeffrey Dahmer and Joseph Fritzl
make him a natural selection for this film
Ashley herself was a big fan of Mr Walsh's work
and it's therefore uniquely appropriate
that he put her final days in their proper context
I'm in production office of underground horror film
director Thomas Grayson
he is the director of such cult classics that has
runs with fear and saw when
so tell me Tom
what makes a good horror movie
well in my opinion
a good horror movie works
because it contains the same elements as horror
literature atmosphere
the uncanny obscurity psychological elements
and not the generic shocks that
most of the public
has come to associate with horror films
you mean like naked chicks running through the woods
being chased by some deranged psychopath
precisely uh
horror audiences don't even find that kind of thing
scary anymore because they're too busy
acknowledging their own familiarity with that scenario
in fact nowadays
most audiences don't even know what they're missing
because they've been trained to rely more on shocking
visceral elements rather than on a good story
like what visceral elements
well uh
the bad language penis jokes
and goofy sound effects that drive most comedies
Gore and nudity
that you have in most horror movies nowadays
and even any movie with a big explosion in it
those are few of my favourite things
maybe so
but they should not substitute for a good story
well if there's no good story
then shouldn't there be like Giant Big Water Mill
if there's not a good story
then they shouldn't be making the movie
so uh
what's your next project gonna be it's a horror movie
so I'm guessing it's not gonna have monsters
and aliens and titties that is correct
well what will it have in it
what will it have in it it will have a good story
I thought you said you were shooting a
horror movie the two are not mutually exclusive
you sure use a lot of big words
yes
what suit is that you sure ask a lot of questions
don't you yes
touche
next month
I don't think so
anything comes up give me a call
uh listen Barry
uh Danny
Danny right
um I really have to get going now
well can we continue this interview later
uh you're gonna have to ask my agent about that
I guess that's fancy director speak for fuck off
my name is Ashley Swan
and I'll be reading for the part of Laura
you wanna go to Larry's house
yeah why
what's wrong with that well
I thought you didn't like Larry
of course I like Larry
last week you said he was a bad influence on me
I don't remember saying that
well you did
ugh you must have misunderstood me
I would never say that about one of your friends
so why do you wanna go to his house all of a sudden
Malcolm why do I need a reason
I just wanna go see one of your friends
oh well
if you want to see one of my
why do you want to see one of my friends
I your friend too
now
can we just go please
I don't know something doesn't feel right
yeah no kidding
you're being a jerk I'm not being a jerk
yes you are
I just wanna know why you're behaving so strangely I
just think we should go see Larry
that's all well
tell you what
why don't I call him up and invite him over
no I wanna go to his place
what does it matter
if we go to his place or if he comes here
it matters because it matters
well then I think you should just go
I'm gonna wait right here
no we have to go see Larry now
woo alright
ha ha very good
yeah very good job thanks
okay um
for the next part of the audition uh
we'd like to ask you
if there's anything that you would like to tell us
or show us something to help us remember you
apart from the reading that you've just given us
you mean like a monologue
yeah uh
or uh
maybe a personal story or a joke
something like that okay
I have a personal story alright
do you ever see the film Demons Hollow hmm no
well
there was this one scene I had to do with my co star
Sally Green we were both completely naked
except for this gray stringy stuff
that was supposed to be like this giant spider web
is that something yeah
yeah well anyway
we were basically naked in that stuff all day huh
sounds like you regretted signing up for that project
no it was actually really fun
except for when the film actually came out
they cut out our scene for no reason
well there was probably
a good reason it'll probably be on the DVD extras
I don't know but that's my story
and I hope it helps you to remember me
I'm sure it will
okay well um
thanks for coming in and reading for us
uh we'll be making our decisions at the end of the week
and then we'll
be giving a call to the people that we like to see
again I hope you wanna see me again
I'm sure you do
thank you for coming in Ashley thanks
bye bye
bye bye
what did you think of her
oh she's not what I had in mind
what about her acting it wasn't bad
I thought she was really good and she's not bad looking
alright fine
put her on the callback list
uh what do we have left
four more Laura's three Malcoms and two Georges
uh bring in the next one please
Samantha Winters yep
that's me we're ready for you
hi it's late for the camera please
um okay
so I'm Samantha Winters and um
I'm gonna be reading for the role of Laura today
uh do I need to see
to say my agent's name
I don't think that will be necessary
um okay
oh yes
there we go
here
we have the official crew of the new Tom Grayson film
we got Luke Rhodes
DP and this gal over here is Lenny Goodman
1st ad
and that guy
you must be the on set fluffer
I don't know and I shall be one of them soon yes
I shall
yeah but is it gonna look real sure
how's it gonna flicker
I'm gonna move my hand in front of it like this
so what's the first shot
there
Danny you know
I thought you might want some footage for the DVD
you know the kids want to know
oh hey Norton Covax sound
how did you find out we're gonna be shooting here
a little birdie told me and what is this birdie's name
Gus
will you do me a favor and tell Gus
he's a big fat asshole
sure love to
so can I stay
pretty please
I need you to come over here a minute please
okay
see that guy with the camera
he's gonna be documenting the production
hi
hi
you uh wanna introduce yourself
I'm the first a D my name is Lenny Goodman
no jokes about my name please
what are you talking about
Lenny Goodman Benny Goodman
you know
no
never mind Lenny
gotta go
oh I won't forget to send you your card
percentage whatever you wanna call it
I mean it's not like you'd let me forget is it
of course I love you
look I have to get back to set
okay alright
I'll talk to you later bye
God this is weird
wow obscene finger gestures from such a pristine girl
who are you
Danny and what do you want
I'm shooting behind the scenes footage
you know for the DVD
you got anything that you wanna say to the kids at home
yeah watch out for perverts with video cameras
I'm not a pervert I'm just admiring your assets
I really hope you're not getting paid to be a retard
I do that on a volunteer basis
good
well it was nice to meet you
are you gonna go now
just do it the way I told you to okay
so what exactly is the budget on this movie
well let me put it to you this way
we can't afford to shoot in a studio
so we are using a sandpaper factory
is there anything in the budget for a documentary
nope
well in that case
are you prepared to offer
me a percentage of the profits
no
well is there anything you can offer me
there's craft services right over there
do you offer a vegetarian option
don't bust my balls
just trying to light the mood around here dude
well no one's asking you to dude
well who has to
turn the camera off Danny
yes sir
of course they'll probably cut this out
because it doesn't go along with Mr
Director's wholesome attitude about entertainment and
this psychological
no Gore no titties school of horror filmmaking
Tom's fucked
I know there's a magician in there just
waiting to get out
what was the scariest thing that ever happened to you
the scariest thing
that's easy
I was fourteen
one night
my parents were out of the house and I was all alone
I was taking a shower when
shut up
anyway
I was taking a shower when I heard the front door slam
no big deal
I thought it's probably just my parents came home early
you know
so I finished taking my shower and I toweled off
all the while I could hear
so I wrapped a towel around myself
and I opened the bathroom door
I yelled down for my parents
thinking that they would be there but
they never answered
don't make that face shut up
ha ha Joe
when our fellow players are in character
and the camera is rolling
we don't make funny faces
I I know I didn't yes
you did you went like
okay that is just a lie okay
it was okay it was more like
like yeah
yeah great
um
alright well uh
whenever you guys are ready
to stop acting like children
I would love to get back to work
look I
I can't speak for everybody here
but uh I'm
I'm ready to work good yeah
let's do this Ashley are you ready
roll sound speeding marker
please roll camera camera rolling C12
take six soft sticks
you going down Joe
shoot it ready
action away from me I'm not gonna hurt you
then go away I can't why
because I love you yeah
sure is that why you made me mess up my scene
clever girl shut up
why don't you come make me I wanna cut you
I am having too much fun yeah
that's your problem you're having way too much fun
what's now
it's wrong to wanna have fun when it's at my expenses
okay then why don't you laugh with me
oh it's too late for that
you've already messed up my scene
so now I owe you one you you owe me one mhm
I like the sound of that
you're an asshole and that's exactly why you love me
oh I do yeah
oh what does this button do
I saw that coming
what okay
ha ha
that's my boyfriend
oh my God oh
mercy me what have I done
oh shit
I think you just doubled the budget for this though
ha ha I'm sorry
let me get that for you
kind of funny though yeah
I swear to God
there's something seriously wrong with you
you're a lousy irresponsible puss head of an actor
you don't think straight you don't act straight
you just go along on your merry little way
LA LA LA like you're something special
you do whatever you want to whomever you want
without a care in the world
for the consequences of your actions
and I don't have the time
or the patience to deal with actors who need special
attention just do your job
be professional about it and stay out of my fucking way
yes sir
talk to me Joe what happened
I got fired no shit
yeah um
apparently
the wardrobe is more important than the actors
the people are expendable
Tom fired you for ruining the wardrobe
pretty much now Joe
are you telling us the whole truth
alright he said I was messing around too much
he said I was wasting too much of his time
uh huh so what where are you
what's the problem
it's gonna be hard to do the scene without Joe look
the guy was wasting our time
and he was making me look like an idiot
but I couldn't no
no no
no no
there is no but that guy was a doofus
and you're better off without him
so could you please just accept that
so we can continue working
yes
look
sweetheart
trust me I know what I'm doing
I'm gonna be a big star
alright then just have a little faith in me
I know you can do this without Joe
okay let's do it
alright daddy girl
do you need to take a break or anything
or could we just go no
I'll just go okay good
okay ready
okay Emma speed
not you again I'm just gonna talk
well then you don't need to be filming me do you
you too
what do you mean
Tom won't let me shoot whatever I want either
oh boohoo
I told you I didn't want you to be filming me didn't I
don't let me shoot him
okay you can shoot
me
okay
you're supposed to ask me some questions or something
I can't think of any good ones
it's gonna catch you in your natural state
natural state
uh huh
well there must be something wrong with your camera
cause I don't feel very hot right now
oh no you're hot already
and they're not talking about your physical prowess
I think you have a beautiful soul
really
really
I don't think Tom knows just how beautiful you can be
hmm
he's giving us a project
hmm
and here we go I um
I thought you said you didn't have a problem uh before
when did you change your mind
hmm
I changed my mind right after you gave me the part
please tell me you're joking
hmm
I'm not joking
Ashley
if it's such a big deal for you
why don't you just get a body double
a body double it's not even a nude scene
it's just your back
you're still asking me to take my shirt off
yes but no one's even gonna see your chest no
but why
I guess I just don't trust you
you don't trust me
why don't you trust me
I don't know it's just a feeling I get
and I have to be honest with myself
I I don't believe this
where is all this coming from
Danny could you do me a favor and not film right now
you're the boss
I'm sorry I told you to stop filming before
no problem it's just a private moment
you know evidently
say Danny
what's up
have you noticed anybody talking with Ashley lately
what do you mean
I mean like
maybe putting notions in her head
about her performance can you be more specific
she won't take her shirt off
and this has what to do with the movie
well there's an implied nude scene
I thought you didn't need nudity to tell a good story
I don't so what's the problem
well the problem is there's an implied nude scene
and when I first gave her the role
she gave me the impression that
she didn't even have a problem doing
full frontal yeah
no kidding did you see Demon's Halo
no
it's not really my type of movie
it was awesome
jolly good yeah
so anyway
do you have any idea why she may have changed her mind
it must be because hey
why is implied nudity okay and not full frontal
because it tantalizes the senses
people tend to want what they can't have
then why are porno so popular
because some people have no imagination
or they just like boobies
yeah
so
is there what are you doing I gotta go pee
well if you gotta go you gotta go see ya
you have to find something
curtains curtains
like 50 times the guy never fucking remembers his lines
nah nah
it's okay alright
I'll talk to you later
bye
did I miss something what
do you mean
you seem to be in a very chipper mood this morning
oh I am
are we back on schedule no
not even close
and what are you gonna do about the Ashley's employ
looting I'm going to cut it out you are
wow the only new scene in the entire movie
and you're cutting it out
how can you do that
I can do anything I want I'm the director
good morning
hi
so what's this I hear about you not showing your back
well let's just say
this project suddenly got a lot less important to me
so you're sacrificing springtime
I wasn't counting on that
but it's an unfortunate side effect
but we're still cool right
totally cool
somebody was just screaming
oh shit damn
what's going on is it Ashley
not now Danny
oh come on
Danny I swear
if you don't get that goddamn camera out of here it is
actually I've got some insider information for you
what are you talking about
she's the one that fucked up Joe's wardrobe
what it was an accident
and she's really guilty about getting Joe fired
what does this have to do about
all the stuff that she's been pulling off
also she has no problem taking your shirt off
this is just an unfortunate side effect
for getting Joe fired
you gotta be kidding me
all this is because of that douchebag huh
apparently a well liked douchebag
are you sure
how do you
know that I am the eyes and ears of this institution
my friend
and you're just telling me that now
thanks
go home Danny
portrait of a man behind a wall
the bricks of this wall have only just begun to tumble
and very shortly
the entire wall will come crashing down
and he will find himself completely exposed
to the Twilight Zone
scene 8 in which Ashley continues to bust Tom's balls
do you think so
she doesn't think so she doesn't think so
why are you doing this to me
can we just finish the film
no
not until you stop changing the dialogue
I think we should do it my way
that's not a call I'm the main character
yes you are
you're a character
I am a writer and I'm directing the character
and your job
as an actor is to do what the director tells you to do
I don't think so well I do
I'll go get her no
don't bother
just not worth this
um let's just uh
shoot something else um
I think we can maybe uh
what else we gonna shoot with this setup
nothing that was our last shot
and for anything else we would need a whole new setup
well then I'm going to go home
you sure yep
that's right people alright
alright let's go
alright alright let's go
leave me alone
no
I'm going to go home
sit there and feel sorry for myself
I got a better idea
you can't compete with that
maybe I can
I got a surprise for you you mean you can buy anything
surprise what's surprise
well if I told you
then it wouldn't be much of a surprise now would it
I don't know oh
come on this is for you dude
hello Ashley
how are you doing
it's me from the film shoot
you know Danny
I'm good
I've got to talk with you man can you come outside
I'm in my car just outside your place
I've got something to show you
okay I'm here
come on in
what's the surprise
it's in the other room
why is this camera on
it's an experiment an experiment
sit down
I want you to watch something
this isn't porn is it just watch
I'm in my car just outside your place
got something to show you
come here I wanna show you something
there's more
don't worry she can't hear you
she's got my nephew's Dinosaur rapsody on repeat
is this a joke
this is a joke
you son of a
it's not a joke nope
we'll be right back
you want a beer
no GD
you're crazy no
I'm not look
I have a plan
all I wanna do is scare her and we'll let her go
yes
if we really scare and we tape it
then
we can tell her that her performance was phenomenal
which it will be
then she'll go along with it
no
no what
no it won't work or no
you won't go along with it
this is not a game
you have got a girl tied up in your garage
do you know what happens to people like you
they go to prison
and then they get romanced in a very unpleasant way
why do you always have to be a whiny bitch
we're just making a movie
this is not a movie not yet
we're gonna retire in like five minutes
oh we are
yes I don't wanna go to prison
I'm afraid you might be a little late for that
five minutes is all we'll need
5 minutes
5 minutes for what
a performance of a lifetime
shit this is crazy
okay
I'm counting down 5 minutes
pick that up
why you already have a camera on her
that's just for the master
give me some really good plus UPS
now shoot
you have 4 minutes and 45 seconds left
oh
you gotta try this no
I don't okay
you're never gonna get another opportunity like this
you have four minutes left
knock that off look
just try to enjoy the moment
we have a beautiful girl tied up here
she's blindfolded and gagged
she can't bitch at you
she can't refuse to do a blindfolded nudity
and she can't laugh during the middle of the take
unless of course she wanted to
please remind me why we're doing this
it's hardcore if you don't walk the ledge
once in a while you don't live
what about her life
taking one for the team
what was that catapult dude
are you crazy that could seriously hurt her
oh my God
this is too much okay
fuck this this is
show's over man
show's over oh
then I've got a better idea
take this off dear
hey get away from the table
fuck that drop the rope away from the table
what's going on we're raising the stakes why
because you always puss out when things get interesting
I do not yes
you do you do when I'm interviewing you
you do when you're making movies
this is about my movies
well I have a terrific suggestion for you
why don't you make your own damn movie
and that way you can make it any way you like
I never thought of that Danny Thomas please let us go
not yet
how far is this gonna go
you're about to find out
come on Tom
pick it up
go on you can do it
I pointed at her
now show her
easy now easy
ha ha there we are
look at that the real emotion right there in the eyes
he tells everything we need to know
I'm sorry I don't wanna do this
I think
this building needs some nudity
no no
no
there we go
I'll take this over and apply nudity any day
they were worth the wait weren't they
go to hell
watch this
this is one of those precious moments
just has to be caught on camera
oh
no no
no no
no no no
wow that is some great action
I can't do this
pick up the camera Tom or I'll cut her throat
I I pick it up Tom I can't do this
I can't I can't do this
shoot
you ever play this little piggy
no no please
no
no
no
alright
this little piggy went to market
this little piggy stayed home
and this little piggy went
limp did she pass out or something
we'll have to fix that
getting funny ideas now Mr Director
looks so peaceful now doesn't she
fix that
you have a nice nap there dear
I hope so
it's time to get back to business Yeehaw
I didn't give you permission to take a nap
so now I'm gonna have to punish you
please
I'm gonna have to cut off those little piggies
please
no hey
now stop messing around here
I'm gonna cut off the whole foot
you want that
hmm
okay that's better
she's in shock
how about some anti freeze hmm
you wanna talk about it
I guess that's a no
I'm gonna go clean her up
I'll be back in a few minutes
and we can talk about the ineffectiveness of subtlety
and horror filmmaking
hello Danny
I'd like to talk to you about pushing the limits
you know something
I've got a great idea
I think you're really gonna like it
hmm it's really hardcore hmm
let's talk about
let's talk about subtlety in horror filmmaking Danny
I think that
what makes a good horror moment
is not the actual doing
it's the anticipation
oh this this was a good one
I I really like this one
yeah
yeah
no it's it's not really my style here
I think I should do something
oh no oh no
oh no
oh no I don't know
I'm sorry Danny
I'm afraid I'm gonna have to cut the interview short
here
if you want to continue it
you have to call my agents and arrange something
it was not real
leave me alone leave me
boo oh
man you scare me
you are awesome thanks
it is too bad I'm gonna have to cut you up now hey
you said I could do it I said I think about it
come on I can do it
no I don't want you to hurt yourself
are you kidding me
fine
here you go
got it
awesome
I am keeping these
that's cool I can make more
ha ha cool
so how was it making it work out my way
as opposed to cons it's a little different
so was it worth it
this tape will be worth it if it makes me famous
uh huh
Alrighty
well that is a wrap for today
I'll give you a call and we can watch some football
sweet
um
Waylon
yeah
Waylon
what
uh this isn't working
why what's the problem
should I cut uh yeah
camera
speed and ready whaling
ready
hold hold it a second
hold it should he cut it Tom
um yeah I'll cut
action
did he turn it action
Waylon
uh
we need to talk sure
what's up um
this is this is this isn't gonna work what
why not I'm
I'm not seeing what I want what
why don't you just tell me what you want
because I don't know I
I don't know what I want just tell us what you need Tom
we'll get it for you
what are you laughing at uh
does anybody realize yep
I do okay
Tom it's Ashley
I just went to Danny's house and well
I guess our joke wasn't very good
did you um
I I need to talk to you
I need to go to Ashley's house what
he said he needs to go to Ashley's
you need to go to Ashley's
yeah
why don't I call Ashley again
and see if she's answering yet
no I need to go uh
well what about my scene
I'm sorry Waylon
but you said yesterday that you didn't care
if she came back
I wish she didn't what Tom
let's just do the scene one more time
I swear I'll get it right
um Lenny
I'm going to Ashley's house
you um
see what you can get done with wailing
so you mean I'm not
even gonna get to work with the director
no Waylon
I'm sorry cut it
oh
I see you're well
I guess not my luck
I don't have a solution
to my problems
Ashley
there are more important things to consider right now
the footage is irrelevant
Danny is dead what
what do you mean the footage is irrelevant
you have any idea what I went through
about half as much as me
seriously though where is it
you listen to me
Danny is dead and you are partly responsible
no no
no no
no it's not like that I didn't do anything
why are you taping this
no reason
what are you trying to do to me
to you nothing I just
you're trying to trick me
we're making a movie this is not a movie
yes it is
this is not a movie Danny is dead
don't you understand I killed him
come here give me that
God damn it oh
fuck shit
shut up shut up
shut up shut up shut up
what are you doing filming why
cause I wanna document the trip and Danny's not around
so why don't I do it
okay
we are on a mission to the prop house
cause
Tom feels that the prop knife is not realistic enough
and in filmmaking every detail is important
so how did the shoot go after I left the set
great actually
I think it's some of the best stuff we've shot really
yeah you know
I figure with all of Joe and Ashley's shenanigans
the past few days you didn't get any quality footage
I I mean
we
we didn't get any quality footage
I think we're supposed to turn left right there yeah
I just need to take care of a little something first
but aren't they expecting us at the prop house
cause you know
we're supposed to be back and filming again
in 15 minutes yeah
well I think we're so far behind schedule
that an additional 10 minutes won't kill me
us what an additional 10 minutes won't kill us right
yes so
are we going to be seeing any more of Ashley
I don't think so
our last conversation didn't go that well
say do you do you smell something
no smells like
oh man
it's something really really rotten
you talk too much what
I said you talk too much
okay
it's in the trunk
what's in the trunk
the smell
it's um
some bad meat
I just need to get rid of it
why didn't you get rid of it at the location
I guess it slipped my mind
yeah
oh so I was gonna ask you
how did your visit with Ashley go yesterday
here we are oh
thank God I'll be back in just a minute
whatever smells this bad I have got to see
suit yourself
so where exactly are we
sorry Lenny
but it's in the order of things
hi I'm Sarah Donovan
and I'll be reading for the role of Ashley and action
look I think we should take the footage
and I think we should try and sell it
look I just don't think there's any sense in wasting it
you know
Ashley look
I think it's what
I think it's what he would have wanted
Ashley you're not thinking right
no
there are more important things to consider right now
no I don't think so I mean the footage it's
it's special
that footage is burned up and Randy is dead what
it burnt up
do you have any idea what I had to go through for that
yeah probably about half as much as me
ha ha oh my God
right ha ha shit and scene
that was great I like that thanks
okay um
uh I just have one question for you
okay uh
the role requires nudity
so in the event we offered you the role
would this be a problem for you
no no
not at all definitely not
it's a horror film right
they go hand in hand it's in the order of things
yeah okay
um we're gonna do it again okay
and this time when you uh get to the laugh maybe
excuse me this is a private conversation
I'm looking for Tom Grayson
what is this about officer
are you Grayson I am
I'd like to ask you some questions about Danny Wilson
um okay
I'll take care of this just continue the auditions
okay
just do it again
uh here
I'm sorry about the treatment that you got from
Officer Jameson he gets just a little hot headed but
I'm a I'm a big fan of you
I'm I'm honored here
I'm honored to be with you
my son uh
he uh
put me in touch with your stuff
uh it's really good and uh
he's a huge fan he's got all your DVDs and
and you know
I would be a big hero at home
if you would give me your John Hancock
right here you're kidding me
I'm not kidding you're Thomas Grayson
the master of horror
kid loves this stuff it the
the the
get it out to Sean he
he loves the horror of the whole genre
the blood the dismemberment the
the hard body lesbians
he really loves revenge nice sweet
thank you thank you so much
you're welcome
you know I've got
I've got one question just one question
why did you do it
why did you spend your whole life
devoted your whole life to
to one genre to horror
it's a good way to make a living
I guess so
it makes sense
you're not the first to make a living
thinking of ways to kill people
but the important thing is that nobody really dies
well that's where you and I are on a different page
you see young man
while you and Officer Jameson were having your uh
very uh
intellectual discussion I was over at your apartment
that's very nice too
beautifully decorated very good taste
I love that memorabilia you got a good collection there
and those signed comic books
very cool but what I found was some very
very interesting tapes
and on those tapes was some pretty interesting
incriminating evidence
all those tapes
uh they're not real
they're just um
part of a project that I'm working on
not real well
you know we've got some dead bodies
in fact we've got three dead bodies
and our coroners say they're very real
we also have a very real gas can
with some very real fingerprints of yours
on this gas can that was used to set a very real fire
that burned down Danny Wilson's very real house
yes sir
now these tapes and this project
for what you seem to be calling
I guess it's for a movie
the person in those tapes
that was you right
yes
and um
as a matter of fact I think that this
this whole scene mhuh
that's playing out right here
this would make a a wonderful end to that movie
end to that movie huh
well what kind of a movie
ends
with a guy confessing to the murder of Danny Wilson
and the brutal beating to death of Ashley Swan
a good one
and now
I think what should happen is
you should stop playing the good cop
and get really crass and say something
really condemning you think you're smooth
don't you well
my friend
you need to get yourself a nice amount of lubricant
because you're gonna need a very smooth asshole
when you get in prison cause there's dicks
those dicks of those prisoners
who love pretty boys like you
they're gonna be so hard and fast up your brown eye
you won't believe it
you'll have your salad tossed so many times
you're gonna need Caesar's dressing
you're gonna have wish bone
if you know what I mean now
how's that for crass huh
how's that for crass I think you could do it again
with a little bit more profanity
oh well jeez
you're a writer you guys uh
like to use your imagination
you know there are many ways to say fuck you
oh uh uh thanks
thanks for the autograph
I think I'll sell it on eBay
cut
do I do I need some powder
I don't know is my is my forehead shining
I thought you wanted a Diet Coke
how much time did you set up
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