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THE DREAMER
Not bad, right? I bought it at the airport.
By the hotel, because the hotel was next to the airport.
- Well, it's the gesture that counts. - Yes.
Goes to show, when things are cheap, beware.
- Yes, sometimes... - Planes flying over in the morning.
- So, you're back... - Hey there. Hi.
- How was it? - It was great.
- Look what she got me. - I brought it back
from Prague.
- What is it? - Well, it's called a Golem.
I imagine it's supposed to bring good luck.
There was a leaflet explaining the legend and everything,
but of course, I lost it.
- That's a good spot for it. - Oh. I don't know.
No, I think I prefer it near the dodo.
- Ah, the Mauritian dodo? - Yes, the Mauritian dodo.
- Here? - Yes.
That's good.
I want you to scare me.
No, no, no, no!
Please, sir! Let go of me, what are you doing?
I have to finish my round.
No! No!
Please! I beg you! Why are you so cruel?
Because you deserve it, madam!
Oh yes, sorry.
I'm sorry! Sorry!
Thank you.
I think one's come loose. Can you see?
Was there another one up there?
There we go. Thanks.
Yes, can you leave the door open, please?
A bit less.
Still less.
Oh, that's a little too closed.
Thank you.
- Good night, Mum. - Good night.
Raphael?
Yes.
Garance Chaptel.
Could you open the manor for me, please?
Here you go.
I have no luggage.
Which room should I prepare?
I don't care.
I'm where I want to be and I'll come home when I feel like it!
I already told you, damn it!
And I don't feel like it!
Damn it, damn it, damn it!
Good night, madam.
Not one phone call since her uncle died.
She always sends your cheques late
and then she turns up in the middle of the night without even warning us.
Who does she think she is?
You have to ask her exactly what your tasks are.
Let's get that straight.
Because you know bosses, first they ask for a hand,
then they take your forearm and then the whole arm.
I mean, really...
Oh wait, let me see.
You have to be careful, you've got a stain here.
Come on, it's fine.
You can't turn up without looking neat and proper.
Mrs Chaptel?
Mrs Chaptel?
Can you hear me?
Can you hear me?
- Do you want me to get a doctor? - No, no, I don't need anyone.
Can you draw the curtains, please?
Thank you.
All of them?
Well, I never.
It runs in the family, it's like the aunt with the rifles.
Shouldn't we warn her relatives?
Well, no, we can't.
She's lost her parents, she has no husband and no children.
The aunt, the uncle, they're all dead. There's no one left.
Your programme with Wetrust, online loan comparison.
Turn it up a little.
I often see you before me, Madame
I'm happy, I have ideas
And maybe tomorrow you'll take my hand
I often think of you, Madame
I often see you before me, Madame
Pull at my hair.
No, pull harder.
Come on...
It's not a big deal.
If you're getting no pleasure, you can still give me some.
I'm going to be late for my rehearsal.
I could just come with you.
You know I hate that.
If you want to hear us, come to the concerts.
Oh, come on!
It's not like you're Vivaldi.
Why are you being so pompous?
I'm not being pompous.
That's men for you,
the trouser snake stops working and everything goes to pot.
Ready for B...
Go!
Crescendo coming up!
Careful, the end.
Get ready for the finale.
Raphael?
Could you come here a moment?
Come in, come in. Have a look at this.
Look here, I've taken them all down.
This one's got the better of me, it's too heavy.
I hate them.
I always felt they were looking down on me, judging me.
You can take them all to the tip.
There's loads in the upstairs corridor and in the hall...
Gauthier de Rosemont.
Great, great, great grandfather of the family.
He was a famous doctor.
Yes...
Maybe, sometimes, I think things that may not actually be the case,
but it's just not normal that she shows up
in the middle of the night,
with no warning, with no luggage.
For all we know,
she escaped from an asylum...
Oh yes, I remember this photo well.
It was Christmas day, 1970.
A long time ago, but I remember it well.
All the staff were there, and that's me, here.
There was a huge capon to cook, I had already stuffed it...
Chaptel... Do you spell it with two L's?
- One L. - That's why I remember it so well.
What was she like when she was little?
Oh, she was a bit unusual, oh yes.
She'd burst into laughter sometimes, like a mad person,
or start crying,
and we had no idea why.
Her work is shown in museums worldwide.
Look what I found.
Garance Chaptel, better known as the lady in blue,
is one of the key figures in contemporary art, today.
She turns her life,
especially her most intimate moments, into works of art.
All these vials are quite simply tears that I collect.
I do this,
a tear runs down and I collect the tear, or tears.
And into the vial it goes.
So, this represents all my moments of sorrow
since 1992.
First divorce:
72 tears.
Moving house: 120.
You see, I cried more from a move than after a divorce.
From her first performance, Garance Chaptel has created scandal.
With her body tattooed to resemble a butcher's cut,
she makes an exhibit out of her anatomy.
It came very naturally,
from a loathing of men's gaze upon me.
I was quite shy. I still am, by the way.
I had this idea of carving up my body.
That's it. I carve myself up before you cut me up.
Very soon, the artist will spend nine months inside one of her works.
A tribute to her mother, who died giving birth to her,
the "Bunker Love" resembles a pregnant woman's belly.
People will be able to visit me.
I won't see them, I won't look at them,
but they'll be able to observe a sort of adult foetus,
that is somewhat monstrous.
- Can I drop you off? - I don't have time.
Oh, just for 5 minutes.
I said, I'm busy, I have things to do.
Oh dear, are you sure?
Your loss, little flunky.
Don't come in!
I brought the clay, where should I put it?
Ah, thanks. Just leave it there, I'll take care of it.
Okay.
Oh, I wanted to ask you, I'd like you to give me back the key.
Don't take this personally, but I really need to be alone.
Good night.
- A little more, nearly there. - Yes, indeed.
- It hurts, doesn't it? All done. - A little bit.
There. Let's wait a moment,
so that I can hear what's going on.
It's tight, but it has to be done.
- They're beautiful, all these paintings. - Yes, I like them too.
We had good painters.
That's a nice one.
Pretty lady.
- Lovely corsage. - Yes.
However, your blood pressure isn't so good.
Oh dear.
Yes, for good reason.
You should go and see her, up at the chateau.
She hasn't come out for days on end.
It's not normal.
By the way, Raphael.
Lots of new models in here.
What's all that bullshit?
Raphael?
Raphael, are you alright?
Shit, you scared me, I thought it was a burglar.
It's not really you,
it's what you inspire in me.
When I look at you, I feel like I'm wandering.
You're like a landscape.
A changing, rugged landscape.
A canyon.
Nothing is obvious, nothing is...
Nothing is precise. It's...
I could spend days wandering through you.
I've prepared a little changing room, so that you can get undressed.
No, you have to strip completely
because I'll be sculpting you head to toe.
- That, I can't do. - Yes, I understand.
I get it. But you'll see, that'll come...
Something needs to click.
It's a question of trust. Sit down.
So... Chest slightly forward,
forearm resting on your right thigh,
left hand on your left thigh,
face slightly turned away, eyes closed.
Move your leg forward, bring it forward.
If you move your foot forward, you'll be more comfortable.
Like that, eyes closed.
Big brands at small prices...
What's with all the ruckus?! Hey there!
Where is it?
I have no idea.
You should keep an eye on the stove.
Stop messing about. Stop it.
It's burning.
- You're acting crazy! - I know what you did with it.
Your programme with Wetrust, online loan comparison.
I often think of you, Madame
I often see you before me, Madame
I am happy...
Oh dear, oh dear. It's completely spoilt!
Turn that back on immediately, you little shit.
58 is no age for a teenage crisis.
Did I wake you up?
Oh no, not at all.
It's you I want to listen to.
It's beautiful.
Raphael?
Yes.
Would you like to go for a drink tonight?
I can't tonight, I have rehearsal.
I need to go out, I can't stand being cooped up in here any longer.
- ... is there a little hope? - Yes, of course, but it's...
You know, it's all very random.
Positions, everyone.
Patrice runs a tight ship.
Thunderous applause, please, for Terra Gallica!
Good evening Autun!
Are you excited?!
Ready to dance the night away?!
I can't hear you! Louder!
Three, four...
Did you enjoy it?
Not so much, no.
I was expecting you to play your piece.
I prefer what you do.
Patrice says it's too sad.
He prefers us to play music that gets people dancing.
He hasn't understood anything.
The most beautiful songs are the sad ones.
To evoke the human condition, Leonard Cohen trumps Justin Bieber.
Right?
- Good evening. - Good evening.
Can I help you?
I'm here to see Garance.
She's not seeing anyone.
Don't worry about it.
Come in.
All OK, Raphael?
Good night.
Raphael?
When you've finished that, all the leaves on the car,
do you mind removing them?
Thank you.
- Bye-bye. - Bye.
Thank you. Here you go.
Thanks a lot, really, take it.
No, I don't want it.
Up to you.
Have a nice day.
I gazed at you with tenderness
I wish that I had spoken to you
But I lacked the courage
I wish I could have taken you places
Have you walk beside me for a bit
Without it leading to imagining
Imagining all sorts of things
Things I dare not tell you, Madame
And yet, I think of you so often
I often think of you, Madame
I often see you before me, Madame
I'm happy, I have ideas
And maybe tomorrow you will take my hand
I often think of you, Madame
You're ridiculous, still going on about this!
We can't afford it and that's that!
I earn the money, I should be able to spend it how I want.
If I hadn't got you hired at the manor, where would you be?
Nothing to say to that, do you?
You want to play the lover boy, the playboy, that's up to you,
but it won't change a thing, you'll still look the same.
You don't understand a thing.
I'm a landscape.
Well, I wouldn't choose you as a postcard.
Go on, get out of here, you idiot.
Did I wake you up?
Not at all.
It's you I want to listen to.
Did I wake you up?
Not at all.
It's you I want to listen to. It's beautiful.
It's you I want to listen to.
...it's you I want to listen...
...it's you I want to lis.... It's you I...
Not at all, it's you I want to li...
It's you I want. It's you I want.
So, Beethoven, you don't want people to come to the rehearsals?
Have you forgotten what a small village this is?
I hope she gave you a raise
because gigolo and caretaker, that's two salaries!
And take a good look at my car one last time.
Because you see, this van, this postwoman...
That's finished!
Beethoven, my balls!
And that's not all!
Ladies and gentlemen,
I need you to make a lot of noise
for the great, the incredible,
the exceptional, Terra Gallica!
Good evening, France!
Are you ready?!
I can't hear you!
Get ready for a crazy night!
One, two, three, four!
Oh, I'm sorry, did I wake you?
You can't stay here.
It's hardly even fit for the animals.
I'll put you up if you want.
Well?
I have space at my place for you.
I thought you didn't want to see me anymore.
No, no, that's...
I didn't say that.
That was my anger talking.
I just think it's a shame.
We got on really well.
We were good together.
It was nice.
I miss you.
You know it was never love.
And you know what love is, do you?!
I never felt fire in my belly when I looked at you.
So...
Okay, yes.
Oh, the pen won't work... Ah, there we go.
The EM16 Blue.
Two and a half.
Three.
When will it be ready?
Early summer at the latest, I think.
Raphael!
Where have you been? I looked for you everywhere.
- That was in New York, right? - In 2014.
2014! Unbelievable.
This is Raphael!
Raphael, this is Arthur, exhibition curator.
Ludovic, journalist. Sylvio, my agent, you know him.
And Zoran, photographer.
Fantastic.
To Raphael.
And to you, Garance.
- A toast. - Cheers.
To art.
Raphael?
Super, great, very good.
- Yes, I'm coming. - OK.
I'm leaving tomorrow.
A truck is coming at 11 am. I'm leaving with the statue.
Will you be here tomorrow morning?
I'll come and say goodbye.
Garance?
Garance?
Hello, this is Garance Chaptel. Leave me a message. Thank you.
Here. Inside. I search for you.
It moves.
Mother? A belly?
Is it me who killed you?
I LIVE INSIDE YOU AS IF IN A TEMPLE
To live. As a guilty woman.
Mother, I'm waiting for you.
I took everything.
I am waiting for you. Still.
Inside here.
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