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These are the user uploaded subtitles that are being translated: 1 00:00:00,467 --> 00:00:02,736 ♪ 2 00:01:13,773 --> 00:01:16,276 TWENTY YEARS AGO WHEN THERE WERE FEW CELL PHONES, 3 00:01:16,643 --> 00:01:19,479 FEWER PERSONAL COMPUTERS, NO EMAIL, 4 00:01:19,546 --> 00:01:21,448 INTERNET OR SOCIAL NETWORKING. 5 00:01:21,781 --> 00:01:26,820 NO REALITY TV STARS, NO IPODS, NO HYBRID CARS. 6 00:01:27,187 --> 00:01:29,889 WHEN A MAN COULD LIGHT UP A CIGAR IN A RESTAURANT AFTER 7 00:01:29,956 --> 00:01:32,792 DINNER, OR SMOKE A CIGARETTE ON AN AIRPLANE. 8 00:01:33,093 --> 00:01:36,329 WHEN OUR FATHERS WERE STILL YOUNG AND PROVED IT BY NOT ONLY 9 00:01:36,396 --> 00:01:38,665 THE ABSENCE OF GREY HAIRS OR WRINKLES, 10 00:01:38,731 --> 00:01:41,835 BUT BY THE FIGHTS THEY HAD OVER THE WOMEN THEY LOVED, 11 00:01:41,901 --> 00:01:45,271 JACK HUSSAR, LEGENDARY FILM DIRECTOR, 12 00:01:45,338 --> 00:01:48,708 GAMBLER, SEDUCER ARRIVED IN LOS ANGELES 13 00:01:48,808 --> 00:01:51,377 AFTER AN ABSENCE OF SEVERAL YEARS. 14 00:01:52,345 --> 00:01:55,482 EXCUSE ME, THIS MIGHT BE AN ODD QUESTION, 15 00:01:55,548 --> 00:01:57,851 AH, ARE YOU JACK HUSSAR? 16 00:01:57,917 --> 00:01:59,853 YES, I AM. 17 00:01:59,919 --> 00:02:02,555 I I I'M BRAD. 18 00:02:02,989 --> 00:02:03,656 BRAD PERRY. 19 00:02:03,723 --> 00:02:05,425 HI BRAD. 20 00:02:05,492 --> 00:02:07,393 I I AM I I'M SUCH A HUGE FAN OF YOUR FILMS. 21 00:02:07,460 --> 00:02:08,828 I AM JUST, AH. 22 00:02:09,095 --> 00:02:11,731 THIS IS AMAZING, THIS IS AMAZING. 23 00:02:12,232 --> 00:02:15,268 YOU'RE THE REASON I CAME TO HOLLYWOOD T BECOME A FILMMAKER. 24 00:02:15,335 --> 00:02:15,902 OH REALLY. 25 00:02:15,969 --> 00:02:16,503 YEAH YEAH YEAH. 26 00:02:16,870 --> 00:02:21,374 NO, I I I REMEMBER WATCHING YOUR FILMS WHEN I WAS REALLY, 27 00:02:21,441 --> 00:02:23,276 I WASN'T THAT YOUNG, BUT, YOU KNOW. 28 00:02:23,343 --> 00:02:24,244 AH, AH, LAST WINTER, HAUNTED SPEAR. 29 00:02:24,310 --> 00:02:25,712 I MEAN ALL THAT ALL THAT STUFF. 30 00:02:26,546 --> 00:02:29,149 IT'S SO, SO VERY NICE TO MEET YOU. 31 00:02:29,382 --> 00:02:32,118 YOU WERE THE REASON I KIND OF PACKED UP THE WAGON AND CAME TO 32 00:02:32,252 --> 00:02:34,053 HOLLYWOOD AND STARTED MAKING FILMS. 33 00:02:34,721 --> 00:02:37,624 BUT, BUT, BUT YOU KNOW, WE HA D A TIME WHEN WE MET BEFORE, 34 00:02:37,690 --> 00:02:38,191 BRIEFLY. 35 00:02:38,324 --> 00:02:39,325 OH REALLY? 36 00:02:39,392 --> 00:02:42,829 WE WERE WE WERE IN CANNES AND I WAS RUNNING DOWN THE QUORZET, 37 00:02:43,062 --> 00:02:45,265 IT WAS LATE AT NIGHT, IT WAS AFTER A PARTY. 38 00:02:45,565 --> 00:02:48,067 I DIDN'T HAVE ANY PANTS ON SO I WAS, 39 00:02:48,134 --> 00:02:49,202 I WAS LIKE, AH, YOU KNOW. 40 00:02:49,269 --> 00:02:53,339 IT WAS LIKE, AH, BUT BUT, AH, WE RAN INTO EACH OTHER AND AH AH AH 41 00:02:53,873 --> 00:02:56,276 I PROBABLY WASN'T AS COHERENT BUT AH, 42 00:02:56,342 --> 00:02:57,577 BUT I THINK I TOLD YOU THE SAME THING. 43 00:02:57,644 --> 00:02:59,045 NO, I DON'T RECALL THAT I DON'T. 44 00:02:59,112 --> 00:03:01,481 WOW! WOW! 45 00:03:01,548 --> 00:03:04,017 BUT AH, SO, SO YOU'RE HERE MAKING YOUR AH NEXT MOVIE? 46 00:03:04,184 --> 00:03:04,751 YEAH. 47 00:03:04,817 --> 00:03:06,553 ARE YOU.. 48 00:03:08,154 --> 00:03:09,189 LIMO PICKING YOU UP OR... 49 00:03:09,255 --> 00:03:10,590 I DON'T WHAT HAPPENED. 50 00:03:10,723 --> 00:03:13,960 I'M WAITING FOR SOMEONE TO PICK ME UP AND SOMEHOW 51 00:03:14,027 --> 00:03:15,428 THEY DIDN'T TURN UP. 52 00:03:15,495 --> 00:03:16,296 YOU NEED A RIDE? 53 00:03:16,362 --> 00:03:18,398 WOULD THAT BE POSSIBLE? 54 00:03:20,433 --> 00:03:21,267 OH ABSOLUTELY! 55 00:03:21,334 --> 00:03:21,668 ARE YOU KIDDING ME? 56 00:03:21,734 --> 00:03:23,336 OH I'D APPRECIATE THAT GREATLY. 57 00:03:23,403 --> 00:03:24,170 WHAT'S YOUR NAME AGAIN? 58 00:03:24,571 --> 00:03:26,439 BRAD BRAD! BRAD BRAD PERRY. 59 00:03:26,506 --> 00:03:27,607 OH, I'D REALLY APPRECIATE THAT BRAD. 60 00:03:27,674 --> 00:03:29,075 OH, IT WOULD BE MY PLEASURE TO AH, 61 00:03:29,142 --> 00:03:31,611 SERVE AT THE ALTER OF A GENIUS LIKE JACK HUSSAR. 62 00:03:31,678 --> 00:03:34,080 OH OH, YOU'RE, YOU'RE TOO FLATTERING. 63 00:03:34,147 --> 00:03:35,215 -THIS IS YOUR BAG? -YES. 64 00:03:35,281 --> 00:03:35,848 NO DON'T DON'T. 65 00:03:35,915 --> 00:03:37,016 I GOT IT. I GOT IT. I GOT IT. 66 00:03:37,083 --> 00:03:37,617 THANK YOU. 67 00:03:37,684 --> 00:03:40,587 NO, LET'S LET'S AH, LET'S GET A CAB. 68 00:03:42,422 --> 00:03:43,289 WELCOME TO LA. 69 00:03:43,356 --> 00:03:44,190 WHERE YOU GUYS GOING? 70 00:03:44,257 --> 00:03:45,525 WE'RE AH, GOING TO HOLLYWOOD. 71 00:03:45,592 --> 00:03:47,460 TO THE CARGO FIRST. 72 00:03:48,895 --> 00:03:49,229 CARGO. 73 00:03:49,295 --> 00:03:49,862 AH RIGHT CARGO. 74 00:03:49,929 --> 00:03:50,863 CARGO FIRST. 75 00:03:51,264 --> 00:03:53,066 ALRIGHT, CARGO AREA. 76 00:03:53,132 --> 00:03:54,601 HEADING OUT. 77 00:03:56,436 --> 00:03:59,973 JACK HUSSAR SO WHAT WAS HIS MOVIES AGAIN? 78 00:04:00,473 --> 00:04:03,543 AH, LAST WINTER, HAUNTED SPEAR. 79 00:04:03,610 --> 00:04:06,045 THAT WAS, THAT WAS A GOOD ONE. 80 00:04:06,512 --> 00:04:07,947 ADVENTURE CLASSIC. 81 00:04:08,414 --> 00:04:09,949 HE'S GOT A DOG. 82 00:04:10,016 --> 00:04:12,685 IT'S A LARGE - YEAH. 83 00:04:14,387 --> 00:04:16,289 I DON'T LOVE DOGS. 84 00:04:18,458 --> 00:04:19,392 GET IN, UP! 85 00:04:19,459 --> 00:04:20,793 GOOD BOY! 86 00:04:24,497 --> 00:04:25,098 WHERE TO? 87 00:04:25,365 --> 00:04:27,400 TAKE US TO THE CHAMBERLAIN HOTEL PLEASE. 88 00:04:29,102 --> 00:04:30,303 COME ON ORSO. 89 00:04:30,370 --> 00:04:31,738 GOOD BOY. 90 00:04:35,241 --> 00:04:36,676 BRAD, THANK YOU VERY MUCH. 91 00:04:36,743 --> 00:04:40,546 $35.50 OH, AH, ALRIGHT. $35.50 92 00:04:44,350 --> 00:04:45,551 THERE YOU GO. 93 00:04:45,618 --> 00:04:46,419 THAT'S EXACT CHANGE. 94 00:04:46,486 --> 00:04:48,388 THANKS A LOT! 95 00:04:51,457 --> 00:04:52,725 WELL HELLO AGAIN. 96 00:04:52,792 --> 00:04:56,562 YEAH, NO I AH, YOU KNOW I FIGURE I'LL I'LL COME IN AND AH AH, 97 00:04:56,629 --> 00:04:57,897 AH MAKE SURE YOU GET SETTLED, AH. 98 00:04:57,964 --> 00:04:59,799 THANKS. ALRIGHT. 99 00:05:01,634 --> 00:05:03,403 MR. HUSSAR! 100 00:05:03,469 --> 00:05:04,804 AHHHH... 101 00:05:06,439 --> 00:05:07,740 IT'S BEEN SUCH A LONG TIME. 102 00:05:07,807 --> 00:05:08,708 DIMITRI. 103 00:05:08,775 --> 00:05:09,676 HAVE YOU CHECKED IN? 104 00:05:09,742 --> 00:05:10,743 YOU HAVE A RESERVATION TONIGHT AT EIGHT. 105 00:05:10,810 --> 00:05:12,278 OH NO, I DO FOR DINNER? 106 00:05:12,345 --> 00:05:13,146 YES. 107 00:05:13,212 --> 00:05:14,047 OH GOOD OH GOOD. GOOD! 108 00:05:14,113 --> 00:05:14,614 AH I'D LIKE A ROOM PLEASE. 109 00:05:14,681 --> 00:05:15,448 YES, NAME PLEASE. 110 00:05:15,515 --> 00:05:16,482 JACK HUSSAR. 111 00:05:16,549 --> 00:05:17,750 MR. HOOSAR. 112 00:05:17,817 --> 00:05:18,284 HUSSAR. 113 00:05:18,351 --> 00:05:19,218 HUSSAR. 114 00:05:19,285 --> 00:05:20,053 AH. 115 00:05:20,119 --> 00:05:21,621 AH, COULD YOU, COULD YOU HOLD ON ONE SECOND PLEASE? 116 00:05:21,688 --> 00:05:23,323 SURE, SURE, YEAH. 117 00:05:23,389 --> 00:05:24,390 SO GOOD TO SEE YOU. 118 00:05:24,457 --> 00:05:25,558 AND THE FAMILY'S GOOD? 119 00:05:27,694 --> 00:05:28,528 FAMILY'S GREAT, YES. 120 00:05:28,594 --> 00:05:29,562 THANK YOU. 121 00:05:29,629 --> 00:05:31,631 WE'VE SO MISSED YOU. 122 00:05:31,698 --> 00:05:33,099 GOOD GOOD GOOD DIMITRI. 123 00:05:33,199 --> 00:05:34,033 HAPPY TO BE BACK. 124 00:05:34,100 --> 00:05:34,967 SO GOOD TO SEE YOU. 125 00:05:35,034 --> 00:05:35,735 MR. HUSSAR. 126 00:05:35,802 --> 00:05:36,202 YES. 127 00:05:36,269 --> 00:05:37,370 WHAT A DELIGHT TO SEE YOU AGAIN. 128 00:05:37,437 --> 00:05:38,237 GOOD TO SEE YOU AGAIN. 129 00:05:38,304 --> 00:05:39,272 HOW CAN I HELP YOU? 130 00:05:39,372 --> 00:05:40,340 I'D LIKE A ROOM PLEASE. 131 00:05:41,174 --> 00:05:46,746 BEFORE WE DO THAT, THERE IS A LITTLE MATTER OF YOUR BILL FROM 132 00:05:46,813 --> 00:05:48,047 THE LAST TIME YOU STAYED WITH US. 133 00:05:48,114 --> 00:05:48,748 OH NO! 134 00:05:48,915 --> 00:05:51,484 YES, YOU HAVE A $2,700 OUTSTANDING BALANCE. 135 00:05:51,551 --> 00:05:53,319 OH DEAR LORD. 136 00:05:53,386 --> 00:05:54,354 WHY I'M SO SORRY ABOUT THAT. 137 00:05:54,420 --> 00:05:55,455 WE'D LIKE TO GET THAT TAKEN CARE OF 138 00:05:55,521 --> 00:05:57,023 BEFORE WE DO ANYTHING ELSE, SIR. 139 00:05:57,090 --> 00:05:57,957 AH, BRAD. 140 00:05:58,091 --> 00:05:59,659 YOU WOULDN'T HAPPEN TO HAVE SOME SPARE CHANGE? 141 00:05:59,726 --> 00:06:01,461 YOU SURE IT'S NOT SOME KIND OF MISTAKE? 142 00:06:01,527 --> 00:06:04,697 OH, AHH... 143 00:06:04,964 --> 00:06:05,365 HERE. 144 00:06:05,732 --> 00:06:07,033 OK, WHY DON'T YOU GO AHEAD AND RUN THAT. 145 00:06:07,100 --> 00:06:08,034 THERE YOU GO. 146 00:06:08,101 --> 00:06:08,668 I'M SO SORRY ABOUT THIS. 147 00:06:08,735 --> 00:06:09,936 NO, IT'S FINE. 148 00:06:10,269 --> 00:06:12,405 I THINK IT WAS THAT NIGHT WHEN WE ORDERED ALL THAT CHAMPAGNE. 149 00:06:14,607 --> 00:06:15,608 THAT WAS A GOOD NIGHT. 150 00:06:15,675 --> 00:06:16,542 OH THAT WAS A BEAUTIFUL NIGHT. 151 00:06:16,609 --> 00:06:17,377 THIS IS, AH... 152 00:06:17,443 --> 00:06:17,977 RIGHT HERE. 153 00:06:18,044 --> 00:06:18,644 YEAH. 154 00:06:20,446 --> 00:06:21,314 IF YOU WOULDN'T MIND. 155 00:06:21,381 --> 00:06:21,981 YEAH. 156 00:06:25,084 --> 00:06:26,252 THERE WE GO! 157 00:06:26,319 --> 00:06:27,620 ALRIGHT MR. HUSSAR, A ROOM? 158 00:06:27,687 --> 00:06:28,955 A SUITE ACTUALLY. 159 00:06:29,021 --> 00:06:29,889 YEAH. 160 00:06:29,956 --> 00:06:31,424 A SUITE. 161 00:06:35,094 --> 00:06:37,430 I'M SORRY SIR, IT WOULD APPEAR THAT WE'RE ALL BOOKED UP. 162 00:06:37,663 --> 00:06:38,798 WE HAVE NO SUITES AVAILABLE. 163 00:06:38,865 --> 00:06:39,799 WELL I'D LIKE A ROOM PLEASE. 164 00:06:39,866 --> 00:06:41,934 I UNDERSTAND THAT SIR, BUT WE ARE FULL UP. 165 00:06:42,001 --> 00:06:43,069 WE HAVE NO ROOMS. 166 00:06:43,136 --> 00:06:44,871 BUT THIS IS A VERY SPECIAL GUEST OF OURS. 167 00:06:44,937 --> 00:06:45,571 YEAH. 168 00:06:45,638 --> 00:06:46,606 WELL, WHAT WAS ALL THAT ABOUT? 169 00:06:46,672 --> 00:06:48,741 I'M SORRY, WE NEEDED TO GET THE OUTSTANDING BALANCE TAKEN CARE 170 00:06:48,808 --> 00:06:51,577 OF FIRST, AND I WOULD LIKE NOTHING MORE THAN TO ACCOMMODATE 171 00:06:51,644 --> 00:06:55,381 YOU, BUT THERE ARE NO ROOMS OR SUITES AVAILABLE IN THE HOTEL. 172 00:06:55,448 --> 00:06:56,149 I'M SO SORRY. 173 00:06:56,215 --> 00:06:57,550 WELL THAT WAS JUST A LOAD OF NONSENSE THEN. 174 00:06:57,617 --> 00:06:59,118 WHAT WAS THAT? 175 00:06:59,185 --> 00:07:00,119 IT'S A WASTE OF TIME. 176 00:07:00,186 --> 00:07:01,587 A WEEK? REALLY? 177 00:07:01,654 --> 00:07:04,157 I'M SORRY SIR, I CAN SUGGEST A COUPLE OF OTHER HOTELS THAT CAN 178 00:07:04,223 --> 00:07:04,991 ACCOMMODATE YOU. 179 00:07:05,057 --> 00:07:05,725 NO YOU CANNOT SUGGEST A COUPLE OF OTHER HOTELS. 180 00:07:05,792 --> 00:07:06,726 SIR, IT'S FULL. 181 00:07:06,793 --> 00:07:07,760 LISTEN TO ME YOU LITTLE PIPSQUEAK. 182 00:07:07,827 --> 00:07:09,429 I WANNA STAY HERE. 183 00:07:09,495 --> 00:07:11,831 I UNDERSTAND THAT SIR, THERE ARE NO ROOMS. 184 00:07:11,898 --> 00:07:13,132 HEY! HEY! 185 00:07:13,199 --> 00:07:15,201 SECURITY! SECURITY! 186 00:07:16,369 --> 00:07:17,470 I'M SO SORRY, SIR. 187 00:07:17,537 --> 00:07:18,371 THAT'S ALRIGHT DIMITRI. 188 00:07:18,438 --> 00:07:19,205 HEY! 189 00:07:19,272 --> 00:07:20,006 STOP IT! 190 00:07:20,072 --> 00:07:20,706 PLEASE, WILL YOU PLEASE ESCORT MR. HUSSAR... 191 00:07:20,773 --> 00:07:21,507 YOU WANNA FIGHT? 192 00:07:21,574 --> 00:07:22,408 FIGHT LIKE A MAN. 193 00:07:22,475 --> 00:07:23,709 SIR... COME ON! 194 00:07:23,776 --> 00:07:25,211 SIR, CAN YOU TAKE IT OUTSIDE PLEASE? 195 00:07:25,278 --> 00:07:26,612 COME ON! 196 00:07:27,046 --> 00:07:28,080 MR. HUSSAR... 197 00:07:28,147 --> 00:07:29,782 SIR. 198 00:07:29,849 --> 00:07:32,218 WOAH WOAH WOAH! 199 00:07:37,690 --> 00:07:39,292 SIR, DO NOT MAKE THIS DIFFICULT. 200 00:07:39,358 --> 00:07:40,226 FIGHT LIKE A MAN! 201 00:07:40,293 --> 00:07:42,061 GOD DAMN IT! 202 00:07:46,999 --> 00:07:48,234 SIR, SIR, WE'LL GET THIS CLEANED UP. 203 00:07:48,301 --> 00:07:50,203 I'LL SEE YOU LATER. 204 00:07:50,269 --> 00:07:51,037 YES, PLEASE. 205 00:07:51,103 --> 00:07:53,973 DON'T WORRY ABOUT IT DIMITRI, IT'S FINE. 206 00:07:59,645 --> 00:08:01,781 OK. OK. 207 00:08:04,684 --> 00:08:06,986 KNOW WHERE THERE'S A CARD GAME IN TOWN? 208 00:08:08,087 --> 00:08:09,255 YEAH. 209 00:08:09,722 --> 00:08:11,624 OVER AT, AH, BAR LUBICH. 210 00:08:12,492 --> 00:08:14,060 LORENZO DECONCHEE. 211 00:08:14,126 --> 00:08:16,629 THAT'S THE HIGH STAKES POKER GAME. 212 00:08:16,696 --> 00:08:17,630 YEAH. 213 00:08:17,697 --> 00:08:18,865 THAT'S THE ONE IF YOU WANT TO GO TO, 214 00:08:18,931 --> 00:08:19,799 LIKE HIGH STAKES... 215 00:08:19,866 --> 00:08:22,201 WELL I FUCKED HIS GIRLFRIEND IN PARIS. 216 00:08:22,268 --> 00:08:23,636 HE RECUT MY MOVIE. 217 00:08:23,703 --> 00:08:25,037 ASSHOLE. 218 00:08:25,104 --> 00:08:26,072 WOW. 219 00:08:26,138 --> 00:08:27,039 WOW! 220 00:08:27,507 --> 00:08:28,574 OK. 221 00:08:28,641 --> 00:08:30,543 MAYBE, MAYBE THAT ONE'S OUT. 222 00:08:43,856 --> 00:08:45,691 I KNOW THIS PLACE. 223 00:08:46,325 --> 00:08:46,826 HELLO? 224 00:08:46,893 --> 00:08:48,261 [INTERCOM VOICE] GOOD EVENING. 225 00:08:48,327 --> 00:08:50,463 I'M HERE WITH JACK HUSSAR. 226 00:08:50,530 --> 00:08:52,131 LET ME CHECK. 227 00:08:54,133 --> 00:08:55,101 ORSO, NO. 228 00:08:55,167 --> 00:08:56,135 ORSO, COME OUT. 229 00:08:56,202 --> 00:08:57,336 ORSO! 230 00:08:57,403 --> 00:08:59,171 ORSO COME HERE. 231 00:08:59,238 --> 00:08:59,839 COME HERE. 232 00:08:59,906 --> 00:09:01,173 SIT! HEY! SIT ORSO. 233 00:09:01,240 --> 00:09:04,310 SIT! SIT! SIT! 234 00:09:04,377 --> 00:09:06,812 DOWN. DOWN. DOWN. 235 00:09:07,446 --> 00:09:08,247 NOW WAIT THERE. 236 00:09:08,314 --> 00:09:09,448 OK? 237 00:09:09,515 --> 00:09:12,218 GOOD BOY. GOOD BOY. 238 00:09:15,655 --> 00:09:17,590 YOU LEAD THE WAY BRAD. 239 00:09:24,297 --> 00:09:25,731 SO, ARE YOU EXCITED? 240 00:09:26,265 --> 00:09:27,266 YEAH! 241 00:09:27,333 --> 00:09:28,067 OF COURSE. 242 00:09:28,134 --> 00:09:30,603 I'M, AH, LOVING LA., SO IT'S... 243 00:09:30,670 --> 00:09:31,571 GOOD GOOD. 244 00:09:31,637 --> 00:09:32,572 GREAT. 245 00:09:32,705 --> 00:09:34,640 I THINK LA'S GONNA LOVE YOU. SOON AS THIS FILM'S RELEASED. 246 00:09:34,707 --> 00:09:35,608 YEAH, I THINK SO. 247 00:09:35,675 --> 00:09:36,642 I ALREADY LOVE YOU. 248 00:09:36,709 --> 00:09:37,910 IT'S A GREAT ENDING. 249 00:09:37,977 --> 00:09:39,045 I LOVED YOUR IDEAS. 250 00:09:39,111 --> 00:09:41,414 YOUR LAST FILM JUST KNOCKED ME OUT, 251 00:09:41,480 --> 00:09:43,482 IT JUST - WELL LOOKS WHO'S HERE. 252 00:09:43,549 --> 00:09:45,251 JACK HUSSAR. 253 00:09:45,318 --> 00:09:45,952 HOW YOU DOING. 254 00:09:46,018 --> 00:09:46,953 I'M GOOD LORENZO, HOW ARE YOU? 255 00:09:47,019 --> 00:09:48,621 I THOUGHT I GOT RID OF YOU? 256 00:09:48,688 --> 00:09:49,622 WHAT ARE YOU DOING BACK? 257 00:09:49,689 --> 00:09:51,524 -YOU MISS ME? -I JUST MISS YOU. 258 00:09:51,591 --> 00:09:52,058 YEAH. 259 00:09:52,124 --> 00:09:53,626 WELL I DIDN'T MISS YOU JACK. 260 00:09:53,693 --> 00:09:54,527 HA! 261 00:09:54,594 --> 00:09:55,628 HEY, LISTEN, WHY DON'T YOU JOIN US. 262 00:09:55,695 --> 00:09:56,495 SIT DOWN. 263 00:09:56,562 --> 00:09:57,496 I WON'T JOIN YOU. 264 00:09:57,563 --> 00:09:58,864 I'LL JUST, AH... 265 00:09:58,931 --> 00:10:01,233 SIT TO ONE SIDE AND JUST WATCH HOW THE GAME PROGRESSES. 266 00:10:01,300 --> 00:10:02,335 IF YOU DON'T MIND. 267 00:10:02,401 --> 00:10:03,369 I DON'T MIND AT ALL JACK. 268 00:10:03,436 --> 00:10:04,503 SUIT YOURSELF. 269 00:10:04,570 --> 00:10:06,072 BUT IT'S UNLIKE YOU. 270 00:10:06,872 --> 00:10:08,040 THAT'S ALRIGHT KID. YOU STAY RIGHT THERE. 271 00:10:08,107 --> 00:10:09,408 IT'S COLLIN. IT'S REALLY NICE TO MEET YOU. 272 00:10:09,475 --> 00:10:10,743 HI COLLIN. 273 00:10:10,810 --> 00:10:12,878 COLLIN OLDMAN, JACK. 274 00:10:12,945 --> 00:10:14,313 THIS KID IS THE NEW SPIELBERG. 275 00:10:14,380 --> 00:10:15,648 WELL, YOU KNOW, I DON'T KNOW... IS HE. 276 00:10:15,715 --> 00:10:17,316 HIS MOVIES MAKE MONEY. 277 00:10:17,383 --> 00:10:18,217 THEY'RE NOTHING LIKE YOUR MOVIES. 278 00:10:18,284 --> 00:10:19,151 UNLIKE YOURS. 279 00:10:19,218 --> 00:10:19,986 THANK YOU. 280 00:10:20,052 --> 00:10:21,320 YOURS ARE, YOURS ARE ART MOVIES. 281 00:10:21,387 --> 00:10:22,421 HOW MUCH DID THAT LAST MOVIE OF YOURS COST ME? 282 00:10:22,488 --> 00:10:24,390 I DON'T KNOW, YOU RECUT IT, YOU KNOW HOW YOU DID IT. 283 00:10:24,457 --> 00:10:25,992 HOW MUCH DID THAT COST ME? 284 00:10:26,058 --> 00:10:27,893 COST ME A LOT OF MONEY. 285 00:10:27,960 --> 00:10:29,261 HOW MANY TIMES DID YOU RECUT IT? 286 00:10:29,328 --> 00:10:30,997 I WASN'T HAPPY JACK. 287 00:10:31,063 --> 00:10:32,365 GOD DAMNED TEST AUDIENCE. 288 00:10:32,431 --> 00:10:34,467 DON'T GET ME WRONG. YOU HAVE MADE SOME GOOD MOVIES. 289 00:10:34,533 --> 00:10:35,001 THANK YOU. 290 00:10:35,067 --> 00:10:35,968 NO ONE GOES TO SEE THEM. 291 00:10:36,035 --> 00:10:37,536 BUT THEY'RE GOOD FILMS. 292 00:10:37,603 --> 00:10:38,938 YOU'RE UP, BUD. 293 00:10:39,605 --> 00:10:41,674 LET'S MAKE IT ANOTHER SIX. 294 00:10:49,382 --> 00:10:50,249 WHAT DO YOU THINK? 295 00:10:50,316 --> 00:10:51,250 15 THOUSAND. 296 00:10:51,317 --> 00:10:52,118 15 COLLIN. 297 00:10:52,184 --> 00:10:53,552 WHAT? 298 00:10:53,619 --> 00:10:55,755 HERE WE GO. 299 00:10:58,624 --> 00:10:59,692 DON'T LOOK SO WORRIED, COLLIN. 300 00:10:59,759 --> 00:11:00,760 IT'S ONLY MONEY. 301 00:11:01,494 --> 00:11:03,429 WHY DON'T YOU, AH, PROTECT YOUR CARDS. 302 00:11:03,496 --> 00:11:05,131 JACK. WE'RE PLAYING CARDS. 303 00:11:05,898 --> 00:11:07,133 JACK. 304 00:11:07,199 --> 00:11:07,800 JACK! 305 00:11:07,867 --> 00:11:08,934 DO YOU HAVE A PROBLEM? 306 00:11:09,001 --> 00:11:10,136 I'M SORRY, LORENZO. 307 00:11:10,202 --> 00:11:11,537 DO YOU MIND IF I JUST HAVE A WORD? 308 00:11:11,604 --> 00:11:12,338 A QUICK WORD? 309 00:11:12,405 --> 00:11:13,205 YES, I WOULD MIND. 310 00:11:13,272 --> 00:11:14,507 WE'RE IN THE MIDDLE OF A GAME. 311 00:11:14,573 --> 00:11:15,207 THIS IS EMBARRASSING. 312 00:11:15,274 --> 00:11:17,343 WE'RE PLAYING CARDS COLLIN. 313 00:11:17,410 --> 00:11:17,943 LORENZO, I'LL JUST BE... 314 00:11:18,010 --> 00:11:18,844 DON'T YOU TOUCH MY CARDS. 315 00:11:18,911 --> 00:11:20,880 I WASN'T GONNA TOUCH YOUR CARDS. 316 00:11:24,016 --> 00:11:25,217 KID, HE'S TAKING YOU. 317 00:11:25,284 --> 00:11:26,619 HE'S TAKING YOU FOR ALL YOU'RE WORTH. 318 00:11:26,686 --> 00:11:27,653 WHAT ARE YOU TALKING ABOUT? 319 00:11:27,720 --> 00:11:28,621 I'VE GOT A WINNING HAND. 320 00:11:28,688 --> 00:11:31,724 HE'S GOING TO CONTROL YOU, HE'S GOING TO RECUT YOUR MOVIES. 321 00:11:31,791 --> 00:11:33,459 HE'LL SUCK YOU DRY, KID. 322 00:11:33,526 --> 00:11:34,694 WHAT ARE YOU TALKING ABOUT? 323 00:11:34,760 --> 00:11:35,528 I KNOW, I'VE BEEN HERE. 324 00:11:35,594 --> 00:11:36,362 I'VE BEEN HERE, KID. 325 00:11:36,429 --> 00:11:37,596 OK. YOU KNOW WHAT, WE'RE NOT THE SAME PERSON. 326 00:11:37,663 --> 00:11:38,731 MR. HUSSAR... 327 00:11:38,798 --> 00:11:40,099 I CAN'T WATCH THIS, I CAN'T WATCH IT. 328 00:11:40,166 --> 00:11:41,300 IT BREAKS MY HEART, KID. COME ON. 329 00:11:41,367 --> 00:11:42,535 LET ME JUST PLAY THIS ONE HAND. 330 00:11:42,601 --> 00:11:43,736 JUST PLAY, JUST PLAY THE HAND. 331 00:11:43,803 --> 00:11:45,071 BUT DON'T GO ALL IN, OK? 332 00:11:45,137 --> 00:11:45,938 OK? 333 00:11:46,005 --> 00:11:47,740 JUST PLAY THE HAND AND GET THE FUCK OUT OF HERE. 334 00:11:47,807 --> 00:11:48,741 I'LL MAKE THE RULES YOU WANT. 335 00:11:48,808 --> 00:11:49,775 OK, OK. LET ME JUST... 336 00:11:49,842 --> 00:11:50,843 -ALRIGHT? -ALRIGHT. JUST... 337 00:11:50,910 --> 00:11:52,378 OK KID. 338 00:11:54,780 --> 00:11:56,582 A LOT OF MONEY. 339 00:11:56,649 --> 00:11:57,650 AH. 340 00:11:57,717 --> 00:11:59,118 I'M BACK. 341 00:11:59,185 --> 00:12:00,686 MAKE SURE HE DIDN'T TOUCH MY CARDS. 342 00:12:00,753 --> 00:12:01,754 AH. 343 00:12:01,821 --> 00:12:02,788 WHO'S BET? 344 00:12:02,855 --> 00:12:03,522 TO YOU. 345 00:12:03,589 --> 00:12:04,390 YOUR BET. 346 00:12:04,457 --> 00:12:05,725 ALL IN. 347 00:12:05,791 --> 00:12:06,525 NO. 348 00:12:06,592 --> 00:12:07,326 YOU'RE BREAKING MY HEART. 349 00:12:07,393 --> 00:12:08,627 NO. 350 00:12:08,694 --> 00:12:09,762 ALRIGHT, LET'S GO BRAD! 351 00:12:09,829 --> 00:12:10,396 HEY JACK. 352 00:12:10,463 --> 00:12:11,130 WHAT? 353 00:12:11,197 --> 00:12:11,564 JACK! 354 00:12:11,630 --> 00:12:12,264 YES. 355 00:12:12,364 --> 00:12:13,966 I WANTED TO LET YOU KNOW SOMETHING. 356 00:12:14,033 --> 00:12:15,234 YOU ARE THROUGH IN THIS TOWN. 357 00:12:15,301 --> 00:12:17,603 YOU WILL NEVER WORK HERE AGAIN. 358 00:12:17,670 --> 00:12:19,305 YOU ARE YESTERDAY'S NEWS. 359 00:12:19,371 --> 00:12:20,306 YOU ARE OLD NEWS. 360 00:12:20,372 --> 00:12:20,873 YOU ARE FINISHED. 361 00:12:20,940 --> 00:12:22,908 ALRIGHT. BYE GIRLS! 362 00:12:22,975 --> 00:12:24,777 I DON'T BELIEVE THIS GUY. 363 00:12:28,514 --> 00:12:32,785 MY PLACE IS KINDA SMALL, BUT YOU CAN STAY AS LONG AS YOU WANT. 364 00:12:33,986 --> 00:12:35,588 THERE'S PLENTY, PLENTY OF ROOM. 365 00:12:35,654 --> 00:12:38,057 THERE WAS JUST KISMET THAT BROUGHT US TOGETHER. 366 00:12:38,124 --> 00:12:40,259 YOU KNOW, LIKE, AH, AH... 367 00:12:40,326 --> 00:12:41,861 LIKE, FATE. 368 00:12:41,927 --> 00:12:44,330 I THINK THAT, WITH YOUR NEXT IDEA, 369 00:12:44,396 --> 00:12:47,299 WITH YOUR NEXT BIG PICTURE, WITH MY PRODUCING SKILLS... 370 00:12:47,366 --> 00:12:49,235 BRAD, DO YOU HAVE HOT WATER? 371 00:12:49,301 --> 00:12:50,035 OH, AH. 372 00:12:50,102 --> 00:12:52,004 OF COURSE, NO. 373 00:12:52,071 --> 00:12:53,038 I'M SURE THERE'S HOT WATER. 374 00:12:53,105 --> 00:12:54,173 THERE'S HOT WATER? 375 00:12:54,240 --> 00:12:55,074 GOOD WATER PRESSURE. 376 00:12:55,141 --> 00:12:55,875 GOOD HOT WATER. 377 00:12:55,941 --> 00:12:57,009 EVERYTHING. 378 00:12:57,076 --> 00:12:58,177 YOU NEED, UM, UM. 379 00:12:58,244 --> 00:12:59,345 I CAN GET YOU SOMETHING ELSE. 380 00:12:59,411 --> 00:13:01,046 DO YOU WANT A SANDWICH, AH, AH. 381 00:13:01,113 --> 00:13:02,314 SURE. SURE. 382 00:13:02,381 --> 00:13:02,982 OH, OK. GREAT. 383 00:13:03,048 --> 00:13:03,949 FANTASTIC. 384 00:13:04,016 --> 00:13:06,952 LET ME, LET ME SEE WHAT I CAN RUSTLE UP. 385 00:13:12,024 --> 00:13:13,359 YEAH, IT, IT. 386 00:13:13,425 --> 00:13:16,428 IT LOOKS LIKE THE LUNCH MEAT'S GONE OFF. 387 00:13:16,495 --> 00:13:17,329 I... 388 00:13:19,899 --> 00:13:21,033 UM... 389 00:13:21,100 --> 00:13:23,002 YOU KNOW, THERE MIGHT BE SOMETHING ELSE. 390 00:13:28,707 --> 00:13:31,477 YEAH, SO, YOU KNOW WHO'S GOING TO BE AT THIS PARTY TONIGHT. 391 00:13:31,544 --> 00:13:33,879 WE'RE GOING TO BE PITCHING THIS FILM, 392 00:13:33,946 --> 00:13:36,048 AND WE COULD BE LIKE RAISING THE MONEY. 393 00:13:36,115 --> 00:13:37,516 THERE'S GOING TO BE SOME EXCELLENT PEOPLE THERE. 394 00:13:37,583 --> 00:13:39,885 I MEAN, RICH MILLER'S GONNA BE THERE. 395 00:13:39,952 --> 00:13:41,453 HE'S ONE OF THOSE GUYS THAT IT'S LIKE... 396 00:13:41,520 --> 00:13:42,621 HE'S A KIND OF A... 397 00:13:42,688 --> 00:13:44,223 AAGH! THESE ARE STALE. 398 00:13:45,024 --> 00:13:45,991 I, I, I'M SORRY. 399 00:13:46,058 --> 00:13:46,892 I'VE BEEN AWAY. 400 00:13:46,959 --> 00:13:48,394 OH GOD. 401 00:13:49,228 --> 00:13:51,163 I JUST, UM, I HAVEN'T HAD A CHANCE TO REALLY, 402 00:13:51,230 --> 00:13:52,731 I WAS GONE FOR A WEEK. 403 00:13:52,798 --> 00:13:53,666 I'LL GET YOU ANOTHER SCOTCH. 404 00:13:53,732 --> 00:13:54,600 THANK YOU. 405 00:13:54,667 --> 00:13:56,502 THAT, THAT, THAT I CAN DO. 406 00:13:56,569 --> 00:13:59,004 RICH, RICH MILLER'S GONNA BE THERE. 407 00:13:59,071 --> 00:14:00,439 ALSO, TED, TED FABERGASTY. 408 00:14:01,373 --> 00:14:04,810 IS, IS THAT THE WAY YOU PRONOUCE HIS NAME? FA-BER-GAS-TY? 409 00:14:04,877 --> 00:14:09,048 HE'S HE'S ONE OF THOSE PRODUCERS HE'S LIKE A TIMELESS GUY. 410 00:14:09,114 --> 00:14:10,416 HE OWES ME A FAVOR. 411 00:14:10,482 --> 00:14:12,651 I DID I DID THE BEST THING FOR HIM. 412 00:14:12,718 --> 00:14:13,886 HE, AH, HAD A CAST MEMBER. 413 00:14:13,953 --> 00:14:17,323 LIKE, I THINK HE WAS IN REHAB AT THE LAST SECOND OR SOMETHING 414 00:14:17,389 --> 00:14:18,357 LIKE THAT. 415 00:14:18,424 --> 00:14:20,025 I, I CAME THROUGH FOR HIM. 416 00:14:20,092 --> 00:14:21,293 I CAME THROUGH FOR HIM. 417 00:14:21,360 --> 00:14:24,263 AND IF THERE'S ONE THING YOU CAN DEPEND ON ME IS TO WORK MAGIC. 418 00:14:24,330 --> 00:14:26,532 I WORKED MAGIC AT THE LAST SECOND. 419 00:14:26,599 --> 00:14:29,635 THAT'S, THAT'S ONE THING THAT, ONE OF THE THINGS 420 00:14:29,702 --> 00:14:31,136 I'M SPECTACULAR AT. 421 00:14:35,541 --> 00:14:36,475 [TAXI] HEY! 422 00:14:36,542 --> 00:14:37,910 OH. SORRY. 423 00:14:37,977 --> 00:14:39,612 [TAXI] $10.50. -SORRY. 424 00:14:42,014 --> 00:14:44,550 HERE IT IS, KEEP IT. THANKS. 425 00:14:48,153 --> 00:14:49,288 THOSE GUYS ALWAYS HAVE MONEY. 426 00:14:49,355 --> 00:14:50,422 THEY ALWAYS GOT MONEY. 427 00:14:50,489 --> 00:14:51,390 I GOT A GOOD FEELING ABOUT THIS. 428 00:14:51,457 --> 00:14:53,058 THIS IS GOING TO BE, LIKE A DEAL, 429 00:14:53,125 --> 00:14:54,727 I'M GOING TO CLOSE A DEAL TONIGHT. 430 00:14:54,793 --> 00:14:56,061 TONIGHT! TONIGHT! 431 00:14:56,128 --> 00:14:57,730 WELL, THAT'S OUR DEADLINE. 432 00:14:57,796 --> 00:14:58,864 BRADLEY. 433 00:14:58,931 --> 00:14:59,798 WHAT'S THAT? 434 00:14:59,865 --> 00:15:01,033 THAT IS OUR DEADLINE. 435 00:15:01,100 --> 00:15:02,001 YEAH. 436 00:15:02,067 --> 00:15:04,069 WELL, WE'RE GONNA MAKE IT. 437 00:15:04,737 --> 00:15:06,305 WE'RE GONNA MAKE IT. 438 00:15:30,529 --> 00:15:31,096 WHO'S THAT? 439 00:15:31,163 --> 00:15:31,997 JACK HUSSAR. 440 00:15:32,064 --> 00:15:34,400 HI! WHAT A LOVELY SURPRISE. 441 00:15:34,466 --> 00:15:35,634 WHEN DID YOU GET INTO TOWN. 442 00:15:35,701 --> 00:15:36,302 HELLO. 443 00:15:36,368 --> 00:15:37,903 OH, I JUST GOT INTO TOWN YESTERDAY. 444 00:15:37,970 --> 00:15:38,504 GOOD TO SEE YOU LOUANN. 445 00:15:38,570 --> 00:15:39,204 WELCOME. VERY GOOD TO SEE YOU. 446 00:15:39,271 --> 00:15:40,205 GOOD TO SEE YOU. 447 00:15:40,272 --> 00:15:41,674 A LOT OF PEOPLE HERE WILL BE EITHER SURPRISED 448 00:15:41,740 --> 00:15:43,709 OR HORRIFIED. 449 00:15:43,776 --> 00:15:44,643 THIS IS EVA. 450 00:15:44,710 --> 00:15:45,311 HELLO EVA. 451 00:15:45,377 --> 00:15:46,779 WHO'S ONE OF OUR NEW STARS. 452 00:15:46,845 --> 00:15:48,547 -GOOD TO MEET YOU. -GOOD TO MEET YOU. 453 00:15:48,614 --> 00:15:50,582 ARE YOU, ARE YOU DOING ANOTHER PICTURE? 454 00:15:50,649 --> 00:15:52,318 AH, YES, I'M GOING TO GET FINANCING FOR IT. 455 00:15:52,384 --> 00:15:53,852 AH. WELL DARLING... 456 00:15:53,919 --> 00:15:54,753 MAYBE YOU CAN HELP. 457 00:15:54,820 --> 00:15:57,156 LET'S INTRODUCE YOU TO OUR NEW FINANCIER. 458 00:15:57,222 --> 00:15:58,424 WHAT'S GOING ON HERE? 459 00:15:59,158 --> 00:16:00,025 THIS IS PETER HOFFMAN. FROM SEVERANCE. 460 00:16:00,092 --> 00:16:01,093 OH, HELLO. 461 00:16:01,160 --> 00:16:02,761 -GOOD TO SEE YOU. -GOOD TO SEE YOU. 462 00:16:02,828 --> 00:16:03,796 HI! 463 00:16:03,862 --> 00:16:04,663 NICE TO MEET YOU. 464 00:16:04,730 --> 00:16:06,398 BRAD PERRY. I'M PRODUCING, AH, JACK'S NEXT PICTURE. 465 00:16:06,465 --> 00:16:07,533 WHERE ARE YOU SHOOTING? 466 00:16:07,599 --> 00:16:08,467 AFRICA. 467 00:16:08,534 --> 00:16:09,435 AFRICA? 468 00:16:09,501 --> 00:16:10,135 YEAH. 469 00:16:10,202 --> 00:16:11,103 THERE'S NO TAX CREDITS IN AFRICA. 470 00:16:11,170 --> 00:16:12,004 OH. 471 00:16:12,071 --> 00:16:15,074 AFRICA'S A BIG PLACE, TOO. 472 00:16:15,140 --> 00:16:15,941 WHERE IN AFRICA? 473 00:16:16,008 --> 00:16:16,675 WELL. 474 00:16:16,742 --> 00:16:18,844 WE'RE TALKING ABOUT THE BELGIAN CONGO. 475 00:16:18,911 --> 00:16:20,412 IT'S A VERY DANGEROUS PLACE. 476 00:16:20,479 --> 00:16:21,080 OH. 477 00:16:21,146 --> 00:16:22,314 DO YOU HAVE THINGS, LIKE INSURANCE? 478 00:16:22,381 --> 00:16:24,249 OH, OF COURSE WE'LL HAVE INSURANCE, 479 00:16:24,316 --> 00:16:25,684 I MEAN, I THOUGHT IT WAS... 480 00:16:25,751 --> 00:16:31,156 CONSIDER THIS AS THE NEXT, HUGE, PINNACLE JACK HUSSAR PICTURE. 481 00:16:33,392 --> 00:16:35,060 IT SOUNDS LIKE A REALLY HARD SELL. 482 00:16:35,127 --> 00:16:36,762 THAT'S WHAT YOU'RE TELLING ME, HUH? -YEAH EXACTLY. 483 00:16:36,829 --> 00:16:37,663 THAT'S RIGHT? 484 00:16:37,730 --> 00:16:40,466 IT'S DIFFICULT TO SELL, I MEAN, WE WE, 485 00:16:40,532 --> 00:16:41,767 REALLY NEED TO, AH, WE SHOULD TALK! 486 00:16:41,834 --> 00:16:42,901 WE SHOULD HAVE A MEETING. 487 00:16:42,968 --> 00:16:44,470 WE SHOULD, AH, SURE. 488 00:16:44,536 --> 00:16:45,270 CALL. 489 00:16:45,337 --> 00:16:47,306 ABSOLUTELY. I WILL DEFINITELY GIVE YOU A CALL. 490 00:16:47,373 --> 00:16:48,607 I'LL DEFINITELY GIVE YOU A CALL. 491 00:16:48,674 --> 00:16:50,209 ALRIGHT, GOOD. 492 00:17:06,425 --> 00:17:08,060 JACK OLD BOY, HOW THE HELL ARE YOU? 493 00:17:08,127 --> 00:17:10,262 I'M GOOD MAX, HOW ARE YOU? 494 00:17:10,329 --> 00:17:12,064 WELL, YOU'RE A SIGHT FOR SORE EYES. 495 00:17:12,131 --> 00:17:12,965 JESUS. 496 00:17:13,032 --> 00:17:14,600 WE'RE THE REAL MEN IN THIS TOWN. 497 00:17:14,666 --> 00:17:15,401 OH, I KNOW IT. 498 00:17:15,467 --> 00:17:16,402 -WHERE YOU BEEN HIDING? -AFRICA. 499 00:17:16,468 --> 00:17:17,202 WHAT ARE YOU DOING THERE? 500 00:17:17,269 --> 00:17:18,070 HUNTING, HUNTING. 501 00:17:18,137 --> 00:17:18,804 YEAH. 502 00:17:18,871 --> 00:17:19,705 HUNTING, HUNTING NO LESS. 503 00:17:19,772 --> 00:17:20,439 HUNTING WHAT? 504 00:17:20,506 --> 00:17:22,241 WELL, I BEEN MAKING A MOVIE. 505 00:17:22,307 --> 00:17:23,142 WELL, THAT'S FANTASTIC. 506 00:17:23,208 --> 00:17:24,043 UM. 507 00:17:24,109 --> 00:17:25,110 WHY AREN'T I IN IT? 508 00:17:25,177 --> 00:17:27,579 WELL, I RAN OUT OF FINANCING. 509 00:17:27,646 --> 00:17:32,184 WHAT DO YOU NEED? WHAT DO YOU NEED? 510 00:17:32,251 --> 00:17:33,585 I'D LOVE TO DO YOUR MOVIE! 511 00:17:33,652 --> 00:17:34,953 OF COURSE I'LL DO YOUR MOVIE. 512 00:17:35,020 --> 00:17:35,587 NO. 513 00:17:35,654 --> 00:17:36,188 NOT YOU. 514 00:17:36,255 --> 00:17:37,122 NOT FOR YOU TO DO. 515 00:17:37,189 --> 00:17:37,890 NO I JUST. 516 00:17:37,956 --> 00:17:38,957 OH WELL, THANK YOU. 517 00:17:39,024 --> 00:17:39,958 THANK YOU. 518 00:17:40,025 --> 00:17:41,593 JACK, DO YOU KNOW EVA? 519 00:17:41,660 --> 00:17:42,594 EVA, JACK. 520 00:17:42,661 --> 00:17:43,128 JACK. 521 00:17:43,195 --> 00:17:44,029 HELLO? 522 00:17:44,096 --> 00:17:44,797 I'M STANDING RIGHT HERE. 523 00:17:44,863 --> 00:17:47,466 JACK'S DOING MY NEXT FILM. AREN'T YA. 524 00:17:47,533 --> 00:17:49,301 LISTEN, CALL ME. SERIOUSLY. 525 00:17:49,368 --> 00:17:50,803 CAUSE I MISS YOU. 526 00:17:50,869 --> 00:17:51,770 I NEED YOU. 527 00:17:52,838 --> 00:17:54,673 I WANT YA. 528 00:17:54,740 --> 00:17:56,275 THANK YOU OLD BOY. 529 00:17:57,276 --> 00:18:00,846 JACK. JACK. JACK. 530 00:18:00,913 --> 00:18:01,613 YES? 531 00:18:01,680 --> 00:18:02,915 -HOW ARE YOU MAN? -I'M GOOD THANK YOU. 532 00:18:02,981 --> 00:18:04,483 -GOOD, GOOD TO SEE YOU. -GOOD TO SEE YOU. 533 00:18:04,550 --> 00:18:05,484 JACK! CAN I TALK... 534 00:18:05,551 --> 00:18:06,652 YOU KNOW WHAT JACK? YOU KNOW WHAT? 535 00:18:06,718 --> 00:18:08,921 WE'VE ALWAYS BEEN A HUGE FAN OF YOURS AND WE WANT YOU BACK. 536 00:18:08,987 --> 00:18:10,022 WE REALLY REALLY WANT. 537 00:18:10,089 --> 00:18:13,859 YOU WANT ANY ACTOR, I WILL GET THE SCRIPT TO THEM 538 00:18:13,926 --> 00:18:15,461 IN TWO SECONDS. 539 00:18:15,527 --> 00:18:16,328 WE'D LOVE TO GET YOU BACK. 540 00:18:16,395 --> 00:18:17,362 WE REALLY WANT YOU BACK, JACK. 541 00:18:17,429 --> 00:18:18,897 I, UM, I WANT TO INVEST IN YOUR FILM. 542 00:18:18,964 --> 00:18:20,132 OH, I'M HAPPY TO HEAR THAT. 543 00:18:20,199 --> 00:18:22,067 OH WELL THAT'S GOOD! 544 00:18:22,134 --> 00:18:26,038 ...HOW MUCH HE LOVES YOUR FILMS. 545 00:18:26,105 --> 00:18:27,639 HE'S SEEN EVERYTHING. 546 00:18:30,976 --> 00:18:32,244 I HAVE A REALLY GREAT IDEA IT'S GATSBY. 547 00:18:32,311 --> 00:18:33,378 [INDECIPHERABLE] AMAZING, MOVIE EVER. 548 00:18:33,445 --> 00:18:34,780 OH, REALLY! HE'S ALMOST YOUR BIGGEST FAN. 549 00:18:34,847 --> 00:18:35,347 EXCEPT FOR ME. 550 00:18:35,414 --> 00:18:36,281 PUT MONEY IN IT! 551 00:18:36,348 --> 00:18:38,150 OPENING NIGHT AT SUNDANCE. 552 00:18:38,217 --> 00:18:39,251 OPENING NIGHT AT SUNDANCE. 553 00:18:39,318 --> 00:18:41,253 NEXT YEAR. -ALRIGHT. NEXT YEAR. 554 00:18:41,320 --> 00:18:42,888 ...I'M CALLING GILMORE ABOUT THE, 555 00:18:42,955 --> 00:18:44,123 AH, FINANCING. 556 00:18:44,189 --> 00:18:45,157 -HI! -HI. 557 00:18:45,224 --> 00:18:47,593 -I'M MARY JANE. -GOOD TO MEET YOU. 558 00:18:47,659 --> 00:18:48,827 YEAH! 559 00:18:48,894 --> 00:18:51,530 ...WELL THERE'S SOMETHING WE GOT TO FIGURE OUT FIRST. 560 00:19:06,478 --> 00:19:08,747 DO YOU DANCE? 561 00:19:09,281 --> 00:19:10,749 NEVER. 562 00:19:11,383 --> 00:19:13,519 TANGO? 563 00:19:26,465 --> 00:19:28,000 THAT'S YOUR SISTER? 564 00:19:28,066 --> 00:19:29,668 THAT'S MY SISTER. 565 00:20:32,497 --> 00:20:33,999 CHEERS. 566 00:20:38,470 --> 00:20:40,639 I'M READY TO GO HOME. 567 00:20:41,373 --> 00:20:42,708 -WOULD YOU LIKE A... -LET'S GO HOME. 568 00:20:42,774 --> 00:20:43,475 WOULD YOU LIKE A DRINK? 569 00:20:43,542 --> 00:20:45,711 I THINK I'M GONNA HAVE A DRINK. 570 00:20:45,777 --> 00:20:47,112 EXCUSE ME. 571 00:20:47,179 --> 00:20:49,381 YOU'VE HAD TOO MUCH TO DRINK, LET'S GO HOME. 572 00:20:49,448 --> 00:20:50,182 PLEASE LET'S NOT DO THIS. 573 00:20:50,249 --> 00:20:52,017 OK? WE'RE GOING HOME. 574 00:20:52,084 --> 00:20:54,152 THERE WAS A DEAL ABOUT POSSESSIVENESS AND YOU'RE OVER 575 00:20:54,219 --> 00:20:55,153 STEPPING THAT MARK. 576 00:20:55,220 --> 00:20:55,954 PLEASE LEAVE. 577 00:20:56,021 --> 00:20:56,855 BRAD? 578 00:20:57,055 --> 00:20:58,323 LISTEN. DO WHAT YOU NEED TO DO, I'M GOING HOME. 579 00:20:58,390 --> 00:20:58,991 I JUST NEED TO TALK TO BRAD. 580 00:20:59,057 --> 00:21:00,025 DO WHAT YOU WANNA DO, I'M GOING HOME. 581 00:21:00,092 --> 00:21:00,993 I'LL DO WHATEVER I, THANK YOU SO MUCH, 582 00:21:01,059 --> 00:21:02,394 -LIKE I NEED YOUR PERMISSION. -YEAH. 583 00:21:02,461 --> 00:21:05,030 BRAD, CAN I TALK TO YOU FOR A MINUTE PLEASE? 584 00:21:05,097 --> 00:21:06,131 YEAH. WHAT? 585 00:21:06,198 --> 00:21:07,099 JESUS. 586 00:21:07,165 --> 00:21:08,400 WHAT JUST HAPPENED? 587 00:21:08,467 --> 00:21:09,735 NOTHING. IT'S HOWARD BEING POSSESSIVE. 588 00:21:09,801 --> 00:21:11,803 HE UNDERSTANDS ABSOLUTELY THE SCORE AND HE'S FREAKING OUT. 589 00:21:11,870 --> 00:21:13,305 I NEEDED YOUR HELP BECAUSE EVERYBODY WAS LOOKING. 590 00:21:13,372 --> 00:21:14,740 NO, THAT'S OK. 591 00:21:14,806 --> 00:21:16,842 WHO IS HE? 592 00:21:16,908 --> 00:21:19,411 YOU MEAN, JACK? 593 00:21:19,478 --> 00:21:21,246 HE'S JACK HUSSAR. 594 00:21:21,313 --> 00:21:22,681 YOU DON'T KNOW JACK HUSSAR? 595 00:21:22,748 --> 00:21:23,282 NO. 596 00:21:23,348 --> 00:21:24,016 I KNOW JACK HUSSAR. 597 00:21:24,082 --> 00:21:26,718 WELL, HE'S HE'S HE'S A GENIUS FILMMAKER. 598 00:21:26,785 --> 00:21:29,421 THERE'S EVEN MORE TO IT THAN THAT. 599 00:21:29,488 --> 00:21:30,188 I MEAN. 600 00:21:30,255 --> 00:21:31,890 WE'LL BE OUT IN A MINUTE. 601 00:21:31,957 --> 00:21:35,160 OH, I SEE, I SEE, SOMETHING'S GOING ON HERE. 602 00:21:35,227 --> 00:21:36,228 YEAH. 603 00:21:36,295 --> 00:21:36,895 BRAD, WHY DON'T YOU... 604 00:21:36,962 --> 00:21:38,430 I'M GOING TO PRODUCE HIS NEXT MOVIE. 605 00:21:38,497 --> 00:21:39,865 THE AFRICA PICTURE? 606 00:21:39,931 --> 00:21:40,532 I'M PRODUCING IT! 607 00:21:40,599 --> 00:21:41,466 AGH, BRAD! 608 00:21:41,533 --> 00:21:42,367 NO, NO, NO! 609 00:21:42,434 --> 00:21:43,335 NO, NO, NO, NO! 610 00:21:43,402 --> 00:21:44,336 COME ON! 611 00:21:44,403 --> 00:21:45,304 OF ALL THE PEOPLE TO PROMISE THAT TO. 612 00:21:45,370 --> 00:21:46,338 IT'S NOT, IT'S NOT A PROMISE. 613 00:21:46,405 --> 00:21:47,406 JACK HUSSAR? 614 00:21:47,472 --> 00:21:48,340 WE'RE JUST IN BUSINESS RIGHT NOW. 615 00:21:48,407 --> 00:21:49,274 YOU THINK THAT... 616 00:21:49,341 --> 00:21:50,042 YOU'RE NOT IN BUSINESS! 617 00:21:50,108 --> 00:21:50,542 WITH WHAT FUNDING? 618 00:21:50,609 --> 00:21:51,343 HOW COULD YOU POSSIBLY... 619 00:21:51,410 --> 00:21:52,577 LOOK, HERE'S THE THING. 620 00:21:52,644 --> 00:21:54,713 HE'S RIGHT NOW, JUST A LITTLE BIT CASH POOR. 621 00:21:54,780 --> 00:21:56,281 AND SO, I'VE BEEN DOLING OUT... 622 00:21:56,348 --> 00:21:57,082 HE'S CASH POOR? 623 00:21:57,149 --> 00:21:58,150 YEAH, WELL HE'S BEEN... 624 00:21:58,216 --> 00:21:59,084 WHAT ABOUT YOU? 625 00:21:59,151 --> 00:22:00,018 WELL I'VE BEEN GIVING WHAT LITTLE MONEY I CAN BECAUSE I 626 00:22:00,085 --> 00:22:01,253 BELIEVE IN HIS PROJECT, I BELIEVE IN ME, 627 00:22:01,320 --> 00:22:03,355 I BELIEVE IN JACK, I BELIEVE IN ALL OF US THAT WE'RE GOING TO 628 00:22:03,422 --> 00:22:04,356 MAKE SOMETHING FANTASTIC. 629 00:22:04,423 --> 00:22:05,390 THIS IS GOING TO BE IT. 630 00:22:05,457 --> 00:22:08,660 THIS IS LIKE THE OPPORTUNITY THAT I'VE BEEN WAITING FOR. 631 00:22:10,996 --> 00:22:11,963 ANYWAY. 632 00:22:12,030 --> 00:22:15,267 HE'S UTTERLY CHARMING AND DEVINE AND NOW I HAVE THE SMALL PROBLEM 633 00:22:15,334 --> 00:22:18,503 OF HOWARD, WHICH I MIGHT NEED YOU TO NEGOTIATE. 634 00:22:18,570 --> 00:22:20,138 BUT CAN WE DO THIS TOGETHER? 635 00:22:20,205 --> 00:22:21,473 IT'LL BE A PROJECT TOGETHER. 636 00:22:21,540 --> 00:22:22,474 THIS IS MY COMEBACK THING. 637 00:22:22,541 --> 00:22:23,408 THIS IS MY OPPORTUNITY. 638 00:22:23,475 --> 00:22:24,609 TO DO WHAT? 639 00:22:24,676 --> 00:22:25,510 DO WHAT TOGETHER? 640 00:22:25,577 --> 00:22:26,278 IF YOU CAN FUND THIS MOVIE. 641 00:22:26,345 --> 00:22:27,779 HELP ME OUT, HELP JACK. 642 00:22:27,846 --> 00:22:29,715 AH HA. 643 00:22:29,781 --> 00:22:30,882 SO YOU CAN BE IN BUSINESS WITH US. 644 00:22:30,949 --> 00:22:32,484 THIS AH ISN'T GOING TO BE LIKE THE OTHER ONES. 645 00:22:32,551 --> 00:22:33,485 IT'S NOT, I SWEAR. 646 00:22:33,552 --> 00:22:34,786 IT'S NOT GOING TO BE LIKE THE OTHER ONES. 647 00:22:34,853 --> 00:22:35,754 IT'S GOING TO BE DIFFERENT. 648 00:22:35,821 --> 00:22:37,489 DO ME A FAVOUR AND TALK TO HOWARD. 649 00:22:37,556 --> 00:22:38,990 WHILE I GO AND TALK TO JACK. 650 00:22:39,057 --> 00:22:40,258 ALRIGHT? 651 00:22:40,325 --> 00:22:41,226 ALRIGHT. 652 00:22:41,293 --> 00:22:42,194 DEE DEE. DEE DEE. 653 00:22:42,260 --> 00:22:43,395 I LOVE YOU. 654 00:22:43,462 --> 00:22:45,097 OOPS. 655 00:22:45,163 --> 00:22:46,898 DEAL WITH HOWARD. 656 00:22:57,109 --> 00:22:58,410 THANK YOU VERY MUCH. 657 00:22:58,477 --> 00:23:03,081 YOU'RE A [INDECIPHERABLE] YOU'RE A WILD DESERT FLOWER. 658 00:23:05,183 --> 00:23:06,385 I'M DIANA. 659 00:23:06,885 --> 00:23:09,121 DIANA, MY NAME IS JACK. 660 00:23:11,456 --> 00:23:12,824 I HEARD. 661 00:23:14,793 --> 00:23:16,628 BRAD IS MY BROTHER. 662 00:23:16,695 --> 00:23:19,965 AND HE SAID HE WAS PRODUCING YOUR FILM. 663 00:23:20,031 --> 00:23:21,800 AND I WANTED TO LET YOU KNOW, BETWEEN YOU AND I, 664 00:23:21,867 --> 00:23:24,336 THAT HE HAS NO MEANS OF DOING THAT. 665 00:23:24,403 --> 00:23:27,372 AND BEING A FAN OF YOUR WORK. 666 00:23:27,439 --> 00:23:31,843 BUT, MORE IMPORTANTLY I WOULD LIKE TO OFFER TO HELP. 667 00:23:34,279 --> 00:23:40,652 YOU KNOW, UM, WHEN A MAN INSULTS ANOTHER MAN, 668 00:23:40,719 --> 00:23:44,322 USUALLY THEY FIGHT. 669 00:23:44,389 --> 00:23:45,657 I DIDN'T MEAN TO INSULT YOU. 670 00:23:45,724 --> 00:23:48,693 I'M SORRY. 671 00:23:48,760 --> 00:23:52,497 WHAT HAPPENS WHEN A WOMAN INSULTS A MAN. 672 00:23:56,968 --> 00:23:59,037 THEY KISS. 673 00:23:59,604 --> 00:24:02,040 IN PUBLIC. 674 00:24:05,310 --> 00:24:07,679 MAY I KISS YOUR HAND? 675 00:24:10,282 --> 00:24:11,483 NOT HERE. 676 00:24:13,452 --> 00:24:14,753 WHERE? 677 00:24:17,055 --> 00:24:18,657 WHEN? 678 00:24:20,525 --> 00:24:23,161 YOU'LL HAVE TO FIND A WAY. 679 00:24:37,342 --> 00:24:38,677 YOU HAVING FUN JACK? 680 00:24:38,743 --> 00:24:39,711 -YEAH, I'M HAVING FUN. -THANK YOU. 681 00:24:39,778 --> 00:24:40,745 -YEAH? -YEAH. 682 00:24:40,812 --> 00:24:42,647 YOU KNOW YOU'RE OLD ENOUGH TO BE HER FUCKING FATHER, 683 00:24:42,714 --> 00:24:44,716 YEAH? YOU KNOW THAT. 684 00:24:44,783 --> 00:24:46,151 SHE CAME WITH ME. 685 00:24:47,118 --> 00:24:49,721 I DON'T KNOW WHERE SHE'S BEEN FOR THE LAST HALF AN HOUR. 686 00:24:49,788 --> 00:24:50,822 SHE'S BEEN HANGING WITH YOU? 687 00:24:50,889 --> 00:24:52,190 SO WHAT DO YOU WANT TO DO? SO WHAT DO YOU .. 688 00:24:52,257 --> 00:24:52,858 WHAT DO I WANT TO DO? 689 00:24:52,924 --> 00:24:53,792 YEAH, WHAT DO YOU WANT TO DO ABOUT IT? 690 00:24:53,859 --> 00:24:55,193 SHE'S WITH ME, JACK. 691 00:24:55,260 --> 00:24:56,761 WANNA FIGHT ABOUT IT? 692 00:24:56,828 --> 00:24:57,829 LET'S FIGHT. 693 00:24:57,896 --> 00:24:59,531 -OH REALLY. -YEAH. 694 00:24:59,598 --> 00:25:00,298 -REALLY. -YEAH. 695 00:25:00,365 --> 00:25:01,566 YOU WANT TO GO OLD SCHOOL ON ME, JACK? 696 00:25:01,633 --> 00:25:04,703 SURE. LET'S FIGHT. 697 00:25:04,769 --> 00:25:06,738 I'LL FUCKING FIGHT YOU. I DON'T GIVE A FUCK. 698 00:25:06,805 --> 00:25:09,207 I SWEAR TO GOD I DON'T GIVE A FUCK. 699 00:25:12,711 --> 00:25:14,045 FUCK YOU JACK! 700 00:25:14,112 --> 00:25:15,113 PANSY! 701 00:25:17,249 --> 00:25:18,617 HE WANTS TO FIGHT, LET HIM FIGHT. 702 00:25:18,683 --> 00:25:19,551 LET GO OF ME! 703 00:25:19,618 --> 00:25:20,418 IT'S OK. 704 00:25:20,485 --> 00:25:21,786 DON'T HURT THAT BOY. 705 00:25:21,853 --> 00:25:24,022 DON'T HURT THAT BOY, COME ON. 706 00:25:24,089 --> 00:25:25,290 AND IF YOU'RE GOING TO FIGHT HIM, 707 00:25:25,357 --> 00:25:26,558 GIVE HIM A PROPER HIT. 708 00:25:26,625 --> 00:25:27,659 WHAT IS THIS MESS? 709 00:25:27,726 --> 00:25:28,493 -OH GO FUCK IT - -WHERE IS SHE JACK? 710 00:25:28,560 --> 00:25:29,227 HUH? 711 00:25:29,294 --> 00:25:30,428 WHERE IS SHE, NAKED BY THE FUCKING POOL? 712 00:25:30,495 --> 00:25:31,930 -HUH? -IS SHE? 713 00:25:31,997 --> 00:25:34,266 -IT'S OK, IT'S OK! -WANNA FIGHT? WE CAN FIGHT! 714 00:25:34,332 --> 00:25:37,536 WHY ARE YOU ACTING LIKE SUCH A JEALOUS FUCKING BOYFRIEND. YOU'RE NOT EVEN MY BOYFRIEND. 715 00:25:37,602 --> 00:25:39,104 -WHERE THE FUCK HAVE YOU BEEN? -YOU'RE EMBARRASSING ME. 716 00:25:39,170 --> 00:25:44,309 -I'M LEAVING. -AH, YOU'RE EMBARRASSING ME. HELLO HELLO. 717 00:25:44,376 --> 00:25:45,644 NICE JACK. 718 00:25:45,710 --> 00:25:46,912 THANKS A LOT. 719 00:25:46,978 --> 00:25:48,780 DON'T GO IN THERE. 720 00:25:48,847 --> 00:25:50,749 THANK YOU MAXY. 721 00:25:51,616 --> 00:25:53,151 SEE YOU IN 10 YEARS. 722 00:25:53,218 --> 00:25:54,286 JACK. 723 00:25:54,553 --> 00:25:56,788 -BYE LOUANNE. -YOU HAVEN'T CHANGED DARLING. TAKE CARE OF YOURSELF. 724 00:25:56,855 --> 00:25:58,256 -JACK! -WHAT? 725 00:25:58,323 --> 00:26:00,358 WHERE YOU GOING? NO NO NO NO DON'T GO DON'T GO DON'T GO. 726 00:26:00,425 --> 00:26:01,259 I'VE GOT TO GO NOW. 727 00:26:01,326 --> 00:26:02,394 NO NO! WE'RE RED HOT! I GOTTA GO NOW. 728 00:26:02,460 --> 00:26:04,362 WE CAN'T LEAVE NOW. WAIT WAIT WAIT WAIT. 729 00:26:04,429 --> 00:26:06,164 THERE'S AN AFTER PARTY. THERE'S GOING TO BE MORE PEOPLE THERE, 730 00:26:06,231 --> 00:26:08,800 MORE AGENTS, MORE PEOPLE I KNOW. WE'RE ON FIRE RIGHT NOW. 731 00:26:08,867 --> 00:26:09,834 WE CAN CLOSE THIS. 732 00:26:09,901 --> 00:26:10,902 HERE, GO TO THIS ADDRESS. 733 00:26:10,969 --> 00:26:12,837 -OK. THANK YOU. -YES. 734 00:26:12,904 --> 00:26:14,239 -BE THERE LATER. -BYE BRADLEY. 735 00:26:14,306 --> 00:26:15,974 BE THERE! 736 00:26:23,281 --> 00:26:26,084 [SPEAKS SPANISH]. 737 00:26:34,426 --> 00:26:36,061 YOU WANT TO GET IN THE LADY'S CAR? 738 00:26:36,127 --> 00:26:37,162 SI. 739 00:26:37,662 --> 00:26:38,430 OK. 740 00:26:38,496 --> 00:26:39,998 THAT'S OK? 741 00:26:46,237 --> 00:26:47,205 THANK YOU. 742 00:27:38,757 --> 00:27:40,191 SHHHH... 743 00:27:40,692 --> 00:27:42,160 MY DAUGHTER'S SLEEPING. 744 00:27:42,227 --> 00:27:43,795 OH. 745 00:27:43,862 --> 00:27:45,363 YOU HAVE CHILDREN. 746 00:27:45,430 --> 00:27:46,665 ONE. 747 00:27:46,731 --> 00:27:48,433 ONE GIRL. 748 00:27:48,500 --> 00:27:50,435 LILY. 749 00:27:50,502 --> 00:27:51,403 HUSBAND? 750 00:27:51,469 --> 00:27:52,470 DO YOU HAVE A HUSBAND? 751 00:27:52,537 --> 00:27:53,571 HE DIED. 752 00:27:53,638 --> 00:27:54,639 OH. 753 00:27:54,706 --> 00:27:56,908 LET'S NOT TALK ABOUT THAT. 754 00:28:30,709 --> 00:28:34,446 I WILL DO ANYTHING FOR YOU. 755 00:28:34,512 --> 00:28:36,381 I WILL WALK THROUGH FIRE. 756 00:28:39,584 --> 00:28:41,319 I WOULD KILL MYSELF. 757 00:28:41,386 --> 00:28:42,954 ON COMMAND. 758 00:30:14,646 --> 00:30:15,980 OUTPOST? 759 00:30:16,047 --> 00:30:18,349 IT'S A GOD DAMN MAZE. 760 00:30:23,354 --> 00:30:24,189 WHOOPS. 761 00:30:24,255 --> 00:30:26,157 COP. 762 00:30:26,624 --> 00:30:28,560 OH GOD. 763 00:30:44,943 --> 00:30:45,977 HEY, HOW'S IT GOING TONIGHT? 764 00:30:46,044 --> 00:30:47,245 HI, GOOD EVENING SIR. 765 00:30:47,312 --> 00:30:48,446 YOU KNOW YOU ROLLED THAT STOP SIGN? 766 00:30:48,513 --> 00:30:48,980 YES I DID. 767 00:30:49,047 --> 00:30:50,648 I'M JUST I'M, STILL, LOST. 768 00:30:50,715 --> 00:30:53,084 I JUST DON'T KNOW WHERE, THESE HILLS ARE JUST SO CONFUSING. 769 00:30:53,151 --> 00:30:55,553 IF YOU COULD HELP ME, I'D BE REALLY GRATEFUL. 770 00:30:55,620 --> 00:30:56,554 THIS IS THE ADDRESS. 771 00:30:56,621 --> 00:30:59,324 IT'S SOUTH BEVERLY, SOUTH BEVERLY, 772 00:30:59,390 --> 00:31:00,825 AVENUE? 773 00:31:01,626 --> 00:31:03,027 I JUST KEEP GETTING STUCK ON THESE HILLS, 774 00:31:03,094 --> 00:31:04,762 I JUST KEEP GOING AROUND AND AROUND IN CIRCLES. 775 00:31:04,829 --> 00:31:06,231 MMHM. 776 00:31:06,831 --> 00:31:07,765 AH, THIS A FRIEND'S HOUSE, OR... 777 00:31:07,832 --> 00:31:08,967 YEAH. 778 00:31:09,033 --> 00:31:09,901 BEEN DRINKING TONIGHT? 779 00:31:09,968 --> 00:31:11,936 AH NO JUST A DRINK OR TWO. 780 00:31:12,003 --> 00:31:13,771 HOW LONG AGO? 781 00:31:13,838 --> 00:31:15,006 TWO HOURS AGO. 782 00:31:15,073 --> 00:31:16,374 -SURE? -YEAH. 783 00:31:16,441 --> 00:31:17,909 -POSITIVE? -YEAH, NO I'M OK TO DRIVE. 784 00:31:17,976 --> 00:31:20,311 STRIKE NUMBER TWO. 785 00:31:20,945 --> 00:31:22,914 GOT YOU'RE LICENSE WITH YOU? 786 00:31:22,981 --> 00:31:23,848 LOOK I DON'T. 787 00:31:23,915 --> 00:31:25,250 I JUST ARRIVED FROM AFRICA. 788 00:31:25,316 --> 00:31:27,151 STRIKE NUMBER THREE. 789 00:31:27,218 --> 00:31:28,786 UM, I'M SORRY. 790 00:31:28,853 --> 00:31:29,621 WHAT'S YOUR NAME. 791 00:31:29,687 --> 00:31:30,588 JACK HUSSAR. 792 00:31:30,655 --> 00:31:31,489 THE MOVIE DIRECTOR? 793 00:31:31,556 --> 00:31:32,357 YES, YES. 794 00:31:32,423 --> 00:31:33,091 REALLY? 795 00:31:33,157 --> 00:31:34,626 THAT'S RIGHT. 796 00:31:34,692 --> 00:31:35,927 MYSTIC SPHERE. 797 00:31:35,994 --> 00:31:36,561 YES. 798 00:31:36,628 --> 00:31:37,595 -YOU KNOW IT? -I LIKE THAT FILM. 799 00:31:37,662 --> 00:31:40,265 -OH, THANK YOU! GOOD TO MEET YOU. GOOD TO MEET YOU. 800 00:31:40,331 --> 00:31:41,366 I'M SORRY ABOUT THIS. 801 00:31:41,432 --> 00:31:44,302 I JUST, I JUST, CAN'T SEEM TO FIND MY WAY AROUND. 802 00:31:44,369 --> 00:31:47,071 YOU'VE KIND OF PUT ME IN A PICKLE HERE. 803 00:31:50,575 --> 00:31:51,309 ALRIGHT. 804 00:31:51,376 --> 00:31:52,644 YOU'RE NOT GOING TO HIT ANYTHING OR HIT ANYBODY? 805 00:31:52,710 --> 00:31:53,244 NO. 806 00:31:53,311 --> 00:31:54,178 I ASSURE YOU I WON'T. 807 00:31:54,245 --> 00:31:56,781 BEVERLY AVENUE IS THREE BLOCKS UP. YEAH? 808 00:31:56,848 --> 00:31:58,049 -MAKE A LEFT. -OH GREAT. 809 00:31:58,116 --> 00:31:59,484 -ALRIGHT? -OH THANK YOU. 810 00:31:59,550 --> 00:32:00,318 GO RIGHT THERE. 811 00:32:00,385 --> 00:32:02,053 DON'T MAKE ANY STOPS. 812 00:32:02,120 --> 00:32:03,488 STAY THERE. 813 00:32:42,160 --> 00:32:44,696 NICE FUCKING FERRARI. 814 00:33:14,792 --> 00:33:16,394 -JACK! -HI! 815 00:33:16,461 --> 00:33:18,396 -HOW ARE YOU? -I'M GOOD. GREAT TO SEE YOU! 816 00:33:18,463 --> 00:33:20,665 -LOOK AT YOU! -LOOK AT YOU! 817 00:33:20,732 --> 00:33:21,833 THANK YOU! 818 00:33:21,899 --> 00:33:25,536 FANTASTIC, ALL SHIMMERY. BEAUTIFUL! WOW! 819 00:33:25,603 --> 00:33:27,071 THANK YOU! 820 00:33:28,506 --> 00:33:29,774 VERY GOOD TO SEE YOU. 821 00:33:30,608 --> 00:33:32,710 -BYE DARLING. -BYE SWEETIE. 822 00:33:41,019 --> 00:33:42,820 THAT'S WHAT I WAS GONNA SAY. 823 00:33:42,887 --> 00:33:45,356 I WAS GONNA SAY I THINK, BECAUSE I THOUGHT NO NO NO. 824 00:33:45,423 --> 00:33:46,524 THIS IS, LIKE, HOLLYWOOD. 825 00:33:46,591 --> 00:33:49,060 THIS IS LIKE, THIS IS LIKE A FACE FROM THE 20S, 826 00:33:49,127 --> 00:33:51,796 LIKE A CLASSIC, A CLASSIC BEAUTY, 827 00:33:51,863 --> 00:33:53,264 A CLASSIC ACTRESS. 828 00:33:53,331 --> 00:33:54,999 LIKE, LIKE A 20S MOVIE STAR. 829 00:33:55,066 --> 00:33:57,435 IT'S NOT JUST THE OUTFIT, I MEAN IT'S LIKE YOUR FACE, 830 00:33:57,502 --> 00:33:58,870 YOUR BONE STRUCTURE. EVERYTHING ABOUT IT. 831 00:33:58,936 --> 00:34:01,339 YOU JUST HAVE THIS LIKE CLASSIC BEAUTY. 832 00:34:01,406 --> 00:34:02,940 YOU'RE JUST A FLATTERER. 833 00:34:03,007 --> 00:34:04,776 MAYBE. 834 00:34:05,510 --> 00:34:08,780 I'M PRODUCING JACK HUSSAR'S NEXT MOVIE. 835 00:34:08,846 --> 00:34:10,014 NO WAY. 836 00:34:10,081 --> 00:34:10,782 PRODUCING HIS NEW ONE. 837 00:34:10,848 --> 00:34:12,884 AND THIS IS, THIS IS GONNA BE THE PINNACLE. 838 00:34:12,950 --> 00:34:15,019 THIS WILL BE REMEMBERED AS THE PINNACLE OF HIS WORK. 839 00:34:15,086 --> 00:34:16,020 IT'S LIKE THE GENIUS. 840 00:34:16,087 --> 00:34:17,522 HE'S GOING TO SUPERNOVA. 841 00:34:17,588 --> 00:34:19,457 SO LET'S, I MEAN, LET'S DOING SOMETHING ABOUT THIS. 842 00:34:19,524 --> 00:34:22,193 I MEAN, I'VE DONE, YOU KNOW, A COUPLE COMMERCIALS AND AUDITIONS 843 00:34:22,260 --> 00:34:23,294 HERE AND THERE. 844 00:34:23,361 --> 00:34:25,797 THIS LOOKS LIKE A WASTE OF TIME. 845 00:34:27,098 --> 00:34:28,266 OH WELL. 846 00:34:28,332 --> 00:34:31,035 I THINK THAT WHAT THESE PEOPLE DO, 847 00:34:31,102 --> 00:34:32,036 I MEAN, LOOK, LOOK, LOOK. 848 00:34:32,103 --> 00:34:35,506 YOU SEE, SOME PEOPLE SAY THE EYES ARE THE WINDOW TO THE SOUL, 849 00:34:35,573 --> 00:34:37,008 BUT I THINK IT'S THE HANDS. 850 00:34:37,075 --> 00:34:40,845 AND YOU SEE ALL THE FACT THAT THERE'S ALL THE LITTLE LINES... 851 00:34:40,912 --> 00:34:42,280 SEE YOU BRAD. 852 00:34:43,047 --> 00:34:44,482 JACK! JACK! 853 00:34:44,549 --> 00:34:46,117 HOW'S IT GOING BUDDY? 854 00:34:46,184 --> 00:34:48,186 WE ALMOST GAVE UP ON YOU. 855 00:34:49,854 --> 00:34:51,155 WHAT? 856 00:34:52,190 --> 00:34:54,692 WHY THE FUCK ARE YOU TELLING PEOPLE YOU'RE LENDING ME MONEY. 857 00:34:56,260 --> 00:34:56,994 COME ON. COME ON. 858 00:34:57,061 --> 00:34:58,930 WHAT THE FUCK. WHAT THE FUCK ARE YOU THINKING? 859 00:34:58,996 --> 00:35:00,932 YOU SHOULD BE RAISING MONEY. 860 00:35:00,998 --> 00:35:02,400 YOU SHOULD BE GETTING INVESTORS. 861 00:35:02,467 --> 00:35:03,968 NOT TELLING PEOPLE YOU'RE LENDING ME 862 00:35:04,035 --> 00:35:06,804 YOUR OWN FUCKING MONEY. 863 00:35:06,871 --> 00:35:07,672 WELL WE'RE PARTNERS NOW. 864 00:35:07,738 --> 00:35:09,340 WHAT KIND OF A FUCKING ASSHOLE ARE YOU? 865 00:35:09,407 --> 00:35:10,708 ALRIGHT I'LL, I'LL FIX IT. 866 00:35:10,775 --> 00:35:11,876 BULLSHIT. 867 00:35:11,943 --> 00:35:13,811 I'LL FIX IT. 868 00:35:14,312 --> 00:35:16,347 JACK? I'M ERIK BUMBLE. 869 00:35:16,414 --> 00:35:17,181 YOU'RE WHAT? 870 00:35:17,248 --> 00:35:17,882 ERIK BUMBLE. 871 00:35:17,949 --> 00:35:18,616 BUMBLE? 872 00:35:18,683 --> 00:35:20,551 -YEAH, ERIK BUMBLE. -ERIK, ERIK BUMBLE. 873 00:35:20,618 --> 00:35:22,120 YEAH. FRENCH. 874 00:35:22,186 --> 00:35:23,955 -YOU'RE FRENCH? -YEAH. -REALLY? 875 00:35:24,021 --> 00:35:25,523 I HEARD FROM BRAD. 876 00:35:25,590 --> 00:35:27,558 -OH, SORRY! -THAT'S OK. 877 00:35:27,625 --> 00:35:29,560 THIS IS MY LOVE. I'M ANGEL. 878 00:35:29,627 --> 00:35:30,528 THIS IS ANGEL. ANGEL'S A FAN. 879 00:35:30,595 --> 00:35:32,296 I'M A HUGE FAN OF YOUR WORK. I REALLY AM. 880 00:35:32,363 --> 00:35:35,166 EVERYTHING. THE SEDITION FILM, EVERYTHING, I LOVED IT. 881 00:35:35,233 --> 00:35:36,701 I THOUGHT IT WAS GENIUS. 882 00:35:36,767 --> 00:35:37,869 TELL HIM. TELL HIM. WHAT ABOUT THE LITTLE GIRL. 883 00:35:37,935 --> 00:35:39,270 THAT LITTLE GIRL GETS RAPED IN THE BACK OF THE CAR. 884 00:35:39,337 --> 00:35:41,038 -THAT'S A FANTASTIC ONE! -YOU LIKE THAT? 885 00:35:41,105 --> 00:35:42,006 -YEAH! -YEAH? 886 00:35:42,073 --> 00:35:45,409 -I LOVE IT WHEN, YOU KNOW... -YOU LIKE THAT? 887 00:35:45,476 --> 00:35:46,744 -JACK! -HONEY! -YEAH. 888 00:35:46,811 --> 00:35:49,347 TELL ME WHY YOU LIKE IT. TELL ME WHY YOU LIKE IT. TELL ME WHY YOU LIKE IT. 889 00:35:49,413 --> 00:35:51,415 I MEAN, COME ON. YOU! 890 00:35:51,482 --> 00:35:53,518 YOU ARE THE MAN! 891 00:35:54,252 --> 00:35:56,521 YEAH. I GOT THE MONEY FOR YOUR PICTURE. 892 00:35:56,587 --> 00:35:58,923 YOU SAY A NUMBER, MAN. 893 00:35:58,990 --> 00:36:00,024 I GET IT FOR YOU. 894 00:36:00,091 --> 00:36:02,026 AND I'M TALKING ABOUT TO DO WHAT EVER YOU WANT. 895 00:36:02,093 --> 00:36:05,563 THE ONLY THING YOU GOT TO DO FOR ME IS PUT THIS... 896 00:36:05,630 --> 00:36:07,498 -IN YOUR MOVIE. -OH HONEY. 897 00:36:07,565 --> 00:36:09,300 -THAT'S ALL I GOTTA DO? -THAT'S ALL YOU GOTTA DO. 898 00:36:09,367 --> 00:36:10,168 IS CAST HER IN MY MOVIE? 899 00:36:10,234 --> 00:36:13,070 CAST HER IN YOUR MOVIE. JACK, SHE'S A GREAT ACTRESS. 900 00:36:13,137 --> 00:36:13,938 IS SHE NOW. 901 00:36:14,005 --> 00:36:15,306 SHE'S A FANTASTIC ACTRESS. 902 00:36:15,373 --> 00:36:16,574 LOOK, I'M HAPPY TO CAST HER IN MY MOVIE. 903 00:36:16,641 --> 00:36:18,709 -GOOD. -SHE'S BEAUTIFUL. -GOOD. 904 00:36:18,776 --> 00:36:21,345 BUT IF I HAVE TO. IF I HAVE TO CAST HER IN MY MOVIE, 905 00:36:21,412 --> 00:36:22,480 IT'S A DEAL BREAKER. FORGET IT. 906 00:36:22,547 --> 00:36:24,682 NO NO! WAIT WAIT WAIT! JACK JACK JACK! 907 00:36:24,749 --> 00:36:27,151 WAIT A MINUTE. WAIT A MINUTE. 908 00:36:27,218 --> 00:36:28,452 I KNOW ABOUT YOUR ACTIVITIES. 909 00:36:28,519 --> 00:36:30,221 I KNOW YOUR WHIMS AND I KNOW ALL OF THIS. 910 00:36:30,288 --> 00:36:31,756 BUT! 911 00:36:31,822 --> 00:36:34,926 YOU NEED I NEED TO MAKE YOU MOVIES. 912 00:36:34,992 --> 00:36:36,861 I CAN GET YOU THE MONEY! 913 00:37:08,359 --> 00:37:11,829 [SINGING IN FOREIGN LANGUAGE] 914 00:39:15,553 --> 00:39:17,488 WHERE HAVE YOU BEEN JACK? 915 00:39:17,555 --> 00:39:19,990 AFRICA. 916 00:39:20,758 --> 00:39:25,129 THAT'S FOR LEAVING ME AT THE TRAIN STATION. 917 00:39:25,196 --> 00:39:28,065 WE WERE GOING TO RUN AWAY AND JOIN THE CIRCUS. 918 00:39:28,132 --> 00:39:30,101 WE CAN DO THAT NOW. 919 00:39:36,374 --> 00:39:40,111 -JACK! -HEY JACK! 920 00:39:42,580 --> 00:39:44,048 ...THE DOUGH, BRAD. 921 00:39:44,582 --> 00:39:46,884 JACK, IT WAS A $20 CIGAR! 922 00:39:46,951 --> 00:39:47,518 I'M SO... 923 00:39:47,585 --> 00:39:48,519 I'M SORRY BOBO. 924 00:39:48,586 --> 00:39:49,687 IS HE ALRIGHT? 925 00:39:49,754 --> 00:39:50,621 I DON'T KNOW. 926 00:39:50,688 --> 00:39:52,056 LET'S JUST GO, LET'S JUST GO. 927 00:39:55,292 --> 00:39:56,127 YEAH. 928 00:39:59,363 --> 00:40:01,565 OH, YOU'VE GOT DIANA'S CAR. 929 00:40:03,033 --> 00:40:04,969 ARE YOU, ARE YOU SURE YOU SHOULD DRIVE? 930 00:40:11,008 --> 00:40:12,343 OFF WE GO! 931 00:40:12,410 --> 00:40:15,045 HELLO HOLLYWOOD! 932 00:40:21,552 --> 00:40:25,890 AFRICA! 933 00:40:25,956 --> 00:40:29,026 -YEAH! -LET'S GO RIGHT NOW! 934 00:40:35,766 --> 00:40:39,703 LIONS, TIGERS, BEARS OH MY! 935 00:40:39,770 --> 00:40:40,838 I WANT TO FLY JACK! 936 00:40:40,905 --> 00:40:43,107 FOUR, THREE, TWO, ONE. 937 00:40:45,943 --> 00:40:49,947 -YOU LOST HER! -OH SHIT. -ARE YOU ALRIGHT? 938 00:40:52,783 --> 00:40:54,852 -LUCKY CARDS BRAD! -NO! WAIT! 939 00:40:54,919 --> 00:40:56,020 JACK! STOP! 940 00:40:56,086 --> 00:41:00,224 DAMN YOU, JACK! DAMN YOU! 941 00:41:08,632 --> 00:41:10,000 GOOD EVENING. 942 00:41:10,568 --> 00:41:11,735 IT'S JACK HUSSAR! 943 00:41:11,802 --> 00:41:13,337 THE GAME IS OVER. 944 00:41:13,404 --> 00:41:16,440 NO, THE GAME ISN'T OVER. LET ME IN. IT'S JACK HUSSAR. 945 00:41:16,507 --> 00:41:18,542 COME ON. 946 00:41:20,444 --> 00:41:22,680 -HEY KID. -WHAT? 947 00:41:22,746 --> 00:41:25,516 -COME. -JESUS. 948 00:41:27,318 --> 00:41:28,285 WHAT DO YOU WANT? 949 00:41:28,352 --> 00:41:29,887 HE CLEANED YOU OUT, RIGHT? 950 00:41:29,954 --> 00:41:32,022 YEAH, HE GOT EVERYTHING. WHAT'S IT TO YOU? 951 00:41:32,089 --> 00:41:33,757 AND NOW HE RECUT YOUR MOVIE. 952 00:41:33,824 --> 00:41:35,493 I HAVEN'T GOT A MOVIE. 953 00:41:35,559 --> 00:41:37,528 I'M BANNED FROM THE LOT. IT'S OVER, OKAY? 954 00:41:37,595 --> 00:41:39,630 KID. STOP BEING A GIRL. 955 00:41:39,697 --> 00:41:42,766 -WHAT? -STOP BEING A GIRL. 956 00:41:43,501 --> 00:41:46,170 WE'VE ALL BEEN THERE. 957 00:41:46,871 --> 00:41:50,040 FUCK IT. I'LL GET YOUR PICTURE BACK, KID. 958 00:41:51,609 --> 00:41:53,644 -HOW? -WAIT HERE. 959 00:42:17,167 --> 00:42:20,170 WHAT ARE YOU DOING HERE, JACK? 960 00:42:25,643 --> 00:42:26,877 LET'S PLAY A HAND. 961 00:42:26,944 --> 00:42:29,313 NOT NOW JACK. I'M TIRED. 962 00:42:29,380 --> 00:42:31,949 I GOT A BIG DAY TOMORROW. 963 00:42:32,016 --> 00:42:33,751 YEAH. 964 00:42:36,020 --> 00:42:38,856 YOU HAVE NOTHING I WANT, JACK. 965 00:42:39,823 --> 00:42:42,626 YOU'RE SMALL POTATOES. 966 00:42:53,337 --> 00:42:56,040 YOU'LL FINANCE MY MOVIE. 967 00:43:03,280 --> 00:43:07,952 YOU DIRECT IT THE WAY I WANT YOU TO. 968 00:43:08,719 --> 00:43:10,487 FRANK! 969 00:43:10,554 --> 00:43:12,389 FRANK! 970 00:43:14,224 --> 00:43:18,162 I NEED YOU TO DEAL A HAND OF TEXAS HOLDUM. 971 00:43:45,289 --> 00:43:47,124 STOP. 972 00:43:49,326 --> 00:43:52,796 I GET TO CUT THE MOVIE THE WAY I WANT TO. 973 00:43:57,001 --> 00:44:00,871 MY CUT, MY BUDGET. 974 00:44:01,839 --> 00:44:04,742 AND GIVE THE KID HIS MONEY BACK. 975 00:44:07,978 --> 00:44:10,247 I OWN THE KID. 976 00:44:20,624 --> 00:44:24,028 WHATCHA GOT LOENZO? 977 00:44:29,633 --> 00:44:31,902 FLUSH. 978 00:44:32,803 --> 00:44:35,205 TWO JACKS. 979 00:44:35,272 --> 00:44:37,341 FULL HOUSE. 980 00:44:39,910 --> 00:44:41,645 YOU FUCKING SNAKE. 981 00:44:41,712 --> 00:44:43,781 THIS IS NOT OVER, JACK! 982 00:44:43,847 --> 00:44:46,850 I'LL SEE YOU NEXT TIME LORENZO! 983 00:44:47,718 --> 00:44:50,587 KID, I GOT YOUR PICTURE BACK. 984 00:44:50,654 --> 00:44:51,755 WHAT? 985 00:44:52,890 --> 00:44:53,991 THANK YOU! 986 00:44:54,058 --> 00:44:55,859 NO, I'M TELLING YOU, WHEN WE GET TO AFRICA... 987 00:44:55,926 --> 00:44:57,728 I THINK I PROBABLY HAVE TO GET SHOTS. 988 00:44:57,795 --> 00:44:58,696 I DON'T KNOW IF I DO.. 989 00:44:58,762 --> 00:45:01,165 DO YOU GET SHOTS THERE OR DO YOU GET THEM BEFORE YOU LEAVE? 990 00:45:01,231 --> 00:45:03,033 WHAT I, WHAT I THINK WE'LL DO, IS, 991 00:45:03,100 --> 00:45:04,468 WE'LL GET THE STORY GOING FIRST. 992 00:45:04,535 --> 00:45:06,370 SO, YOU'LL TELL ME MORE ABOUT THE STORY, 993 00:45:06,437 --> 00:45:07,771 THEN WE CAN COME UP WITH A SCHEDULE. 994 00:45:07,838 --> 00:45:12,276 WE CAN DO SOME OF THE CASTING JUST THINK OF THIS MAX FARADAY 995 00:45:12,342 --> 00:45:16,280 AS THE STAR OF YOUR NEXT PICTURE THAT WOULD WORK. 996 00:45:16,346 --> 00:45:17,981 I SAW HOW FRIENDLY YOU WERE WITH HIM. 997 00:45:18,048 --> 00:45:20,117 WITH US TOGETHER, WITH THIS KIND OF LUCK, 998 00:45:20,184 --> 00:45:21,985 I MEAN, WE CAN DO ANYTHING. 999 00:45:22,052 --> 00:45:24,888 THIS IS THE MOMENT I WAS MEANT TO HAVE. 1000 00:45:24,955 --> 00:45:26,390 MEETING JACK HUSSAR. 1001 00:45:26,457 --> 00:45:28,959 UH, OH OH OH. 1002 00:45:29,026 --> 00:45:30,527 OH MY GOD. 1003 00:45:30,594 --> 00:45:32,229 OH NO! 1004 00:45:32,296 --> 00:45:33,564 OH NO! 1005 00:45:33,630 --> 00:45:36,934 ORSO OLD BOY! WHAT HAVE YOU DONE ORSO? 1006 00:45:37,000 --> 00:45:39,203 I'M JUST GONNA, I'M JUST GOING TO LET IT ALL GO. 1007 00:45:39,269 --> 00:45:40,437 I'M JUST GONNA LET IT ALL GO. 1008 00:45:40,504 --> 00:45:41,605 LET'S GO. 1009 00:45:41,839 --> 00:45:44,341 I'LL BE OUT IN A SECOND, I'M JUST GOING TO THROW A FEW THINGS IN A BAG. 1010 00:45:44,408 --> 00:45:45,776 BRAD. 1011 00:45:45,843 --> 00:45:46,710 YEAH, I'M HURRYING. 1012 00:45:46,777 --> 00:45:48,312 COME HERE. 1013 00:45:49,913 --> 00:45:51,782 YEAH. 1014 00:45:54,918 --> 00:45:57,121 WHAT IS IT? 1015 00:46:00,057 --> 00:46:01,125 GOOD BYE BRAD. 1016 00:46:01,258 --> 00:46:02,693 NO, NO, NO, NO. NO, NO, NO. COME ON, COME ON. YOU'RE STAYING HERE. 1017 00:46:02,760 --> 00:46:04,862 YOU'RE STAYING HERE, BRAD. NO, NO, NO. I CAN'T STAY HERE. 1018 00:46:04,928 --> 00:46:07,865 NO. NO. JACK. DON'T LEAVE. YOU CAN'T, YOU CAN'T DO THIS. 1019 00:46:07,931 --> 00:46:09,767 THIS IS MY CHANCE. THIS IS, I'M YOUR GUY! 1020 00:46:09,833 --> 00:46:12,503 I TOLD YOU, I'M GOING TO DO EVERYTHING! I'M GOING TO DO EVERYTHING! 1021 00:46:12,569 --> 00:46:13,771 I'M GOING TO MAKE EVERYTHING BETTER! 1022 00:46:13,837 --> 00:46:17,307 BRAD, PULL YOURSELF TOGETHER. YOU'RE NOT COMING. I GOTTA COME. 1023 00:46:17,374 --> 00:46:19,443 JACK, DON'T GO. LOOK AT THIS. 1024 00:46:19,510 --> 00:46:21,311 YOU'RE JUST LEAVING ME HERE WITH THIS PILE OF SHIT! 1025 00:46:21,378 --> 00:46:24,515 I HAVE TO GO, THIS IS OUR MOVIE! PULL YOURSELF TOGETHER, BRAD. 1026 00:46:24,581 --> 00:46:25,549 NO, JACK! 1027 00:46:25,616 --> 00:46:27,584 JACK, I'LL WORK FOR FREE. 1028 00:46:27,651 --> 00:46:29,186 JACK COME BACK! 1029 00:46:29,253 --> 00:46:30,521 THANK YOU FOR EVERYTHING, BRAD. 1030 00:46:30,587 --> 00:46:34,191 THIS IS OUR MOVIE. 1031 00:46:37,861 --> 00:46:40,464 ONE MORE STOP, ORSO. 1032 00:48:20,163 --> 00:48:22,232 THANK YOU. 1033 00:48:36,213 --> 00:48:38,615 JACK HUSSAR, WITH NO FURTHER DELAY, 1034 00:48:38,682 --> 00:48:40,984 WITHOUT A THOUGHT FOR LORENZO, FOR BRAD, 1035 00:48:41,051 --> 00:48:46,023 FOR DIANA, BUT ONLY FOR WHAT WAS IN STORE FOR HIM IN AFRICA, 1036 00:48:46,089 --> 00:48:49,226 LEFT HOLLYWOOD FOREVER. 1037 00:48:57,034 --> 00:48:59,036 MANY YEARS HAD PASSED. 1038 00:48:59,102 --> 00:49:01,872 MUCH WATER HAD FLOWED UNDER THE BRIDGE. 1039 00:49:01,939 --> 00:49:03,273 MANY HAD DIED. 1040 00:49:03,340 --> 00:49:05,042 MANY HAD BEEN BORN. 1041 00:49:05,108 --> 00:49:07,978 MANY HAD GROWN UP OR BECOME OLD. 1042 00:49:08,045 --> 00:49:12,582 EVEN MORE IDEAS THAN PEOPLE HAD BEEN BORN AND HAD DIED. 1043 00:49:26,029 --> 00:49:28,899 JACK HUSSAR HAD DIED LONG AGO. 1044 00:49:28,966 --> 00:49:33,837 DIANA WAS NOW SO FAR FROM YOUNG, THAT SHE NO LONGER LOOKED UPON 1045 00:49:33,904 --> 00:49:36,273 HERSELF AS SUCH. 1046 00:49:42,179 --> 00:49:45,115 LIVING WITH DIANA WHERE HER DAUGHTER LILY, 1047 00:49:45,182 --> 00:49:48,618 AND HER BROTHER BRAD, WHO HAVING LOST ANY MONEY HE EVER MADE ON 1048 00:49:48,685 --> 00:49:52,823 MOVIES, FOUND REFUGE IN HIS OLD AGE AT DIANA'S. 1049 00:49:52,889 --> 00:49:55,125 NOW WHY IS IT THAT NOWADAYS VIDEO GAMES 1050 00:49:55,192 --> 00:49:58,628 ARE CONSIDERED ENTERTAINMENT? 1051 00:49:58,695 --> 00:49:59,796 IT'S, IT'S A GAME. 1052 00:49:59,863 --> 00:50:01,164 IT'S NOT ENTERTAINMENT. 1053 00:50:01,231 --> 00:50:03,533 AND JUST BECAUSE YOU WATCH IT DOESN'T MEAN IT'S SOMETHING THAT 1054 00:50:03,600 --> 00:50:07,270 FALLS INTO THE CATEGORY OF ENTERTAINMENT JUST BECAUSE IT'S 1055 00:50:07,337 --> 00:50:08,572 SOMETHING YOU WATCH. 1056 00:50:08,638 --> 00:50:10,841 IF YOU WATCH IT AND IT'S ENTERTAINING THEN IT'S 1057 00:50:10,907 --> 00:50:12,576 ENTERTAINMENT. 1058 00:50:12,642 --> 00:50:13,343 FRUIT. 1059 00:50:13,410 --> 00:50:15,178 WHAT'S, OH, OH, OH, THANK YOU SO MUCH. 1060 00:50:15,245 --> 00:50:16,947 AND NOTE. THAT FOR EGGS. 1061 00:50:17,014 --> 00:50:19,783 NOW WHAT IF I TREAT THIS KIND OF LIKE A DESSERT? 1062 00:50:19,850 --> 00:50:21,351 -AND I HAVE A BAGEL FIRST. -VERY NAUGHTY. 1063 00:50:21,418 --> 00:50:22,919 WHY DID YOU SHOW ME THAT PHOTO? 1064 00:50:22,986 --> 00:50:25,889 DOES IT REMIND YOU OF ANYONE? 1065 00:50:25,956 --> 00:50:27,157 AH, NOPE. 1066 00:50:27,224 --> 00:50:28,091 NOPE. 1067 00:50:28,158 --> 00:50:29,526 JACK HUSSAR'S SON. 1068 00:50:29,593 --> 00:50:30,761 JACK JR. 1069 00:50:35,298 --> 00:50:36,533 WOW, YOU'RE KIDDING. 1070 00:50:36,600 --> 00:50:38,468 DOES HE LOOK LIKE HIS DAD? 1071 00:50:38,535 --> 00:50:41,571 WELL, MAYBE A LITTLE. 1072 00:50:41,638 --> 00:50:43,340 HE'S CUTE. 1073 00:50:46,376 --> 00:50:49,212 HE IS A CHIP OFF THE OLD BLOCK. 1074 00:50:49,279 --> 00:50:51,248 I WONDER. 1075 00:50:51,581 --> 00:50:53,450 GOD. 1076 00:50:54,251 --> 00:50:56,386 WHAT, TELL ME ABOUT HIS DAD. 1077 00:50:58,021 --> 00:50:59,923 WELL, HE WAS. 1078 00:50:59,990 --> 00:51:01,158 HE WAS UM... 1079 00:51:01,224 --> 00:51:02,959 HE WAS A MAN. 1080 00:51:04,561 --> 00:51:07,130 HE WAS THE LAST OF THE OLD BREED, THAT'S WHAT HE WAS. CAN I TASTE IT? 1081 00:51:07,197 --> 00:51:08,698 HE WAS ONE OF A KIND. 1082 00:51:08,765 --> 00:51:12,803 LAST OF, LIKE THE OLD HOLLYWOOD DIRECTORS. 1083 00:51:12,869 --> 00:51:13,870 HE WAS WHAT? 1084 00:51:13,937 --> 00:51:14,971 HE WAS ONE OF A KIND. 1085 00:51:15,038 --> 00:51:15,972 HE WAS CLASS. 1086 00:51:16,039 --> 00:51:19,076 HE WAS THE ARTISANSHIP THAT'S MISSING FROM THE BUSINESS TODAY. 1087 00:51:19,142 --> 00:51:21,078 I'D LOVE TO MEET HIM. 1088 00:51:21,144 --> 00:51:22,546 -WHO JACK? -MMMMM. 1089 00:51:22,612 --> 00:51:24,614 -JACK JR.? -JACK JR. WOULDN'T IT BE FUN? 1090 00:51:24,681 --> 00:51:26,016 I DON'T KNOW HIM. 1091 00:51:26,083 --> 00:51:27,184 WELL, WHO SENT YOU THE PICTURE? 1092 00:51:27,250 --> 00:51:28,485 ANNE. SHE MET HIM IN NEW YORK. 1093 00:51:28,552 --> 00:51:30,187 -OH. ANNE. -I'VE NEVER MET HIM. 1094 00:51:30,253 --> 00:51:31,221 WELL GET ANNE TO BRING HIM OVER. 1095 00:51:31,288 --> 00:51:34,458 WHY DID SHE SEND, I MEAN, IS HE, HE'S COMING HERE? 1096 00:51:34,524 --> 00:51:37,127 HE'S COMING TO LOS ANGELES TO DIRECT A FILM. 1097 00:51:37,194 --> 00:51:38,228 IT'S HIS FIRST FILM. 1098 00:51:38,295 --> 00:51:39,429 HE'S DIRECTING. 1099 00:51:39,496 --> 00:51:42,499 THEN HE MUST HAVE SOME OF HIS DAD'S TALENT. HE MUST. 1100 00:51:42,566 --> 00:51:44,568 MOM, I DON'T EVEN KNOW HIM. 1101 00:51:44,634 --> 00:51:46,770 HE HAS NO IDEA THAT I EXIST AND, WE DON'T, 1102 00:51:46,837 --> 00:51:50,474 WE DON'T EVEN KNOW THAT HE EVEN HEARD OF YOU. 1103 00:51:50,540 --> 00:51:53,376 WELL HE MENTIONED ME, BY NAME. 1104 00:51:53,443 --> 00:51:55,212 -FROM THE PODIUM. -FROM THE PODIUM. 1105 00:51:55,278 --> 00:51:56,613 ON AWARDS NIGHT. 1106 00:51:56,680 --> 00:52:01,151 WHICH MEANS THAT HIS SON WOULD HAVE SEEN THE FOOTAGE 1107 00:52:01,218 --> 00:52:02,586 AND HE WOULD KNOW YOU. 1108 00:52:02,652 --> 00:52:03,120 OK. 1109 00:52:03,186 --> 00:52:05,122 I'LL CALL ANNE. 1110 00:52:05,188 --> 00:52:06,156 WELL, WAIT. 1111 00:52:06,223 --> 00:52:07,124 I'LL TELL YOU SOMETHING. 1112 00:52:07,190 --> 00:52:12,062 IF HE'S ANYTHING LIKE HIS DAD, I WANT YOU TO BE CAREFUL. 1113 00:52:12,129 --> 00:52:14,364 HE'S NOT GOING TO LIKE ME. 1114 00:52:34,084 --> 00:52:34,818 NO, LEAVE THEM, IT'S OK. 1115 00:52:35,819 --> 00:52:37,487 YOU KNOW I HAVEN'T BEEN TO THIS HOTEL SINCE I WAS A CHILD. 1116 00:52:37,554 --> 00:52:40,190 MY DAD USED TO STAY HERE A LOT, SO. 1117 00:52:41,391 --> 00:52:43,026 HERE YOU GO SIR. 1118 00:52:43,093 --> 00:52:44,628 AND, SEE A BALCONY. 1119 00:52:44,694 --> 00:52:46,563 BATHROOM, OVER THERE TO THE LEFT. 1120 00:52:46,630 --> 00:52:47,731 IT DOESN'T SEEM BIG ENOUGH. 1121 00:52:47,797 --> 00:52:48,865 THIS IS A SUITE? 1122 00:52:48,932 --> 00:52:51,201 AND, IF I HAVE PEOPLE OVER HERE THEY'RE GOING TO BE STANDING 1123 00:52:51,268 --> 00:52:52,169 RIGHT IN THE MIDDLE OF MY BEDROOM, 1124 00:52:52,235 --> 00:52:53,236 IT DOESN'T MAKE ANY SENSE. 1125 00:52:53,303 --> 00:52:55,305 THIS IS ONE OF OUR JUNIOR SUITES. 1126 00:52:55,372 --> 00:52:56,907 -JUNIOR SUITES - EXACTLY. -YES. 1127 00:52:56,973 --> 00:52:58,942 I THOUGHT I WAS GOING TO GET A SENIOR SUITE AT LEAST. 1128 00:52:59,009 --> 00:53:03,446 THE BED ISN'T EVEN FUCKING MADE. 1129 00:53:03,513 --> 00:53:05,248 THIS IS RIDI... I COULDN'T FIT IN THAT BATHTUB! 1130 00:53:05,315 --> 00:53:07,684 THIS CAN'T BE A SUITE. 1131 00:53:11,021 --> 00:53:14,357 NO, THIS IS RIDICULOUS. I CAN'T STAY HERE. 1132 00:53:14,424 --> 00:53:15,325 AT LEAST LAY ON THE BED. 1133 00:53:15,392 --> 00:53:18,328 -NO. I'M OK. -TRY IT OUT. 1134 00:53:18,395 --> 00:53:20,230 OH, BOY. 1135 00:53:22,165 --> 00:53:23,900 -HI. -HI. 1136 00:53:23,967 --> 00:53:24,534 WHAT'S YOUR NAME? 1137 00:53:24,601 --> 00:53:26,369 -LOLITA. -LOLITA. 1138 00:53:26,436 --> 00:53:27,571 HI, NICE TO MEET YOU LOLITA. 1139 00:53:27,637 --> 00:53:28,772 I'M SORRY, I JUST GOT SHOWN TO MY ROOM, 1140 00:53:28,838 --> 00:53:30,106 BUT I THINK I WAS MEANT TO HAVE A SUITE. 1141 00:53:30,173 --> 00:53:31,308 I DON'T THINK THAT'S A SUITE. 1142 00:53:31,374 --> 00:53:33,009 OH, OK. WHAT'S THE LAST NAME? 1143 00:53:33,076 --> 00:53:33,877 IT'S HUSSAR. 1144 00:53:33,944 --> 00:53:34,811 OK 1145 00:53:34,878 --> 00:53:36,179 JACK HUSSAR. 1146 00:53:37,113 --> 00:53:40,850 K, UM, I'M SHOWING HERE THERE'S ONLY A JUNIOR SUITE. 1147 00:53:40,917 --> 00:53:42,652 STUDIO PAID FOR ONLY A JUNIOR SUITE. 1148 00:53:42,719 --> 00:53:44,521 WELL, SHOULDN'T A JUNIOR SUITE HAVE TWO ROOMS NORMALLY? 1149 00:53:44,588 --> 00:53:45,655 LIKE A LIVING ROOM AND A BEDROOM? 1150 00:53:45,722 --> 00:53:47,757 NO, NO, NO. IT'S JUST THE ONE ROOM. SO, UM. 1151 00:53:47,824 --> 00:53:48,892 I'M HERE FOR LIKE THREE MONTHS. 1152 00:53:48,959 --> 00:53:50,493 I DON'T THINK I CAN STAY IN THE ROOM FOR THREE MOTHS. 1153 00:53:50,560 --> 00:53:51,962 I'LL PROBABLY GO OUT OF MY MIND. 1154 00:53:52,028 --> 00:53:53,063 OK, UM. 1155 00:53:53,129 --> 00:53:54,798 HAVE YOU ANYTHING BIGGER? 1156 00:53:54,864 --> 00:53:55,632 WELL, YEAH. 1157 00:53:55,699 --> 00:54:03,340 I DO. BUT, AH, UM, IT'S GONNA BE, ABOUT, 1158 00:54:03,406 --> 00:54:05,842 $250? 1159 00:54:05,909 --> 00:54:07,744 -THAT I HAVE TO PAY? -THAT'S, THAT'S RIGHT. 1160 00:54:07,811 --> 00:54:10,247 I MEAN... BUT THE STUDIO, YOU HAVE A CREDIT CARD ON FILE 1161 00:54:10,313 --> 00:54:11,314 WHICH THE STUDIO GAVE YOU. 1162 00:54:11,381 --> 00:54:13,850 WE DON'T HAVE A CREDIT CARD ON FILE ACTUALLY. WELL, YOU MUST DO. 1163 00:54:13,917 --> 00:54:14,818 THE STUDIO GAVE YOU A CREDIT CARD 1164 00:54:14,884 --> 00:54:15,819 BECAUSE I DIDN'T BOOK THE ROOM. 1165 00:54:15,885 --> 00:54:16,686 THE STUDIO BOOKED THE ROOM FOR ME. 1166 00:54:16,753 --> 00:54:17,787 WELL, THEY DID GIVE ME A CREDIT CARD, 1167 00:54:17,854 --> 00:54:18,955 BUT WE DON'T KEEP THAT ON FILE FOR SECURITY PURPOSES. 1168 00:54:19,022 --> 00:54:21,524 OK, LISTEN TO ME I'M TELLING YOU. I CAN'T PAY FOR THIS ROOM. 1169 00:54:21,591 --> 00:54:22,559 I'M HERE FOR THREE MONTHS. 1170 00:54:22,626 --> 00:54:23,793 I'M SHOOTING A MOVIE. 1171 00:54:23,860 --> 00:54:26,196 IF I'M IN THAT ROOM FOR THREE MONTHS I WILL GO OUT OF MY MIND. 1172 00:54:26,263 --> 00:54:27,497 I WILL GET CABIN FEVER. 1173 00:54:27,564 --> 00:54:29,466 I'M MEANT TO BE MAKING AND DIRECTING A MOVIE. 1174 00:54:29,532 --> 00:54:30,834 THAT MEANS NORMALLY YOU HAVE TO BE INSPIRED. 1175 00:54:30,900 --> 00:54:32,402 I'M LOOKING OUT ONTO A BACK STREET. 1176 00:54:32,469 --> 00:54:33,870 I DON'T EVEN HAVE A GARDEN VIEW. 1177 00:54:33,937 --> 00:54:36,439 MY FATHER USED TO STAY HERE FOR MANY YEARS, 1178 00:54:36,506 --> 00:54:37,907 HIS NAME'S JACK HUSSAR AS WELL. 1179 00:54:37,974 --> 00:54:38,908 YOU'RE RIGHT. YEAH. 1180 00:54:38,975 --> 00:54:40,310 NORMALLY THEY MIGHT BE ABLE TO DO SOMETHING FOR THE FAMILY? 1181 00:54:40,377 --> 00:54:41,711 LIKE MAYBE THEY'D, THEY'D GIVE ME AN 1182 00:54:41,778 --> 00:54:43,546 UPGRADE IF THAT WAS POSSIBLE? 1183 00:54:43,613 --> 00:54:44,447 I UNDERSTAND UM. 1184 00:54:44,514 --> 00:54:45,315 YOU KNOW WHAT. 1185 00:54:45,382 --> 00:54:46,116 CAN YOU JUST GIVE ME A SECOND? 1186 00:54:46,182 --> 00:54:48,184 AND I'LL MAKE A FEW PHONE CALLS AND THEN, 1187 00:54:48,251 --> 00:54:48,785 WHY DON'T YOU JUST RELAX. 1188 00:54:48,852 --> 00:54:50,020 OF COURSE. 1189 00:54:50,186 --> 00:54:51,655 I'M SORRY, I KNOW, I KNOW IT'S NOT YOUR FAULT. GRAB YOURSELF A CUP OF TEA. 1190 00:54:51,721 --> 00:54:52,889 I DON'T MEAN TO GET ANGRY WITH YOU I KNOW I KNOW, I UNDERSTAND. 1191 00:54:52,956 --> 00:54:53,923 YOU'RE VERY SWEET. I'M SORRY. 1192 00:54:53,990 --> 00:54:55,158 BUT WHY DON'T YOU JUST HAVE A SEAT. 1193 00:54:55,225 --> 00:54:56,126 I'M SORRY. WE'LL BE, AH. 1194 00:54:56,192 --> 00:54:59,729 HAVE A CUP OF TEA AND I'LL TRY TO FIGURE OUT WHAT'S GOING ON. 1195 00:55:15,412 --> 00:55:16,346 THANK YOU. THANK YOU VERY MUCH. 1196 00:55:16,413 --> 00:55:17,681 I KNOW I'M SORRY. 1197 00:55:17,747 --> 00:55:19,949 I NEVER KNOW I NEVER REMEMBER, JUST, YEAH. 1198 00:55:24,154 --> 00:55:26,523 HI! 1199 00:55:26,589 --> 00:55:28,725 GOOD TO SEE YOU DARLIN'. 1200 00:55:28,792 --> 00:55:30,026 THANKS FOR COMING AND MEETING US. 1201 00:55:30,093 --> 00:55:30,894 GOOD! 1202 00:55:30,960 --> 00:55:32,028 THIS IS LILY. 1203 00:55:32,095 --> 00:55:32,729 HEY LILY. HI. I'M JACK. 1204 00:55:32,796 --> 00:55:34,631 JACK HUSSAR, IT'S NICE TO MEET YOU. 1205 00:55:34,698 --> 00:55:36,032 YOU REMEMBER PAUL, FROM NEW YORK? 1206 00:55:36,099 --> 00:55:38,101 RIGHT, PAUL, YES. 1207 00:55:38,168 --> 00:55:39,369 PAUL, LILY. 1208 00:55:39,436 --> 00:55:41,438 LILY. LIKE A FLOWER. LILY. 1209 00:55:41,504 --> 00:55:43,640 YEAH, EXACTLY. HERE, SIT DOWN. 1210 00:55:45,608 --> 00:55:47,610 -OH, YOU ALL RIGHT? -SORRY. 1211 00:55:47,677 --> 00:55:49,946 RIGHT ON HIS TOE. PERFECT. GOOD. 1212 00:55:50,013 --> 00:55:52,749 NO IT'S GOOD. I STEP ON HIS TOES QUITE OFTEN TOO. 1213 00:55:52,816 --> 00:55:54,651 -YOU GUYS WANT A DRINK? -YES, PLEASE. 1214 00:55:54,718 --> 00:55:55,685 WHAT DO YOU WANT. 1215 00:55:55,752 --> 00:55:57,120 AH, VODKA SODA. 1216 00:55:57,187 --> 00:55:58,355 VODKA SODA. 1217 00:55:58,421 --> 00:55:59,255 DOUBLE. 1218 00:55:59,322 --> 00:56:01,858 -UM, COSMOPOLITAN? -COSMO? -GOOD CHOICE. 1219 00:56:01,925 --> 00:56:03,693 WELL, I'M REALLY SORRY THAT IT'S, SO WET. 1220 00:56:03,760 --> 00:56:04,928 AH, NO IT'S OK. 1221 00:56:04,994 --> 00:56:08,498 I MEAN, ONE ALWAYS EXPECTS SOCAL TO BE SUNNY SO IT'S ACTUALLY A 1222 00:56:08,565 --> 00:56:11,267 SURPRISE AND I LIKE SURPRISES. 1223 00:56:11,334 --> 00:56:13,470 YOU'RE A SURPRISE. 1224 00:56:13,536 --> 00:56:15,372 UM, AND AH WHAT DO YOU DO. 1225 00:56:15,438 --> 00:56:16,139 DO YOU MIND ME ASKING? 1226 00:56:16,206 --> 00:56:17,941 UM, I'VE DONE SOME ACTING CLASSES, AND... 1227 00:56:18,007 --> 00:56:20,143 I THINK, HER, YOUR DRINK IS HERE. 1228 00:56:20,210 --> 00:56:22,645 I WANT TO WRITE. 1229 00:56:22,712 --> 00:56:23,713 YOU WANT TO BE A WRITER? 1230 00:56:23,780 --> 00:56:25,115 DID YOU SAY YOU WANT TO BE A WRITER? 1231 00:56:25,181 --> 00:56:26,616 OR AN ACTRESS, OR... 1232 00:56:26,683 --> 00:56:28,284 -I'M A WRITER. -YOU ARE? 1233 00:56:28,351 --> 00:56:29,652 I JUST WROTE THE MOVIE. 1234 00:56:29,719 --> 00:56:30,887 JACK IS GOING TO DIRECT. 1235 00:56:30,954 --> 00:56:32,756 OH, OF COURSE, YOU'RE HERE TO DO A MOVIE. YES. WE'RE HERE TO DO A FILM. 1236 00:56:32,822 --> 00:56:34,023 I MEAN, THAT'S GREAT. 1237 00:56:34,090 --> 00:56:35,425 -OH. -OH. CHEERS! 1238 00:56:35,492 --> 00:56:37,961 OH MY GOD, CHEERS. [ALL] CHEERS! 1239 00:56:38,027 --> 00:56:40,430 TO A LITTLE FUN IN LOS ANGELES. 1240 00:56:40,497 --> 00:56:43,533 YES, FUN. THE CALM BEFORE THE STORM. 1241 00:56:43,600 --> 00:56:45,235 -ABSOLUTELY. -GET WASTED! 1242 00:56:45,301 --> 00:56:46,936 I'M JUST GOING TO NIP TO THE BATHROOM VERY QUICKLY. 1243 00:56:47,003 --> 00:56:47,470 EXCUSE ME. 1244 00:56:47,537 --> 00:56:48,505 SORRY. 1245 00:56:48,571 --> 00:56:50,206 OH YOU'RE YOU'RE GOING? 1246 00:56:50,273 --> 00:56:52,609 OH YOU ARE. OK. 1247 00:56:53,309 --> 00:56:53,843 HEY. 1248 00:56:54,377 --> 00:56:55,612 NOW I CAN STEAL THE COUCH. 1249 00:56:55,678 --> 00:56:57,147 SO, TELL ME, YOU LIKE TO WRITE. 1250 00:56:57,213 --> 00:56:58,681 I OVERHEARD YOU. 1251 00:56:58,748 --> 00:57:00,583 OH, I MEAN, I'M JUST STARTING, I, 1252 00:57:00,650 --> 00:57:02,485 I, NOBODY'S READ MY WRITING. 1253 00:57:02,552 --> 00:57:05,188 I'D LOVE TO READ WHATEVER YOU'VE DONE. 1254 00:57:05,255 --> 00:57:06,689 YOU KNOW, MAYBE I COULD, IF YOU DON'T MIND. 1255 00:57:06,756 --> 00:57:08,158 I'M WRITING... 1256 00:57:08,224 --> 00:57:08,825 SORRY. 1257 00:57:08,892 --> 00:57:10,293 I'M WRITING A BIOGRAPHY. 1258 00:57:10,360 --> 00:57:12,128 EVERYBODY'S ON THEIR PHONE. ARE YOU WRITING ON YOUR PHONE? 1259 00:57:12,195 --> 00:57:14,330 IS THAT WHAT YOU'RE DOING? YOU WRITE YOU NOVELS ON YOUR PHONE? 1260 00:57:14,397 --> 00:57:15,799 CAN WE GET SOME BLOW? 1261 00:57:15,865 --> 00:57:17,700 -ANNE. -WHAT? 1262 00:57:17,767 --> 00:57:19,869 CAN YOU JUST KEEP YOUR VOICE DOWN? SORRY. 1263 00:57:19,936 --> 00:57:22,005 IT'S A LOBBY. WE DON'T... 1264 00:57:22,071 --> 00:57:24,441 -I'M SORRY. -IT'S FINE. -I'M SORRY. 1265 00:57:24,507 --> 00:57:25,475 SHE GETS REALLY LOUD. 1266 00:57:25,542 --> 00:57:26,609 DO YOU LIKE POETRY? 1267 00:57:26,676 --> 00:57:28,178 PAUL, CAN YOU PLEASE SCOOT DOWN. 1268 00:57:28,244 --> 00:57:29,078 -HEY! -HEY. 1269 00:57:29,145 --> 00:57:29,813 OH GOSH. 1270 00:57:29,946 --> 00:57:31,281 YOU WANNA SIT HERE? WHERE YOU WANNA SIT. 1271 00:57:31,347 --> 00:57:32,582 NO THAT'S OK. I'LL SIT HERE WITH YOU. YOU PICK. 1272 00:57:32,649 --> 00:57:33,750 WHAT I WAS SAYING ABOUT THE POETRY THAT IT, 1273 00:57:33,817 --> 00:57:37,353 IT REALLY IMPROVE MY PROSE WRITING. 1274 00:57:37,420 --> 00:57:38,321 THIS IS A BIG DEAL. 1275 00:57:38,388 --> 00:57:39,722 NO, IT IS A BIG DEAL. 1276 00:57:39,789 --> 00:57:40,857 IT'S A VERY BIG DEAL. 1277 00:57:40,924 --> 00:57:42,292 BUT LIKE I SAID, ONE CAN ALWAYS MIX A LITTLE BIT OF WORK 1278 00:57:42,358 --> 00:57:43,059 WITH PLAY. 1279 00:57:43,126 --> 00:57:43,560 NO. 1280 00:57:43,626 --> 00:57:44,327 OF COURSE. 1281 00:57:44,394 --> 00:57:45,862 ALL WORK AND NO PLAY MAKES JACK A DULL BOY. 1282 00:57:45,929 --> 00:57:48,865 SO THEN WE'RE GONNA GO OUT AND GET FUCKED UP AND THEN IT WILL BE FUN. 1283 00:57:48,932 --> 00:57:50,033 YEAH. 1284 00:57:50,099 --> 00:57:51,634 -THEY SUIT EACH OTHER. -WHO? 1285 00:57:51,701 --> 00:57:52,569 I MEAN THEY REALLY SUIT EACH OTHER. 1286 00:57:52,635 --> 00:57:53,870 -DON'T THEY? -DO YOU THINK? 1287 00:57:53,937 --> 00:57:56,105 -THESE TWO. -NO SERIOUSLY. WE SHOULD FUCK. 1288 00:57:56,172 --> 00:57:58,241 ANNE. ANNE! 1289 00:57:58,308 --> 00:57:59,509 REMEMBER HALLOWEEN? 1290 00:57:59,576 --> 00:58:01,511 YEAH. WHAT ABOUT IT? 1291 00:58:01,578 --> 00:58:03,613 EXACTLY. 1292 00:58:03,680 --> 00:58:04,914 -OK. SORRY. -THAT'S ALRIGHT. 1293 00:58:04,981 --> 00:58:06,649 AH, BUT YOU KNOW WHAT? THIS HOTEL IS REVOLTING. 1294 00:58:06,716 --> 00:58:09,118 I HAVE TO BE HONEST. I'M SORRY, BUT I CAME HERE WHEN I WAS 7 YEARS OLD, 1295 00:58:09,185 --> 00:58:10,587 MY FATHER USED TO STAY HERE ALL HIS LIFE. 1296 00:58:10,653 --> 00:58:13,323 I GOT HERE THEY GAVE ME A ROOM. I'M MEANT TO BE IN A SUITE. 1297 00:58:13,389 --> 00:58:14,557 THE ROOM IS LIKE, I CAN'T EVEN STAND UP IN IT. 1298 00:58:14,624 --> 00:58:17,427 NO YOU SHOULD COME STAY AT MY HOUSE. 1299 00:58:17,494 --> 00:58:18,895 -YEAH. -STAY WITH YOU? 1300 00:58:18,962 --> 00:58:20,497 YEAH, WE'VE GOT A GUEST HOUSE. 1301 00:58:20,563 --> 00:58:21,631 -YOU DO? -YEAH. 1302 00:58:21,698 --> 00:58:23,399 NO, NO, NO NO NO. WE WE.. NO. 1303 00:58:23,466 --> 00:58:25,401 -NO, JACK, JACK. NO, NO. -HEY HANG ON A SECOND. 1304 00:58:25,468 --> 00:58:27,470 NO I'LL TELL YOU WHAT. THIS IS ACTUALLY A GOOD POINT. 1305 00:58:27,537 --> 00:58:29,839 NOW SAYING THAT, ACTUALLY THAT'S WHAT WE'RE TAUGHT IN LONDON. 1306 00:58:29,906 --> 00:58:31,708 THE BEST PLACES TO STAY ARE AT PEOPLE HOMES. 1307 00:58:31,774 --> 00:58:35,578 -MY MOM WOULD LOVE TO MEET YOU. -REALLY? -SHE KNEW YOUR DAD. 1308 00:58:35,645 --> 00:58:36,880 -OH, HOW SWEET. -I DON'T THINK WE SHOULD DO THAT. 1309 00:58:36,946 --> 00:58:38,615 WOULD YOUR MOM BE OK WITH US COMING TO STAY? 1310 00:58:38,681 --> 00:58:40,283 -SHE'D BE DELIGHTED. -WE'RE FINE. 1311 00:58:40,350 --> 00:58:41,851 JACK, CAN WE. LET'S GO AND HAVE A CIGARETTE. 1312 00:58:41,918 --> 00:58:43,253 CAN I GO AND SPEAK WITH YOU OUTSIDE AND HAVE A SMOKE. 1313 00:58:43,319 --> 00:58:44,921 -YOU DON'T SMOKE. -I'LL CALL MY MUM. 1314 00:58:44,988 --> 00:58:46,756 -WHAT? -YOU DON'T SMOKE. -SO WHAT. 1315 00:58:46,823 --> 00:58:48,758 I'VE GOT YOUR LIGHTER AND I NEED TO GIVE IT TO... 1316 00:58:48,825 --> 00:58:51,561 CAN WE PLEASE JUST GO OUTSIDE AND SMOKE? 1317 00:58:51,628 --> 00:58:52,795 GOD, SHE'S A DITCH, LILY, HUH? 1318 00:58:52,862 --> 00:58:54,664 NO, NO, NO! 1319 00:58:54,731 --> 00:58:59,102 LOOK WE, WE CAN'T GO AND STAY THERE, OK? 1320 00:58:59,168 --> 00:59:01,104 DON'T BE SUCH A PRUDE. SHE JUST OFFERED US. 1321 00:59:01,170 --> 00:59:02,572 WHY'D YOU HAVE TO SAY YES TO EVERYTHING? 1322 00:59:02,639 --> 00:59:03,940 I'M NOT SAYING YES TO EVERYTHING? 1323 00:59:04,007 --> 00:59:05,041 WHAT ARE YOU PLANNING TO DO? 1324 00:59:05,108 --> 00:59:06,309 A BEAUTIFUL GIRL JUST OFFERED US TO STAY IN HER HOUSE. 1325 00:59:06,376 --> 00:59:07,744 YES. WHAT IS THAT. 1326 00:59:07,810 --> 00:59:09,512 AND WE HAVE A NICE PLACE TO STAY THE STUDIO HAS PUT US UP, AND WE SHOULD STAY HERE. 1327 00:59:09,579 --> 00:59:12,115 I DON'T LIKE MY ROOM. YOU LIKE YOUR ROOM. I DON'T LIKE MINE. 1328 00:59:12,181 --> 00:59:14,050 I'D MUST PREFER TO STAY IN A HOUSE WITH A BEAUTIFUL WOMAN. 1329 00:59:14,117 --> 00:59:15,818 WHAT ARE YOU PLANNING ON DOING? HUH? 1330 00:59:15,885 --> 00:59:17,453 I'M NOT, AH, IT'S NONE OF YOUR BUSINESS. 1331 00:59:17,520 --> 00:59:19,622 WHAT DO YOU MEAN IT'S NONE OF MY BUSINESS IF WE'RE BOTH GOING TO STAY IN HER HOUSE. 1332 00:59:19,689 --> 00:59:21,391 SHE'S A NICE GIRL, JACK. 1333 00:59:21,457 --> 00:59:24,227 SHE'S A NICE GIRL AND I KNOW WHAT YOU'RE LIKE. 1334 00:59:24,294 --> 00:59:26,596 OK, HURRY UP PAUL. 1335 00:59:26,663 --> 00:59:28,264 IN FAST! 1336 00:59:28,331 --> 00:59:29,532 OH MY GOD. 1337 00:59:29,599 --> 00:59:30,700 YOU WANT MY CARDIGAN? 1338 00:59:30,767 --> 00:59:31,901 NO I'M GOOD. 1339 00:59:33,836 --> 00:59:35,972 DON'T FALL IN THE POOL. 1340 00:59:36,906 --> 00:59:38,675 WATCH THE POOL. 1341 00:59:39,776 --> 00:59:40,710 IT'S SO WET OUTSIDE. 1342 00:59:40,777 --> 00:59:43,112 I'M SORRY. I'M SORRY. 1343 00:59:43,179 --> 00:59:45,381 -COME ON IN. -HI. 1344 00:59:45,448 --> 00:59:48,084 JACK JR. JACK JR. HOW ARE YOU? 1345 00:59:48,151 --> 00:59:49,285 -WHAT'S YOUR NAME? -I'M BRAD. 1346 00:59:49,352 --> 00:59:51,721 -VERY NICE TO MEET YOU BRAD. -OH YOU KNEW MY FATHER. 1347 00:59:51,788 --> 00:59:54,591 I DID KNOW YOUR DAD. YOU ARE SO MUCH LIKE YOUR FATHER. 1348 00:59:54,657 --> 00:59:56,759 OH REALLY. YEAH NO, I GET THAT A LOT THESE DAYS. 1349 00:59:56,826 --> 01:00:01,864 I PRODUCED THE GOLDEN LION WITH YOUR DAD, YEAH. -OH, YOU'RE KIDDING ME. 1350 01:00:03,933 --> 01:00:06,069 HI, IT'S A GREAT PLACE. 1351 01:00:06,135 --> 01:00:07,136 I'M JACK. 1352 01:00:07,203 --> 01:00:07,870 HI, HI. 1353 01:00:07,937 --> 01:00:08,671 NICE TO MEET YOU. PLEASURE. HOW ARE YOU? 1354 01:00:08,738 --> 01:00:09,472 -NICE TO MEET YOU. -VERY WELL. 1355 01:00:09,539 --> 01:00:10,673 THANK YOU SO MUCH FOR HAVING US IN YOUR HOME. 1356 01:00:10,740 --> 01:00:11,741 DID YOU REMEMBER TO PUT SALT? 1357 01:00:11,808 --> 01:00:13,009 MOM, I PUT SALT IN IT. 1358 01:00:13,076 --> 01:00:14,577 -YOU DID? -I DID. 1359 01:00:14,644 --> 01:00:15,845 YOU GO WASH THE STRAWBERRIES. 1360 01:00:15,912 --> 01:00:17,447 OK. NO. 1361 01:00:17,513 --> 01:00:18,281 I DON'T WANT TO WASH THE STRAWBERRIES. 1362 01:00:18,348 --> 01:00:19,248 OH, OK, I'LL WASH THE STRAWBERRIES. 1363 01:00:19,315 --> 01:00:20,750 WELL IF YOU'RE NOT GONNA, STOP IT! STOP IT! 1364 01:00:20,817 --> 01:00:22,452 -JUST A LITTLE, ALRIGHT... -NO! 1365 01:00:22,518 --> 01:00:24,554 -TAKE HIM AWAY. -YOU ALWAYS CONVERGE IN THE KITCHEN. 1366 01:00:24,621 --> 01:00:26,389 EVERY TIME THERE'S A DINNER PARTY EVERYONE ALWAYS ENDS UP IN 1367 01:00:26,456 --> 01:00:28,124 THE KITCHEN. 1368 01:00:28,191 --> 01:00:29,859 MOVE. 1369 01:00:29,926 --> 01:00:32,295 WOULD YOU LIKE SOME SPACE LILY, BECAUSE WE CAN, 1370 01:00:32,362 --> 01:00:33,863 WE DON'T ALL HAVE TO BE. 1371 01:00:33,930 --> 01:00:35,064 NEED ANYTHING? 1372 01:00:35,131 --> 01:00:36,733 WELL, HOW LONG IS IT GOING TO BE NOW? 1373 01:00:36,799 --> 01:00:38,701 UM, 45? 45 MINUTES? 1374 01:00:38,768 --> 01:00:40,036 45? 1375 01:00:40,103 --> 01:00:41,337 WHAT DO YOU FEEL LIKE? A GAME? 1376 01:00:41,404 --> 01:00:42,505 SHOULD WE PLAY A GAME? DO YOU PLAY CARDS? 1377 01:00:42,572 --> 01:00:44,907 OH. WELL I HAVE PLAYED IN MY LIFE. I'M NOT REALLY GOOD. 1378 01:00:44,974 --> 01:00:46,042 THAT'S PUTTING IT MILDLY, BUT... 1379 01:00:46,109 --> 01:00:48,511 UM, HAVE YOU PLAYED BRIDGE BEFORE? 1380 01:00:48,578 --> 01:00:49,479 YEAH, I HAVE PLAYED BRIDGE. 1381 01:00:49,545 --> 01:00:52,148 BRIDGE IS A GOOD OLD ENGLISH GAME THAT WE CAN - WE HAVE 45 1382 01:00:52,215 --> 01:00:54,217 MINUTES, GIVES US ENOUGH TIME TO HAVE AT LEAST ONE. 1383 01:00:54,283 --> 01:00:56,285 ALRIGHT. WELL, I'VE GOT SOME CARDS SOMEWHERE. 1384 01:00:56,352 --> 01:01:00,390 UM, NO BUT I DO BELIEVE THAT THERE'S CERTAIN GAMES THAT WHEN 1385 01:01:00,456 --> 01:01:02,358 THERE'S NO MONEY THERE'S NO REASON TO PLAY. 1386 01:01:02,425 --> 01:01:04,394 SO I DO THINK WE SHOULD PLAY WITH SOME MONEY. 1387 01:01:04,460 --> 01:01:06,062 MATCHES ARE SOMETHING TO PLAY WITH, 1388 01:01:06,129 --> 01:01:08,231 I MEAN, THAT'S FINE. 1389 01:01:08,297 --> 01:01:09,098 THERE'S NO REASON WE HAVE TO PLAY FOR MONEY. 1390 01:01:09,165 --> 01:01:10,633 FIVE DOLLARS A TRICK THAT'S NOT BAD, 1391 01:01:10,700 --> 01:01:13,936 -THAT'S A VERY SMALL SUM. A -BOX OF MATCHES IS FINE. 1392 01:01:14,003 --> 01:01:15,805 IF YOU DON'T WANT, OBVIOUSLY AS HOSTESS. 1393 01:01:15,872 --> 01:01:17,273 WHATEVER YOU THINK, BUT UM... 1394 01:01:17,340 --> 01:01:18,341 JACK. 1395 01:01:18,408 --> 01:01:19,275 I ALWAYS BELIEVE THAT WHEN PLAYING, 1396 01:01:19,342 --> 01:01:21,010 AS MY FATHER WOULD SAY, YOU KNOW. 1397 01:01:21,077 --> 01:01:23,546 THERE'S NO POINT IN PLAYING A GAME IF IT'S NOT PLAYING FOR MONEY. 1398 01:01:23,613 --> 01:01:25,982 [CHUCKLES] YES, YES. 1399 01:01:26,783 --> 01:01:28,718 FIVE OF DIAMONDS. 1400 01:01:29,886 --> 01:01:30,987 EIGHT TO EIGHT. 1401 01:01:31,821 --> 01:01:32,588 ARE YOU JOKING? 1402 01:01:32,655 --> 01:01:34,223 YOU CAN'T JUST FUCKING SAY THAT ACROSS THE TABLE? 1403 01:01:34,290 --> 01:01:35,892 -WHY CAN'T I? -EIGHT OF DIAMONDS. 1404 01:01:35,958 --> 01:01:37,527 -YES. -WELL YOU CAN'T JUST SIT THERE. 1405 01:01:37,593 --> 01:01:39,796 -WHY NOT? -WELL, YOU CAN'T -IT'S STILL FRIENDLY. 1406 01:01:39,862 --> 01:01:41,464 IT'S FRIENDLY, IT'S FRIENDLY, BUT. 1407 01:01:41,531 --> 01:01:44,467 I DON'T BELIEVE IN PLAYING CARDS UNLESS YOU PLAY SERIOUSLY. 1408 01:01:44,534 --> 01:01:45,601 I - YOU CAN'T DO THAT AGAIN. 1409 01:01:45,668 --> 01:01:49,639 MY FATHER SAW YOU PICKING, LIKE, HINTING TO SOMEONE YOU'D GET A 1410 01:01:49,706 --> 01:01:50,673 FUCKING FIST IN THE FACE. 1411 01:01:50,740 --> 01:01:51,908 -NO, NO, NO, HE WOULD HAVE -WOULDN'T HE NOT? 1412 01:01:51,974 --> 01:01:54,377 THAT HE WOULD. THAT HE WOULD DO. YES YES. 1413 01:01:54,444 --> 01:01:56,979 WELL, IT SEEMS EVERYTHING COMES BACK TO YOUR FATHER. 1414 01:01:57,046 --> 01:02:00,550 YOU REMIND ME OF SOMEONE OTHER THAN YOUR FATHER. 1415 01:02:00,616 --> 01:02:03,352 HOPEFULLY A FRIEND. OR SOMEONE YOU LIKE. 1416 01:02:03,419 --> 01:02:05,521 -I'M NOT SURE. -YOU'RE NOT SURE. 1417 01:02:05,588 --> 01:02:06,422 HMM... 1418 01:02:06,489 --> 01:02:07,223 BOOM. 1419 01:02:07,290 --> 01:02:08,124 WE'LL TAKE THAT. 1420 01:02:09,692 --> 01:02:10,893 OH MY GOD, NICELY PLAYED. 1421 01:02:10,960 --> 01:02:12,161 NICELY PLAYED. 1422 01:02:12,228 --> 01:02:13,362 -WAIT A MINUTE. -AND THAT'S US. 1423 01:02:13,429 --> 01:02:15,998 WELL WE JUST GOT OUR SIX SO THAT MEANS YOU CAN'T GET YOUR NINE. 1424 01:02:16,065 --> 01:02:16,966 AND THAT'S OUR GAME. 1425 01:02:17,033 --> 01:02:17,867 HAVE YOU WON? 1426 01:02:17,934 --> 01:02:20,636 PLAY THE ACE OF HEARTS. 1427 01:02:20,703 --> 01:02:23,039 HERE WE GO. 1428 01:02:26,909 --> 01:02:29,011 THAT'S OK AND I'LL JUST DO THAT. 1429 01:02:29,078 --> 01:02:31,214 AND PERFECT. THANK YOU. THANK YOU. 1430 01:02:31,280 --> 01:02:33,349 TAKE THAT. TAKE IT DOWN AND WE WIN. 1431 01:02:33,416 --> 01:02:34,317 GOODNIGHT. 1432 01:02:34,383 --> 01:02:36,152 THAT'S ANOTHER ONE. THE CARDS ARE JUST. 1433 01:02:36,219 --> 01:02:38,654 I KNOW. I GET IT. 1434 01:02:38,721 --> 01:02:39,589 HOW MUCH DO I OWE YOU? 1435 01:02:39,655 --> 01:02:45,161 -I THINK, UM, I THINK, OH ACTUALLY $180. -COME ON. 1436 01:02:45,228 --> 01:02:47,196 $180. HOW DID WE GET THERE? 1437 01:02:47,263 --> 01:02:49,098 THIS IS WHAT WE SHOULD PLAY WITH. 1438 01:02:49,165 --> 01:02:50,700 -WITH MATCHES. -I TOLD YOU THAT. 1439 01:02:50,767 --> 01:02:52,235 -YES. -WE CAN. 1440 01:02:52,301 --> 01:02:55,805 I'M, REALLY SORRY, I'M NOT GONNA TAKE ANYTHING. 1441 01:02:55,872 --> 01:02:57,774 I THOUGHT WE WERE PLAYING IT'S JUST A GAME. I'M GONNG GO CHECK ON LILLY. 1442 01:02:57,840 --> 01:03:00,543 -OK, DINNER. -THAT'S OK. I'M GOING TO CHECK ON HER. 1443 01:03:00,610 --> 01:03:01,878 HOW'S IT GOING IN HERE? 1444 01:03:01,944 --> 01:03:04,347 -HEY! -HI. 1445 01:03:04,413 --> 01:03:05,515 OH GOD. 1446 01:03:05,581 --> 01:03:06,816 CAN I HELP? 1447 01:03:06,883 --> 01:03:11,420 I'M VERY GOOD WITH MY HANDS. AS I SAID BEFORE, PUN INTENDED. 1448 01:03:11,487 --> 01:03:12,989 YOU'RE FUNNY. 1449 01:03:14,290 --> 01:03:16,826 -WELL. -I'M HUNGRY. I MUST ADMIT. -ME TOO. 1450 01:03:16,893 --> 01:03:19,362 VERY HUNGRY. 1451 01:03:24,767 --> 01:03:25,835 HAVE YOU TASTED THESE? 1452 01:03:25,902 --> 01:03:26,936 I HAVEN'T YET. 1453 01:03:27,003 --> 01:03:29,071 YOU HAVEN'T? 1454 01:03:32,008 --> 01:03:33,242 GOOD STRAWBERRY. 1455 01:03:33,309 --> 01:03:35,111 YEAH, THAT'S PRETTY GOOD. 1456 01:03:35,178 --> 01:03:36,212 IF, IF YOU'LL EXCUSE ME. 1457 01:03:36,279 --> 01:03:37,747 MAYBE THEY NEED SOME HELP. 1458 01:03:37,814 --> 01:03:39,849 OR SOMETHING LIKE THAT. 1459 01:03:41,284 --> 01:03:42,952 -WHAT ARE YOU GUYS DOING? -HEY PAUL. 1460 01:03:43,019 --> 01:03:44,787 -HEY. -CHOPPING THE STRAWBERRIES. 1461 01:03:44,854 --> 01:03:46,589 RIGHT. 1462 01:03:47,490 --> 01:03:48,257 SO... 1463 01:03:48,324 --> 01:03:49,425 THAT'S LOOKS DELICIOUS. 1464 01:03:49,492 --> 01:03:50,159 EVERYONE. 1465 01:03:50,226 --> 01:03:51,527 AH, RAISE A GLASS. 1466 01:03:51,594 --> 01:03:53,162 TO THE CHEF AND TO A WONDERFUL, GRACIOUS HOSTESS. 1467 01:03:53,229 --> 01:03:54,397 I HAVE TO SAY TO BOTH OF YOU. 1468 01:03:54,463 --> 01:03:56,232 WHAT A PLEASURE BEING IN YOUR HOME. 1469 01:03:56,299 --> 01:03:57,300 -THANK YOU. -CHEERS. 1470 01:03:57,366 --> 01:04:00,169 -WELCOME. -IT'S DELICIOUS, IN EVERY WAY. 1471 01:04:00,236 --> 01:04:01,204 THANK YOU. THANK YOU. 1472 01:04:01,270 --> 01:04:02,805 THANK YOU SO MUCH FOR YOUR HOSPITALITY. 1473 01:04:02,872 --> 01:04:04,507 SEE YOU IN THE MORNING. 1474 01:04:04,574 --> 01:04:05,608 AH, BRAD. 1475 01:04:05,675 --> 01:04:07,910 -GOOD TO SEE YOU. -THANK YOU SO MUCH. 1476 01:04:07,977 --> 01:04:10,346 AH, LILY. 1477 01:04:10,413 --> 01:04:13,416 THANK YOU SO MUCH THAT WAS WONDERFUL. 1478 01:04:13,482 --> 01:04:18,020 -BRAD, PLEASURE. -ABSOLUTELY. 1479 01:04:20,256 --> 01:04:22,391 -GOOD NIGHT. -GOOD NIGHT. 1480 01:04:26,529 --> 01:04:28,831 I DON'T AGREE WITH IT. THAT'S ALL. 1481 01:04:28,898 --> 01:04:30,066 YOU UNDERSTAND? 1482 01:04:30,132 --> 01:04:36,005 IT'S NOT THAT I'M UPSET. I JUST DON'T AGREE WITH WHAT YOU WERE DOING. 1483 01:04:36,072 --> 01:04:38,608 IT WAS QUITE FUNNY, THOUGH HUH. 1484 01:04:38,674 --> 01:04:42,111 IT WAS NOT FUNNY. IT WAS, IT WAS WRONG. 1485 01:04:42,178 --> 01:04:45,314 -IT WASN'T WRONG. -IT WAS KIND OF AN ASSHOLE MOVE IF YOU ASK ME. 1486 01:04:45,381 --> 01:04:48,184 SHE DIDN'T TAKE LOSING WELL AT ALL. 1487 01:04:54,257 --> 01:04:57,059 LA IS MEANT TO BE HOT. 1488 01:04:58,661 --> 01:05:00,796 I BET SHE WAS GOOD LOOKING IN HER DAY, WASN'T SHE. 1489 01:05:00,863 --> 01:05:01,597 THE OLD GIRL. 1490 01:05:01,664 --> 01:05:02,999 HER MOM, YEAH. 1491 01:05:03,065 --> 01:05:04,333 I'LL BET SHE WAS. 1492 01:05:04,400 --> 01:05:05,801 I MEAN, LILY, SHE'S... 1493 01:05:05,868 --> 01:05:06,802 SHE'S BEAUTIFUL, ISN'T SHE. 1494 01:05:06,869 --> 01:05:09,639 -YEAH SHE'S BEAUTIFUL. -NOT THE BEST COOK IN THE WORLD. 1495 01:05:09,705 --> 01:05:13,242 YOU KNOW THIS WHOLE LILY THING, YEAH. 1496 01:05:13,309 --> 01:05:14,844 YOU SHOULD REALLY SLOW IT DOWN. 1497 01:05:14,911 --> 01:05:16,145 YOU'RE COMING ON A LIT, 1498 01:05:16,212 --> 01:05:18,314 WELL, YOU'RE COMING ON A LITTLE STRONG. 1499 01:05:21,384 --> 01:05:23,619 WHAT ARE YOU DOING? 1500 01:05:27,089 --> 01:05:28,257 WHO ARE YOU TEXTING? 1501 01:05:28,324 --> 01:05:30,626 I WASN'T TEXTING ANYONE. 1502 01:05:32,862 --> 01:05:34,030 I'M GOING TO GO SMOKE. 1503 01:05:34,096 --> 01:05:35,598 YOU WHAT? 1504 01:05:35,998 --> 01:05:38,067 JACK? 1505 01:05:38,467 --> 01:05:40,036 JACK! 1506 01:07:30,746 --> 01:07:33,349 THERE YOU GO, PUSSY CAT. 1507 01:07:34,583 --> 01:07:36,819 OH, HOW PEOPLE'VE CHANGED. 1508 01:07:36,886 --> 01:07:38,654 KITTY? 1509 01:07:38,721 --> 01:07:40,189 HIS FATHER. 1510 01:07:40,256 --> 01:07:41,590 OH. 1511 01:07:41,657 --> 01:07:44,460 HIS FATHER. HE WENT DOWN ON HIS KNEES. 1512 01:07:44,527 --> 01:07:47,196 AND DECLARED HIMSELF. 1513 01:07:47,263 --> 01:07:49,598 WHAT WOULD YOU HAVE ME DO? 1514 01:07:50,733 --> 01:07:52,201 KILL MYSELF. 1515 01:07:52,268 --> 01:07:53,769 ON YOUR COMMAND. 1516 01:07:54,970 --> 01:07:57,573 I'LL DO ANYTHING YOU COMMAND. 1517 01:08:24,834 --> 01:08:26,168 -HEY. -HEY. 1518 01:08:26,235 --> 01:08:27,536 YOU FELL ASLEEP. 1519 01:08:28,137 --> 01:08:30,306 I'VE BEEN WATCHING YOU ALL DAY. 1520 01:08:30,973 --> 01:08:32,374 YOU HAVE THIS SWEETNESS. 1521 01:08:32,441 --> 01:08:34,910 YOU'RE CHARMING AND YOU'RE BEAUTIFUL. 1522 01:08:36,679 --> 01:08:38,747 BUT I THINK THERE MIGHT BE A DARKER SIDE TO YOU. 1523 01:08:38,814 --> 01:08:40,649 AND IT COULD BE VERY GOOD FOR MY PICTURE. 1524 01:08:40,716 --> 01:08:42,818 YOU ARE THE PART, BASICALLY. 1525 01:08:43,586 --> 01:08:45,221 YOU JUST HAVE TO FIND YOUR DARK SIDE. 1526 01:08:45,287 --> 01:08:48,057 WHY DO YOU THINK THERE'S A DARK SIDE? 1527 01:08:48,124 --> 01:08:51,227 WELL, I THINK, NO ONE CAN BE AS BEAUTIFUL AND AS SWEET AND AS 1528 01:08:51,293 --> 01:08:53,662 INNOCENT AS YOU PLAY. 1529 01:08:55,097 --> 01:08:56,799 I'M NONE OF THOSE THINGS. 1530 01:08:57,500 --> 01:08:59,001 WE'LL SHOOT A SCREEN TEST. 1531 01:08:59,068 --> 01:09:00,002 DO YOU KNOW WHAT A SCREEN TEST IS? 1532 01:09:00,069 --> 01:09:01,937 -YES. -YEAH. 1533 01:09:02,004 --> 01:09:03,038 SO WE'LL SHOOT A SCREEN TEST. 1534 01:09:03,105 --> 01:09:04,907 AT THE STUDIO. 1535 01:09:04,974 --> 01:09:06,475 AND I CAN SHOW THEM. 1536 01:09:06,542 --> 01:09:11,881 ANYWAY, I, AH, I HAVE DIRECTOR'S APPROVAL FOR THE ACTORS. 1537 01:09:11,947 --> 01:09:15,451 IF I DON'T GET YOU, I WON'T DO THE PICTURE. 1538 01:09:15,518 --> 01:09:17,453 I CAN'T BELIEVE YOU'RE SAYING THAT. 1539 01:09:17,520 --> 01:09:19,822 NO. I'M ONLY SAYING IT BECAUSE I MEAN IT. 1540 01:09:20,890 --> 01:09:21,657 REALLY? 1541 01:09:21,724 --> 01:09:22,358 YES. 1542 01:09:22,424 --> 01:09:23,359 SOMETIMES YOU'RE JUST STRUCK BY SOMEONE. 1543 01:09:23,425 --> 01:09:24,727 SOMETIMES SOMEONE JUST COMES RIGHT OUT AT YOU AND YOU SAY OH 1544 01:09:24,793 --> 01:09:27,329 WOW, THAT'S IT, THAT'S EXACTLY WHAT I'VE BEEN LOOKING FOR. 1545 01:09:30,232 --> 01:09:31,133 WOW. 1546 01:09:31,500 --> 01:09:32,935 ARE YOU SURE? 1547 01:09:33,969 --> 01:09:36,138 YEAH, I'M DEFINITE. 1548 01:09:36,839 --> 01:09:39,441 WHAT IS THAT? WHY DO YOU WEAR THAT? 1549 01:09:39,508 --> 01:09:41,177 -IT WAS MY DAD'S. -REALLY? 1550 01:09:41,243 --> 01:09:43,212 YEAH. 1551 01:09:43,279 --> 01:09:45,347 YEAH, I GOT IT WHEN HE DIED. 1552 01:09:48,417 --> 01:09:50,586 AND HE GOT IT FROM HIS FATHER. 1553 01:09:51,420 --> 01:09:53,055 IT'S A LAPUS. 1554 01:09:53,122 --> 01:09:54,523 SUCH A PRETTY COLOR. 1555 01:09:54,590 --> 01:09:56,759 YEAH. IT'S BEAUTIFUL. 1556 01:10:08,671 --> 01:10:09,471 AH. 1557 01:10:09,538 --> 01:10:12,374 I'M SORRY, MY PHONE KEEPS VIBRATING IN MY POCKET. 1558 01:10:16,011 --> 01:10:18,614 AH. IT'S PAUL. 1559 01:10:19,782 --> 01:10:22,351 I THINK HE'S A LITTLE JEALOUS. 1560 01:10:22,418 --> 01:10:25,054 I THINK HE MIGHT LIKE YOU TOO. 1561 01:10:25,120 --> 01:10:25,955 NO. 1562 01:10:26,021 --> 01:10:27,623 I THINK HE DOES. 1563 01:10:28,324 --> 01:10:30,292 HEY JACK. 1564 01:10:30,859 --> 01:10:31,594 JACK. 1565 01:10:32,161 --> 01:10:32,895 WHAT IS IT? 1566 01:10:32,962 --> 01:10:34,096 JA - OH HEY. 1567 01:10:34,163 --> 01:10:35,364 WHAT THE HELL ARE YOU DOING? 1568 01:10:35,431 --> 01:10:36,899 YOU NEED TO COME DOWN NOW. 1569 01:10:36,966 --> 01:10:39,468 KEEP YOUR VOICE DOWN. YOU'RE GOING TO WAKE HER MOTHER. 1570 01:10:39,535 --> 01:10:41,070 LORENZO HAS CALLED ME. OK. 1571 01:10:41,136 --> 01:10:42,204 HE'S BEEN TRYING TO GET A HOLD OF YOU, 1572 01:10:42,271 --> 01:10:44,273 BUT HE COULDN'T GET A HOLD OF YOU SO HE CALLED ME. 1573 01:10:44,340 --> 01:10:45,641 -HE'S AT. -WHY? 1574 01:10:45,708 --> 01:10:46,809 HE WANTS TO SEE YOU NOW. 1575 01:10:46,875 --> 01:10:48,644 -GET DOWN HERE. -IT'S 11 O'CLOCK AT NIGHT. 1576 01:10:48,711 --> 01:10:50,145 I DON'T CARE WHAT TIME IT IS. 1577 01:10:50,212 --> 01:10:53,949 -WHERE IS HE? -HE'S AT THE LUBICH. THE BAR. COME ON. 1578 01:10:54,016 --> 01:10:55,985 OH MY GOD. I'M SO SORRY. 1579 01:10:56,051 --> 01:10:56,952 HEY LILY. 1580 01:10:57,019 --> 01:10:57,686 WHAT'S GOING ON? 1581 01:10:57,753 --> 01:11:00,155 HE'S THE PRODUCER OF THE FILM. 1582 01:11:00,222 --> 01:11:01,557 -NOTHING. WHAT? -IT'S OK. 1583 01:11:01,624 --> 01:11:03,392 ACTUALLY I CAN TALK TO HIM ABOUT YOU TONIGHT. 1584 01:11:03,459 --> 01:11:04,727 OK. 1585 01:11:05,027 --> 01:11:06,295 WILL YOU STAY AWAKE FOR ME? I'LL BE BACK IN TWO HOURS AT THE MOST. 1586 01:11:06,362 --> 01:11:09,465 -HEY JACK. COME ON. -I'M COMING. KEEP YOUR VOICE DOWN. 1587 01:11:09,531 --> 01:11:11,233 WE GOTTA GET A MOVE ON. 1588 01:11:11,300 --> 01:11:11,934 JESUS CHRIST. 1589 01:11:12,001 --> 01:11:13,435 -HE'LL WAKE MY MOM. -I'LL BE BACK. 1590 01:11:13,502 --> 01:11:15,037 WANNA TAKE MY CAR? 1591 01:11:15,104 --> 01:11:16,872 CAN I? 1592 01:11:22,778 --> 01:11:24,913 -I'LL BE BACK IN A COUPLE OF HOURS, OK? -OK. 1593 01:11:47,469 --> 01:11:48,337 GOOD EVENING. 1594 01:11:48,404 --> 01:11:50,105 IT'S HUSSAR. JACK HUSSAR. 1595 01:11:50,172 --> 01:11:51,674 WELCOME. 1596 01:12:00,349 --> 01:12:02,384 NOT A BAD NIGHT, HA BEN? 1597 01:12:03,052 --> 01:12:04,186 NOT BAD AT ALL. 1598 01:12:04,253 --> 01:12:05,120 HERE YOU GO MY FRIEND. 1599 01:12:05,187 --> 01:12:06,355 THAT'S FOR YOU. 1600 01:12:06,422 --> 01:12:08,223 DON'T SPEND IT ALL IN ONE PLACE. 1601 01:12:08,290 --> 01:12:09,458 THANK YOU SIR. 1602 01:12:09,525 --> 01:12:11,694 LOOK WHO'S HERE. 1603 01:12:11,760 --> 01:12:13,362 JACK HUSSAR, HOW YOU DOING KID. 1604 01:12:13,429 --> 01:12:14,496 IT'S GREAT TO FINALLY MEET YOU. 1605 01:12:14,563 --> 01:12:15,431 SAME HERE. 1606 01:12:15,497 --> 01:12:16,932 I KNEW YOUR FATHER. I KNOW YOU DID. 1607 01:12:16,999 --> 01:12:18,767 YOU DID SOME GREAT MOVIES TOGETHER YEAH. 1608 01:12:18,834 --> 01:12:20,402 NOW YOU AND I ARE GOING TO MAKE A GREAT MOVIE. 1609 01:12:20,469 --> 01:12:21,470 RIGHT? 1610 01:12:21,537 --> 01:12:23,105 I HOPE SO. YEAH, SURE. 1611 01:12:23,172 --> 01:12:24,340 WHY DON'T YOU SIT DOWN. 1612 01:12:24,406 --> 01:12:26,041 LET'S PLAY A LITTLE TEXAS HOLD 'EM. 1613 01:12:26,108 --> 01:12:27,309 YOUR DAD LIKED THAT GAME. 1614 01:12:27,376 --> 01:12:28,243 YEAH, UM. 1615 01:12:28,310 --> 01:12:29,378 OH, I DON'T HAVE ANY CASH. 1616 01:12:29,445 --> 01:12:30,379 I WOULDN'T WORRY ABOUT THAT. 1617 01:12:30,446 --> 01:12:31,613 I'LL TAKE YOUR MARKER. 1618 01:12:31,680 --> 01:12:33,649 HERE YOU GO. 1619 01:12:33,716 --> 01:12:40,189 AND, THIS WILL MAKE IT 25 THOUSAND DOLLARS. 1620 01:12:40,255 --> 01:12:40,956 TWENTY FIVE THOUSAND? 1621 01:12:41,023 --> 01:12:44,093 IT'S NOT TOO RICH FOR YOUR BLOOD, IS IT? 1622 01:12:44,159 --> 01:12:45,294 AH, NOPE. $25,000. 1623 01:12:45,361 --> 01:12:47,563 EXCELLENT. BEN? 1624 01:12:49,965 --> 01:12:52,000 SO YOU HAVE A GOOD FLIGHT, JACK? 1625 01:12:52,968 --> 01:12:57,406 AH, YEAH. IT WAS, UM, FINE FROM NEW YORK. 1626 01:12:57,473 --> 01:12:58,974 JACK, TELL ME. 1627 01:12:59,041 --> 01:13:03,479 HAVE YOU CHOSEN THE GIRL YOU WANT FOR THE LEAD YET? 1628 01:13:03,545 --> 01:13:04,046 AH, NO, I, I, I, WAS ACTUALLY GOING 1629 01:13:04,113 --> 01:13:05,280 TO SPEAK TO YOU ABOUT THAT. 1630 01:13:05,347 --> 01:13:07,149 BECAUSE THERE'S SOMEONE THAT I LIKE. I THINK SHE'S TERRIFIC. 1631 01:13:07,216 --> 01:13:10,552 I'VE BEEN FOLLOWING THIS KID FOR A LONG TIME. 1632 01:15:01,697 --> 01:15:03,565 FUCKING GREAT, HUH, JACK? 1633 01:15:03,632 --> 01:15:04,833 YEAH, BEAUTIFUL. 1634 01:15:04,900 --> 01:15:06,101 BEAUTIFUL IS RIGHT. 1635 01:15:06,168 --> 01:15:08,070 COME HERE BABY. 1636 01:15:08,136 --> 01:15:09,872 KISS. 1637 01:15:10,939 --> 01:15:12,474 LAURA, THIS IS MY NEW DIRECTOR JACK. 1638 01:15:12,541 --> 01:15:15,043 -HI LAURA, THAT WAS UNBELIEVABLE. -THANK YOU. 1639 01:15:15,110 --> 01:15:16,211 SO JACK. 1640 01:15:16,278 --> 01:15:18,080 WANT YOU TO UNDERSTAND SOMETHING. 1641 01:15:18,146 --> 01:15:24,553 NOW YOU'RE A GOOD LOOKING KID, BUT LAURA BELONGS TO ME. 1642 01:15:24,620 --> 01:15:26,588 CAPISCE? 1643 01:15:27,456 --> 01:15:31,126 YOU CAN LOOK, BUT DON'T TOUCH. 1644 01:15:31,193 --> 01:15:32,094 NO, OF COURSE. 1645 01:15:32,160 --> 01:15:34,596 JACK, I'D LOVE TO MEET UP AND TALK ABOUT THE ROLE. 1646 01:15:34,663 --> 01:15:35,631 BENNY, COME HERE FOR A SECOND. 1647 01:15:35,697 --> 01:15:37,232 IF YOU HAVE A SECOND. 1648 01:15:37,299 --> 01:15:38,367 SURE. 1649 01:15:38,433 --> 01:15:41,503 WHAT'S YOUR PHONE NUMBER? 1650 01:15:41,570 --> 01:15:45,107 IT'S, AH, 9873647527. 1651 01:15:45,173 --> 01:15:47,209 -CAN YOU REMEMBER THAT? -YES. 1652 01:15:59,655 --> 01:16:01,657 SHIT. 1653 01:16:30,686 --> 01:16:32,254 HEY THERE. 1654 01:16:34,022 --> 01:16:35,090 THANKS FOR COMING. 1655 01:16:35,157 --> 01:16:37,092 IT'S NOT A GOOD IDEA ME BEING HERE. 1656 01:16:37,159 --> 01:16:38,627 WHY? 1657 01:16:38,694 --> 01:16:41,196 DO YOU WANT A DRINK? 1658 01:16:41,263 --> 01:16:42,731 CAN I GET A VODKA MARTINI PLEASE, 1659 01:16:42,798 --> 01:16:43,365 WITH A TWIST? 1660 01:16:43,432 --> 01:16:44,232 THANK YOU. 1661 01:16:44,333 --> 01:16:46,368 I CAN ONLY BE HERE FOR ONE DRINK. I'M SORRY. 1662 01:16:46,435 --> 01:16:47,869 I HAVE TO GO HOME. 1663 01:16:47,936 --> 01:16:49,605 YOU CAN HAVE TWO. IT'S EARLY STILL. 1664 01:16:49,671 --> 01:16:50,772 I JUST MET A GIRL LILY. 1665 01:16:50,839 --> 01:16:51,773 WHO I LIKE. 1666 01:16:51,840 --> 01:16:53,475 SHE'S A NICE GIRL. 1667 01:16:53,542 --> 01:16:55,143 I DON'T WANT TO KEEP HER WAITING TOO LONG. 1668 01:16:55,210 --> 01:16:58,614 SHE CAN KEEP WAITING FOR A BIT LONGER. 1669 01:16:58,680 --> 01:16:59,881 CHEERS. 1670 01:16:59,948 --> 01:17:01,383 THAT WAS ONE OF THE MOST AMAZING DANCES I'VE EVER SEEN. 1671 01:17:01,450 --> 01:17:04,286 THANK YOU. 1672 01:17:05,387 --> 01:17:08,924 IT'S UM, A LITTLE UNCOMFORTABLE WHENEVER HE'S THERE. 1673 01:17:08,991 --> 01:17:11,893 BECAUSE I'M CONSTANTLY WATCHED, BY, 1674 01:17:11,960 --> 01:17:13,862 WHO I SPEAK TO, WHAT I DO. SO. 1675 01:17:13,929 --> 01:17:14,863 YEAH. OF COURSE. 1676 01:17:14,930 --> 01:17:18,467 IT MIGHT HAVE BEEN A LITTLE TAMED DOWN. 1677 01:17:18,533 --> 01:17:20,902 THIS ISN'T A GOOD IDEA. 1678 01:17:22,971 --> 01:17:24,973 WE'RE NOT DOING ANYTHING WRONG. 1679 01:17:25,040 --> 01:17:26,908 JUST BEING HERE'S NOT A GOOD IDEA. 1680 01:17:26,975 --> 01:17:30,078 IF HE EVER FOUND OUT ABOUT THIS, THIS WOULD AH..., 1681 01:17:30,145 --> 01:17:32,180 END VERY BADLY FOR BOTH OF US. 1682 01:17:33,115 --> 01:17:35,317 HE'S A VERY POWERFUL MAN. 1683 01:17:35,384 --> 01:17:36,551 I KNOW. 1684 01:17:36,618 --> 01:17:42,858 I JUST DON'T THINK WE SHOULD ELIMINATE ANYTHING THAT COULD BE 1685 01:17:42,924 --> 01:17:46,728 COMPLICATED AND COMPLICATED IN A FUN WAY. 1686 01:17:46,795 --> 01:17:48,430 YOU KNOW? 1687 01:18:02,511 --> 01:18:03,445 WHAT'S WRONG? 1688 01:18:03,512 --> 01:18:04,746 YEAH. 1689 01:18:04,813 --> 01:18:05,947 I'M NOT TOO DRUNK. 1690 01:18:06,014 --> 01:18:07,482 YOU'RE FINE. 1691 01:18:09,584 --> 01:18:12,287 DON'T BE SCARED. 1692 01:18:16,224 --> 01:18:17,859 I'M JUST DRIVING RIGHT NOW. 1693 01:18:17,926 --> 01:18:19,094 I DON'T KNOW WHY I'M DRIVING. 1694 01:18:19,161 --> 01:18:20,962 I'M FUCKING TOO DRUNK FOR DRIVING. 1695 01:18:21,029 --> 01:18:23,065 I CAN'T FUCKING SEE ANYTHING. 1696 01:19:18,320 --> 01:19:19,888 HI THERE. 1697 01:19:19,955 --> 01:19:22,491 YOU DO REALIZE THIS IS A PUBLIC STREET. RIGHT? 1698 01:19:23,692 --> 01:19:24,493 I'M SORRY. 1699 01:19:24,559 --> 01:19:27,729 WE WERE LOST AND WE WERE LOOKING FOR SOME DIRECTIONS. 1700 01:19:27,796 --> 01:19:30,365 DO YOU HAVE A DRIVER'S LICENSE. 1701 01:19:33,969 --> 01:19:35,670 UM, I DON'T HAVE MY WALLET WITH ME. 1702 01:19:35,737 --> 01:19:37,305 I'M FROM ENGLAND. 1703 01:19:37,906 --> 01:19:38,673 OK. 1704 01:19:38,740 --> 01:19:39,775 MA'AM. 1705 01:19:39,841 --> 01:19:40,776 DO YOU HAVE ANY IDENTIFICATION? 1706 01:19:40,842 --> 01:19:41,743 NO. 1707 01:19:41,810 --> 01:19:42,978 NOT ON ME. 1708 01:19:44,045 --> 01:19:46,214 OK, WELL WHY DON'T YOU DO ME A FAVOR AND STEP OUT HERE FOR ME. 1709 01:19:46,281 --> 01:19:47,349 YOU HAVE NO WEAPONS ON YOU, RIGHT? 1710 01:19:47,415 --> 01:19:48,049 NO. 1711 01:19:48,116 --> 01:19:50,085 TURN AROUND REAL QUICK. 1712 01:19:52,521 --> 01:19:54,990 ALRIGHT, STEP BACK AROUND HERE TO THE BACK OF THE CAR. 1713 01:19:55,056 --> 01:19:56,925 UP ON THE SIDEWALK. 1714 01:19:59,261 --> 01:20:01,163 ARE THESE ALL PHOTOGRAPHERS? 1715 01:20:01,229 --> 01:20:02,531 I DON'T KNOW WHO THESE GUYS ARE. 1716 01:20:02,597 --> 01:20:04,566 OK, I NEED YOU TO STEP OVER HERE THOUGH. 1717 01:20:04,633 --> 01:20:05,200 OK. 1718 01:20:05,901 --> 01:20:07,435 ALRIGHT, TURN AROUND AND LOOK AT ME. 1719 01:20:07,502 --> 01:20:08,870 HOW MUCH HAVE YOU HAD TO DRINK TONIGHT? 1720 01:20:08,937 --> 01:20:10,305 TWO DRINKS. 1721 01:20:10,372 --> 01:20:12,874 OK. YOU REALIZE THAT YOU REEK OF ALCOHOL. 1722 01:20:13,942 --> 01:20:17,245 OK, IT'S MY PROFESSIONAL OPINION RIGHT NOW THAT YOU'VE HAD A FEW 1723 01:20:17,312 --> 01:20:18,713 MORE THAN JUST TWO DRINKS. 1724 01:20:18,780 --> 01:20:21,917 I MIGHT HAVE HAD, AH, MAYBE THREE OR FOUR. 1725 01:20:21,983 --> 01:20:23,185 OK. 1726 01:20:23,251 --> 01:20:24,753 WHAT I'M GOING TO DO IS I'M GOING TO GIVE YOU SOME, 1727 01:20:24,820 --> 01:20:26,154 FIELD SOBRIETY TESTS RIGHT NOW. 1728 01:20:26,221 --> 01:20:27,756 OFFICER IS THERE ANYTHING I CAN DO TO GET OUT OF THIS? 1729 01:20:27,823 --> 01:20:29,858 I'M SORRY, I'M SHOOTING A MOVIE AT THE MOMENT 1730 01:20:29,925 --> 01:20:30,926 AND I'M BEING PHOTOGRAPHED. 1731 01:20:30,992 --> 01:20:31,660 OK, LISTEN UP. OK. 1732 01:20:31,726 --> 01:20:34,095 AT THIS POINT THERE IS NOTHING YOU CAN DO, 1733 01:20:34,162 --> 01:20:35,730 OTHER THAN FOLLOW MY INSTRUCTIONS. 1734 01:20:35,797 --> 01:20:37,065 ARE WE CLEAR ON THAT? 1735 01:20:53,281 --> 01:20:54,716 WHAT I NEED YOU TO DO IS TURN AROUND. 1736 01:20:54,783 --> 01:20:57,619 TURN AROUND. PUT YOUR HANDS BEHIND YOUR BACK. 1737 01:20:59,521 --> 01:21:00,488 COME ON, GIVE US A SMILE, MAN! 1738 01:21:00,555 --> 01:21:02,991 COME ON JACK. TURN AROUND! 1739 01:21:03,058 --> 01:21:04,893 OVER HERE! 1740 01:21:04,960 --> 01:21:06,361 DROP YOUR HEAD AND SIT DOWN. 1741 01:21:11,399 --> 01:21:13,168 DO YOU UNDERSTAND WHY YOU'RE BEING ARRESTED? 1742 01:21:13,235 --> 01:21:14,636 NO, I DO NOT. 1743 01:21:14,703 --> 01:21:16,938 OK. YOU THINK THAT WHAT YOU WERE DOING IN THE CAR WAS LEGAL? 1744 01:21:17,005 --> 01:21:18,607 WE WEREN'T DOING ANYTHING. 1745 01:21:18,673 --> 01:21:20,942 OK, THAT'S NOT WHAT I SAW. 1746 01:21:21,009 --> 01:21:23,144 WHAT DID YOU SEE? 1747 01:21:56,878 --> 01:21:59,047 JACK! 1748 01:22:00,348 --> 01:22:03,084 YA, COME IN. COME IN. 1749 01:22:05,787 --> 01:22:07,656 HI. HEY. 1750 01:22:07,722 --> 01:22:08,590 HEY. 1751 01:22:08,657 --> 01:22:09,958 I UM. 1752 01:22:10,025 --> 01:22:11,593 IS IT JACK? 1753 01:22:12,894 --> 01:22:14,396 JACK IS IN JAIL. 1754 01:22:14,462 --> 01:22:16,398 WHAT? 1755 01:22:18,066 --> 01:22:19,567 IS HE OK? 1756 01:22:19,634 --> 01:22:20,669 -YES, HE JUST... -WHAT HAPPENED? 1757 01:22:20,735 --> 01:22:22,971 HE WAS ARRESTED LAST NIGHT FOR A DUI, 1758 01:22:23,038 --> 01:22:26,608 IN YOUR CAR WITH LAURA. 1759 01:22:26,675 --> 01:22:27,475 WHO'S LAURA. 1760 01:22:27,542 --> 01:22:28,843 I DON'T KNOW, BUT APPARENTLY SHE WAS 1761 01:22:28,910 --> 01:22:30,512 GOING TO BE THE LEAD IN MY FILM. 1762 01:22:30,578 --> 01:22:32,113 SIT DOWN. 1763 01:22:32,647 --> 01:22:34,516 JACK. 1764 01:22:34,582 --> 01:22:38,920 JACK, WHAT, JACK IS, IS IN, IS IN JAIL? 1765 01:22:38,987 --> 01:22:40,522 IT'S EVERYWHERE, LILY. 1766 01:22:40,588 --> 01:22:43,258 IT'S ON, THE, THE, THE, GOSSIP SITES, 1767 01:22:43,325 --> 01:22:45,927 THE, THE, THE, CELEBRITY BLOGS, IT'S EVERY... 1768 01:22:45,994 --> 01:22:47,395 LORENZO KNOWS. 1769 01:22:47,462 --> 01:22:51,766 HE'S GONE MAD AND - YOU KNOW, HE'S ALREADY, 1770 01:22:51,833 --> 01:22:53,802 HE'S ALREADY SAID THAT, THAT, JACK'S NOT GOING TO BE ON THE 1771 01:22:53,868 --> 01:22:55,904 FILM, HE'S FIRED AND I DON'T KNOW WHERE 1772 01:22:55,971 --> 01:22:57,172 THAT PUTS ME NOW, BUT... 1773 01:22:57,238 --> 01:22:59,174 I'M SUCH AN IDIOT. 1774 01:23:00,075 --> 01:23:02,043 WHO'S LAURA? 1775 01:23:02,911 --> 01:23:03,712 I DON'T KNOW. 1776 01:23:03,878 --> 01:23:04,980 THIS IS WHAT JACK DOES. 1777 01:23:05,046 --> 01:23:08,116 HE MEETS A GIRL, HE MAKES PROMISES, 1778 01:23:08,516 --> 01:23:10,385 AND, AND, AND, AND HE CAN'T KEEP THEM, 1779 01:23:10,452 --> 01:23:13,154 AND, AND THIS IS WHAT HAPPENS. 1780 01:23:15,390 --> 01:23:17,892 I'M SORRY LILY. 1781 01:23:17,959 --> 01:23:20,528 SORRY I'M GETTING SNOT EVERYWHERE. 1782 01:23:20,595 --> 01:23:22,564 IT'S OK. 1783 01:23:23,798 --> 01:23:27,902 I JUST, I REALLY THOUGHT THAT HE LIKED ME. 1784 01:23:27,969 --> 01:23:29,604 I REALLY THOUGHT HE LIKED ME. 1785 01:23:29,671 --> 01:23:31,573 I'M SURE HE DID. YOU'RE BEAUTIFUL. 1786 01:23:31,639 --> 01:23:33,575 -AND YOU'RE... -NO I'M NOT. 1787 01:23:34,376 --> 01:23:35,643 YOU ARE, YOU'RE AMAZING. 1788 01:23:35,710 --> 01:23:38,580 -I'M NOT. -YOU'RE NOT LIKE... 1789 01:23:40,248 --> 01:23:42,350 COME HERE. 1790 01:23:47,355 --> 01:23:49,758 YOU DESERVE BETTER. 1791 01:23:50,992 --> 01:23:52,761 OK? 1792 01:23:56,998 --> 01:23:59,267 THANK YOU PAUL. 120803

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