On the Road 2012 720p BluRay x264-ESub Hollymoviehd-2025-04-09T00 25 42 subtitles – 100+ languages (SRT)

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Original subtitles

[Music]

I just got an over serious illness that I wanted to talk about except that it really had something

to do with my father's death and my awful feeling that everything was dead.

[Music]

There you go.

[Music]

All my New York friends were given their tired, bookish, political, or psychoanalytical reasons for being in the negative.

The dean just raised in society. I began to learn from him as much as he probably learned from me.

[Music]

Do you even know what we witnessed right there, so that tenorman has it.

See, he starts with the first chorus. The lines up his ideas, rises to his faith, and then suddenly

he's somewhere in the middle of the chorus. He gets it. Everybody looks up and moves.

Kind of in the style. He has to blow across bridges and bring back the such infinite field and for the tune of the moment that everybody knows it's not the tune of the

[Music]

I really wish I could drink whiskey like a man.

I was like, hey, it was shot.

[Music]

Excuse me, Miss. I can't seem to find an NPC to be.

[Music]

I'm so.

[Music]

You know what they did to me in that present?

Solid Derek and Fireman and a Bible.

I used to sit on the stone floor.

But one of these units I did that, they took away that Bible and they brought back a little pocket size one

and I was like so big and I could sit in.

You know why I've been in prison my whole life?

When I was 13 years old I was in a movie with a boy.

He makes a crack about my mother.

You know that dirty word.

So I take out my jackknap and it kind of is smart.

I want to kill them if they have to drug me off.

It just says, Henry, you know what you were doing when you attack your friend?

I say yes sir, you're on. I want to kill that son of a bitch.

I still do.

[Music]

God, she has a new name, I saw him.

He makes a wicked truth.

Jesus, yeah.

[Music]

It was over a year before I saw a dean again.

I stayed home most of the time.

Struggling with a half finished manuscript on my desk.

A long time, Board, with all of it.

"I used to love you, but it's all over."

Oh, wow.

On behalf of me and I, I just wanted to say,

"Don't get told."

"A, a fantastic."

"Thank you!"

Listen to this.

General Douglas MacArthur bans kissing on the streets of Tokyo.

Who's that puritanical old fart thing he is?

"Sell."

Oh, hello, Mary-Mary!

Dean, how we got there? You're really there?

Oh, she did. Who's in the car?

Oh, it's Mary Lou, my good pal Ed Dunkle.

Anyways, we need a place to clean up a meeting with men.

We're dog-dying.

Sure. How do you get her so fast?

They're not a Hudson ghost.

Yeah? Where do you get it?

I bought it out of my savings.

I've been working as a break man on the southern Pacific,

making 400 bucks a month.

I guess what?

I'm a father now.

What?

You a Mary Lou?

Well, not Mary Lou, Camille.

And old Mary Lou, and hish stuff with Camille.

Now we have a sweet little Amy.

And a nice little patent for a skull.

All right, as God is my witness, Mary Lou is the only honey cunt I'll ever look.

That makes perfect sense.

Dunky!

Big dis, Sal. Crazy cat gets married, dumps his wife off and do so.

Come on, come on.

Really?

I really appreciate this man.

There's no heater in that California car.

We haven't eaten in 30 hours or something.

Or slept in a bed since Denver?

Well, we don't have a penny one.

Look, the time's on a dean express, huh?

Well, it's not spoon inside for everybody.

Oh, great. Thanks.

I'm old and booked.

Hi, Mary.

How are you, Mary Lou?

I'm fine.

But I gotta tell you how nice it is to see the same face.

Well, uh, same.

It's a very relative term around you.

Don't call me that anymore because that bastard aged to me.

A big game of gravas.

Come on, food.

It's on the left.

You don't know me, I'm gonna.

Ma, to repay your gregarious hospitality.

This is all the trimmons on the spine day of holiday given.

I will drive you in Salab to a man in New York so you won't have to pay for a train.

How about that one?

Okay.

Sorry.

I stole the 38. I sat in the car.

Gunner, my temple, 14 of us out.

I'll try and pull the trigger and I couldn't do it.

You don't know that feeling, ma'am.

I stole the 38. I sat in the car.

Gunner, my temple, 14 of us out.

I'll try and pull the trigger and I couldn't do it.

And I'm sweating.

I'm nauseous and can't find me in a sway and I'm bigger to do it.

To kill me.

And she couldn't.

I don't know what's wrong with me.

I do all these dumb things and I think all these distorted ways, you know, I'm burning up.

Scared I'm gonna lose all that wisdom I ever learned, so.

I see a girl and I just, you know, I just tremble over and I get lost.

Like a couple weeks ago, I meet this black boy, right?

He's 25 and he's staying with his sugar mom and we're digging some great music and we're getting hot and I meet the greatest con gal suity, right?

Oh, suity.

Nice way as she's emerging.

So I take her back to the black boys place.

Three hours later she's getting a little drunk and a great show and a little one starts.

She does this dance for us.

She takes out her panties, she leaves on her dress and she stands on her head and she does this split.

You know, if she's screaming the whole time, I want your cock right and I need your cock.

And she goes over next to the bed, she spreads black boys knees open, pulls out his big black beauty.

He starts chugging on that, going on that thing, really going on that.

Spreads black girls knees open, starts going down on her big black hairy muff.

You know, gets on the bed, doesn't, oh, no, they're miraculous splits.

You know, comes over to me, swallows me, grabs black boys, he pulls him down on her black girl grabs me.

And that's a goddamn four way old you sell, goes over four fucking hours.

I miss this.

Yeah.

It's good to have family as a...

Got damn it.

See, one day that little kid's gonna throw rock through a guy's fucking windshield and he's

gonna crash and die all in a kind of that little pistol.

Yeah.

Gayle!

"Yeah?"

"Phone for you."

"Thanks."

"Hello."

"I'll paradise.

It's full calling you from New York."

"Who will be?

How the hell are you?"

"Well, we have ourselves a situation made to meet you rectifying."

"I've got a girl down here to show up on my doorstep.

This galletilla duncles looking for some clown name Ed Dunn call.

I don't know who the hell these people are."

"A galletilla and Ed are friends of deans from Denver."

"Oh shit.

Deen."

"Ah."

"Well, she wants to talk to you.

Make a fast, would you?

The telephone car tells don't do this for free."

"Hello, it's galletilla.

Is that there?"

"Ah, it's fine, but he's sleeping."

"Well, would you please tell him to round the dead and get me?"

"Mr. Lee and his wife don't seem all that happy to have me around."

"And I should kill Ed from what he did to me, dumping him here like this."

"And he's simply got to come and get me as soon as he can."

"He's got help with his people and Dad."

"They're mad."

"Well, we'll be there right after New Year's."

"Thank you."

"That's right.

He's got a lot of people.

"Wow, that's right.

I'm a lot of people.

I'm a lot of people."

"I'm a lot of people.

I'm a kid.

I'm a lot of people."

"I'm a kid.

I'm a kid.

I was 20 days to see in the gold and the...

When I decided to kill myself.

And then I realized that shit hadn't really been the fucking suicide.

I'm going over, you know, searching my mind for the right words.

And then I saw all of the crew coming out onto the deck.

And I couldn't jump anymore.

But in that moment, I resolved to follow my heart.

To live.

Yeah.

To experience the wisdom of life.

Yes.

Mad with XC and Benjin Sandman.

Truth.

I'm glad I did because otherwise I wouldn't have missed out on this amazing spot.

Not so.

On that note, not everybody.

Move their feet.

Like you feel something.

Like for a lie.

If you're not on that, there are some ways our classes.

Being alive.

Yeah.

So living.

And it's life.

Live!

[singing in foreign language]

(laughing)

(futuristic music)

(ding)

(cheering)

(laughing)

(ding)

- Seven, six, five, four, three, two, one!

Happy New Year!

(cheering)

- No two, three, no!

- No!

Happy New Year!

- Love you as ever, sir.

Yeah, man, love you.

(cheering)

- Sure!

- Yeah!

- We're gonna be a good one!

(futuristic music)

- What you got?

- I got that.

- Whoo!

- Hell of a night.

(cheering)

- So I have some to ask of you.

- Very important.

- Mm-hmm.

- I wonder how you'll take it.

- Nobody's on it, wait.

(laughing)

- Yeah, well.

(whistling)

- Say, "Yeah, let's put down here."

- So that's great.

(sighing)

- What happened?

What was fun?

- What?

(dramatic music)

- Fuck!

I can't do it.

- Come on, man.

- You promised.

Do you really wanna do this, Minder?

- She thinks it's swell.

- No, come on, no.

We just have to all God damn relax.

- Me.

Can you go wait in the kitchen?

Like now, please.

- Honey, you just want us to see what it would be like.

I told him that I wouldn't do that with any guy with you.

(dramatic music)

- Mind these little change of mind.

(dramatic music)

- All right, Mike.

(dramatic music)

- Right there, Mike.

- I got it.

- So Ed, why did you abandon Galatine in Tucson?

- She's her wife.

- What are you doing?

Wondering around the country like this?

- Dean.

- Why did you leave Camille and pick up Mary Lou?

- What are your only intentions?

- And what is this mad obsession you have with him?

- What is this mad obsession you have with him?

(laughing)

- Days of wrath are coming, my friends.

- It is high, Ron is a mirage.

You're all gonna go flying off to the west coast

and come crashing down to earth.

- Look, this carl.

- Yeah, Dean.

- Exactly, Mike.

- All right, he was hungry.

(dramatic music)

- We were leaving confusion a nonsense behind

performing our one noble function of the time.

- Move.

- New Orleans, an old bully, then west.

- It'll take all night to talk about old bully.

Let's just say now he was a teacher,

and he had every right to teach

'cause he spent all his time learning.

(dramatic music)

- I'll listen to her.

You know that I'm capable of everything at the same time

and I have unlimited energy.

So now when we get back to San Francisco,

it was actually when we go on living again.

I'm just a place for you, though.

I'll be all Mary-9 via Camille's about a morning.

I've done it before we receive, she'll never know.

(dramatic music)

- Underpants.

(dramatic music)

- You guys think you can rush through here as fast as you want

'cause you from California?

- Don't worry, Officer. We're heading back to California.

I need everybody to step out of that car, please.

(dramatic music)

- Hello to you young lady.

- I'm 18.

- Who's that guy you were?

- My husband.

I've got the certificate right in the back if you wanna see it.

- You're all in such a hurry to see out there in California.

- Well, why?

- Your wife.

- Listen here, just said she's your wife.

- She's my ex-wife.

- What the hell are you doing with your ex-wife?

- If you're going out to see your wife.

- Hey boy!

- You gonna waltz in here and tell me what's important?

- Let's go be $25 for speeding.

- Or what?

Or I can run you in right now and slap a special California boy charge on your ass?

- Yeah, what charge?

- Don't you worry about it, wise guy.

- You guys gonna switch it goddamn easy to all out and shoot you if you complain to it.

I wish I had a fucking gun.

- Don't go you were not driving anymore.

- Mary Lou, Fred those needs and I smoke some weed.

[music]

- Look at my father.

- It works.

- Thanks a lot.

- Hello, I'm Noah.

I'm your boy.

I get hurt.

I'm your boy.

I have a after-world.

I never have a after-world.

I get to say that he's a bit of a

I'm your boy.

- I tell you it's true, Sally.

I started at night with a girl named Millie Mayfair.

That's what my old man was barber in a bit still.

- Oh, honey Mary Lou, only I'd known you then.

How sweet you must've been at night.

- Hey, here's another one for you, Sally.

One time I jumped afraid from New Mexico cleared LA.

Now there's 11.

I lost my father along the side.

We were saying a whole boat jungle and I hadn't seen him for months.

So by the time I get to LA, I'm so star-for-milked that I get a job

right in the dairy and straight off,

and I'm wearing two cords of heavy cream and just puke.

[LAUGHTER]

- More tragic, Dean.

[MUSIC PLAYING]

♪ I got a lot of this falling hot ♪

♪ Writing in red ♪

♪ Say a horror, a horror, a gown ♪

♪ You love it, Dean ♪

♪ I got a little bit smaller ♪

♪ I say how you're drinking red ♪

[MUSIC PLAYING]

♪ Listen to the horror, a horror ♪

- No, don't go.

- I suppose you're happy to get back to your wife.

[MUSIC PLAYING]

♪ You know I've got my suitcase ♪

♪ Tuck I down the road ♪

♪ Oh, when I got down ♪

♪ She's man on a cool and cold ♪

♪ I've found a machine team ♪

♪ I've seen I took out down the road ♪

[MUSIC PLAYING]

- Hello?

[MUSIC PLAYING]

- Jane?

[MUSIC PLAYING]

- Hello?

[MUSIC PLAYING]

- Bob?

[MUSIC PLAYING]

- Bob?

[MUSIC PLAYING]

- Bob?

[MUSIC PLAYING]

- That sounds like the angel's hell paradise.

- How are you?

- Fair.

- Hi Jane.

- Finally bought a dunk with us.

- Scallotail home.

- Excuse me.

- No.

- They're serious.

[MUSIC PLAYING]

- Ed?

[MUSIC PLAYING]

- I go to you.

- Yeah, that is my sight.

You're an animal.

- I guess I'll go out to Mrs. Sweet Petri.

- Ed.

- You're sound, right?

[MUSIC PLAYING]

- Do you know what these bastards did to me?

Dean leaves his wife and baby penniless

because he wants to visit you.

And Ed being a sheep wants to tag along.

Only they have no money.

So Ed asks me for the money, and I say,

I'm not giving you any unless we are married.

- And date us.

- Hey, Ed, stupid ass, marry the bra.

- No, I do.

- Shut up.

So he marries me for gas fare.

And we get in the car, and Dean drives like Satan smoking marijuana

the hallway, and they won't even let me stop to use the ladies

room.

And when I say something about it, they dump me in Tucson.

In Tucson.

- Come on, Calistee.

I mean, Dean will be dead someday, and they'll walk in these hills.

- Listen to me, Ed, they'll better.

- Where are you going?

- Can I want you guys to come?

Honey, I'm sorry.

- You can pull up what?

You can keep in here, and it's houses stranger.

[phone ringing]

- Old woman, old woman, old woman called Ty.

Old wither a wither so high to brush the cobwebs off the sky.

Shall I go with thee?

- I would go with thee.

- We could go together, and we could brush the cobwebs

from the sky, by and by, by, by.

- What the hell has he ever done, Tranny wanted?

- Well, he killed my mother happily across the country.

- Eddie?

- Yeah.

- Man.

- Dean does not feel responsibility towards others.

- Does not know the concept.

- Then again, he feels Heather is half some mysterious obligation to support him.

- No, I'm okay, boy.

- I find it unspeakable, he just stays full.

- But Dean gives everyone a damn good time just being on stuff.

- He gives the illusions.

- Correct.

- Maybe that's because you're not seeing what's really holy about thee.

- Oh, so he's a holy man now.

A religious figure in your eyes.

- Ah, paradise.

- Aren't you pretty good for him?

- What I see in him is compulsive psychosis.

- Patch with a jigger of psychopathic irresponsibility and violence.

[gunshot]

- Well, young man, I do believe the cocktail hour is upon us.

- Now, this nation is dead and it's so,

when we do nothing.

All we do is wait for the end to come.

- Mm-hmm.

- This is you now.

See me, I'm always now.

- In the end of the world, we'll start here too.

In Texas.

- Where's theanna?

- Louisiana.

I'm Texas.

- This is not standing, Martini.

- Yes.

- May I?

- Please.

- Mm-hmm.

- Mm.

- That is not standing, Martini.

[gunshot]

[dramatic music]

- You know what I'm about?

- I'm a sucker, bud.

- I'm not a thing.

- Squirrel.

- Can I have a full health face?

- I've got a draw face.

I've got teeth, long teeth.

That's what they stick in the squirrel.

- I'm a nice sucker, bud.

- What's your name?

- I think, um, Lorraine is a good name for a bath.

- That's a ring.

- You know, it's wings on like that.

- Okay, right, you're at least.

- She's a nurse.

- She's a mommy.

- That's a ring.

[dramatic music]

[gunshot]

[dramatic music]

- Translation is indeed treason.

I got him in English.

He got him same fingers, rummaging, persons, pockets.

Saline did not write that.

He wrote hands in assholes and pockets.

- Good.

[dramatic music]

- So I'm there, and I can push it away from the hair,

away from the hair.

[dramatic music]

- So how has it been with that?

- I don't know how to do it.

I'm kind of making it happy.

- Oh, boy.

It's so really funny.

All you have to do is...

[dramatic music]

- Okay, here's you.

Here's him, right here.

[dramatic music]

- Call of your hand.

- Yeah.

- I mean, with mouth, but you'll be in a problem.

- You'll be in a problem.

- Poor slums.

- I mean, you'll love it too, I promise.

[laughing]

- Matt, see?

- Now, something can and should be done to eliminate

the black seed of noxious affluvians,

just aiding in our unsuspecting gut.

I give you the Orgo and Accumulator.

- Afters the vibratory atmosphere, atoms of the life principle.

- Post-get cancer 'cause they run out of Orgo.

- Come on.

- You gotta try it with me.

Put some juice in your bones, I'm telling you.

- I always rush up and take off 90 miles to the nearest

whorehouse.

[laughing]

- All right.

- Oh, hey, look at that.

- See how big he got?

See that?

- Not an inch of cancer.

- Let's crank her up.

- And with the colic circles, get in.

- Looks like a fucking closet.

- The purity of the roll.

- The white line in the middle of the highway unroll,

and hugged our left front tires if glued to Orgo.

- Don't cool.

Don't cool.

Who's gonna shove us in there?

- I can't get a couple mucks for a while.

- Are you done yet?

- I'm done.

- All right, it's all in my name.

- Oh, thanks.

- Don't forget to write.

- Oh, wait, I don't.

- I don't.

- Peanut cubed out of the ditch.

[engine revving]

- And zoom went the car.

- Well, you are off again for California.

[engine revving]

- Hey, listen to this one, Sal.

Not caring for their lives, is it?

Why, what in the world is there that we should care for

if it's not our lives?

The only gift the Lord never offers us a second time.

What do you think about that one, Sal?

- Welcome. I'll be right with you.

- Thanks.

[engine revving]

[MUSIC PLAYING]

Can't you move to World Frisco?

I don't care.

Do you think I'm going to leave me anyway?

Why are you going to go back to dinner?

I don't know.

I don't know what I'm going to do.

I could go back to my fiance.

fiance.

He's a sailor.

He's been away a while.

He's nice.

That's good.

I wish Dean was so crazy now.

I think I'm wishing that the rest of your life.

I just want to house.

Baby.

You know, something normal.

I really do want that.

[MUSIC PLAYING]

I just had a great idea.

You guys are good 11.

Does everybody absolutely comfortable?

[LAUGHS]

[MUSIC PLAYING]

All right, so.

[MUSIC PLAYING]

If I had always happened, when I woke like this,

and I might struggle in a unsuccessful attempt

to discover where I was, everything

would be moving around me through the darkness things

places years.

My body is still too heavy with sleep to move.

[MUSIC PLAYING]

How much money you got, kid?

Well, nothing.

But I can.

Man, so Larry California, so it's a brochure store.

As soon as we get there, I have money for y'all.

Yes, yes, we all got hands.

Well, let's go jump in back.

Let's see the ants and the uncles and the grocery stores

all the way across the road.

Just get our kids.

So.

Hey, man.

I have free.

Hot pam.

I love Baker's Field and Travel Bureau Car.

Let my get to our new trunk for another.

You never show it up.

The tires and cowboy did.

How much you got?

How much you want?

Yeah, I knew him.

I knew him.

He forgave his wife for shooting him and got her out of jail.

Only.

She shoots him a second time.

[LAUGHTER]

That's a good animal.

Hold on to your girdles.

[SCREAMING]

Yes, yes, yes.

[MUSIC PLAYING]

I have my finger on the trigger.

So long.

Seems like I cheered again by now.

So hard when you can't stand the side.

I gathered your remain cleaned up the stains.

I took care for we once were praying.

But it's hard when you're burned and in a hell.

And it's hard enough to be in love.

Love.

And it's hard, ain't it hard to love what you give.

[MUSIC PLAYING]

Go hurry.

Really, you better make its commules in time for dinner

so she can feed your lazy ass.

[MUSIC PLAYING]

Do you see what a bastard he is?

[MUSIC PLAYING]

At the end of the week, darling.

Thank you.

[MUSIC PLAYING]

(sighing)

(breathing heavily)

(nervous breathing)

(AMES Lara laughing)

(gasping)

(whistling)

Darling, Sal, going back to Denver

to my fiance, the sailor.

No more road for me.

Thanks for an amazing night, my sweet mother.

When she kicked in in the ass, I've ever seen him again.

I love you.

PS.

Look with your book.

(upbeat music)

(water splashing)

(bright music)

(water splashing)

(bright music)

(water splashing)

(bright music)

(water splashing)

(bright music)

(water splashing)

(bright music)

(water splashing)

(bright music)

(laughing)

(bright music)

(water splashing)

(bright music)

(water splashing)

(bright music)

(water splashing)

(bright music)

(water splashing)

What the hell are you looking at?

(water splashing)

(bright music)

(water splashing)

(bright music)

[MUSIC PLAYING]

[GROANING]

Yoshi.

Burn a belt.

[MUSIC PLAYING]

[GROANING]

[MUSIC PLAYING]

[GROANING]

[MUSIC PLAYING]

They're getting eliminated.

- Good job.

- Shit, no.

( Laughs )

- How are you man?

- Better than you, my boy.

Have you eaten these last few months?

- Not as much as you've had to.

- Eh, huh?

- How's Camille?

- She's good. She's just resting.

- Where's the Hudson?

- Eh, man, it's so beat.

I had to leave it on Mark and Street for the vultures.

- Oh, shit.

- Hey, Nailot.

I'm done the little box, married one of her sailors.

( Laughs )

- Anything's threatening to kill me if he finds me.

- So I'm gonna have to defend myself and kill him

and go to San Quentin for life.

That would be the end of me.

- Talk about it.

( Laughs )

- How's your mom?

- It's the wind about 15 bucks you are.

( Laughs )

- Yeah, one day.

And guess what?

I'm gonna be a father again.

- Really? - Yeah.

- The sweet little Amy, she can stand on for 30 seconds.

She's 22 pounds and 29 inches long.

- And they're found out that she's 31, 1/4% English.

27 1/2% German, 27% Irish, 8 3/4% Dutch, 7% Scottish,

and 100% wonderful.

- Yes. - Oh, oh, oh, oh, oh.

- Oh, oh, oh.

- Oh, oh.

- Oh, oh, oh.

( Grunting )

- Oh, oh.

- Oh.

- Oh, oh.

( Grunting )

- Oh, oh, oh.

- Oh, oh.

- Oh, oh, oh.

- All right, E.B. G.B.

- Oh, oh.

- We're gonna find ourselves some cakes.

( Grunting )

( Door opens )

( Grunting )

- Sal's here.

- I heard.

- If he wants to take me out to hear some music,

you wish to come.

- I was gonna stay here and take care of Amy.

- All right, then, I'll just go.

( Grunting )

- Dean, don't make yourself feel better by asking me along.

- I'll be back in a little bit.

( Grunting )

- So, Mary Lou's come to Camp B.

- Bye.

- Come on, Lieutenant.

- Take it down. - It's a dynamic subject.

- Get out here about it.

- Get out here! - Get out here!

- Get out here!

- Let's go!

- Let's go! Let's go!

- Let's go!

- Don't let me out!

Don't let me out!

- Yeah, Rock!

- Reasy!

- Oh!

- So, he just on the empty biz ain't 'bout to give his a booty.

- Reasy, be a little guy!

- Oh!

(sings in foreign language)

That's nice when you're in the house of your life.

[music]

When you're standing there, you're like a hoof.

Get back from now.

How did you eat that?

[cheering]

Come on, thank you.

Come on, come on.

Master, we don't know nothing.

My goodness.

You are the beast's knees.

Wanna take your home and wake up with these.

Please, say hello to my future ex-wife.

[cheering]

[music]

You come here.

Congratulations on the baby.

Now, excuse me, Dean, I need to talk to you.

I want you to get out.

Just go, just get out.

No, you said you were gonna take care of us, and you were done slowly around.

I know that look on your face, Dean.

Your board.

Your sick of me, and your sick of work, and the baby.

I just want you to take your friend and get out of my house.

[music]

Do you realize how much I've given up for you?

[music]

All right, never want you back.

I never want to see you again.

[music]

You're very soon, I promise.

You're a dear liar.

You're a liar.

[music]

I realized as we racked up brains for where to go and what to do that it was up to me.

I counted my money, showed it to Dean, and said, come to New York.

Let's go to Denver first, he said.

This time we must absolutely find my father's cell.

[music]

We're taking the semi-pristy and Chrysler to Kansas.

Along with yourselves, there's a nice young married couple.

We share the gas expenses equally among the five of us.

Are we all copacetic on that scorching?

All more praise, sir.

[music]

I love you in buckkin, parts first, but I hope I'm, but I love you longer,

I'm a little bit longer, stronger, where your friend don't toll again.

The buck, part box, and the cat's at first, but so, let them look

but gals keep you the most.

This then that's been in that show, and I'm all yours in buck then bold.

[knocking]

Oh, love.

[knocking]

I'm very glad you have accepted my invitation to a few drinks after that perilous journey.

Oh, no problem, Eagle.

[knocking]

Thank you.

[knocking]

Oh, whiskey.

[knocking]

I like young men like you.

You probably don't believe it, but truth is, I really don't like girls.

It's going to go to the bathroom.

[knocking]

Excuse me.

[knocking]

[sighs]

Though you're the straight deal, I sometimes had to survive the streets of Denver,

but I'm working far into the night.

Yes.

I can appreciate the never-leam-acostomer unsatisfied tattoo to my ass.

[knocking]

Perhaps they'll be some money involved.

Oh, yeah.

[knocking]

[sighs]

[sniffles]

[panting]

Oh, Jesus.

[panting]

[sighs]

[grunting]

[sighs]

[thunder]

[sighs]

See, when what they secretly want, they just panic.

[sighs]

And here you go, Cladec and Jamayo.

Thank you. Enjoy.

[sighs]

Look, I did it for us.

for us. Now, I got pulling bucks off you, if I...

[ Indistinct chatter ]

[ Music ]

[ Indistinct chatter ]

I don't know, man. A little guy. More yarding.

You want in these parts as the barber?

Well, yeah, right?

That... never heard of them.

[ Indistinct chatter ]

Sorry, son. I ain't seen your old man in...

I don't know how many years.

[ Indistinct chatter ]

Yeah, I'm gonna run here.

I'm gonna go out.

Yeah.

[ Indistinct chatter ]

[Music]

How long have we known this show?

Five years?

I'm pretty good use.

Who are we now?

Ah, simple question.

Are you going to tell us, come?

And no one's 23?

I know that I rely on my friends and my family for money.

So in that club, please?

No, I know there's no gold at the end of the rainbow.

There's just shit and piss.

But to know that, that makes me free.

[Music]

He's coming contact with social controls.

With custom.

With moral code.

And with law.

The town or city in which you live has laws which control you.

There are state laws and the federal government in your name.

[Music]

Mexico, huh?

Damn, Sal.

That's big.

You know I'm in thinking.

They've never been solved.

Damn, Sal.

How was you weren't going?

The first time in the New York without my good boy.

[Music]

Shit.

We have a talk straight long time.

Yeah, I know.

Yeah.

Any see man?

Those troubles just keep piling up.

Look at this.

That's the only.

Look at that smile too.

Aren't you going to break some hearts?

Yeah.

She's beautiful.

I tell you Mary Lou's pregnant.

Well, if it speaks for an Scandinavian, it's completely one sense.

[Music]

I'll leave it to it.

Thanks for the visit.

I'll write you.

I know you will.

[Music]

Take care, buddy.

No, get 'em.

[Music]

Hey, Sal.

No, you know I obla last been.

You all don't you?

[Music]

Sir, sir.

Do you like it?

60 pesos.

[Music]

You got any marriage one?

[Music]

All the time I go there is one of the cities there.

I'm my grandma too.

[Music]

You're marked where I'll be with us.

I'm just going to go.

[Music]

Victor.

This is the biggest bomber of T.A.

There was no one.

[Music]

What's his name?

Thomas.

[Music]

Thomas.

[Music]

Look at this traffic, Sal.

Everybody just goes.

[Music]

It looks just like I see the brothers.

[Music]

My brother, I can smell the middle one.

Yes.

[Music]

Yes, yes, yes.

I gotta go now and feel yourself.

[Music]

What are you doing in New York?

I came on the railroad bus, old large bench coaches, crossing the railroads, long, long, off the trip, five days and nights, just to see you, so.

Are you all right? How's Camille? How are the babies?

[Music]

See in the first half of the century, welcome with love and kisses to spend the other half of us.

We all wait for you. Camille, Amy and Bill's journey. That's right.

[Music]

We still haven't talked to Mexico and us leaving the fever last year, but we don't.

We don't know what to talk about that right now.

Hey, uh, hey, so, Christ, hey, do you get any dinner you're going to wait?

Just give me a minute, Remy. They're all waiting.

Do you think that you can give me your IDs for a team?

Well, I want to spend as much time with my boy as possible.

I wish you didn't have to fix this concert.

Yeah.

All right, Ian.

[Music]

Is that?

Love you, is ever.

[Music]

We got there. You're everything.

Yeah, well.

They were formed school all the time. I was like young punk, a certain guy.

[Music]

Hey, Sal.

[Music]

So in America, when the sun goes down and I sit in the old broken down with a peer watching the long, long skies of me, Jews.

Since all that royal land, the rules are one of them believable huge bulge over the west coast.

And all of that road going. All the people dreaming in the immensely of it.

And then I, or I know by now, evening storm, must be drooping and shedding her sparklet dims on the prairie.

Which is just before the coming of complete night, the blesses the earth.

Darkens all rivers, cups the peaks and folds the finals sure in and nobody.

Nobody knows what's going to happen to anybody besides the four lone rags of growing old.

I think of Dean Moriarty. I even think of old Dean Moriarty, the father we never found.

I think of Dean Moriarty. I think of Dean Moriarty.

[Music]

[BLANK_AUDIO]