Original subtitles

♪ UNO, DOS, ONE, TWO, TRES, CUATRO ♪

♪ HEY, WOOLY BULLY ♪

♪ WATCH IT NOW, WATCH IT ♪

♪ HERE HE COME, HERE HE COME ♪

♪ WATCH IT NOW, HE'LL GETCHA ♪

♪ MADDIE TOLD HATTIE ♪

♪ ABOUT A THING SHE SAW ♪

♪ HAD TWO BIG HORNS ♪

♪ AND A WOOLY JAW ♪

♪ WOOLY BULLY ♪

♪ WOOLY BULLY ♪

♪ YEAH, TRY IT... ♪

[BELL RINGS]

THEN HER HUSBAND FINDS THEM.

SO AT THE END, THEY ALL GET A HOLD OF PAUL NEWMAN--

I'D LIKE TO GET A HOLD OF PAUL NEWMAN.

AND THEY BACK AGAINST HIS CAR

AND THEY SMASH HIS FACE WITH A BOARD.

OH, DON'T SAY IT.

AND THEY SAY, "YOU'LL NEVER GET ANOTHER WOMAN

TO LOOK AT YOU."

OH, SURE.

IN THE PLAY, THEY CASTRATE HIM.

YOU'RE MAKING THAT UP.

SO, HOW DID HE LOOK?

HE HAD A CUT ON HIS FACE, BIG DEAL.

HE'S STILL GORGEOUS.

HI. HI.

I THINK I'M GONNA PEE IN MY PANTS.

DO YOU KNOW HIM?

I NEVER DID BEFORE.

HE'S SO CUTE.

IF IT WASN'T FOR HIS NAME.

JACK AND JILL.

DO YOU KNOW HIM?

GOD, NO.

WHO IS HE?

I THINK MY BROTHER KNOWS HIM.

JUST GOT KICKED OUT OF SAINT ANTHONY'S

SO HE'S COMING HERE.

I WONDER WHAT HE DID.

HE RAPED A NUN.

DEBRA.

WE GOT TO HAVE SORORITY AFTER SCHOOL.

WE ELECTING OFFICERS?

WE ALREADY DID. JILL'S PRESIDENT.

WE CALLED YOU.

WHO'S SUBBING FOR P.E.?

WOULD YOU BELIEVE MISS NAGRONSKY?

[BELL RINGS]

SEE YOU AT LUNCH.

♪ WOOLY BULLY, WOOLY BULLY ♪

♪ WOOLY BULLY ♪

♪ WATCH IT NOW, WATCH IT ♪

♪ HERE HE COMES ♪

♪ YOU GOT IT, YOU GOT IT ♪

Man: THANK YOU.

OK. WE NEED AN EXAMPLE

OF HOW COMMERCE WOULD WORK IN A MERITOCRACY.

YEAH.

THE CAFETERIA.

THE FOOD'S LOUSY, BUT IT'S CHEAP.

NOW, YOU SEE, WE CAN LEARN FROM THE MOST UNLIKELY SOURCES,

WHICH IS WHY I CONTINUE TO BOTHER CALLING ON JILL.

Teacher: OK. MONARCHY, OLIGARCHY,

DEMOCRACY, PLUTOCRACY,

ANARCHY, MERITOCRACY...

I THINK ABOUT HIM ALL THE TIME.

I DREAM ABOUT HIM.

I DREAM ABOUT BEING NEAR HIM

FOR THE REST OF MY LIFE.

I DREAM OF HAVING CHILDREN THAT LOOK LIKE HIM.

I WOULDN'T BE AN ACTRESS ALL THE TIME,

ONLY UNTIL I FOUND HIM AND FELL IN LOVE WITH HIM.

AFTER THAT--AFTER THAT, WE'D TAKE A TRAIN

AND GO TO THE BEAUTIFUL CITIES

AND SEE THE WONDERFUL PEOPLE EVERYWHERE.

AND WHENEVER PEOPLE WERE SICK,

HE'D GO TO THEM AND MAKE THEM WELL AGAIN.

THAT'S ENOUGH.

VERY NICE, JILL.

I'M SORRY.

I WENT OFF THE WRONG TRACK. I'M SORRY.

AN ACTOR NEVER APOLOGIZES FOR AN AUDITION, DEAR.

NEXT, PLEASE.

GOT THE MAIL ALREADY?

HIYA.

HI. ANYTHING FOR ME?

NOPE.

HOW WAS SCHOOL?

SCHOOL WAS SCHOOL.

DO YOUR TIME. KEEP YOUR MOUTH SHUT AND THEY LEAVE YOU ALONE.

NOTHING, HUH?

MM-MMM.

I MEAN, HOW WAS THE AUDITION?

I STANK UP THE JOINT.

I TOLD YOU YOU SHOULD HAVE HAD BREAKFAST.

YOU CAN'T ACT ON A FULL STOMACH.

YOU'RE QUOTING STANISLAVSKI

OR AUDREY HEPBURN?

A BODY CANNOT FUNCTION PROPERLY

ON A DIET OF TOMATO PIES.

YOU NEED PROTEIN.

YOU NEED FIBER.

YOU NEED COMPLEX CARBOHYDRATES.

WHEN DO YOU FIND OUT?

TOMORROW.

WHAT'S THE PLAY?

THE TIME OF YOUR LIFE. I WANT TO DO KITTY.

THERE MUST BE OTHER PARTS BESIDES KITTY.

I MEAN, THE OBJECT ISN'T TO HAVE THE BIGGEST PART.

YES, IT IS.

I HOPE YOU GET IT.

FAT CHANCE.

YOU HAVE HOMEWORK?

LOADS.

I'LL CALL YOU WHEN DINNER'S READY.

♪ I HAD SKIN LIKE LEATHER ♪

♪ AND THE DIAMOND-HARD LOOK OF A COBRA ♪

♪ I WAS BORN BLUE AND WEATHERED ♪

♪ AND I BURST JUST LIKE A SUPERNOVA ♪

♪ I COULD WALK LIKE BRANDO ♪

♪ RIGHT INTO THE SUN ♪

♪ DANCE JUST LIKE A CASANOVA ♪

♪ WITH MY BLACKJACK AND JACKET ♪

♪ AND HAIR SLICKED SWEET ♪

♪ SILVER-STAR STUDS ON MY DUDS ♪

♪ LIKE A HARLEY IN HEAT ♪

♪ WHEN I STRUT DOWN THE STREET ♪

♪ I COULD FEEL ITS HEARTBEAT ♪

♪ SISTERS FELL BACK ♪

♪ SAID DON'T THAT MAN LOOK PRETTY ♪

♪ THE CRIPPLE ON THE CORNER CRIED OUT ♪

♪ NICKELS FOR YOUR PITY ♪

♪ THEM GASOLINE BOYS DOWNTOWN SURE TALK PRETTY ♪

♪ IT'S SO HARD TO BE A SAINT IN THE CITY ♪

♪ I WAS THE KING OF THE ALLEY ♪

♪ MAMA, I COULD TALK SOME TRASH ♪

♪ I WAS THE PRINCE OF THE PAUPERS... ♪

HI.

WHAT'S YOUR NAME?

JILL.

WHAT?

JILL.

IT'S A PLEASURE TO MEET YOU, JILL.

THEY CALL ME THE SHEIK.

THE SHEIK?

YEAH.

ARE YOU AN ARAB?

NO. I'M ITALIAN. CAPADILUPO.

THEN WHY DO THEY CALL YOU SHEIK?

IT'S A LONG STORY.

LISTEN, YOU WANT TO GO OUT WITH ME SOMETIME?

ARE YOU KIDDING?

NO. YOU WANT TO?

I DON'T EVEN KNOW YOU.

IF YOU GO OUT WITH ME,

I'LL TELL YOU MY LIFE HISTORY.

YOU JUST GO UP TO PEOPLE YOU DON'T EVEN KNOW

AND START TALKING TO THEM?

SURE. PEOPLE I LIKE.

I LIKE YOU.

YOU DON'T KNOW ME.

SO, WHAT DO YOU LIKE TO DO?

YOU LIKE TO GO TO THE MOVIES?

YOU LIKE TO DANCE? WHATEVER YOU WANT TO DO.

I DON'T WANT TO GO OUT WITH YOU. REALLY.

OK. BE THAT WAY.

I'LL SEE YOU LATER.

NO. I...

YOU KNOW, YOU REALLY SHOULD EAT MORE THAN THAT.

YOU'RE TOO SKINNY FOR YOUR HEIGHT.

WHAT DID HE WANT?

HE ASKED ME OUT.

REALLY? JUST LIKE THAT?

HIS NAME IS SHEIK.

HE'S AN ARAB?

NO. CAPADI...SOMETHING OR OTHER.

SO, YOU GOING OUT WITH HIM?

NO. CHRIST. HE LOOKS LIKE HE SHOULD BE SELLING USED CARS...

OR STEALING THEM.

YOU KNOW, THIS MACARONI LOOKS LIKE IT'S BEEN LEFT OVER

FROM LAST YEAR.

DO YOU THINK I'M TOO SKINNY?

FROM THE DEFINITION OF SIMILAR POLYGONS,

IT FOLLOWS THAT FOR TWO POLYGONS TO BE SIMILAR,

TWO DISTINCT CONDITIONS MUST BE FULFILLED.

1--THE CORRESPONDING ANGLES MUST BE EQUAL.

AND NUMBER 2--

THE CORRESPONDING SIDES MUST BE PROPORTIONAL.

ALSO, SINCE THE DEFINITION IS REVERSIBLE,

IF TWO POLYGONS--

[BELL RINGS]

HEY, CONGRATULATIONS.

I'M GOING TO PRETEND YOU'RE NOT THERE.

TOO BAD YOU DIDN'T GET THE LEAD.

KITTY IS THE LEAD.

OH.

I BET YOU'RE REAL GOOD...

ACTING.

YOU WANT TO TAKE A SHOT?

YOU DON'T GIVE UP, DO YOU?

NO. IT'S JUST THAT, UH, WELL...

I THOUGHT YOU MIGHT LIKE TO SEE

WHAT A REAL MACHINE RIDES LIKE.

IS IT YOURS?

IT BELONGS TO MY FRIEND RAT.

YOU WOULDN'T BELIEVE WHAT HE'S GOT UNDER THE HOOD.

I GOT TO GO.

WHAT ARE YOU AFRAID OF?

NOTHING. I GOT TO BRING SOME PEOPLE HOME.

I'LL BRING YOU RIGHT BACK HERE.

YOU REALLY EXPECT ME TO GET INTO A CAR WITH YOU?

WHAT? WHAT, I'M GOING TO MAKE A MOVE ON YOU, HUH?

YOU DO NOT KNOW THE SHEIK VERY WELL.

HEY, COME ON. COME ON.

LOOK, YOU GOT TO CELEBRATE GETTING CAST TODAY, RIGHT?

FIVE MINUTES.

FIVE MINUTES.

YOU CAN LEARN A LOT IN FIVE MINUTES.

YOU MIGHT WANT TO PUT YOUR SEAT BELT ON.

OH, COME ON.

HEY, IT'S YOUR LIFE.

[♪ ROCK AND ROLL PLAYING]

WHOO!

LIKE TO DRIVE FAST?

I LOVE IT.

I'LL SEE YOU TOMORROW THEN.

DON'T COUNT ON IT.

YOU BETTER DRIVE.

♪ STOP IN THE NAME OF LOVE ♪

♪ BEFORE YOU... ♪

[TELEPHONE RINGS]

[RING]

HELLO.

OH, HI.

NO. I GOT HOMEWORK.

OH, COME ON. WHAT AM I SUPPOSED TO BE AFRAID OF?

OK. FOR A LITTLE WHILE.

NO. NOT HERE.

I'LL MEET YOU SOMEPLACE.

I DON'T KNOW. WHERE?

OK.

OK.

OK.

SEE YA.

YOU'RE SUCH A DOPE!

[GUNSHOTS]

YOU READY WITH THOSE, MA?

KEEP YOUR VOICE DOWN IN THERE, WILL YA?

HERE THEY ARE.

THANKS.

I'D LIKE TO SEE YOU MOVE THAT FAST

WHEN I NEED SOMETHING AROUND HERE.

[GUNSHOTS]

THAT A WAY, GUYS. KICK ASS.

GOT A NEW JACKET?

HE LOOKS NICE.

WHERE DID YOU GET THE MONEY FOR IT?

NOT FROM YOU.

WHERE ARE YOU GOING?

SINCE WHEN DO YOU CARE?

IF I FIND OUT YOU'RE MAKING MONEY

THE WAY I THINK YOU'RE MAKING MONEY,

I'LL RIP YOUR LUNGS OUT.

PROMISES, PROMISES.

ISN'T THAT A LITTLE OVER YOUR HEAD?

ONE OF THESE DAYS, MR. BIG SHOT,

YOU'RE GONNA FIND YOURSELF FLAT ON YOUR ASS,

SPREAD OUT ON THE SIDEWALK.

LONG AS I DON'T END UP LIKE YOU.

NIGHT, MA.

HAVE A GOOD TIME.

DRESSES LIKE A PIMP.

HE LOOKS HANDSOME.

[HORN HONKS]

JILL.

HI.

HI.

YOU LOOK REAL PRETTY.

THANK YOU.

COME ON. RAT'S WAITING ON US.

♪ SPARKS FLY ON E STREET ♪

♪ WHEN THE BOYD BROTHERS WALK IN ♪

♪ HANDSOME AND HOT ♪

♪ ALL THE LITTLE GIRLS' SOULS GO WEAK ♪

♪ WHEN THE MANCHILD GIVES THEM A DOUBLE SHOT ♪

♪ THE SCHOOLBOY BOBS PULL OUT ALL THE STOPS ♪

♪ ON A FRIDAY NIGHT ♪

♪ WHILE TEENAGE JOCKS IN SKINTIGHT PANTS ♪

♪ DO THE E STREET DANCE AND EVERYTHING'S ALL RIGHT ♪

♪ NOW, THE KIDS DOWN THERE ARE EITHER DANCIN' ♪

♪ OR HOOKED UP IN A SCUFFLE ♪

♪ DRESSED IN SNAKESKIN SUITS PACKED WITH DETROIT MUSCLE ♪

♪ THEY'RE DOIN' THE E STREET SHUFFLE ♪

♪ NOW, THOSE E STREET BRATS IN TWILIGHT ♪

♪ DO FLASHLIGHT PHANTOMS IN FULL-STAR STREAM ♪

♪ DOWN FIRE TRAILS ON SILVER NIGHTS ♪

♪ WITH BLONDE GIRLS PLAYIN' SWEET 16 ♪

♪ AND THE RUDE BOYS SAY THE HEAT'S BEEN BAD ♪

♪ SINCE POWER 13 GAVE TROOPER ROY A HIT ♪

♪ IN A SUMMER SCUFFLE ♪

♪ AND POWER'S GIRL LITTLE ANGEL ♪

♪ BEEN ON THE CORNER ♪

♪ KEEPIN' THOSE CRAZY BOYS OUT OF TROUBLE... ♪

♪ OH, MY LOVE ♪

♪ MY DARLIN'... ♪

YOU DON'T REMEMBER ME.

WHAT?

WE USED TO BE IN THE SAME GYM CLASS ONCE.

YOU GO TO ST. CATHERINE'S.

NO. TRANSFERRED.

NINTH GRADE WE WERE IN THE SAME SQUAD.

UM...ROSEN, ROTH,

ROUSSEAU, TATUM, TESSETORI.

JOANNE TESSETORI.

YEAH. I WASN'T BLONDE THEN.

YOU WERE GREAT AT VOLLEYBALL.

YOU ALWAYS SAT OUT WITH YOUR PERIOD.

YEAH. I STILL PULL THAT ONE.

GOING OUT WITH SHEIK, GIRL?

NO.

HE'S A GREAT DRESSER.

♪ ARE YOU ♪

♪ STILL MINE... ♪

YOU BEEN GOING OUT WITH, UM...RAT LONG?

UH, OFF AND ON.

HE'S GOT A NICE CAR.

YOU WOULDN'T BELIEVE

WHAT'S HE'S GOT UNDER HIS HOOD.

SO, WHY'D YOU SAY YOU'D GO OUT WITH ME?

I DON'T KNOW.

JUST CURIOUS, RIGHT?

YOU WANT TO GO OUT WITH ME AGAIN?

SHEIK, YOU HARDLY SAID TWO WORDS TO ME ALL NIGHT.

HEY, I FIGURED...

YOU BETTER GET USED TO ME

BEFORE I HIT YOU WITH ANYTHING TOO HEAVY.

NEVER BEEN OUT WITH ANYBODY LIKE ME, HUH?

NO.

WELL, WHAT DO YOU THINK SO FAR?

I THINK YOU'RE CRAZY.

YOU GOT REAL PRETTY EYES.

I BET YOU DON'T EVEN HAVE TO ACT

UP THERE ON STAGE.

PEOPLE JUST STARE AT YOUR EYES.

I HOPE NOT.

I'VE NEVER BEEN OUT WITH ANYBODY LIKE YOU.

CAN I GIVE YOU A RIDE HOME?

NO. I'M JUST A COUPLE OF BLOCKS.

I'LL WALK.

HEY, HAVE YOU EVER SEEN TRENTON LATE AT NIGHT?

IT LOOKS LIKE A WHOLE DIFFERENT PLACE.

I GOT TO GET HOME.

IT'S BEST IF YOU DRIVE SLOW,

FIND SOMETHING GOOD ON THE RADIO.

I GOT TO GET HOME.

YOU CAN DRIVE OK?

YOU GIRLS REALLY PACKED AWAY THE LIQUOR IN THERE.

I'M FINE.

SEE YOU IN SCHOOL THEN.

OK. SEE YOU.

SO, IS HE FAST?

COMPARED TO WHO?

COMPARED TO BARRY SILVER.

GROSS ME OUT.

I BET HE'S A GOOD DANCER.

I NEVER DANCED WITH HIM.

WHAT DOES HE KISS LIKE?

JESUS, BETH.

WHAT'S YOUR PROBLEM?

WELL, JUST BECAUSE JILL'S GOING OUT WITH SOME THUG--

HE'S NOT A THUG!

YOU HAVE TO HAVE ALL THE CLINICAL DETAILS.

I'M INTERESTED.

SHE'S INTERESTED.

I THINK HE DRESSES NICE.

SO, HAVE YOU TWO SET THE DATE YET?

GIVE ME A BREAK.

♪ GOIN' TO THE CHAPEL ♪

♪ AND WE'RE GONNA GET MARRIED ♪

♪ GOIN' TO THE CHAPEL ♪

♪ AND WE'RE GONNA GET MARRIED ♪

♪ GEE, I REALLY LOVE YOU ♪

♪ AND WE'RE GONNA GET MARRIED ♪

I HAVE NO IDEA WHY ANYONE WOULD FIGHT OVER IT.

ANYWAY, I'D BEEN STATIONED THERE FOR ABOUT A MONTH

BEFORE I EVEN SAW A JAPANESE.

HI.

YES?

YOU HAVE A MESSAGE FOR ME?

NO.

OH, SORRY TO INTERRUPT.

AND, UM...

AND THE OTHER MEN DIDN'T WANT TO TALK ABOUT IT.

SO, IT WAS PITCH BLACK WHEN THE ARTILLERY BEGAN.

YOU CAN'T IMAGINE THE IMPACT AND THE SHELLING--

THE JAPS OR THE GERMANS?

JILL, WHO IS THIS PERSON?

WHAT ARE YOU GETTING ON HER FOR?

I'M AFRAID I'M GOING TO HAVE TO ASK YOU TO LEAVE.

HEY, EXCUSE ME.

I FIGURED THIS WAS HIGH SCHOOL.

I COULD DROP IN AND SOAK UP A LITTLE KNOWLEDGE.

OUT. OUT.

OK.

I'LL SEE YOU IN THE PARKING LOT.

IS HE A STUDENT HERE?

I DON'T KNOW HOW I DID. I'M REALLY WORRIED.

WELL, IF YOU GET IN, ARE YOU GOING TO GO?

OF COURSE I'M GOING TO GO.

WELL, IT'S NOT LIKE A RULE OR ANYTHING,

JUST 'CAUSE YOU GET ACCEPTED--

WHAT AM I SUPPOSED TO DO, STAY IN TRENTON?

I CAN'T SEE IT, SIGNING ON

FOR FOUR MORE YEARS OF THIS GARBAGE.

IT'S NOT THE SAME.

WHERE I WANT TO GO,

THERE'S NO REQUIRED CLASSES,

NO BELLS, NO TESTS.

YOU STUDY WHAT YOU WANT. IT'S GREAT.

HI.

HIYA, MR. RIPEPPI.

HELLO.

SO, WHAT DO YOU DO IN COLLEGE

THAT YOU DON'T DO IN HIGH SCHOOL?

IS IT DIFFERENT SUBJECTS?

SAME SUBJECTS, YOU JUST GO INTO THEM DEEPER.

YOU WANT TO GO DEEPER INTO WHAT, EARTH SCIENCE?

THEY GOT ANY GOOD SCHOOLS IN FLORIDA?

FLORIDA?

YEAH, THAT'S WHERE FRANK IS THESE DAYS.

FRANK WHO?

FRANK WHO?

SINATRA, WHO ELSE?

[BELL RINGS]

BYE. SEE YOU TONIGHT.

YOU SUPPOSED TO BE SOMEPLACE, MISTER?

YEAH. I'M GOING TO CLASS.

WHAT CLASS?

WOOD SHOP.

I SAW YOU IN SECOND LUNCH AGAIN TODAY.

MY GIRLFRIEND'S GOT SECOND LUNCH.

I WANTED TO TALK TO HER.

YOU PULL THAT AGAIN,

AND I'M GOING TO COME DOWN ON YOU.

PROMISES, PROMISES.

WE USED TO BE IN THE SAME GYM GLASS ONCE. ONCE.

I'M SO GLAD BECAUSE I WANTED TO BE AN ACTRESS

AND HAVE A YOUNG DOCTOR

COME TO THE THEATER AND SEE ME

AND FALL IN LOVE WITH ME AND SEND ME FLOWERS.

I WOULDN'T KNOW WHO IT WAS,

AND THEN ONE DAY, I'D SEE HIM IN THE STREET

AND FALL IN LOVE WITH HIM.

JILL.

YES?

I WANTED A WORD WITH YOU, DEAR.

OK.

I HEARD A RATHER DISTRESSING RUMOR

IN THE FACULTY LOUNGE THE OTHER DAY

ABOUT YOU AND SOME YOUNG MAN.

ABOUT ME?

I'VE SEEN MANY A PROMISING YOUNG ACTRESS

BETRAY HER TALENT FOR THE SAKE OF A FEW CARELESS ADVENTURES.

YES, MISS VERNON.

A THEATER PROFESSIONAL IS DEDICATED

TO THE PURSUIT OF EXCELLENCE.

YES, MISS VERNON.

IF YOU STRIVE FOR ANYTHING LESS THAN EXCELLENCE,

YOU'RE CHEATING THE PEOPLE

WHO COME TO SEE YOU PERFORM

AND BETRAYING YOUR OWN TALENT.

YES, MISS VERNON.

[SPEAKING ITALIAN]

DON'T.

WHAT?

WHAT'S THE MATTER?

NOTHING'S THE MATTER. JUST DON'T.

CHRIST.

I SHOULD BE HOME ASLEEP.

YOU JEWISH GIRLS.

WHAT ABOUT US JEWISH GIRLS?

YOU MAKE SUCH A BIG DEAL OUT OF THINGS.

SHH.

YOU MEAN I DON'T PUT OUT?

YOU'RE PRETTY SMART, YOU KNOW THAT?

YOU'RE ABOUT THE SMARTEST GIRL

I EVER WENT OUT WITH.

THANK YOU.

ONLY IT ISN'T HEALTHY, YOU KNOW,

LIKE GETTING ALL EXCITED ABOUT THAT

AND NOT GOING ANY FURTHER.

IT'S REALLY BAD ON THE HEART,

ESPECIALLY IF YOU'RE A GUY.

THIS IS MY FAVORITE PART.

YOU GOING TO GIVE ME A RIDE HOME?

IF YOUR HEART CAN STAND IT.

MY NAME ISN'T DUVAL.

IT'S KORANOVSKY.

KATARINA KORANOVSKY.

AND WE LOST EVERYTHING--

THE HOUSE,

THE FARM, THE TREES,

THE HORSES, THE CHICKENS, THE COWS.

PAPA DIED.

HE WAS OLD.

EXCUSE ME, DEAR.

JUST A WORD.

EVEN IF YOU'RE SUPPOSED TO BE

A SOMEWHAT LOWLIFE CHARACTER,

YOU MUSTN'T FORGET THAT YOU'RE AN ACTRESS,

AND THAT KITTY HERSELF IS AN ACTRESS.

NOT A VERY SUCCESSFUL ONE,

AS WE HAVE DISCUSSED,

BUT WITH THAT CERTAIN SOMETHING

YOU MUST ALWAYS BE AWARE OF.

DO YOU SEE MY POINT?

JILL.

YOU MEAN LIKE SHE'S ALWAYS ACTING,

WHETHER SHE'S IN CHARACTER OR NOT.

VERY WELL PUT.

FROM THE TOP, DEAR.

WHY, I DREAM OF HOME.

CHRIST, I ALWAYS DREAM OF HOME.

I HAVE NO HOME.

I HAVE NO PLACE,

BUT I ALWAYS DREAM OF US,

ALL OF US...BLAH.

YOU MAKE ONE WISECRACK, AND I'LL KILL YOU.

I THOUGHT YOU WERE GOOD.

YOU JUST WALTZ IN WHEREVER YOU WANT.

YOU DON'T WANT ME TO WATCH YOU REHEARSE?

IF YOU HAD HALF A BRAIN, YOU'D KNOW THAT.

WHAT DO YOU MEAN, HALF A BRAIN?

I DON'T WANT YOU TO WAIT FOR ME AFTER SCHOOL.

I JUST GOT KICKED OFF THE BASKETBALL TEAM.

YOU PROBABLY DESERVED IT.

YOU'RE A REAL BALL-BUSTER, YOU KNOW THAT?

WHAT HAPPENS IF YOU WOULD HAVE GOT

KICKED OUT OF THIS PLAY,

AND I COME TO YOU AND I SAY,

"YOU PROBABLY DESERVED IT?"

NICE MOUTH, YOU KNOW?

I DON'T WANT YOU TO WAIT FOR ME AFTER SCHOOL.

I DON'T WANT YOU DRIVING BY MY HOUSE AT NIGHT.

I DON'T WANT YOU TO CALL ME.

I'VE HAD NOTHING BUT TROUBLE EVER SINCE I MET YOU.

LEAVE ME ALONE, OK?

WHAT DO YOU THINK?

YOU'RE TOO FUCKIN' GOOD FOR ME? HUH?

THAT'S IT! GO AHEAD, GO AHEAD! WALK AWAY!

GO AHEAD! TURN YOUR LITTLE CHIN UP IN THE AIR!

GO HOME TO DADDY!

WHAT DO YOU MEAN HALF A FUCKIN' BRAIN?

♪ SHA LA LA LA LA LA ♪

HERE'S YOUR BOYFRIEND.

♪ SHA LA LA LA LA LA ♪

♪ SHA LA LA LA LA LA ♪

♪ SHA LA LA LA LA LA ♪

♪ IT'S NOT THE WAY YOU SMILE ♪

♪ THAT TOUCHED MY HEART ♪

♪ SHA LA LA LA LA LA ♪

♪ IT'S NOT THE WAY YOU KISS ♪

♪ THAT TEARS ME APART ♪

♪ WHA-OH OH-OHH ♪

♪ MANY, MANY, MANY NIGHTS ROLL BY ♪

♪ I SIT ALONE AT HOME AND CRY ♪

♪ OVER YOU ♪

♪ WHAT CAN I DO ♪

♪ I CAN'T HELP MYSELF ♪

♪ 'CAUSE, BABY, IT'S YOU ♪

♪ SHA LA LA LA LA LA ♪

♪ BABY, IT'S YOU ♪

♪ SHA LA LA LA LA LA ♪

♪ DON'T LEAVE ME ALONE ♪

[TELEPHONE RINGS]

♪ SHA LA LA LA LA LA ♪

♪ COME ON HOME ♪

[RING] HELLO.

WE USED TO BE IN THE SAME GYM CLASS ONCE.

YOU BE CAREFUL HOW YOU TALK TO ME.

NOW I REMEMBER.

I WANTED TO BE A DOCTOR ONCE.

I'M SO GLAD BECAUSE I WANTED TO BE AN ACTRESS

AND HAVE A YOUNG DOCTOR COME TO THE THEATER

AND SEE ME AND FALL IN LOVE WITH ME, SEND ME FLOWERS.

I WOULD DO THAT, KITTY.

OH, I WOULDN'T KNOW WHO IT WAS.

THEN ONE DAY, I'D SEE HIM IN THE STREET

AND FALL IN LOVE WITH HIM.

I WOULDN'T KNOW HE WAS THE ONE THAT WAS IN LOVE WITH ME.

I'D THINK ABOUT HIM ALL THE TIME.

WELL, YOU WERE JUST WONDERFUL.

YEAH, YOU DID GREAT.

BETTER THAN THE REHEARSALS.

HI.

HI. HOW YOU DOING?

YOU LIKE THE PLAY?

IT WAS ALL RIGHT.

YOU'RE DAVEY FINE'S SISTER, AREN'T YOU?

JODY.

JODY.

YOU GOING TO THE CAST PARTY?

NAH.

OH, I'M GLAD IT'S PASSED.

I'M NOT GOING EITHER.

YOU LIKE A RIDE SOMEWHERE?

SURE.

NO WAY TO GET THROUGH THAT CROWD.

COME ON.

YOU OK?

UH-HUH.

THERE'S A BACK WAY

IF YOU DON'T WANT TO WALK

THROUGH THE BAR AGAIN.

OK.

I USED TO HIT ON YOUR BROTHER

FOR HIS LUNCH MONEY.

THIRD GRADE.

WE WERE AWFUL PROUD OF YOU LAST NIGHT.

THANKS.

MISS VERNON TOLD US HOW SHE WAS WORRIED ABOUT YOU.

IN THE PLAY?

ABOUT YOU AND THAT BOY.

OH, GOD.

WE THOUGHT YOU WERE THE BEST.

I MEAN, OBJECTIVELY, WE REALLY DID.

I TOLD HER YOU HAD TOO MUCH SENSE

FOR THAT TO BE A PROBLEM.

MOM, JUST DO ME A FAVOR. ALL RIGHT?

JUST STAY OUT OF MY PERSONAL LIFE.

SHE'S GOT A PERSONAL LIFE.

WHAT'S WRONG WITH THAT?

I THOUGHT YOU LIT UP THE STAGE.

THAT DOES IT.

[DOOR SLAMS]

OF COURSE IT WOULD BE GREAT

TO GO SOMEWHERE WHERE IT'S WARM.

YEAH.

I MEAN, IT'S NOT IMPORTANT WHERE YOU GO TO SCHOOL,

LIKE A BIG NAME OR ANYTHING,

BUT THE PEOPLE YOU CAN MEET THERE,

WHO YOU SPEND YOUR TIME WITH.

I MEAN, THAT'S THE MOST IMPORTANT THING.

MEET THE RIGHT PEOPLE.

GET IN THE CAR!

AAH!

GET IN THE CAR! GO!

WHAT ARE YOU DOING?

SHUT UP. YOU'RE BEING KIDNAPPED.

OH, MY GOD. YOU'RE REALLY SOMETHING, YOU KNOW THAT?

I SAID SHUT UP!

A REAL SHIT FOR BRAINS!

SHUT UP! I GOT TO GET HOME.

NOBODY GOES HOME UNTIL WE GET

SOMETHING SETTLED HERE.

YOU'RE GOING TO END UP IN JAIL!

AND WHEN THEY LET YOU OUT,

THEY'RE GOING TO GIVE YOU A JOB PICKING UP GARBAGE!

THAT'S IT, THAT'S IT.

GIVE ME THE GUN, RAT.

THEY'VE GOT A GUN! GIVE ME THE GUN!

JESUS CHRIST! GIVE ME THE GUN!

WHERE ARE WE GOING?

SHUT UP! YOU BE CAREFUL WITH THAT.

YOU SHUT UP, TOO.

DON'T TELL ME--

IS THIS FUCKING THING LOADED?

SHUT UP IN MY OWN FUCKING CAR?!

IS IT LOADED? I DON'T THINK SO.

THEN WHAT IN THE FUCK ARE YOU WORRIED ABOUT?

THEY'RE GOING TO KILL US!

NO, THEY'RE NOT.

HOW THE FUCK DO YOU KNOW?

WE GOT TO HAVE A CONFERENCE.

OH, CHRIST!

YOU GIRLS MAKE ONE PEEP,

AND YOU'RE DEAD MEAT.

YOU'RE GONNA END UP IN JAIL, MAN!

YOU'RE GONNA END UP IN JAIL, SHEIK!

I DON'T KNOW WHAT YOU'RE DOING!

YOU'RE NUTS!

[INDISTINCT ARGUING]

SHOULD WE RUN?

THEY'D CATCH US.

WELL, ARE THEY GOING TO HURT US?

NO!

MAYBE.

I DON'T KNOW.

WELL, WHAT DOES HE WANT?

HE WANTS ME TO GET ALL SCARED AND HYSTERICAL

AND CRY AND APOLOGIZE.

WELL, ARE YOU GONNA?

DAMN HIM!

ARE YOU GONNA?

YES.

UNLESS WE WANT TO SIT IN THIS CAR ALL NIGHT.

THIS IS A NICE CAR.

IT BELONGS TO LESTER AT THE BOWLING ALLEY.

WE GOT TO HAVE IT BACK BY MIDNIGHT.

BIG KIDNAPPERS.

OH, YOU DON'T THINK THIS IS SERIOUS?

NO, I DO. REALLY.

I DO.

YOU KNOW, YOU'RE NOT THE ONLY PERSON IN THE WORLD

THAT'S GOT FEELINGS. YOU KNOW THAT?

I KNOW. I'M SORRY.

BETH IS ON GREENWOOD.

LET'S GO TO THE SHORE.

SHEIK!

COME ON. YOU'RE A STAR.

YOU CAN DO ANYTHING YOU WANT.

PULL A 180 ON THIS SUCKER AND WE'RE OUT OF HERE.

I'M GOING TO MISS A BIOLOGY TEST.

WHAT DO YOU WANT TO KNOW ABOUT BIOLOGY?

ASK ME ANYTHING.

♪ WHEN THE NIGHT HAS COME ♪

♪ AND THE LAND IS DARK ♪

♪ AND THE MOON ♪

♪ IS THE ONLY LIGHT WE'LL SEE ♪

♪ NO, I WON'T BE AFRAID ♪

♪ OH, I WON'T BE AFRAID ♪

♪ JUST AS LONG AS YOU STAND ♪

♪ STAND BY ME... ♪

THE WAY I FIGURE IT.

THERE'S ONLY THREE PEOPLE IN THE WORLD THAT MATTER--

JESUS CHRIST, FRANK SINATRA, AND ME.

FRANK SINATRA?

THE MAN KNOWS WHAT HE WANTS, AND HE GETS IT.

BEST CLOTHES, BEST CARS, BEST WOMEN.

YOU LISTEN TO SINATRA?

MY PARENTS DO.

THEY GOT TASTE.

♪ I WON'T CRY ♪

♪ I WON'T CRY ♪

♪ NO, I WON'T SHED A TEAR ♪

♪ JUST AS LONG AS YOU STAND ♪

♪ STAND BY ME ♪

♪ AND, DARLING, DARLING, STAND BY ME ♪

♪ OH, STAND BY ME ♪

♪ WHOA, STAND NOW ♪

♪ STAND BY ME ♪

♪ STAND BE ME ♪

IF YOU DON'T GO TO CLASSES,

THEY'LL KICK YOU OUT OF SCHOOL.

SO?

NOBODY SINGS LIKE SINATRA.

WHO WANTS TO?

YOU THINK FRANK WANTS TO HANG AROUND SOMEBODY

WHO'S COPYING HIS STYLE?

HE'S GOT RESPECT FOR THE INDIVIDUAL ARTIST.

YOU'RE CRAZY.

YOU DON'T THINK I CAN DO IT?

I DIDN'T SAY THAT.

WE GOT TO FEED YOU.

YOU'RE GOING TO FUCKIN' DIE OUT HERE.

I WANT THOSE SMOTHERED IN ONIONS, ALL RIGHT?

HEY!

PUNCH E-5.

[STRANGERS IN THE NIGHT PLAYS]

[FRANK SINATRA] ♪ STRANGERS IN THE NIGHT ♪

♪ EXCHANGING GLANCES ♪

♪ WONDERING IN THE NIGHT ♪

♪ WHAT WERE THE CHANCES ♪

♪ WE'D BE SHARING LOVE ♪

♪ BEFORE THE NIGHT WAS THROUGH ♪

♪ SOMETHING IN YOUR EYES WAS SO INVITING ♪

♪ SOMETHING IN YOUR SMILE ♪

♪ WAS SO EXCITING... ♪

GOING HOME?

MM-HMM.

I'LL SEE YOU TOMORROW, THEN.

OK.

♪ STRANGERS IN THE NIGHT ♪

♪ TWO LONELY PEOPLE ♪

♪ WE WERE STRANGERS IN THE NIGHT ♪

NOW MAKE AN INCISION JUST UNDER THE CHIN

AND MOVE DOWNWARD.

DON'T CUT TOO DEEP.

AND WATCH OUT FOR THE FORMALDEHYDE.

JESUS. YOU WANT ME TO DO IT?

NO. YOU DID THE CRAYFISH.

SO WHAT ABOUT STEWART?

HE HASN'T CALLED ME.

THAT DOESN'T MEAN HE WON'T GO TO THE PROM WITH YOU.

WE CAN ARRANGE IT.

NOW, TAKE THE FORCEPS AND PULL

THAT LITTLE RIB CAGE

SO THE VISCERA ARE EXPOSED.

FORCEPS.

JUST PEEL THEM BACK.

YOU GOING WITH SHEIK?

MM-HMM. HE'S COMING TO LUNCH TODAY TO NEGOTIATE.

HE WANTS TO MAKE A BIG PRODUCTION OUT OF IT

AND HIRE A LIMOUSINE.

OK. NOW WE'RE GOING TO CUT THE HEART OUT.

HE KNOWS HOW TO TREAT A GIRL.

HEY, SHEIK!

WHY SHOULD I?

IS THERE A LAW SAYING I HAVE TO GO TO THE PROM?

HE'S CRAZY.

HOW YOU DOING?

I WAS TALKING WITH FAUSTO LAST NIGHT.

REMEMBER HIM? I TOLD YOU ABOUT HIM.

HE'S MY COUSIN. WE GOT A LIMO.

REALLY? YEAH, HE'S A GOOD GUY.

YOU!

LET'S SEE YOUR PASS.

WHAT PASS? THIS IS LUNCH PERIOD.

NOT YOUR LUNCH PERIOD.

HEY, I'M JUST TALKING TO THE GIRLS HERE, OK?

WHAT'S YOUR PROBLEM?

YOUR PROBLEM, MISTER.

HEY, DON'T GET YOUR BALLS IN AN UPROAR.

THAT WILL COST YOU A SUSPENSION.

GREAT. I'M SUSPENDED. NOW, LEAVE ME ALONE.

THAT MEANS OFF SCHOOL PROPERTY.

AND YOU AND WHOSE ARMY IS GOING TO MAKE ME?

DON'T FLATTER YOURSELF...PUNK.

FUCK YOU.

THAT WILL PUT YOU OUT OF SCHOOL ALTOGETHER.

LET'S GO.

DON'T FUCKIN' TOUCH ME.

YOU WANT TO FIGHT ME, HUH?

FUCKIN' SON OF A BITCH!

LET HIM UP. LET HIM UP.

LET ME GO.

YOU GOING TO BEHAVE?

LET HIM UP!

YOU'RE OUT OF HERE, MISTER!

SHEIK.

OK. I WANT TO POSE A PROBLEM OR A PUZZLE FOR YOU.

AND SEE IF YOU CAN GUESS WHO THIS PERSON IS.

HE'S DESCRIBED IN THE HISTORY BOOKS

AS A SHORT, SQUAT, SQUAT, TACITURN MAN...

WHO, AFTER HIS DISCHARGE FROM THE ARMY

AFTER FIGHTING IN THE MEXICAN WAR,

HAD BEEN FIGHTING AN UNEQUAL BATTLE

WITH ALCOHOLISM AND POVERTY AND FAILURE.

HE, AT ONE POINT, BECAME A REAL ESTATE SALESMAN.

AT ANOTHER POINT, HE WORKED IN HIS FATHER'S TANNERY.

AT ANOTHER POINT, HE TRIED FARMING, BUT HE FAILED.

I THINK JODY'S GOING TO BE OUR BIGGEST PROBLEM.

LET HER GET HER OWN DATE.

SHE'S IN THE SORORITY.

WE'RE SUPPOSED TO HELP HER.

I THINK WE SHOULD LOOK

INTO GEORGIE LEACOCK FOR HER.

YEAH. IF WE COULD FIT THAT MISSHAPEN BODY OF HIS INTO A TUXEDO.

OK. SO GEORGIE FOR JODY.

HOW ABOUT YOU, JILL? HUH?

WHO DO WE GET FOR YOU?

WELL, I'M GOING WITH SHEIK.

HE GOT EXPELLED FROM SCHOOL, REMEMBER?

SO?

SO, YOU KNOW WHO THE FLOOR CHAPERONE IS THIS YEAR?

McMANUS.

YEAH. THEY SAY HE KILLED SOMEBODY IN THE MARINES.

THEN THE HELL WITH IT. I'M NOT GOING TO THE PROM.

DON'T BE RIDICULOUS.

WHAT ABOUT JACK HARRIGAN?

OH, HE'S TAKING SOME GIRL FROM MISS FINE'S.

OH, THAT MAKES ME SICK.

I'M NOT GOING.

LOOK, HAS HE CALLED YOU YET SINCE HE GOT KICKED OUT?

HE'S PROBABLY EMBARRASSED.

YOU LOOK AT YOUR COMMITTEE GUIDELINES

AND YOU'LL SEE THAT FORMAL WEAR

IS DEFINED AS A BLACK TUXEDO.

AND, GALS...

3 INCHES.

IF YOU COME IN

WITH A HEMLINE THAT'S MORE THAN 3 INCHES ABOVE THE KNEE,

OR ANYTHING ELSE THAT'S INAPPROPRIATE,

BELIEVE ME, WE WILL STOP YOU AT THE DOOR.

EVERY YEAR WE HAVE ONE OR TWO TRAGEDIES.

[♪ MUSIC PLAYING IN BACKGROUND]

HI.

DO YOU KNOW WHAT TIME IT IS?

REAL LATE, HUH?

THIS CAME TODAY.

OH, GOD.

I WISH YOU'D TELL ME

WHEN YOU'RE NOT COMING HOME AFTER SCHOOL.

IF THEY TURN YOU DOWN,

IT'S NO BIG THING.

THERE'S LOTS OF OTHER SCHOOLS JUST AS GOOD.

I'M IN.

YOU'RE IN?

THEY ACCEPTED ME. SARAH LAWRENCE.

I'LL GET YOUR FATHER.

DON'T WAKE HIM UP.

YOU THINK HE COULD SLEEP IF HE KNEW?

I'LL GET HIM DOWN HERE.

WE'LL HAVE CHAMPAGNE.

♪ CHERISH IS THE WORD I USE TO DESCRIBE ♪

♪ ALL THE FEELING THAT I HAVE ♪

♪ HIDING HERE FOR YOU INSIDE ♪

JILL.

YOU LOOK NICE.

YOU WON'T BE SEEING ME.

HAVE A NICE NIGHT.

SHEIK!

♪ STRANGERS IN THE NIGHT ♪

♪ EXCHANGING GLANCES ♪

♪ WONDERING IN THE NIGHT ♪

♪ WHAT WERE THE CHANCES ♪

♪ WE'D BE SHARING LOVE ♪

♪ BEFORE THE NIGHT WAS THROUGH... ♪

YOU OWE ME 25 BUCKS.

HUH?

A TUXEDO RENTAL...

CORSAGE...

GAS FOR YOUR CAR.

WHAT ARE YOU TALKING ABOUT?

YOU OBVIOUSLY DON'T WANT TO BE HERE WITH ME.

OH.

♪ TOLD ME I MUST HAVE YOU ♪

♪ STRANGERS IN THE NIGHT... ♪

♪ WITH HER KILLER GRACES ♪

♪ AND HER SECRET PLACES THAT NO BOY CAN FILL ♪

♪ WITH HER HANDS ON HER HIPS ♪

♪ OH, AND THAT SMILE ON HER LIPS... ♪

GO!

♪ WITH HER SOFT FRENCH CREAM ♪

♪ STANDIN' IN THE DOORWAY LIKE A DREAM ♪

♪ I WISH SHE'D JUST LEAVE ME ALONE ♪

YA-HOO!

♪ BECAUSE FRENCH CREAM WON'T SOFTEN ♪

DON'T SLOBBER, GEORGIE.

HA HA HA!

THEY'RE PARTYING AT PJ'S.

[SIREN]

SOME KID WALKED OUT OF THERE

AND WRAPPED HIS CAR AROUND A TELEPHONE POLE,

SO NOW THE COPS ARE ON HIM.

I WANT TO GO SOMEWHERE.

I KNOW A PLACE.

YOU SURE THEY'LL SERVE US?

ANYBODY TALK TO JODY?

SHE'S WITH CARL.

THEY'RE SUPPOSED TO BE FOLLOWING US.

♪ WITH A THUNDER IN YOUR HEART ♪

♪ HEY, MAN, WHEN YOU'RE KNEELIN' IN THE DARK ♪

♪ IT SAYS YOU'RE NEVER GONNA LEAVE HER ♪

♪ BUT THERE'S A STRANGER IN HER EYES ♪

THEY'RE PULLING UP ON US, RAT!

THEY'RE GOING TO CATCH US.

NO WAY!

YOU'LL HIT THEM.

WHOA!

WE'RE GOING TO HIT THEM!

♪ AND TO TAKE NO CHANCES ♪

♪ YOU TURN TO LEAVE IT ALL BEHIND ♪

♪ AND WALK ON THROUGH ♪

♪ WELL, SHE'LL TAKE YOU IN... ♪

WAIT FOR ME!

WAIT FOR ME!

AAH!

♪ BUT NO MATTER WHERE YOU SLEEP TONIGHT ♪

♪ OR HOW FAR YOU RUN ♪

♪ WHOA-OH, SHE'S THE ONE ♪

OK. I GOT A SCREWDRIVER, THREE RUM AND COKES,

A GRASSHOPPER, AND TAB.

YOU'RE SUCH A DRAG, JILL.

ANYBODY WHO TOSSES THEIR COOKIES IN MY CAR CLEANS IT UP.

I'M SHIT-FACED.

BIG OF YOU TO ADMIT IT.

HEY, JODY, HI. WANT A DRINK?

I HAVE TO USE THE LADIES' ROOM.

IS CARL PARKING THE CAR?

CARL WENT HOME.

I'M SHIT-FACED.

LET ME SEE YOUR I.D.

SHE DIDN'T LOOK SO GOOD.

IS THAT A BEAUTIFUL JOB OR WHAT?

FIRST I COULDN'T FEEL MY CHEEKS,

THEN I COULDN'T FEEL MY NOSE,

THEN I COULDN'T FEEL MY EYEBALLS.

WHO WANTS TO FEEL YOUR EYEBALLS?

DO YOU COME TO THIS PLACE OFTEN, JILL?

JODY?

JODY?

WHAT HAPPENED?

WHAT HAPPENED?

I THINK I HURT MY FINGERS.

GOD.

WHAT HAPPENED, JODY?

WHAT HAPPENED?

I NEEDED SOMETHING TO CUT WITH.

I BROKE THE MIRROR.

YOU ALWAYS GET EVERYTHING YOU WANT.

AND YOU NEVER DO ANYTHING FOR IT.

IT JUST GETS HANDED TO YOU.

IS THAT MY FAULT?

I MEAN, ANYHOW,

YOU COULD HAVE GONE TO BETH OR DEBRA.

THEY'RE YOUR FRIENDS.

THEY THINK I'M A SLUT.

OH, COME ON. JUST BECAUSE YOU MAKE IT WITH BOYS

DOESN'T MEAN YOU'RE A SLUT.

SINCE WHEN?

I WAS JUST WONDERING, YOU KNOW,

WHAT THE BIG ATTRACTION WAS.

I LIKE IT.

IS THAT SO BAD?

I LIKE IT WHEN I'M MAKING IT.

OK?

IT'S JUST AFTERWARD THAT IT'S BAD.

LIKE... LIKE WITH SHEIK.

HOW COULD YOU DO THAT?

HE WAS MY BOYFRIEND.

I'M SORRY.

I'VE SEEN THIS EPISODE ON PEYTON PLACE.

DON'T YOU START MAKING JOKES.

WHAT'S YOUR PROBLEM?

ARE YOU GIRLS ALL RIGHT DOWN THERE?

WE'RE FINE, MAMA. GO BACK TO SLEEP.

ONE-WAY TO MIAMI BEACH.

FIRST WEEK, WE WERE SUPPOSED TO WEAR THESE LITTLE GREEN HATS,

ALL THE FRESHMEN ON CAMPUS.

I WONDER IF THEY STILL DO THAT.

YOU FELT RIDICULOUS,

BUT IT BUILT A KIND OF CAMARADERIE-- CLASS SPIRIT.

YOU'RE TALKING LOUD AGAIN, DAD.

AM I? I'M SORRY.

THE GROUNDS ARE BEAUTIFUL.

I WONDER IF THESE BUILDINGS ARE FIREPROOF.

SOME OF THEM LOOK PRETTY OLD.

THIS IS IT.

YOU'RE WHAT-- FIRST FLOOR?

RIGHT.

I CAN TAKE THEM FROM HERE.

DON'T BE SILLY. WE WANT TO SEE YOUR ROOM.

DAD.

I MEAN, WE'RE PAYING ENOUGH FOR IT.

MOM.

ANOTHER VISIT, ELI.

YOU'RE GOING TO HAVE A WONDERFUL TIME HERE.

YOU'LL WRITE?

I WILL.

ALL THESE YOUNG GIRLS.

I FEEL LIKE WE'RE DELIVERING HER TO A CONVENT.

HI.

HI.

IS THIS SLATER HALL?

I THINK SO.

I DREAM ABOUT HIM.

I DREAM OF HAVING CHILDREN

THAT LOOK LIKE HIM.

I WOULDN'T BE AN ACTRESS ALL THE TIME--

OK.

AND THEN ONE DAY I'D--

JILL?

MM-HMM.

WERE YOU IN THE, UH, DRAMATICS CLUB

OR SOMETHING IN HIGH SCHOOL?

I WAS PRESIDENT.

UH-HUH. WELL...

I THINK YOUR BEST BET

IS JUST FORGET EVERYTHING

YOU LEARNED THERE

AND START OVER.

"I'VE DISCOVERED A WORLD I DIDN'T KNOW EXISTED TILL I CAME HERE.

"I'M LEARNING A LOT.

THE OTHER GIRLS ARE A VERY DIVIRSE GROUP."

SHE SPELLED "DIVERSE" WRONG.

SHE WAS NEVER A SPELLER.

"...A VERY DIVERSE GROUP

"FROM INTERESTING BACKGROUNDS.

"I THINK THE DECISION NOT TO GO TO A CO-ED SCHOOL

"WAS A GOOD ONE.

"I FEEL LIKE I'M STARTING A NEW LIFE,

"WITH A WONDERFUL OPPORTUNITY TO MAKE FRIENDS

"AMONG PEOPLE I NEVER WOULD'VE MET IN TRENTON.

"THE DRAMA HERE IS NOT WHAT I HAD IMAGINED.

"OUR VISITING DIRECTOR IS ONE OF THE PEOPLE

"WHO IS RESHAPING AMERICAN THEATER.

"THE EMPHASIS IS ON DISCOVERING YOURSELF,

"ON BRINGING OUT THE FEARS

"AND PASSIONS INSIDE YOU.

"THE PRODUCTION THIS FALL

"IS ST. JOAN OF THE STOCKYARD.

"BUT FOR THE TIME BEING I'M CONCENTRATING

"ON DEVELOPING MY ACTING SKILLS

INSTEAD OF WORRYING ABOUT HOW BIG A PART I GET."

DOES SHE SAY WHETHER SHE'S HAPPY THERE?

IT'S HARD TO TELL.

PEAS, PEAS, PEAS, PEAS,

PEAS, PEAS, PEAS, PEAS.

TWO PIECES?

SAVE MYSELF A TRIP BACK THROUGH THE LINE.

SO WHO ARE THESE GUYS

THAT THEY'RE SHIPPING IN?

PRINCETON, COLUMBIA, AND BROWN.

BROWN--THEY'RE ANIMALS.

I HEARD ABOUT A GIRL

THAT WENT UP THERE FOR A MIXER.

AND SHE PASSED OUT ON BEER IN SOME DORM.

AND WHEN SHE CAME TO,

ALL THE GUYS THAT HAD TAKEN A CRACK AT HER

SIGNED THEIR INITIALS ON HER ASS.

I'VE GOT A CLASS NOW.

SEE YOU GUYS LATER.

SHE'S GOT A BOYFRIEND STILL IN HIGH SCHOOL.

THEY WRITE EACH OTHER...

EVERY DAY.

A BIT OF A WIMP.

SO WHAT ABOUT YOU?

YOU LEAVE ANYBODY BEHIND?

NO.

NOBODY?

WELL, THERE WAS THIS INSANE CHARACTER

IN HIGH SCHOOL.

HE WASN'T REALLY A GREASER...

ALMOST.

HE WAS SORT OF MY BOYFRIEND.

WON'T FIND MUCH OF THAT STUFF UP HERE.

I WONDER WHAT THEY'RE LIKE FROM PRINCETON.

I HEAR THEY FUCK WITH THEIR SOCKS ON.

♪ WHEN I SAW THAT WOMAN THIS MORNING ♪

♪ SHE WAS WALKING DOWN THAT LONESOME ROAD ♪

♪ TRYIN' TO PLAY THE LEAD IN DUE TIME ♪

♪ BEFORE HEADIN' DOWN THE ROAD ♪

♪ TRYIN' TO PLAY THE LEAD IN DUE TIME ♪

♪ BEFORE HEADIN' DOWN THE ROAD ♪

♪ LET THE MUSIC WAKE ME ♪

♪ SHAKE ME ♪

♪ DON'T LET ME SLEEP TOO LONG ♪

OW!

♪ BEFORE HEADIN' DOWN THE ROAD ♪

JILL!

HOW YOU DOING?

OK.

WHAT DID I TELL YOU? ANIMALS!

♪ WELL, I SAW YOUR SISTER THIS MORNING ♪

♪ SHE WAS WALKIN' DOWN THE LONESOME ROAD... ♪

HI.

HI.

YOU WANT TO FUCK?

I MEAN DANCE.

NO.

WHICH ONE?

WHAT?

WHICH ONE DON'T YOU WANT TO DO?

YOU DON'T WANT TO FUCK?

NO.

YOU DON'T WANT TO DANCE?

NO.

I'M A SENIOR.

YOU'RE NOT GOING TO MAKE IT.

HUH?

WHERE ARE YOU AIMING ON THE CUSHION?

IT'S NOT GOING TO DO IT.

ARE YOU TRYING TO PSYCH ME OUT?

DO IT YOUR WAY.

WE SHOULD GO SHOPPING.

SHOPPING?

FOR CLOTHES.

FOR YOU. I KNOW SOME PLACE IN NEW YORK

THAT WOULD BE GOOD FOR YOU.

YOU DO, HUH?

WE COULD GO IN, GET SOME THINGS FOR YOU,

MAYBE HOOK UP WITH SOMEBODY.

PHILLIP'S GOT THIS FRIEND FROM PRINCETON.

YOU'RE STANDING IN MY LIGHT.

IT'S NOT LIKE YOU NEED

A WHOLE WARDROBE OR ANYTHING.

JUST SOME BASIC STUFF.

I MEAN, YOUR INSTINCTS ARE PRETTY GOOD.

YOU JUST HAVE TO LEARN HOW TO LISTEN.

SO, THE FIVE OF US, RIGHT,

WE PILE INTO THIS CAR.

AND WE END UP AT THIS BAR IN TRENTON. RIGHT?

LET'S GET MORE WINE.

THIS LOCAL-- THIS LOCAL COMES IN. RIGHT?

WE BOXED HIM IN.

SO, HE SAYS, "WHOEVER BELONGS TO A GREEN VOLVO,

I'M GONNA TEAR HIS FACE OFF."

THIS GUY'S RIGHT OUT OF THE STONE AGE--

RIGHT? HE'S GOT HAIR ON HIS KNUCKLES,

HIS FOREHEAD SLOPES BACK

WHERE HIS FRONTAL LOBE IS SUPPOSED TO BE.

AND THIS GUY IS REALLY HEAVY-DUTY NEW JERSEY.

SO, NOBODY SPEAKS UP, RIGHT?

HE STARTS LOOKING AROUND THE BAR

TO SEE WHO HE THINKS MIGHT DRIVE A GREEN VOLVO. RIGHT?

EVERYBODY IN THE BAR LOOKS JUST LIKE THIS GUY. I MEAN,

WE'RE TALKING EARLY STAGES OF EVOLUTION.

SO, FINALLY, HE COMES OVER AND HE STANDS LOOKING

AT THE FIVE OF US AT THE TABLE.

ALL RIGHT? I'M TRYING TO THINK,

"WHAT WOULD JOHNNY WEISSMULLER DO

IN A--IN A SITUATION LIKE THIS?"

LET'S GET SOME MORE WINE.

SO, THERE WAS THIS GUY, RAT.

I NEVER KNEW HIS REAL NAME.

HEY, HIS MOTHER NAMED HIM RAT IN THE CRADLE

AND IT STUCK.

RAT DELAROCCO.

HE'S PROBABLY ITALIAN, BUT MAYBE NOT.

OH, AND HE ALWAYS WORE THIS GLOVE

ON HIS HAND LIKE A RACING DRIVER, AND HE NEVER TOOK IT OFF,

BOWLING EVEN OR WHEN WE'D EAT PIZZA.

I ALWAYS PICTURED HIM ALL NAKED IN A BATHTUB

EXCEPT FOR THAT GLOVE,

LIKE DEAN MARTIN WITH HIS HAT

IN SOME CAME RUNNING.

DID YOU EVER SEE THAT WITH SHIRLEY MacLAINE?

IT WAS GREAT.

RAT HAD THIS CAR, SEE.

AND HE CALLED IT...

THE RATMOBILE!

THE RATMOBILE.

YOU SHOULD HAVE SEEN

WHAT HE HAD UNDER HIS HOOD.

I'M TALKING LIKE A CRAZY PERSON,

AREN'T I?

YOU'RE DOING FINE.

OK.

SO, ANYWAY...

RAT WOULD BE DRIVING, RIGHT?

AND WE'D BE TAKING A SHOT.

DID I EVER TELL YOU ABOUT TAKING A SHOT?

UH-HUH.

YOU NEVER WENT OUT

WITH ANYBODY LIKE ME BEFORE, HUH?

HEY, HEY, HEY.

DID I TELL YOU ABOUT ME AND FRANK SINATRA?

NO.

HUH?

ME AND FRANK SINATRA ARE LIKE THAT.

YOU KNOW WHAT I MEAN?

JILL?

WHAT'S THE MATTER?

WHAT'S WRONG?

HEY, ARE YOU ALL RIGHT?

OH, SHIT. WHAT'S THE MATTER?

TRY TO KEEP HER HEAD UP!

I THINK SHE BLEW IT ON THE CHECK.

OH, WATCH OUT.

I THINK WE BETTER GET HER HOME.

YOU OK?

MISS...

MISS, WE SEEM TO HAVE A SLIGHT PROBLEM.

I DON'T THINK I HAVE ANYTHING LEFT.

I DID IT ON THE TRAIN, TOO.

WELL, JUST IN CASE.

WOULD YOU DIAL THIS FOR ME?

SURE.

YEAH, I'D LIKE TO CALL 305-866-5050, PLEASE.

ASK FOR ALBERT.

YEAH, IS ALBERT THERE?

THEY'RE GETTING HIM.

THANKS.

CALL IF YOU NEED ANY HELP.

OK.

SORRY I WOKE YOU.

NO PROBLEM.

SHEIK?

HI. IT'S JILL.

YEAH. IN THE DORM.

I CALLED YOUR HOUSE AND I TALKED TO YOUR MOTHER.

SHE GAVE IT TO ME. I THINK I WOKE HER UP.

WHAT IS IT? A RESTAURANT OR SOMETHING?

NO, NO. IT'S A CLUB.

I'M DOING MY ACT HERE.

YEAH, I'M SINGING.

YEAH.

SO, UH...

SO, UH, W-WHAT ARE YOU DOING?

I'VE BEEN SORT OF BUMMED OUT.

IT'S DIFFERENT HERE.

UM, THERE'S A LOT OF PRESSURE.

I--I DON'T KNOW HOW YOU'RE SUPPOSED TO ACT.

NO.

ONLY FOR THIS GIRL NAMED SHELLY,

AND NO ONE LIKES HER EITHER.

SO, YOU THINKING OF DROPPING OUT?

NO, NO...NO.

YOU KNOW, I WAS THINKING OF COMING DOWN TO MIAMI, THOUGH.

I GOT A FRIEND DOWN THERE.

REMEMBER BETH LEBO?

AND THERE'S THIS GUY BILL

WHOSE FAMILY IS IN THE TOY BUSINESS.

ZELMIRE TOYS, AND THIS GUY LEONARD.

LEONARD? YEAH, LEONARD.

HIS FAMILY'S THE GOLDEN MEAT COMPANY.

BEEF BY-PRODUCTS.

HOW ARE YOUR CLASSES?

CLASSES?

THEY'RE NOT REAL HIGH ON THE LIST

DOWN HERE.

OH.

ANYHOW, WHO WE'RE MEETING NOW IS THIS GUY CURTIS,

WHO'S VERY SWEET,

AND HE'S BRINGING SOMEONE FOR YOU.

GREAT.

WHAT DO YOU THINK ABOUT THAT, LOU?

A WHOLE SCHOOL FULL OF HORNY WOMEN.

I HAD A COUSIN WHO WENT THERE ONCE.

SHE WAS A FREEDOM RIDER BACK WHEN THEY HAD THOSE,

BUT THEN SHE WAS ALWAYS WEIRD.

WHO WANTS TO GO IN THE WATER?

I THINK I'M READY FOR ANOTHER BREW.

LISTEN, THERE'S SOME BILLS IN MY WALLET, HONEY.

WHY DON'T YOU GET US ANOTHER SIX.

OK.

I'LL GO WITH YOU.

AND GET SOME SMOKES, TOO, OK?

OK.

AND LISTEN,

IF WE'RE NOT HERE WHEN YOU GET BACK,

IT MEANS WE MET A COUPLE OF HOT ONES

AND TOOK THEM DOWN TO THE GROVE.

I WAS WONDERING...

IF YOU'D BE UP TO GO SEE SHEIK TONIGHT?

HE'S DOWN HERE? YEAH.

WHAT'S HE DOING,

RUNNING A KIDNAPPING SERVICE?

HE'S PERFORMING. HE'S GOT A NIGHTCLUB ACT.

WELL, IF YOU REALLY THINK YOU WANT TO SEE HIM.

WELL, WE COULD JUST TAKE A PEAK AND NOT LET HIM KNOW.

IF IT'S TOO AWFUL, WE'LL JUST--

WELL, WHAT ABOUT LOU?

WE'LL DROWN HIM.

THAT'S CURTIS' ELDORADO.

WHERE DO YOU MEET ALL THESE GUYS?

THROUGH THE SORORITY. ARE YOU STILL IN?

SORORITIES AREN'T REAL HIGH ON THE LIST UP THERE.

[FRANK SINATRA] ♪ I ONCE KNEW A WORRYIN' MAN ♪

♪ HE WAS A HURRYIN' MAN ♪

♪ WITH NEVER A SECOND TO PLAY ♪

♪ HE HAD APPOINTMENTS TO KEEP ♪

♪ LOTS OF PEOPLE TO MEET ♪

♪ AND IT TOOK 30 HOURS TO MAKE HIM A DAY ♪

♪ NOT FOR ME ♪

♪ NOT WHAT I WANT TO BE ♪

♪ PUT MY LOVE TO THE TEST ♪

♪ THAT'S WHEN I'M AT MY BEST ♪

♪ 'CAUSE WITH YOU, PRETTY BABY ♪

♪ STANDIN' BY MY SIDE ♪

♪ I COULDN'T BE A FAILURE EVEN IF I TRIED ♪

♪ 'CAUSE YOU ♪

♪ MAKE ME ♪

♪ MR. SUCCESS ♪

THANK YOU. THANK YOU.

THE CHAIRMAN OF THE BOARD, LADIES AND GENTLEMEN.

AND NOW, ANOTHER REQUEST.

Arthur, J-12.

THIS IS FOR ALL YOU LADIES

WHO KEEP THE HOME FIRES BURNING.

UH-1, UH-2, UH-1, 2, 3, AND...

[JACK JONES] ♪ HEY, LITTLE GIRL ♪

♪ COMB YOUR HAIR, FIX YOUR MAKEUP ♪

♪ SOON HE WILL OPEN THE DOOR ♪

♪ DON'T THINK BECAUSE THERE'S A RING ♪

♪ ON YOUR FINGER ♪

♪ YOU NEEDN'T TRY ANYMORE... ♪

YOU ORDER ANYTHING YOU WANT, OK?

IT'S PRETTY EXPENSIVE.

HEY, YOU GO TO THE FOUNTAINBLEU,

YOU GO FIRST CLASS. HUH?

THAT'S THE POINT. ANYTHING YOU WANT.

THANKS.

ISN'T THIS FANTASTIC?

MIAMI BEACH IS THE GREATEST PLACE IN THE WORLD.

I THINK BACK ON TRENTON SOMETIMES.

IT'S LIKE YEARS I SPENT IN PRISON.

YOU LIKE IT.

WHAT, ARE YOU KIDDING?

THE PEOPLE YOU SEE DOWN HERE, I'VE SEEN WOMEN,

THEIR HANDS NEVER BEEN NEAR DISHWATER.

TILL THEY'RE 20 YEARS OLD,

THEY GO TO THESE DEBUTANTE PARTIES, LOOK FOR A HUSBAND,

THEY HAVE A BIG WEDDING,

AND THEN FOR THE REST OF THEIR LIFE, THEY GO SHOPPING.

SO, ARE YOU SEEING ANYBODY?

NOT REALLY.

HOW ABOUT YOU?

NOT REALLY.

SO, HOW'S YOUR SINGING CAREER?

QUE SERA, SERA.

YOU KNOW? I JUST NEED THE RIGHT BREAK.

ARE YOU WORKING ON YOUR VOICE?

THE VOICE. VOICE IS NOT THAT IMPORTANT.

I MEAN, YOU LOOK AT A GUY LIKE DINO.

OK? YOU LOOK AT THE CLOTHES, YOU LOOK AT THE STYLE.

VOICE IS NOT THE WHOLE STORY.

YOU EVER BEEN TO A PLACE LIKE THIS?

MY PARENTS USED TO BRING ME HERE

WHEN I WAS LITTLE.

NO KIDDING.

WELL, NEXT TIME,

IF SOME OF THE THINGS I GOT WORKING FOR ME,

THEY COME THROUGH,

WE'LL BOOK A ROOM HERE.

NOTHING BUT THE BEST.

IT'S THE MICE.

GOT TO LET THEM KNOW YOU'RE HOME.

YOU WANT SOME COFFEE OR SOMETHING?

I GOT MY OWN KITCHEN HERE.

NO, THANKS.

LIKE THE TUX?

IT'S NICE.

IT'S CUSTOM-TAILORED.

I HAD IT MADE.

WHERE DID YOU GET ALL THESE PICTURES?

REMEMBER THAT LITTLE SQUIRT

WHO TOOK PICTURES FOR THE YEARBOOK?

I SORT OF BOUGHT THE NEGATIVES OFF HIM.

DOES IT PAY PRETTY WELL, THE NIGHT CLUB?

MONDAY THROUGH FRIDAY, I WASH DISHES.

AND ON WEEKENDS, THEY LET ME DO THE ACT.

PEOPLE SEEM TO GO FOR IT.

YOU KNOW, THAT'S HOW JERRY LEWIS GOT HIS START,

LIP-SYNCING RECORDS.

OH.

I HAVEN'T DECIDED THOUGH WHETHER TO BILL MYSELF

AS JUST "THE SHEIK,"

OR...I DON'T KNOW, USE ANOTHER NAME.

YOU NEVER TOLD ME

WHY PEOPLE STARTED CALLING YOU THAT.

IT'S A KIND OF PROTECTION.

A WHAT?

A KIND OF RUBBER.

YOU KNOW, TROJANS, RAMSES, SHEIK.

SPEAKING OF WHICH...

ARE YOU ON ANYTHING?

ARE YOU ON THE PILL OR SOMETHING?

OH.

NO.

WELL, I GOT THAT COVERED.

TURN THE LIGHT OFF.

DON'T TAKE ANY SHIT UP THERE.

I DON'T EVEN KNOW WHY YOU'RE GOING BACK.

I GOT TO WORK SOME THINGS OUT.

IF YOU ASK ME, IT'S A WASTE OF TIME.

I SHOULD GO.

I'M GOING TO CALL.

SO WILL I.

I'M GOING TO WRITE, TOO.

SO WILL I.

I LOVE YOU.

I KNOW.

SO, ANYWAYS...

I FIGURED IT WAS OK

GETTING IT ON WITH MY ENGLISH LIT TUTOR

BECAUSE HE WASN'T MARRIED.

WHAT'S THAT GOT TO DO WITH IT?

I DON'T KNOW.

GET GOOD GRADES?

As. BUT I EARNED THEM.

I BET YOU DID.

COULDN'T HAVE GOTTEN AWAY WITH THAT

FOR LONG IN HIGH SCHOOL.

NO SHIT.

I USED TO GO OUT WITH THIS GREASER.

LEATHER JACKET!

HE'S THIS SMALL-TIME HOOD, RIGHT?

GOING TO BE THE NEXT FRANK SINATRA.

[LAUGHTER]

CHEER UP, SHELLY.

SO WHAT WAS THIS GUY, POLISH?

ITALIAN.

HIS NAME WAS SHEIK, LIKE THE PROPHYLACTIC.

SHEIK!

AND HE WAS JUST CRAZY ABOUT ME.

HE FOLLOWED ME AROUND, CALLED ME UP.

ONCE HIM AND HIS FRIEND RAT KIDNAPPED ME.

HEARD THIS NUMBER BEFORE, ROSEN.

HE WAS SUCH A FUCKIN' LOSER.

THEY BORROWED THE CAR, RIGHT,

AND THEY HAD TO HAVE IT BACK

BY MIDNIGHT.

YOU USED TO GET IT ON WITH THEM IN CARS?

I'M GOING TO MAKE IT

WITH SOMEBODY NAMED SHEIK?

ALL ROSEN DOES IN CARS IS BOOT ON THE UPHOLSTERY.

COULD SOMEBODY CHANGE THAT RECORD PLEASE?

I'M SCARED.

OF THE RECORD?

IT FREAKS ME OUT.

NEVER SMOKE DOPE WITH AMATEURS.

I THINK WE CAN MAKE A FOOD RUN.

FOOD? GOD. WHAT'S OPEN AT THIS HOUR?

WE'LL KNOCK OVER A BAKERY TRUCK.

COME ON. WE'RE OUT OF HERE.

I DON'T THINK I CAN MAKE IT.

COME ON, JILL!

MAYBE WE'LL MEET SOME BIKERS FOR YOU AT DUNKIN DONUTS.

[KNOCK ON DOOR]

HEY.

STEVE.

A BUNCH OF THE GUYS,

WE WERE ROAD-TRIPPING.

I TRIED TO THINK

OF WHO I KNEW ON CAMPUS.

YOU LIKE TO COME IN?

SURE.

IT MAY BE SMALL, BUT IT'S UGLY.

YOU LOOK DIFFERENT.

I'M NOT THROWING UP.

YOU WERE PRETTY SICK.

I DON'T REMEMBER A WHOLE LOT FROM THAT NIGHT.

I JUST KNOW I WAS A MESS.

I'VE SEEN WORSE.

DO YOU SMOKE?

SURE.

SO, WHAT DO YOU DO WHEN YOU ROAD-TRIP?

WELL, PHILLIP WENT TO SEE IF HE FIND LESLIE.

AND THE OTHER GUYS WENT TO THE LIBRARY

TO SEE IF THEY COULD PICK ANYBODY UP.

GOOD LUCK.

PHILLIP SAYS YOU'RE AN ACTRESS.

THAT'S THE RUMOR.

SO, YOU WANT TO STAY THE NIGHT?

SURE.

PHILLIP'S DRIVING DOWN RIGHT AFTER HIS POLI-SCI EXAM.

HE'LL BE PRETTY WIPED, BUT HE'LL GET HERE.

CHRISSIE'S GOT THIS GUY

WHO'S FLYING DOWN FROM HARVARD

AND THEN TAKING THE TRAIN.

CHRIST.

KAREN'S GOT THIS DUDE FROM COLUMBIA,

BUT HE'S OK.

SHELLY'S GUY FROM HIGH SCHOOL IS COMING.

SHE WOULDN'T DARE.

HE'S IN LOVE WITH HER.

THAT'S WHAT PSYCHOTHERAPY IS FOR.

BET THEY STILL JERK EACH OTHER OFF.

8-BALL.

YOU CAN'T BEAT ME, ROSEN.

WHAT DID I TELL YOU?

SPEED KILLS.

WHAT ABOUT YOU?

STEVE'S COMING.

OH, YEAH?

GOOD. I WAS WORRIED ABOUT YOU.

WHY IS IT SUCH A BIG DEAL?

IT ALWAYS WAS AND ALWAYS WILL BE.

UH, OFF THE CUSHION.

THANKS.

HELLO?

SHEIK? WHAT'S WRONG?

NOTHING'S WRONG.

NO.

DID I WAKE YOU UP?

OF COURSE YOU WOKE ME UP. IT'S 2:00.

I'M SORRY. UH...

I JUST HAD TO TALK TO YOU, THAT'S ALL.

OH, UH, THINGS ARE COMING ALONG. YOU KNOW?

I MEAN, A LOT OF THINGS ARE GONNA HAPPEN FOR ME SOON.

I CAN FEEL IT. YOU KNOW?

I'M REALLY TIRED.

CAN I CALL YOU TOMORROW NIGHT OR SOMETHING?

WELL, I'M OUT OF THE DORM A LOT.

ALL RIGHT. UH...

WILL YOU WRITE ME?

YEAH, I WILL.

ALL RIGHT.

GOOD NIGHT, JILL.

YOU WAITING FOR A CALL?

FROM BOSTON.

SORRY ABOUT THAT.

I AM SO MAD!

I MEAN, HE JUST DOES THESE THINGS!

I CAN'T CONTROL...I--

DO YOU THINK IT'S EXCITING?

SORT OF.

THAT'S SOMETHING YOU CAN USE.

THAT SENSE OF EXCITEMENT

THAT GOES WITH FEAR.

HE'S SUCH AN ASSHOLE!

HE'S FUCKING KIDNAPPING ME!

IS THAT ALL THAT YOU FEEL?

YOU ALBERT?

THEY CALL ME SHEIK.

I WAS TOLD TO SEE ALBERT.

I'M HIM, TOO.

YOU SUPPOSED TO FIX ME UP?

OH, YOU BUSING?

AM I WHAT?

YOU BUSING?

NO, NO. I'M SINGING.

SINGING?

YEAH. I'M THE NEW SINGER. VINNIE FRANCO.

I DON'T GET IT.

WHAT DON'T YOU GET?

THEY SAID YOU'RE GOING TO RUN A MICROPHONE CHECK FOR ME.

YOU MEAN, YOU REALLY SING?

NO. I MOVE MY LIPS

AND THEY PLAY THE FUCKING JUKEBOX.

DOES THIS WORK?

IF THEY WANTED REAL SINGING,

WHY DIDN'T THEY ASK ME FIRST?

HUH? WHY DIDN'T THEY GIVE ME A SHOT?

I FIGURED THIS WOULD BE A TOILET,

BUT THIS IS RIDICULOUS.

YOU'RE A REAL SINGER, HUH? YEAH.

HOW COME I NEVER HEARD OF YOU?

IF I HAD A VOICE, WOULD I BE WORKING IN A PLACE LIKE THIS?

♪ THE SUMMER THAT I WAS BAPTIZED ♪

♪ MY FATHER HELD ME TO HIS SIDE ♪

♪ AS THEY PUT ME TO THE WATER ♪

♪ HE SAID HOW ON THAT DAY I CRIED ♪

♪ WE WERE PRISONERS OF LOVE ♪

♪ A LOVE AND CHAINS ♪

♪ YOU WERE SLAMMIN' THE DOOR ♪

♪ I WAS STANDIN' IN THE RAIN ♪

♪ WITH THE SAME HOT BLOOD ♪

♪ RUNNIN' IN OUR VEINS ♪

♪ ADAM RAISED A CAIN ♪

♪ ADAM RAISED A CAIN ♪

♪ ADAM RAISED A CAIN ♪

♪ ADAM RAISED A CAIN ♪

♪ ALL THOSE LITTLE FACES ♪

♪ ASK YOU WHY YOU'RE BACK ♪

♪ FIX YOU WITH POSITION ♪

♪ AND THE KEYS TO YOUR DADDY'S CADILLAC ♪

♪ WELL, IN THE DARKNESS OF YOUR OLD ROOM ♪

♪ YOUR MAMA CALLS YOU BY YOUR TRUE NAME ♪

♪ YOU REMEMBER THE FACES ♪

♪ THE PLACES, THE NAMES ♪

♪ YOU KNOW IT'S NEVER OVER ♪

♪ IT'S RELENTLESS AS THE RAIN ♪

♪ ADAM RAISED A CAIN ♪

♪ ADAM RAISED A CAIN ♪

IT'S NOT LIKE IT'S THE SENIOR PROM OR ANYTHING.

I JUST THOUGHT...

YEAH, I KNOW.

WELL, I CAN GET SOMEBODY ELSE TO GO WITH ME.

SURE.

OK. GIVE ME A CALL SOMETIME, ALL RIGHT?

HAVE A NICE FLIGHT.

OK, BYE-BYE.

SHIT.

I DON'T KNOW WHAT I'M GOING TO DO.

YOU WERE TALKING ON THE TELEPHONE.

MM-HMM.

THAT MUST HAVE BEEN INTERESTING.

REMEMBER I TOLD YOU ABOUT STEVE?

THAT WAS HIM ON THE PHONE.

RICK ISN'T COMING EITHER.

I CALLED HIM AND TOLD HIM SHELLY DIED.

THEY BURIED HER BEHIND THE BIOLOGY LAB.

IT WAS BEAUTIFUL.

♪ IN THE BIBLE, MAMA, CAIN SLEW ABEL ♪

♪ AND EAST OF EDEN, MAMA, HE WAS CAST ♪

♪ YOU'RE BORN INTO THIS LIFE PAYIN' ♪

♪ WITH THE SINS OF SOMEBODY ELSE'S PAST ♪

YOU KNOW JILL ROSEN?

DO YOU KNOW JILL ROSEN?

DO YOU KNOW JILL ROSEN?

DO YOU KNOW JILL ROSEN?

YEAH.

WHERE'S JILL?

WHERE'S JILL?

♪ ADAM RAISED A CAIN ♪

♪ ADAM RAISED A CAIN ♪

♪ ADAM RAISED A CAIN ♪

♪ LOST BUT NOT FORGOTTEN ♪

♪ FROM THE DARK HEART OF A DREAM ♪

♪ ADAM RAISED A CAIN ♪

♪ ADAM RAISED A CAIN ♪

♪ ADAM RAISED A CAIN ♪

♪ ADAM RAISED A CAIN ♪

WHAT ARE YOU DOING HERE?

I CAME TO SEE YOU.

SHEIK...

YOU DIDN'T WRITE.

I KNOW. I'M SORRY.

IT DOESN'T MATTER. I'M HERE.

ALL MY STUFF.

I GOT TO TALK TO YOU.

I THINK ABOUT YOU ALL THE TIME.

WHAT DO YOU MEAN?

I WANT YOU.

SHEIK, I--

DAMN IT! YOU SHUT UP AND YOU LISTEN!

YOU NEVER GIVE ME AN INCH--

NOT IN HIGH SCHOOL, NOT EVER!

AND WE'RE GOOD TOGETHER!

I KNOW THAT!

AND ALL THE REST-- ALL THE COLLEGE,

ALL THE JOBS, AND THE BULLSHIT

DOESN'T MEAN SHIT!

JUST YOU AND ME, THAT'S WHAT'S IMPORTANT!

I'M NOT IN LOVE WITH YOU.

WHY NOT?

IT JUST DOESN'T WORK FOR ME.

WHAT THE FUCK DOES THAT MEAN, HUH?

YOU DON'T EVEN GIVE ME A CHANCE!

IT'S BECAUSE OF WHO I AM, RIGHT?

WHAT DO YOU MEAN WHO YOU ARE?

OH, DON'T HAND ME THAT SHIT! DON'T HAND ME THAT SHIT!

ON ACCOUNT OF WHERE I'M GONNA END UP, RIGHT? RIGHT?

YOU'VE GOT YOUR SINGING.

OH, BULLSHIT!

I AIN'T--I AIN'T EVER GONNA BE ANYTHING.

I'M GONNA END UP A FUCKIN' GARBAGE MAN LIKE MY FATHER.

OH, THAT'S NOT TRUE.

DON'T FUCKIN' TALK DOWN TO ME!

SHEIK.

DON'T YOU LOOK AT ME.

I'M SORRY.

I'M SO SORRY.

I DO LOVE YOU, YOU KNOW.

JUST NOT THE WAY YOU WANT ME TO.

YOU KNOW,

I GOT SOME FEELING IN THIS, TOO.

I'M TRYING TO BE SOMEBODY UP HERE,

AND I'M A COMPLETE WASHOUT,

HIDING IN MY ROOM ALL NIGHT

BECAUSE SOME GUY WON'T GO TO A DANCE WITH ME.

YOU THINK I GOT A MAID OR SOMETHING?

YOU LIED TO ME.

I DIDN'T WANT TO HURT YOUR FEELINGS.

WHAT ABOUT WHEN YOU CAME TO MIAMI?

HUH? WHAT THE FUCK WAS THAT?

WHAT DO YOU WANT FROM ME?

YOU WANT ME TO QUIT SCHOOL

AND GET MARRIED TO YOU AND HAVE KIDS?

WHAT THE FUCK IS SO AWFUL ABOUT THAT?

THAT'S NOT WHO I WANT TO BE!

I DON'T KNOW WHAT I WANT, BUT IT'S NOT THAT.

WHEN WE WERE IN HIGH SCHOOL--

WE'RE NOT IN HIGH SCHOOL ANYMORE!

YOU DON'T WANT TO SEE ME ANYMORE?

NO.

YOU SHOULDN'T HAVE SLEPT WITH JODY.

YEAH, THAT WAS STUPID.

AHH.

SO, WHAT ARE YOU GOING TO DO NOW?

I DON'T KNOW.

[KNOCK ON DOOR]

Girl: JILL?

YOU IN THERE, JILL?

Boy: WE SHOULD GET A MOVE ON.

MAYBE SHE CRAPPED OUT AND TOOK THE TRAIN HOME ALREADY.

UH...HEH.

IS THIS DANCE A BIG DEAL OR SOMETHING?

EVERYBODY TRIES TO IMPRESS EACH OTHER

WITH WHAT GUY THEY CAN GET

TO GO TO IT WITH THEM.

AND YOU GOT STOOD UP?

SHOT DOWN.

FUCKIN' GUY'S AN ASSHOLE.

YOU COULD TAKE ME TO IT.

WHAT?

I CAN'T HAVE EVERYBODY THINKING I'M A COOTIE,

SITTING ALONE IN MY ROOM.

YOU DON'T WANT TO GO IN THERE WITH ME.

YES, I DO.

WHAT ARE THEY GOING TO THINK

YOU WALK IN THERE WITH SOME MEATBALL?

THEY'RE GOING TO THINK

I GOT THE BEST-LOOKING GUY IN THE WHOLE PLACE.

I SEEN SOME OF THESE GUYS WHEN I WAS LOOKING FOR YOU.

THEY DRESS LIKE SHIT.

YOU MUST'VE TERRORIZED THE PLACE.

YEAH, I DID.

SO, HOW ABOUT IT?

YOU GOING TO BAIL ME OUT?

[APPLAUSE AND CHEERING]

ALL RIGHT.

OVER HERE.

LADIES AND GENTLEMEN,

WE JUST GOT A WEIRD REQUEST,

BUT WE'RE GOING TO DO IT ANYWAY.

♪ STRANGERS IN THE NIGHT ♪

♪ EXCHANGING GLANCES ♪

♪ WONDERING IN THE NIGHT ♪

♪ WHAT WERE THE CHANCES ♪

♪ WE'D BE SHARING LOVE ♪

♪ BEFORE THE NIGHT WAS THROUGH ♪

♪ SOMETHING IN YOUR EYES ♪

♪ WAS SO INVITING ♪

♪ SOMETHING IN YOUR SMILE ♪

♪ WAS SO EXCITING ♪

♪ SOMETHING IN MY HEART ♪

♪ TOLD ME I MUST HAVE YOU ♪

♪ STRANGERS IN THE NIGHT ♪

♪ TWO LONELY PEOPLE ♪

♪ WE WERE STRANGERS IN THE NIGHT ♪

♪ UP TO THE MOMENT ♪

♪ THAT WE SAID OUR FIRST HELLO ♪

♪ LITTLE DID WE KNOW ♪

♪ THAT LOVE WAS JUST A GLANCE AWAY ♪

♪ A WARM EMBRACING DANCE AWAY ♪

[FRANK SINATRA] ♪ AND EVER SINCE THAT NIGHT ♪

♪ WE'VE BEEN TOGETHER ♪

♪ LOVERS AT FIRST SIGHT ♪

♪ IN LOVE FOREVER ♪

♪ IT TURNED OUT SO RIGHT ♪

♪ FOR STRANGERS IN THE NIGHT ♪

♪ LOVE WAS JUST A GLANCE AWAY ♪

♪ A WARM EMBRACING DANCE AWAY ♪

♪ EVER SINCE THAT NIGHT ♪

♪ WE'VE BEEN TOGETHER ♪

♪ LOVERS AT FIRST SIGHT ♪

♪ IN LOVE FOREVER ♪

♪ IT TURNED OUT SO RIGHT ♪

♪ FOR STRANGERS IN THE NIGHT ♪

♪ IT'S NOT THE WAY YOU SMILE ♪

♪ THAT TOUCHED MY HEART ♪

♪ SHA LA LA LA LA ♪

♪ IT'S NOT THE WAY YOU KISS ♪

♪ THAT TEARS ME APART ♪

♪ WHOA, MANY, MANY, MANY NIGHTS ROLL BY ♪

♪ I SIT ALONE AT HOME AND CRY OVER YOU ♪

♪ WHAT CAN I DO ♪

♪ I CAN'T HELP MYSELF ♪

♪ WHEN, BABY, IT'S YOU ♪

♪ SHA LA LA LA LA LA LA ♪

♪ BABY, IT'S YOU ♪

♪ SHA LA LA LA LA LA LA ♪

♪ SHA LA LA LA LA ♪

♪ YOU SHOULD HEAR WHAT THEY SAY ABOUT YOU ♪

♪ CHEAT, CHEAT ♪

♪ SHA LA LA LA LA ♪

♪ THEY SAY, THEY SAY YOU NEVER ♪

♪ NEVER, NEVER BEEN TRUE ♪

♪ CHEAT, CHEAT ♪

♪ OH, IT DOESN'T MATTER WHAT THEY SAY ♪

♪ I KNOW I'M GONNA LOVE YOU ANY OLD WAY ♪

♪ WHAT CAN I DO ♪

♪ WHEN IT'S TRUE ♪

♪ I DON'T WANT NOBODY ♪

♪ NOBODY, NO ♪

♪ BABY, IT'S YOU ♪

♪ SHA LA LA LA LA LA LA ♪

♪ BABY, IT'S YOU ♪

♪ SHA LA LA LA LA LA LA ♪

♪ OHH ♪

♪ MANY, MANY NIGHTS ROLL BY ♪

♪ I SIT ALONE AT HOME AND CRY OVER YOU ♪

♪ WHAT CAN I DO ♪

♪ I CAN'T HELP MYSELF ♪

♪ 'CAUSE, BABY, IT'S YOU ♪

♪ SHA LA LA LA LA LA LA ♪

♪ BABY, IT'S YOU ♪

♪ SHA LA LA LA LA LA LA ♪

♪ DON'T BELIEVE ME, I KNOW ♪

♪ SHA LA LA LA LA LA LA ♪

♪ COME ON HOME ♪