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Previously on The Bridge...
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ROBLES: Too bad David Tate is
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in American custody.
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He killed a cop's son here.
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Over here we'd make him pay for
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the rest of his life.
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CHARLOTTE: I'm looking for a
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new partner.
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FAUSTO: I don't have
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partners.
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I have employees.
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CHARLOTTE: And I have a
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tunnel.
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ADRIANA: I date women.
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I'm an embarrassment to the
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family.
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SOFIA: You get out.
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ADRIANA: With pleasure.
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LINDER: I've had a
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revelation.
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Eva. I want to make her my wife.
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BOB: Eva's gone.
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EVA: Hey!
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Hey!
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MAN: Where are you going?
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EVA: Colonias.
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MAN: I can take you.
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LINDER: Detective Cross.
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My bride is missing.
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CELIA: I saw something.
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The girl you were looking for...
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I saw her at the police station.
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HUGO: Shh.
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Please...
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Be still.
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She needs a hospital.
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MAN: Take care of her.
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You're a good boy.
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HUGO: Please.
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♪ Until I'm one
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With you
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My heart
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♪ Shall not
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Pass through
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Our love will be mistaken. ♪
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WADE: Tch, tch, tch, tch.
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Whoa.
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Whoa.
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You're okay.
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You want to go get the brush?
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You remember where they're at.
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SONYA: Sure.
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WADE: Go get it.
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You want to give him a good
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brushing?
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SONYA: Sure.
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He needs to cool down.
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WADE: I'm gonna sell him to a
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man in Marion County.
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Don't know what he wants with
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this cutting horse...
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SONYA: Are you going to
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retire?
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WADE: Papers have been on
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my desk for two months.
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Carmen says I'm stalling.
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Maybe I am.
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SONYA: Well, I need to know.
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Yes or no.
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WADE: Not at the moment.
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No, I am not.
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SONYA: Good.
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WADE: Why is that good?
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SONYA: I want to work the
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dead girls of Juárez.
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WADE: Is this about the,
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uh...
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supposed bride of Steven Linder?
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SONYA: Yeah.
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WADE: Sonya, that's a man you
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don't want to put a whole lot of
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stock in.
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SONYA: (sighs) He said the
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car that picked Eva up had U.S.
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plates.
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What if an American is involved
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in this?
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It's our responsibility to do
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something.
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WADE: Yeah, responsibility,
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maybe.
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Jurisdiction, no.
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SONYA: Well, if an American
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commits a capital crime-- like
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murder-- in Mexico, jurisdiction
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is determined by both parties.
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WADE: So you been studying
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up.
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SONYA: They have to do
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something, Hank.
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WADE: Hey, Sonya...
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look at me.
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For the past 15 years, the
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Mexican police, us, the Mexican
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army, the FBI, everybody has
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been working that case.
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There's been prosecutions.
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Hell, there's been convictions.
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They got all kind of people
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locked up, and still those girls
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die.
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It's a black hole.
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SONYA: I want to work the
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dead girls with Marco.
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You'll be bored if you retire.
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LINDER: Thanks for your help.
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ROBLES: Those women would
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have better luck at the morgue.
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CELIA: They hold vigils at
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the morgue, too.
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ROBLES: I know.
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If they're not gone in 15
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minutes, have them kicked out of
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here!
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MONTE: Thank you.
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Out.
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Horchatas on me.
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I try to not use my office for
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my more sensitive work.
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RAY: I don't know, Monte.
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Looks like you might be getting
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paranoid.
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MONTE: Retainer agreements.
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Sign these and you'll have
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attorney-client privilege.
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RAY: I already got an
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attorney.
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MONTE: Not for this you
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don't.
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My fee is ten percent of the
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company's profits.
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RAY: Company?
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What-what company?
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MONTE: Millwright
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Transportation Services.
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You're the CEO.
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Ray and Cesar are employees.
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My associate Benjamin DeLarge
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will help you set up a corporate
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account at Rayburn National
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Bank.
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He'll also handle the IRS.
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RAY: Whoa, whoa, hey.
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Whatever deals y'all been
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cutting, someone forgot to send
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a memo to old Ray Ray here.
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Bro, ten percent?
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That's a little steep.
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MONTE: It's an industry
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standard.
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RAY: Industry? Look, Tex...
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CESAR: Let the man talk,
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Ray Ray.
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MONTE: Gracias, Cesar.
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Point is a rising tide lifts all
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boats, hence the ten percent.
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CHARLOTTE: We agree, Monte.
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Fausto asked me out to dinner.
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Should I go?
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RAY: No way, Char.
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CESAR: I don't think that's a
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good idea, señora.
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MONTE: Señor Galvan likes to
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get what he wants.
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He finds you captivating, Ms.
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Millwright.
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An opinion I share.
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CHARLOTTE: Tell him we agree
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to his terms.
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Thank you for everything, Monte.
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MONTE: It is my pleasure,
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Ms. Millwright.
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RAY: Char, I'm feeling way
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out of the loop here.
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CHARLOTTE: There is no loop,
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Ray.
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You can agree to what Monte's
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offering or you can leave.
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Simple as that.
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RAY: Leave?
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You brought me here to help you.
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CHARLOTTE: Help me?
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You went behind my back with
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Tim.
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RAY: Yeah, I know. I'm sorry.
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I saw an opportunity and...
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CHARLOTTE: "Muff dove."
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Was that an opportunity, too?
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RAY: She raped me.
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CHARLOTTE: Oh, really, Ray?
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RAY: Yeah, it was some kind
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of cartel thing, you know.
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I was only doing what I had to
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do.
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CHARLOTTE: Well, now I'm
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doing what I have to do:
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protect myself.
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Are you with me?
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RAY: Yeah. Shit.
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I'm sorry, babe.
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CHARLOTTE: Show me some
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respect.
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RAY: What?
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You have a great ass.
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I couldn't help myself.
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CHARLOTTE: You work for me
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now.
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Does Cesar slap my ass?
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CESAR: No, señora.
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MARCO: You're not giving up
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on this, huh?
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SONYA: I knew you'd come.
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MARCO: It's good to see you,
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too.
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Celia came to me.
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She saw Eva Guerra at the police
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station.
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SONYA: What?
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She's in custody?
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MARCO: Nope.
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She's not there anymore.
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SONYA: So she...
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disappeared from your police
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station?
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MARCO: I don't know that.
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Celia saw her.
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That's all I know right now.
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SONYA: Did you go to your
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captain with this?
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MARCO: I needed to talk to
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someone I trust first.
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Sonya... something like this has
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many layers.
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It's dangerous.
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You need to be careful.
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SONYA: I know.
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We need to be careful.
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FRYE: What is that shit--
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cupcakes?
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ADRIANA: It's for your first
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day back.
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FRYE: I told you I didn't
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want a big deal out of it.
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ADRIANA: It is a big deal.
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Come on, it'll be fun watching
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people pretend they missed you.
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FRYE: Look, I just want to
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get back to work, all right?
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Maybe we talk to the DA about
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Tate, maybe...
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ADRIANA: Sherry wants to ease
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you back in.
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FRYE: Ease me back in?
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What does that mean?
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A Kiwanis club meeting?
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ADRIANA: Millie Quintana
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turns a hundred this Saturday.
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400 words, heartwarming.
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FRYE: I'd rather stab a
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pencil in my eye than write that
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story.
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Let's skip the cupcakes.
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Get in, let's go.
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Let's get it over with.
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Oh, my God.
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Old people.
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Who wants to be a hundred
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anyway?
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ADRIANA: Be nice.
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The television's on.
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FRYE: Hey, Adriana.
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That does not look good.
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She could be hurt.
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Go, uh... go around, see if
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there's a back door, window.
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Hey! Hey, lady!
287
00:13:41,111 --> 00:13:42,279
Hey!
288
00:13:43,447 --> 00:13:44,824
Lady?
289
00:13:51,997 --> 00:13:53,541
ADRIANA: She's dead.
290
00:13:53,541 --> 00:13:55,793
FRYE: I'm gonna look around.
291
00:14:12,434 --> 00:14:16,063
Holy shit.
292
00:14:20,526 --> 00:14:23,445
ADRIANA: Shit.
293
00:14:24,238 --> 00:14:25,406
CELIA: We need to hurry.
294
00:14:25,406 --> 00:14:26,407
SONYA: Are you sure you saw
295
00:14:26,407 --> 00:14:27,575
her in here?
296
00:14:27,575 --> 00:14:28,576
CELIA: Yes, three days ago.
297
00:14:28,576 --> 00:14:29,577
SONYA: Then why is she not in
298
00:14:29,577 --> 00:14:30,661
the system?
299
00:14:30,661 --> 00:14:32,037
CELIA: I don't know.
300
00:14:32,037 --> 00:14:33,205
She was in here.
301
00:14:43,716 --> 00:14:46,760
SONYA: There. Stop.
302
00:14:50,389 --> 00:14:52,725
It's her.
303
00:14:52,725 --> 00:14:56,604
Do you know him?
304
00:14:56,604 --> 00:14:59,773
CELIA: No, I can't tell.
305
00:15:07,489 --> 00:15:09,491
ROBLES: Marco.
306
00:15:09,491 --> 00:15:11,035
CELIA: Oh, shit!
307
00:15:11,035 --> 00:15:12,536
ROBLES: Are you working?
308
00:15:12,536 --> 00:15:13,704
MARCO: Yes.
309
00:15:13,704 --> 00:15:15,080
ROBLES: On which case?
310
00:15:15,080 --> 00:15:16,248
MARCO: Shooting in Rivera Del
311
00:15:16,248 --> 00:15:20,419
Bravo.
312
00:15:20,419 --> 00:15:21,545
ROBLES: I didn't hear about
313
00:15:21,545 --> 00:15:22,713
that case.
314
00:15:22,713 --> 00:15:24,089
MARCO: Domestic violence.
315
00:15:24,089 --> 00:15:27,343
A family quarrel, I think.
316
00:15:27,343 --> 00:15:28,510
ROBLES: Oh.
317
00:15:29,678 --> 00:15:34,099
You're very dedicated, Marco.
318
00:15:34,099 --> 00:15:37,519
Very dedicated.
319
00:15:43,025 --> 00:15:44,193
FRYE: Oh, hey, mama, why
320
00:15:44,193 --> 00:15:45,653
don't you hook a gimp up and
321
00:15:45,653 --> 00:15:47,029
throw a little somethin'
322
00:15:47,029 --> 00:15:48,447
somethin' in the back of my car?
323
00:15:48,447 --> 00:15:49,573
What you got?
324
00:15:49,573 --> 00:15:50,699
ADRIANA: Nobody would go on
325
00:15:50,699 --> 00:15:52,076
the record, but it's a lot of
326
00:15:52,076 --> 00:15:53,243
money.
327
00:15:53,243 --> 00:15:54,411
FRYE: No shit, Sherlock.
328
00:15:54,411 --> 00:15:55,579
Define a lot.
329
00:15:55,579 --> 00:15:56,747
ADRIANA: About $30 million is
330
00:15:56,747 --> 00:15:58,123
the number I heard.
331
00:15:58,123 --> 00:15:59,291
FRYE: Ooh. So, some old bitty
332
00:15:59,291 --> 00:16:00,459
dies baby-sitting a cartel
333
00:16:00,459 --> 00:16:01,585
fortune.
334
00:16:01,585 --> 00:16:02,753
I'd say it's a pretty decent
335
00:16:02,753 --> 00:16:04,129
first day back at work, wouldn't
336
00:16:04,129 --> 00:16:05,297
you?
337
00:16:05,297 --> 00:16:06,465
ADRIANA: That's not all.
338
00:16:06,465 --> 00:16:07,591
Half of it's euros.
339
00:16:07,591 --> 00:16:10,719
FRYE: No shit?
340
00:16:10,719 --> 00:16:12,763
ADRIANA: Yeah.
341
00:16:12,763 --> 00:16:14,390
Thanks. I appreciate it.
342
00:16:14,390 --> 00:16:16,266
Want to take a guess on the
343
00:16:16,266 --> 00:16:17,142
final count?
344
00:16:17,142 --> 00:16:20,187
FRYE: Uh, 50 million bucks.
345
00:16:20,187 --> 00:16:21,522
Cops always estimate low in case
346
00:16:21,522 --> 00:16:22,648
they can pocket some.
347
00:16:22,648 --> 00:16:24,024
ADRIANA: $40 million.
348
00:16:24,024 --> 00:16:25,192
FRYE: I was close.
349
00:16:25,192 --> 00:16:26,360
ADRIANA: And 20 million
350
00:16:26,360 --> 00:16:27,528
euros.
351
00:16:27,528 --> 00:16:28,654
FRYE: Wow. It's-it's like
352
00:16:28,654 --> 00:16:31,448
$65 million U.S.?
353
00:16:31,448 --> 00:16:32,616
ADRIANA: All a hundreds and
354
00:16:32,616 --> 00:16:33,784
twenties, both currencies.
355
00:16:33,784 --> 00:16:35,160
FRYE: What is up with the
356
00:16:35,160 --> 00:16:36,328
whole euro thing?
357
00:16:36,328 --> 00:16:37,496
ADRIANA: That's the story.
358
00:16:37,496 --> 00:16:38,622
FRYE: It's weird.
359
00:16:38,622 --> 00:16:39,790
It's really weird.
360
00:16:39,790 --> 00:16:41,166
But I like it.
361
00:16:41,166 --> 00:16:42,334
Weird is good.
362
00:16:42,334 --> 00:16:43,502
ALEX: This came for you.
363
00:16:43,502 --> 00:16:44,628
ADRIANA: Thank you.
364
00:16:44,628 --> 00:16:48,298
FRYE: Thanks, Alex.
365
00:16:54,596 --> 00:16:56,557
What the hell is that?
366
00:17:00,602 --> 00:17:03,939
"Who is Millie Quintana?"
367
00:17:03,939 --> 00:17:05,566
♪ Tommy's got
368
00:17:05,566 --> 00:17:08,360
His six-string in hock
369
00:17:08,360 --> 00:17:10,487
Now he's holding in
370
00:17:10,487 --> 00:17:12,322
♪ What used to make him talk
371
00:17:12,322 --> 00:17:15,576
So tough
372
00:17:15,576 --> 00:17:18,787
It's tough
373
00:17:18,787 --> 00:17:20,497
♪ She says we've got
374
00:17:20,497 --> 00:17:22,207
To hold on
375
00:17:22,207 --> 00:17:24,418
To what we've got
376
00:17:24,418 --> 00:17:25,794
♪ It doesn't make a difference
377
00:17:25,794 --> 00:17:28,297
If we make it or not
378
00:17:28,297 --> 00:17:29,798
We've got each other
379
00:17:29,798 --> 00:17:33,635
♪ And that's a lot for love
380
00:17:33,635 --> 00:17:35,846
We'll give it a shot
381
00:17:35,846 --> 00:17:37,681
Whoa
382
00:17:37,681 --> 00:17:40,392
♪ We're halfway there
383
00:17:40,392 --> 00:17:41,769
Whoa-oh
384
00:17:41,769 --> 00:17:43,979
Livin' on a prayer
385
00:17:43,979 --> 00:17:45,731
♪ Take my hand
386
00:17:45,731 --> 00:17:47,816
We'll make it, I swear
387
00:17:47,816 --> 00:17:49,651
Whoa-oh
388
00:17:49,651 --> 00:17:52,237
♪ Livin' on a prayer
389
00:17:52,237 --> 00:17:53,614
Whoa
390
00:17:53,614 --> 00:17:55,365
We're halfway there... ♪
391
00:17:55,365 --> 00:17:56,492
RAY: Uh-uh.
392
00:17:56,492 --> 00:17:57,493
I'm driving, Pedro.
393
00:17:57,493 --> 00:17:59,244
CESAR: Cesar, you son of a
394
00:17:59,244 --> 00:18:00,370
bitch.
395
00:18:00,370 --> 00:18:03,290
RAY: Whatever.
396
00:18:03,290 --> 00:18:05,000
CESAR: Damn good-for-nothing
397
00:18:05,000 --> 00:18:06,960
white boy.
398
00:18:13,008 --> 00:18:14,468
HUGO: Move the crib to the
399
00:18:14,468 --> 00:18:17,304
back room.
400
00:18:17,304 --> 00:18:19,848
I gotta go.
401
00:18:19,848 --> 00:18:21,683
MARCO: Where is she?
402
00:18:21,683 --> 00:18:22,893
HUGO: I don't know what
403
00:18:22,893 --> 00:18:24,269
you're talking about.
404
00:18:24,269 --> 00:18:25,521
MARCO: The girl who was
405
00:18:25,521 --> 00:18:26,688
at the station.
406
00:18:26,688 --> 00:18:27,856
Her name is Eva.
407
00:18:27,856 --> 00:18:31,485
You were on duty that night.
408
00:18:36,323 --> 00:18:38,534
Was there a party?
409
00:18:38,534 --> 00:18:39,701
HUGO: No.
410
00:18:39,701 --> 00:18:41,495
MARCO: You're lying.
411
00:18:41,495 --> 00:18:42,663
HUGO: Marco, don't get
412
00:18:42,663 --> 00:18:43,831
involved in this.
413
00:18:43,831 --> 00:18:45,999
MARCO: I am involved.
414
00:18:45,999 --> 00:18:48,293
I'm in up to my ass!
415
00:18:48,293 --> 00:18:50,295
Tell me where she's at!
416
00:18:50,295 --> 00:18:53,674
What happened to her?
417
00:19:10,524 --> 00:19:13,527
You'd better be careful.
418
00:19:31,545 --> 00:19:34,965
SONYA: What did you do?
419
00:19:38,719 --> 00:19:42,347
MARCO: She's alive.
420
00:19:56,069 --> 00:19:57,613
RAY: You said you knew where
421
00:19:57,613 --> 00:19:59,364
we were going.
422
00:19:59,364 --> 00:20:00,532
CESAR: I do.
423
00:20:00,532 --> 00:20:01,658
RAY: We missed the highway.
424
00:20:01,658 --> 00:20:03,035
CESAR: It's safer this way,
425
00:20:03,035 --> 00:20:04,745
Ray.
426
00:20:04,745 --> 00:20:06,079
RAY: Shit, man, I took fast
427
00:20:06,079 --> 00:20:07,247
boats loaded to the rails with
428
00:20:07,247 --> 00:20:08,415
coke into Miami, never got
429
00:20:08,415 --> 00:20:09,583
stopped once.
430
00:20:09,583 --> 00:20:10,751
You know why?
431
00:20:10,751 --> 00:20:12,085
CESAR: Why, Ray?
432
00:20:12,085 --> 00:20:13,253
RAY: It's 'cause I didn't
433
00:20:13,253 --> 00:20:14,421
give a shit about not being
434
00:20:14,421 --> 00:20:15,589
seen.
435
00:20:15,589 --> 00:20:16,757
It's like that scene in
436
00:20:16,757 --> 00:20:18,300
Apocalypse Now where Bobby D
437
00:20:18,300 --> 00:20:20,177
makes those boys go surfing with
438
00:20:20,177 --> 00:20:21,428
Charlie firing on their ass.
439
00:20:21,428 --> 00:20:22,596
CESAR: I've never seen it.
440
00:20:22,596 --> 00:20:23,764
RAY: The point is, all this
441
00:20:23,764 --> 00:20:26,099
creeping around is what draws
442
00:20:26,099 --> 00:20:27,267
suspicion.
443
00:20:27,267 --> 00:20:28,769
I'm turning around.
444
00:20:28,769 --> 00:20:30,479
CESAR: Stop the truck.
445
00:20:30,479 --> 00:20:31,647
RAY: Why?
446
00:20:31,647 --> 00:20:32,814
CESAR: I want to get off.
447
00:20:32,814 --> 00:20:34,191
This isn't good.
448
00:20:34,191 --> 00:20:35,359
RAY (laughing): I ain't
449
00:20:35,359 --> 00:20:36,526
stopping.
450
00:20:36,526 --> 00:20:37,653
Grow some huevos, bro.
451
00:20:37,653 --> 00:20:41,281
CESAR: Damn American.
452
00:21:24,700 --> 00:21:25,867
SONYA: What is this place?
453
00:21:25,867 --> 00:21:27,035
MARCO: Used to be a
454
00:21:27,035 --> 00:21:28,161
monastery.
455
00:21:28,161 --> 00:21:30,539
Now it's a house for the damned.
456
00:21:30,539 --> 00:21:32,624
SONYA: And Eva's here?
457
00:21:32,624 --> 00:21:35,836
MARCO: If we're lucky, yes.
458
00:21:35,836 --> 00:21:37,629
He was supposed to kill her and
459
00:21:37,629 --> 00:21:39,131
bury her in the desert.
460
00:21:39,131 --> 00:21:42,009
We'll talk about it later.
461
00:21:42,009 --> 00:21:43,593
Good evening.
462
00:21:43,593 --> 00:21:47,055
Marco Ruiz, policia.
463
00:21:48,974 --> 00:21:51,476
Thank you.
464
00:22:00,861 --> 00:22:02,863
Has anybody asked about her?
465
00:22:02,863 --> 00:22:03,864
SISTER GUADALUPE: No.
466
00:22:03,864 --> 00:22:04,865
She was in bad shape when she
467
00:22:04,865 --> 00:22:05,866
arrived.
468
00:22:05,866 --> 00:22:07,784
She's safe here.
469
00:22:07,784 --> 00:22:08,952
MARCO: No, Sister.
470
00:22:08,952 --> 00:22:11,288
She's not safe here.
471
00:22:16,501 --> 00:22:17,711
SISTER GUADALUPE: Come with
472
00:22:17,711 --> 00:22:19,963
me.
473
00:22:31,433 --> 00:22:33,435
Por aquí.
474
00:22:36,229 --> 00:22:37,606
There she is.
475
00:22:37,606 --> 00:22:38,774
She hasn't said a word since she
476
00:22:38,774 --> 00:22:40,776
arrived.
477
00:22:42,319 --> 00:22:44,279
Seems she was drugged.
478
00:22:44,279 --> 00:22:45,655
MARCO: We're taking her.
479
00:22:45,655 --> 00:22:46,656
SISTER GUADALUPE: If you
480
00:22:46,656 --> 00:22:47,824
must.
481
00:22:47,824 --> 00:22:49,951
MARCO: Yes, Sister.
482
00:22:49,951 --> 00:22:52,579
We must.
483
00:22:52,579 --> 00:22:54,539
SONYA: Eva.
484
00:22:56,792 --> 00:22:59,252
You're safe.
485
00:22:59,252 --> 00:23:01,713
All right?
486
00:23:01,713 --> 00:23:05,300
All right? Come with us.
487
00:23:09,596 --> 00:23:11,890
You're good.
488
00:23:15,602 --> 00:23:17,312
He's okay.
489
00:23:17,312 --> 00:23:19,856
SISTER GUADALUPE: Está bien.
490
00:23:19,856 --> 00:23:22,317
SONYA: He's okay.
491
00:23:33,870 --> 00:23:34,871
MARCO: She was taken to a
492
00:23:34,871 --> 00:23:36,373
party...
493
00:23:36,373 --> 00:23:37,833
drugged, raped...
494
00:23:37,833 --> 00:23:39,835
who knows what else?
495
00:23:39,835 --> 00:23:41,294
SONYA: Police?
496
00:23:41,294 --> 00:23:44,005
MARCO: Some.
497
00:23:44,005 --> 00:23:45,966
SONYA: We need to fix this.
498
00:23:45,966 --> 00:23:47,717
MARCO: Yeah, well, not now,
499
00:23:47,717 --> 00:23:50,679
Sonya.
500
00:23:50,679 --> 00:23:52,848
She-She's not safe in Mexico.
501
00:23:52,848 --> 00:23:53,849
We need to get her across the
502
00:23:53,849 --> 00:23:55,684
border.
503
00:23:55,684 --> 00:23:57,394
I have this friend.
504
00:23:57,394 --> 00:23:58,395
He's a paramedic.
505
00:23:58,395 --> 00:23:59,688
He can get access to an
506
00:23:59,688 --> 00:24:00,897
ambulance.
507
00:24:00,897 --> 00:24:03,316
To get her across...
508
00:24:03,316 --> 00:24:04,317
you sit in the back, show your
509
00:24:04,317 --> 00:24:06,736
badge at the border.
510
00:24:06,736 --> 00:24:07,863
All right?
511
00:24:07,863 --> 00:24:08,864
You should not have any
512
00:24:08,864 --> 00:24:10,824
problems.
513
00:24:19,541 --> 00:24:21,793
SONYA: All right.
514
00:24:21,793 --> 00:24:23,462
I can do that.
515
00:24:23,462 --> 00:24:25,547
MARCO: Thank you.
516
00:24:25,547 --> 00:24:26,548
SONYA: But you'll do
517
00:24:26,548 --> 00:24:30,677
something about this?
518
00:24:30,677 --> 00:24:32,971
MARCO: Yes.
519
00:24:54,618 --> 00:24:55,702
SONYA: Didn't know who else
520
00:24:55,702 --> 00:24:57,037
to call.
521
00:24:57,037 --> 00:24:58,163
I think she needs
522
00:24:58,163 --> 00:24:59,247
medical attention.
523
00:24:59,247 --> 00:25:00,790
WADE: Yeah, well, Carmen's
524
00:25:00,790 --> 00:25:02,167
coming back from the hospital.
525
00:25:02,167 --> 00:25:04,085
She'll do what she can do,
526
00:25:04,085 --> 00:25:06,671
but... she might need more.
527
00:25:06,671 --> 00:25:08,924
Come on, sweetie.
528
00:25:08,924 --> 00:25:10,800
I fixed up your old room.
529
00:25:10,800 --> 00:25:12,761
SONYA: Thanks.
530
00:25:12,761 --> 00:25:14,346
WADE: Step up.
531
00:25:14,346 --> 00:25:15,347
Up.
532
00:25:15,347 --> 00:25:17,849
Step up.
533
00:25:23,647 --> 00:25:24,814
How'd you get her
534
00:25:24,814 --> 00:25:26,775
across the border?
535
00:25:26,775 --> 00:25:30,779
SONYA: Ambulance.
536
00:25:30,779 --> 00:25:34,199
Marco called in a favor.
537
00:25:39,913 --> 00:25:41,081
WADE: Who else knows that
538
00:25:41,081 --> 00:25:43,041
she's here?
539
00:25:43,041 --> 00:25:46,169
SONYA: Nobody.
540
00:25:46,169 --> 00:25:47,754
WADE: So, you want to tell me
541
00:25:47,754 --> 00:25:50,048
what this is about?
542
00:25:53,927 --> 00:25:55,387
SONYA: Cops in Juárez did
543
00:25:55,387 --> 00:26:00,642
this to her.
544
00:26:01,851 --> 00:26:04,187
Marco told me to stay out of it.
545
00:26:04,187 --> 00:26:05,188
WADE: Yeah, well, let him
546
00:26:05,188 --> 00:26:06,189
handle it.
547
00:26:06,189 --> 00:26:07,190
SONYA: He's in no shape to
548
00:26:07,190 --> 00:26:08,191
handle it.
549
00:26:08,191 --> 00:26:10,902
WADE: He's grieving.
550
00:26:10,902 --> 00:26:12,320
SONYA: I watched him beat a
551
00:26:12,320 --> 00:26:15,282
man half to death yesterday.
552
00:26:15,282 --> 00:26:17,200
WADE: Related to this case?
553
00:26:17,200 --> 00:26:20,287
SONYA: Yes.
554
00:26:31,965 --> 00:26:33,258
MAN: You know, I prefer, uh,
555
00:26:33,258 --> 00:26:36,303
the rib eye.
556
00:26:36,303 --> 00:26:39,889
It's all about the fat.
557
00:26:39,889 --> 00:26:42,309
CHARLOTTE: I prefer T-bones.
558
00:26:42,309 --> 00:26:45,729
My boyfriend likes them better.
559
00:26:45,729 --> 00:26:46,980
MAN: Come a long way since
560
00:26:46,980 --> 00:26:48,732
Tampa.
561
00:26:48,732 --> 00:26:49,941
I wish I could say the same for
562
00:26:49,941 --> 00:26:51,901
Ray...
563
00:26:53,278 --> 00:26:56,197
CHARLOTTE: Do I know you?
564
00:26:56,197 --> 00:26:58,700
MAN: Froome.
565
00:27:02,412 --> 00:27:06,082
Arliss Froome.
566
00:27:08,918 --> 00:27:12,255
We know about the tunnel.
567
00:27:12,255 --> 00:27:13,798
And we know about Señor Fausto
568
00:27:13,798 --> 00:27:17,093
Galvan.
569
00:27:17,093 --> 00:27:19,387
You know...
570
00:27:19,387 --> 00:27:20,930
we know a lot of things,
571
00:27:20,930 --> 00:27:22,265
Charlotte.
572
00:27:22,265 --> 00:27:24,267
CHARLOTTE: Who are you?
573
00:27:24,267 --> 00:27:27,312
FROOME: Well, right now...
574
00:27:27,312 --> 00:27:31,775
I am your only friend.
575
00:27:31,775 --> 00:27:34,736
CHARLOTTE: FBI?
576
00:27:34,736 --> 00:27:36,196
I knew it.
577
00:27:36,196 --> 00:27:38,740
FROOME: No, not exactly.
578
00:27:38,740 --> 00:27:40,033
But you know what I like?
579
00:27:40,033 --> 00:27:41,785
I like the way you're thinking.
580
00:27:41,785 --> 00:27:43,328
It means that you know what's
581
00:27:43,328 --> 00:27:46,456
coming.
582
00:27:46,456 --> 00:27:49,334
CHARLOTTE: What's coming?
583
00:27:49,334 --> 00:27:54,214
FROOME: Right now, nothing.
584
00:27:54,214 --> 00:27:56,091
And make sure you go to that
585
00:27:56,091 --> 00:27:58,385
dinner with Fausto.
586
00:27:58,385 --> 00:27:59,386
CHARLOTTE: How do you know
587
00:27:59,386 --> 00:28:01,221
about that?
588
00:28:01,221 --> 00:28:04,224
FROOME: We know everything.
589
00:28:04,224 --> 00:28:06,726
I'll be in touch.
590
00:28:09,979 --> 00:28:12,232
T-bones?
591
00:28:23,827 --> 00:28:25,829
HUGO: Yes, I'm on my way.
592
00:28:25,829 --> 00:28:28,331
Diapers? Really?
593
00:28:28,331 --> 00:28:30,291
All right. Diapers it is.
594
00:28:30,291 --> 00:28:35,255
Yes, yes. No beer.
595
00:28:35,255 --> 00:28:37,924
Shit.
596
00:29:18,256 --> 00:29:20,425
SONYA: Hi.
597
00:29:20,425 --> 00:29:23,136
MARCO: Hi.
598
00:29:23,136 --> 00:29:26,097
What are you doing here?
599
00:29:26,097 --> 00:29:27,140
SONYA: You don't look so
600
00:29:27,140 --> 00:29:29,142
good.
601
00:29:29,142 --> 00:29:32,061
MARCO: I was... sleeping.
602
00:29:32,061 --> 00:29:34,147
It's late.
603
00:29:34,147 --> 00:29:38,234
SONYA: Can I have a drink?
604
00:29:38,234 --> 00:29:40,570
MARCO: Uh, yeah.
605
00:29:40,570 --> 00:29:42,238
Sure.
606
00:29:42,238 --> 00:29:44,574
Come in.
607
00:30:15,605 --> 00:30:17,106
Don't you have something else to
608
00:30:17,106 --> 00:30:19,400
do tonight?
609
00:30:22,987 --> 00:30:25,532
SONYA: You beat that man up.
610
00:30:25,532 --> 00:30:27,659
He was a cop.
611
00:30:27,659 --> 00:30:30,286
MARCO: We found Eva, right?
612
00:30:30,286 --> 00:30:31,955
SONYA: You're a cop.
613
00:30:31,955 --> 00:30:33,289
You can't do that.
614
00:30:33,289 --> 00:30:34,624
MARCO: Oh, yes, I can.
615
00:30:34,624 --> 00:30:38,002
And I did.
616
00:30:38,002 --> 00:30:39,003
SONYA: Something's changed,
617
00:30:39,003 --> 00:30:40,630
Marco.
618
00:30:40,630 --> 00:30:41,965
MARCO: A lot of things
619
00:30:41,965 --> 00:30:45,134
changed.
620
00:30:45,134 --> 00:30:48,638
Alma is gone.
621
00:30:48,638 --> 00:30:51,432
My daughters are gone.
622
00:30:51,432 --> 00:30:53,309
Gus is dead.
623
00:30:53,309 --> 00:30:54,352
SONYA: I know what you're
624
00:30:54,352 --> 00:30:56,062
thinking.
625
00:30:56,062 --> 00:30:57,689
MARCO: Is that so?
626
00:30:57,689 --> 00:30:59,232
SONYA: You want to kill David
627
00:30:59,232 --> 00:31:01,484
Tate.
628
00:31:16,249 --> 00:31:17,625
MARCO: He took everything
629
00:31:17,625 --> 00:31:20,211
from me.
630
00:31:20,211 --> 00:31:22,714
But he's safe.
631
00:31:22,714 --> 00:31:26,259
He'll go to trial.
632
00:31:26,259 --> 00:31:29,596
Maybe get the death penalty.
633
00:31:31,598 --> 00:31:34,475
I don't know and I don't care.
634
00:31:34,475 --> 00:31:38,146
It's out of my hands.
635
00:31:40,356 --> 00:31:41,566
SONYA: When Lisa was
636
00:31:41,566 --> 00:31:43,693
murdered...
637
00:31:43,693 --> 00:31:45,528
I wanted the man who did it to
638
00:31:45,528 --> 00:31:47,322
die.
639
00:31:47,322 --> 00:31:49,699
I prayed for it to happen.
640
00:31:49,699 --> 00:31:50,700
MARCO: Well, maybe Hank
641
00:31:50,700 --> 00:31:51,701
should have killed him when he
642
00:31:51,701 --> 00:31:52,702
had the chance.
643
00:31:52,702 --> 00:31:53,703
SONYA: He would never do
644
00:31:53,703 --> 00:31:54,704
that.
645
00:31:56,080 --> 00:31:57,373
MARCO: Of course not.
646
00:31:57,373 --> 00:31:59,626
He's a good man.
647
00:32:04,672 --> 00:32:08,551
I'll be okay, Sonya.
648
00:32:08,551 --> 00:32:10,219
SONYA: Okay.
649
00:32:10,219 --> 00:32:12,513
MARCO: Okay.
650
00:32:17,185 --> 00:32:20,229
There's nothing I can do.
651
00:32:20,229 --> 00:32:21,731
Don't worry.
652
00:32:21,731 --> 00:32:24,150
I won't do anything stupid.
653
00:32:26,402 --> 00:32:27,737
SONYA: I know.
654
00:32:27,737 --> 00:32:31,074
You're a good man.
655
00:32:35,244 --> 00:32:39,374
MARCO: Hmm.
656
00:32:39,374 --> 00:32:41,376
SONYA: All right.
657
00:32:44,587 --> 00:32:47,090
Have a good night.
658
00:34:52,423 --> 00:34:55,426
♪ Do you know
659
00:34:55,426 --> 00:35:01,224
How I feel
660
00:35:01,224 --> 00:35:04,227
♪ About you?
661
00:35:04,227 --> 00:35:07,271
Do you know
662
00:35:07,271 --> 00:35:08,940
This is real ♪
663
00:35:10,399 --> 00:35:16,155
♪ How I feel around you?
664
00:35:39,762 --> 00:35:45,685
♪ When I see you look at me
665
00:35:45,685 --> 00:35:51,399
I'm not sure of anything
666
00:35:51,399 --> 00:35:57,280
All I know is, when you smile
667
00:35:57,280 --> 00:36:02,368
I believe in everything... ♪
668
00:36:04,412 --> 00:36:06,372
♪ Do you know
669
00:36:06,372 --> 00:36:09,417
How I dream
670
00:36:09,417 --> 00:36:14,797
How I dream about you?
671
00:36:14,797 --> 00:36:17,800
♪ Do you know
672
00:36:17,800 --> 00:36:21,012
How I feel
673
00:36:21,012 --> 00:36:22,847
Do you know... ♪
674
00:36:22,847 --> 00:36:24,265
WADE: Take your boots off,
675
00:36:24,265 --> 00:36:26,517
please.
676
00:36:50,541 --> 00:36:53,461
♪ Do you know
677
00:36:53,461 --> 00:36:56,631
How I feel
678
00:36:56,631 --> 00:37:01,802
How I feel about you?
679
00:37:01,802 --> 00:37:08,351
♪ Doesn't take much to tell
680
00:37:08,351 --> 00:37:13,856
That I love, oh, I... ♪
681
00:37:22,823 --> 00:37:24,533
ADRIANA: Elena called me.
682
00:37:24,533 --> 00:37:26,911
SOFIA: It's Daniela.
683
00:37:26,911 --> 00:37:29,872
She never got off the bus.
684
00:37:31,707 --> 00:37:37,880
♪ But you're nowhere near
685
00:37:37,880 --> 00:37:42,635
No, you're nowhere near... ♪
686
00:37:42,635 --> 00:37:43,803
ADRIANA: Madre...
687
00:37:44,971 --> 00:37:49,475
♪ No, you're nowhere near
688
00:37:49,475 --> 00:37:53,562
Oh, oh, oh...
689
00:37:55,982 --> 00:38:01,529
♪ Oh, oh, oh
690
00:38:01,529 --> 00:38:06,826
Oh, oh, oh...
691
00:38:06,826 --> 00:38:12,498
Oh, oh, oh
692
00:38:12,498 --> 00:38:18,421
♪ Oh, oh
693
00:38:18,421 --> 00:38:20,673
Oh, oh... ♪
694
00:38:51,412 --> 00:38:52,621
FAUSTO: I'm so sorry for your
695
00:38:52,621 --> 00:38:56,125
loss.
696
00:38:58,753 --> 00:39:03,466
Drink.
697
00:39:03,466 --> 00:39:06,969
MARCO: Gracias.
698
00:39:36,832 --> 00:39:39,085
FAUSTO: Have another.
699
00:40:05,861 --> 00:40:07,863
MARCO: I didn't know who else
700
00:40:07,863 --> 00:40:10,199
to call.
701
00:40:14,703 --> 00:40:15,871
FAUSTO: In 20 years, you've
702
00:40:15,871 --> 00:40:20,501
never asked me for anything.
703
00:40:20,501 --> 00:40:24,547
You never wanted to be indebted.
704
00:40:24,547 --> 00:40:26,882
Why now?
705
00:40:26,882 --> 00:40:28,551
MARCO: Because now I don't
706
00:40:28,551 --> 00:40:32,012
care.
707
00:40:32,012 --> 00:40:36,058
FAUSTO: Fair enough.
708
00:40:36,058 --> 00:40:38,644
MARCO: You have people inside
709
00:40:38,644 --> 00:40:40,604
the jails?
710
00:40:40,604 --> 00:40:42,565
FAUSTO: Yes.
711
00:40:42,565 --> 00:40:45,734
MARCO: And in El Paso?
712
00:40:45,734 --> 00:40:49,113
FAUSTO: Everywhere.
713
00:40:49,113 --> 00:40:51,240
MARCO: If someone...
714
00:40:51,240 --> 00:40:54,994
is protected...
715
00:40:54,994 --> 00:40:57,997
in solitary...
716
00:40:57,997 --> 00:40:59,206
FAUSTO: The asshole who
717
00:40:59,206 --> 00:41:01,250
murdered your son?
718
00:41:01,250 --> 00:41:04,920
MARCO: Mm-hmm.
719
00:41:08,883 --> 00:41:12,970
FAUSTO: It's not easy.
720
00:41:12,970 --> 00:41:15,890
But it's not impossible.
721
00:41:25,191 --> 00:41:26,859
Ask it, and it will
722
00:41:26,859 --> 00:41:30,529
be done, Marco.
723
00:41:43,626 --> 00:41:46,795
I will have him killed for you.
724
00:41:46,795 --> 00:41:49,632
MARCO: No.
725
00:41:49,632 --> 00:41:53,052
I want to kill him myself.
726
00:42:20,955 --> 00:42:21,956
Captioned by
727
00:42:21,956 --> 00:42:22,957
Media Access Group at WGBH
728
00:42:22,957 --> 00:42:25,918
access.wgbh.org
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