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MARCO: Previously on The
Bridge...
RAY (quietly): Holy shit!
LINDER: Bob, I been thinking
about her in a special way.
KENNETH: Here we go.
MARCO: What are you doing,
David?
Get back. Go back!
FRYE: What the hell's going
on?
WADE: Bomb's live.
Have your sniper stand down.
He's activated the dead man's
switch.
MARCO: Do whatever you have
to do and tell me where my son
is!
KENNETH: Take out your gun.
Now point it at him.
MARCO: I'm not like you!
KENNETH: You're not saving
anyone.
MARCO: Daniel!
SONYA: I think I know where
he is.
Gus!
Marco! Don't shoot!
MARCO: Sonya?
SONYA: I found Gus.
KENNETH: She's lying.
MARCO: Did you find him
alive?
SONYA: No!
(soprano singing from The
Marriage of Figaro)
(chickens clucking,
birds chirping)
BOB: Blessings, Steven.
LINDER: Nice chicken.
BOB: Yeah, well, she won't
lay, and I'm...
I'm thinking maybe she got into
some coffee grounds.
She seem caffeinated to you?
LINDER: Seems like a chicken.
BOB (quietly): Yeah.
What brings you here?
LINDER: I've had a
revelation.
BOB: Tell it.
LINDER: Eva.
I want to make her my wife.
BOB: That's kind of sudden.
LINDER: I'm gonna ask for her
hand, and, uh, if she says yes,
then, uh, you're gonna perform
the ceremony.
BOB: I'm honored, brother.
But Eva's gone.
LINDER: She can't be.
BOB: She is.
LINDER: When?
BOB: Week.
Said she wanted off the path.
LINDER: You could've told me
about this.
I'm gonna find her.
EVA: Hey!
Hey!
MAN: Bad luck.
EVA: Yes.
MAN: Where are you going?
EVA: Colonias.
MAN: I can take you.
EVA: No, thanks.
I'll take the bus.
You know what-- yes, please give
me a ride.
SINGER: ♪ Until I'm one
With you
My heart
♪ Shall not
Pass through
Our love will be mistaken. ♪
JOE: The frame's bent, engine
block's demolished.
This here's what we call a total
loss.
SONYA: Well, I need it fixed.
JOE: I wouldn't know where to
start.
SONYA: I'll pay whatever it
costs.
JOE: You could buy a new
Bronco for less.
SONYA: I don't want a new...!
I don't want a new Bronco.
I want this one.
JOE: Lady, I-I got good
hearing.
SONYA: This mechanic's
useless.
WADE: Well, I've been using
him for years.
SONYA: Well, he's very
stubborn.
WADE: He is. Hmm.
SONYA: He wants me to junk
it.
WADE: Sonya...
it was her car; it is not her.
In any case, could you wrap it
up?
The D.A.'s waiting to prep me.
SONYA: Can you get the tape
out?
It's stuck.
JOE: That I can do.
SONYA: Bye.
WADE: Prosecutor can't get up
with Marco.
SONYA: Yeah, me neither.
WADE: We need him to show up.
SONYA: Well, I've called him
11 times and he hasn't called me
back, so...
I miss him.
WADE: That's good.
SONYA (wry laugh): Is it?
WADE: Yeah.
Why don't you go see him?
SONYA: Don't think he'd like
that.
WADE: Well, it's been ov...
it's been over a month.
People stop calling, checking
in, it gets pretty lonely.
SONYA (sighs): I remember.
Bring pastries?
WADE: There you go.
LINDER: Eva Guerra?
Have you seen her?
She worked in that factory.
Do you know her?
LUPE: Yes.
I saw her.
(children's playful shouts in
distance)
SONYA: Hi.
I brought you these.
So, um...
the preliminary hearing's
Friday.
The D.A. needs your testimony.
Haven't heard from you.
Thought there'd be a funeral.
MARCO: No funeral.
SONYA: Have you, um...
How have you...
MARCO: How have I been?
Is that your question?
I've been drunk.
Or asleep.
SONYA: Right.
And Alma?
MARCO: Alma's gone.
SONYA: Oh, where'd she go?
MARCO: Alma is gone, I said.
Don't you understand?
And my daughters are gone and
Gus is gone!
A normal person would know that!
A-A-And they would know not to
call me, not to knock on my
door, not to come to my house!
SONYA: Well, I wanted to
check on you.
MARCO: Why?
You don't know me.
SONYA: Well, we... we were
partners.
MARCO: No, no, no, no, no...
Don't misunderstand things.
You and I are just two people
who worked together on a case.
Huh?
Nothing more.
FAUSTO: Look how that putito
swings.
Like a monkey.
CHARLOTTE: I wanted to give
this back to you.
FAUSTO: No refund.
CHARLOTTE: I stole it.
FAUSTO: Is she serious?
OBREGON: I thought your
cousin El Chino took it.
FAUSTO: You are the worst
accountant I've ever had.
CHARLOTTE: I'm looking for a
new partner.
FAUSTO: I don't have
partners.
I have employees.
CHARLOTTE: And I have a
tunnel.
You hauled a corpse through it
once... for free.
FAUSTO: Send me the bill.
CHARLOTTE: It's on the house.
You need someone like me.
FAUSTO: Ah, sí?
Why?
CHARLOTTE: I'm white, I'm a
citizen.
I blend in over there.
You don't.
FAUSTO: So you'll be my man
in El Paso?
CHARLOTTE: For 15%.
FAUSTO: You're too skinny.
You need una steak.
We go to dinner one night.
CHARLOTTE: Does that mean we
have a deal?
FAUSTO: Five kilos per week.
We meet, I pay you.
Entonces we get to know each
other.
CHARLOTTE: I can do that.
FAUSTO: I'm a nice guy, you
know.
CHARLOTTE: Okay.
FAUSTO: Last man I killed, I
was nice enough to cut his dick,
balls, and lips off and send to
his wife.
Didn't want her to get lonely.
LINDER: Detective Cross.
You remember me?
SONYA: Steven Linder.
LINDER: That's right.
How are you?
SONYA: Fine.
What are you doing here?
LINDER: Well... my bride is
missing.
She was working at a factory in
Juárez.
Last seen three days ago.
SONYA: Have you talked to her
family?
LINDER: No family.
SONYA: Hmm, friends?
LINDER: She's what you call,
uh, alone in life.
SONYA: Except for you.
LINDER: I misspoke when I
called her my bride.
She's, uh, more like my
intended.
SONYA: Steven, you were a
person of interest in the Bridge
case.
LINDER: I am aware.
SONYA: I found burned women's
clothes up at your trailer.
How do I know you didn't take
this girl?
LINDER: That's not who I am.
SONYA: Who are you?
LINDER: I help people.
SONYA: I remember you saying
that.
LINDER: Women who are being
abused by a violent husband,
partner, or what have you.
SONYA: How do they find you?
LINDER: I've become kind
of known for this sort of work.
SONYA: You bring them here?
LINDER: I have medical
supplies, nutritious food,
water...
safe place to rest.
You, you can look inside.
SONYA: Stand back, please.
LINDER: I burn their things
so they can't be tracked.
SONYA: Where do they go next?
LINDER: A safe house.
SONYA: Why do you do it?
LINDER: 'Cause I can.
SONYA: That's pretty unusual,
Steven.
LINDER: Yeah, but not
illegal.
SONYA: No, no.
Why did you call Eva your
bride when she wasn't?
LINDER: Because I am bound to
her.
SONYA: Does she feel the
same way?
LINDER: You have to ask her.
SONYA: Is there any chance
she just went back
to her boyfriend?
LINDER: No, not really, nope.
I'll keep looking for her.
Tirelessly, until I find her.
But I think...
law enforcement would be
helpful.
SONYA: I'm not a Juárez cop.
LINDER: Well, the car that
picked her up had Texas plates.
Will you help me find her?
ADRIANA: Doesn't the sun
feel nice?
FRYE: Yeah, if you're into
skin cancer.
ADRIANA: Fresh air.
It's not overrated.
FRYE (groans): I feel like
I'm 80 years old.
ADRIANA: 'Cause you're living
like an invalid.
FRYE: Uh, hello.
I am an invalid.
ADRIANA: You're ready to
wheel yourself.
FRYE: What?
ADRIANA: You need to learn
how to use this.
FRYE: It's only temporary.
ADRIANA: Well, who's gonna
push you around in the meantime?
Not me.
FRYE: I feel shitty.
ADRIANA: It's depressing
here.
You got to come back to work.
FRYE: You know what I was
thinking when I was sailing over
that bridge?
ADRIANA: Check me out, I'm
Superman?
FRYE: Don't let me die.
I want to live.
ADRIANA: And you did.
FRYE: Yeah, but for what?
Life is short, and I've already
wasted so much of mine.
I don't recommend it by the way.
ADRIANA: Okay, Yoda.
FRYE: Yeah.
ADRIANA: I saw you fall,
Daniel.
It was scary as shit.
FRYE: It was pretty scary
from my point of view, too.
ADRIANA: I'm really glad
you're alive.
FRYE: You love me.
You just want to have my babies.
ADRIANA: See you back there.
FRYE: Wait, wait, wait, wait.
I was...
I was kidding.
Hey, don't just walk away.
I... Hey, I only got one arm!
WADE: She disappeared in
Juárez.
SONYA: The car had American
plates.
WADE: Still.
SONYA: She worked in a
factory, and a lot of those
managers live in El Paso.
WADE: Well, we're gonna need
somebody in Juárez.
SONYA: I know.
WADE: He told you to leave
him be.
SONYA: He'd care about this.
And he really needs to get
back to work.
WADE: Well, then...
Well, good luck.
How you getting on with the
motor pool car?
SONYA: It doesn't have a
tape deck.
Thank you.
WADE: Carmen keeps asking
when you're gonna come on up to
the house.
SONYA: Soon.
WADE: We're gonna hold you to
that.
Nighty night.
SONYA: Night.
COP: This way, please.
EVA: It's okay.
I don't want to make a report.
COP: You said in the hospital
he locked you up.
That's very serious.
This way.
In here.
EVA: There?
COP: Yes, here.
Just for a while.
Relax.
SONYA: Marco.
I need your help.
MARCO: Get this woman out of
here, please.
SONYA: There's this girl, Eva
Guerra...
MARCO: She's a menace.
She shot me.
SONYA: She's been missing for
three days.
MARCO: A missing girl in
Juárez?
Oh, my God.
"Look, Marco...
I have this little glass here.
Let's empty the ocean with it."
SONYA: I know you care about
those girls.
I know you do.
MARCO: Just gonna go to the
only place you cannot follow me.
SONYA: All right.
Taking you home.
Help me.
Come on, get up.
Get up!
Gracias.
Okay.
Now...
MARCO: You don't have
children.
SONYA: No.
MARCO: So you don't
understand, then, that...
Of course you don't.
You don't understand a lot of
things.
SONYA: Shh...
Shh, Marco, quiet.
MARCO: If-if-if you had to
shoot me...
SONYA: Keep your voice down.
MARCO: ...you should have
killed me!
SONYA: What?
MARCO: He was my kid!
He goes, I go!
SONYA: Shh.
People are sleeping.
MARCO: Why are they sleeping?
SONYA: Because it's 3:00 in
the morning.
MARCO: And my son is gone!
Forever gone!
How can you sleep?
How can you sleep when my son
has been killed?
SONYA: Keys?
MARCO: Keys...
SONYA: Okay.
MARCO: I got it.
SONYA: Mm-hmm.
MARCO: I got it.
Sonya, thank you.
SONYA: All right.
MARCO: You gotta go.
I said go!
SONYA: No!
I said no.
MARCO: Oh...
SONYA: I am staying.
MARCO: Who do you think you
are?
SONYA: I don't find people
very often, Marco.
MARCO: That's for sure.
Because you're impossible.
You're impossible.
SONYA: You don't think that.
MARCO: I don't care.
SONYA: But... you care,
Marco.
I know you care.
That's what I mean.
So don't tell me you're not my
partner.
Okay?
And don't send me away.
'Cause I don't...
I don't have another one.
Oh!
All right.
MARCO: In here.
SONYA: All right.
MARCO: I still can smell him.
SONYA: Drink this.
Sorry.
Gus had a crush on you.
SONYA: Yeah.
MARCO: You knew that?
SONYA: He bought me
chocolates.
MARCO: I didn't know that.
SONYA: I told him you
wouldn't like that.
MARCO: Oh, no.
SONYA: If we dated.
MARCO: Nope, I would not.
SONYA: He was a sweet boy.
MARCO: He was a sweet boy.
SONYA (grunting): Okay.
Here we go.
MARCO (slurring): Can't stop
thinking about him.
SONYA: I know.
MARCO: David, I mean.
Why does he get to live?
SONYA: Good morning.
MARCO: You stayed?
SONYA: You don't remember?
My mom always liked eggs in the
morning, after a rough night.
MARCO: Thank you.
Mmm...
SONYA: Did you make your bed?
MARCO: What are you, my
mother?
SONYA: When my sister died...
I stayed with Hank and his wife
for a while.
MARCO: Mm-hmm.
SONYA: Carmen had one rule
for me.
"Always get up and make your
bed."
No matter how bad I felt.
I had to face the day.
MARCO: Hmm.
I think I'll go into the station
today.
Say hello.
SONYA: Can I come?
MARCO: You want to run the
girl's name.
SONYA: Yes, please.
MARCO: Okay.
See, I remember some things.
LINDER: Do you know her?
INEZ: She's missing?
LINDER: Yes.
INEZ: I'll show you where we
can look for them.
CELIA: Marco.
So happy to see you.
How are you?
ROBLES: Marco, my friend.
Did you get the food Paloma
made?
MARCO: Yes, it was delicious,
thank her for me.
And thank you, Celia.
CELIA: Of course.
I can make more.
ROBLES: And what brings you
here?
I thought our work was done.
SONYA: Looking for a missing
girl.
Last seen in Juárez.
MARCO: Uh, I said we could
run her name.
ROBLES: Of course.
SONYA: Her name is Eva
Guerra.
23 years old.
ROBLES: Are you back with us?
MARCO: No, not yet.
ROBLES: Take your time.
Too bad David Tate is in
American custody.
He killed a cop's son here.
Over here we'd make him pay for
that.
An eye for an eye.
A tooth for a tooth.
MARCO: I know.
ROBLES: Anything?
CELIA: No record of her.
SONYA: No one matches her
description?
ROBLES: So sorry.
Now, if you'll excuse us...
FRYE: I... honestly I cannot
eat another bite.
So much better than hospital
food.
SOFIA: No beer for you?
FRYE: Um... no.
A back rub would be great,
though.
ELENA: So does everything
still work down there?
ADRIANA: Elena.
ELENA: What?
It's just a question.
FRYE: My mighty twig and my
berries are fine, thank you.
SOFIA: You don't want to
marry a man in a chair.
ADRIANA: No, I don't.
SOFIA: You'd spend the rest
of your life pushing him around.
You need a man who'll
take care of you.
FRYE: Hey, what's she saying?
She's talking about me, huh?
DANIELA: She doesn't think
Adriana should marry you.
FRYE: Yeah, you can say
that again.
ADRIANA: I'm not getting
married, Mom.
SOFIA: Don't say that.
ADRIANA: I'm not getting
married, and you know it.
SOFIA: Enough.
ADRIANA: Enough what?
FRYE: Oh, ay, chicas,
careful, huh?
SOFIA: Enough in front of
Daniela.
I don't want you teaching
her things.
ADRIANA: No, it's much better
to shelter her.
DANIELA: No one needs
to shelter me.
ADRIANA: You call your
vagina your flower.
FRYE: Vagina?
SOFIA: That's what it's
called as far as I'm concerned.
FRYE: Nice, calm evening
at home, huh?
ADRIANA: This is the
crazy house.
I'm so sick of it.
SOFIA: You have a problem.
I wish you would go to church
and ask a priest about it.
ADRIANA: I don't hear you
complaining about my "problem"
when I pay for shit around here.
DANIELA: Why is everyone
so mad?
FRYE: Hey, you know, maybe we
could go, like, get some
ice cream or something.
ADRIANA: We can't.
Because I date women.
I'm an embarrassment
to the family.
DANIELA: ¿Qué?
SOFIA: Get out.
ADRIANA: With pleasure.
FRYE: Oh, shit.
HUGO: Ven.
WADE: There's something about
the chorizo on your side.
MARCO: You start your
mornings in Juárez often?
WADE: I figured I had the
best chance of you showing up
if I came here.
MARCO: So?
WADE: So I wanted to talk,
that's all.
Occurred to me you might not be
at court today.
MARCO: I haven't decided yet.
WADE: Well, you're up,
you're dressed, you're shaved.
That's a good sign.
You able to find any peace?
MARCO: Ten seconds a day.
WADE: Is that right?
MARCO: When I open my eyes in
the morning...
for ten seconds, I don't
remember he's gone.
That this is my life now.
WADE: Can you let the system
take care of David Tate so you
can take care of yourself?
MARCO: I don't know.
WADE: Well, he's gonna go
to prison with or without
your testimony.
MARCO: Then it doesn't
matter, does it?
WADE: But if you say it...
and I'm gonna say it,
Sonya's gonna say it.
But if you say it...
you just maybe might leave it
there a little bit.
MARCO: Maybe.
Maybe not.
WADE: It's all
a guessing game, you know that.
But just saying that you might
get yourself another second
in the morning.
DANIELA: Where are you
staying?
ADRIANA: In El Paso.
DANIELA: With who?
ADRIANA: You really want
to know?
How come you're not at work?
DANIELA: I got a later shift.
It's like a promotion.
ADRIANA: Do you miss school?
DANIELA: I'm not smart
like you.
ADRIANA: That wasn't
my question.
DANIELA: There's a new
manager.
He's nice. Cute.
ADRIANA: Cute?
DANIELA: Don't worry,
he's, like, 30.
But he's not mean
like the others.
ADRIANA: Four asada, please.
ADRIANA: And Mom?
DANIELA: She says you can
come back.
If you change.
Maybe go to church.
And God can help.
ADRIANA: Daniela, it has
nothing to do with God.
Gracias.
SONYA: You came.
MARCO: Yeah, I came.
WADE: Good for you.
SONYA: Hey.
MARCO: Thank you.
MARCO: Hey, Celia.
Is something wrong?
CELIA: I'm tired of it.
MARCO: Come in, please.
Sit down.
CELIA: I'm tired of
staying quiet.
Looking away.
It's making me sick.
MARCO: I know.
But stay calm.
You have to be very careful
with what you know.
CELIA: You know Zapata...
"It's better to die on
your feet than live on your
knees."
MARCO: Tell me what happened.
CELIA: I saw something.
MARCO: What did you see?
CELIA: The girl you were
looking for-- Eva.
I saw her at the police station.
MARCO: When?
CELIA: Yesterday.
A cop took her away.
MARCO: Okay.
CELIA: We have to help her.
MARCO: I will handle it.
Okay?
CELIA: Okay.
Captioned by
Media Access Group at WGBH
access.wgbh.org
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