Original subtitles

Previously on The Bridge...

CHARLOTTE: What's in the gym

bag?

RAY: Has old Ray Ray ever let

you down?

GRACIELA: Transmitter?

SONYA: All roads lead back to

David Tate.

MARCO: David Tate?

FBI?

SONYA: You know him?

MARCO: David Tate's dead.

LIZ: She was gonna leave

David.

My guess is they got in a fight

that night, she grabbed Caleb,

went to be with her new man.

SONYA: Never made it.

WADE: Who the heck is this?

COOPER: Body was I.D.'d as

Kenneth Hasting.

Went missing in ought six.

SONYA: Marco, this is Kenneth

Hasting, and he has a current

driver's license.

MARCO: That's David Tate.

KENNETH: You don't recognize

me, do you?

SANTI: Look, I meet a lot of

people...

Hey-hey... what the hell?

KENNETH: There was a

hit-and-run on the Bridge of the

Americas, February 10, 2007.

You took my whole life away.

MARCO: I know Jill Tate.

We had an affair while I was

friends with David.

SONYA: Were you still with

her when she died in the

hit-and-run?

MARCO: Yes.

SONYA: You're the man who

crossed the bridge.

KENNETH: Tired?

ALMA: Not really.

KENNETH: Me neither.

KENNETH: Where's my son?

My son?

♪ Until I'm one

With you

My heart

♪ Shall not

Pass through

Our love will be mistaken. ♪

ROBLES: Marco.

I've reached out to Mexico

City.

They want answers.

MARCO: We're close, Captain.

SONYA: We know what he looks

like.

ROBLES: Has your fancy

American task force arrested

him yet?

No, they haven't!

Marco, killing indio trash in

the desert is one thing, but he

just murdered Senor Sol's only

son!

MARCO: Yes, Captain, I know.

ROBLES: No, you don't know.

Maybe you'd have the guy by now

if you weren't so busy following

this gringa detective.

Find him or we'll both be

cleaning toilets in prison.

Understand?

MARCO: Yes, Captain.

ROBLES: Sí, Capitán.

SONYA: He's not done.

MARCO: I know.

SONYA: How does this Juarez

playboy fit in to this?

MARCO: Santiago Sol was a

suspect in the hit-and-run

accident that killed Tate's wife

on the bridge.

She told me she loved me, and...

she wanted to be with me.

But it was nothing to me.

SONYA: You used her for sex.

MARCO: No.

SONYA: You loved her?

MARCO: No!

SONYA: Well, you should've

told her that.

MARCO: Oh, she believed what

she wanted to believe.

SONYA: That's 'cause you

were lying to her.

MARCO: Sonya, not everything

is black and white.

SONYA: What if he knows?

MARCO: No.

That's not possible.

We were friends.

I was at their funeral with him.

He did not know.

SONYA: What if he knows now?

What if he knows now and he

didn't kill you when he had

the chance...

because he's planning something

else?

MARCO: Son of a bitch...

my family.

I'm going home.

CHARLOTTE: Cesar?

Hey, sweetie.

What are you doing out?

GRACIELA: Where's Ray?

CHARLOTTE: I don't know.

GRACIELA: Start with the

face?

CESAR: Stop!

GRACIELA: Cesar, what are you

doing?

Where is Ray?

CESAR: He's in the house.

GRACIELA: Step aside.

CESAR: No, ma'am, please.

Don't make me do something I

don't want to do.

GRACIELA: What the hell,

you son of a bitch.

Oh, now you're a macho man?

You're nothing but a pussy-ass

servant.

CHARLOTTE: Thank you.

CESAR: I had no choice.

CHARLOTTE: What do we do now?

MARCO: Alma... please answer.

She won't pick up.

SONYA: When was the last

time you spoke with her?

MARCO: Days.

I have a bad feeling.

SONYA: What about Gus?

MARCO: Oh, he's not picking

up either.

ZINA: Boo!

GUS: Zina, hi.

You scared me.

ZINA: Something wrong?

GUS: No, you-you just...

well, yeah, it's just-just...

I thought you said you were

still in, uh, out of town and

that's why we couldn't meet

until later?

ZINA: Huh?

GUS: You said you were still

in Laredo.

ZINA: I did?

GUS: Yeah.

Are you messing with me?

I-I have the text.

ZINA: Um, that's not me, Gus.

That's my old cell number.

We haven't texted since I moved.

Hopefully, you didn't tell this

girl too much.

GUS: Wait, so...

we are not meeting later?

ZINA: Um, no.

GUS: Okay, uh...

I... I have to go.

MARCO: Alma?!

Alma?! Girls?!

SONYA: Maybe they're out.

MARCO: At this hour?

Where would they be?

Rosario...

Marco here.

Are Sophia and Lilly with you?

Uh, okay.

I see. When?

Did she say where they

were going?

Okay. No, no, no, no.

Everything is fine.

Thank you. Good-bye.

They're with Alma.

She picked them up an hour ago.

SONYA: That's good.

Is it hard to sleep next to the

same person every night?

MARCO: Not now, Sonya.

I'm trying to find Alma

and my kids, all right?

I need your help.

SONYA: I'm sorry.

Tell me about David Tate.

MARCO: Oh, he...

he wanted to make a difference.

Kept trying to open an

investigation on the Dead

Girls of Juarez.

SONYA: What happened?

MARCO: His bosses shut us

down.

SONYA: Oh.

Was he good at his job?

MARCO: Very.

By then, the accident happened

and he changed.

SONYA: So he's gonna be good

at this.

MARCO: What-what does

that mean?

SONYA: Whatever he's

planning next, he won't

make mistakes.

MARCO: Did you really have

to say that right now?

SONYA: It's the truth.

MARCO: That is the problem,

Sonya!

Why can't you just tell people

what they want to hear?

SONYA: What do you want

to hear?

MARCO: I want to hear my

family's gonna be okay.

I really need to believe

that right now!

SONYA: Okay, okay.

MARCO: All right.

MARCO: It's her.

Alma?

KENNETH: Hello, Marco.

It's been a long time.

MARCO: Where is my family?

KENNETH: You have a beautiful

family, Marco.

It's hard to imagine why a man

would just throw that away.

MARCO: Son of a bitch.

I'm... I'm gonna kill you.

KENNETH: Well, maybe you'll

get that chance.

MARCO: Where are they?

KENNETH: With me.

Who wants to have some fun?

ALMA: Is everything okay?

KENNETH: Oh, yeah, it was

just work.

You sure you don't want to call

your husband and let him know

where you are?

ALMA: No.

KENNETH: I got you this...

...and this.

You look beautiful.

MARCO: Son of a bitch!

Asshole!

He has them!

BOB: Did you come all this

way to watch her work?

LINDER: No.

BOB: I would.

What's on your mind, Steven?

LINDER: I need to talk

to you.

BOB: Okay.

I find that work helps

the tongue.

Give it a shot.

LINDER: Yeah.

Yeah, that feels good.

BOB: Hey.

What's on your mind?

LINDER: I killed a man.

BOB: Okay.

LINDER: Are you gonna

tell me I sinned?

BOB: Depends on the

situation.

As we both know, sinning

supposes a belief in

a higher power.

Which you lack, Steven.

LINDER: Yes, I do.

BOB: This man you killed,

was he a good man or was he

a bad man?

LINDER: He carried this.

BOB: Well, that looks like...

LINDER: That's skin.

That's human skin.

BOB: Who was this man?

>>LINDER: He was Eva's

boyfriend.

BOB: Hector?

She's told me about him.

Where's the body?

LINDER: I took it out to the

desert to bury it...

and the funniest thing happened.

This man came and took it

from me.

BOB: Well, that's

a good thing.

LINDER: Well, that's-that's

all you're gonna say?

BOB: I think you're in

the clear, Steven.

LINDER: What do I tell Eva?

BOB: The truth.

LINDER: Oh, she's a

good woman.

BOB: Yes, she is. Special.

LINDER: That's right.

Bob, I've been thinking

about her in a special way.

BOB: That's natural, Steven.

Let's discuss this over

a ham salad.

LINDER: I'm so glad

you said that.

I've been so hungry of late.

BOB: That happens after

such things.

My first kill, couldn't

get enough cheeseburgers.

KENNETH: I used to come here

with my family.

ALMA: What was your

son's name?

KENNETH: Caleb.

He used to put rocks on

that slide.

That was his thing, you know?

That and Legos.

Made him totally happy.

ALMA: How did it happen?

KENNETH: A car accident.

ALMA: We don't have to talk

about this.

KENNETH: Oh, it's okay.

Feels good to talk about it.

Especially with you.

It made me a different person.

I-I was mad... at the world.

I'd see happy families on the

street and...

...I'd wish bad things on them.

ALMA: That must be terrible.

KENNETH: I still have

that anger.

Work on it every day.

ALMA: I can't imagine losing

a child like that.

KENNETH: I hope you never do.

ALMA: Yeah.

KENNETH: Well, uh...

let's get the girls something

to eat, and, uh, I'll

show you the surprise.

ALMA: Okay.

Hey.

SONYA: Gus!

I'm glad you're okay.

You pick up the phone

when I call.

Understand?

GUS: Okay.

MARCO: You always pick it up!

Always!

GUS: Okay. What is wrong?

Where is Alma and the girls?

MARCO: We don't know.

SONYA: Gus, do you know

a person named Kenneth Hasting?

GUS: Mr. Hasting?

The guy who works with Alma?

MARCO: What?

GUS: At the university.

Why are you asking about him?

MARCO: Okay, listen to me.

I need to know if Alma said

anything about leaving.

GUS: No.

And Sophia and Lilly?

I thought you said you

had the guy.

MARCO: We were wrong.

SONYA: Sonya Cross.

MARCO: Has Kenneth been in

my house?

GUS: I-I don't know.

Maybe.

MARCO: You should have told

me that, Gus.

GUS: I know, it's...

She asked me not to.

Are you sure it's the same guy?

MARCO: Yes.

GUS: Are they going to be

okay?

MARCO: I don't know.

SONYA: They found Hasting's

apartment.

MARCO: Okay.

I'm taking you to the station.

It's not safe for you here, all

right?

Let's go.

WADE: Hey.

He had this entire building

wired to blow.

MARCO: Any sign of him?

WADE: Nothing yet.

Listen.

We're gonna get this guy, and

we're gonna get your wife and

kids back.

COOPER: Hey.

This guy had a lot of free time

on his hands.

SONYA: What you got?

COOPER: See for yourself.

COOPER: Watch your head.

KENNETH: Ah.

ALMA: Is this the surprise?

KENNETH: No, I've been

working on this for a long time.

Used to be an old hunting cabin.

You're not gonna believe what

I've done.

I got two hamsters.

Who wants to feed 'em first?

Come on.

You coming?

ALMA: Yeah.

KENNETH: Come on.

Okay.

No peeking.

ALMA: Oh.

Okay.

SOPHIE: Look, Mommy.

ALMA: Sweetie, I can't see.

KENNETH: Here we go.

No peeking.

ALMA: Okay.

KENNETH: Promise?

ALMA: I promise.

KENNETH: Girls, tell your

mommy to keep her eyes shut.

This is a very big surprise.

ALMA: I really don't want to

play this game anymore.

You're scaring the girls.

KENNETH: Almost.

Almost.

Hold out your hand.

ALMA: Hmm?

KENNETH: Hold out your hand.

Okay.

Now, hold on to this very tight.

Open your eyes.

ALMA: Oh, God.

KENNETH: Now, careful.

Take your hand off that lever,

you only have five seconds to

say good-bye to your daughters.

Surprise.

ALMA: Oh, God.

No, no, no, no, no.

Stop!

What are you doing?!

Please don't leave us here!

SOPHIE: What's wrong, Mommy?

ALMA: Open the door!

Kenneth!

What are you doing?

The door-- open the door.

Open the door!

Open the door.

Don't go. Don't go!

Don't go!

Open! Don't leave us here!

Kenneth.

Don't go! Don't go!

Oh, God.

BOB: Lies are like little

black butterflies, Steven.

They cling to you till you speak

the truth...

and you set them free.

Eva, Steven has something he'd

like to tell you.

EVA: Hi.

LINDER: Hello, Eva.

Uh, Bob, can we have a minute,

please?

BOB: Oh.

LINDER: How you doing?

EVA: Okay.

LINDER: Listen, I-I need

to...

tell you something.

EVA: Yes?

LINDER: Hector's dead.

EVA: How?

LINDER: He attacked me in my

home, and I didn't have a

choice.

You loved him.

EVA: I shouldn't have.

LINDER: I'm sorry, Eva.

SONYA: He was meticulous.

It's got to be in there.

GUS: Dad.

MARCO: What is it, Gus?

GUS: Did you find them?

MARCO: No, not yet.

I mean, look, we're busy right

now, all right?

GUS: I-I know, but-but just

wait, okay?

SONYA: Did you remember

something about Kenneth?

GUS: No, it-it's about Zina.

MARCO: Z-Zina? Not now, Gus.

N-Not now.

GUS: Dad, it's important,

okay?!

WADE: What is it, son?

GUS: I've been texting Zina

this whole time, but... but it

wasn't her.

SONYA: What do you mean "it

wasn't her"?

GUS: I ran into her this

morning, but she didn't know

anything.

And so whoever I was texting,

I told them things about the

case because they said they were

interested.

SONYA: Let me see.

You write a lot about me.

GUS: I know. I-I'm sorry.

SONYA: "MILF"?

GUS: I-It's a mom I...

SONYA: I know what it means.

I don't have children.

MARCO: Sonya, please.

Come on.

WADE: Focus.

SONYA: When's the last time

she contacted you?

GUS: Uh...

a couple of weeks ago.

MARCO: Did you text anything

about Gina being in custody?

GUS: Yeah.

It's my fault she's dead.

MARCO: (groans) No, no, no.

You didn't know.

You couldn't have known.

WADE: It's him.

SONYA: He doesn't know that

he ran into the real Zina this

morning.

MARCO: You know what, text

him, say you want to meet.

Go on.

WADE: Let me, let me.

Okay?

MARCO: Come on, come on, come

on, come on, come on.

WADE: It's on.

MARCO: Come on, Hank, let's

go.

Let's set up the sting.

SOPHIE: ¿Mami?

KENNETH: Excuse me?

WAITER: Yeah.

KENNETH: I need you to give

this to the man sitting on that

bench.

Thank you.

MARCO: He's late.

WADE: Incoming.

Hey, hey, hang on, hang on.

WAITER: Somebody told me to

give this to you.

MARCO: Hey, hold it!

WADE: What are you doing,

son?

WAITER: A man told me to give

that to you.

WADE: Where?

WAITER: He's over there.

WADE: What is it?

MARCO: Their GPS coordinates.

Let's go.

ALMA: Sweetie...

Take your sister to the

corner.

Hurry!

Oh, God, help me.

Don't let my daughters die.

GUS: Have you heard from my

dad?

SONYA: No.

GUS: I'm worried.

SONYA: I know.

I'll let you know if we hear

anything.

GUS: So that is Gina?

SONYA: Yes.

GUS: I didn't know I was

talking to him.

SONYA: He's smart.

He's been planning this for a

long time.

GUS: What's weird is...

he made me closer to my dad.

SONYA: What are you talking

about, Gus?

GUS: When we were chatting.

SONYA: You thought you were

talking to a girl.

GUS: I know, but he gave good

advice when I told him how I was

feeling about my father.

SONYA: Gus...

I have work to do.

GUS: Yeah.

Sure.

MARCO: Should be down there.

WADE: Gonna have this rigged,

Marco.

Could be rigged.

Marco, easy!

Go easy, easy, easy!

MARCO: Alma! Alma!

Are the girls with you?

ALMA: Yes, the girls are

here.

MARCO: Are you alone?

ALMA: Yes.

MARCO: I need something to

break down this down!

WADE: Look out.

Got it.

ALMA: Marco.

It's a grenade.

MARCO: Easy, easy.

WADE: Girls...

come with me.

ALMA: Go, girls.

WADE: Come on, go, go, go!

Run, run, run, run, run!

ALMA: Help me. Help me.

MARCO: Give me your hands.

Easy, easy, easy.

I have you.

I have you...

I have you.

I'm with you.

Look me in the eyes.

Don't be scared.

We'll do this together.

Okay?

ALMA: Okay.

MARCO: On the count of three,

you give it to me.

When I throw it, you duck.

One.

Two.

Three.

It's okay.

It's over.

Yeah, yeah, yeah, yeah.

Yeah, yeah, yeah.

ALMA: I want to go home.

MARCO: I'll take you.

I'll take you.

SONYA: Hey.

They're okay.

Your father has them.

GUS: Did they get him?

SONYA: No.

GUS: I want to go home.

SONYA: You can't.

I'm driving you to a safe house.

Your father will meet you there.

Let's go.

CHARLOTTE: That's probably

deep enough.

Here.

CESAR: Gracias.

You gonna tell Ray?

CHARLOTTE: Should I?

CESAR: I don't think it's a

good idea.

CHARLOTTE: Wait.

Let me.

What happens next?

CESAR: Lime.

It will speed up the

decomposition.

Bodies will be gone in a week.

CHARLOTTE: No, I mean what

happens next?

CESAR: Ah, it depends.

Hopefully, nothing.

I'm gonna take my wife out to

go see a movie and pretend none

of this happened.

CHARLOTTE: Thank you, Cesar.

You saved my life.

CESAR: De nada, señora.

CHARLOTTE: We'll talk

tomorrow.

About the tunnel.

CESAR: Ah.

CHARLOTTE: How it's gonna

work now.

CESAR: Okay.

SONYA: We know who he is.

We'll get him.

GUS: So this is all about my

dad?

SONYA: I didn't say that.

GUS: What did he do?

SONYA: You should ask him

that.

GUS: Why would Mr. Hasting

do this?

It doesn't make sense.

What if he's not done?

SONYA: It doesn't make sense.

GUS: What?

Captioned by

Media Access Group at WGBH

access.wgbh.org