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[tense upbeat music]
- [Narrator] Previously on "Purgatory."
- Okay, everyone gather around.
We are heading out to Shambala Complex Hotel.
Who are you?
Please, help!
- No, no, no. - Help!
Help!
- Open the door!
[tense music]
- If you kick us, do we not laugh?
If you poison us, do we not die?
And if you wrong us, do we not avenge?
- You set this whole thing up.
- He hung himself in prison.
- No, he didn't.
[tense music]
[gun shot]
[tense music]
- Oh my God.
- What was that?
- I don't know.
- Oh my God.
What happened?
Please.
Oh my God.
Show yourself, little bitch!
No, Victor, please.
Look at me.
Don't die on me, don't die on me.
[Nick coughs]
No.
[Nick breathing heavily]
[tense music]
Where are the pills?
Where are the pills, Nick?
Oh, thank you.
Okay.
Oh, I'm sorry buddy,
but you're not gonna need your other half of these.
[Bobby breathing heavily]
[Bobby laughs]
Oh, you weren't, you weren't kidding.
These are damn good pharmaceutical grade.
Oh, beats the pruno that we used to drink inside.
You know, sometimes I,
I think about the taste, it was just God awful.
I guess that's what you get for drinking
hooch out of a prison toilet.
[Bobby laughs]
I guess you gotta do what you gotta do.
- What are those? [tense music]
- No, no, of course not.
- Adam, it sounded like- - No.
- And Chris is out there.
- Hey, hey, hey, Chris is fine, okay?
All right?
Like I said, they're not gunshots, okay?
I would know, yeah?
- Should we check it out?
- What?
No, Luke, stay here.
- I'll be fine, okay?
I'll be fine.
- Okay guys, I'm sure it's nothing, but I'm gonna take Luke,
we're gonna go check it out, all right?
The rest of you stay put.
- I'm coming too.
- No, no, don't be ridiculous.
Listen, I'll go grab Chris,
and I'll bring him back to you, okay?
To both of you.
- Adam...
- He told me, congrats.
- After you.
- What?
No, please, Luke. - Yeah.
- No. - We'll be okay.
- [Adam] Lets go, bromeo.
- Wait for me.
- No, no, Ivan just...
[tense music]
- What are you doing?
- My mom's a police inspector,
and those were clearly gunshots.
- Okay, but that still doesn't answer the question.
- I'm going after them.
No way I'm staying here like
I'm some kind of fragile or delicate flower.
- Do you think someone was shot?
- Please don't go there.
I'm sorry.
- What?
What are you doing now?
- Well, you heard her.
I can't just sit here either,
especially not with Chris out there.
- Okay, then I'll come with you.
- Lisa, we should go too.
- Yeah, obviously we're not gonna stay here by ourselves.
- Looks like we're all going then.
Come on.
- Okay, let's go.
[tense music]
[heavy breathing]
- I think we have to stop and rest a little bit.
- Fine.
- So who's the one fighting the gun?
- Hell if I know.
It can only be one of five people.
- How do we know this?
- When we left, there were five people who are missing.
- Nick, Bobby, Chris.
- Dmitri. - Oh yeah.
- And Emma.
My money's on one of those two animals.
- We should stop calling them animals.
- What?
- I said stop calling them animals.
- Fine.
I think Bobby shot the gun at Christopher,
is that better for your delicate sensibilities?
That's why I didn't want you making
a scene in front of Marie.
- Well, I hate break it to you,
but Marie might not know what a gunshot sound like,
but Jessica sure does.
- Well, Marie's pregnant.
[footsteps ascending]
- She's pregnant in here?
[tense music]
Hey Adam.
How long has she known?
- She just found out.
- Oh my, that poor girl.
This situation must be harder on her
than all of us combined.
- Well, now you see why I lied, huh?
She doesn't need to be any more
stressed out than she already is.
God forbid anything should happen to Christopher.
- We don't know anything yet.
- Yeah, I promise you this, if Bobby has hurt Christopher,
I'll rip his fucking lungs out.
[tense music]
- Okay, at least there hasn't been any more gunshots.
- Yeah, but that brings up a really good question.
What the hell do we do if they start firing again?
- A moving target is hard to hit.
- What does that mean?
- It means my mom's a cop.
- So we keep just moving?
- Actually, the tendency is to run away.
- Yeah, no arguments here.
- Running is fine, hiding is better.
- Okay, I hate to break it to everyone,
but there aren't exactly a lot of places
for us to hide in here.
- This is nuts.
Why are we walking towards the gunfire?
- Well, you can turn back if you want.
- Lisa?
- No, please, it'll be much safer
if we just stay together with everyone.
- Okay, if we can't hide, then we better run.
- Right, but people usually run in straight line
because that's the fastest route, but don't do that.
- I think I'm gonna get sick.
- Oh, you'll be fine.
Just make sure you walk zigzag, keep changing directions.
[tense music]
- Let me through.
- You happy now?
- No, I'm not happy.
- What are you doing, doc?
He's been dead 20, 30 minutes.
What are you doing?
- What I-
- I said he's been dead 20, 30 minutes.
Leave him alone.
Don't touch him.
- Okay, I understand, okay.
- I am sorry for your loss.
- Who killed him?
- Well, Adam, if I knew I would already killed him myself.
- No else needs to die.
- Oh, yeah?
Say that to Nick.
Where's your friend Chris?
- He couldn't do this, Bobby.
- I just watched my friend die
and you're treating me like a bitch.
- Guys, guys, please just keep calm, doc's right.
Let's not make it any worse than it already is.
Please, Bobby. - Okay.
- Everyone saw what happened,
Chris couldn't handle getting his ass beat, so he just...
- Okay, you need to get outta my face.
- Or what?
You're gonna have your friend shoot me too?
- Don't start it again.
Don't start it again, just stop it.
- Chris didn't kill your friend, Bobby.
- Say his name.
Say his name!
- Chris didn't kill Nick.
He doesn't even have a gun.
- Are you really that stupid?
You think if he had one he'd tell you?
- I'm telling you he doesn't have one.
- Just tell me where he is.
- You need to get out of my face.
- What happened here?
[Bobby sighs]
[tense music]
- I'll tell you as soon as I find Chris.
- I didn't do this, Bobby.
- I'm gonna kill you.
I'm gonna kill you!
- [Adam] Stop it! - [Doc] Bobby, Bobby!
- You killed my friend.
You killed my friend! - Calm down.
- Enough!
- Looks like we have a room up ahead.
[tense music]
- I am really sorry guys.
Can we just stop for a moment?
- You don't look so good.
- No, I'm fine.
I literally, I just need a second.
- Maybe you need to head back.
- Yeah, we'll come with you, you don't have to be alone.
- No, I just, I need to find Chris.
- Here, have some water.
- Thank you.
- They're right, Marie, you don't look very good.
- Honestly, I'm fine.
I just need a moment.
- How far along are you?
- How what?
- You're pregnant, right?
- I'm not sure.
I mean, I found out before we came on the trip.
- Wow, I actually don't know how to respond to this.
Congratulations.
- Yeah, congratulations.
- Congratulations, Marie.
- Thank you.
Thank you for the water.
- Maybe you should hold onto that,
at least until we get back to the rest of the supplies.
- Thank you.
- Does Chris know?
- Yeah.
How do you know?
- Because I was pregnant once.
- From your husband? - Kat!
- What?
He's old.
- No, it was in high school,
and baby died.
- Oh my god, Nora, I'm so sorry.
- It's okay.
- I'm really sorry.
- It's okay.
You should have been resting.
- No, seriously, I do need to find Chris and yeah.
- Then we should hurry up and find him.
Are you okay to keep walking?
- Yeah, yeah, I really am.
- Okay.
- Guys, Chris isn't a murderer.
[tense music]
You have to believe me.
Okay, lets get on, let's go.
[siren blaring]
[door creaks]
- Found some sites about Shambala online,
the techies are on it now.
- So any info about the text messages?
- The two other people they sent it to,
were the parents of these two girls.
[foreboding music]
They told their parents they were spending
the new year in Vandanos.
- But they lied?
- Yeah, most likely.
- They went to Shambala.
Did you tell their parents?
- Not yet.
Anyways, both families are close,
they're together in Dubai for holiday.
- This doesn't help us to find them, Ryan.
- I know, but at least we know they're not alone.
I want to find them as much as you do.
- I know, I'm sorry.
I just have to treat this like this is one of my cases.
- Come on, you are being too hard on yourself,
none of your cases here are your own daughter.
- But my emotions are not helping me to find her, Ryan.
- Where are you going?
- To Shambala.
- We been over this already.
We don't even know where it is.
- So we'll find it.
- Okay, okay, you were right, we'll find it.
- Good.
So we start with the travel agencies.
- Ophelia...
- There are only a few of them in the city, so-
- Ophelia stop.
- If we split up, we'll be able to-
- Ophelia!
The kids didn't get the tickets from a travel agency.
- But Luke told to Jess that-
- I'm sorry, but...
He lied to her.
[tense music]
- What are you doing, doc?
- Just looking for answers.
- I told you to leave him alone.
He's dead.
He's dead.
- Do you want to know what happened to our friend or not?
- This isn't over, not even close.
- I didn't kill him.
- You're the only one with a motive, Chris.
The only one.
- Yeah, and we already know he is a liar.
- What are you even doing here?
- Chris, stop talking, okay?
Just ignore both of them.
Chris, what are you doing?
- Come on man, just let this go.
- No, he's right, I did have a motive,
but I would've killed you instead.
- See, see?
Out of his own mouth.
Out of his own mouth.
He said he'd killed me.
He said he'd killed me.
- See, he's not a damn saint.
- Emma, shut up!
Chris, sit down and shut the hell up, please.
- Can we just focus on what really happened?
- For the last time, I didn't kill him.
- Then who did?
- I don't know.
I don't know.
I don't know!
You were the last one with him, maybe it was you.
- What did you say to me?
- Come on, man, not again, please.
- Get your hands off me now!
All of you, stop touching me.
- If you wanna find out what happened to your friend,
just stop this.
- Chris!
Chris, I thought you were...
[girls panting]
- Easy, easy, girls.
- Wait, is he, is he...
- Yeah, he is. - Ivan!
- Nora, I'm okay, I'm okay.
- What are you doing here, Jessica?
- What happened?
- We don't know yet, but we should leave.
- Someone killed my friend is what happened.
- He was shot with a nine millimeter,
it looks like from a 90 degree angle.
- Please don't call suicide, doc, come on.
- I'm simply trying to connect the dots.
- Who cares how he was shot, okay?
Someone killed him, and it was one of us.
- And they still have a gun.
- Oh my God.
Or maybe we're not alone in here.
- Where have you been?
- Where any sane person would be?
I heard gunshots, so I hid until I thought
that it's already safe to move again.
- Wait, you think there's someone else with us?
- You know, this place is much bigger than it looks.
- I'm guessing anything is possible.
- The killer's obviously standing right in front of us.
It's gotta be the same guy who killed that Alex kid.
- For the last time, I didn't kill Alex, I didn't kill Nick.
I didn't kill anyone.
- Okay, Chris, we believe you, man.
Just ignore this guy, okay?
- I don't even have a gun.
And even if I did, I wouldn't know how to use it,
I've never even fired one.
Why do you think I was so excited
to go hunting on this damn trip?
- Well, someone in here has a gun
and they know how to use it.
- Then maybe Dmitri's right.
Maybe there's someone else down here.
- Wouldn't hurt to search the place again.
- Wouldn't hurt?
Yeah, okay, cool.
So when we find the stranger with a gun,
what do we do then, huh?
- We deal with it.
- Okay, GI Joe.
- I'm sorry, but we are not prepared
to deal with something like that.
- Then maybe you should head back to the main entrance area.
- Are you nuts?
Then we'd be by ourselves again, no.
- Yeah, that's the whole reason,
we should have stayed put in the first place.
- Okay, Dmitri, can you please take anyone
who doesn't wanna search the place, back?
- No, no, hold on.
Dmitri is one who found a shrine room
and a spot for bathroom.
So he knows the place well at this point.
- He's right, someone else should go with them.
- I will take them.
- No offense, grandpa,
but I don't really feel safe with you.
- Why do you think you'd be safer back by the hatch anyway?
What?
If the killer wants to kill someone,
they're going to find them in here no matter where they are.
That's all I'm saying.
- She's right.
- I mean, if they've already got Nick,
what makes any of you think that you're safe in here, huh?
- Then we stick together in small groups,
safety in numbers.
Then we split up to cover more ground.
- Sounds like the best idea to me.
- What about Nick?
- We search the place,
then we give him a proper funeral
or as close to one that we can.
- Okay, we'll search the place top to bottom,
and we'll meet back at the main entrance,
and we'll pay our respects to Nick.
- If anyone sees or hears anything, be smart,
avoid any unnecessary danger,
revert back to the group.
Come on, Nora.
- Come on, Jess.
- Dmitri, can we please come with you?
- Yeah, of course.
- Come on.
- [Dmitri] You want to come with us, Emma?
- Thanks, I'd prefer to be by myself.
- Shocking.
[tense music]
- Which way should we go?
- Anyway, he's not.
[tense music]
- My promise still stands,
I'm gonna kill whoever did this to you.
[tense upbeat music]
- Well, that's solves that then.
- Come on.
[music intensifies]
- Come.
- So Dmitri,
I'm guessing maybe this is
your worst job you've ever had, hmm?
- Kat.
- What?
I'm making small talk here,
all this quiet is making me nervous.
- It's okay.
Yes, that would be safe guess.
- So if we meet someone down here,
you could probably take them, right?
- Sure.
With all my extensive experience
of fighting someone with a gun
with my bare hands, sure.
- Whoa, really?
- No, not really, Kat, he's kidding.
- Oh.
- Maybe the small talk isn't the best idea.
Come.
[tense music]
[tense upbeat music]
- Where the hell are you?
Where the hell are you, you son of a bitch.
[tense music continues]
You're losing your mind.
Come on.
Pull it together.
[Bobby breathing loudly]
[tense upbeat music]
[music intensifies]
- Damn it.
- I mean, who knows at this point?
Not like any of us saw any of this happening.
So it wouldn't surprise me one bit
if there is someone else down here with us.
How come you were so quiet?
Are you okay?
Jess, I'm so sorry I got us into this.
Listen, I know it doesn't seem like this right now, but,
but when we get out of here,
we will definitely laugh about all of this one day, okay?
Look at me.
I say we go to the left.
[tense music]
- Do not move.
I'll slice you from ear to ear.
- Okay, I'm not moving.
- Why were you following me?
Are you the killer?
- What?
No.
- Then why are you following me?
- Why are you following me?
- I'm not the killer.
- Okay,
but if neither of us are, then, please,
would you put that knife away from me?
Good.
So would you tell me now?
Why are you following me?
- Nick told me that he saw you crying
about the boy in the picture.
- You heard wrong.
- No.
Nick was a lot of things, I have known...
I knew him long enough to know that
he would never not tell the truth.
How do you know the boy? - I didn't.
- Look, I am not the enemy here,
but I think I know who is.
You and I, we want the same thing.
Think about it.
[tense upbeat music]
- How do you feel, Ivan?
- I'm okay, all things considered.
How are you doing?
Nora?
[speaking in foreign language]
[speaking in foreign language]
- The killer is one of us.
[foreboding music]
- Okay, it looks like we're the first ones back.
- Yeah, hopefully the others have better luck than we did.
- Yeah, I'm not so sure that
running into a stranger with a gun
could be considered lucky.
- Yeah, good point.
- Do you already think there's somebody else down here?
- I don't know.
- All I do know is that I didn't kill Nick.
- Yeah, we know buddy.
- Thanks for sticking up for me, man.
- No problem, buddy.
You'd have done the same for me.
We just gotta make sure that we stick together,
get out of whatever the hell this is.
- Yeah.
So what's next?
- Tell you what, there's only one way to make sure
that no one's coming in or out of that hatch.
You guys got matches?
- Yeah.
Yeah, I think so.
What are you thinking?
- Making sure we have control
of who comes in and out of this door.
Now, if there's enough of a gap.
I can wedge match in here,
and we'll be able to see if somebody opens the door
because the match will fall down.
- Nice job.
- Sounds like the others are on the way back.
[tense upbeat music]
- Just hold on a second, Ophelia.
- Bad enough that Luke lied to Jess,
but to have you be the one to tell him to.
- I know you are mad, but...
- Mad?
You gave him the tickets
and I'm just learning about it now.
I'm not mad, Ryan, if I could shoot you
and get away with it, I would.
- Yes, but at the time it didn't seem like a big deal.
And Luke was worried that if you knew too much,
you wouldn't let him and Jess go on the trip.
- That's right.
Where did you get the tickets from, Ryan?
- Someone gifted them to me.
A thank you for some case, I guess.
- Which kind of case?
- I don't know.
They were in an envelope that was on my desk
about two, two and a half weeks ago.
- So you accepted tickets from a total stranger
and gave them to my daughter's boyfriend?
- It sounded like it would be a great place for them
to spend some time together,
and it was all paid for, Ophelia.
- We have no idea where this place is.
We have no idea where this ticket came from.
And you encouraged Luke to lie, so.
- Ophelia, believe me,
I had no idea that any of this was going to happen.
And- [car engine starts]
Ophelia?
Ophelia?
- I know, I know. - I'm so scared.
[indistinct chatter]
- So.
We looked and found no one else.
- As far as we know,
no one's been in or out of that hatch
as long as we've been here.
- So the killers in this room right now.
- No matter how bad you want it to be true, Bobby,
it's not me.
- Maybe, maybe not,
but it sure is one of us.
- And how do we find out who did it?
- Let's start with the facts.
We know we're all here because of what happened to Alex.
- Please slow down,
some of us still have no idea why we're here.
- [Doc] We can argue who deserves to be here or not,
but clearly whoever locked us in here
wants revenge for what happened to him.
- Well, for now, we know that there's at least
three people who knew Alex.
- [Adam] Guys, we're talking in circles.
- No, we are looking for motive.
- But does it really matter who killed Nick, and why?
- Why would you say that?
Why would you ever say that?
- I, I'm sorry, I...
That came out wrong, okay?
What I meant was,
whoever locked us in here
obviously thinks we're guilty of something,
so maybe Nick was just the first.
- So we're all gonna die?
Who cares why?
- I think we'll be much better if we found the gun instead.
- That's insane.
- No, for the first time, one of us speaking rationally.
- So we find the gun, we find the killer.
We can stop this before anyone else dies.
Let's say we start with the only person
who mentioned a gun before Nick got shot.
How about it, Emma?
Start talking.
- Just like before, I told you I don't have a gun.
- I'm not buying it.
- I don't care if buy it or you don't buy it, Adam.
- Empty your bag.
- What?
No.
- I wasn't asking.
- Adam, what are you doing?
- What I should have done a long time ago, Marie.
She's got the gun.
She's the one.
- Jesus, this is crazy.
- If she's so innocent,
she won't mind emptying her bag and proving it to all of us.
- What about you?
You gonna empty your bag?
- I got nothing to hide.
[tense music]
- Your turn.
- Hey, just take a breath before we do something
we can't come back from.
- Empty your bag.
- Hey, hey, hey, hey.
Let's just empty our bags, okay?
If you don't need anything to hide, we can see it,
and everything will be over in a few minutes, okay?
Let's, let's just empty our bags.
[tense music]
- Come on, Emma, just send your bag
and they'll see you don't have it.
- I don't remember asking your God damn opinion, kid.
- Hey, just take it easy 'cause she's trying to help, okay?
[music intensifies]
- Happy now?
Now pick this up and put it in my bag, please.
- This doesn't prove that you don't have a gun.
This just proves you don't have it on you,
you could have stashed it anywhere.
- Oh, that's a really funny way for you to say, sorry.
- I'd have to be sorry to say it.
[Emma gasps]
You're guilty.
You're guilty of something.
- I honestly don't care what you're thinking about me.
Just stay away from me, all right?
- This is a mad house.
I don't know who to believe anymore.
- Don't worry, you're not alone.
- So now what?
- Now we should pay our respects to Nick.
- Hey man, it's okay.
- Thank you.
- Don't thank me yet,
we have to find a place for him first.
- Well, thank you.
- Know any good spots that would work, Dmitri?
- Yeah, I think I know a spot.
- Dmitri, can you make sure it's a nice wide place
so eventually everyone can join him?
- Katarina, stop it.
- What?
I'm saying what everyone else is thinking.
- Let's just focus on paying our respect to Nick for now.
- Come on, and I'll show you the spot.
- Adam.
It's okay.
Come on.
- Uh uh.
No, not these two.
- What?
We just wanna pay our respects like everyone else.
- I don't care, not you two.
- I told you Bobby, we didn't kill him.
- You guys, it's his friend, okay?
We should respect his wishes.
- Maybe you wanna stay here with us, huh, Marie?
- No, I mean, at least one of us should go.
- I'll see you in a second.
- Hey, whoa.
Be safe.
- I know, okay?
Don't worry.
[gentle music]
- Here, it's here.
Bring him here.
[Bobby and Luke groan]
- Okay, okay.
Lower him carefully.
Lower him carefully.
Okay, right here, right here, right here.
Okay, here it is. - Okay.
- This is good, Dmitri.
- It is.
Nick would be happy if he could see this.
- May he rest in peace.
- I wish we could cover him with something.
- It would be better if you buried him.
- It's a stone floor.
- Excuse me.
Here.
- What are you doing?
- Take it easy, Bobby.
- I was just gonna cover him.
- No, you need your sweater.
I'm sorry.
I'm sorry.
- I honestly don't mind.
- No, Nick wouldn't want you to be cold because of him.
- Okay.
- But I appreciate the offer.
I'm gonna bring his body back when we get outta here.
Give him a proper burial.
- Should we say something?
Maybe like a prayer?
- You know, Lisa, I don't think he was all that religious.
- Maybe you just wanna say something then?
- If it's okay with you guys,
I just wanna spend some alone time with my friend.
- Of course.
- We'll see you back at the entrance.
- Okay.
- Thanks guys.
[somber music]
- Okay, let's go.
- Come on, Luke.
- [Voicemail] Hey, it's Luke, leave a message.
- Please pick up the phone.
Where the hell are you kids?
- All right man.
Come on, Nick.
I've known you long enough
to know that you'd be holding out on me,
where you got the goods, buddy?
Come on, come on, come on.
Ah, there you go.
Oh, that's good, that's good.
What else you got?
Yeah, there we go.
There we go.
[somber music]
See you on the other side, man.
[somber music]
Damn it.
Damn it.
I don't know how this is supposed to go, man.
I...
I don't know if you can hear me.
You're my only real friend, man.
[somber music]
I'm sorry.
[Bobby groans]
[tense upbeat music]
[gun cocks]
[gun fires]
- [Narrator] Next time on "Purgatory."
- I just don't see what the point is.
- What do you mean?
- Just all of this,
the bickering,
the back and forth,
the food.
What is the point of this if we're gonna die anyway?
- All I want to know is who put this gun next to me?
Who's trying to frame me?
- Who's taking all the food?
The rest of us will starve.
- Whoever locked us in here isn't finished with us yet.
- Yeah, that could have been any one of us.
- This is bad.
- No, this is purgatory.
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