Original subtitles

(NAWJA) There is movement at Nahila's mother's house.

(ÁLVARO) Carla, let's go.

Let her go, our target is Fennec.

Either both or none.

(THEY SPEAK IN ARABIC)

Tell our mutual friends to stay calm.

(THEY SPEAK IN ARABIC)

(Suspenseful music)

Have you told him to get back on track?

Welcome, Kala. You'll be back to normal soon.

Well, what about us? What is our normality?

(THEY SPEAK IN ARABIC)

(NAWJA) That Nahila's mother and her grandchildren are on the subway.

They can be found with Fennec.

Just before the subway arrives at the station he receives a message

and then decides to cause a stampede.

I'm going to kill you all! I'm going to kill you all!

(THEY SPEAK IN ARABIC)

We have lost it.

(THEY SPEAK IN ARABIC)

(For music)

(Office environment)

(Suspenseful music)

(Indistinct conversations)

Miriam...

Tell me, how did it go with the bosses?

Well, bad, bad. Let's see, we screwed up.

He must have seen one of ours and caused a stir.

Fuck.

And now?

Well, we continue with what we have.

We insist on surveillance, on sources...

Let's see, that son of a bitch and his sister

They have to be somewhere here, in Madrid, right?

What else?

Well, nothing else, Najwa.

Ah.

A nice...

And they follow you everywhere?

Day and night. Fuck.

Well, thank goodness you don't have a lover.

Holy crap, can you imagine?

Paquito, come here, take it. I thought about it, huh?

What a pain.

How is David doing?

You know how it is.

(DOG, CRY)

Hey, Paquito, look. Hey, no, don't even think about giving him that.

Why not? Poor thing. He has an upset stomach.

That's all I needed.

Oh, really. You can give him this.

This shit? It's yours.

Well, tell me.

What is so important and secret that we should stay here?

We think there's a mole among us.

Someone is passing information outside.

Holy crap, man, that's bad. Mmm.

And to find him, it occurred to me to ask for his help.

To my classmate and friend from the academy,

She is very good and always helps me.

Quiet, Paquito, quiet.

Holy crap, this is Najwa.

Is it really that serious?

We're not ruling anyone out, but I want you to focus on everything...

a... ella, Kala.

I have nothing, it's a hunch, but...

And it's new? Mmm.

But there is a small problem.

Who goes out with Marcos Cobos.

Carla's ex? Mmm.

Holy crap, aunt.

But does he know that the...?

Leave him alone.

I have to tell this to my team.

Whatever you need.

Paquito, come here, take it, hush.

Hey, since when do you have Paquito?

To Paquito? For nine years. Nine years?

Of course. Well, I thought it was someone else.

How could it be another one? Yes, I thought it was black.

Paquito has always been brown.

Well, of course, it has grown.

(THEY SPEAK IN ARABIC)

(Dramatic music)

(THEY LAUGH)

(Music continues)

(No audio, music continues)

(For music)

(Suspenseful music)

(LUA) # I was a tin man. #

(DRAWING)

# Looking for the Wizard of Oz.

# Because I didn't feel anything... #

It gives you a little wrinkle here on your arm.

We are not done yet.

Ole my girl. -Well, well, well.

You do it so well, Lúa.

Do you know that you have a gift? - Well, it is not inherited from the father,

because I see him singing at mass and it's pathetic.

Oh yeah? - You're not going to be hot in that, are you?

Ramonchu...

Go to the kitchen and prepare us a snack.

and you walk the dogs, come on, go.

Come on, guys.

Let's see...

Now yes.

(City environment)

And Paquito? Where is he? Look.

I had brought him... This is healthy for him.

The vet told me that it is very natural.

But Paquito has left us.

What do you mean he left you?

Well, he was very old and very sick.

and Pedro had to delete it yesterday. What do you say?

How are you?

(LAUGHS)

You're an idiot, dude. Dude, what a nerve.

Sure, what face do you want me to make?

But he's doing great at home.

I'm really glad, actually.

Aunt, don't be like that, don't you know me or what?

Understand.

I'm sorry. Okay?

Miriam, I'm sorry. Okay, okay.

What's wrong with you?

Ey...

What's happening?

I'm thirteen weeks pregnant.

But is there something wrong or...? Yes, yes, everything is fine.

Well...

I don't know, Grace, I...

I don't know if I have a life to have a child.

Or a profession. Look.

Do you think this is a life for a child?

(Dramatic music)

What kind of mother am I going to be?

An absent one.

What does David say?

Well, David doesn't know anything yet. Holy crap, girl.

Yes, yes, yes.

Of.

Of.

Miriam...,

you have to think about yourself.

How do you do it, aunt?

I don't know how to do it. I don't know. With two, with two...

This is for brave people. What do I know?

If I tell you about the morning I had... How would I know?

Well, tell me.

Look, all I can tell you is that it was worth it for me.

But?

A lot.

Thank you.

Come on, let's get back to it, what's wrong?

Well, you were right.

Don't fuck with me!

There you have it all.

Is this photo recent?

Yes. Less than two months.

"They met when Kala was a teenager, okay?"

They went to the same high school.

He calls himself Ahmed.

Then he dropped out of school and, you know,

fallen cape towards hell...

Radical environments, a few more phrases on the networks...

In fact, we were watching him for a while.

Gracia's team found him thanks to this photo, the one from the dinner.

Who belongs to everyone? The one with the hat.

And it is recent.

It's from about two months ago.

Was he with a beard and we didn't detect it?

When did you join Anti-Terrorism?

Sorry. No.

Well, I want an arrest warrant for this Ahmed, and Kala...

You prepare a report for me with whatever

to justify his arrest. Very well.

Carla...

That we should tell Marcos. No.

No. Trust me, things are very reactive.

And I'll take care of it, okay? I don't want any trouble with you.

You don't know anything.

Well, I really appreciate it.

OK.

Yes, halfway. I know because she told me.

I was 15 years old and that idiot hadn't done anything then.

They have seen each other... recently.

And it seems that more often.

He took a bullet for me.

If it weren't for her, I wouldn't be here.

Let's not forget that.

I've been thinking about it a thousand times, Marcos.

There is one thing that is incontestable, it is in all the reports.

He's an expert sniper, he had you in his sights.

It is impossible for a professional of that caliber

at that distance I fail... unless I want to.

It was a superficial wound. Really, that's why it was cancelled.

the mission and that's why he stayed with us,

It was a masterstroke. We let our guard down.

We're getting paranoid, Carla.

That photo means nothing.

I saw her face when she was shot, she wasn't expecting it.

The way to get to Fennec is the hawalador, not this.

We will keep a close eye on her, I ask you to be very professional.

and stay out of it.

(THEY SPEAK IN ARABIC)

Out!

(Shots)

Dead!

(Shots)

Dead!

(Shots)

Come on... -Dead.

(SCREAMING)

(THEY SPEAK IN ARABIC)

Do you miss home?

(THEY LAUGH)

(THEY LAUGH)

(Dramatic music)

(For music)

What are you still doing here?

No, I was leaving.

Who is it?

Kala. She's in a hotel.

I'm going to take the car out.

Okay. I'm down now. I'll see you down there, okay?

What's happening?

What's wrong? Nothing, he's at the hotel.

Fuck off.

See you tomorrow.

See you tomorrow.

Really...

Are you going to tell me what's wrong?

Marcos, you've been thinking about something else all day.

Is it work?

Let's see...

I shouldn't tell you this, okay?

Rodriguez's group... They have arrested Ahmed.

Diab.

AND?

I don't know why you're so worried.

Well, because he's your friend.

Marcos, that was a long time ago, if you know.

What's more, if I met that guy on the street,

I don't even know what face he would have.

OK?

So why don't you stop thinking about work...

and relax a little?

Yeah?

I see you're not in the mood.

Relax, come on.

(Spirit)

(Suspenseful music)

(SPEAKS IN ARABIC)

Uh...

What are you doing, Marcos?

Take your hand out of your bag. And this little game now...?

Kala, take your hand off your bag now, throw it away.

And if not, then what? Take your hand out of your bag!

What are you saying? Throw the fucking bag away!

And now what? Hands on head.

What do you say? Kala, on the head.

Is this a joke? Knees on the floor.

No joke. What are you up to?

Get your fucking knees on the floor, Kala!

OK.

Marcos, can you tell me what's wrong?

Now I'm going to put the handcuffs on you, okay?

What wives, what...? Marcos, what's...? Ah!

Marcos, Marcos... Ah, my arm, Marcos!

Marcos, my arm!

Don't force it then.

¡Marcos!

Can you tell me what the fuck is going on?

What the fuck are you doing, dude?

Ah, fuck, my arm.

Marcos...

Can you tell me what's wrong, man?

What, have you lost your fucking mind or what?

What are you doing handcuffing me, Marcos?

Can you tell me what's going on?

"Come up now, I need you to come up now."

OK, let's go up.

Marcos, can you fucking let me go?

Marcos...

Marcos, can you look at me, please? Can you tell me something?

Oh. You broke my arm, man.

Everything okay, Marcos?

We carry it within us.

What is this, a joke?

What do you mean...? Marcos.

Let me go, man. Marcos!

Marcos, Marcos, look at me, man.

Oh.

Can you tell me what the fuck is going on? What the fuck are you doing, man? Ah!

Shit.

Let me go!

Ah! Let me go! Fuck!

Watch your shoulder.

Marcos, I curse you.

(Music continues)

"Why do you collaborate with them?"

"Miriam, I don't collaborate with anyone."

"Is Ahmed blackmailing you, threatening you? Tell me. I want to know."

I have nothing to do with him.

Kala, we know you're still seeing him.

Don't take me for an idiot.

Who is this?

Well, sometimes we meet at friends' dinners and such,

But I don't talk to him, he doesn't even know I'm a police officer.

Oh, no? Look how good.

You have dinner with someone, you don't talk to them, they don't know what you do...

Okay. What happened on the subway?

I don't know, Miriam, what happened on the subway?

You tell me.

I'm asking you, what happened? I don't know what you mean.

Just before the subway arrives, you take out your phone and let him know.

How? How? Do you want to see the pictures?

Should I show them to you?

I remind you that everything is recorded.

How do you communicate with Fennec?

You think you're so smart, don't you?

Kala, you think you're smarter than all of us here, don't you?

Where is Fennec?

Who were you talking to on the phone when you locked yourself in the bathroom?

Marcos, I was texting a friend, man.

It's your fault my daughter was shot. So tell me why you're doing this.

Isn't it better to get rid of Cobos? I see him as too involved.

"Tell me why you are doing this."

What the fuck did they promise you? Talk to me.

Why? Mark...

What did they promise you? What did they promise you?

What was the plan? Kill my daughter or kill me? Tell me.

What was the plan? Did it work or fail?

I got shot in the fucking arm. And that's why you're here!

And that's why I trusted you!

And that's why you were able to warn Fennec.

how to escape when we had him surrounded.

Where is Fennec?

How do you communicate with him?

As?

Miriam, I'm your partner, please.

You have no idea what it's like to be a partner,

You have no idea what it's like to be a police officer.

Kala, tell me where it is...

"and we're done with this."

"It's over. Miriam,"

I don't know anything. Stop lying, damn it!

Stop lying and look at my face.

You killed my friend.

Sergio isn't here because of you.

You almost killed my daughter's mother.

You understand?

Look at my face, look at my face.

You won't be able to do it with me.

Burn that into your fucking head. Look at my face!

They won't be able to do it with me.

And you're going to rot in here.

I swear by my father, you'll rot in here.

(TO HIMSELF) What a disaster.

(Door opening)

¡Marcos!

¡Marcos!

Marcos... I screwed up. I screwed up.

Go home. Go home and take the day off.

I took her to my house. To Lúa. It was me.

I took her to the Fennec operation. Let's go.

Ey...

And.

Nobody saw it coming, here we go.

Sorry, Carla. No.

I'm sorry, really.

I didn't see it.

I let my guard down in a restaurant

where there have been victims because I was inside.

(Dramatic music)

Don't punish yourself anymore.

It doesn't matter what happened between you and Kala.

It doesn't matter at all. I had it here!

So what? And I didn't see her.

So what? I was already inside.

He gained everyone's trust,

he has screwed us all.

Fennec and Nahila are out there.

We can't waste time.

Can you hear me?

By the Moon. By the Moon. Marcos...

Al 100%.

Our daughter was shot because of me.

Because of me.

"Where is Fennec and how do you communicate with him?"

(CRYING) Miriam, I swear I don't know anything.

Where's Fennec? I don't fucking know.

Where is Fennec? I don't know!

That I have nothing to do with them.

Where is it? Just get it over with. I don't know anything.

Where is Fennec? What is the next objective?

Which is it?

I would never hurt anyone I love.

How many more of our comrades have to die, Kala?

You're going to end up talking.

And I hope... it's as soon as possible, ok?

For your own good.

"Joder...".

Miriam, it's green.

Miriam.

Miriam... I'm pregnant.

Thirteen weeks.

(Dramatic music)

You're going to be a dad.

Thirteen? Mmm.

I'll see what happens.

(Music continues)

(For music)

(City environment)

(WOMAN) Thank you. -See you later.

(Dramatic music)

(CRIES)

No...

(Mobile)

(Mobile)

(THEY SPEAK IN ARABIC)

(For music)

(Office environment)

Fatima..., do you have Nadia's reports yet?

No. No, but I'm going now.

As soon as you have them, pass them to me, okay?

Yes, yes, of course. -Thank you.

(Suspenseful music)

Carla, I'm down here.

Come on, that's it for now.

Oh, Fatima.

Come in. Thanks.

Always running, huh? Yes.

Are you okay? Yes, and you?

(Music continues)

(Door opening beep)

(Indistinct conversations)

Carla, one second. -What are you doing?

¡Carla!

(Action music)

Everybody out! Out!

Get out of here!

Carla! Carla, are you okay?

What are you telling me? Carla, open the door.

Shut up! Shut the fuck up! Take her away!

Get down on the ground! Get down on the ground!

Someone, get this. Hands against the wall. Come on!

Don't believe anything. It's the mole.

Bring some handcuffs. -Carla, listen to me, please.

Shut up! Shut up!

Don't believe a word he says.

Shut up! -Please...

Bring him to court now. My sister, please.

They have her, they are going to kill her. You don't know what you've done.

Two comrades have died! What are you telling me?

Shut up! I'm really sorry.

Please, Carla... Take her away.

Now! My sister, please.

They are going to kill her.

Take it away!

Take it away!

Take it away!

God.

Where is Marcos?

(CRYING) No!...

(For music)

I can't believe it.

With what it has cost this girl.

What a pain,

who was warning him from here, from the central office.

You have not used your work SIM card.

That's why we haven't detected any strange movement.

Son of a bitch.

Hello, Silver.

I'm not going to beat around the bush.

And I'm not going to give you a speech

We are sorry and I hope you forgive us.

We work on information, we investigate,

we are investigated

because we can't afford bad apples

and even less so when they have killed two of our own.

Today it was your turn, tomorrow it could be the turn of the rest of us.

I hope you understand because you are a member of the unit.

and I would like it to remain that way.

I am at your disposal, Commissioner.

Perfect.

Well even though you never left, welcome back to the unit.

And Inspector Cobos will give you your assignments.

Welcome, pickle.

Thank you, Miriam.

Different...

Very sorry.

Really.

If you want, we can talk outside later.

Only if it's strictly professional, inspector.

And now, if you'll excuse me...

(Dramatic music)

Police station, we are ready. If you try to trace the call,

will appear to be at home. Thank you.

"Tell me, Carla." Let him call.

Very good.

Calls.

Fatima, look at me.

Calls.

You know it's the only way we can help your sister.

They already know I want to talk to them.

They will call me from another device soon.

"Okay, we'll stand by, OK?"

(THEY SPEAK IN ARABIC)

We're almost there.

OK, we got it.

"¿Fátima?".

She is alive, inform Morocco.

(Call end tone)

Okay, we stay here ready for anything, okay?

"Someone put it in charge, please."

"I'll be right back."

"(LLORA)".

(MAN, SPEAKING IN ARABIC)

They followed us. Alba, go with them to the apartment.

We maintain radio communication.

Marcos.

Luck.

Thanks, Rodriguez.

We finally have an advantage.

Real.

Objective.

At the moment,

They believe they have managed to place the beacon.

They will probably act soon for fear that we will discover them.

They will come to scout the area tonight.

They will send a vanguard, sentinels.

We cannot afford to make a single mistake.

We cannot raise any suspicion in the area.

Not a single movement out of the ordinary.

And above all, we will not take action.

until we are 100% sure that our goal is here.

Our target is Fennec Brahim.

And tonight we're going to catch him.

OK, guys?

Let's get to it.

Alpha and Bravo units, underway.

(Suspenseful music)

How are you?

GOOD.

Marcos, I'm really sorry about Sergio.

He was a good companion, a good police officer.

We loved him very much in the unit.

Atomic clocks, Jaime.

We're gonna get this son of a bitch.

Let's go.

GEO, let's go.

(MAN) "How are you, how's everything going?"

We are almost ready now.

We will have images soon.

Perfect. Marta, please stop by.

with the Moroccan police chief. Now.

We're not going to intervene before we know where Fennec is.

I think you know perfectly well that that is the priority, boss.

We're ordering dinner. I don't want anything.

You should eat something.

My stomach is closed. Carla...

No. What's up?

Okay. Chicken and water, thanks. - Heard.

And coffee, David, please. Okay.

Carla, you already have the call with Morocco online.

Perfect.

(THEY SPEAK IN ARABIC)

(Suspenseful music)

(Mobile, vibrator)

Morocco reports that they have been in contact

with the kidnappers from Spain.

What? We're tracing the call.

It looks like a mobile phone from Granada.

It is... here, in the La Chana neighborhood.

There are some pavilions...

And a foundation, it seems.

(SHOULDER) Carla, what's wrong?

Carla.

(Mobile, vibrator)

Carla. "Surveillance at the foundation

and in the target's home."

Find out where Al-Hassan is now, but don't intervene.

Okay, boss. Miriam, can you hear me?

"Sí, dime".

"You're going to Granada with Nawja, I want you to coordinate from there."

Very good.

What happened to my sister?

You're next.

Nawja. (NAWJA) Yes.

It's worth it, it's worth it.

One second.

(Mobile, vibrator)

Tell me, Carla.

Alvaro, we're not doing anything until Fennec acts.

"OK, agreed."

That's right, you were the one doing tricks before the operations, right?

Do you want one?

Come on.

Do you see this coin?

So now very slowly I'm going to take it with this hand.

And all you have to do is blow.

Is that the best you can blow?

What a bastard.

And the coin has disappeared.

Do you like magic?

I love it.

Well now we have something in common.

I was around here and decided to go up personally.

That's it, that's it, Manuel, the entire network is under surveillance.

Al-Hassan in the villa, number 2, the one who talks to the kidnappers

is in the foundation. The third is missing.

When are you going to stop him? As soon as we have Fennec.

No doubt? Doubt?

Carla, look, give me three, give me four hours.

Give me four hours. I need time to erase everything that links us to him.

Manuel, I'm not going to delay it.

As soon as we have Fennec, we will act.

Carla, they are going to crucify me if they know that he is our informant.

Please, Carla, I need time, time.

In three hours everything is solved.

(Suspenseful music)

Someone is approaching.

He is raising the bridge.

Hey, girls. Yeah?

We already have a signal. Oh, great, let's go.

Let's go.

Miriam.

"No movement in Al-Hassan village."

When you give me the green light, we go in.

"We're waiting, Miriam." Very well.

Is it him?

"Do you recognize him?" -No.

"You have the hood of your jacket on."

"But he's wearing a backpack."

Let no one do anything until they are sure.

He's leaving.

Alba, come to the window, show yourself.

He bit. That's it.

He's got his monocular out, he's looking this way.

"It's him, positive recognition."

Everybody ready.

Carla, it's him.

Green light.

Go ahead, GEO.

Come on, come on, come on. Come on, come on.

(Action music)

Stop, police!

Stop! -Police!

High.

"Las manos".

That I can see them.

Lift up your clothes.

That is.

Turn around.

(Suspenseful music)

Turn around again.

That is.

"The hands, Fennec!".

"Behind the head."

To the ground.

Marcos, it looks clean.

"Let's go get him."

Copied.

(SPEAKS IN ARABIC)

What is he doing?

The backpack!

"Back off, everybody back off now."

(ALVARO) Whore host.

(For music)

"Jaime".

Jaime, do you copy?

"Jaime, ¿me copias?".

Jaime, fuck, answer.

(JAIME) "Marcos, we're fine here."

"It has been immobilized".

"The target has fallen."

"I repeat."

The target has fallen.

Shit!

(Dramatic music)

That's it.

We're going for Al-Hassan. First, the hostage.

First, the hostage.

(THEY SPEAK IN ARABIC)

(CRIES)

(Mobile, vibrator)

Yeah.

Mmm.

OK.

Okay. Thanks.

Your sister is fine.

(Dramatic music)

(CRIES)

Roberto, I...

Very sorry.

I'm really, really sorry.

Sorry.

Alvaro...

Good job.

Thank you.

(Mobile, vibrator)

Yes, Marcos, what happened?

Fennec. He's dead.

We still have to catch the sister, but I wanted to give you the news.

(Dramatic music)

Thanks for telling me.

Although right now it is no consolation.

No.

It's no consolation at all.

(CRIES)

I've notified everyone, we can proceed, Carla.

Green light in Granada. Miriam, I want Al-Hassan alive,

and arrest all the foundation's workers.

(For music)

(Suspenseful music)

Stop, police!

Stop, police! Hands where I can see them!

Stop, police!

Stop, police!

(THEY SPEAK IN ARABIC)

Stop, police!

The Secretary of State almost had a heart attack when I mentioned Al-Hassan.

He has asked to take it discreetly.

That the name of the detainee not be communicated to the press,

at least for now.

It's a delicate thing.

Yes, delicate, yes.

(Music continues)

"This is going to have important consequences."

There are a lot of people who are having a hard time.

In some offices,

the shredders must be on fire.

What's happening?

Come, I have to show you something.

What? Come, look.

And this?

A tunnel.

Where does it go?

Well, we believe that it communicates with the outside.

And that is where Al-Hassan escaped.

Don't fuck with me.

"Carla, Al-Hassan is not here."

What do you mean it's not there? What the hell are you telling me?

What do you mean he's not here? What happened?

Well, it's not there. Let's see, there's a tunnel that connects to the house.

He came out here. "What's going on?"

What happened, Miriam? They've warned him, for sure. But for sure.

(Dramatic music crescendos)

(Series theme tune)

(For music)